Mckitterick CV / 1

Total Page:16

File Type:pdf, Size:1020Kb

Mckitterick CV / 1 Christopher McKitterick C.V. 1445 Jayhawk Blvd, 3040 Wescoe Hall, University of Kansas, Lawrence, KS 66044, USA (785) 864-2509 [email protected] sfcenter.ku.edu aboutsf.com christopher-mckitterick.com Director, Gunn Center for the Study of Science Fiction Chair, John W. Campbell Memorial Award Senior Faculty, English Department Education .................................................................................................................................................................................. 1 Employment History .................................................................................................................................................................. 2 KU Administrative History ......................................................................................................................................................... 3 Publications - Creative Work ..................................................................................................................................................... 4 Novel .................................................................................................................................................................................... 4 Books Currently in Progress ................................................................................................................................................. 5 Other Books ......................................................................................................................................................................... 5 Short Fiction in Anthologies .................................................................................................................................................. 5 Short Fiction in Magazines ................................................................................................................................................... 6 Poetry ................................................................................................................................................................................... 7 Gaming Publications............................................................................................................................................................. 7 Marketing Copy .................................................................................................................................................................... 7 Song Lyrics ........................................................................................................................................................................... 7 Creative Writing Honors and Awards.................................................................................................................................... 7 Publications - Academic and Nonfiction .................................................................................................................................... 9 Books in Progress ................................................................................................................................................................ 9 Book Chapters ...................................................................................................................................................................... 9 Journal Articles ..................................................................................................................................................................... 9 Magazine Articles ............................................................................................................................................................... 10 Newsletter Articles .............................................................................................................................................................. 10 Digital Humanities............................................................................................................................................................... 10 Website Development ........................................................................................................................................................ 12 Technical Writing ................................................................................................................................................................ 12 Technical-Writing Awards .............................................................................................................................................. 13 Editing ..................................................................................................................................................................................... 15 Journals .............................................................................................................................................................................. 15 Handbook ........................................................................................................................................................................... 15 Online Magazine ................................................................................................................................................................ 15 Technical Editing ................................................................................................................................................................ 15 Editing Awards ................................................................................................................................................................... 15 Presentations, Workshops, and Special Events ..................................................................................................................... 16 University of Kansas Teaching ............................................................................................................................................... 23 Teaching Honors ................................................................................................................................................................ 23 Dissertation and Thesis Supervision .................................................................................................................................. 23 Undergraduate Thesis Supervision .................................................................................................................................... 23 Courses Taught .................................................................................................................................................................. 24 By Semester (duplicates are additional sections)........................................................................................................... 25 Student Publishing Successes ........................................................................................................................................... 28 Academic Student Advising ................................................................................................................................................ 28 Service .................................................................................................................................................................................... 29 University of Kansas Service .............................................................................................................................................. 