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2 3 PhotoIreland Festival 2012 Sponsors & Partners

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4 5 PhotoIreland Festival 2012 Index

Director's Welcome — 8 Introduction — 14 Exhibitions — 34 Events — 137 •→• List of Venues — 156 Daily Programme — 160 Artists Index — 189 Festival Team — 191 Thank You — 191

7 Vibrant, PhotoIreland Friendly, Festival 2012 all Inclusive: Migrations a Festival for all to Enjoy. Welcome to PhotoIreland Festival 2012

The present catalogue serves as a testimony to the hard work put into the events by everyone involved, and the festival team. We share our passion with you, and desire your participation, reassured you will enjoy the programme. To introduce the third edition of Ireland’s International Festival of Photography and Image Culture, I would firstly like to accentuate the very interesting time that Photography is undergoing in Ireland, with the flourishing of awards, residencies, educational programmes, publications and exhibitions, that add to the currency and relevance of the medium – serving to enrich continued critical discourse in the field. Although there are some challenges too, one of them being the current revision of the future of Photography education in Dublin, I feel excited to be a participant in this encouraging process. Welcome to During last years festival, we had an open discussion about the theme for 2012, ‘Migration: Diaspora and Cultural Identity’ PhotoIreland and since then, we have been engaged in a fluid conversation Festival 2012 with the participants. It is a particularly pertinent theme in the Irish context, at a time when the immigration flux has been superseded with the need to emigrate – unfortunately a historically persistent trend. The main exhibitions in the programme, curated by Moritz Neumüller, propose a very diverse engagement with this year’s festival theme. The featured exhibitions highlight a selection of key shows during the month of July, with the Gallery of Photography Ireland presenting the Irish premiere of the work of Evelyn Hofer (1922 – 2009), a keynote exhibition of this year’s featured programme. The OPEN Programme, includes 52 exhibitions around Dublin city and beyond, bringing a wide range of perspectives into the offering. We are especially excited to be hosting our second Book and Magazine Fair, including the festival’s book collection, and the portfolio reviews, that will

10 11 Welcome to PhotoIreland Festival 2012 — — 16. — 19. The contemporary November generate stimulating conversations and will feed into the 2012 photography fair in Paris — legacy of the festival. 66, rue de Turenne • 75003 Paris www.nofoundphotofair.com Irish cultural life is rich, varied, and extraordinarily valuable. It makes us who we are, as much as we shape it in our everyday life. It is part of our identity, and it is our identity. The Arts landscape is shifting, accommodating new challenges; and it will always remain as one of the core values of this creative nation. The current is a decade of celebrations in Ireland and we must not forget to celebrate ourselves. I would like to personally thank the National Campaign for the Arts for their constant work “ensuring that the arts are on local and national government agendas and are recognised as a vital part of contemporary Irish life”. I would encourage you to visit NCFA.ie to find out how you can participate. Finally, I am extremely thankful to the very kind funders, sponsors and partners for valuing what PhotoIreland Festival adds to the cultural landscape in Ireland.

Ángel Luis González Festival Founder & Director Photo © Peter Sutherland. Sutherland. © Peter Photo

[email protected] nofound photo fair will be in Arles with nd th 12 tél: +33.9.81.12.40.95 from the 2 to the 8 of July 2012 Welcome to PhotoIreland Festival 2012 Welcome to PhotoIreland Festival 2012 •→•

14 15 Migrations: Diaspora & Cultural Introduction Identity

16 17 Migrations Diaspora & Cultural Identity Introduction

Migration is as old as mankind itself, but many political, cultural and economic that of his parents from Southern China representing two generations who came has gained new dimensions on our over- implications. The same truth can be to Northern England, and his own, as he to live in Ireland during the ‘Celtic Tiger’ populated planet at the beginning of applied when looking at the individual revisits the places that are pictured in years. The resulting ‘conversations’ the 21st century. It seems that the only story, a personal experience of leaving family photographs, from his mother's reveal intimate intercultural difference is that the mechanisms at one's place of birth in order to make a old school to the corner shop she ran complexities concerning notions of work have become more sophisticated, new start somewhere else. after arriving in England. Many of the home, language and history. mechanisms to pull in workforces at one Isabelle Pateer's ongoing series sites of family events have changed The Irish Diaspora is another moment and to keep unwanted migrant Unsettled, shows the relation of beyond all recognition. What remains starting point for illustrating migration workers out at another, mechanisms displacement and globalisation, of are photographs as fragments of a time as a process of losing, rebuilding, to separate political from economic "progress" and demolition, as in the only truly kept alive as memories. defending and questioning one's own asylum seekers, mechanisms to fence example of the Belgian village Doel, Jean Revillard's Sarah on the Bridge cultural identity. The term diaspora, long in nomadic societies or fence out illegal threatened by the expansion project of documents the journey of a young girl used only to describe the dispersion immigration. It is particularly significant the Antwerp Port. The series includes from Ghana to Europe, where she hopes of the Jewish people throughout the in this context that the recent efforts intriguing portraits of young inhabitants, to find a better future as a dressmaker. world, has been applied to all forms to close national frontiers within the alternated by landscapes, which Once she arrives, however, Sarah enters of dispersion of peoples, as Michel European Union have been made in symbolise, in the words of the artist, the vortex of modern slavery often Bruneau expounds in his following order to stop non-communitarian "the international tendency of global connected with migration, as she is text on the subject. After identifying migrants to move freely within Europe. political and economic shifts and the forced to pay back her debts by selling four essential criteria for defining the While one historical iron curtain has way they manifest themselves to the her body, in a forest near the Italian term diaspora, as well as four different fallen, other fences are reinforced, or people and their surroundings". town of Turin. kinds of diaspora, he analyses the even newly erected, always with the Another example is Mark Curran's Artists themselves have always validity of the term “Transnational same underlying aim: to stop people Ausschnitte aus EDEN/Extracts from been considered "mobile" citizens, Community” for describing the question from moving from east to west, from EDEN. He first visited the Lausitz, in sometimes they had (and still continue) of migratory displacement. While it is south to north, from outside to inside, or the former East Germany in late 2003, to leave their countries in order to live in worthwhile mentioning that, according vice versa. seeking the impact of global capital exile, sometimes just preferring to "live to Bruneau's terminology, the Irish

The photographic medium has on the periphery of Europe, as had and work" somewhere far from their diaspora should rather be defined as an Migrations Diaspora & Cultural Identity always been on the forefront of been experienced in his native Ireland. birthplace. Tina Remiz explores the Irish transnational community, it is the investigating migration, producing Significantly and preceding the global issues of migration and cultural identity, fact itself, rather than the academic iconic images (such as Dorothea economic collapse, he encountered by challenging the notion of the word discourse around it, which has attracted Lange's Migrant Mother), recording the same globalising forces which had “home“. Telling the story of her home the attention of artists such as David moments of change, and questioning transformed unrestrained the landscape country, Latvia, from a perspective Monahan and Maurice Gunning. In this cultural identity. This has often been of his origins but through its forces of of somebody who left in search for a sense, the exhibition Living – Leaving Introduction achieved by aiming the camera at the withdrawal and seepage. Since the fall better life elsewhere, she captures the brings together two strands of one artists themselves. In its third edition, of the Berlin Wall in 1989, the region experience of returning to her homeland and the same story. While Monahan PhotoIreland will explore Migration, has prophetically experienced rapid where she no longer belongs. has been working over two years on Diaspora & Cultural Identity, in order to economic decline as jobs have gone The question of what is lost, and documenting young people who have pinpoint these occurrences in a wider further East while its younger population what is gained in the process of had to take the boat in order to get perspective, from more than one angle. is migrating to the West. transition between leaving home and their career brought to life, Gunning's Migration goes hand-in-hand with The Mother of all Journeys by Dinu settling the host country is addressed in account of the Irish community in globalisation, which can be seen both Li is a translation of the same process Ieva Baltaduonyte's Project Migracijos, Argentina adds to the complexities as a challenge and an opportunity, with into personal accounts: Li's journey is a dialogue with Lithuanian women of time and distance to what is often

18 19 Migrations Diaspora & Cultural Identity Introduction

considered as a "cultural export". Montevideo, Uruguay in the fifties and imagery of German Romanticism and his vis-à-vis, so they can create their The Jewish and the African diaspora in California during the psychedelic era American land art. On the other hand, own self-portraits. A special case of this are examples of massive displacements before settling down in Buenos Aires, it reminds us that the scorched earth practise is Ruben Torosyan, who had of historical dimensions, for the Argentina. Lopez focuses her obsessive “strategy” is closely linked to the issue left Georgia in the late 1980’s when the adaptation of old traditions into a new dissection of this emigrant's story on itself of migration, preferring to destroy country was still under Soviet rule. Not cultural context, and for a longing to Bandi’s European roots; his enforced anything that might be useful to the issued a birth certificate and unable to get back to the roots. The exhibition El exile during the crisis of the thirties, enemy, especially when forced to leave get a passport, Ruben was determined Otro Lado Del Alma introduces thirteen which paradoxically saved him from the what we call our home. to get to the capitalist West to create contemporary Cuban photographers Nazis; his acceptance towards change Darek Fortas’ Coal Story is a better life for himself. He spent over who engage with the African heritage and its conjunction with one constant the accumulation of an extensive five years travelling across Europe of a nation that has been called “Latin- future – his passion for photography. photographic engagement (and archival attempting to obtain political asylum African” by Fidel Castro, who, until The project is presented as a work in research) with the subject being the two in over 15 different countries. When recently has been its political leader. The progress, before its publication as a largest coal-mining companies in the Luvera met him in London, he had just extraordinary iconography of the Afro- photobook. European Union located in Silesia, the arrived on a container ship from Ireland, Cuban religions and their relation to the Presented already at last year's most industrialised part of Poland. The and they started a close collaboration. heritage of the African diaspora invite a PhotoIreland festival, Gergely László historic significance of the Solidarity- Ruben's photographs and assisted self- careful look into “The Other Side of the project about the Yad Hanna Kibbutz, Movement of the Polish coal-miners portraits gain their strengths Soul”. officially founded in 1950 by young with their struggle and resistance from discrepancy between what he Max Becher and Andrea Robbins Hungarian holocaust survivors, has now against communist regimes in the 1980s, expected London to be and what, in have investigated the "international taken on the form of a book dummy, to initiated “the wildfire” and demise that his experience, it actually was. franchising" of a building in Brooklyn, be published this year, together with spread throughout the whole Eastern After the success of last year's New York, purchased in 1940 by the Tehnica Schweiz, as The Collective Man. Block. Martin Parr exhibition, we have decided Lubavitchers, one of the largest The artist has visited what is left of the Carlos Albalá also presents a to invite another expert on the subject groups of the ultra-orthodox Hasidic kibbutz numerous times in the past 15 work on Poland, Nasz Dom (“Our of the photobook, Irène Attinger, to communities. Young Lubavitcher years, gradually becoming a witness Home”). After the Nazis were pushed curate an exhibition linked to the

families are sent to distant parts of the to its slow continuous disintegration. back toward the heart of Germany migration theme. The exhibition consists Migrations Diaspora & Cultural Identity world to set up and manage spiritual Besides some descendants of the by the Soviets in September 1944, and of 20 photobooks from Attinger's centres, which have been built to founders, new families have appeared, the displacement of the eastern collection, covers the time-span of over resemble the original building at 770 sharing the now-privatised land with frontier of Poland with the Soviet a hundred years and a wide range of Eastern Parkway in Crown Heights. Thai guest workers, Darfur refugees, Union, cities like Lviv became part of countries and circumstances. Starting Becher & Robbins have documented and ex-settlers from former Jewish the USSR, which led to often dramatic with Augustus Sherman's Ellis Island, all twelve 770’s centres worldwide, in settlements in the West Bank. deportation proceedings. Albalás the systematic recording of a registry Introduction countries such as the United States, In a collaborative process, Roger visual re-interpretation of these events clerk with the immigration division, Canada, Israel, Italy, Brazil, Argentina, Eberhard and James Nizam have exemplifies the search of "a possible (or this exhibition features masterpieces and Australia. photographed the ruins of summer impossible) pact between history and of the documentary genre, such as Francisca Lopez's project focuses cabins demolished by their owners in memory", and the emotions resulting Dorothea Lange's American Exodus on the Hungarian photographer Bandi the wake of a land dispute on the Katzie from such endeavours. (first published in 1939), as well as Binder who was born in Transylvania reserve in Pitt Lake, British Columbia. For his series Assisted Self-Portraits, recent publications, such as Thomas in 1917 and emigrated when he was The resulting series, Tumulus, catalogues Anthony Luvera breaks with the Mailaender's Cathedral Cars, a recording 18 years old, determined to dedicate scattered structures throughout a photographer/subject paradigm, as he of the often strange vehicles that cross himself to photography. Binder lived in forest landscape, which evoke the hands over the photographic tools to over the Mediterranean from Marseilles

20 21 Migrations Diaspora & Cultural Identity

to North Africa, visually defying the laws Last but not least, the festival of gravity, expressing tied-up dreams. theme will also be reflected in the film Another highlight of PhotoIreland screenings, this time featuring The Festival 2012 is an installation on the Mexican Suitcase, a documentary on migration theme, co-curated by the Robert Capa, the Spanish Civil War, and editors of five photography magazines. the role of Mexico in the story of the By choosing photography magazines Spanish Exile. from Central and Eastern Europe (Poland, Austria, Czech Republic, Slovenia and Moritz Neumüller, Festival Curator Germany), we focused on a region that has been shaped by migratory movements and hybrid cultural identities. The curatorial process has been dialectic and open, and the selected viewpoints illustrate the great interest of contemporary artists on the issue. Some of these projects include videos, such as Heidrun Holzfeind's The Romanians (Live like a king) and Kateřina Držková's Borders. These works will be shown as part of the video program, together with other pieces such as Lilibeth Cuenca •→• Rasmussen's Absolute Exotic, in which the Danish artist of Philippine origins joyfully sings about discrimination and otherness, and Debbie Castro's Focused identity, Unfocused spaces, on the largest Latin American market in Great Britain, “Pueblito Paisa”, located in north east London. This year again there will be a symposium on the festival theme, in Introduction collaboration with GradCam and the Dublin City Council’s Arts Office: the role of photography and image culture in relation to migration and migratory practices, in the wake of the economic crisis. It will bring together a number of international speakers and artists, who will talk about these issues in a broader context.

22 23 Diasporas and Transnational By Michel Bruneau Communities

24 25 Michel Bruneau Diasporas and Transnational Communities

Introduction community, religious, socio-political, host countries, i.e. it retains a rather a world scale at the beginning of the The term Diaspora, long used only to economic bonds or the shared memory strong identity awareness linked to 21st century, with an unequal degree describe the dispersion of the Jewish of a catastrophe or trauma suffered the memory of the territory, of the of globalisation and at times a more people throughout the world, has in the by the members of the Diaspora or the society of origin and its history. or less confirmed continental tropism last thirty years elicited unprecedented forebears. A Diaspora has a symbolic among them. In every Diaspora, the interest and has attracted attention and “iconographic” capital that enables • These dispersed groups of folklore, cuisine, language and culture not limited to the academic world, but it to reproduce and overcome the, often migrants (or groups stemming in the wide sense (literature, cinema, also from the media and is now part considerable, obstacle of distance from migration) preserve and music, press), community life and family of everyday speech. It has come into separating its communities. develop among them and with the bonds play a fundamental role. Family such generalised use as to be applied to society of origin, if the latter still connections constitute the very fabric all forms of migrations and dispersion The four criteria for a Diaspora exists, multiple exchange relations of the Diaspora, in particular those of a people, even if not as a result of Diaspora areas and territories must (people, goods of various natures, stemming from Asia and the eastern migration. The connotation of this term be gauged first in the host country, information, etc.) organised under Mediterranean, which are characterised corresponds not only to a development where the community bond plays the networks. Relations tend to be by the existence of extended families. and generalisation of international essential role, then in the country or horizontal rather than vertical. Similarly, the community link is always migrations throughout the world, territory of origin-a pole of attraction- present in and constitutive of every but also to a weakening, or at least a through memory, and finally through For a Diaspora to be able to live on Diaspora. The most distinguishing limitation, of the role, played by Nation- the system of relations in the network by transmitting its identity from one characteristics are the unequal degree of States, at a time when globalisation space that connects these different generation to the next, it must, have their structuring and their organisation, has become a dominant process. It poles. The term Diaspora often has more places for periodic gathering of a and the more or less decisive influence is typically a term taken both from of a metaphorical than an instrumental religious, cultural or political nature, exerted by their nation of origin, when social sciences and everyday speech, role. We can narrow down the different or for all three at once, in which it can it exists. Religion, enterprise and politics which causes wide confusion as to its criteria suggested by most authors to concentrate on the main elements of its are the three major fields through which precise meaning. We are addressing the four essential ones: iconography. These can be sanctuaries these two discriminating characteristics notion of Diaspora from a geographical (churches, synagogues, mosques, manifest themselves. At the current stance, from a point of view that takes • The population has been dispersed etc.), community premises (conference state of research, we can only sketch a in account its materiality through the in several places, not immediately rooms and theatres, libraries, sports typology according to these criteria from space, the place and the territory. neighbouring of the territory of clubs, etc.), or monuments that can be the example of some Diasporas.

We postulate that this geographical origin, under pressure (disaster, used for commemorations, perpetuate A first set of Diasporas is structured Michel Bruneau dimension is pertinent to the diasporic catastrophe, famine, abject memory. They also include restaurants round an entrepreneurial pole; phenomenon. poverty). and grocery shops, newsagents and everything else is subordinated to it or the media (newspapers, community plays only a secondary role. The Chinese, The notion of Diaspora • The choice of countries and cities magazines, local radio and television Indian and Lebanese Diasporas are A Diaspora exists and is reproduced of destination is carried out in stations, websites). These various the best examples of this. Essentially by relying on everything that creates accordance with the structure places can be concentrated in the same because it is diverse, religion does not a bond in a place among those who of migratory chains, which link “ethnic” quarter, the same locality, or be play a structuring role. The nation-state Diasporas and Transnational Communities Communities Transnational and Diasporas want to group together and maintain, migrants with those already dispersed throughout a city or a larger of origin does not exercise any decisive from a distance, relations with other installed in the host countries. territory. influence, either because it is pluralist groups, installed in other places but (Hong Kong, Taiwan, mainland China, having the same identity. This bond can • This population is integrated Four major types of Diasporas South-East Asia in the case of the come in different forms, such as family, without being assimilated in the The different Diasporas are deployed on Chinese), or because it is deliberately

26 27 Michel Bruneau

discrete and intervenes only in case of (1908-1922) tried to take hold of the extreme difficulties (the case of India), Greek communities in the United States, or because it is too weak and divided with the restoration of the jurisdiction (the case of Lebanon). Entrepreneurship of the Ecumenical Patriarchate. Since constitutes the central element of the independence of Armenia in 1991, the reproduction strategy of these the Armenian State has also exerted a Diasporas. growing influence but has not, for the Another set of Diasporas is that moment at least, acquired the weight in which religion, often associated to of the Greek or of the Jewish State in a language, is the main structuring respect to their respective Diaspora. element: this is the case of the Jewish, Religion remains the main element of Greek, Armenian and Assyro-Chaldean Armenianness, the Apostolic Church the Diasporas. This religion is monotheistic best defender of the language, culture, and strongly connected to a sacred memory, and the “Motherland.” language, be it Hebrew, Greek, Aramaic, A third set of Diasporas, on which or Armenian. In the case of the Jews, we have observations on a shorter this language was long only a sacred duration, is organised chiefly round language, but its identity-shaping force a political pole, when the territory was such, that it was chosen as the of origin is dominated by a foreign national language for the Jewish state, power and the main aspiration of Israel, in 1948. Greek and Armenian are the population of the Diaspora, is the taught in schools alongside religion in creation of a Nation-State. We may cite •→• the schools of the Diaspora. Enterprises the example of the Palestinian Diaspora, play a very important role in the life which had succeeded in establishing of these Jewish, Greek and Armenian a real state in exile, the Palestinian Diasporas, but they are not the central Liberation Organisation (PLO), whose pole that ensures the reproduction of objective to establish a Nation-State the Diaspora in the long run. That pole is next to the State of Israel has already religion: the synagogue and the church, been partially achieved by the creation with a pronounced ethnic tint, are the of the Palestinian Authority endowed constitutive elements of these Diaspora with territories that it has administered communities. On the other hand, since 1994. The religious content of ever since it has existed, the Nation- the national identity of the Jews or State has had an increasingly stronger the Armenians is absent among the influence on its Diaspora. Nevertheless, Palestinians who are Muslims, but also even in the Greek case, where this Christians. Their collective memory is Diasporas and Transnational Communities Communities Transnational and Diasporas influence is the greatest, the Diaspora, rooted in the historical events that mark the cohesion of which is secured by estrangements, the main one of which is the Orthodox church, has managed to the catastrophe (nakba) of 1948. preserve a relative independence, after A fourth set is organised around the Holy Synod of the Athens Church a racial and cultural pole; this is the

28 29 Michel Bruneau Diasporas and Transnational Communities

case of the black Diaspora, on which Transnational communities strong association with these different community seek to acquire the hinge several ways of defining identity. It is therefore difficult to define a places thanks to the movement of citizenship of their host country, while Centred on the notion of negritude, its Diaspora from the economic and the population of one village, where retaining that of their country of origin. originality in relation to the foregoing political migration of a people the dominant activity is migration This double affiliation is not only a lies first in the fact that this Diaspora stemming from a segmented society under different forms, constitutes a matter of ease, but also a way of life. has no direct affiliation with the society and comprising notable differences of transnational migration territory. Contrary to the Diasporas, there was or societies, or territory or territories of identity. To take better account of these A transnational community is based no uprooting from the territory and the origin. This Diaspora stands out first by phenomena, researchers such as Riva on the specific know-how of mobility, society of origin, nor trauma. There the continental scope and the diversity Kastoriano have suggested the notion a “migration expertise” which is the is no desire to return, because trans of its territory or territories of origin: the of transnational community. Countries social capital of the inhabitants of these migrants never actually left their place coasts of West and Central Africa as a at the edge of the industrialised and places, highly marked by migration, who of origin, with which they retain family point of departure of the exodus, but tertiarised world of the major powers have made it their essential activity. and community ties that are much also the very vast continental hinterland of the North (United States, Canada, The mobility of these peasants may be facilitated by the growth, regularity and that is very difficult to define, going as Western Europe, Japan), which often based on the experience of mountain safety of communications. far as Ethiopia and Sudan, and even are former colonies or old countries of peasantry, which has always had to The concept of the Transnational Egypt. the Third World, are sending more and move with the seasons, whether in Community is also used by researchers, The black Diaspora is defined first more migrants in search of employment transhumance in certain cases, or who have studied transnational and foremost by the socially constructed and remittances to their communities of because of several ecological stages in nationalism. The Turkish transnational negro-race, and only subsequently by origin, with which they keep strong ties. the case of Andean peasants. Peoples community, for example, lives in a four- culture, the definition and origin of These are mostly unskilled economic with a long nomadic tradition like the dimensional space: the immigration which are subject to various debates migrants from rural areas. They are Turks or Mongols can also be moulded country, the country of origin, the and interpretations. There is extensive organised from a village, a basic rural more easily in these transnational immigrant communities herself, vagueness on this front, due to the community, to which the migrants spaces. A transnational community and the transnational space of the traumatic experiences under which this remain very attached and to which they links the global to the local, networking European Union. The “at distance Diaspora formed: the slave-trade and return periodically. The family structure, places of highly unequal importance nationalism” refers to the nation-state slavery of the plantation estates. These more than the village community of without hierarchy between these of departure, Turkey, which acts on the two founding phenomena of the black origin, is essential in explaining the different hubs. The role of the border exile population by the way of language, Diaspora have levelled and clouded the cohesion of the networks. Those from is very highly relativised by a migrant religion, double citizenship. This nation-

identities and cultures of origin to the a rural community in a Latin American population whose essential element of state tries to strengthen as much as Michel Bruneau point of making them disappear in part country or the Philippines, for instance, identity is knowing, how to cross the possible the loyalty of its nationals from the conscience of the populations migrate to more and more urban centres border, passing through the border area, outside. But the transnational networks concerned. These populations define of variable sizes in the United States. and living beyond it, whilst avoiding of migrant associations can bypass the themselves more by their social A migration movement is established expulsion. states acting directly on transnational condition and their “race”-the only between this place of origin and the These migrants come from a European institutions. We observe the visible element-in the societies into places of settlement and work. The Nation-State, where they have lived emergence of a transnational space, which they were brought, than by their migration territory also comprises relay for a relatively long time, to return characterized by the dense interaction of Diasporas and Transnational Communities Communities Transnational and Diasporas identity and culture of origin, and even places, most often a large city, the periodically, investing part of their actors belonging to different traditions less by their nationality, of which they hub of the migratory route network: income in their village of origin. They (Islamist and laic Turcs, Alevis, Kurds, have no clear, if any conscience at all. Dallas or Chicago for Mexicans from left at best to stay there, or if not Lazes…). It is a new space of political Ocampo, Buenos Aires for the Bolivians themselves, at least part of their socialization, of identification beyond from the Cochabamba region. The family. The members of a transnational the national societies. For Kastoryano,

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Michel Bruneau

the notion of Diaspora should be better capital and a memory transmitted applied to populations scattered before from one generation to the next. They the making of their nation-state like seek first and foremost to build a house Jews, Armenians… from whom the in their village and climb the social nationalism refers to a mythical place, ladder there, and then in their place of to a territory to be recovered, to a future settlement, when such a place exists. state-building. Trans migrants are far too dependent on their Nation-State of origin and on their Originality and value of the notions host country to become as independent of Diaspora and transnational and creators as people of the Diaspora. community The social group to which they belong The value of the notion of Diaspora is often does not exceed the community of that it shows the sedimentation, in time, origin and the network of its migrants, often in the long term, of communities whereas the people of the Diaspora dispersed in the world, and more or have the feeling of belonging to a less diverse depending on the case. nation in exile, dispersed throughout These Diasporas are characterised by the world, and bearing an ideal. But the search for a certain cultural or transnational communities, such as religious - at times even political - unity. the Turkish one, are sometimes bearer They have been formed, through the of a transnational nationalism, which course of time, by several waves of appears with the interactions of their migration, each of which could have different actors and try to influence the different or several causes at once. It nation-state of their origin as the one is this sedimentation in the long run of their settlement. Double citizenship that makes the Diaspora, unlike the and migratory circulation in the frame transnational community, which has of a transnational region such as the EU been formed recently owing to a call favour the emergence of new trans- What is ConCeptual photography? for labour, or unlike smugglers who borders societies different from the long depend on the underground economy. term Diasporas. A short film by source mAgAzine The Diaspora members, wherever they find themselves, negotiate their cultural Michel Bruneau PREMIER SCREENING and social unity with the local and CNRS-University of Bordeaux FRIDAY 13 JULY AT 7.00PM I m a g e S u z n M o y w . s t national shapes, as their integration is characterised by intergenerational Excerpt of the article “Diasporas, transnational MOXIE STUDIOS spaces and communities”, published in R. Bauböck, trajectories. Th. Faist (eds), Diaspora and Transnationalism: CORNER OF LAD LANE AND PEMBROKE ROW Unlike people of the Diaspora, concepts, theories and methods, Amsterdam Diasporas and Transnational Communities Communities Transnational and Diasporas DUBLIN 2 trans migrants and cross-border University Press, 2010, p. 35-49 FREE ENTRANCE entrepreneurs or smugglers do not seek Full article available for download at to establish a social network destined 2012.photoireland.org to last, a transnational social group based on the richness of a symbolic

www.source.ie 32 33 PhotoIreland Festival 2012 Exhibitions

Main Exhibitions — 34 Culturefox.ie is the definitive online guide to Irish cultural events, giving you complete information about Featured Exhibitions — 66 cultural activities both here and abroad. Open Programme 98 To find out what’s on near you right now, visit — Culturefox.ie on your computer or mobile phone.

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34 35 Introducing a curated series of exhibitions Main engaging with the festival theme of Exhibitions Migrations: Diaspora & Cultural Identity.

