© 2017 SUNHEE JANG All Rights Reserved
© 2017 SUNHEE JANG All Rights Reserved CONTEMPORARY ART AND THE SEARCH FOR HISTORY —THE EMERGENCE OF THE ARTIST-HISTORIAN— BY SUNHEE JANG DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Art History in the Graduate College of the University of Illinois at Urbana-Champaign, 2017 Urbana, Illinois Doctoral Committee: Associate Professor Terri Weissman, Chair Associate Professor David O’Brien Assistant Professor Sandy Prita Meier Associate Professor Kevin Hamilton ABSTRACT Focusing on the concept of the artist-as-historian, this dissertation examines the work of four contemporary artists in a transnational context. In chapter one, I examine the representations of economic inequality and globalization (Allan Sekula, the United States); in chapter two, the racial memory and remnants of colonialism (Santu Mofokeng, South Africa); and in chapter three, the trauma of civil war and subsequent conflicts (Akram Zaatari, Lebanon and Chan- kyong Park, South Korea). My focus is on photographic projects—a photobook (Sekula), a private album (Mofokeng), and archives and films (Zaatari and Park)—that address key issues of underrepresented history at the end of the twentieth century. Chapter one concentrates on how to make sense of the complex structure of Sekula’s Fish Story (1995) and suggests the concept of surface reading as an alternative to traditional, symptomatic reading and posits that some historical truths can be found by closely examining the surface of events or images. In Fish Story, photographs represent the surface of our globe, while the text reveals the narratives that have been complicated beneath that surface. I then analyze how three types of text—caption, description, and essay—interact with images.
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