29 Gunn Center for the Study of Science Fiction ................................................................................................................ 30 Technical Communications ............................................................................................................................................ 30 Lecturers and Readers ................................................................................................................................................... 30 Information and Telecommunication Technology Center ............................................................................................... 32 English Department Service ............................................................................................................................................... 33 Professional Service ........................................................................................................................................................... 33 Public Service ..................................................................................................................................................................... 34 Grants and Funding ................................................................................................................................................................ 35 International Connections and Collaborations ........................................................................................................................ 35 Professional Memberships ...................................................................................................................................................... 35 Revision: Jan 30, 2018. McKitterick CV / 1 Education Post-Graduate, Science Fiction Studies, Literature and Writing (1995 – Present). Gunn Center for the Study of Science Fiction, Lawrence,
Recommended publications
  • To Sunday 31St August 2003
    The World Science Fiction Society Minutes of the Business Meeting at Torcon 3 th Friday 29 to Sunday 31st August 2003 Introduction………………………………………………………………….… 3 Preliminary Business Meeting, Friday……………………………………… 4 Main Business Meeting, Saturday…………………………………………… 11 Main Business Meeting, Sunday……………………………………………… 16 Preliminary Business Meeting Agenda, Friday………………………………. 21 Report of the WSFS Nitpicking and Flyspecking Committee 27 FOLLE Report 33 LA con III Financial Report 48 LoneStarCon II Financial Report 50 BucConeer Financial Report 51 Chicon 2000 Financial Report 52 The Millennium Philcon Financial Report 53 ConJosé Financial Report 54 Torcon 3 Financial Report 59 Noreascon 4 Financial Report 62 Interaction Financial Report 63 WSFS Business Meeting Procedures 65 Main Business Meeting Agenda, Saturday…………………………………...... 69 Report of the Mark Protection Committee 73 ConAdian Financial Report 77 Aussiecon Three Financial Report 78 Main Business Meeting Agenda, Sunday………………………….................... 79 Time Travel Worldcon Report………………………………………………… 81 Response to the Time Travel Worldcon Report, from the 1939 World Science Fiction Convention…………………………… 82 WSFS Constitution, with amendments ratified at Torcon 3……...……………. 83 Standing Rules ……………………………………………………………….. 96 Proposed Agenda for Noreascon 4, including Business Passed On from Torcon 3…….……………………………………… 100 Site Selection Report………………………………………………………… 106 Attendance List ………………………………………………………………. 109 Resolutions and Rulings of Continuing Effect………………………………… 111 Mark Protection Committee Members………………………………………… 121 Introduction All three meetings were held in the Ontario Room of the Fairmont Royal York Hotel. The head table officers were: Chair: Kevin Standlee Deputy Chair / P.O: Donald Eastlake III Secretary: Pat McMurray Timekeeper: Clint Budd Tech Support: William J Keaton, Glenn Glazer [Secretary: The debates in these minutes are not word for word accurate, but every attempt has been made to represent the sense of the arguments made.
    [Show full text]
  • Carleton University Winter 2017 Department of English ENGL 2906
    Carleton University Winter 2017 Department of English ENGL 2906 B Culture and Society: Gothic and Horror Prerequisite(s): 1.0 credit in ENGL at the 1000 level or permission of the Department Tuesdays 6:05 – 8:55 pm 182 Unicentre Instructor: Aalya Ahmad, Ph.D. Email: [email protected] Office: 1422 Dunton Tower Office Hours: please email me for an appointment Course Description: This course is an overview of Gothic and Horror fiction as literary genres or fictional modes that reflect and play with prevalent cultural fears and anxieties. Reading short stories that range from excerpts from the eighteenth-century Gothic novels to mid-century weird fiction to contemporary splatterpunk stories, students will also draw upon a wide range of literary and cultural studies theories that analyze and interpret Gothic and horror texts. By the end of this course, students should have a good grasp of the Gothic and Horror field, of its principal theoretical concepts, and be able to apply those concepts to texts more generally. Trigger Warning: This course examines graphic and potentially disturbing material. If you are triggered by anything you experience during this course and require assistance, please see me. Texts: All readings are available through the library or on ARES. Please note: where excerpts are indicated, students are also encouraged to read the entire text. Evaluation: 15% Journal (4 pages plus works cited list) due January 31 This assignment is designed to provide you with early feedback. In a short journal, please reflect on what you personally have found compelling about Gothic or horror fiction, including a short discussion of a favourite or memorable text(s).
    [Show full text]
  • SFRA Newsletter 259/260
    University of South Florida Scholar Commons Digital Collection - Science Fiction & Fantasy Digital Collection - Science Fiction & Fantasy Publications 12-1-2002 SFRA ewN sletter 259/260 Science Fiction Research Association Follow this and additional works at: http://scholarcommons.usf.edu/scifistud_pub Part of the Fiction Commons Scholar Commons Citation Science Fiction Research Association, "SFRA eN wsletter 259/260 " (2002). Digital Collection - Science Fiction & Fantasy Publications. Paper 76. http://scholarcommons.usf.edu/scifistud_pub/76 This Article is brought to you for free and open access by the Digital Collection - Science Fiction & Fantasy at Scholar Commons. It has been accepted for inclusion in Digital Collection - Science Fiction & Fantasy Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. #2Sfl60 SepUlec.JOOJ Coeditors: Chrlis.line "alins Shelley Rodrliao Nonfiction Reviews: Ed "eNnliah. fiction Reviews: PhliUp Snyder I .....HIS ISSUE: The SFRAReview (ISSN 1068- 395X) is published six times a year Notes from the Editors by the Science Fiction Research Christine Mains 2 Association (SFRA) and distributed to SFRA members. Individual issues are not for sale. For information about SFRA Business the SFRA and its benefits, see the New Officers 2 description at the back of this issue. President's Message 2 For a membership application, con­ tact SFRA Treasurer Dave Mead or Business Meeting 4 get one from the SFRA website: Secretary's Report 1 <www.sfraorg>. 2002 Award Speeches 8 SUBMISSIONS The SFRAReview editors encourage Inverviews submissions, including essays, review John Gregory Betancourt 21 essays that cover several related texts, Michael Stanton 24 and interviews. Please send submis­ 30 sions or queries to both coeditors.