36 37 Main Exhibitions: Programme Main Exhibitions: Programme

S M T W T F S S M T W T F S S M T W T F S S M T W T F S S M T 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31

On Migration Venue: Moxie Studios

Books on Migration Selected by Irène Attinger Venue: Moxie Studios

Magazines on the Wall: 10 Projects on Migration Venue: Moxie Studios

David Monahan & Maurice Gunning Living-Leaving Venue: National Photographic Archive

El otro lado del alma / The Other Side of the Soul Venue: Instituto Cervantes (Runs until: 01.09.2012)

Isabelle Pateer Unsettled (2007 -2012) Venue: The Copper House Gallery (Opens: 28.06.2012)

Jean Revillard Sarah on the Bridge Venue: The Copper House Gallery (Runs until: 04.08.2012)

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On Migration Moxie Studios 14.07 – 22.07.2012 12 – 5pm daily Opening: 6pm Friday 13.07

While this year’s festival theme is is Nasz Dom (“Our Home”), by Carlos in Ieva Baltaduonyte’s Project Migracijos, of these projects include videos, such discussed over a number of shows Albalá, a search of “a possible (or a dialogue with Lithuanian women as Heidrun Holzfeind’s The Romanians around town, the main exhibition, impossible) pact between history and representing two generations who came (Live like a king) and Kateřina Držková’s On Migration, features a condensed memory” in Post-War Poland. to live in Ireland during the ‘Celtic Tiger’ Borders. vision of our curatorial approach to the Tumulus, a collaborative project years. The resulting ‘conversations’ These works will be shown as part subject. We have chosen ten projects by by Roger Eberhard and James Nizam reveal intimate intercultural of the video programme, together with contemporary artists from around the catalogues the ruins of summer cabins complexities concerning notions of other pieces such as Lilibeth Cuenca globe for this show. Some of the projects demolished by their owners in the wake home, language and history. Rasmussen’s Absolute Exotic, in which are still works in progress or to-be- of a land dispute on the Katzie reserve We have also chosen two of the the Danish artist, of Philippine origins, published photobooks; others have been in Pitt Lake, British Columbia. Mark participants of this year’s portfolio joyfully sings about discrimination and finished in the last five to ten years. Curran’s Ausschnitte aus EDEN/Extracts reviews to participate in the main otherness, and Debbie Castro’s Focused What they have in common is a personal from EDEN analyses the case of the exhibition. Tina Remiz tells the story Identity, Unfocused Spaces, that is view on Migration as a phenomenon, former East German city of Lausitz, of her home country, Latvia, from a focused on the largest Latin American which has shaped our planet and the which has experienced rapid economic perspective of somebody who left in market in Great Britain, “Pueblito Paisa”, way we live, today more than ever decline as jobs have gone further East, search for a better life elsewhere, and located in north east London. before. while its younger population is migrating she captures the experience of returning On the outside façade of Moxie to the West. to her homeland where she no longer Studios, we present Max Becher and Anthony Luvera shows the Assisted belongs. Darek Fortas has also left his Andrea Robbins’ series 770, which Self-Portraits of Ruben Torosyan, who home in Poland to become what is now shows the Lubavitcher headquarters, had left Georgia in the late 1980’s, when called a “New Irish” citizen. His project located at 770 Eastern Parkway in Crown the country was still under Soviet rule, Coal Story is the accumulation of an Heights, New York, and another eleven and spent over five years travelling extensive photographic engagement replicas of the building, around the across Europe attempting to obtain (and archival research) with the Moxie Studios globe. The following three projects are political asylum in over 15 different Solidarity-Movement of the Polish coal- still in progress, and will be published countries. Dinu Li presents The Mother miners and their struggle and resistance

On Migration as photography books soon. The first of all Journeys, a personal account of his against communist regimes in the 1980s. one is Francisca Lopez’s project on the parents’ passage from Southern China The main exhibition is complemented Hungarian photographer Bandi Binder to Northern England, and his own, as he by the show Books on Migration, curated who was born in Transylvania and revisits the places that are pictured in by Irène Attinger, and an exhibition, emigrated to Buenos Aires, the second family photographs. which has been curated by five one is Gergely László book dummy on The question of what is lost and photography magazine editors. The the Yad Hanna Kibbutz, to be published what is gained in the process of latter project is presented as an this year, together with Tehnica Schweiz, transition between leaving home and installation, which reminds of the as The Collective Man. The third one settling in the host country is addressed printed pages of a magazine. Some

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Books on Migration Selected by Irène Attinger Moxie Studios 14.07 – 22.07.2012 12– 5pm daily Opening: 6pm Friday 13.07 Image — Darek Fortas, Portrait Ex-Member),VIII (Solidarity from the series Coal Story, 2011

Introduction on-going sensitive and difficult topic Currently, the authorities of numerous is the subject of these books as well countries are unremittingly trying as showing how photography can to isolate the migratory movements express complex issues. I try to illustrate of people, however these migrants them through various books published have always had a profound impact covering a broad period of time, that has resulted in a ripple effect in countries and circumstances. the political, economic and humane A short list is always debatable. My environments. For example, historically, choice is to offer books that ask the people left Europe for the United States right questions through different eyes, seeking amnesty, in the beginning of even if it means to reveal inhumane the twentieth century. Poor people realities. migrated from the cornbelt to California. Even now, many poor farmers migrate Irène Attinger through China, recurring famines drive Library Curator at Maison hundreds of thousands of people in Européenne de la Photographie, Moxie Studios Sahel into forced wandering and the Paris situation of the Roma people is more

On Migration and more exasperated. The paradox of Kindly supported by the French the proclaimed theme of free circulation Embassy in Ireland within the European Union is advertised while the reality, passage is increasingly controlled and difficult with the majority of the states aiming to destroy the migrants’ lifestyle. Simultaneously, North America and Europe barricade against emigrants of any origin. This

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Selected Books American Exodus, A Record of The Palestinians Exiles Human Erosion in the Thirties Donald McCullin Josef Koudelka Ellis Island, 1905-192 Dorothea Lange In the last few years the world has The sense of private mystery that Augustus F. Sherman First published in 1939, An American begun to recognise that at the heart of fills these photographs - mostly Throughout his tenure as a registry Exodus is one of the masterpieces of the Middle East crisis is the 'Palestinian taken during Koudelka's many years clerk with the Immigration Division the documentary genre. Produced problem'. Yet, the myth persists that the wandering through Europe and the of Ellis Island, Augustus F. Sherman by the incomparable documentary Palestinians are little more than a group United States after leaving his native systematically photographed more than photographer Dorothea Lange with text of ragged and down-trodden refugees Czechoslovakia - speaks of passion and 200 families, groups, and individuals by her husband, Paul Taylor, An American led by ambitious desperados for whom reserve, of his "rage to see". The images while they were being held by customs Exodus was taken in the early 1930s terrorism offers an outlet for the savagery here interrogate and penetrate, and for special investigations. A historical while the couple were working for the bred by camp life. The Palestinians reflect the nature of alienation. In these document of unprecedented worth, Farm Security Administration (FSA) The explodes this myth by giving a voice to the black-and-white photographs, Koudelka Augustus F. Sherman: Ellis Island Portraits book documents the rural poverty of people. It is about individuals. The book looks at incongruous images, things includes almost one-hundred portraits the depression-era exodus that brought explores the crisis of a people without a laying about on pavements, and people taken from 1904 through 1920. The over 300,000 migrants to California land, demonstrating that the 'Palestinian in grainy and stark surroundings. These resulting body of work presents a unique in search of farm work, a westward problem' is not just an abstract issue, but images are underpinned by Koudelka's and powerful picture of the stream of mass migration driven by economic also an urgent human tragedy. stark composition and the graininess immigrants who came through Ellis deprivation as opposed to the Manifest of the photographs themselves. The Island. Destiny of 19th century pioneers. Sahel, L'homme en détresse photographs are beautiful, not just Sebastiāo Salgado because they are pretty images, but Passionate Journey, A Seventh Man, The Story of a In 1984 Sebastião Salgado began what because they reveal the realities and Photographs 1905-1937 Migrant Worker in Europe would be a fifteen-month project of oddities of life. Lewis Hine John Berger, Jean Mohr photographing the drought-stricken Sahel Lewis Hine was a sociologist, as his A Seventh Man was first published region of Africa, where approximately The Transported of Kwandebele, preference for themes related to in 1975. This impassioned portrait of one million people died from extreme A South African Odyssey immigrants and the working class in migrant life is more relevant than ever malnutrition and related causes. Working David Goldblatt his photographs would clearly suggest. as an incisive response to eruptions of with the humanitarian organisation In words and pictures, this book records This volume presents a cross-section of anti-immigration rhetoric. Originally Doctors Without Borders, Salgado the embattled lives of black South Hine's creative work from a selection of envisaged as a film-documentary-cum- documented the enormous suffering Africans banished to Kwandebele, a photographs chosen from among nearly family-album, the book is arranged into and great dignity of the refugees. This segregated "homeland" outside Pretoria. Moxie Studios 11,000 negatives. It celebrates one of three chapters depicting departure, work early work became a template for his Because of the distance between the truly great pioneers of documentary and return. Its powerful mix of facts, future photographic projects about other Kwandebele and the city where nearly photography, an artist who left his figures, poetry, abstract theory and afflicted people around the world. Since all are employed, the workers must

Books on Migration mark in subsequent generations of photographs opens up the dehumanising then, Salgado has again and again sought endure four to eight hour daily bus photographers in this genre. Lewis Hine's experience of migration to reveal a to give visual voice to those millions of commutes on rutted roads. This book is influence upon the great documentary stultifying lack of freedom at the heart human beings who, because of military a direct, sober and unself-dramatising photographers of our time is undeniable. of neo-liberal capitalism, which Berger conflict, poverty, famine, overpopulation, document. bluntly recoins "economic fascism". pestilence, environmental degradation, and other forms of catastrophe, teeter on the edge of survival.

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Exile at Home million people. It is a narrow strip where and it has now become a main gateway traveller. He slowly comes closer. He is Frederic Brenner cultural differences between two lands for illegal immigration. Yto Barrada, a carrying a bag on his right shoulder and For 20 years and across five continents, are blurred, where an atmosphere of Parisian-born Moroccan photographer, a bundle on his back. 'Where have you Frederic Brenner has documented the transience dominates. Alex Webb has captures the mood of longing, weariness come from?' I ask. 'From somewhere.' lives of members of the Jewish diaspora. spent more than twenty-five years and alienation in this book, asking the he says. 'And where are you going?' In 1997 he learned that fourteen of covering this region, and his work question “what is the condition of a 'Nowhere.' He laughs at me, obviously the families he had photographed captures the humour and pathos, country whose people are all leaving, or quite content with his reply. Then he around the world had immigrated to paradox and tragedy, of life in the trying to leave?”. She discovers a place in leaves me at the side of the road with Israel. In celebration of Israel's 50th borderland. This collection of colour permanent transience and a population the title of my book.” anniversary, Brenner photographed images shows a terrain where cultural forever looking at the Spanish coastline them again in their new homeland. differences between the two countries for hope and a better life, yet rarely Ma proche banlieue The before and after photos of each are blurred, where industrialised succeeding in reaching their destination. Patrick Zachmann family are on facing pages, posed, efficiency meets spirituality, where Since the 1980s, Patrick Zachmann has but still representing the truths of wealth meets poverty, and all are The Roma Journeys been photographing suburbs. Drawing their particular situations. Stark or transformed in the process. Joakim Eskildsen on the work of François Hers and Sophie sophisticated interiors, crowded and Between 2000 and 2006 photographer Ristelhueber Intérieur, about apartment dirty but smiling families, and dancing Déplacés Joakim Eskildsen and writer Cia Rinne lives and portraits of the inhabitants, children reveal more than meets the eye. Rip Hopkins travelled seven different countries Zachmann dives into the private lives of In keeping with Jewish tradition, this Déplacés is a book about the people to gain an insight into the life of the the families of a Parisian suburb in 1989. collection is truly a book of questions. of Uzbekistan. A Soviet creation, Roma people and the conditions they In 1993, he turns his attention to the Uzbekistan is a melting pot of face. They spent a considerable length lives of the Malian community of Évry, a Go No Go les frontières de l’Europe communities with mixed roots: Germans, of time among the people and, if suburb experiencing migratory issues Ad van Denderen Poles, Greeks, Russians, Koreans, and possible, lived with them for a while.“We For over thirteen years, Ad van Denderen Tatars, amongst others, who were have frequently been asked what had Jungles, Abris de fortune aux travelled along what later came to be deported by Stalin's regime. The triggered our interest in the Roma, but abords de la Manche called the Schengen borders. His goal: journey of "non-Uzbeks" emigrating we were unable to provide a definitive, Jean Revillard to put a face to anonymous people. Van today to their home country is depicted let alone exhaustive answer. What is After several trips to Calais, Jean Denderen's photographs are not the using a timeline with a biographical certain is that once we hard started we Revillard offers work evoking both the familiar images of destitute refugees fragment to tell the stories of the people were unable to simply stop continuing childhood dreams of Robinson Crusoe leaving behind their home after photographed. with the project. The more we found out and the tragedy of these refugees. The Moxie Studios catastrophes, but document modern about the Roma and got to know them, zone referred to as “The Jungle”, a nomads, legal or illegal refugees, armed A life full of Holes, The Strait the more our interest in and liking for stretch of trees and bushes along the with mobile phones, in the heart of Project them grew.” highway leading to the Calais ferries

Books on Migration Europe and it’s far remote corners. Yto Barrada where the migrant workers had built Ceuta and Melilla, Spanish enclaves From Somewhere to Nowhere, their makeshift tents, was dismantled Crossings, Photographs from the on the northern tips of Morocco have China’s Internal Migrants with bulldozers under the watchful US-Mexico border long been used, by African migrants, Andreas Seibert eyes of law officers on September 22, Alex Webb as stepping - stones into Iberia. But “Trucks thunder along a wide expressway 2009. “We need shelter and protection, The US-Mexico border, a ribbon of since EU legislation in 1991, movement in Anhui Province, sending the dust we want peace. The jungle is our land some two thousand miles long across this small stretch of the Strait swirling. A man can be seen at the home” read a banner hanging over the and ten miles wide, is home to twelve of Gibraltar has been heavily restricted, side of the road, still a long way off, a 300 remaining residents. From Irak,

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Afghanistan, Sudan, Somalia, Erythrea, from their communities, undertake Iran, they are for the most part minors. arduous journeys to find safety for Jean Revillard evokes these broken lives themselves and their families. From by taking pictures of these ephemeral the displaced of the war in Georgia, homes where horror is a daily reality. to the Janjaweed who kill and rape in Darfur, Rasmussen travelled to 10 East of a New Eden, European different countries, recording the lives External Borders, A Documentary of individuals trying to make new lives Account for themselves after fleeing their homes, Alban Kakulya & Yann Mingard and the hardships that set them on the Alban Kakulya and Yann Mingard have run. travelled along the European Union’s new borders to document the borderland Cathedral Cars and its special architecture, outposts, Thomas Mailaender road systems, lanes, signs and fences. “Cathedral cars” is a generic term In the two photographers’ portrayal, invented by dockers at the port of the areas seem devoid of human Marseilles to designate the vehicles beings and dominated by the clash that cross over the Mediterranean between objects and nature. There is no from Marseilles to North Africa by ship. exaggerated sensationalism, but a clear Thomas Mailaender pays tribute to these balance between how the emptiness is “cathedral cars” that can be considered accentuated by the surroundings and as human feats, visually defying the the presentimental lack of editing. It is laws of gravity and tied-up dreams. the absence of people and action that The photographer has made portraits intrudes on us, like a mumble between of these cars seen from behind or from tons of snow, stones, asphalt, iron and the profile, taking the background away concrete, the nothingness like cries from in order to isolate them in the frame. the road’s distant, endless horizon. Evoking popular art and sculpture, these cars also speak of the voyage to Moxie Studios

Transit come, and deal with the passage from 1969 American Exodus, An Lange, (Bottom) Dorothea / 2012 Cars, Cathedral Thomas Mailaender, (Top)

Espen Rasmussen one territory to another, exodus and — Espen Rasmussen, Norwegian migration. Images photographer and picture editor for

Books on Migration Norway’s largest daily, Verdens Gang, has spent nearly seven years compiling the Transit project. Transit documents the plight of some of the 43 million refugees and displaced people around the world today. On the run from conflict, political persecution or natural disasters, desperate people, uprooted

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Magazines on the Wall: EUROPEAN PHOTOGRAPHY to the Swiss mentality, the German 10 Projects on Migration (BERLIN, GERMANY) is rather loud and direct. It is more Moxie Studios Published since 1980, pretentious, whereas the Swiss are more 14.07– 22.07.2012 two issues per year understated. The Swiss are aimed more 12– 5pm daily Editor in Chief: towards meeting at a consensus; the Opening: 6pm Friday 13.07 Andreas Müller-Pohle German is more competitive.

Two photographers from Switzerland Your work addresses the issue of ventured out into the big, wide world- migration. What’s the concept behind one to Berlin, the other to Los Angeles. it? Introduction choosing photography magazines from There, they devoted attention to their As a migrant one always meets other Magazines have always been on the Central and Eastern Europe (Poland, existential situation, migration, albeit expatriates easier than the local people, forefront of Photography. Their ability Austria, Czech Republic, Slovenia in two very different ways. Benjamin since no one is waiting for you. It is to react directly to new trends, reaching and Germany), we have focused on Füglister photographed and interviewed very demanding to get deep into an wide geographical distances while a region that has been shaped by ex-pats in the Philippines, producing a existing local network. This fact made being able to cover and establish a migratory movements, hybrid cultural small, delightful passport book, while me curious to learn more about these solid discourse around an artist or identities and the effects of history Verner Soler undertook a photographic seekers of paradise in the Philippines. I body of work, continues its relevance through political systems. The curatorial family genealogy, a long-term project wanted to learn how they deal, with the as an ideal dissemination tool, for a process has been one with a dialectic that he presents in an expansive fact of somehow, always remaining an medium that is best envisioned on and open approach, as we asked each tableaux. alien in this very different world they paper. The aim of these magazines editor to put forward three artists to have chosen to live in. has always been to serve a specialized be considered for the project. From this Benjamin Füglister, b. 1978 in Zurich. audience of artists, curators, collectors, pool, the following list of 10 artists has Lives and works in Berlin. Where would you ideally like to live? academics, or simply photography been chosen for the exhibition. EXPAT Series, 2009 I would like to live somewhere where lovers. The photography magazine The selected repertoire illustrates the weather is warmer and people care shows the world through the eyes of the great interest from contemporary What was your reason for leaving more about food. the medium, yet in constant, mutual artists on the issue at stake. With Switzerland and moving to Berlin? dialogue from a conceptual approach. any such selection of artists, they After having lived in the Netherlands I Naturally, these goals shape the layout also illustrate ideas on what has was motivated professionally to move of the publication: No flashy headlines been left out, especially in this rather to Berlin, the only German-speaking Moxie Studios or typographic upstaging, but rather a experimental setting. megacity and European incubator for solid and weighted design that serves an This exhibition is an the arts. often-complex text-image relation. acknowledgement of the important The editors hardly ever just wear role and contribution of the How would you describe the Magazinnes on the Wall one hat. Rather, they are also artists, Photography Magazine to contemporary cultural difference between your curators, writers, book publishers (some photographic practices. We are deeply former and current home? are all of that), and use these different thankful to the editors and invited From living abroad for 10 years, my view abilities in favour of their publications. artists for their participation. is surely blurred. My statement solely Five of them, have acted as co-curators concerns Berlin, and capital cities are for this section of PhotoIreland's main Moritz Neumüller never quite a good place to experience exhibit, on the Migration theme. By average compatriots. Still, compared

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Verner Soler, b. 1968 in Vrin. Lives and other half in Los Angeles would be a nice wife Aurelia in the house of Holzfeind’s in close collaboration with key figures works in Los Angeles. compromise. grandfather. The Romanians, portraits of the cultural and political scene to Fleeting Faces Series, 2008 two, "well integrated" immigrants, strengthen the democratic processes Andreas Müller-Pohle with common aims. Their capitalist in the country. This year saw the first What was your reason for leaving desires and a-political viewpoint are edition of Naprushkina’s newspaper, Switzerland and moving to L.A.? put in contrast with their former life in Self#governing, whose aim is to develop Even before graduating from college CAMERA AUSTRIA Romania and the difficulties they faced future models for Belarus outside of with a teaching degree, I knew I didn't (GRAZ, AUSTRIA) when they first arrived in Austria. The the bloc-building confines of the EU want to be a teacher for the rest of my Published since 1980, Romanians mixes interviews recorded or Russia. The newspaper’s Russian life. I didn't know, at the time, that I four issues per year at their home in Austria with their own edition was widely circulated in Belarus was emigrating. All I knew was that Publisher: Reinhard Braun. home videos shot at their house in thanks to the efforts of many activists. California and L.A. offered opportunities Editor in Chief: Austria and their holidays in Romania. The second edition disseminates the to learn more about myself and explore Maren Lübbke-Tidow patriarchal, masculinist system of life in ways not possible in a small village Marina Naprushkina, b. 1981 in Minsk/ the government in Belarus. It shows in Switzerland. Heidrun Holzfeind, b. 1972 in Lienz, Belarus. Lives and works in Berlin. how women themselves unwittingly Austria. Lives and works in Vienna. Self#governing Project, 2011 have perpetuated this model, and How would you describe the cultural The Romanians (Live like a king). Video, also expounds on the possibilities for difference between your former and 14 min, 2002 Known in Western democracies as “the changing the situation. Considering the current home? last European dictatorship,” Belarus recent wave of protest and resistance The differences between my village of My work portrays ordinary people became an independent country in across the globe, Self#governing can be 250 people and L. A. are vast. Perhaps at a pivotal moment in their life at 1994 after the collapse of the USSR. read and used as a case study for daring the difference that has affected me which they reflect and question their Since then, it has been under the examinations about other political most, over the years, is the openness achievements, their aims and hopes, authoritarian rule of President Alexander alternatives worldwide. of the American people compared to and their place in society. These Lukashenko, who has used repression as us. Like the village that's enclosed by encounters with the lives of ordinary a political tool against the opposition. Reinhard Braun tall mountains on either side, we are people, immigrants or minorities and Civilians are at the mercy of the whims a rather closed bunch. I have over the their dreams reflect upon structures of the military, the Internet is under years become more American, in that and conventions of our society aimed surveillance, and there is barely any free FOTOGRAFIJA sense. at success, efficiency and individuality. press. This is arguably the high price the (LJUBLJANA, SLOVENIA) They challenge us to rethink and population has to pay for Lukashenko’s Published since 1997, Moxie Studios Your work addresses the issue of question our cultures’ values and alleged and much-touted “stability” for in two double issues per year migration. What’s the concept behind it? desires, the definitions of success and the entire country. Belarus has been Editor in Chief: Jan Babnik Modern life promotes migration failure within the system. Peter Plesa going through a severe economic crisis and one of the consequences is the left Romania in 1990, walking all the in the last year, providing the perfect Alexandra Croitoru, b. 1975. Magazinnes on the Wall fragmentation of the family. Fleeting way from Romania to Austria. For a few opportunity for Russia’s expansion Lives and works In Bucharest. Faces tries to draw attention to this fact months he stayed at a refugee camp of its stronghold of influence in order ROM_ series, 2004 - 2006 by creating a portrait of it (reuniting it) in Traiskirchen (Lower Austria) before to counter-act the effectiveness of from each individual member's face. he found work in Kötschach-Mauthen, financial aid. The continual demise In this photography-based project, a village in Carinthia, in the south of of the Sovereignty of Belarus has Alexandra Croitoru presents simple, Where would you ideally like to live? Austria where Holzfeind grew up. Since reached the depth of decay to that of tourist-like snapshots of the artist Half the year in Switzerland and the 1991 he has lived there together with his a carcass. Marina Naprushkina works wearing a mask - knit in the Romanian

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flag colours - in various European and emphatically narrowed vision. Social the goods were more luxurious than in their identities were fragmented into world locations. The snapshots are context is very important in her work, GSR. Karin and Katka are alternately different states. Nobody respected the an efficient commentary on national including a subjective critique of the telling a similar story from their nation living in Carpathian Mountains clichés and guilt, on immigration, Balkan myths and theories. The artist childhood, about how they used to travel for centuries. Many Rusyns emigrated adjustment and prejudice, as well as desires to visualise her living space, to the neighbouring countries (CSSR, to the US, specially in the 20’s and 30’s, a meditation on the behaviour of the which can be roughly determined as GSR) to buy more luxurious goods and where they formed big communities. The artist. While conditioned by the art the "interspace", "crossroads" and the spend their vacations there. At certain Poppy Nation is based on family archival market to become something of an "Other” in relation to Western Europe. moments when they, for example, photographs by Rusyns who stayed and international tourist, many artists, describe the crossing of the border and those who emigrated to the US. It is at especially from Eastern Europe, still wear Sanja Kojić Mladenov the evasion of customs quotas, their once a parallel and a comparison of their national tag, embedded in their texts converge in terms of both form different views on their identity and the practice. The monumental “balaclava” and contents, reflects the artist about reality they live in.” makes us both afraid of and curious FOTOGRAF this autobiographical mixing of her own about the person beneath it; there is an (PRAGUE, CZECH REPUBLIC). experience with that of her peer from exchange of power between the masked Published since 2002, East Germany. On the background of the KWARTALNIK FOTOGRAFIA artist and the viewer. two issues per year states, which are falling into the realm (WARSAW, POLAND) Editor in Chief: Pavel Banka of distant memories, Kateřina Držková Published since 2000, Simona Dumitriu presents both visual variability and four times a year Kateřina Držková, b. 1978 in Prague. stability of photographic images, their Editor in Chief: Waldemar Lives and works in Amsterdam infinite possibilities of textual, emotional Sliwczynski Ana Adamović, b. 1974. Borders, video, 2’30’’, 2007 and pragmatic perception and mingling. Lives and works in Belgrade. The video “Borders” is about the memory Tamas Dezso, b. 1978. Souvenirs from the Balkans (Suveniri sa The video deals with the theme of of the past, not about the past itself. Lives and works in Budapest. Balkana), ongoing project since 2003 travelling, shopping and spending Here, Anywhere, 2009- holidays in the countries of the Lucia Nimcová, b. 1977 in Humenne, In her series, photographer and curator former Eastern Bloc. On the basis of Slovakia. Lives and works in Tamas Dezso’s Here, Anywhere (2009-) has Ana Adamović captures an intimate commented personal stories of Katka Amsterdam already gained international recognition. child’s world to which we all have an (Czechoslovak Socialist Republic) and Poppy Nation, 1970-1985 The artist explores the places on inherent strong emotional connection. Karin (German Socialist Republic), the the map of contemporary Hungary Memories of an earlier, happier time children from the former Communist Credits: Juraj Nimec / Lucia Nimcova, passed round by the fast current of Moxie Studios of play, being with friends and having Czechoslovakia and Germany, depict Poppy Nation, Kodachrome, 1970-1985 the civilization jump after the fall of fun represent a starting point in her the absurdity of that period. A visual communism. Those are the places investigation of the specific traits of the pun on human nature and the old “I am interested in the life of Rusyn drifting towards the peripheries of place and time in which she lived, by adage, “the grass is always greener on minority not only because I am one of reality. We see old, decrepit buildings of Magazinnes on the Wall means of deconstructing stereotypes the other side”, Katka, born in CSSR, them, but more because their life was unknown purpose, every now and then of the Balkans. This work in progress is she used to travel as a child with her very much influenced by many political individuals lost in an otherwise desolate conceived as an intimate travelogue family to GSR to shop there, because the decisions and circumstances during the landscape. When the environment in which the artist offers her personal goods were more luxurious than in CSSR. last century. Their homes are mountains, one is living in slips into non-existence, experience of the Balkans, presented In the same way, Karin, born in GSR, more than states.They have been part of there is no longer any need to change in the scenes of frozen landscapes, remembers travelling as a child with her Austro-Hungarian Empire, as were many places in order to emigrate. This is the architecture and events, through an family to CSSR to shop there, because other nations, but after First World War situation that Tamas Dezso’s heroes find

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themselves in. Imprisoned in their patch Polish secular post-war reality. of reality, which is atrophying, they It might be hard to find another theme, too switch to another dimension, as if which would bring together so many absorbed into a black hole of historical aspects of what we call migration. The determinism, or history, as a dumping buildings in Wilczyk’s photographs ground. Over the last one hundred years were created as a result of the Chosen time and space have become relative People’s migration to our part of Europe. and so has the notion of migration. This The moment this migration, changed relativity can be traced in the project’s into settling in, Holocaust came as the title Here, Anywhere. Those stark places most sinister and apocalyptic form of - abandoned and demolished, are not expatriation. Finally several dozen years the places where one feels at home. later, another act of migration occurred Those are the places of exile and even where the buildings changed their those who decide to visit them do not precisely defined function into a peculiar make them less deserted. The solitary zombie-like (or maybe Ahasverus-like) wanderers are emigrants who have not existence. No real resurrection has managed to leave. turned out possible.

Wojciech Wilczyk, b. 1961 in Cracow. Katarzyna Majak Lives and works in Cracow. The Innocent Eye does not exist, 2006 – Courtesy of Atlas Sztuki Gallery Lodz

Wojciech Wilczyk’s There Is No Such Thing As an Innocent Eye (2006-2008) documents Jewish religious buildings, including synagogues and private prayer houses, a few dozen years after the tragic disappearance of the community associated with them. Wilczyk visited Moxie Studios various places all across Poland many of which have fallen into ruin or have been remodelled to serve completely different

purposes (libraries, cinemas, and even 2004-2006 series, ROM_ from Croitoru, Alexandra (Bottom) / 2011 Horizon Production, New Published by 2009. EXPAT, Benjamin Füglister, (Top) Magazinnes on the Wall

craftsmen's workshops). In more than — 300 photographs migration is depicted from a very different perspective. It Images gains a new eschatological dimension– existential, trivial and even sacrilegious purposes– for example, a sacral synagogue space being appropriated by

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David Monahan and Maurice Gunning Living-Leaving National Photographic Archive (NPA) 06.07– 22.07.2012 Mon – Sat 10am – 5pm Sun 12 – 5pm Opening: 6pm Thursday 05.07

In 2008, Maurice Gunning travelled to David Monahan's series Leaving Dublin Buenos Aires in Argentina and began is another attempt to photographically interviewing and photographing the recognize the courage and efforts of Argentine Irish Diaspora. Over three those who have left their homeland. months he met with all the Argentine For over two years now, he has been Irish organizations of the city and capturing emigrants as they prepare explored the vast farmland areas of to leave Ireland in search of better National Photographic Archive (NPA) Buenos Aires Province. The Irish Embassy opportunities abroad. His images have of Argentina was instrumental in a heroic touch, as if to celebrate the making introductions on his behalf person, to show they are full of pride, and he retuned to Buenos Aires in 2010 full of dignity, that they are strong, to exhibit the work under the title upright and confident. In this sense, the Encuentro-A Gathering. During this time exhibition Living-Leaving brings together he revisited many of the places and two strands of one and the same story, people he had met on his previous trip and reminds us that the intensely (Top) David Monahan, Leaving Dublin, 2010 / (Bottom) Maurice Gunning, Encuentro‚ A Gathering. Photographs of the Argentine Irish Diaspora, 2008-2010 2008-2010 Irish Diaspora, Argentine the of Photographs Gathering. A Encuentro‚ (Bottom) Maurice Gunning, / 2010 Dublin, Leaving David Monahan, (Top)

and also travelled to other locations in personal decision to emigrate will not — the province surrounding Buenos Aires. only dramatically shape the future lives Images David Monahan and Maurice Gunning Living-Leaving His exploration of contemporary life of of those who leave, but also has a huge the Argentine Irish Diaspora incorporates impact on those left behind. immigrant letters from Argentina to Ireland in the 1860’s.