    [Show full text]
  • Dragon Magazine #228
    Where the good games are As I write this, the past weekend was the WINTER FANTASY ™ slots of the two LIVING DEATH adventures; all the judges sched- gaming convention. uled to run them later really wanted to play them first. That’s a It is over, and we’ve survived. WINTER FANTASY isn’t as hectic vote of confidence for you. or crowded as the GENCON® game fair, so we can relax a bit These judges really impressed me. For those of you who’ve more, meet more people, and have more fun. never played a LIVING CITY, LIVING JUNGLE™, or LIVING DEATH game, It was good meeting designers and editors from other game you don’t know what you’re missing. The judges who run these companies and discussing trends in the gaming industry, but it things are the closest thing to a professional corps of DMs that was also good sitting in the hotel bar (or better yet, Mader’s, I can imagine. Many judges have been doing this for years, and down the street) with old friends and colleagues and just talk- some go to gaming conventions solely for the purpose of run- ing shop. ning games. They really enjoy it, they’re really good, and they Conventions are business, but they are also fun. really know the rules. I came out of WINTER FANTASY with a higher respect for the Now the Network drops into GENCON gear. Tournaments are people who run these things. TSR’s new convention coordina- being readied and judges are signing up.
    [Show full text]
  • Paolo Bacigalupi
    Paolo Bacigalupi Author, The Water Knife Council Member Lorelei Cloud is a member of the Southern Paolo Bacigalupi’s writing has appeared in WIRED Magazine, High Country News, Salon.com, OnEarth Magazine, The Magazine of Fantasy and Science Fiction, and Asimov’s Science Fiction Magazine. His short fiction been anthologized in various “Year’s Best” collections of short science fiction and fantasy, nominated for three Nebula Awards, four Hugo Awards, and won the Theodore Sturgeon Memorial Award for best science fiction short story of the year. His short story collection Pump Six and Other Stories was a 2008 Locus Award winner for Best Collection and also named a Best Book of the Year by Publishers Weekly. His debut novel, The Windup Girl, was named by TIME Magazine as one of the ten best novels of 2009, and also won the Hugo, Nebula, Locus, Compton Crook, and John W. Campbell Memorial Awards. Internationally, it has won the Seiun Award (Japan), The Ignotus Award (Spain), The Kurd‐ Laßwitz‐Preis (Germany), and the Grand Prix de l’Imaginaire (France). His debut young adult novel, Ship Breaker, was a Micheal L. Printz Award Winner, and a National Book Award Finalist, and its sequel, THE DROWNED CITIES, was a 2012 Kirkus Reviews Best of YA Book, A 2012 VOYA Perfect Ten Book, and 2012 Los Angeles Times Book Prize Finalist. He has also written Zombie Baseball Beatdown for middle‐ grade children, about zombies, baseball, and, of all things, meatpacking plants. Another novel for teens, The Doubt Factory, a contemporary thriller about public relations and the product defense industry was a both an Edgar Award and Locus Award Finalist.
    [Show full text]
  • Souveneir & Program Book (PDF)
    1 COOMM WWEELLC EE!! NNVVEERRGGEENNCCEE 22001133 TTOO CCOO LCOOM WWEELC MEE!! TO CONVERGENCE 2013 starting Whether this is your fifteenth on page time at CONvergence or your 12, and first, CONvergence aims meet to be one of the best them celebrations of science all over the fiction and fantasy on course of the the planet. And possibly weekend. the universe as well, but Our panels are we’ll have to get back filled with other top to you on that. professionals and This year’s theme is fans talking British Invasion. We’ve about what they always loved British love, even if it is contributions to what they love to science fiction and hate. The conven- fantasy — from tion is more than H.G. Wells to Iain just panel discus- Banks or Hitch- sions — Check hiker’s Guide to out Mr. B. the Harry Potter. It’s Gentleman Rhymer the 50th Anni- (making his North versary of Doctor American debut Who as well (none on our Mainstage), of us have forgot- the crazy projects ten about that) and going on in Con- you’ll see that reflected nie’s Quantum Sand- throughout the conven- box, and a movie in Cinema Rex. tion. Get a drink or a snack in CoF2E2 or We have great Guests of Honor CONsuite, or visit all of our fantastic par- this year, some with connections to the theme and oth- ties around the garden court. Play a game, see some ers that represent the full range of science fiction and anime, and wear a costume if it suits you! fantasy.
    [Show full text]
  • Asimov's SF, March 2010 by Dell Magazine Authors
    Asimov's SF, March 2010 by Dell Magazine Authors Dell Magazines www.dellmagazines.com Copyright ©2010 by Dell Magazines NOTICE: This eBook is licensed to the original purchaser only. Duplication or distribution to any person via email, floppy disk, network, print out, or any other means is a violation of International copyright law and subjects the violator to severe fines and/or imprisonment. This notice overrides the Adobe Reader permissions which are erroneous. This eBook cannot be legally lent or given to others. This eBook is displayed using 100% recycled electrons. 2 Asimov's SF, March 2010 by Dell Magazine Authors Cover art for "The Mechanic" by Donato Giancola 24" x 36" oil on panel © 2009 Donato Giancola 3 Asimov's SF, March 2010 by Dell Magazine Authors CONTENTS Department: EDITORIAL: AFFECTING ETERNITY II by Sheila Williams Department: REFLECTIONS: SHOWING AND TELLING by Robert Silverberg Department: ON THE NET: THE PRICE OF FREE (PART ONE) by James Patrick Kelly Novelette: HELPING THEM TAKE THE OLD MAN DOWN by William Preston Poetry: MARBLE PEOPLE by Bruce Boston Short Stories: CENTAURS by Benjamin Crowell Poetry: CRAZY MAN by Mark Rich Novelette: BLIND CAT DANCE by Alexander Jablokov Short Story: TICKET INSPECTOR GLIDEN BECOMES THE FIRST MARTYR OF THE GLORIOUS HUMAN UPRISING by Derek Zumsteg Poetry: OUR CANINE DEFENSE TEAM by Vincent Miskell Short Story: THE SPEED OF DREAMS by Will Ludwigsen Department: NEXT ISSUE Novelette: THE TOWER by Kristine Kathryn Rusch Department: ON BOOKS by Paul Di Filippo Department: SF CONVENTIONAL CALENDAR by Erwin S. Strauss * * * * Asimov's Science Fiction. ISSN 1065-2698.
    [Show full text]
  • The Apocalyptic Book List
    The Apocalyptic Book List Presented by: The Post Apocalyptic Forge Compiled by: Paul Williams ([email protected]) As with other lists compiled by me, this list contains material that is not strictly apocalyptic or post apocalyptic, but that may contain elements that have that fresh roasted apocalyptic feel. Because I have not read every single title here and have relied on other peoples input, you may on occasion find a title that is not appropriate for the intended genre....please do let me know and I will remove it, just as if you find a title that needs to be added...that is appreciated as well. At the end of the main book list you will find lists for select series of books. Title Author 8.4 Peter Hernon 905 Tom Pane 2011, The Evacuation of Planet Earth G. Cope Schellhorn 2084: The Year of the Liberal David L. Hale 3000 Ad : A New Beginning Jon Fleetwood '48 James Herbert Abyss, The Jere Cunningham Acts of God James BeauSeigneur Adulthood Rites Octavia Butler Adulthood Rites, Vol. 2 Octavia E. Butler Aestival Tide Elizabeth Hand Afrikorps Bill Dolan After Doomsday Poul Anderson After the Blue Russel C. Like After the Bomb Gloria D. Miklowitz After the Dark Max Allan Collins After the Flames Elizabeth Mitchell After the Flood P. C. Jersild After the Plague Jean Ure After the Rain John Bowen After the Zap Michael Armstrong After Things Fell Apart Ron Goulart After Worlds Collide Edwin Balmer, Philip Wylie Aftermath Charles Sheffield Aftermath K. A. Applegate Aftermath John Russell Fearn Aftermath LeVar Burton Aftermath, The Samuel Florman Aftershock Charles Scarborough Afterwar Janet Morris Against a Dark Background Iain M.