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El otro lado del alma / Peña inscribe the symbols of an memory of a nation that has been called The Other Side of the Soul authentic Afro-Cuban language into “Latin-African” by its Comandante en Instituto Cervantes their self-portraits, while Kattia García Jefe, Fidel Castro. Historical and artistic 06.07 – 30.08.2012 investigates the role models of the cross-references (e.g. to Ana Mendieta’s Mon – Thu 2-7pm female in the Santería. Juan Carlos oeuvre and Contemporary Photography Fri 10 – 2pm Alóm never draws on any specific ritual from other Latin-American countries) Closed Sun & Public Holidays practices; however, his visual vocabulary illustrate the complex interference Opening: 6pm Thursday 05.07 shows a spiritual connection to the between Cuban photography and the legacy of the African Diaspora. Most religious subject matter. of the works, of this exhibition, were The extraordinary iconography still hand-printed in black and white, of the syncretistic religions and their however Sandra Ramos was one of relation to the heritage of the African the first Cuban artists to use digital Diaspora invite a careful look at these photography, which she utilized in artists in order to uncover new insights Our assessment of Cuban photography Museum of Photography) in 2003. . For capturing the pilgrimage to the church into “El otro lado del alma”, the other is still strongly predisposed by Korda's political and historic reasons, the part of San Lázaro. side of the soul. iconic Che Guevara portraits and of Cuban photographic production that This collection strives to highlight influences from the great achievements was unrelated to the social reality of the individual artists’ profound of Epic Photography. Today, Cuban the Revolution did not find any interest interpretation of the collective spiritual photography and video art strongly at the time and for many years after. interact with international movements Historically, documentary and religious and are systematically shown in photography were lacking public exhibitions around the globe. Many of acceptance and were not promoted by these contemporary artists reflect a the art institutions. Also, the formal profoundly Cuban culture, as a subject, aperture of Cuban photography towards in their works. The Afro Cuban aesthetics more “conceptual” tendencies did not have been prominently discussed happen before the 1980s, only then theoretically and have become widely allowing the development of new

known in installations, performance art, approaches to the religious theme. Instituto Cervantes painting and sculpture. They represent Contemporary Cuban photographers a visual dissemination stemming from engage with the Afro-Cuban traditions strong roots firmly planted, which from a range of perspectives. One originated from African cults that were end of that spectrum is defined by

imported by slaves hundreds of years documentary photography, such as the — René Peña, Series Rítos, 1992 ago, resulting in a syncretism of religious work of Jorge Luis Álvarez Pupo, Raúl expression. Cañibano, Elio Delgado, Humberto Image This first show, focused on the Mayol, and Ramón Pacheco. The other

El otro lado del alma /TheSoul the Side of Other lado del alma El otro relation between syncretistic religions is marked by a conceptual approach and contemporary photography, had to the African heritage (Pedro Abascal, great impact in its first venue, the Ricardo Elías and Liudmila y Nelson). Fototeca de Cuba (Havana’s National Marta María Pérez Bravo and René

60 61 Main Exhibitions Main Exhibitions

Isabelle Pateer Unsettled (2007 – 2012) The Copper House Gallery 28.06 – 12.07. 2012 Mon – Fri 10am – 6pm Sat 12 – 4pm Opening: 6pm Wednesday 04.07 Finissage: 7pm Thursday 12.07

Isabelle Pateer started Unsettled coverage which helps them spread five years ago, as a long-term the word, and yet, the almost certain project about the consequences evidence that Goliath will win this of the international tendency of time, as so often happens. industrial expansions. It shows the Unsettled is the combination of relationship between displacement portraits of young inhabitants with and globalisation, of "progress" and interior pictures, exterior pictures and demolition, as in the example of the landscape photographs of the area Belgian village Doel, threatened by the that is in transition. Looking at the expansion project of the Antwerp Port. series, one wonders what is happening, Isabelle Pateer, Christoph, 2009. From the series Unsettled, 2007 – 2012 – 2007 the series Unsettled, From 2009. Christoph, Isabelle Pateer,

The series includes intriguing portraits whether it is a real place or a staged — of young inhabitants, alternated by setting. And this is exactly what landscapes, which symbolise, in the Isabelle Pateer wants to do: raising Image

words of the artist, "the international questions, rather than giving answers The Copper House Gallery tendency of global political and or wise explanations. She evokes other economic shifts and the way they cases of forced displacements around manifest themselves to the people and the globe, such as the Brazilian rain

Unsettled (2007 -2012) Unsettled (2007 their surroundings". forest, the Three Gorges Dam in China, Born on the Dutch side of the or the Chernobyl region, to name just border with Belgium, only twenty a few. kilometres away from the village of Doel, Pateer was quite familiar with the Kindly supported by the Dutch Isabelle Pateer area and felt an interesting story was Embassy in Ireland unravelling nearby: the inhabitants of the village fighting against the power of politics and economy, to protect their living area, a lot of media

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Jean Revillard Sarah on the Bridge The Copper House Gallery 16.07 – 04.08.2012 Mon-Fri 10am-6pm Sat 12 – 4pm Opening: 8pm Saturday 14.07

Jean Revillard's Sarah on the Bridge the positions of the 'fireflies' as they is a work about human trafficking, are called in Italy, to meet girls who migration, and forced prostitution. It have turned to prostitution to pay their

documents the journey of a young girl passage to Europe. There was that girl. 2009 Series Sarah on - 2011the Bridge, Jean Revillard,

from Ghana to Europe, where she hopes Her words. Her chair, her fire, and her — to find a better future as a dressmaker. umbrella. There is this dirt road, the Image

Once she arrives, however, Sarah enters forest, mattresses, and in the middle The Copper House Gallery the vortex of modern slavery often there is this bridge, a metaphor for the connected with migration, as she is passage so difficult to reach Europe.” forced to pay back her debts by selling As Jean's detailed records of her Sarah on the Bridge on Sarah

– her body, in a forest near the Italian journey reveal, Sarah has meanwhile town of Turin. This is where the artist moved on to live in Athens. Others have met her, on a day in March, in 2010: substituted her, have placed their chairs “She sold her body on a dirt road. The where hers was, maybe one has put

Jean Revillard encounter was fierce, full of mutual their mattress on top of Sarah's old one, fear, and the first photos wobbly. Sarah using it to generate income for the next was a girl among others to shoot on movement. There are many Sarahs, and these country roads northeast of Turin. many bridges. I covered this area for several months, concentrating on a few routes to map

64 65 Art for Art's Sake Get your FREE Guided Photographers Essential Kit*

Tours When you buy the Award-Winning Saturday Canon EOS 600D 7th & 21st July at Conns Cameras. Start: 12 pm From: Ticket desk Connolly Station Your Kit Includes: Duration: 5 hours Includes a 1 hour break • Canon Reference Book • Training DVD • Training Course Voucher Enjoy an afternoon of artistic delights • Lowepro Carry case discovering what PhotoIreland Festival has to • 8gb Sandisk Ultra SD card offer. From the established to the grass root and non-profit galleries: a visual feast in spades! A superb way to see Dublin and absorb some of its photographic talent. Conns Cameras Tour includes: 54 Clarendon Street, D2, *Kit - Walking guided tour of selected shows 01 677 7179 Worth - Discussion on the works visited The Arts are a necessity. www.connscameras.ie Lunch is not provided. No booking needed. Not a luxury. €250 Please note that tours are free but any donations are welcomed to contribute to the The Arts are an asset. development of Art for Art's Sake! Not an overhead. New lowER prices on a Full details of both tour dates available range of Canon lenses on www.artforartsake.org National Campaign for the Arts. for DSlR Cameras, and 2012.photoireland.org Visit ncfa.ie to see what you can do. see in store for details.

Please note: The Photographer’s Essential Kit is also 67 www.canon.ie available with other Canon DSLR cameras Highlighted exhibitions by galleries and organisations such as the Gallery of Featured Photography, the Royal Hibernian Academy, the Exhibitions Goethe Institut, Alliance Française and the Italian Institute of Culture.

68 69 Featured Exhibitions: Programme Featured Exhibitions: Programme

S M T W T F S S M T W T F S S M T W T F S S M T W T F S S M T 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31

Evelyn Hofer Dublin and Other Portraits Venue: Gallery of Photography Ireland (Runs until: 31.08.2012)

The Seán Hillen Collection: (Runs Photographs from the North until: of Ireland 1979-1990 Venue: NPA 30.09.12)

Senija Topcic Decency Venue: Goethe-Institut

Jens Komossa Television Rooms Venue: Goethe-Institut

Kimura Ihei in Paris: 1954-55 Venue: Alliance Française (Runs until: 15.09.2012)

Tratti-Ritratti / Traits-Portraits: Diverse Italian Identities in Ireland Venue: Italian Institute of Culture

Mark McCullough / Suzanne Mooney Disparate Geometry Venue: Monster Truck Gallery

Adrian Reilly Several Distances at Once Venue: Monster Truck Gallery

Amelia Stein The Big Sky and The Palm House Venue: Oliver Sears Gallery (Opens: 21.06.2012)

Adam Patterson A Very Normal Place House Venue: RUA RED (Opens: 30.06.2012 / Runs until: 04.08.2012)

‘Where Were You?’ Dublin Youth Culture & Street Style 1950 - 2000 Venue: Light House Cinema

Tara Oceans: A Worldwide Portrait of Marine Plankton Venue: East Pier Battery, Dún Laoghaire Harbour (Runs until: 03.08.2012)

Remote Coral Reefs: Tara Ocean Venue: The National Maritime Museum of Ireland, Dún Laoghaire Harbour (Runs until: 31.08.2012)

From Pole to Pole Venue: Number 5, Spencer Dock (Runs until: 04.08.2012)

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Evelyn Hofer Dublin and Other Portraits Gallery of Photography 06.07 – 31.08.2012 Tue-Sat 11am-6pm Sun 1 – 6pm

Opening: 6.30pm Thu 05.07 Gallery Talk 1.15pm Fri 06.07 Susanne Breidenbach, Director of Galerie m Bochum, will give a talk about the life and work of Evelyn Hofer.

Gallery of Photography Ireland and she photographs acquires a high About Evelyn Hofer cognoscenti during her lifetime, Hofer Galerie m Bochum present the Irish dignity.” Evelyn Hofer was born in 1922 in is only now attracting the significant premiere of the work of Evelyn Hofer In recent years, the work of Hofer’s Marburg, Germany. She began he career critical acclaim her work merits. In (1922–2009). At the heart of this long-time assistant Andreas Pauly, as a photographer in the mid 1940s, 2004, on the instigation of Susanne specially curated exhibition are Hofer’s as well as the monograph edited by after fleeing Germany and arriving in Breidenbach, Steidl published a major beautiful and considered photographs Susanne Breidenbach and published by New York where she was quickly taken monograph Evelyn Hofer. In 2006 a made during her visit to Dublin in 1966. Steidl in 2004, have led to a rediscovery up by the legendary art director Alexey retrospective exhibition was presented In colour and black and white, the work of the work of this extraordinary Brodovich. at The Hague Museum of Photography. captures Ireland at the tipping point photographer. One of the earliest modern Hofer’s work has now begun to be seen between an older, more conservative The Exhibition is kindly supported by colourists, Hofer’s work subtly updates alongside her peers ranging from Diane culture and the emerging modern world. the Goethe-Institut Irland. It is a keynote the traditions of Atget and Sander Arbus to William Eggleston. She died in The exhibition also features selected exhibition of the PhotoIreland Festival adding colour, irony, and a female 2009 in Mexico City. images from Hofer’s international 2012. Thanks also to Maurice Ward Art perspective on the world. Moving

practice, including her portraits of Handling and Andreas Pauly/ Estate of back and forth between portraits of PhotographyGallery Warhol at the Factory and other Evelyn Hofer. and landscape, and black and white American street scenes. What is always and colour, over the four most active remarkable about Evelyn Hofer’s decades of her career, Hofer created photographs is the keenly felt balance of a body of work that made her in critic Dublin and Other Portraits Dublin and Other

her compositions and the empathy she Hilton Kramer’s words “one of the most demonstrates with her subjects. Hilton accomplished masters of the medium”. Kramer, the chief art critic at The New While frequently busy doing editorial commissions for Condé Nast magazines, Evelyn Hofer Evelyn York Times, once called Evelyn Hofer “the most famous unknown photographer Hofer’s personal work includes a series of in America”, a title she did not dispute. collaborative books focused on individual He hailed her work for its “quality for cities, including Dublin: A Portrait (1967). pure observation” adding that for Hofer While known mostly to a small “There are no ‘low’ subjects. Everything circle of commissioning editors and

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The Seán Hillen Collection Photographs from the North of Ireland 1979-1990 National Photographic Archive 27.07 – 30.09.2012 Mon – Sat 10am – 5pm Sun 12 – 5pm Opening: 6pm Thu 26.07

“The photographs are like black and the Slade School London. The collection white time machines that bring includes photographs of the H Block back the desolation and danger of Campaign (1980) and the Hunger the Troubles. The images have a Strikes, particularly the death in 1981 of documentary accuracy but it is the Patsy O’Hara and the related Bogside aura of melancholy witness that rioting in Derry. The photographs also marks them as the work of Seán document Orange Parades and Roman Hillen.” Catholic Processions, both in Newry Seamus Heaney and Belfast, between 1979 and 1990. In recent years, Seán Hillen has revisited a In 2011, the National Library of Ireland number of these photos, using them in (NLI) acquired The Seán Hillen Collection. his celebrated photo-collage artworks,

This collection consists of 530 original and by way of background when co- PhotographicNational Archive 35mm black/white negatives taken by designing the Omagh Bomb memorial. 1979-1990 the North Ireland, of from Photographs Seán Hillen Collection, The — Newry-born photographer Seán Hillen Seán Hillen has indicated that he in the North of Ireland between 1979 will make donations of further related Image and 1990. Seán Hillen’s is a significant material to the NLI, in the coming years. addition to NLI’s photographic collections, currently containing an Elizabeth M. Kirwan Photographs from the North of Ireland 1979-1990 the North Ireland of from Photographs estimated 4.5m photographs. National Photographic Archive, The photographs in the Seán Hillen The National Library of Ireland Collection are unique local insights and are largely unpublished. The earliest Find further reading about The Seán photographs were taken by 18/19 year Hillen Collection at 2012.photoireland.org old Seán Hillen, then a student at Belfast College of Art, later moving on to study

The Seán Hillen Collection The at the London College of Printing and

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Senija Topcic Decency Goethe-Institut 05.07 – 31.07.2012 Tue – Thu 10am – 6pm Fri 10am – 2.30pm Opening: 6pm Wed 04.07

Decency is an exhibition of four selected images, the subject matters chosen by photographs from a series of images Topcic are telling in their own way. By taken by Senija Topcic relating to the concentrating on the normal activities — Senija Topcic, Decency, 2012 Nigerian community in Ireland. The title of eating, grooming, education and of the exhibition, Decency (borrowed religion you cannot but empathise with Image from a Nigerian restaurant of the same the subjects. name in Dublin) suggests a quiet respect for difference and the aspirations of

the immigrant. That is, while one recalls Goethe-Institut Decency one’s origins in the way of living in a – new location, one simply wants to get on with everyday living with mutual respect. Senija Topcic Drawing on her own experience of migration, Topcic immerses herself in the pursuit of a diversity of images that silently and without a set ideology or commentary reflects a living community. While allowing the viewers of these images to impose their own interpretation on the

76 77 Featured Exhibitions Featured Exhibitions

Jens Komossa Television Rooms Goethe-Institut 05.07 – 31.07.2012 Tue – Thu 10am – 6pm Fri 10am – 2.30pm Opening: 6pm Wed 04.07

Jens Komossa’s exhibition in The where light is part of the occupant’s Return Gallery in the Goethe Institut, arrangement of their space. By setting Jens Komossa, Television Rooms, 2012 Rooms, Television Jens Komossa,

features several of his Television Rooms up their TV in a particular room, at a — photographs. These eerie images certain angle, they create their own are taken using only the light, which installation. Image emanates from the occupant’s television In addition to the exhibition in The after dark. Komossa’s photographic Return Gallery, Komossa has produced

technique requires a long exposure a series of transparent Television Rooms Goethe-Institut time. The final outcome not only images installed on several windows Television Rooms Television reflects the image of the room but throughout Dublin. The placement of – also somehow evokes the time spent the photographs, that provide a glimpse in the space. Jens Komossa places his into the life of another, is taken one step camera directly in front of the television, further by the actual placement of the

Jens Komossa with the lens directed not towards images on windows. These works have the screen but rather back into the the advantage of being on show out of room. You can imagine the room being the normal viewing hours during the somehow engaged in a long dialogue festival. with the television (discussing the ideas transmitted), while bathed in its light. This acts as a reversed stage set

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Kimura Ihei in Paris: 1954-55 Alliance Française 03.07 – 15.09.2012 Mon – Thu 8.30am – 6.30pm Fri 8.30am – 5pm Opening: 6.30pm Mon 02.07 Image —

Ihei Kimura, Paris, 1954-55 (first published 1974, republished 2004) The Japanese photojournalist Ihei What looks somewhat nostalgic from Kimura was a keen adept of the Leica today's point of view was way ahead camera, which had been introduced to of its times then. Paris was a bustling Japan in 1929 and a great admirer of Metropolis and Kimura photographed it Henri Cartier-Bresson. Kimura started in colour, something unheard of in the portraying his native Tokyo in the early 50s. 1930s and is considered one of the On his return to Japan, Kimura photographers to have best captured concentrated on photographing rural life the city's spirit. In 1932 he co-founded in Akita, and on portraits, particularly of the monthly photo magazine Koga writers. He died in his home in Japan in to showcase the German-influenced 1974, the year of publication on Pari. New Photography movement in Japan Thirty years after, the 174 colour

and during the war worked as a photographs of Paris have been newly 55

– photojournalist in Manchuria. edited together, offering also many In the mid-fifties, Kimura made unpublished works. Alliance Française several trips to Europe, providing photographs for magazines. Kimura Ihei shashinshū: Pari, a collection of his color photographs of Paris, would only be published in 1974, and outside of Japan, Kimura Ihei in Paris: 1954 Ihei in Paris: Kimura it was only known to a few enthusiasts until its exhibition in the Arles Festival in 2004. Kimura's photos are not only a reference to European culture (including photography), through the eyes of an outsider. They are also a testimonial.

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Tratti-Ritratti / Traits-Portraits: Diverse Italian Identities in Ireland Italian Institute of Culture 04.07–31.07.2012 11am – 2pm & 3pm – 5pm Closed Sat & Sun Opening: 6pm Tue 3.07

A visual art exhibition of portraits that representation of the numerous and reflect the diversity of Italian identity skilled Italians who live and work in in contemporary Ireland. Curated by Ireland under many different guises. Angela Tangianu, Director of the Italian Rather, it intends to present new aspects Institute of Culture in Dublin. The of the Italians presence in today’s exhibition is organised by the Embassy Ireland, constituted by a diversity of Italian Institute of Culture of Italy and the Italian Institute of individuals who work in different sectors, Culture in Ireland. in disparate contexts and with varying 2011 the seriesTratti-Ritratti/Traits-Portraits, from Trapattoni, Giovanni Vierin, Veronica — This exhibition develops one of levels of responsibility.

the key themes designated by the Image Italian Ministry of Foreign Affairs for Photographs by Veronica Vierin. 2012: “L’Italia del futuro. L’Italia dei territori” (Italy of the future. Italy of the territories). The exhibition, promoted by the Italian Institute of Culture in Dublin, aims to exist as an opportunity of dialogue between the Italian community and the Irish public and that Tratti-Ritratti / Traits-Portraits: Diverse Italian Identities in Ireland Identities Italian Diverse Traits-Portraits: / Tratti-Ritratti of other countries. It does not wish, and indeed it could not, be an exhaustive

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Mark McCullough / Suzanne Mooney Disparate Geometry Monster Truck Gallery 06.07–28.07.2012 Tue – Sat 12pm – 6pm Opening: 6pm Thu 5.07

For this year's PhotoIreland festival, occurs; her visual props are raw display Monster Truck presents an exhibition systems - the functional, professional featuring two Irish artists living and materials used in retail environments, working in Britain, Suzanne Mooney used to draw attention not to & Mark McCullough. Both produce themselves, but to the products they conceptual, lens-based works, support and surround. Their actuality which while abstract, concern ideas is presented in such a way-with, of representation: McCullough by for instance, deft economy of tonal combining motifs and visual phrases contrast-as to provoke disbelief in their from draughtsmanship and geometry tangibility. Neither use digital, nor ex- to provide an alternation between camera manipulation in their images.

design and result; Mooney, by taking Scenes and objects are suggestively 2010 Coercion, the series Equilateral from Suzanne Mooney, — pre-existing materials and products and interpreted, but never violated. Image collapsing them to unsettle dimensional Monster TruckGallery Disparate Geometry Disparate

– pre-conceptions. Curated by Davey Moor. A mutually beneficial relationship between sculpture and photography Mooney also features in What exists within McCullough’s practice, is Conceptual Photography?, a where the delineative properties of documentary produced by Source the photographed objects fades the Magazine, which will be screened, as moment of their three-dimensional part of the festival, at Moxie Studios, origins, using a faint suggestion 7pm Fri 13.07 of depth to delicately convey ideas

Mark McCullough / Suzanne Mooney / McCullough Mark of space and vision, without overly burdening them with overt physicality. Mooney’s work situates itself in an arena where the fetishisation of objects

84 85 Featured Exhibitions Featured Exhibitions

Adrian Reilly Several Distances at Once Monster Truck Gallery 06.07–28.07.2012 Tue – Sat 12pm – 6pm Opening: 6pm Thu 05.07

This exhibition is concerned with global consumption, situational happenstance and the migrations of both humans and the inanimate. The objects depicted

are that of mass production and 2012 Once, at Distances Several the series from Reilly, Adrian

consumption, suggesting narratives of — the everyday. The work is influenced Monster TruckGallery Image by the Modernist conception that everything is connected, that the residue of invisible social relations is found in urban detritus and that photography, Several Distances at Once at Distances Several

– rather than containing definitive narratives-due to its supposed veracity- is merely a catalyst for a multitude of

Adrian Reilly subjective possibilities, which suggest the myriad hybrids of human relations.

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The RHA Annual Exhibition 2012 Royal Hibernian Academy 28.05–18.08.2012 Mon and Tue 11am – 5pm Wed to Sat 11am – 7pm Sun 2 – 5pm

Evening Tour & Talk with Amelia Stein, 7pm Wed 4.07

The 182nd RHA Annual Exhibition features photographs by Amelia Stein, Abigail O’Brien, David Farrell, Elaine Byrne, Tamsin Snow, Armelle Skatulski, Remco De Fouw, Andrew Duggan and Siobhan Dempsey, CX Hayden, Anna Rackard, Jeanette Lowe, Ulla Schildt, Miriam O’Connor, David Creedon and Jamie Young among others. Special attention should be given to The Curtin O’Donoghue Photography Award 2012 recipient, David Farrell, David Farrell, from Small Acts of Memory, Coghalstown Wood, 2010 Wood, Coghalstown Memory, Acts of Small from David Farrell,

and The Curtin O’Donoghue Emering — Photographic Artist Award 2012, Elaine RoyalHibernian Academy Byrne. Image The RHA Annual Exhibition The RHA

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Amelia Stein The Big Sky and The Palm House Oliver Sears Gallery 21.06–27.07.2012 Mon–Fri 10am–5.30pm Sat–By Appointment

Gallery Talk 6pm Thu 12.07 Amelia Stein will give an introductory talk on the exhibition at Oliver Sears Gallery. RSVP essential. Tel: 01-644 9459 / [email protected]

The Big Sky images were made over The Palm House photographs were recent months in the epic landscape made in 2001 in the Great Palm House of Co. Mayo. Here, visiting locations in the National Botanic Gardens in Amelia Stein, from the series The Big Sky, 2012 2012 the The from series Big Sky, Amelia Stein,

that have become increasingly familiar Dublin. It took two years to complete — to her. Working with traditional film, this series allowing time to record Image the large format, hand held Mamiya, seasonal changes in the lives of the translates truthfully the drama of tropical planting, the unique pot and OliverGallery Sears light, weather and isolation that tub culture and all the nuances of light descends on this corner of Ireland. In refract through the glass of this great each composition the sky envelopes Victorian building prior to its restoration. the presence of man, a shed, a ruined Lilliput Press released this year a The big Sky and The Palm House The Palm and Sky The big

cottage, a half-open gate. The narrative publication entitled the Palm House – may seem familiar but the technique with an introduction by John Banville feels almost painterly. Amelia Stein and botanical text by Brendan Sayers. A speaks about waiting for the photograph limited edition copy with a single print Stein Amelia to find her rather than chasing the included is also available. elusive image. The fluency of the Big Sky images shows that her patience has been rewarded.

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Adam Patterson A Very Normal Place RUA RED 30.06 –04.08.2012 Mon – Sat 10am – 6pm Opening: 6pm Fri 29.06

A photographic exhibition featuring work produced by Adam Patterson during is time in Tallaght. This work is about people-their faces, their gaze and their thoughts. The series depicts moments of Adam’s place in that corner of time. “I arrived with ideas and plans. Much had been written about west Tallaght and my aim was not to correct or offer an alternate view. The purpose was to record my personal time living in the area, through those that opened 2012 Tallaght, Normal Place, Very A the series from Patterson, Adam — their doors to me. This work is about

people-their faces, their gaze and their Image thoughts. The series depicts moments RUA RED

A Very Normal Place Very A of my place in that corner of time. In

– every sense it is a collaboration with locals that took me into their world. These photographs could not have been formed without their guidance and Patterson Adam trust.”-Adam Patterson

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‘Where Were You?’ Dublin Youth Culture & Street Style 1950 - 2000 Light House Cinema 08.07 –22.07.2012 Daily 1–11pm Opening: 6.30pm Sat 07.07

“Where Were You? captures the ‘Where Were You?’ is a photographic exuberance of Dublin’s teenage cults celebration of Dublin’s youth culture, and DIY styles at street level, from street style and teen life, from the 1950s Teddy Boys and Mods and Rockers to to the 1990s. The exhibition features Punks, Skins, Goths, New Romantics, photographs from the book ‘Where Ravers and Urban Cowboys. The Were You?’ published by Hi Tone Books images, some wrinkled with in 2011. Compiled by Garry O’Neill, the age, freeze moments from photo book was the culmination of almost 10 booths, casual snaps and posed years of collecting and research. The exhibitionism. While a lone snapshot photographs are taken from a huge

may generate mild curiosity, it’s range of sources and include the work 1984 Street, Grafton You, Were Where O’Shea, Tony the sheer critical mass of these of established photographers such as —

snapshots that makes this book a Evelyn Hofer, Tony O’Shea, Derek Speirs, Image

much deeper seam of memories. Bill Doyle and Fergus Bourke, alongside Light House Cinema The images are ordered by era and an eclectic mix of snapshots contributed classified by location rather than by by the public. people’s names, adding to the sense of history of entire classes and generations.” Stephanie McBride, Irish Arts Review ‘Where Were You?’ Dublin Youth Culture & Street Style 1950 1950 Style - 2000 Street & Culture Dublin Youth You?’ ‘Where Were

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Tara is Back Remote Coral Reefs: Tara Oceans Tara Oceans Expedition is the very The National Maritime Museum of Ireland, first attempt to make a global study Dún Laoghaire Harbour of marine plankton. On 31st of March 07.07 –31.08.2012 2012, the schooner Tara, equipped with 11am-5pm Tue to Sun & public new technology for sampling the entire holidays plankton communities from viruses to animals, and benthic diversity in This exhibition presents the images coral reef ecosystems came back to taken during the two major remote her homeport, Lorient, France. After coral reef surveys as part of the Tara 115,000kms, about 27,800 biological Oceans Expedition: Saint Brandon and samples, 100 scientists, 50 countries Gambiers The Kahi Kai team, co-founded crossed in 2 ½ years. Tara will arrive to by the photographers Aldine Amiel and Dún Laoghaire Harbour at 4pm Tuesday Eric Roettinger, had the privilege to 10th of July. The following events be involved in the development of the celebrate her arrival to Ireland. imaging platform of the Tara Oceans Expedition. Tara Oceans A Worldwide Portrait of Marine From Pole to Pole Plankton Number 5, Spencer Dock East Pier Battery, Dún Laoghaire Harbour 07.07 –04.08.2012 07.07 –03.08.2012 Opens 09.07 6.30pm outdoor exhibition Tue-Fri 10am-6pm Sat-Sun 1pm-6pm Closed Mon This unique exhibition on the East Pier of Dún Laoghaire Harbour will present a From pole to pole recounts the journey of worldwide view of marine plankton. Every photographer Vincent Hilaire in 2007 and

image has been taken onboard Tara 2011 to both ends of the earth on board 2009 Oceans, Tara project the collaborative from Protopteridinium, Aine McKeon, during the Tara Oceans Expedition from of the Tara. —

2009 to 2012 by one of the team headed The series of images convey some of Image by Dr Emmanuel G. Reynaud. the unusual atmosphere that prevails in these still untouched areas. The black & Photographers: Emmanuel Reynaud, white images reinforce this impression Noan Le Bescot, Mattias Ormestad, Eric of eternity that reigns in the parts of the Roettinger, Johan Decelle, Fabrice Not, world; these landscapes appear to have Cedric Guiguand, Jennifer Gilette, Aldine finally stopped the mad rush of time. Amiel, Jérémie Capoulade, and Sébastien Find further information about the Colin. partner organisations, associated events (talks, film screenings, guided tours aboard the Tara vessel), ticket prices,and bookings, www.ambafrance-ie.org

96 97 Masters of great pictures

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98 99 *Just present your Student ID Card in store before 30th September 2012 The Open Programme 2012 showcases over 50 Open exhibitions around the city Programme of Dublin and beyond: a vibrant element to the PhotoIreland Festival.