    [Show full text]
  • The Founder Effect
    Baen Books Teacher Guide: The Founder Effect Contents: o recommended reading levels o initial information about the anthology o short stories grouped by themes o guides to each short story including the following: o author’s biography as taken from the book itself o selected vocabulary words o content warnings (if any) o short summary o selected short assessment questions o suggested discussion questions and activities Recommended reading level: The Founder Effect is most appropriate for an adult audience; classroom use is recommended at a level no lower than late high school. Background: Published in 2020 by Baen Books, The Founder Effect tackles the lens of history on its subjects—both in their own words and in those of history. Each story in the anthology tells a different part of the same world’s history, from the colonization project to its settlement to its tragic losses. The prologue provides a key to the whole book, serving as an introduction to the fictitious encyclopedia and textbook entries which accompany each short story. Editors’ biographies: Robert E. Hampson, Ph.D., turns science fiction into science in his day job, and puts the science into science fiction in his spare time. Dr. Hampson is a Professor of Physiology / Pharmacology and Neurology with over thirty-five years’ experience in animal neuroscience and human neurology. His professional work includes more than one hundred peer-reviewed research articles ranging from the pharmacology of memory to the first report of a “neural prosthetic” to restore human memory using the brain’s own neural codes. He consults with authors to put the “hard” science in “Hard SF” and has written both fiction and nonfiction for Baen Books.
    [Show full text]
  • Conference Program
    Thirty-Ninth International Conference on the Fantastic in the Arts ConferenCe Program No taping of sessions may take place without signed permission from an elected officer of the IAFA Executive Board and from all individuals participating in the session. Wednesday, March 14 11:00am-6:00pm 9:00am-6:00pm Registration Desk IAFA Book Exhibit and Sales Main Floor Augusta A/B Coordinator: Karen Hellekson Director: Mark Wingenfeld Audio-Visual Acrobatics coordinated by the incomparable Sean Nixon 2:30-3:15 p.m. Pre-Opening Refreshment Ballroom Foyer 3:30-4:15 p.m. Opening Ceremony Ballroom Host: Donald E. Morse, Conference Chair Welcome from the President: Sherryl Vint Opening Panel: Mary Shelley’s Legacies Moderator: Gary K. Wolfe Nike Sulway, John Kessel, Fred Botting Wednesday, 4:30-6:00pm Sessions 1-11 C 1. (IF/SF/VPAA) Magic and Science Fiction from the Perso- 2. (FTFN/CYA) Constructing Identity in Wonder Tales P O Arabic World and Lovecraft Chair: Linda J. Lee I V N E Chair: Debbie Felton University of Pennsylvania E University of Massachusetts-Amherst Navigating Enfreaked Disabilities in the Realms of Victorian Orange Princesses, Emerald Sorcerers and Dandy Demons: Fairy Tales The Fantastic in Persianate Miniature Painting and Epic Literature Victoria Phelps Zahra Faridany-Akhavan Saginaw Valley State University Independent Scholar With Eyes both Brown and Blue: Making Monsters in Lost Girl The Vault of Heaven: Science Fiction’s Perso-Arabic Origins Jeana Jorgensen Peter Adrian Behravesh Indiana University/Butler University University of Southern Maine The Dark Arts and the Occult: Magic(k)al Influences on/of H.