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S M T W T F S S M T W T F S S M T W T F S S M T W T F S S M T 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31

Mid-Twentieth Century Venue: Molesworth Gallery (Opens: 15.06.2012)

NCAD PDI Students Fourteen 12 Venue: Little Green St Gallery

Chasing Shadows III Venue: Centre for Creative Practices (Opens: 29.06.2012)

20 x 20 Peripheries - Moments From The Side Venue: Inspirational Arts Gallery (Opens: 29.06.2012)

(UN)Themed Venue: Little Green Street Gallery (Opens: 30.06.2012)

Homeless Gallery Venue: D-Light Studios

Ruptures Venue: 74 Benburb Street

John Lalor Signed Out Venue: Darc Space

Phil Behan The Karen of Mayo Venue: Irish Aid Information Centre (Runs until: 01.08.2012)

Frank Miller Minority Report Venue: Dublin Central Library

DICE Encounters Venue: MadArt Gallery

Kate Nolan Neither Venue: bio.space 033

Dublin Camera Club Annual Exhibition 2012 Venue: Dublin City Library (Pearse Street)

Close to Closure Venue: The Back Loft

Greg Constantine Nowhere People: The World’s Stateless Venue: The Atrium

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S M T W T F S S M T W T F S S M T W T F S S M T W T F S S M T 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31

Flux Venue: South Studios

Evan Buggle Ballyfermot - A Migrating Landscape Venue: Leinster Gallery

Paul Tierney Reflected City Venue: Designist

Tristan Hutchinson Took Strength To Tackle Those Hills Venue: Filmbase

Ciara O'Halloran The Other Room Venue: Eight Gallery

Nicolas Reuland Up in Smoke Venue: No Grants Gallery

Ailbhe Greaney A View Is Where We Are Not Venue: The Little Museum of Dublin

Paul McCarthy Na Caipíní Venue: The Market Bar

The Hidden City Venue: The Bernard Shaw

Vincent O'Byrne Post Photography Venue: Dublin Camera Club

Conor Blundell Dublin Lights Venue: Brannigans Bar

Jeanette Lowe The Flats: Memories, Perceptions, Reality Venue: Pearse House Flats

UU MFA Students Finding Fragments Venue: South Studios

BurnIn Company Half Afraid to Think Venue: 74 Benburb Street

f/22 Venue: MadArt Gallery

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S M T W T F S S M T W T F S S M T W T F S S M T W T F S S M T 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31

Jamie Young Water Towers of Ireland Venue: Exchange Dublin

Andrzej Rozycki Photosophy Venue: Centre for Creative Practices

Jos Menting Circle of Light Venue: The Back Loft

Helena Tobin A Space Between Venue: Signal Arts Gallery

Doreen Kennedy Mono No Aware Venue: The National Botanic Gardens (Runs until: 01.08.2012)

Stephen Doyle Time Served Venue: Inspirational Arts Gallery (Runs until: 03.08.2012)

Adapt Venue: Broadstone Studios & Gallery (Runs until: 04.08.2012)

Various Exhibitions Venue: South Studios

Photographers: Gianluca Gamberini Katerina Mistal Rory O'Neill Sean Breithaupt Steve Ryan

Inland Venue: Light House Cinema

Brian Cregan The Glass Garden Exchange Dublin

Paul Kelly Landless in Chaco Venue: Irish Aid Information Centre

Sergey Sergeev Pilgrimage Venue: Centre for Creative Practices (Runs until: 03.08.2012)

Slide Project(or) Venue: The Bernard Shaw (Runs until: 06.08.2012)

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Mid-Twentieth Century Oksana Afonina NCAD PDI Students Fourteen 12 Chasing Shadows III Molesworth Gallery 13.raw note: the exhibition takes place Centre for Creative Practices 15.06 – 20.07.2012 Filmbase in two venues consecutively 29.06 – 10.07.2012 Mon to Fri 10am – 5.30pm 26.06 – 30.06.2012 Daily 12pm–6pm Sat 11am – 2pm Mon – Fri 9.30 – 5.30pm 1.National College of Art & Design Opening: 28.06.2012 7pm Sat 10am – 5pm 29.06 – 01.07.2-12 The exhibition includes a selection Fri & Sat 10am–5pm Following on from two very successful of work by some of the key names in The series of black & white photographs Sun 2–4pm exhibitions in PhotoIreland 2010 and photography and design from the 1950s is inspired by the “13 phrases of living” Opening: 6.30pm Thu 28.06 2011 as well as a landmark show at the to the 1970s, such as Arnold Newman, by Colombian novelist Gabriel García Profile Gallery in the UK, this exhibition David Bailey, Lucien Clergue, Horst P Márquez. These are simple thoughts, 2.Little Green Street Gallery will be illustrating the work of a group Horst and Cornel Lucas. Also on view in which people tend to forget, that make 08.07 – 11.07.2012 of likeminded photographers who use the gallery is a group of landscapes by us happy and unite people from all Mon–Fri 10am–6pm historical photographic processes. As Michael Kenna. Kenna’s photographs social backgrounds. Sat 12–3pm computer prints have grown ever more are held in permanent collections at In ‘13.raw’, these phrases are Sun 10am–6pm photographic the desire to produce the Bibliotheque Nationale, Paris, The embodied through simple portraits Wed 11.07 closing 4pm labour intensive photographs by hand National Gallery of Art, Washington of homeless people. The phrases Opening: 7pm Sat 07.07 has grown more urgent. DC, Tokyo Metropolitan Museum of mirror poignant stories from their Photography, and the Victoria and lives and offer a window into their This show presents a range of Photographers: Alison Baker Kerrigan, Albert Museum in London. unique personalities. The project was photographic works from a group of Dominique Beyens, Caitriona Dunnett, conducted in Depaul Ireland, a cross emerging photographers and recent Karena Hutton, Kasia Kesicka, Jamie border charity, that offers people who graduates of NCAD’s Photography and Maxwell, Stephen McCullagh, Ian Mitton, are disadvantaged the opportunity to Digital Imaging part-time course. The Adrian Reilly, Dominic Turner, and Gwen fulfil their potential and move forward works show a diverse range of topics, Wilkinson. towards an independent and positive such as food, visual perception, the future. Organised by Depaul Ireland. absence of certainty, playfulness, the innocence of childhood, the politics of the everyday, the effects on businesses in a recession riddled country and the inability to cease noticing ’round things’.

Photographers: Rory Cleary, Peter Kelly, Willemein Koelink, Madeleine Maher, Patricia McCormack, Rosa Meager, Judy O’Connell, Francesca O’Connor, Paul Quinn, Philip Sliney, Elena Venzo and Sergio Vilchez.

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20 x 20 Peripheries - (UN)Themed Moments From The Side Little Green Street Gallery Inspirational Arts Gallery 30.06 – 05.07.2012 29.06 – 12.07.2012 Mon to Sun 12pm – 6pm Mon – Fri 9.30am to 5.30pm Opening: 7pm Fri 29.06 Sat 11am-4pm Sun closed (UN)Themed is a group exhibition Opening: 28.06.2012 6.30pm comprised of fifteen up and coming photography students within their 2nd ‘20×20 Peripheries’ examines what it year of DIT’s BA Photography course, means to continue living in these times showing an eclectic variety of work with Images Images without focusing on the problems we no set thematic. With a varied mix of

— face. Through these images we cast styles and interests their work covers (Top) Philip Sliney, ‘no title’, Dublin, 2012 / Maciej Pestka, (Bottom) Elevation, 2012 our gaze sideways for the moments all spectrums of photography, and that reiterate our shared existence. embodies the different processes of their From surreal and deeply poignant image making. metaphors to narrative documents, from documentary to abstract, this Photographers: Joseph Carson, Phoebe exhibition combines disparate images Gill, Jessica Glynn, Vincent Gregan, from some of the most promising Grace Hall, Angela Hayes, Ciaran Healy, photographic students and graduates Jennifer Hickey, Jason Kearney, Suzanne emerging from Ireland’s photographic Linnane, Emilie Lynam, Harry Lyster, degree programmes, to give a complete Vivienne Mooney, Noel Phelan, Nina and deeply meaningful reflection of the Szymanska. individually combined aspects of our continuing society today. The exhibition is curated by Donna Kiernan.

Photographers: Alison Baker Kerrigan, Samantha Dukelow, Niall Griffin, Zoe Hamill, Marie Hickey, Deborah Hughes, Sonja Kroll, Phil Lang, Cindy Morrissey, Veronica Nicholson, Claudi Nir, Noel Noblett, Ciara O’ Halloran, Maciej Pestka, Gillian Prenderville, Artur Sikora, Francesco Taurisano, Karen Tierney, Conor Williams, and Antonia Zharko.

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Homeless Gallery Ruptures John Lalor Phil Behan D-Light Studios 74 Benburb Street, Signed Out The Karen of Mayo 01.07 – 04.07.2012 01.07.2012 – 09.07.2012 Darc Space Irish Aid Information Centre Daily 11–6pm daily Opening: 7pm Sat 07.07 02.07 – 31.07.2012 02.07 – 01.08.2012 except 4 Jul 11–5pm Mon to Fri 10am – 5.30pm Mon to Fri 10am–5pm Opening: 11am–9pm (drinks ‘Ruptures’ is a group exhibition by a Sat 12am – 3.00pm reception 6pm) Sun 01.07 newly formed photography collective Opening: 6.30pm Fri 06.06 Over a period of two years, consisting of six graduates of the photographer Phil Behan has been Homeless Gallery is open to all artists. Photography BA in the Dublin Institute A feeling of being left behind comes following the life and integration of The exhibition depends solely on the of Technology. The collective seeks to over you as you walk each hallway, a Karen Refugees from the Ban Don Yang participant’s own self-censorship. We interrogate and disrupt contemporary feeling of isolation as the door closes Refugee camps on the Thai Myanmar do not pick the participants-everybody political, social and environmental behind you. Once you are signed in, border to their new home in Castlebar can show their work, from amateurs attitudes through the medium of you cannot just leave. There is nobody Co. Mayo. The images show the life of and students to professionals, we do photography. By addressing a broad around, but you can still feel authority. the Karen Ireland Group Chairperson not select the work either - there are spectrum of topics through a range of There is an ever-engaging absence in Paw She Tee as she and her family no demands as to subject, technique, aesthetic approaches and processes, these abandoned buildings, but an immerse themselves into their new format or number of photographs the work presents a visually engaging overpowering presence behind each home and Irish culture. shown. This year Homeless Gallery will critique of contemporary society. The door. Where have all these people gone? also present works of two special guests: issues being addressed include waste, They have migrated, moved away for Irek Misiak and Kasia Krynska - winners subcultures, politics of space and the a new beginning, with their stories of BLOW Photo Magazine competition. current economic climate. and activities imprisoned behind old stonewalls for others to tell. Photographers: Ieva Baltaduonyte, Joseph Carr, Brian Cregan, Caroline McNally, Lyndsey Putt, and Katie O’Neill.

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Frank Miller DICE Encounters Minority Report MadArt Gallery Dublin Central Library 03.07– 10.07.2012 02.07 – 15.07.2012 Tue–Fri 10am–5pm Mon/Wed/Fri/Sat 9am–6.30pm Sat 11am–6pm Thu 9–8pm Opening: 6.30pm Mon 02.07 Sunday 11–6pm ‘Encounters’ has been designed as “The Hmong migrated over the border a response to the main theme of from China into Vietnam, Laos and PhotoIreland 2012-Migrations: Diaspora Thailand some 300 years ago. They and Cultural Identity, bringing together inhabited whatever mountainous land the photographic works of artists Paul was available and worked out ways to Corcoran, Bartosz Nowicki and Will survive in some of the most inhospitable, Hartley. The photographers, based in but beautiful, territory in the country. Ireland and the U.K., work collectively as They are a hard-working people, who DICE. The group was formed in 2011 to largely keep to themselves, except support and promote new work as well when trading or visiting local markets. as explore ideas of working collectively. Most adult rural Hmong speak limited Themes of isolation and youth Vietnamese, so their capacity to trade unemployment to racism, communal and fully interact with the majority living and the centrality of relationships population is limited.” form the central premise of the show. Ethnic minority groups in Vietnam make up 14% of the country’s population of 86 million. National poverty levels in Vietnam have dropped dramatically from over half of the population in 1993 to around one-tenth today. Yet more than 80% of the one million Hmong people live below the poverty line. In

response, the Vietnamese government 2011 Kaliningrad, the series Neither, from 19, Jenya Nolan, (Bottom) Kate / 2012 Minority Report, Miller, Frank — has rolled out Programme 135 to tackle

poverty amongst ethnic minorities. The Images exhibition is supported by Irish Aid.

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Kate Nolan Annual Exhibition 2012 Close to Closure Greg Constantine Neither Pearse Street, Dublin City Library The Back Loft Nowhere People: The World’s Stateless bio.space033 04.07 – 28.07.2012 05.07 – 10.07.2012 The Atrium 04.07 – 15.07.2012 Mon to Thu 10am – 8pm 1–7pm daily 05.07 – 19.07.2012 12–6pm daily Fri & Sat 10am – 5pm (Closed on Sun) Opening: 6pm Wed 04.07 Mon–Fri 9am–6.30pm Opening: 7pm Tue 03.07 Opening: 7pm Tue 03.07 Opening: 5pm Fri 06.07 ‘Close to Closure’ opens up a range of Razgulai-Russian Feast 7pm Fri The Annual Exhibition is the highlight perspectives on the contemporary world Nationality might seem like a universal 06.07. To book please contact of the Dublin Camera Club competition of an eclectic group of photographers birthright, but an estimated 12 million [email protected] year and takes place every July. Over from different backgrounds and people are living without it. These Artist Talk: 7pm Tue 10.07 250 images, all taken by Dublin Camera nationalities living and working stateless people have no legal identity, Club members, will be on display to the in Dublin. Encompassing a variety are citizens of no country and are some ‘Neither’ is an exhibition of work created general public. Dublin Camera Club has of techniques, styles and personal of the most vulnerable and invisible between 2009-2012, looking at the a rich history behind it. Founded in 1945, preoccupations this group show is people in the world. Ireland is a party to situation of young women in Kaliningrad, but with roots in the early 20th century. characterised by its vitality and variety the two main statelessness Conventions Russia. Locked into dreams of a future The Annual Exhibition is the highlight with subject matters ranging from the and the Government of Ireland is that their homeland cannot recognise or of the Dublin Camera Club competition highly personal to the almost political. working closely with UNHCR on the fulfil, they look afar. They live separated year and takes place every July. Over issue of statelessness. Over the past five from both their motherland and the new 250 images, all taken by Dublin Camera Photographers: Artur Sikora, Hugh years, photographer Greg Constantine Europe and must struggle to negotiate Club members, will be on display to the McCabe, Fiona O’Donnell, Sharon has been working to bring to light the their own place in a society in continual general public. Murphy, Monika Fabijanczyk, Calin stories of stateless people around the flux. “The women I have been living Ploscar, Jeanette Lowe, Rebecca world and give a human face to this with and sharing with have generously McGetrick. global issue. ‘Nowhere People’ reveals opened up their homes and their minds the impact of statelessness on people to allow me to better understand this and communities who find themselves link between place, identity and history. excluded from society by forces beyond They have guided me through the stories their control. The project serves as a of this region and the effect it has had reminder of the existence of the millions on the individual. Kaliningrad has been of stateless people who are hidden and isolated geographically and politically forgotten around the world. Organised from the beginning, and numerous by The Office of the United Nations High women have never gotten a chance to Commissioner for Refugees in Ireland. travel to ‘Big Russia’ but still hold onto their Russian roots. They have given me an opportunity to fully explore this post-soviet culture and the roles that they play within it telling me of their dreams and fears. Caught between a rich Russian history and the new Europe these strong women search out their place between the two worlds.” Dublin Camera Club

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FLUX Evan Buggle Paul Tierney Tristan Hutchinson South Studios Ballyfermot - A Migrating Landscape Reflected City Took Strength To Tackle Those Hills 06.07 – 08.07.2012 Leinster Gallery Designist Filmbase 11am–6pm 06.07 – 14.07.2012 06 .07 – 16.07.2012 06.07 – 17.07.2012 Opening: 6pm Thu 05.07 Mon–Fri 10am–5pm 10–5pm daily Mon – Fri 10am – 7pm Sat 10.30am –1.30pm Opening: 7pm Thu 05.07 Sat & Sun 10.30am – 7pm ‘FLUX’ presents a photographic Opening: 6pm Thu 05.07 Opening: 6pm Thu 05.07 exhibition from a group of emerging This is a study of shop owners and their artists wishing to leave the nest, wishing Evan Buggle began work on this series businesses, documenting the range of ‘Took Strength To Tackle Those Hills’ is a to produce work on their own terms by of photographs during his time working displays, merchandise and other items photographic portrait of a community drawing on the belief that maybe there in Ballyfermot College of Further present within this environment. The and a landscape experiencing particular is more than one right way to do things. Education. The resulting images show exhibition display in a retail environment economic and social transition. Cork This group show is designed to express a community, which has remained mirrors both subject and presentation Harbour’s dramatic topography of steep the separation from what connects us to relatively unchanged within a shifting of this show. This project is presented Victorian hinterland, lush greenbelt out-dated representations of ourselves. landscape. References to history and in collaboration with Jennie Flynn of woods and forests sits side by side with Man eternally deemed a child. The artist modernity sit side by side within both a Designist. the emission stacks of oil refineries and deemed a student. There are turning commercial and residential site. Fleeting the grey geometries of multinational points in everyone’s lives, where they glimpses of nature and humour impose corporations hidden behind hills and consider themselves grateful for what themselves on otherwise bleak scenarios. the waning of its curved harbour. The has taught them to live, yet wish to These often intimate images reflect the relics of heavy industry past such lie distance themselves from the notion of broader dystopian realities of living in abandoned on its shores, the landscape eternally needing to be taught. Ireland today. irrevocably transformed, leaving behind the imprint of economic and political Photographers: Ryan Byrne, Kristina endeavours. This suggests an uneasy Collender, Emmett Connell, Ciarán and complex alliance between politics, Cooney, Efa Corwell, Neil Dorgan, Kathy economy and nature. Gilroy-Barry, Jonathan Higgins, Feena Kavanagh, Kasia Kaminska, Barry Keogh, Patricia Klich, Deirdre McGing, Claire Meagh, Bobi Murray, Robert McCormack, Adele O’Byrne, Nikki O’Carroll, Treasa O’Hanlon, Catherine O’Toole, Maciej Pestka, Alex Sinclair, and Irène Siragusa.

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Ciara O'Halloran Nicolas Reuland Ailbhe Greaney Paul McCarthy The Other Room Up in Smoke A View Is Where We Are Not Na Caipíní Eight Gallery No Grants Gallery The Little Museum of Dublin The Market Bar 06.07 – 31.07.2012 06.07 – 26.07.2012 06.07 – 31.07.2012 06.07 – 31.07.2012 Mon–Sat 10am–5.30pm Mon-Fri 9am–5:30pm Mon–Sun 11am–6pm Mon–Thu 12–11.30pm Sun 11am–5.30pm Opening: 6pm Thu 05.07 Thu 11am–8pm Fri–Sat 12pm–1.30am Opening: 6pm Thu 05.07 Opening: 6pm Thu 05.07 Sun 12–11pm This exhibition showcases a series of Opening: 6pm Thu 05.07 ‘The Other Room’ is an investigation of a smokers’ portraits.“Banished to the This work is an exploration of place and newly developed allotment in Clonsilla, back of office buildings, kicked out onto the impact that both place and space ‘Na Caipíní’ is an exhibition of portraits, Dublin. The aim of the project is to the street, outside pubs and restaurants, have on relationships between persons. printed as large-scale murals, that highlight the activities of allotment they are the lepers of our society. It is an investigation on the nature engages with the changes and gardening in Irish society. It also shows Yet, they are the ones who have the of ‘Home’. It endeavours to picture, continuations in the cultural landscape the processes, ritualistic characteristics best craic, the juiciest gossip and the not individuals who have been left of the West Kerry Gaelteacht of Corca and the overall ‘strangeness’ of the strongest connections. This collection behind, but individuals who have left Dhuibhne on the Dingle Penninsula. space, while calling attention to this is dedicated to these masons of a ‘of’ themselves behind. The photographs The people in the series represent an unrecognized space and the activities new age.” have progressed over time to encompass unbroken line in the life and culture of that are on-going here, making a people living between Ireland, The UK, Corca Dhuibhne. While they have lived previously irrelevant space, in terms Europe, North East Asia, India, South and worked and enjoyed their language of its use and it’s interest, a visually America, Canada and The United States, and music in the Sean Nós tradition, the intriguing location that draws in the including single people, couples generations that have followed them attention of the viewer. The processes and families. have had to balance this heritage with documented in the photographs reflect the demands of the modern world. The the challenges, which the gardeners series seeks a valedictory description of and allotmenteers try to overcome while the past through techniques that are developing their plots and the constant informed by contemporary photography struggle in the battle to reclaim the land practice.The series was created for from nature while simultaneously trying a recording made by Brenndaín O to produce and cultivate nature. Beaglaoich of singers and musicians of Corca Dhuibhne. The men of this generation are the last of the Caipíní, the last for whom the wearing of a cap was an everyday essential and the last to experience life as it was lived for generations past.

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The Hidden City Vincent O'Byrne The Bernard Shaw Post Photography 07.07 – 23.07.2012 Dublin Camera Club Mon–Thu 8am–12am 07.07 – 28.07.2012 Fri 8am–1am Sat 11am–5.00pm Sat–Sun 4pm–1am Opening: 8pm Fri 06.07 A satirical and narrative set of images, in the form of postage stamps, Vincent ‘The Hidden City’ project is a O’Byrne’s ‘Post Photography ‘series was collaborative exhibition, which uses one of the first bodies of work to achieve a combination of different media to the highly coveted Master Qualified reveal various interpretations of the city. European Photographer with the Focusing on the everyday the camera Federation of European Photographers becomes a tool to decipher the hidden (FEP) in 2006.

Images Images meanings of ordinary spaces. In this way the camera creates something new —

Paul McCarthy, from the series Na Caipíní, 2011 from the existing context and the form that this creation takes determines the manner in which the city is imagined, created and remembered.

Photographers: Florian Leavy, Francis Matthews, Aisling McCoy, Stephen Mulhall, Mark Noonan, and Paul Quinn

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Conor Blundell Jeanette Lowe Joby Hickey Slideluck Potshow Dublin Dublin Lights The Flats: Memories, 20,000km Moxie Studios Brannigans Bar Perceptions, Reality Sebastian Guinness Gallery 7pm Thu 12.07 10.07 – 31.07.2012 Pearse House Flats 12.07– 31.07.2012 1–11.00pm daily 12.07 – 22.07.2012 12-6pm daily (Closed Sun) Slideluck Potshow Dublin is thrilled Opening day: 7pm Thu 12.07 Mon–Sat 11am–6pm Opening: 6pm Wed 11.07 to launch its first event in Ireland in Sun 12–6pm conjunction with the PhotoIreland A series of images taken in 2012, Opening: 6pm Wed 11.07 Using pinhole cameras and a fixed Festival! SLPS has an international capturing the iconic lights of Dublin lens camera he has designed and reputation with events from Bogotá and showing a romantic side to the ‘The Flats: Memories, Perceptions, Reality’ constructed, Joby Hickey produces large to Paris as well as impressive selection city by nightlight. showcases Jeanette Lowe’s photography format black and white images with an of previous contributors such as Elliot of the people and the environment of intrinsic cinematic quality. These images Erwitt, Gregory Crewdson and Alec the Pearse House flats complex in Dublin appear to float between the blurred Soth. Please join us for an evening of City taken between 2009 and 2012. The present day, the familiar recent past and photographic slideshows and don’t exhibition includes Lowe’s photograph the almost forgotten bygone years. He is forget to bring your favorite dish like ‘Beach Boys’ which was exhibited as part interested in capturing an idea of having a chocolate raspberry torte or ricotta of the Taylor Wessing Portrait Prize at lost one’s bearings, sense and time, stuffed mushrooms! the National Portrait Gallery, London in thereby illustrating aspects of what he 2010. A vacant flat inside Pearse House consider to be a contemporary malaise. Guest curators: Louise Clements, Co- has been transformed into a unique art founder and Artistic Director/Curator space. Having the exhibition inside a flat of FORMAT International Photography fulfils two important objectives for Lowe, Festival and Peggy Sue Amison, Artistic to engage with the local community Director at Sirius Art Centre Cobh. by bringing art inside The Flats and to encourage people from outside to SLPS Dublin Director: Kate Nolan,Dublin come into the complex that they might Producer: Mandy O’Neill. not otherwise venture in. During the exhibition there will be walking tours and events on the architecture, heritage and stories from the area. Kindly supported by the Dublin City Council and ESB.

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UU MFA Students Finding Fragments BurnIn Company f/22 Jamie Young South Studios Half Afraid to Think MadArt Gallery Water Towers of Ireland 13.07 – 15.07.2012 74 Benburb Street 13.07 – 19.07.2012 Exchange Dublin 10am–6pm 13.07 – 19.07.2012 Tue–Sat 10am–5.30pm 13.07 – 23.07.2012 Opening: 6.30pm Thu 12.07 12–7pm daily Opening: 6pm Thu 12.07 Mon–Sun 11am–11pm Opening: 7pm Thu 12.07 Finding Fragments features the Repeating the massive success of last Water Towers of Ireland is an ongoing photography of twelve emerging artists BurnIn Company is a photographic year’s ‘Four Floors’ group exhibition, research project undertaken by Jamie practicing in Ireland. Already, there is a group comprising Serena Kitt, Mary MadArt puts on another amazing Young since 2010. Jamie became strong legacy of provoking photographic D’Arcy, Gerry Blake, Kelly O’Brien, Alison photographic feast at their beautiful, interested in water towers because work in Ireland, but the conversation is McDonnell, Nicola Whelan, James Lillis old Georgian building, which once again of their form, singular use and roles and should be, ongoing. Each featured and others, whose photographs address has been converted into a massive as landmarks. While researching and artist has made their own contribution and investigates different aspects art-space. The show brings together cataloguing the towers, he also found to this conversation by way of their own, of social and cultural identity in the both professional photographers that they could indicate a timeline in singular compulsions, all fomented, if modern world. and talented enthusiasts, giving the the history of the country, from the not fully realised, in Ireland. This energy audience an exceptional chance oldest water towers of railway stations, and contemplation might not result to experience a variety of styles through the progression of concrete in any definitive answers, but these and individual approaches to the construction, and on to the need for fragments of meaning together become photographic medium. The event is larger reservoirs in recent times, when a considered discussion of both universal organised by gallery owner Sofia Monika communities have simply outgrown their concerns and intimate interactions, Swatek and curated and co-ordinated elevated supply. which is a testament to the passion by photographer and prism Photo involved in the making of every one. Magazine editor Karol Liver.

Photographers: Noel Bowler, Emma Photographers: Anush Babajanyan, Campbell, Judith Cornwell, Lena Cronin, Patricio Cassinoni, Joanne Conlon, Claire Ken Finegan, Richard Gilligan, Jason Duggan, Jesse Fox, Naomi Goodman, Higgins, Hans Klemmer, Paul McGuckin, Patricia Klich, Dorota Konczewska, Anita Lorna O’Brien, Ciaran Og Arnold and Kulon, Garry Loughlin, Natalia Marzec, Myles Shelly. Cindy Morrissey, Stephen Murray,Aoife O'Dwyer, Mike O'Neill, Jill Quigley, Lynn Rothwell, David Thomas Smith, Michael Taylor, Cristina Venedict, Siabh Wall, and Jamie Young.

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Andrzej Rozycki Jos Menting Helena Tobin Doreen Kennedy Photosophy Circle of Light A Space Between Mono No Aware Centre for Creative Practices The Back Loft Signal Arts Gallery The National Botanic Gardens 13.07 – 24.07.2012 15.07 – 19.07.2012 17.07 – 29.07.2012 18.07 – 01.08.2012 13-24 July 10am–8pm daily Mon – Fri 10am-1pm and 2pm–5pm Mon–Fri 9am–5pm 12–6pm daily Opening: 3pm Sun 15.07 Sat & Sun 12–5pm Sat–Sun 10am–6pm Opening: 7pm Thu 12.07 Opening: 7pm Fri 20.07 This photography exhibition explores the ‘Mono No Aware’ is a homage to the Artist Talk 6pm Fri 13.07 synchronicity of three vastly differing Dealing with notions of the Sublime, a Cherry Blossom tree and the transience Film 12pm Sat 14.07 & 7.30pm worlds that Jos Menting witnessed term now laden with much theoretical of their blossoms. The word is derived Tue 17.07 and captured over the last ten years. “I and historical bias, Tobin’s work is from the Japanese word “mono”, which experienced the complexity of life, the essentially experiential; what is it that means “thing”, and aware, which was The exhibition will present photography continual cycles of struggles, conflict we bring to a piece, and how then are a Heian period expression of measured not as a mere reproduction of the visible and joy within the power of nature in we met in return? The subjectivity of surprise, translating roughly as reality, but as a will to show something an ever-changing light.” The project the aesthetic encounter is a prevailing “pathos”, “poignancy”, “deep feeling”, or indescribable, invisible, mystic, some includes images from the Streets of feature, in that the meaning of these “sensitivity”. Thus, mono no aware has sacrum. This will be examined through Dublin, Nigeria-Primary school, Jos, images comes as much from what they frequently been translated as “the ‘ahh- three photographic series “Tribute to the Plateau State and Kona Village and the contain as what they allude to. Acting ness’ of things”, life, and love. Awareness traditional photography” 2009, “Sorrow Garden Series. either as a means of regression into of the transience of all things heightens Natures” 1995, and “FotoAndrzejoZofia” memory or a departure point for a new appreciation of their beauty, and evokes 2010, which constitute three main imaginative experience, they are images a gentle sadness at their passing. directions in the artistic and whose space it is possible to occupy, and philosophical work of Andrzej Rozycki in this occupation we can take time to in the last decade. pause and observe, and be impressed upon. The spaces are incredibly stark in Curated by Karol Jozwiak. their ambiguity; are they mysterious or Kindly supported by the Embassy of sinister, beautiful or desolate? They are Poland in Dublin. defined in being filled with the stuff of our own interiority, and unflinchingly absorb and articulate for us the in- between quality all of us undergo as part of our daily lives; at what point does light become dark, and can the dark be avoided?

Curated by Donna Kiernan.

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Stephen Doyle Adapt Time Served Broadstone Studios & Gallery Inspirational Arts Gallery 20.07 – 04.08.2012 19.07 – 03.08.2012 Tue –Sat 12–5pm Mon–Fri 9.30am–5.30pm Closed Sun and Mon Sat 11am–4pm Opening: 5.30pm Thu 19.07 with Opening: 6.30pm Wed 18.07 curator/artist talk

Stephen Doyle comes from a family In keeping with the simplicity of the with a long history of involvement in the term, seven American artists in this construction industry in Ireland. ‘Time exhibition are dealing with the concept Served’, an ongoing series of portraits, of adaptation, whether on a global, local explores life for the young tradesmen or personal level. Changes in spaces, Images Images who served their time and worked in both public and private are a common

— construction during the boom years and link to the works. Documentation of this Helena Tobin, Untitled, from the series A Space Between, 2011 now struggle to find work. Many are process of change is shown in unique unemployed. While unemployment is and thought-provoking ways through a key issue, it is not the main concern photography, digital art and video. that Doyle addresses in this work. Issues such as role reversal, depression, anger Curated by Amy Stevens and despair are common narratives Artists: Noah Addis, Joelle Jensen, throughout the work. Collectively, the Allison Kaufman, Michael Mergen, Tim images show some of the complexity Portlock, Jeffrey Stockbridge, and of human adaptability; separately they Kimberly Witham. give a strong sense of the individuals’ feelings and personal responses to their new situation.

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Gianluca Gamberini Katerina Mistal Rory O'Neill Sean Breithaupt Cinecitta Mapping Europe Limbo Crude South Studios South Studios South Studios South Studios 20.07 – 22.07.2012 20.07 – 22.07.2012 20.07 – 22.07.2012 20.07 – 22.07.2012 Fri to Sun 10am–6pm Fri to Sun 10am–6pm Fri to Sun 10am–6pm Fri to Sun 10am–6pm Opening: 6.30pm Thu 19.07 Opening: 6.30pm Thu 19.07 Opening: 6.30pm Thu 19.07 Opening: 6.30pm Thu 19.07

Gianluca Gamberini has been working in The series ‘Mapping Europe’ examines This project examines the daily lives of These images take a metaphorical look the movie industry as second assistant the landscape and the continent as Asylum Seekers living in Hatch Hall in at climate change and environmental director for the past five years and a symbol of the country and cultural Dublin, while they wait on a decision on problems caused by new extreme during this period he started shooting identity. Katerina Mistal is interested their future. The work was shot with no methods of gas and oil extraction. his series about abandoned scenography in how migration and transnational access to the building, each shoot over Hydraulic Fracturing or Fracking is a inside the historical Cinecittà Studios in lives today impact on identity and our a six month period required sneaking in new process of natural gas extraction Rome. His poetic is based on the idea relationship to Europe’s geography. Her and out of the building. involving the drilling of deep wells into of beauty and time, and the abstract interest in borders and in the different the Earth. Millions of litres of water and metaphysical side of it. The show limits brought her to visit border mixed with sand and thousands of and hide mechanism, the real and fake, landscapes and viewpoints of in- chemicals, including known carcinogens that at the end overlap, as if they were between countries in Europe. and toxins are injected into the well different sides of the same story. at extreme pressure. This fractures the underlying shale rock formations and allows the natural gas to flow out of the well.

132 133 Open Programme Open Programme

Steve Ryan Inland Brian Cregan Paul Kelly Sometimes They Move Light House Cinema The Glass Garden Landless in Chaco South Studios 25.07 – 31.07.2012 Exchange Dublin Irish Aid Information Centre 20.07 – 22.07.2012 10am–6pm daily 25.07 – 31.07.2012 27.07 – 29.08.2012 Fri to Sun 10am–6pm Opening: 6.30pm Tue 24.07 11am–10pm daily Mon to Fri 10am–5pm Opening: 6.30pm Thu 19.07 Opening: 8.30pm Tue 24.07 Opening: 6.30pm Thu 26.07 The theme of this group show is based Religious statues and grottos are around the idea that during this tough Taking the cordyline tree (Cordyline The Gran Chaco - the second largest commonly found in housing estates, economic climate with many people australis) as it’s central component and forest reserve in South America after schools, crossroads, churches, railway migrating and leaving their homes that inspiration, the work employs ‘objective the Amazon, and covering parts of crossings and town squares throughout we need to re-discover our identity and scientific’ methods to explore our Argentina, Paraguay and Bolivia, is the Ireland. Many were erected in the within Ireland, on a cultural and relationship and use of photography in victim of rapid deforestation. Earlier Marian year of 1954 as a celebration of personal level. The projects range from the recording, classifying and archiving this year with the help of Irish Aid, Mary and to protect an area and bless one’s discovery of personal and public of botanical specimens. The cordyline photographer Paul Kelly and journalist the people around them. religion, to finding one’s own personal tree was introduced to Europe in the Fionuala Cregan visited some of the identity through self-portraiture. 1820s, around the time that experiments 25 different indigenous ethnic groups were being carried out that yielded who for centuries lived in harmony Photographers: Marcus Cassidy, Jane the first photographic processes, and with their environment, but today Cummins, Katie Gilligan, Karena Hutton, remains a common sight in many have been forced from their lands by Jason Lowe, Jamie Maxwell, Steve Mc suburban gardens. During the hard cattle ranchers and soya farmers. Enxet Cullagh, Adrian Reilly, Alex Rose, Leanne winters of 2010 and 201, many of the Sur leaders like Beningno Rojas are Rigney and Kate Ryan. trees died or were damaged with leading the struggle to have indigenous their remains left standing adding a ancestral land rights fulfilled and their monumental and memorial atmosphere territory returned to them. Some have in the garden. By invoking the history succeeded - others are still fighting. This of the exhibition and the museum, collaboration highlights both through the presentation of the work aims to portraits and words the strength of their provoke the audience into considering resolve, the power of hope and inspires the display and representation of us, the viewer, to learn more about this botanical and fine art objects within historic struggle. Supported by Irish the context of the contemporary gallery Aid and the Simon Cumbers Media and exhibition space. It also questions Challenge Award Fund. our desire to collect and the obsessive nature of photography.

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Sergey Sergeev Slide Project(or) Moira Sweeney Pilgrimage The Bernard Shaw Stevedoring Stories Centre for Creative Practices 27.07 – 06.08.2012 CHQ 27.07 – 03.08.2012 Mon–Thu 8am–12am 26.07 – 29.07.2012 12–6pm daily Fri 8am–1am 12–6pm daily Opening: 7pm Thu 26.07 Sat–Sun 4pm–1am 9.30pm –1.30am, 23 –29.08 Opening: 7pm Thu 26.07 nightly video projection On the last Sunday of July, year after year, thousands and thousands of Slide Project(or) is an experiment in Moira Sweeney’s ‘Stevedoring Stories’ is people make the same journey. Their taking images out of the digital realm an audio-visual artwork, which will be goal is to reach the top of the Reek - and revisiting the glory of analogue exhibited at CHQ on George’s Dock in that’s what local people call the sacred projections in a new show by WeAreYes the heart of Dublin Docklands as part mountain of Ireland, Croagh Patrick. productions/ artists Martin Robinson of ‘Tall Ships 2012’. In the immensity of Right at the top, there is a small church, and Emma Turpin. Through the the globalised space of the docklands, which opens only once a year on Reek’s intervention with images submitted despite its international nature, the Sunday. Everyone who makes pilgrimage from around the globe, potential new stevedores and dockworkers still exist as does it for their own reasons, but for narratives emerge from pre-existing a small and intimate community, which all of them this is a spiritual journey photographs. A printed zine will has witnessed and can recall through that Sergey wanted to share with them. accompany the installation of multiple oral history the rich tapestry of an area Through his pictures Sergey shows us slide projectors in the appropriate non- and life that remains relatively unknown that traditions, spirituality and heritage gallery environment of the Bernard Shaw territory for Dubliners. ‘Stevedoring are still kept alive. He also keeps the Pub. Stories’ brings to life the experiences of traditions in photography, through his generations of Dublin dockworkers and use of black & white film that conveys stevedores through photography, HD the feeling of the space and the video, story and soundscape. The world emotions. Sergey develops and prints his of the Dublin docks is recalled through photographs by himself, using the same oral history as ‘a world of masts, formulas as they were in the beginning funnels, towering cranes, barges, carts, of the 20th century. Kindly supported by horses…a hundred sounds becoming a the Embassy of Poland in Dublin. symphony of dockland’; in this multi- textured artwork of ‘Stevedoring Stories’, Sweeney creates an artistic space, which evokes a fascinating contemporary symphonic experience of that little- known world.

136 137 PhotoIreland Festival 2012 The Master Compact Events

Canon PowerShot G1 X Combining a large 14.3 MP Canon CMOS sensor, DIGIC 5 processor and exceptional 4x zoom lens the Book & Magazine Fair — 138 PowerShot G1 X gives you SLR- levels of control and image quality in a compact camera body. The Library Project — 140 Available through Portfolio 12 — 142 Photo Specialist Stores throughout Ireland Talks — 144

• Large 14.3 MP CMOS, DIGIC 5, HS System Workshops — 150 • Compact 4x zoom; Intelligent IS • 7.5 cm (3.0”) vari-angle LCD; OVF Films — 154 • Full Manual, RAW, DPP • Full HD, HDMI • High-speed Burst HQ • Smart Auto • Extensive accessories • HDR mode and ND filter • Optional 40m waterproof case

www.canon.ie 139 Events Events

Book & Magazine Fair Moxie Studios 14.07 – 15.07.2012 12–5pm daily Opening: 6pm Fri 13.07

We are delighted to present our second The fair is accompanied by a series Book & Magazine Fair, showcasing of talks and workshops. Speakers include, national and international publishers. Doug Dubois, David Kronn, Christopher The 2012 edition, held at Moxie Studios, Anhalt, Irène Attinger, Jan Babnik, Pavel will be the ideal place to purchase Banka, Reinhard Braun, Gösta Flemming, contemporary books, meet the Dewi Lewis, Katarzyna Majak, and publishers in person, network, find Andreas Müller-Pohle. inspiration and browse through the Special workshop by Hugh McElveen amazing publications on display. on Creating the Perfect Print, sponsored Moxie Studios Publishers present: Jan Babnik by Canon on Sat 14 and Sun 15 July. (Fotografija), Pavel Banka (Fotograf), Further details about the weekend Reinhard Braun (Camera Austria), Gösta schedule and bookings at

Book & Magazine Fair & Book Flemming (Journal), John Duncan 2012.photoireland.org (Source Magazine), Dewi Lewis (Dewi Lewis Publishing), Katarzyna Majak (Kwartalnik Fotografia), Andreas Müller- Pohle (European Photography), Markus Schaden (Schaden), Christopher Anhalt (HomePark Press), Dienacht Mag, ESC Zines, and Ontario Paper.

140 141 Events Events

The Library Project Publishers represented Moxie Studios in The Library Project 14.07 – 22.07.2012 12–5pm daily Opening: 6pm Fri 13.07

In 2011, PhotoIreland started a 4478zine Enric Montes Michalis Pichler TBW Books 1/2 zines ESC zine Le Mois De La Photo à The Douglas Hyde Gallery comprehensive collection of books, A+M Bookstore Eikon Montréal The Magenta Foundation magazines and zines on contemporary Abe’s Penny Esc Zines Mono Kultur Magazine Thames & Hudson Photography, a collection planned to Aesthetica Magazine European Photography Monika Magazine The Soon Institute Afterimage Magazine Mörel Books The Velvet Cell be the core of a free public library and AKV Berlin Publishing Ex Pose Verlag Musta Taide Torpedo Press reading space in our future premises. AMC Books Eyemazing NAi Publishers Turner The collection, now called the Library Antilipseis Fantom Magazine Nazraeli Press Twin Palms Archive Books FOAM Magazine NextLevel Magazine Undemi Project, began with the Book & Arne Eberle Fundación FotoColectania Nieves Books van Zoetendaal Magazine Fair in 2011 and is part of a Asia One Foto8 Niggli Benteli Velvet Cell PhotoIreland’s growing collections on Autograph ABP Fotograf Magazine OjodePez Vidvinkel Avarie Artbooks Fotografija Magazine Onomatopee Violette Editions photobooks. Belfast Exposed Fotografia Quarterly Ontario Paper Walther Koenig Visitors will be able to browse Benteli Verlag FK Magazine Ouestpasseelajourneedhier Waterfall Magazine through our library of over 800 Black Pages Frieze Magazine Parkett White Fungus Magazine Blink Magazine Fw: Peeping Tom Wintergarten Ltd. photobooks, magazines and zines from Blow Magazine Gallery of Photography Peperoni Books Yvi Magazine both well-established, large publishing BöhmKobayashi Hatje Cantz Photo Raw houses as well as independent Brandts HomePark Press Photoworks British Council Ireland IMMA Picnic publishing companies and enjoy British Journal of It’s Nice That Pierre von Kleist Editions this year’s newly added publications. Photography Ivory Press Pogo Books The collection on show is open in Bsides Books Jane & Jeremy Post editions Cabinet Magazine Journal Magazine Poursuite Editions its conceptual framing, including Café Royal Books JRP-Ringier Journal Preston Paris photobooks and magazines from Camera Austria JSBJ Radius Books more than 150 publishers from every Ciel Variable Kaugummi Books Romka Magazine

Contraste Magazine Kehrer Verlag Riverboom Moxie Studios part of the world - a rich example of Cross Editions KesselsKramer Publishing Ruiné contemporary publications focused on Der Greif Magazine Klack Magazine Scene Photography, Art, Design and Illustration. Dewi Lewis Publishing Kominek Schaden Diary 16 Magazine Kunstverein Schnauzer Publications The collection includes some of Dienacht Magazine Kwartalnik Fotografia Self Publish, Be Happy The Library Project Martin Parr’s 30 best books of the Ditto Press La Fabrica Shadowlab / Morten decade, and also PhotoIreland’s first Double Cuddle Lay Flat Publications Andersen Dublin City Gallery The Lars Müller Publishers Silas Finch publication, produced to accompany Hugh Lane LFI - Leica Fotografie Sleeperhold Publications Parr’s exhibition with the same name. It Dunclung International Some Magazine is planned a reprint of the book, as the Ediciones Originales Libroarte Source Magazine Ediciones RM Loosestrife Editions Sosoup first edition sold out. Edition Bessard Lozen-up Steidl/Mack Editions Braus MCV MCV Stupendous Elk Zine Metropolis M SuperMassiveBlackHole

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Portfolio 12 The Reviewers The Participants International Portfolio Reviews Moxie Studios Jan Babnik – Chief Editor Revija Eufalia Almeida Amy Stevens 14.07 – 15.07.2012 Fotografija Magazine, Ljubljana Pablo Axpe Kurt Tong Special Showcase: 6pm Fri 13.07 Pavel Banka – Chief Editor Fotograf Juste Balciunaite Andreas Tschersich Magazine, Prague Chloe Borkett Dominic Turner Walter Bergmoser – Curator & Noel Bowler Fabian Photographer, Soul Nolwenn Brod Unternaehrer Reinhard Braun – Camera Austria, Graz James Cant Catrine Val Louise Clements – QUAD & FORMAT Joseph Carr Erik von Festival, Derby Stephen Crossland Frankenberg John Duncan – Co-editor of Source Chloe Devis Magazine, Belfast Attila Floszmann Gösta Flemming – Journal, Stockholm Darek Fortas Presenting a unique opportunity for Nora Hauswirth, Leszek Wolnik (Fire. Nora Hauswirth – former CEO Sodapix, Roger Frei emerging artists worldwide to showcase ie), Tanya Kiang and Trish Lambe independent curator, Zurich David Galjaard their new photographic projects and (Gallery of Photography), Richard Mosse David Kronn – Private Collector, New York Ali Hanoon meet with international professionals, (Photographer), Moritz Neumüller and Trish Lambe – Gallery of Photography, Asbjoern Jensen PhotoIreland Festival's international Ángel Luis González (PhotoIreland). Dublin Dragana Jurisic portfolio review weekend takes place We are very thankful to the Goethe- Dewi Lewis – Publisher, London Kasia Klimpel from 13-15 July 2012 at Moxie Studios in Institut for their support, and to all Katarzyna Majak – Kwartalnik Fotografia, Dionysis Kouris Dublin city. While the reviews are private involved for their dedication to make Września Ben Krewinkel one-on-one consultations, the general this event a success. Karen McQuaid – The Photographers' Yaron Lapid public is invited to meet and engage Gallery, London Barbara H Larkin with the participants in an informal Andreas Müller-Pohle – European Mayra Martell way. All the works will be showcased in a Photography, Berlin Tony Mc Donnell projection at the opening event. Moritz Neumüller – PhotoIreland, Dublin/ Dara McGrath This year, the 45 participants come Barcelona Thais Medina from over 20 countries, such as Japan, Markus Schaden – Schaden, Cologne Wawi Navarroza Mexico, Canada, Australia, Russia, Dagmar Seeland – UK Picture Editor for Kate Nolan Moxie Studios United States, the Netherlands, Portugal, Stern, London Miriam O’Connor the Philippines, Finland, Lithuania, Leszek Wolnik – Curator & Strategist, The Cynthia O’Dell Greece, Germany, France, the United Copper House Gallery, Dublin Ethna O’Regan Kingdom, and, of course, Ireland. The Zoe O’Reilly reviewer list includes curators, gallery Tina Remiz owners, festival directors, publishers Gaspar Risko

Portfolio 12 International Portfolion Reviews Portfolion 12 International Portfolio and other international photography Stefania Sapio professionals. David Thomas All submitted portfolios were Smith pre-reviewed by a professional Jury: Chun Soo Kim Peggy Sue Amison (Sirius Arts Centre), Eric Stephanian

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TALKS experiences. GRAD TALKS AT MOXIE with un-kept and out dated hair, and Although the Irish experience of in some cases no clothes whatsoever. Symposium On Migration outward migration has been historically The ‘Grad Talks’ return for a third However, in today’s society there is a Wood Quay Venue a powerful constitutive narrative of consecutive year to PhotoIreland Festival. growing unease in society regarding 12.07.2012 the nation, we are interested in going The aim of the grad talks is to provide a the photographing of children in 11– 4pm Further details online beyond this to engage and embrace space for current and recent graduates public places. Through his research, Organised by GradCAM, Dublin City Council Arts other images, experiences and examples to present and discuss the theory behind Glenn Doyle examines the possible Office, and PhotoIreland Festival that complicate and problematize Photography in front of an audience consequences of this attitude through this especially since in the last decade of their peers. The secondary intent visually representing a ‘child-less This one day symposium around Ireland has witnessed inward migration is to allow graduates to experience captured’ society within which we the themes of migration and visual of unprecedented proportions. With presenting in front of an open audience potentially could be capturing for future representation will bring together a the movement of people from East to as well as responding to questions on generations. number of international speakers and West, from Asia to Europe, South to their chosen topic. These event are free artists to address issues related to these North in the Americas and Europe, etc., to attend. All welcome. Sarah Tehan - Lights Abstracted themes. these movements already precarious index (Abstract Representation The issue of the migrant, migration and fraught with danger for migrants Dragana Jurisic - Blood Flows, in photography) and its visualization in contemporary themselves are now heightened with and life goes on 11.07.2012 discourse continues be a site of struggle economic austerity. 09.07.2012 1pm and contestation within the media, Artists and writers will present on 1pm political debate, cultural and social current and recent work that engages What happens when you take and protest movements. In response, these themes across a number of “There proceeds steadily from that place representation to the ends of artists, filmmakers and photographers different geographies and experiences. a stream of events which are a source abstraction, to the point where the have engaged these discourses making Some of the questions that guide of danger to me,” wrote the Anglo-Irish image becomes more about lights’ exit significant interventions across diverse our day: What is at stake in the writer, Rebecca West in 1937. “That waves? If we have no understanding of sites and spaces. So against a rich representation of migration? How has place” was Yugoslavia, the country what we see, does it change its value? backdrop of existent practices across migration been visually encoded and in which Dragana Jurisic was born. Sarah’s current body of work explores a number of institutional sites and represented in this context? How do Dragana started retracing Wests journey how we use light in photography, the geographies, we are interested here in artists, photographers and filmmakers and re-interpreting her masterpiece by theoretical and scientific ideas that examining our current moment and address these concerns? using photography and text, in attempt examine it. The images created look at how that has shaped and reshaped the to re-live her experience of Yugoslavia the abstracted view of representation by landscape of migration and migratory and to re-examine the conflicting removing the camera element of image Talks

Talks practices. This inevitably brings up issues emotions and memories of the country creation. of globalization, economics, governance that was. and sovereignty as well as the control Sue Rainsford-Diaristic Photography and policing mechanisms servicing the Glenn Doyle - The Death of Shooting and Gestural Poetry in Contemporary imperatives of the market and state Children Art but in between these lies the micro 10.07.2012 11.07.2012 and local movements of individuals 1pm 1pm and communities across borders and We can all remember images that space over time each with complex and featured us parading around in public Since its inception, diaristic photography overlapping histories, narratives and with embarrassing attire matched seems irrevocably tied to themes

146 147 Events Events

of deviancy, explicit behaviour and Evening Tour and Talk with Amelia Stein Maurice Gunning Amnesty International Ireland. The talk a general sense of disavowal. This Royal Hibernian Academy National Photographic Archive (NPA) will explore the role photographers have extremist precedent, as embodied by 04.07.2012 11.07.2012 played in the advancement of human such photographers as Nan Goldin since 5.30pm 3pm Wed 11 Jul rights from the 19th to the 21st century. the 70s, has been subverted within No booking necessary Today documentary photography stands recent contemporary practice, taking Parallel to the exhibition, Living-Leaving: in an era when a cameraphone snap the original standpoint of a subjective As part of the Art Form Evenings at the David Monahan & Maurice Gunning. of a drunken celebrity earns more moment, captured and rendered finite, Royal Hibernian Academy, Amelia Stein Maurice will talk about his work than a five-page picture essay. Where and using it to incite new narratives that will host an evening tour and talk on the ‘Encuentro-A Gathering: Photographs of is its future? With exercises designed occur within the viewer. Annual Exhibition. the Argentine Irish Diaspora’. to understand your response to the photographs one thing is certain, this ‘The Grad Talks are organised by Donna David Monahan Amelia Stein talk will challenge the way you see, think Kiernan. Find suggested reading for each National Photographic Archive (NPA) Oliver Sears Gallery and feel about images and will hopefully talk in 2012.photoireland.org’. 10.07.2012 12.07.2012 strengthen your understanding of 3pm 6pm images in human rights. On the Future of Photography Education Parallel to the exhibition Living-Leaving: Amelia Stein will give an introductory Seán Hillen 15.07.2012 David Monahan & Maurice Gunning, talk on the exhibition ‘The Big Sky’ and National Photographic Archive 6pm David will talk about his work ‘Leaving ‘The Palm House’ at Oliver Sears Gallery. 28.07.2012 Dublin’. RSVP for this talk is essential. Tel: 01-644 2pm Often discussions about education 9459 / [email protected] concentrate on the ever-present Kate Nolan Seán Hillen will talk about this collection question of resources. In a context Bio.space033 Andrzei Rozycki of photographs from the ‘Troubles’ era, where the crisis in public finance 10.07.2012 Centre for Creative Practices recently acquired by the National Library since 2008 has impacted across all 7pm 13.07.2012 of Ireland Photographic Archive. education provision, in summary, the 6pm mounting pressures of rising student Parallel to the exhibition ‘Neither’, Kate Sergey Sergeev and receding staff numbers; the decline will discuss the making of this project The Centre for Creative Practices Centre for Creative Practices in funding and grants with a possible from shaky beginnings to understanding presents a talk on the output of Andrzej 31.07.2012 return of fees, poor post-graduate when a long - term project is complete. Rozycki, in discussion with curator Karol 7pm Tue 31 Jul funding opportunities and much She will also show previous and current Jozwiak. Talks

Talks more competitive job market. This work as a catalyst to explore how Sergey Sergeev will give a talk at the discussion will take the form of series photography has effected her thinking Human Rights and Photography: Roger Centre for Creative Practices entitled of short presentations from a number about the world and representation. Casement to the Second US-Iraq War ‘The Traditional World of Black and White of key representatives in photography Moxie Studios Photography’. It runs in parallel to his education on the island of Ireland and 21.07.2012 exhibition Pilgrimage. but also international representatives 3pm–4.30pm including IADT, DIT, Limerick School of Art, IED Institute, Madrid amongst Hugh McElveen presents an illustrated others. talk investigating the power of images to change society, in partnership with

148 149 NATIONAL & INTERNATIONAL ART HANDLING

Y FOR ALL THE W S F D G H F M V K H H I G F U U E E B M J H G TRANSPORT AND A G T K A Q W Z B M E N O A N N K S D Y I P E D J K B I A H K A Q F ART HANDLING I O R D V T I E W M B F A S W G H O B T F A O I Y A Q W D D H A P U U A SERVICES A W P P O C E A N F R E I G H T D F G Y J L L P L V C X A W E F G K D S A T D S F R Y A F H K L D S D F G W Q Y E X H S B K F H I S D J K I I D U B L I N W N YOU’VE BEEN A I E A G H T E A X Z V B N H U I O D S G N E W O Y M C F T U I L B C V R W H C W T D V N J N I C D I E S Z X C SEARCHING FOR: M A S P I T A Z S A C R E U R F Z O E R C G L O U J S A V B N M U N E Q M G M Z W L L E O I P E S F K B W L O N G Z X P B O R U L U L I L S L S D F Y U X F A I W J E V N M S A P E V A E P S V M O A HANGING Y R N Q S R V L K J A S C E N C J H G H T C O P G E G A X A S O C D T R D U J R U O S A A E T O P T O K Y O B C I Y T R Y U O A P INSTALLATION S A W C V U E R H J K L O T Q I X Z Q Y R T E W A R Z X M N X D N H W T R T P U Y U O P K A E R T V X Z X A R I P O A Z R U W M C Z I E R C F Q U I O Z N O G H T E AIR FREIGHT D V C A E R I N G J A O K E N A T M D U S N E T A I N S T A L L A T I O N X E D A R P A G D F W G A K L C Q W E V Q B N Z A B T M K E W Q L D H Q S D OCEAN FREIGHT P I U F D Z Q L K M N S A T R S I R Y R V C E T U T S D G D A F J K L A Z X E R Y L M E Z C S E O T A C I L O U Y T W S Q S C K I Y E Z S P O K Y R C M C A B L L K G S R E E C O K J F CRATE MAKING Y U E R A Q M L O E W A S Z I R U S U R C L U R V Y C N P W S B A W A T S I P B A Z A G N R A I F Z L P A R M E F T F A J S N T Z A Y U (COMMERCIAL / A F S A T G F U S T A I A V Z T J F V A T A I D A A R Z R S A A Z F G A F A M S D S A C E E A S A R S G F W A H S T G A T A R I A K H I G C A A M MUSEUM STANDARD) R A F H A S C L R N Y J Z A A F A S Z F L T A A A R Y A K Y T A C A L O T A T D H A S E T Y S O A S H A Z A R A G E A P A A B U D H A B I A B A C H A F F A F A R S L I A S A H G L A A A E A A H A Y A A C A T A H J O Z J A T A C TEMPERATURE B D Y P A A S A M W A T Y L O J Q R F I U D Y Y O I K I P N Q F H L F B A A A K A R A F C G E A I T J A E A Z A S A G A S P J A A A K H C M A O I M A A CONTROLLED TRUCKS V A M G O R A G E N E R A L F R E I G H T A H A A F H G S J A P F C N A A F Z S A A J A W A J A M E S A Y A B O X E D A R T A V D O G K S A M R D A A B O G S A E A N L T P F S C J W S A M A P A W H M G Z H F I A T C T L O I L COLLECTION Y A Z A C A A P H O S A F D I T Z C P D J S A T A G A D A X O N P J N E A R A P H A T H A G F T R I K D F S A S O K W A G D A H F G R A R P M A H O AND DELIVERY A G A O A M A A C P A J S A V T A W I A U A D H T R Y J A D A A A L T D V A Z A C R A T E M A K I N G A D F A N R Z R L A G F M C A T A G A C A A THROUGHOUT P A S A P N A G A A M A A H A O L C R N D T I A A Z V D K Z A E A G H C S K D A F A T A S D F T E A F V H D A C A Z N E W Y O R K O O S A Z E P IRELAND O A H G P A G H N H A K D L F H K I S O H B V W A R A A S A F A A E A D P F I A R J T A E M C D E O W A M E C J G A V R H O Y A S P I R H Z A H B A M C A W F P T V A M A S J A M C A W L T A H S F Z A M A B Z E B A W R N A A T H P ART TECHNICIANS N L R S A O Y A E P Y C U S T O M S C L E A R A N C E A A A R S G Z T A G I P A A T G P J W D L N A T O A E O A A I A Y A J A P M A G A W F A V B A M A K H J R H F K G F A V O T R S D I C D C A N A J A M E T A V A C S M G A I O R D L D S A N S D M N E T W A W C V A L N G F G K F C P F C C R N A A A A J M A C R D A L V P A T I F O H D A T L A R S F D H T I A L O W A F A A I D H A A O P A E A I F D F T J C L D F P I A R F O K D Z Y H C B H W D O L H B H J V I A A D R H K Z W R H C R M A O S T I A R M N G A E S S Y D N E Y T K D P E Z N M J S K W T Z A M F S W C G P L S T A Y F N P D M A F S H P I F A G V A K I H S A

WWW.MAURICEWARD-‐ARTHANDLING.COM E: [email protected] UNIT J10, SWORDS BUSINESS PARK, SWORDS, CO. DUBLIN. T: +353 1 840 9099 Events Events

PhotoIreland Festival 2012 workshops hosted by Fire at The Copper House Gallery

Portfolio Planning, Editing Exhibition Design, Planning & & Production Production 09.07.2012 17.07.2012 6–8pm 6–8pm €5 20 places available €5 20 places available

- Portfolio or photobook? - Exhibition design as an editing tool - Getting the best out of a Portfolio Review - Building and using 3D 1:10 scale maquettes - Should I have a relationship with my reviewer? Using maquettes to secure a gallery exhibition deal - Portfolio review etiquette

Large Format Scanning As A Creative Advanced Transparency And Negative Resource Scanning 10.07.2012 23.07.2012 6–8pm 6–8pm Free 4 places available only / Entry by project €5 / 8 places available only submission - Evaluation of the original - Introduction to CRUSE Museum Scanner - Resolution choices - Practical scaography sesion - Sharpening, when and how - Practical scanning session for collage - Tonal and colour correction

Advanced Fine Art Printing VI - Large Format Scanning As An 16.07.2012 Archival And Conservation Resource 6-8pm 24.07.2012 €5 20 places available 6–8pm - Discussion of C-type and archival pigment options Free / 4 places available only - Setting up your system - Introduction to CRUSE Museum Scanner - Matching screen pitch for optimal output prediction - Discussion of physical artefact protection in process - Paper selection and selection effects on image - Discussion of digital archiving and conservation techniques - Discussing the myth of the ‘perfect print’ - Discussion of facilitating artefact accessibility through - Print mounting and finishing digital archiving - Practical techniques demonstration Book online at http://2012.photoireland.org Book online at

152 153 Events Events

Institute of Photography The Academy of Photography The IOP offers the following courses to all PhotoIreland Festival visitors.