    [Show full text]
  • SFRA Newsletter I July/August 1990, No
    University of South Florida Scholar Commons Digital Collection - Science Fiction & Fantasy Digital Collection - Science Fiction & Fantasy Publications 8-1-1990 SFRA ewN sletter 179 Science Fiction Research Association Follow this and additional works at: http://scholarcommons.usf.edu/scifistud_pub Part of the Fiction Commons Scholar Commons Citation Science Fiction Research Association, "SFRA eN wsletter 179 " (1990). Digital Collection - Science Fiction & Fantasy Publications. Paper 124. http://scholarcommons.usf.edu/scifistud_pub/124 This Article is brought to you for free and open access by the Digital Collection - Science Fiction & Fantasy at Scholar Commons. It has been accepted for inclusion in Digital Collection - Science Fiction & Fantasy Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. ISFRA Newsletter I July/August 1990, No. 179 In This Issue: President's Message (Hull) 3 Pioneer Announcement (Williams) ~ 5 Pioneer Presentation (fatsumi) 6 Pioneer Acceptance (Hollinger) 8 Pilgrim Presentation (Cummins) 11 Pilgrim Acceptance (fymn) 13 Nominating Committee Report (Hardesty) 16 Current Works in Progress 17 Studies for New Literary Genre Series Sought (Barron) 18 The Shape of Films to Come (Krulik) 18 Recent and Forthcoming Books (Barron) 22 Executive Committee Meeting Minutes (Mead) 24 Business Meeting Minutes (Mead) 27 Miscellany (Barron) 29 Directory Update (Mead) 30 Call for Papers (Slusser) 33 Feedback 34 Campbell & Sturgeon Awards (Gunn) 35 Editorial (Harfst) 36 REVIEWS: Non-Fiction: Ellison, Harlan Ellison's Watching (Klossner) 37 Engle, Rod Serling: The Dreams and Nightmares of Life in the Twilight Zone (Klossner) 38 Huntington, Rationalizing Genius (Mellott) 39 laValley, Invasion ofthe BodySnatchers (Klossner) .41 Weinberg, Dziemianowirtz, and Greenberg, Rivals of Weird Tales (Heller) .42 Fiction: Asprin, M.
    [Show full text]
  • Here: Information and Its Children (2012) Online Portfolio Is Available Here: with Aaron Barlow
    The Third Annual City Tech Schedule Symposium on Science Fiction 9:00am-9:20am Continental Breakfast and Opening Remarks 200 Years of Interdisciplinarity Location: Academic Complex A105 Beginning with Mary Justin Vazquez-Poritz, Dean of the School Shelley’s Frankenstein of Arts and Sciences, New York City College of Technology Tuesday, Nov. 27, 2018, 9:00am-6:00pm Jason W. Ellis, New York City College of Technology New York City College of Technology, CUNY Academic Complex, Room A105 9:20am-10:35am 285 Jay St., Brooklyn, NY 11201 Session 1: Affect and Experimentation Location: Academic Complex A105 Organizing Committee: Jill Belli, Jason W. Moderator: Jason W. Ellis Ellis, Leigh Gold, Lucas Kwong, Robert Leigh Gold, “The Legacy of Frankenstein: Lestón, and A. Lavelle Porter Science, Mourning, and the Ethics of Experimentation” Hosted by the School of Arts and Sciences. Lucas Kwong, “The Island Of Dr. Moreau, Fantastic Ambivalence, and the Event hashtag: #CityTechSF Victorian “Science Of Religion” Robert Lestón, “Between Intervals: A Soundscape for all Us Monsters” The kind of literature that came to be known as Science Fiction (SF) owes a tremendous debt to Mary Shelley’s Frankenstein, or The 10:35am-10:45am Modern Prometheus (1818). In addition to Break being an (if not the) inaugural work of SF, Mary Shelley builds her cautionary tale around interdisciplinary approaches to 10:45am-12:00am science, and she takes this innovation further Session 2: Identity and Genre by applying the humanities to question the Location: Academic Complex A105 nature of being in the world, the effects of Moderator: Jill Belli science on society, and the ethical Anastasia Klimchynskaya, “Frankenstein, responsibilities of scientists.
    [Show full text]