I. Street Photography Masterclass IV. One Day Introduction to Digital SLR Black & White Darkroom Workshop Monochromatic & Workshop Aimed at those wishing to improve their 14.07.2012 21.07.2012 Attendees will return for some post basic knowledge of photography 10–3pm 1-5pm processing and critiquing in the IOP 21.07.2012 15.07.2012 28.07.2012 after the shoot. 10–4.30pm Sun 21 Jul 10–3pm 1-5pm 15.07.2012 Festival Price: €125 (normally €175) €25 (usual price €125) € 5 (usual price €125) 9.30–1pm 8 places available 8 places available Festival Price: €50 V. Wireless & Off Camera Flash This 5 hours darkroom workshop, will This workshop will present different Workshop - Level 1 present basics of different techniques for techniques for creating black and white II. Studio Photography Workshop -Level 1 Aimed at those who want to get more printing and developing black and white photos using Adobe Photoshop CS5, Ideal for those curious about how a interesting flash lighting from their photography. You will need to bring an including controlling levels of contrast, photographic studio works flashguns. exposed roll of traditional (Not a C-41) black & white saturation, applying sepia, 15.07.2012 24.07.2012 black and white film. In case you do not noise and old photos effect. 2–5pm 7–9pm have any exposed film, please contact The workshops are designed for Festival Price: €80 (normally €125) Festival Price: €80 (normally €125) The Academy of Photography 7 days people with basic knowledge of Adobe before the course. All papers, chemicals, Photoshop software. Bookings can be made online at the IOP gloves will be included. III. Adobe Camera Raw Workshop - web site www.iop.ie Booking is essential: Level 1 www.theacademyofphotography.ie Learn how to make the most out of your files and benefit from the RAW format. 17.07.2012 7–9pm Festival Price: €80 (normally €100)

154 155 Events Events

FILMS at the same time, the story of so many Day Night What is Conceptual Photography? others who have suffered, are suffering directed by Marcos Miján A short film by Source For this year’s PhotoIreland Festival, and will continue to suffer the luck of 63 min-Chinese/English-Spanish subtitles Moxie Studios Instituto Cervantes Dublin introduces the displaced. In the vertigo that shapes day and night 7pm Fri 13.07 ‘The Limits of the Frontiers’, a film series in China’s capital, this documentary Photography has become a mainstay that offers a transnational view by Between the lines follows, over a year, the lives of a Danish of the art market. The term ‘conceptual Spanish directors, or directors resident in directed by Esther Lozano, Mónica biker who dreams of opening a rockabilly photography’ is used increasingly to Spain who question human or physical Garriga bar by Houhai Lake, a student from the describe work that is found in galleries frontiers. These artists intend to portray, 45 min-English-Spanish subtitles North wandering between two cultural but has also been applied to reportage through documentaries, contemporary Between the lines offers a unique and models, a young man from Alaska who and advertising. Has the term been society conflicts, migrant movements intimate view of Australian identity hides underground in Beijing, and a invented to legitimize photographs as and interculturalism. through the critic eyes of an Aboriginal Spanish journalist seeking to unravel the artworks? Or, does it describe a genuine urban artist. Adam Hill embarks on an mystery that surrounds him. tradition of that has evolved from The Limits of the Frontiers film series intense personal and artistic journey Conceptual Art? This film consists of a Instituto Cervantes through his artwork in search of his 31.07.2012 series of interviews with key participants 6pm every Tuesday throughout July identity. Mawla’s wedding in this debate including, artists John directed by Zoltan Enevold Hilliard and Suzanne Mooney, theorists 52 min-Spanish/Bengali-English subtitles 03.07.2012 17.07.2012 Lucy Soutter and John Roberts, journalist Mawla is a young man from Bangladesh In January, Perhaps Diamond Inside Sean O’Hagan and curator Louise living in Madrid (Spain). He has a job directed by Diogo Costa Amarante directed by Luis Sánchez Alba Clements. 63 min-Spanish/English-English subtitles 52 min-Romanian/Spanish-English subtitles and plenty of friends but his dream is This is the journey of the Boa to have a family. For the first time after Daniel, a homeless Romanian struggles Photosophy Mistura collective to Cape Town. This seven years he decides to return to to survive in the streets of Barcelona directed by Jacek Jozwiak documentary recounts personal his country in search of a bride to get and believes that he will find a job in Centre for Creative Practices experiences of various dwellers who married. January 2009 and change his life. 12pm Sat 14.07 struggle to generate that change 7.30pm Tue 17.07 amongst the most underprivileged Mr. Easter Distances The Centre for Creative Practices directed by Pilar Monsell sector of the population. directed by Óscar Pérez 54 min-Spanish-English subtitles presents a Documentary movie on 28 min-French/Lingala-English subtitles Andrzej Rozycki’s artistic output: A group of refugees from Congo are 24.07.2012 Easter arrives at Mellilla. Carlos ’Photosophy‘. Directed by Jacek Jozwiak, stuck in Rabat. The Spanish borderline On the Line Rubiales becomes, another year, Lodz 2012, 25’ Polish with English prevents them from entering Europe. In directed by Jon Garaño Easter man. He is the presenter of the subtitles a remote room on the outskirts of the 13 min-English-Spanish subtitles religious programme Cruz de Guía city they rehearse a theatre piece based Adam, an American lower-middle (Guiding Cross) that Melilla’s Television ‘Photosophy’ is ‘Kindly supported by the on their own experiences. class man, bids farewell to his wife and broadcasts. children to undertake his weekly chore. Embassy of Poland, in Dublin’ 10.07.2012 A task implying sacrifices, but that he Displaced accomplishes with the solid conviction directed by Josep Lluís Penadès Boada of his ideals. 58 min-Spanish-English subtitles This is the story of the residents of a neighbourhood in southern Bogotá and,

156 157 34 National Maritime 43 South Studios Gallery PhotoIreland Festival 2012: 24 Leinster Gallery Museum of Ireland 27/28 New Row South 27 South Frederick Street Old Mariners Church Dublin 8 Venues & Map Dublin 2 Haigh Terrace Dún Laoghaire Harbour 44 25 Light House Cinema The Academy Market Square of Photography Smithfield 35 National 46 North Great Clarence Photographic Archive Street, Dublin 1 1 Alliance Française 9 chq building 17 Eight Gallery Dublin 7 Meeting House Square 1 Kildare Street IFSC 8 Dawson Street Temple Bar 45 The Atrium Dublin 2 Dublin 1 Dublin 2 26 Little Green Dublin 2 Street Gallery Department of Justice 18 and Equality 2 10 Darc Space Filmbase 12a Little Britain Street Number 5 36 No Grants Gallery 51 St. Stephen's Green 26 North Great Curved Street Dublin 7 (Corner Unit) 12 East Essex Street Dublin 2 Georges Street Temple Bar Spencer Dock Temple Bar Mayor Street Upper Dublin 1 Dublin 2 27 MadArt Gallery Dublin 2 46 The Back Loft Dublin 1 56 Lower Gardiner St 19 Gallery of 7-11 St. Augustine Street 11 Designist Dublin 1 Photography Ireland 37 Oliver Sears Gallery Dublin 8 3 74 Benburb Street 68 South Great Meeting House Square 29 Molesworth Street Dublin 7 Georges Street 28 The Market Bar Temple Bar Dublin 2 47 The Copper House Dublin 2 14a Fade Street Dublin 2 Gallery 4 bio.space 033 Dublin 2 38 Pearse House Flats St Kevin's Cottages 33 Charles St West 12 D-Light Studios 20 Goethe-Institut Lower Erne Street Synge Street Off Ormond Quay 46 North Great 29 Molesworth Gallery 37 Merrion Square Dublin 2 Dublin 8 Dublin 7 Clarence Street 16 Molesworth Street Dublin 2 Dublin 1 Dublin 2 39 Royal Hibernian 48 The Bernard Shaw 5 Brannigans Bar Academy 21 Inspirational 11 South Richmond St 9 Cathredral Street 13 Dublin Camera Club 30 Monster Truck Gallery 15 Ely Place Portobello Arts Gallery 4 Temple Bar Dublin 1 10 Lower Camden Street Dublin 2 Basement 7 Dublin 2 Dublin 2 Dublin 2 Herbert Street 6 Broadstone Dublin 2 40 RUA RED 49 The Little Museum Studios & Gallery 14 Dublin City Library 31 Moxie Studios South Dublin Arts Centre of Dublin 22 Harcourt Terrace 138 Pearse Street Lad Lane 22 Instituto Tallaght First Floor Dublin 2 Dublin 2 Dublin 2 Cervantes Dublín Dublin 24 15 St. Stephens Green Lincoln House Dublin 2 7 Central Library 15 East Pier Battery 32 National Botanic Lincoln Place 41 Sebastian ILAC Centre Dún Laoghaire Harbour Gardens Dublin 2 Guinness Gallery 50 Wood Quay Venue Henry St Glasnevin 42 Dawson Street Dublin 9 Dublin City Council Dublin 1 16 Exchange Dublin 23 Irish Aid Dublin 2 Civic Offices Exchange Street Upper Information Centre Wood Quay 8 Centre for Temple Bar 33 National College 31 O'Connell 42 Signal Arts Gallery Dublin 8 Creative Practices Dublin 2 of Art & Design Street Upper 1 Albert Avenue 15 Pembroke Street Lwr 100 Thomas Street Dublin 1 Bray Co. Wicklow Dublin 2 Dublin 8

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Sunday 01.07 6pm Homeless Gallery • D-Light Studios p.110 Closing NCAD PDI Students, Fourteen 12 • NCAD 107 Adam Patterson, A Very Normal Place • RUA RED 90 RHA Annual Exhibition 2012 • RHA 86 Chasing Shadows III • CFCP 107 UN(Themed) • The Little Green Street Gallery 109 Ruptures • 74 Benburb Street 110

Monday 02.07 6.30pm Kimura Ihei in Paris: 1954-55 • Alliance Française 79 6.30pm DICE, Encounters • MadArt Gallery 112 7pm Ruptures • 74 Benburb Street 110 RHA Annual Exhibition 2012 • RHA 86 Amelia Stein, The big sky and The Palm House • Oliver Sears Gallery 88 Adam Patterson, A Very Normal Place • RUA RED 90 Mid-Twentieth Century • The Molesworth Gallery 106 Chasing Shadows III • CFCP 107 Programme: 20x20 Peripheries – Moments from the side • Inspirational Arts Gallery 109 UN(Themed) • The Little Green Street Gallery 109 Day By Day Homeless Gallery • D-Light Studios 110 John Lalor, Signed Out • Darc Space 111 Phil Behan, The Karen of Mayo • Irish Aid Information Centre 111 Frank Miller, Minority Report • Dublin Central Library 112

Tuesday 03.07 6pm Tratti-Ritratti / Traits-Portraits • Italian Institute of Culture 80 6pm In January, Perhaps & Distances • Instituto Cervantes 154 7pm Kate Nolan, Neither • bio.space033 114 7pm Dublin Camera Club Annual Exhibition 2012 114 Kimura Ihei in Paris: 1954-55 • Alliance Française 79 RHA Annual Exhibition 2012 • RHA 86 Amelia Stein, The big sky and The Palm House • Oliver Sears Gallery 88 Adam Patterson, A Very Normal Place • RUA RED 90 Mid-Twentieth Century • The Molesworth Gallery 106 Chasing Shadows III • CFCP 107 20x20 Peripheries – Moments from the side • Inspirational Arts Gallery 109 UN(Themed) • The Little Green Street Gallery 109 Homeless Gallery • D-Light Studios 110

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Ruptures • 74 Benburb Street 110 6pm Ailbhe Greaney, A View Is Where We Are Not • The Little Museum of Dublin 119 John Lalor, Signed Out • Darc Space 111 6pm Paul McCarthy, Na Caipíní • The Market Bar 119 Phil Behan, The Karen of Mayo • Irish Aid Information Centre 111 6.30pm Evelyn Hofer, Dublin and Other Portraits • Gallery of Photography 68 Frank Miller, Minority Report • Dublin Central Library 112 7pm Paul Tierney, Reflected City • Designist 117 DICE, Encounters • MadArt Gallery 112 Closing UN(Themed) • The Little Green Street Gallery 109 Isabelle Pateer, Unsettled • The Copper House Gallery 60 Jens Komossa, Television Rooms & Senija Topcic, Decency • Goethe Institut 74.76 Wednesday 04.07 Kimura Ihei in Paris: 1954-55 • Alliance Française 79 5.30pm Evening Tour/Talk Amelia Stein, RHA Annual Exhibition 2012 • RHA 146 Tratti-Ritratti / Traits-Portraits • Italian Institute of Culture 80 6pm Isabelle Pateer, Unsettled • The Copper House Gallery 60 RHA Annual Exhibition 2012 • RHA 86 6pm Jens Komossa, Television Rooms & Senija Topcic, Decency • Goethe Institut 74,76 Amelia Stein, The big sky and The Palm House • Oliver Sears Gallery 88 6pm Close to Closure • The Back Loft 115 Adam Patterson, A Very Normal Place • RUA RED 90 Closing Homeless Gallery • D-Light Studios 110 Mid-Twentieth Century • The Molesworth Gallery 106 Kimura Ihei in Paris: 1954-55 • Alliance Française 79 Chasing Shadows III • CFCP 107 Tratti-Ritratti / Traits-Portraits • Italian Institute of Culture 80 20x20 Peripheries – Moments from the side • Inspirational Arts Gallery 109 RHA Annual Exhibition 2012 • RHA 86 Ruptures • 74 Benburb Street 110 Amelia Stein, The big sky and The Palm House • Oliver Sears Gallery 88 John Lalor, Signed Out • Darc Space 111 Adam Patterson, A Very Normal Place • RUA RED 90 Phil Behan, The Karen of Mayo • Irish Aid Information Centre 111 Mid-Twentieth Century • The Molesworth Gallery 106 Frank Miller, Minority Report • Dublin Central Library 112 Chasing Shadows III • CFCP 107 DICE, Encounters • MadArt Gallery 112 20x20 Peripheries – Moments from the side • Inspirational Arts Gallery 109 Kate Nolan, Neither • bio.space033 114 UN(Themed) • The Little Green Street Gallery 109 Dublin Camera Club Annual Exhibition 2012 114 Ruptures • 74 Benburb Street 110 Close to Closure • The Back Loft 115 John Lalor, Signed Out • Darc Space 111 Greg Constantine, Nowhere People: The World’s Stateless • The Atrium 115 Phil Behan, The Karen of Mayo • Irish Aid Information Centre 111 Frank Miller, Minority Report • Dublin Central Library 112 DICE, Encounters • MadArt Gallery 112 Friday 06.07 Kate Nolan, Neither • bio.space033 114 1.15pm Gallery Talk on the life and work of Evelyn Hofer • Gallery of Photography 68 Dublin Camera Club Annual Exhibition 2012 114 5pm Greg Constantine, Nowhere People: The World’s Stateless • The Atrium 115 6.30pm John Lalor, Signed Out • Darc Space 111 7pm Razgulai – Russian Feast, bio.space033 114 Thursday 05.07 8pm The Hidden City • The Bernard Shaw 121 6pm David Monahan & Maurice Gunning, Living – Leaving • NPA 56 El otro lado del alma/The Other Side of the Soul • Instituto Cervantes 58 6pm El otro lado del alma/The Other Side of the Soul • Instituto Cervantes 58 David Monahan & Maurice Gunning, Living – Leaving • NPA 56 6pm Mark McCullough/Suzanne Mooney, Disparate Geometry • Monster Truck 82 Isabelle Pateer, Unsettled • The Copper House Gallery 60 6pm Adrian Reilly, Several Distances at Once • Monster Truck 84 Evelyn Hofer, Dublin and Other Portraits • Gallery of Photography 68 6pm FLUX • South Studios 116 Jens Komossa, Television Rooms & Senija Topcic, Decency • Goethe Institut 74,76 6pm Evan Buggle, Ballyfermot – A Migrating Landscape • Leinster Gallery 116 Kimura Ihei in Paris: 1954-55 • Alliance Française 79 6pm Tristan Hutchinson, Took Strength To Tackle Those Hills • Filmbase 117 Tratti-Ritratti / Traits-Portraits • Italian Institute of Culture 80 6pm Ciara O’Halloran, The Other Room • Eight Gallery 118 Mark McCullough/Suzanne Mooney, Disparate Geometry • Monster Truck 82 6pm Nicolas Reuland, Up in Smoke • No Grants Gallery 118 Adrian Reilly, Several Distances at Once • Monster Truck 84

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RHA Annual Exhibition 2012 • RHA 86 DICE, Encounters • MadArt Gallery 112 Amelia Stein, The big sky and The Palm House • Oliver Sears Gallery 88 Kate Nolan, Neither • bio.space033 114 Adam Patterson, A Very Normal Place • RUA RED 90 Dublin Camera Club Annual Exhibition 2012 114 Mid-Twentieth Century • The Molesworth Gallery 106 Close to Closure • The Back Loft 115 Chasing Shadows III • CFCP 107 FLUX • South Studios 116 20x20 Peripheries – Moments from the side • Inspirational Arts Gallery 109 Evan Buggle, Ballyfermot – A Migrating Landscape • Leinster Gallery 116 Ruptures • 74 Benburb Street 110 Paul Tierney, Reflected City • Designist 117 John Lalor, Signed Out • Darc Space 111 Tristan Hutchinson, Took Strength To Tackle Those Hills • Filmbase 117 Phil Behan, The Karen of Mayo • Irish Aid Information Centre 111 Ciara O’Halloran, The Other Room • Eight Gallery 118 Frank Miller, Minority Report • Dublin Central Library 112 Ailbhe Greaney, A View Is Where We Are Not • The Little Museum of Dublin 119 DICE, Encounters • MadArt Gallery 112 Paul McCarthy, Na Caipíní • The Market Bar 119 Kate Nolan, Neither • bio.space033 114 The Hidden City • The Bernard Shaw 121 Dublin Camera Club Annual Exhibition 2012 114 Vincent O’Byrne, Post Photography • Dublin Camera Club 121 Close to Closure • The Back Loft 115 Tara Oceans, East Pier Battery • Dún Laoghaire Harbour 94 FLUX • South Studios 116 Remote Coral Reefs: Tara Oceans • National Maritime Museum of Ireland 94 Evan Buggle, Ballyfermot – A Migrating Landscape • Leinster Gallery 116 Paul Tierney, Reflected City • Designist 117 Tristan Hutchinson, Took Strength To Tackle Those Hills • Filmbase 117 Sunday 08.07 Ciara O’Halloran, The Other Room • Eight Gallery 118 Closing FLUX • South Studios 116 Nicolas Reuland, Up in Smoke • No Grants Gallery 118 David Monahan & Maurice Gunning, Living – Leaving • NPA 56 Ailbhe Greaney, A View Is Where We Are Not • The Little Museum of Dublin 119 Evelyn Hofer, Dublin and Other Portraits • Gallery of Photography 68 Paul McCarthy, Na Caipíní • The Market Bar 119 Jens Komossa, Television Rooms & Senija Topcic, Decency • Goethe Institut 74,76 RHA Annual Exhibition 2012 • RHA 86 Adam Patterson, A Very Normal Place • RUA RED 90 Saturday 07.07 ‘Where Were You?’ • Light House Cinema 92 6.30pm ‘Where Were You?’ • Light House Cinema 92 Chasing Shadows III • CFCP 107 7pm NCAD PDI Students, Fourteen 12 • The Little Green Street Gallery 107 Ruptures • 74 Benburb Street 110 David Monahan & Maurice Gunning, Living – Leaving • NPA 56 Frank Miller, Minority Report • Dublin Central Library 112 Isabelle Pateer, Unsettled • The Copper House Gallery 60 Kate Nolan, Neither • bio.space033 114 Evelyn Hofer, Dublin and Other Portraits • Gallery of Photography 68 Close to Closure • The Back Loft 115 Jens Komossa, Television Rooms & Senija Topcic, Decency • Goethe Institut 74,76 Paul Tierney, Reflected City • Designist 117 Mark McCullough/Suzanne Mooney, Disparate Geometry • Monster Truck 82 Tristan Hutchinson, Took Strength To Tackle Those Hills • Filmbase 117 Adrian Reilly, Several Distances at Once • Monster Truck 84 Ciara O’Halloran, The Other Room • Eight Gallery 118 RHA Annual Exhibition 2012 • RHA 86 Ailbhe Greaney, A View Is Where We Are Not • The Little Museum of Dublin 119 Adam Patterson, A Very Normal Place • RUA RED 90 Paul McCarthy, Na Caipíní • The Market Bar 119 Mid-Twentieth Century • The Molesworth Gallery 106 The Hidden City • The Bernard Shaw 121 Chasing Shadows III • CFCP 107 Tara Oceans, East Pier Battery • Dún Laoghaire Harbour 94 20x20 Peripheries – Moments from the side • Inspirational Arts Gallery 109 Remote Coral Reefs: Tara Oceans • National Maritime Museum of Ireland 94 Ruptures, 74 Benburb Street 110 NCAD PDI Students, Fourteen 12 • The Little Green Street Gallery 107 John Lalor, Signed Out • Darc Space 111 Frank Miller, Minority Report • Dublin Central Library 112

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Monday 09.07 6pm Displaced & Between the lines • Instituto Cervantes 154 • 1pm Grad Talk, Dragana Jurisic • Moxie Studios 145 6pm Workshop II - by Fire The Copper House Gallery 150 • 6pm Workshop I - by Fire • The Copper House Gallery 150 7pm Artist Talk - Kate Nolan, Neither bio.space033 146 • 6.30pm Pole to Pole • Number 5 Spencer Dock 94 Closing Close to Closure The Back Loft 115 • Closing Ruptures • 74 Benburb Street 110 Closing Chasing Shadows III CFCP 107 • El otro lado del alma/The Other Side of the Soul • Instituto Cervantes 58 Closing DICE, Encounters MadArt Gallery 112 • David Monahan & Maurice Gunning, Living – Leaving • NPA 56 El otro lado del alma/The Other Side of the Soul Instituto Cervantes 56 • Isabelle Pateer, Unsettled • The Copper House Gallery 60 David Monahan & Maurice Gunning, Living – Leaving NPA 58 • Jens Komossa, Television Rooms & Senija Topcic, Decency • Goethe Institut 74,76 Isabelle Pateer, Unsettled he Copper House Gallery 60 • Kimura Ihei in Paris: 1954-55 • Alliance Française 79 Evelyn Hofer, Dublin and Other Portraits Gallery of Photography 68 • Tratti-Ritratti / Traits-Portraits • Italian Institute of Culture 80 Jens Komossa, Television Rooms & Senija Topcic, Decency Goethe Institut 74,76 • RHA Annual Exhibition 2012 • RHA 86 Kimura Ihei in Paris: 1954-55 Alliance Française 79 • Amelia Stein, The big sky and The Palm House • Oliver Sears Gallery 88 Tratti-Ritratti / Traits-Portraits Italian Institute of Culture 80 • Adam Patterson, A Very Normal Place • RUA RED 90 Mark McCullough/Suzanne Mooney, Disparate Geometry Monster Truck 82 • ‘Where Were You?’ • Light House Cinema 92 Adrian Reilly, Several Distances at Once Monster Truck 84 • Mid-Twentieth Century • The Molesworth Gallery 106 RHA Annual Exhibition 2012 RHA 86 • Chasing Shadows III • CFCP 107 Amelia Stein, The big sky and The Palm House Oliver Sears Gallery 88 • 20x20 Peripheries – Moments from the side • Inspirational Arts Gallery 109 Adam Patterson, A Very Normal Place RUA RED 90 • John Lalor, Signed Out • Darc Space 111 ‘Where Were You?’ Light House Cinema 92 • Phil Behan, The Karen of Mayo • Irish Aid Information Centre 111 Mid-Twentieth Century The Molesworth Gallery 106 • Frank Miller, Minority Report • Dublin Central Library 112 20x20 Peripheries – Moments from the side Inspirational Arts Gallery 109 • DICE, Encounters • MadArt Gallery 112 John Lalor, Signed Out Darc Space 111 • Kate Nolan, Neither • bio.space033 114 Phil Behan, The Karen of Mayo Irish Aid Information Centre 111 • Dublin Camera Club Annual Exhibition 2012 114 Frank Miller, Minority Report Dublin Central Library 112 • Close to Closure • The Back Loft 115 Kate Nolan, Neither bio.space033 114 • Greg Constantine, Nowhere People: The World’s Stateless • The Atrium 115 Dublin Camera Club Annual Exhibition 2012 114 • Evan Buggle, Ballyfermot – A Migrating Landscape • Leinster Gallery 116 Greg Constantine, Nowhere People: The World’s Stateless The Atrium 115 • Paul Tierney, Reflected City • Designist 117 Evan Buggle, Ballyfermot – A Migrating Landscape Leinster Gallery 116 • Tristan Hutchinson, Took Strength To Tackle Those Hills • Filmbase 117 Paul Tierney, Reflected City Designist 117 • Ciara O’Halloran, The Other Room • Eight Gallery 118 Tristan Hutchinson, Took Strength To Tackle Those Hills Filmbase 117 • Nicolas Reuland, Up in Smoke • No Grants Gallery 118 Ciara O’Halloran, The Other Room Eight Gallery 118 • Ailbhe Greaney, A View Is Where We Are Not • The Little Museum of Dublin 119 Nicolas Reuland, Up in Smoke No Grants Gallery 118 • Paul McCarthy, Na Caipíní • The Market Bar 119 Ailbhe Greaney, A View Is Where We Are Not The Little Museum of Dublin 119 • The Hidden City • The Bernard Shaw 121 Paul McCarthy, Na Caipíní The Market Bar 119 • Tara Oceans, East Pier Battery • Dún Laoghaire Harbour 94 The Hidden City The Bernard Shaw 121 • NCAD PDI Students, Fourteen 12 • The Little Green Street Gallery 107 Tara Oceans, East Pier Battery Dún Laoghaire Harbour 94 Remote Coral Reefs: Tara Oceans • National Maritime Museum of Ireland 94 Pole to Pole • Number 5 Spencer Dock 94 Tuesday 10.07 NCAD PDI Students, Fourteen 12 • The Little Green Street Gallery 107 • 1pm Grad Talk, Glenn Doyle • Moxie Studios 145 Conor Blundell, Dublin Lights Brannigans Bar 122 3pm Artist Talk: David Monahan • NPA 146

168 169 Day By Day Day By Day

Wednesday 11.07 Thursday 12.07 1pm Grad Talk, Sarah Tehan • Moxie Studios 146 11am Symposium On Migration • Wood Quay Venue 144 3pm Artist Talk: Maurice Gunning • NPA 147 6pm Gallery Talk: Amelia Stein • Oliver Sears Gallery 147 6pm Jeanette Lowe, The Flats: Memories, Perceptions, Reality • Pearse House Flats 122 6pm f/22 • MadArt Gallery 125 6pm Joby Hickey, 20,000km, Sebastian Guinness Gallery 123 6.30pm UU MFA Students, Finding Fragments • South Studios 124 Closing NCAD PDI Students, Fourteen 12 • The Little Green Street Gallery 107 7pm Slideluck Potshow • Moxie Studios 123 El otro lado del alma/The Other Side of the Soul • Instituto Cervantes 58 7pm BurnIn Company, Half Afraid To Think • 74 Benburb Street 124 David Monahan & Maurice Gunning, Living – Leaving • NPA 56 7pm Water Towers of Ireland • Exchange Dublin 127 Isabelle Pateer, Unsettled • The Copper House Gallery 60 7pm Andrzej Rozycki, Photosophy • Centre for Creative Practices 126 Evelyn Hofer, Dublin and Other Portraits • Gallery of Photography 68 7pm Conor Blundell, Dublin Lights • Brannigans Bar 122 Jens Komossa, Television Rooms & Senija Topcic, Decency • Goethe Institut 74,76 Finissage Isabelle Pateer, Unsettled • The Copper House Gallery 60 Kimura Ihei in Paris: 1954-55 • Alliance Française 79 Closing 20x20 Peripheries – Moments from the side • Inspirational Arts Gallery 109 Tratti-Ritratti / Traits-Portraits • Italian Institute of Culture 80 El otro lado del alma/The Other Side of the Soul • Instituto Cervantes 58 Mark McCullough/Suzanne Mooney, Disparate Geometry • Monster Truck 82 David Monahan & Maurice Gunning, Living – Leaving • NPA 56 Adrian Reilly, Several Distances at Once • Monster Truck 84 Evelyn Hofer, Dublin and Other Portraits • Gallery of Photography 68 RHA Annual Exhibition 2012 • RHA 86 Jens Komossa, Television Rooms & Senija Topcic, Decency • Goethe Institut 74,76 Amelia Stein, The big sky and The Palm House • Oliver Sears Gallery 88 Kimura Ihei in Paris: 1954-55 • Alliance Française 79 Adam Patterson, A Very Normal Place • RUA RED 90 Tratti-Ritratti / Traits-Portraits • Italian Institute of Culture 80 ‘Where Were You?’ • Light House Cinema 92 Mark McCullough/Suzanne Mooney, Disparate Geometry • Monster Truck 82 Mid-Twentieth Century • The Molesworth Gallery 106 Adrian Reilly, Several Distances at Once • Monster Truck 84 20x20 Peripheries – Moments from the side • Inspirational Arts Gallery 109 RHA Annual Exhibition 2012 • RHA 86 John Lalor, Signed Out • Darc Space 111 Amelia Stein, The big sky and The Palm House • Oliver Sears Gallery 88 Phil Behan, The Karen of Mayo • Irish Aid Information Centre 111 Adam Patterson, A Very Normal Place • RUA RED 90 Frank Miller, Minority Report • Dublin Central Library 112 ‘Where Were You?’ • Light House Cinema 92 Kate Nolan, Neither • bio.space033 114 Mid-Twentieth Century • The Molesworth Gallery 106 Dublin Camera Club Annual Exhibition 2012 114 John Lalor, Signed Out • Darc Space 111 Greg Constantine, Nowhere People: The World’s Stateless • The Atrium 115 Phil Behan, The Karen of Mayo • Irish Aid Information Centre 111 Evan Buggle, Ballyfermot – A Migrating Landscape • Leinster Gallery 116 Frank Miller, Minority Report • Dublin Central Library 112 Paul Tierney, Reflected City • Designist 117 Kate Nolan, Neither • bio.space033 114 Tristan Hutchinson, Took Strength To Tackle Those Hills • Filmbase 117 Dublin Camera Club Annual Exhibition 2012 114 Ciara O’Halloran, The Other Room • Eight Gallery 118 Greg Constantine, Nowhere People: The World’s Stateless • The Atrium 115 Nicolas Reuland, Up in Smoke • No Grants Gallery 118 Evan Buggle, Ballyfermot – A Migrating Landscape • Leinster Gallery 116 Ailbhe Greaney, A View Is Where We Are Not • The Little Museum of Dublin 119 Paul Tierney, Reflected City • Designist 117 Paul McCarthy, Na Caipíní • The Market Bar 119 Tristan Hutchinson, Took Strength To Tackle Those Hills • Filmbase 117 The Hidden City • The Bernard Shaw 121 Ciara O’Halloran, The Other Room • Eight Gallery 118 Tara Oceans, East Pier Battery • Dún Laoghaire Harbour 94 Nicolas Reuland, Up in Smoke • No Grants Gallery 118 Remote Coral Reefs: Tara Oceans • National Maritime Museum of Ireland 94 Ailbhe Greaney, A View Is Where We Are Not • The Little Museum of Dublin 119 Pole to Pole • Number 5 Spencer Dock 94 Paul McCarthy, Na Caipíní • The Market Bar 119 Conor Blundell, Dublin Lights • Brannigans Bar 122 The Hidden City • The Bernard Shaw 121 Tara Oceans, East Pier Battery • Dún Laoghaire Harbour 94 Remote Coral Reefs: Tara Oceans • National Maritime Museum of Ireland 94

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Pole to Pole • Number 5 Spencer Dock 94 The Hidden City • The Bernard Shaw 121 Jeanette Lowe, The Flats: Memories, Perceptions, Reality • Pearse House Flats 122 Tara Oceans, East Pier Battery • Dún Laoghaire Harbour 94 Joby Hickey 20,000km, Sebastian Guinness Gallery 123 Pole to Pole • Number 5 Spencer Dock 94 Remote Coral Reefs: Tara Oceans • National Maritime Museum of Ireland 94 Conor Blundell, Dublin Lights • Brannigans Bar 122 Friday 13.07 Jeanette Lowe, The Flats: Memories, Perceptions, Reality • Pearse House Flats 122 1pm Grad Talk, Sue Rainsford • Moxie Studios 146 Joby Hickey 20,000km • Sebastian Guinness Gallery 123 6pm On Migration • Moxie Studios 38 UU MFA Students, Finding Fragments • South Studios 124 6pm Books on Migration, curated by Irène Attinger • Moxie Studios 41 BurnIn Company, Half Afraid To Think • 74 Benburb Street 124 6pm Magazines on the Wall: 10 projects on Migration • Moxie Studios 48 f/22 • MadArt Gallery 125 6pm Book & Magazine Fair • Moxie Studios 138 Jamie Young, Water Towers of Ireland • Exchange Dublin 125 6pm The Library Project • Moxie Studios 140 Andrzej Rozycki, Photosophy • Centre for Creative Practices 126 6pm Portfolio Showcase • Moxie Studios 142 6pm Talk, Andrzej Rozycki, Photosophy • Centre for Creative Practices 147 7pm Film – What is Conceptual Photography, Moxie Studios 155 Saturday 14.07 El otro lado del alma/The Other Side of the Soul • Instituto Cervantes 58 10am Black & White Darkroom Workshop • The Academy of Photography 152 David Monahan & Maurice Gunning, Living – Leaving • NPA 56 12pm Documentary Movie: Photosophy • Centre for Creative Practices 155 Evelyn Hofer, Dublin and Other Portraits • Gallery of Photography 68 8pm Jean Revillard, Sarah on the Bridge • The Copper House Gallery 62 Jens Komossa, Television Rooms & Senija Topcic, Decency • Goethe Institut 74,76 Closing Evan Buggle, Ballyfermot – A Migrating Landscape • Leinster Gallery 116 Kimura Ihei in Paris: 1954-55 • Alliance Française 79 On Migration • Moxie Studios 38 Tratti-Ritratti / Traits-Portraits • Italian Institute of Culture 80 Books on Migration, curated by Irène Attinger • Moxie Studios 41 Mark McCullough/Suzanne Mooney, Disparate Geometry • Monster Truck 82 Magazines on the Wall: 10 projects on Migration • Moxie Studios 48 Adrian Reilly, Several Distances at Once • Monster Truck 84 Book & Magazine Fair • Moxie Studios 138 RHA Annual Exhibition 2012 • RHA 86 Library Project • Moxie Studios 140 Amelia Stein, The big sky and The Palm House • Oliver Sears Gallery 88 David Monahan & Maurice Gunning, Living – Leaving • NPA 56 Adam Patterson, A Very Normal Place • RUA RED 90 Evelyn Hofer, Dublin and Other Portraits • Gallery of Photography 68 ‘Where Were You? • Light House Cinema 92 Jens Komossa, Television Rooms & Senija Topcic, Decency • Goethe Institut 74,76 Mid-Twentieth Century • The Molesworth Gallery 106 Mark McCullough/Suzanne Mooney, Disparate Geometry • Monster Truck 82 John Lalor, Signed Out • Darc Space 111 Adrian Reilly, Several Distances at Once • Monster Truck 84 Phil Behan, The Karen of Mayo • Irish Aid Information Centre 111 RHA Annual Exhibition 2012 • RHA 86 Frank Miller, Minority Report • Dublin Central Library 112 Adam Patterson, A Very Normal Place • RUA RED 90 Kate Nolan, Neither • bio.space033 114 ‘Where Were You? • Light House Cinema 92 Dublin Camera Club Annual Exhibition 2012 115 Mid-Twentieth Century • The Molesworth Gallery 106 Greg Constantine, Nowhere People: The World’s Stateless • The Atrium 116 John Lalor, Signed Out • Darc Space 111 Evan Buggle, Ballyfermot – A Migrating Landscape • Leinster Gallery 117 Frank Miller, Minority Report • Dublin Central Library 112 Paul Tierney, Reflected City • Designist 117 Kate Nolan, Neither • bio.space033 114 Tristan Hutchinson, Took Strength To Tackle Those Hills • Filmbase 117 Dublin Camera Club Annual Exhibition 2012 114 Ciara O’Halloran, The Other Room • Eight Gallery 118 Paul Tierney, Reflected City • Designist 117 Nicolas Reuland, Up in Smoke • No Grants Gallery 118 Tristan Hutchinson, Took Strength To Tackle Those Hills • Filmbase 117 Ailbhe Greaney, A View Is Where We Are Not • The Little Museum of Dublin 119 Ciara O’Halloran, The Other Room • Eight Gallery 118 Paul McCarthy, Na Caipíní • The Market Bar 119 Ailbhe Greaney, A View Is Where We Are Not • The Little Museum of Dublin 119

172 173 Day By Day Day By Day

Paul McCarthy, Na Caipíní • The Market Bar 119 The Hidden City • The Bernard Shaw 121 The Hidden City • The Bernard Shaw 121 Tara Oceans, East Pier Battery • Dún Laoghaire Harbour 94 Vincent O’Byrne, Post Photography • Dublin Camera Club 121 Pole to Pole • Number 5 Spencer Dock 94 Tara Oceans, East Pier Battery • Dún Laoghaire Harbour 94 Remote Coral Reefs: Tara Oceans • National Maritime Museum of Ireland 94 Pole to Pole • Number 5 Spencer Dock 94 Conor Blundell, Dublin Lights • Brannigans Bar 122 Remote Coral Reefs: Tara Oceans • National Maritime Museum of Ireland 122 Jeanette Lowe, The Flats: Memories, Perceptions, Reality • Pearse House Flats 122 Conor Blundell, Dublin Lights • Brannigans Bar 122 BurnIn Company, Half Afraid To Think • 74 Benburb Street 124 Jeanette Lowe, The Flats: Memories, Perceptions, Reality • Pearse House Flats 122 Jamie Young, Water Towers of Ireland • Exchange Dublin 125 Joby Hickey 20,000km • Sebastian Guinness Gallery 123 Andrzej Rozycki, Photosophy • Centre for Creative Practice 126 UU MFA Students, Finding Fragments • South Studios 124 BurnIn Company, Half Afraid To Think • 74 Benburb Street 124 f/22 • MadArt Gallery 125 Monday 16 July Jamie Young, Water Towers of Ireland • Exchange Dublin 125 6pm Workshop III - by Fire • The Copper House Gallery 150 Andrzej Rozycki, Photosophy • Centre for Creative Practices 126 Closing Paul Tierney, Reflected City • Designist 117 On Migration • Moxie Studios 38 Books on Migration, curated by Irène Attinger • Moxie Studios 41 Sunday 15 July Magazines on the Wall: 10 projects on Migration • Moxie Studios 48 9.30am Workshop I • Institute of Photography 152 The Library Project • Moxie Studios 140 10am Black & White Darkroom Workshop • The Academy of Photography 152 El otro lado del alma/The Other Side of the Soul • Instituto Cervantes 58 2pm Workshop II • Institute of Photography 152 David Monahan & Maurice Gunning, Living – Leaving • NPA 56 3pm Jos Menting, Circle of Light • The Back Loft 126 Jean Revillard, Sarah on the Bridge • The Copper House Gallery 62 6pm On the Future of Photography Education • Moxie Studios 145 Jens Komossa, Television Rooms & Senija Topcic, Decency • Goethe Institut 74,76 Closing Frank Miller, Minority Report • Dublin Central Library 112 Kimura Ihei in Paris: 1954-55 • Alliance Française 79 Closing Kate Nolan, Neither • bio.space033 114 Tratti-Ritratti / Traits-Portraits • Italian Institute of Culture 80 Closing UU MFA Students, Finding Fragments • South Studios 124 RHA Annual Exhibition 2012 • RHA 86 Closing Book & Magazine Fair • Moxie Studios 138 Amelia Stein, The big sky and The Palm House • Oliver Sears Gallery 88 On Migration • Moxie Studios 38 Adam Patterson, A Very Normal Place • RUA RED 90 Books on Migration, curated by Irène Attinger • Moxie Studios 41 ‘Where Were You?’ • Light House Cinema 92 Magazines on the Wall: 10 projects on Migration • Moxie Studios 48 Mid-Twentieth Century • The Molesworth Gallery 106 The Library Project • Moxie Studios 140 John Lalor, Signed Out • Darc Space 111 David Monahan & Maurice Gunning, Living – Leaving • NPA 56 Phil Behan, The Karen of Mayo • Irish Aid Information Centre 111 Evelyn Hofer, Dublin and Other Portraits • Gallery of Photography 68 Dublin Camera Club Annual Exhibition 2012 114 Jens Komossa, Television Rooms & Senija Topcic, Decency • Goethe Institut 74,76 Greg Constantine, Nowhere People: The World’s Stateless • The Atrium 115 RHA Annual Exhibition 2012 • RHA 86 Tristan Hutchinson, Took Strength To Tackle Those Hills • Filmbase 117 Adam Patterson, A Very Normal Place • RUA RED 90 Ciara O’Halloran, The Other Room • Eight Gallery 118 ‘Where Were You?’ • Light House Cinema 92 Nicolas Reuland, Up in Smoke • No Grants Gallery 118 Paul Tierney, Reflected City • Designist 117 Ailbhe Greaney, A View Is Where We Are Not • The Little Museum of Dublin 119 Tristan Hutchinson, Took Strength To Tackle Those Hills • Filmbase 117 Paul McCarthy, Na Caipíní • The Market Bar 119 Ciara O’Halloran, The Other Room • Eight Gallery 118 The Hidden City • The Bernard Shaw 121 Ailbhe Greaney, A View Is Where We Are Not • The Little Museum of Dublin 119 Tara Oceans, East Pier Battery • Dún Laoghaire Harbour 94 Paul McCarthy, Na Caipíní • The Market Bar 119 Conor Blundell, Dublin Lights • Brannigans Bar 122

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Jeanette Lowe, The Flats: Memories, Perceptions, Reality • Pearse House Flats 122 Tara Oceans, East Pier Battery • Dún Laoghaire Harbour 94 Joby Hickey 20,000km • Sebastian Guinness Gallery 123 Remote Coral Reefs: Tara Oceans • National Maritime Museum of Ireland 94 BurnIn Company, Half Afraid To Think • 74 Benburb Street 124 Pole to Pole • Number 5 Spencer Dock 94 Jamie Young, Water Towers of Ireland • Exchange Dublin 125 Conor Blundell, Dublin Lights • Brannigans Bar 122 Andrzej Rozycki, Photosophy • Centre for Creative Practices 126 Jeanette Lowe, The Flats: Memories, Perceptions, Reality • Pearse House Flats 122 Jos Menting, Circle of Light • The Back Loft 126 Joby Hickey 20,000km • Sebastian Guinness Gallery 123 BurnIn Company, Half Afraid To Think • 74 Benburb Street 124 f/22 • MadArt Gallery 125 Tuesday 17 July Jamie Young, Water Towers of Ireland • Exchange Dublin 125 6pm Diamond Inside • Instituto Cervantes 154 Andrzej Rozycki, Photosophy • Centre for Creative Practices 126 6pm Workshop IV - by Fire • The Copper House Gallery 150 Jos Menting, Circle of Light • The Back Loft 126 7pm Workshop III • Institute of Photography 152 Helena Tobin, A Space Between • Signal Arts Gallery 127 7.30pm Documentary Movie: Photosophy • Centre for Creative Practices 126 Closing Tristan Hutchinson, Took Strength To Tackle Those Hills • Filmbase 117 On Migration • Moxie Studios 38 Wednesday 18.07 Books on Migration, curated by Irène Attinger • Moxie Studios 41 6.30pm Stephen Doyle, Time Served • Inspirational Arts Gallery 129 Magazines on the Wall: 10 projects on Migration • Moxie Studios 48 On Migration • Moxie Studios 38 The Library Project • Moxie Studios 140 Books on Migration, curated by Irène Attinger, • Moxie Studios 41 El otro lado del alma/The Other Side of the Soul • Instituto Cervantes 58 Magazines on the Wall: 10 projects on Migration • Moxie Studios 48 David Monahan & Maurice Gunning, Living – Leaving • NPA 56 The Library Project • Moxie Studios 140 Jean Revillard, Sarah on the Bridge • The Copper House Gallery 62 El otro lado del alma/The Other Side of the Soul • Instituto Cervantes 58 Evelyn Hofer, Dublin and Other Portraits • Gallery of Photography 68 David Monahan & Maurice Gunning, Living – Leaving • NPA 56 Jens Komossa, Television Rooms & Senija Topcic, Decency • Goethe Institut 74,76 Jean Revillard, Sarah on the Bridge • The Copper House Gallery 62 Kimura Ihei in Paris: 1954-55 • Alliance Française 79 Evelyn Hofer, Dublin and Other Portraits • Gallery of Photography 68 Tratti-Ritratti / Traits-Portraits • Italian Institute of Culture 80 Jens Komossa, Television Rooms & Senija Topcic, Decency • Goethe Institut 74,76 Mark McCullough/Suzanne Mooney, Disparate Geometry • Monster Truck 82 Kimura Ihei in Paris: 1954-55 • Alliance Française 79 Adrian Reilly, Several Distances at Once • Monster Truck 84 Tratti-Ritratti / Traits-Portraits • Italian Institute of Culture 80 RHA Annual Exhibition 2012 • RHA 86 Mark McCullough/Suzanne Mooney, Disparate Geometry • Monster Truck 82 Amelia Stein, The Big Sky and The Palm House • Oliver Sears Gallery 88 Adrian Reilly, Several Distances at Once • Monster Truck 84 Adam Patterson, A Very Normal Place • RUA RED 90 RHA Annual Exhibition 2012 • RHA 86 ‘Where Were You?’ • Light House Cinema 92 Amelia Stein, The big sky and The Palm House • Oliver Sears Gallery 88 Mid-Twentieth Century • The Molesworth Gallery 106 Adam Patterson, A Very Normal Place • RUA RED 90 John Lalor, Signed Out • Darc Space 111 ‘Where Were You?’ • Light House Cinema 92 Phil Behan, The Karen of Mayo • Irish Aid Information Centre 111 Mid-Twentieth Century • The Molesworth Gallery 106 Dublin Camera Club Annual Exhibition 2012 114 John Lalor, Signed Out • Darc Space 111 Greg Constantine, Nowhere People: The World’s Stateless • The Atrium 115 Phil Behan, The Karen of Mayo • Irish Aid Information Centre 111 Ciara O’Halloran, The Other Room • Eight Gallery 118 Dublin Camera Club Annual Exhibition 2012 114 Nicolas Reuland, Up in Smoke • No Grants Gallery 118 Greg Constantine, Nowhere People: The World’s Stateless • The Atrium 115 Ailbhe Greaney, A View Is Where We Are Not • The Little Museum of Dublin 119 Ciara O’Halloran, The Other Room • Eight Gallery 118 Paul McCarthy, Na Caipíní • The Market Bar 119 Nicolas Reuland, Up in Smoke • No Grants Gallery 118 The Hidden City • The Bernard Shaw 121 Ailbhe Greaney, A View Is Where We Are Not • The Little Museum of Dublin 119

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Paul McCarthy, Na Caipíní • The Market Bar 119 RHA Annual Exhibition 2012 • RHA 86 The Hidden City • The Bernard Shaw 121 Amelia Stein, The big sky and The Palm House • Oliver Sears Gallery 88 Tara Oceans, East Pier Battery • Dún Laoghaire Harbour 94 Adam Patterson, A Very Normal Place • RUA RED 90 Remote Coral Reefs: Tara Oceans • National Maritime Museum of Ireland 94 ‘Where Were You?’ • Light House Cinema 92 Pole to Pole • Number 5 Spencer Dock 94 Mid-Twentieth Century • The Molesworth Gallery 106 Conor Blundell, Dublin Lights • Brannigans Bar 122 John Lalor, Signed Out • Darc Space 111 Jeanette Lowe, The Flats: Memories, Perceptions, Reality • Pearse House Flats 122 Phil Behan, The Karen of Mayo • Irish Aid Information Centre 111 Joby Hickey 20,000km • Sebastian Guinness Gallery 123 Dublin Camera Club Annual Exhibition 2012 114 BurnIn Company, Half Afraid To Think • 74 Benburb Street 124 Ciara O’Halloran, The Other Room • Eight Gallery 118 f/22 • MadArt Gallery 125 Nicolas Reuland, Up in Smoke • No Grants Gallery 118 Jamie Young, Water Towers of Ireland • Exchange Dublin 125 Ailbhe Greaney, A View Is Where We Are Not • The Little Museum of Dublin 119 Andrzej Rozycki, Photosophy • Centre for Creative Practices 126 Paul McCarthy, Na Caipíní • The Market Bar 119 Jos Menting, Circle of Light • The Back Loft 126 The Hidden City • The Bernard Shaw 121 Helena Tobin, A Space Between • Signal Arts Gallery 127 Tara Oceans, East Pier Battery • Dún Laoghaire Harbour 94 Doreen Kennedy, Mono No Aware • The National Botanic Gardens 127 Remote Coral Reefs: Tara Oceans • National Maritime Museum of Ireland 94 Pole to Pole • Number 5 Spencer Dock 94 Conor Blundell, Dublin Lights • Brannigans Bar 122 Thursday 19.07 Jeanette Lowe, The Flats: Memories, Perceptions, Reality • Pearse House Flats 122 5.30pm Curator/Artist talk – Adapt • Broadstone Studios & Gallery 129 Joby Hickey 20,000km • Sebastian Guinness Gallery 123 6.30pm Gianluca Gamberini, Cinecitta • South Studios 130 Jamie Young, Water Towers of Ireland • Exchange Dublin 125 6.30pm Katerina Mistal, Mapping Europe • South Studios 130 Andrzej Rozycki, Photosophy • Centre for Creative Practices 126 6.30pm Rory O’Neill, Limbo • South Studios 131 Helena Tobin, A Space Between • Signal Arts Gallery 127 6.30pm Sean Breithaupt, Crude • South Studios 131 Doreen Kennedy, Mono No Aware • The National Botanic Gardens 127 6.30pm Steve Ryan, Sometimes They Move • South Studios 132 Stephen Doyle, Time Served • Inspirational Arts Gallery 129 Closing Greg Constantine, Nowhere People: The World’s Stateless • The Atrium 115 Closing BurnIn Company, Half Afraid To Think • 74 Benburb Street 124 Closing f/22 • MadArt Gallery 125 Friday 20.07 Closing Jos Menting, Circle of Light • The Back Loft 126 7pm Helena Tobin, A Space Between • Signal Arts Gallery 127 On Migration • Moxie Studios 38 Closing Mid-Twentieth Century • The Molesworth Gallery 106 Books on Migration, curated by Irène Attinger • Moxie Studios 41 On Migration • Moxie Studios 38 Magazines on the Wall: 10 projects on Migration • Moxie Studios 48 Books on Migration, curated by Irène Attinger • Moxie Studios 41 The Library Project • Moxie Studios 140 Magazines on the Wall: 10 projects on Migration • Moxie Studios 48 El otro lado del alma/The Other Side of the Soul • Instituto Cervantes 56 The Library Project • Moxie Studios 140 David Monahan & Maurice Gunning, Living – Leaving • NPA 58 El otro lado del alma/The Other Side of the Soul, Instituto Cervantes 58 Jean Revillard, Sarah on the Bridge • The Copper House Gallery 62 David Monahan & Maurice Gunning, Living – Leaving • NPA 56 Evelyn Hofer, Dublin and Other Portraits • Gallery of Photography 68 Jean Revillard, Sarah on the Bridge • The Copper House Gallery 62 Jens Komossa, Television Rooms & Senija Topcic, Decency • Goethe Institut 74,76 Evelyn Hofer, Dublin and Other Portraits • Gallery of Photography 68 Kimura Ihei in Paris: 1954-55 • Alliance Française 79 Jens Komossa, Television Rooms & Senija Topcic, Decency • Goethe Institut 74,76 Tratti-Ritratti / Traits-Portraits • Italian Institute of Culture 80 Kimura Ihei in Paris: 1954-55 • Alliance Française 79 Mark McCullough/Suzanne Mooney, Disparate Geometry • Monster Truck 82 Tratti-Ritratti / Traits-Portraits • Italian Institute of Culture 80 Adrian Reilly, Several Distances at Once • Monster Truck 84 Mark McCullough/Suzanne Mooney, Disparate Geometry • Monster Truck 82

178 179 Day By Day Day By Day

Adrian Reilly, Several Distances at Once • Monster Truck 84 Evelyn Hofer, Dublin and Other Portraits • Gallery of Photography 68 RHA Annual Exhibition 2012 • RHA 86 Jens Komossa, Television Rooms & Senija Topcic, Decency • Goethe Institut 74,76 Amelia Stein, The big sky and The Palm House • Oliver Sears Gallery 88 Mark McCullough/Suzanne Mooney, Disparate Geometry • Monster Truck 82 Adam Patterson, A Very Normal Place • RUA RED 90 Adrian Reilly, Several Distances at Once • Monster Truck 84 ‘Where Were You?’ • Light House Cinema 92 RHA Annual Exhibition 2012 • RHA 86 John Lalor, Signed Out • Darc Space 111 Adam Patterson, A Very Normal Place • RUA RED 90 Phil Behan, The Karen of Mayo • Irish Aid Information Centre 111 ‘Where Were You?’ • Light House Cinema 92 Dublin Camera Club Annual Exhibition 2012 114 John Lalor, Signed Out • Darc Space 111 Ciara O’Halloran, The Other Room • Eight Gallery 118 Dublin Camera Club Annual Exhibition 2012 114 Nicolas Reuland, Up in Smoke • No Grants Gallery 118 Ciara O’Halloran, The Other Room • Eight Gallery 118 Ailbhe Greaney, A View Is Where We Are Not • The Little Museum of Dublin 119 Ailbhe Greaney, A View Is Where We Are Not • The Little Museum of Dublin 119 Paul McCarthy, Na Caipíní • The Market Bar 119 Paul McCarthy, Na Caipíní • The Market Bar 119 The Hidden City • The Bernard Shaw 121 The Hidden City • The Bernard Shaw 121 Tara Oceans, East Pier Battery • Dún Laoghaire Harbour 94 Vincent O’Byrne, Post Photography • Dublin Camera Club 121 Remote Coral Reefs: Tara Oceans • National Maritime Museum of Ireland 94 Tara Oceans, East Pier Battery • Dún Laoghaire Harbour 94 Pole to Pole • Number 5 Spencer Dock 94 Remote Coral Reefs: Tara Oceans • National Maritime Museum of Ireland 94 Conor Blundell, Dublin Lights • Brannigans Bar 122 Pole to Pole • Number 5 Spencer Dock 94 Jeanette Lowe, The Flats: Memories, Perceptions, Reality • Pearse House Flats 122 Conor Blundell, Dublin Lights • Brannigans Bar 122 Joby Hickey 20,000km • Sebastian Guinness Gallery 123 Jeanette Lowe, The Flats: Memories, Perceptions, Reality • Pearse House Flats 122 Jamie Young, Water Towers of Ireland • Exchange Dublin 125 Joby Hickey 20,000km • Sebastian Guinness Gallery 123 Andrzej Rozycki, Photosophy • Centre for Creative Practices 126 Jamie Young, Water Towers of Ireland • Exchange Dublin 125 Doreen Kennedy, Mono No Aware • The National Botanic Gardens 127 Andrzej Rozycki, Photosophy • Centre for Creative Practices 126 Stephen Doyle, Time Served • Inspirational Arts Gallery 129 Helena Tobin, A Space Between • Signal Arts Gallery 127 Adapt • Broadstone Studios & Gallery 129 Doreen Kennedy, Mono No Aware • The National Botanic Gardens 127 Gianluca Gamberini, Cinecitta • South Studios 130 Stephen Doyle, Time Served • Inspirational Arts Gallery 129 Katerina Mistal, Mapping Europe • South Studios 130 Adapt • Broadstone Studios & Gallery 129 Rory O’Neill, Limbo • South Studios 131 Gianluca Gamberini, Cinecitta • South Studios 130 Sean Breithaupt, Crude • South Studios 131 Katerina Mistal, Mapping Europe • South Studios 130 Steve Ryan, Sometimes They Move • South Studios 132 Rory O’Neill, Limbo • South Studios 131 Sean Breithaupt, Crude • South Studios 131 Steve Ryan, Sometimes They Move • South Studios 132 Saturday 21.07 10am Workshop IV • Institute of Photography 152 1pm Monochromatic Workshop • The Academy of Photography 152 Sunday 22.07 3pm Talk - Human Rights and Photography • Moxie Studios 147 Closing On Migration • Moxie Studios 38 On Migration • Moxie Studios 38 Closing Books on Migration, curated by Irène Attinger • Moxie Studios 41 Books on Migration, curated by Irène Attinger • Moxie Studios 41 Closing Magazines on the Wall: 10 projects on Migration • Moxie Studios 48 Magazines on the Wall: 10 projects on Migration • Moxie Studios 48 Closing The Library Project • Moxie Studios 140 The Library Project • Moxie Studios 140 Closing David Monahan & Maurice Gunning, Living – Leaving • NPA 56 David Monahan & Maurice Gunning, Living – Leaving • NPA 56 Closing ‘Where Were You?’ • Light House Cinema 92 Jean Revillard, Sarah on the Bridge • The Copper House Gallery 62 Closing Jeanette Lowe, The Flats: Memories, Perceptions, Reality • Pearse House Flats 122

180 181 Day By Day Day By Day

Closing Gianluca Gamberini, Cinecitta • South Studios 130 Tara Oceans, East Pier Battery • Dún Laoghaire Harbour 94 Closing Katerina Mistal, Mapping Europe • South Studios 130 Conor Blundell, Dublin Lights • Brannigans Bar 122 Closing Rory O’Neill, Limbo • South Studios 131 Joby Hickey 20,000km • Sebastian Guinness Gallery 123 Closing Sean Breithaupt, Crude • South Studios 131 Andrzej Rozycki, Photosophy • Centre for Creative Practices 126 Closing Steve Ryan, Sometimes They Move • South Studios 132 Helena Tobin, A Space Between • Signal Arts Gallery 127 Evelyn Hofer, Dublin and Other Portraits • Gallery of Photography 68 Doreen Kennedy, Mono No Aware • The National Botanic Gardens 127 Jens Komossa, Television Rooms & Senija Topcic, Decency • Goethe Institut 74,76 Stephen Doyle, Time Served • Inspirational Arts Gallery 129 RHA Annual Exhibition 2012 • RHA 86 Adam Patterson, A Very Normal Place • RUA RED 90 Ciara O’Halloran, The Other Room • Eight Gallery 118 Tuesday 24.07 Ailbhe Greaney, A View Is Where We Are Not • The Little Museum of Dublin 119 6pm On the Line & Day Night • Instituto Cervantes 154 Paul McCarthy, Na Caipíní • The Market Bar 119 6pm Workshop VI - by Fire • The Copper House Gallery 150 The Hidden City • The Bernard Shaw 121 6.30pm Inland • Light House Cinema 132 Tara Oceans, East Pier Battery • Dún Laoghaire Harbour 94 7pm Workshop V • Institute of Photography 152 Remote Coral Reefs: Tara Oceans • National Maritime Museum of Ireland 94 8.30pm Brian Cregan, The Glass Garden • Exchange Dublin 133 Conor Blundell, Dublin Lights • Brannigans Bar 122 Closing Andrzej Rozycki, Photosophy • Centre for Creative Practices 126 Jamie Young, Water Towers of Ireland • Exchange Dublin 125 El otro lado del alma/The Other Side of the Soul • Instituto Cervantes 58 Andrzej Rozycki, Photosophy • Centre for Creative Practices 126 Jean Revillard, Sarah on the Bridge • The Copper House Gallery 62 Helena Tobin, A Space Between • Signal Arts Gallery 127 Evelyn Hofer, Dublin and Other Portraits • Gallery of Photography 68 Doreen Kennedy, Mono No Aware • The National Botanic Gardens 127 Jens Komossa, Television Rooms & Senija Topcic, Decency • Goethe Institut 74,76 Kimura Ihei in Paris: 1954-55 • Alliance Française 79 Tratti-Ritratti / Traits-Portraits • Italian Institute of Culture 80 Monday 23.07 Mark McCullough/Suzanne Mooney, Disparate Geometry • Monster Truck 82 6pm Workshop V - by Fire • The Copper House Gallery 150 Adrian Reilly, Several Distances at Once • Monster Truck 84 Closing The Hidden City • The Bernard Shaw 121 RHA Annual Exhibition 2012 • RHA 86 Closing Jamie Young, Water Towers of Ireland • Exchange Dublin 125 Amelia Stein, The big sky and The Palm House • Oliver Sears Gallery 88 El otro lado del alma/The Other Side of the Soul • Instituto Cervantes 58 Adam Patterson, A Very Normal Place • RUA RED 90 Jean Revillard, Sarah on the Bridge • The Copper House Gallery 62 John Lalor, Signed Out • Darc Space 111 Jens Komossa, Television Rooms & Senija Topcic, Decency • Goethe Institut 74,76 Phil Behan, The Karen of Mayo • Irish Aid Information Centre 111 Kimura Ihei in Paris: 1954-55 • Alliance Française 79 Dublin Camera Club Annual Exhibition 2012 114 Tratti-Ritratti / Traits-Portraits • Italian Institute of Culture 80 Ciara O’Halloran, The Other Room • Eight Gallery 118 RHA Annual Exhibition 2012 • RHA 86 Nicolas Reuland, Up in Smoke • No Grants Gallery 118 Amelia Stein, The big sky and The Palm House • Oliver Sears Gallery 88 Ailbhe Greaney, A View Is Where We Are Not • The Little Museum of Dublin 119 Adam Patterson, A Very Normal Place • RUA RED 90 Paul McCarthy, Na Caipíní • The Market Bar 119 John Lalor, Signed Out • Darc Space 111 Tara Oceans, East Pier Battery • Dún Laoghaire Harbour 94 Phil Behan, The Karen of Mayo • Irish Aid Information Centre 111 Remote Coral Reefs: Tara Oceans • National Maritime Museum of Ireland 94 Dublin Camera Club Annual Exhibition 2012 114 Conor Blundell, Dublin Lights • Brannigans Bar 122 Ciara O’Halloran, The Other Room • Eight Gallery 118 Joby Hickey 20,000km • Sebastian Guinness Gallery 123 Nicolas Reuland, Up in Smoke • No Grants Gallery 118 Helena Tobin, A Space Between • Signal Arts Gallery 127 Ailbhe Greaney, A View Is Where We Are Not • The Little Museum of Dublin 119 Doreen Kennedy, Mono No Aware • The National Botanic Gardens 127 Paul McCarthy, Na Caipíní • The Market Bar 119 Stephen Doyle, Time Served • Inspirational Arts Gallery 129

182 183 Day By Day Day By Day

• Adapt • Broadstone Studios & Gallery 129 Jean Revillard, Sarah on the Bridge The Copper House Gallery 62 Evelyn Hofer, Dublin and Other Portraits • Gallery of Photography 68 Jens Komossa, Television Rooms & Senija Topcic, Decency • Goethe Institut 74,76 Wednesday 25.07 Kimura Ihei in Paris: 1954-55 • Alliance Française 79 • El otro lado del alma/The Other Side of the Soul • Instituto Cervantes 58 Tratti-Ritratti / Traits-Portraits Italian Institute of Culture 80 • Jean Revillard, Sarah on the Bridge • The Copper House Gallery 62 Mark McCullough/Suzanne Mooney, Disparate Geometry Monster Truck 82 • Evelyn Hofer, Dublin and Other Portraits • Gallery of Photography 68 Adrian Reilly, Several Distances at Once Monster Truck 84 • Jens Komossa, Television Rooms & Senija Topcic, Decency • Goethe Institut 74,76 RHA Annual Exhibition 2012 RHA 86 • Kimura Ihei in Paris: 1954-55 • Alliance Française 79 Amelia Stein, The big sky and The Palm House Oliver Sears Gallery 88 • Tratti-Ritratti / Traits-Portraits • Italian Institute of Culture 80 Adam Patterson, A Very Normal Place RUA RED 90 • Mark McCullough/Suzanne Mooney, Disparate Geometry • Monster Truck 82 John Lalor, Signed Out Darc Space 111 • Adrian Reilly, Several Distances at Once • Monster Truck 84 Phil Behan, The Karen of Mayo Irish Aid Information Centre 111 RHA Annual Exhibition 2012 • RHA 86 Dublin Camera Club Annual Exhibition 2012 114 • Amelia Stein, The big sky and The Palm House • Oliver Sears Gallery 88 Ciara O’Halloran, The Other Room Eight Gallery 118 • Adam Patterson, A Very Normal Place • RUA RED 90 Ailbhe Greaney, A View Is Where We Are Not The Little Museum of Dublin 119 • John Lalor, Signed Out • Darc Space 111 Paul McCarthy, Na Caipíní The Market Bar 119 • Phil Behan, The Karen of Mayo • Irish Aid Information Centre 111 Tara Oceans, East Pier Battery Dún Laoghaire Harbour 94 • Dublin Camera Club Annual Exhibition 2012 114 Remote Coral Reefs: Tara Oceans National Maritime Museum of Ireland 94 • Ciara O’Halloran, The Other Room • Eight Gallery 118 Conor Blundell, Dublin Lights Brannigans Bar 122 • Nicolas Reuland, Up in Smoke • No Grants Gallery 118 Joby Hickey 20,000km Sebastian Guinness Gallery 123 • Ailbhe Greaney, A View Is Where We Are Not • The Little Museum of Dublin 119 Helena Tobin, A Space Between Signal Arts Gallery 127 • Paul McCarthy, Na Caipíní • The Market Bar 119 Doreen Kennedy, Mono No Aware The National Botanic Gardens 127 • Tara Oceans, East Pier Battery • Dún Laoghaire Harbour 94 Stephen Doyle, Time Served Inspirational Arts Gallery 129 • Remote Coral Reefs: Tara Oceans • National Maritime Museum of Ireland 94 Adapt Broadstone Studios & Gallery 129 • Conor Blundell, Dublin Lights • Brannigans Bar 122 Inland Light House Cinema 132 • Joby Hickey 20,000km • Sebastian Guinness Gallery 123 Brian Cregan, The Glass Garden Exchange Dublin 133 Helena Tobin, A Space Between • Signal Arts Gallery 127 Doreen Kennedy, Mono No Aware • The National Botanic Gardens 127 Friday 27.07 Stephen Doyle, Time Served • Inspirational Arts Gallery 129 • Adapt • Broadstone Studios & Gallery 129 Closing Amelia Stein, The big sky and The Palm House Oliver Sears Gallery 88 • Inland • Light House Cinema 132 El otro lado del alma/The Other Side of the Soul Instituto Cervantes 58 • Brian Cregan, The Glass Garden • Exchange Dublin 133 Jean Revillard, Sarah on the Bridge The Copper House Gallery 62 Evelyn Hofer, Dublin and Other Portraits • Gallery of Photography 68 The Seán Hillen Collection • NPA 72 Thursday 26.07 Jens Komossa, Television Rooms & Senija Topcic, Decency • Goethe Institut 74,76 • 6pm The Seán Hillen Collection • NPA 72 Kimura Ihei in Paris: 1954-55 Alliance Française 79 • 6.30pm Paul Kelly, Landless in Chaco • Irish Aid Information Centre 133 Tratti-Ritratti / Traits-Portraits Italian Institute of Culture 80 • 7pm Sergey Sergeev, Pilgrimage • Centre for Creative Practices 134 Mark McCullough/Suzanne Mooney, Disparate Geometry Monster Truck 82 • 7pm Slide Project(or) • The Bernard Shaw Adrian Reilly, Several Distances at Once Monster Truck 84 • Closing Nicolas Reuland, Up in Smoke • No Grants Gallery 118 RHA Annual Exhibition 2012 RHA 86 • El otro lado del alma/The Other Side of the Soul • Instituto Cervantes 58 Adam Patterson, A Very Normal Place RUA RED 90

184 185 Day By Day Day By Day

John Lalor, Signed Out • Darc Space 111 Joby Hickey 20,000km • Sebastian Guinness Gallery 123 Phil Behan, The Karen of Mayo • Irish Aid Information Centre 111 Helena Tobin, A Space Between • Signal Arts Gallery 127 Dublin Camera Club Annual Exhibition 2012 114 Doreen Kennedy, Mono No Aware • The National Botanic Gardens 127 Ciara O’Halloran, The Other Room • Eight Gallery 118 Stephen Doyle, Time Served • Inspirational Arts Gallery 129 Ailbhe Greaney, A View Is Where We Are Not • The Little Museum of Dublin 119 Adapt • Broadstone Studios & Gallery 129 Paul McCarthy, Na Caipíní • The Market Bar 119 Inland • Light House Cinema 132 Tara Oceans, East Pier Battery • Dún Laoghaire Harbour 94 Brian Cregan, The Glass Garden • Exchange Dublin 133 Remote Coral Reefs: Tara Oceans • National Maritime Museum of Ireland 94 Paul Kelly, Landless in Chaco • Irish Aid Information Centre 133 Conor Blundell, Dublin Lights • Brannigans Bar 122 Sergey Sergeev, Pilgrimage • Centre for Creative Practices 134 Joby Hickey 20,000km • Sebastian Guinness Gallery 123 Slide Project(or) • The Bernard Shaw 134 Helena Tobin, A Space Between • Signal Arts Gallery 127 Doreen Kennedy, Mono No Aware • The National Botanic Gardens 127 Stephen Doyle, Time Served • Inspirational Arts Gallery 129 Sunday 29.07 Adapt • Broadstone Studios & Gallery 129 Closing Helena Tobin, A Space Between • Signal Arts Gallery 127 Inland • Light House Cinema 132 Evelyn Hofer, Dublin and Other Portraits • Gallery of Photography 68 Brian Cregan, The Glass Garden • Exchange Dublin 133 The Seán Hillen Collection • NPA 72 Paul Kelly, Landless in Chaco • Irish Aid Information Centre 133 Jens Komossa, Television Rooms & Senija Topcic, Decency • Goethe Institut 74,76 Sergey Sergeev, Pilgrimage • Centre for Creative Practices 134 RHA Annual Exhibition 2012 • RHA 86 Slide Project(or) • The Bernard Shaw 134 Adam Patterson, A Very Normal Place • RUA RED 90 Ciara O’Halloran, The Other Room • Eight Gallery 118 Ailbhe Greaney, A View Is Where We Are Not • The Little Museum of Dublin 119 Saturday 28 July Paul McCarthy, Na Caipíní • The Market Bar 119 1pm Monochromatic Workshop • The Academy of Photography 153 Tara Oceans, East Pier Battery • Dún Laoghaire Harbour 94 7pm Artist Talk, Seán Hillen • NPA 147 Remote Coral Reefs: Tara Oceans • National Maritime Museum of Ireland 94 Closing Mark McCullough/Suzanne Mooney • Disparate Geometry, Monster Truck 82 Conor Blundell, Dublin Lights • Brannigans Bar 122 Closing Adrian Reilly, Several Distances at Once • Monster Truck 84 Doreen Kennedy, Mono No Aware • The National Botanic Gardens 127 Closing Dublin Camera Club Annual Exhibition 2012 114 Inland • Light House Cinema 132 Closing Vincent O’Byrne, Post Photography • Dublin Camera Club 121 Brian Cregan, The Glass Garden • Exchange Dublin 133 Jean Revillard, Sarah on the Bridge • The Copper House Gallery 58 Sergey Sergeev, Pilgrimage • Centre for Creative Practices 134 Evelyn Hofer, Dublin and Other Portraits • Gallery of Photography 62 Slide Project(or) • The Bernard Shaw 134 The Seán Hillen Collection • NPA 68 Jens Komossa, Television Rooms & Senija Topcic, Decency • Goethe Institut 74,76 RHA Annual Exhibition 2012 • RHA 86 Monday 30.07 Adam Patterson, A Very Normal Place • RUA RED 90 El otro lado del alma/The Other Side of the Soul • Instituto Cervantes 58 John Lalor, Signed Out • Darc Space 111 Jean Revillard, Sarah on the Bridge • The Copper House Gallery 62 Ciara O’Halloran, The Other Room • Eight Gallery 118 The Seán Hillen Collection • NPA 72 Ailbhe Greaney, A View Is Where We Are Not • The Little Museum of Dublin 119 Jens Komossa, Television Rooms & Senija Topcic, Decency • Goethe Institut 74,76 Paul McCarthy, Na Caipíní • The Market Bar 119 Kimura Ihei in Paris: 1954-55 • Alliance Française 79 Tara Oceans, East Pier Battery • Dún Laoghaire Harbour 94 Tratti-Ritratti / Traits-Portraits • Italian Institute of Culture 80 Remote Coral Reefs: Tara Oceans • National Maritime Museum of Ireland 94 RHA Annual Exhibition 2012 • RHA 86 Conor Blundell, Dublin Lights • Brannigans Bar 122 Adam Patterson, A Very Normal Place • RUA RED 90

186 187 Day By Day Day By Day

John Lalor, Signed Out • Darc Space 111 Stephen Doyle, Time Served • Inspirational Arts Gallery 129 Phil Behan, The Karen of Mayo • Irish Aid Information Centre 111 Adapt • Broadstone Studios & Gallery 129 Ciara O’Halloran, The Other Room • Eight Gallery 118 Paul Kelly, Landless in Chaco • Irish Aid Information Centre 133 Ailbhe Greaney, A View Is Where We Are Not • The Little Museum of Dublin 119 Sergey Sergeev, Pilgrimage • Centre for Creative Practices 134 Paul McCarthy, Na Caipíní • The Market Bar 119 Slide Project(or) • The Bernard Shaw 134 Tara Oceans, East Pier Battery • Dún Laoghaire Harbour 94 Conor Blundell, Dublin Lights • Brannigans Bar 122 Joby Hickey 20,000km • Sebastian Guinness Gallery 123 August Doreen Kennedy, Mono No Aware • The National Botanic Gardens 127 El otro lado del alma/The Other Side of the Soul • Instituto Cervantes 58 Stephen Doyle, Time Served • Inspirational Arts Gallery 129 Jean Revillard, Sarah on the Bridge • The Copper House Gallery 62 Inland • Light House Cinema 132 Evelyn Hofer, Dublin and Other Portraits • Gallery of Photography 68 Brian Cregan, The Glass Garden • Exchange Dublin 133 The Seán Hillen Collection • NPA 72 Paul Kelly, Landless in Chaco • Irish Aid Information Centre 133 Kimura Ihei in Paris: 1954-55 • Alliance Française 79 Sergey Sergeev, Pilgrimage • Centre for Creative Practices 134 Tara Oceans, East Pier Battery • Dún Laoghaire Harbour 94 Slide Project(or) • The Bernard Shaw 134 Remote Coral Reefs: Tara Oceans • National Maritime Museum of Ireland 94 RHA Annual Exhibition 2012 • RHA 90 Adam Patterson, A Very Normal Place • RUA RED 111 Tuesday 31.07 Phil Behan, The Karen of Mayo • Irish Aid Information Centre 127 6pm Mawla’s wedding & Mr. Easter • Instituto Cervantes 154 Doreen Kennedy, Mono No Aware • The National Botanic Gardens 129 7pm Artist Talk, Sergey Sergeev • Centre for Creative Practices 147 Stephen Doyle, Time Served • Inspirational Arts Gallery 129 Closing Jens Komossa, Television Rooms & Senija Topcic, Decency • Goethe Institut 74,76 Adapt • Broadstone Studios & Gallery 129 Closing Tratti-Ritratti / Traits-Portraits • Italian Institute of Culture 80 Paul Kelly, Landless in Chaco • Irish Aid Information Centre 133 Closing John Lalor, Signed Out • Darc Space 111 Sergey Sergeev, Pilgrimage • Centre for Creative Practices 134 Closing Ciara O’Halloran, The Other Room • Eight Gallery 118 Slide Project(or) • The Bernard Shaw 134 Closing Ailbhe Greaney, A View Is Where We Are Not • The Little Museum of Dublin 119 Moira Sweeney, Stevedoring Stories • CHQ 135 Closing Paul McCarthy, Na Caipíní • The Market Bar 119 Closing Conor Blundell, Dublin Lights • Brannigans Bar 122 Closing Joby Hickey 20,000km • Sebastian Guinness Gallery 123 September Closing Inland • Light House Cinema 132 El otro lado del alma/The Other Side of the Soul • Instituto Cervantes 58 Closing Brian Cregan, The Glass Garden • Exchange Dublin 133 The Seán Hillen Collection • NPA 72 El otro lado del alma/The Other Side of the Soul • Instituto Cervantes 58 Kimura Ihei in Paris: 1954-55 • Alliance Francaise 79 Jean Revillard, Sarah on the Bridge • The Copper House Gallery 62 Evelyn Hofer, Dublin and Other Portraits • Gallery of Photography 68 The Seán Hillen Collection • NPA 72 Kimura Ihei in Paris: 1954-55 • Alliance Française 79 RHA Annual Exhibition 2012 • RHA 86 Adam Patterson, A Very Normal Place • RUA RED 90 Phil Behan, The Karen of Mayo • Irish Aid Information Centre 111 Tara Oceans, East Pier Battery • Dún Laoghaire Harbour 94 Remote Coral Reefs: Tara Oceans • National Maritime Museum of Ireland 94 Doreen Kennedy, Mono No Aware • The National Botanic Gardens 127

188 189 Index of Artist’s

Pedro Abascal—59 Lilibeth Cuenca Rasmussen —39 Jason Higgins —24 Madeleine Maher —107 Ana Adamović—52 Jane Cummins —132 Jonathan Higgins —116 Thomas Mailaender —46 Noah Addis—129 Mark Curran —38 Seán Hillen —72/147 Mayra Martell —143 Oksana Afonina—106 Mary D’Arcy —124 Lewis Hine —42 Natalia Marzec —125 FrEE trAINING oFFEr Worth Carlos Albalá—38 Remco De Fouw —86 Evelyn Hofer —68 Francis Matthews —121 Eufalia Almeida—143 Johan Decelle —94 Heidrun Holzfeind —39/50 Jamie Maxwell —107/132 Juan Carlos Alóm—58 Elio Delgado —58 Rip Hopkins —44 Humberto Mayol —58 Jorge Luis Álvarez Pupo—58 Siobhan Dempsey —86 Deborah Hughes —109 Claire Meagh —116 E Aldine Amiel—94 Ad van Denderen Tristan Hutchinson —117 Michael Mergen —129 150 Pablo Axpe—143 Chloe Devis —143 Karena Hutton —107/132 Hugh McCabe —115 Nelson Ramírez de Tamas Dezso —53 Asbjoern Jensen —143 Paul McCarthy —119 Arellano —58 Neil Dorgan —116 Joelle Jensen —129 Patricia McCormack —107 Buy a Canon Anush Babajanyan —125 Stephen Doyle —129 Dragana Jurisic —143/145 Robert McCormack —116 Alison Baker Kerrigan —107/109 Kateřina Držková —39 Alban Kakulya —46 Aisling McCoy —121 Digital SLR Ieva Baltaduonyte —39/110 Andrew Duggan —36 Kasia Kaminska —116 Stephen McCullagh —107 Juste Balciunaite—143 Claire Duggan —125 Allison Kaufman —129 Steve Mc Cullagh —132 Camera Yto Barrada—44 Samantha Dukelow —109 Feena Kavanagh —116 Donald McCullin —43 Max Becher—38 Caitriona Dunnett —107 Jason Kearney —109 Mark McCullough —82 Phil Behan—111 Roger Eberhard —38 Paul Kelly —133 Alison McDonnell —124 John Berger—42 Ricardo Elías —58 Peter Kelly —107 Tony Mc Donnell —143 Dominique Beyens—107 Joakim Eskildsen —45 Doreen Kennedy —127 Rebecca McGetrick —115 Gerry Blake—124 Monika Fabijanczyk —115 Barry Keogh —116 Deirdre McGing —116 Conor Blundell—122 David Farrell —86 Kasia Kesicka —107 Dara McGrath —143 Chloe Borkett —143 Ken Finegan —124 Chun Soo Kim —143 Paul McGuckin —124 Noel Bowler —24/143 Attila Floszmann —143 Serena Kitt —124 Caroline McNally —110 Receive a Free Sean Breithaupt —131 Jesse Fox —125 Hans Klemmer —124 Rosa Meager —107 Frederic Brenner —44 Darek Fortas —39 Patricia Klich —116/125 Thais Medina —143 Photography Nolwenn Brod —143 Erik von Frankenberg —143 Kasia Klimpel —143 Jos Menting —126 Evan Buggle —116 Roger Frei —143 Willemein Koelink —107 Irek Misiak —110 Training Course Elaine Byrne —86 Benjamin Füglister —49 Jens Komossa —76 Frank Miller —112 E Ryan Byrne —116 David Galjaard —143 Dorota Konczewska —125 Yann Mingard —46 Worth 150 Emma Campbell —124 Gianluca Gamberin —130 Josef Koudelka —43 Katerina Mistal —130 Raúl Cañibano —58 Kattia García —58 Dionysis Kouris —143 Ian Mitton —107 James Cant —143 Jennifer Gilette —94 Ben Krewinkel —143 Jean Mohr —42 Jérémie Capoulade —94 Phoebe Gill —109 Sonja Kroll —109 David Monahan —56/146 Joseph Carr —110/143 Katie Gilligan —132 Kasia Krynska —110 Suzanne Mooney —82 Joseph Carson —109 Richard Gilligan —124 Anita Kulon —125 Vivienne Mooney —109 Marcus Cassidy —132 Kathy Gilroy-Barry —116 John Lalor —111 Cindy Morrissey —109 Patricio Cassinoni —125 Jessica Glynn —109 Phil Lang —109 Stephen Mulhall —121 Take Great Debbie Castro —39 David Goldblatt —43 Dorothea Lange —42 Sharon Murphy —115 Rory Cleary —107 Naomi Goodman —125 Yaron Lapid —143 Bobi Murray —116 Photographs Sébastien Colin —94 Ailbhe Greaney —119 Barbara H Larkin —143 Stephen Murray —125 Kristina Collender —116 Vincent Gregan —109 Gergely László —38 Marina Naprushkina —51 Joanne Conlon —125 Niall Griffin —109 Noan Le Bescot —94 Wawi Navarroza —143 Greg Constantine —115 Cedric Guiguand —94 Florian Leavy —121 Veronica Nicholson —109 Emmett Connell —116 Maurice Gunning —56/147 Dinu Li —38 Lucia Nimcová —53 Ciarán Cooney —116 Grace Hall —109 James Lillis —124 Claudi Nir —109 Paul Corcoran —112 Zoe Hamill —109 Suzanne Linnane —109 James Nizam —38 Judith Cornwell —124 Ali Hanoon —143 Francisca Lopez —38 Noel Noblett —109 It’s our Formula for Perfect Pictures. Efa Corwell —116 Will Hartley —112 Garry Loughlin —125 Kate Nolan —114/143/146 David Creedon —86 CX Hayden —86 Jason Lowe —132 Mark Noonan —121 Brian Cregan —110/133 Angela Hayes —109 Jeanette Lowe —86/122 Fabrice Not —94 To learn more and see particitpating stores, Alexandra Croitoru —51 Ciaran Healy —109 Anthony Luvera —38 Bartosz Nowicki —112 Lena Cronin —124 Jennifer Hickey —109 Emilie Lynam —109 Abigail O’Brien —86 log on to www.canon.ie Stephen Crossland — 143 Marie Hickey —109 Harry Lyster —109 Kelly O’Brien p —124

190 191 IndexIndex ofof Artist’sNames PhotoIrelandFestival Festival Team 2012 Team

Lorna O’Brien —124 Sergey Sergeev —134/147 PhotoIreland Festival 2012 Team Adele O’Byrne —116 Myles Shelly —124 Vincent O’Byrne —121 Augustus F. Sherman —42 Ángel Luis González: Festival Director Nikki O’Carroll —116 Artur Sikora —109/115 Moritz Neumüller: Curator Judy O’Connell —107 Alex Sinclair —116 Claudi Nir: Festival Coordinator Francesca O’Connor —107 Irene Siragusa —116 Frank Brennan: Technical Coordinator Miriam O’Connor —143/86 Armelle Skatulski —86 Arcangela Regis: Book & Magazine Fair Coordinator Cynthia O’Dell —143 Philip Sliney —107 Marta Lebek: Migration Blog Fiona O’Donnell —115 David Thomas Smith —125/143 Marcella Almassy: Publications Aoife O’Dwyer —125 Tamsin Snow —86 Ignacio Barceló: Portfolio 12 Catalogue Ciaran Og Arnold —124 Amy Stevens —129/143 Alison Baker Kerrigan: Photographic Documentation Ciara O’Halloran —109/118 Eric Stephanian —143 Cian Brennan: Festival Video Promo Treasa O’Hanlon —116 Jeffrey Stockbridge —129 Indigo & Cloth: Design & Art Direction Katie O’Neill —110 Verner Soler —50 Eric Stephanian: Photographic Documentation ‘Books on Migration’ Mike O’Neill —125 Amelia Stein —88/146/147 Rory O’Neill —131 Moira Sweeney —134 Katarzyna Majak, Andreas Müller-Pohle, Pavel Banka, Reinhard Braun, Ethna O’Regan —143 Nina Szymanska —109 and Jan Babnik: Curators of ‘Magazines on the Wall’ Zoe O’Reilly —143 Francesco Taurisano —109 Additional texts for ‘Magazines on the Wall’: Sanja Kojić Mladenov and Catherine O’Toole —116 Michael Taylor —125 Simona Dumitriu Mattias Ormestad —94 Karen Tierney —109 Ramón Pacheco —58 Paul Tierney —117 Isabelle Pateer —60 Helena Tobin —127 Thanks Adam Patterson —90 Kurt Tong —143 René Peña —59 Senija Topcic —74 To all our funders, sponsors and partners for recognising the value of Ireland’s Marta María Pérez Bravo —58 Andreas Tschersich —45 International Festival of Photography and sharing our vision - and in particular Maciej Pestka —109/116 Dominic Turner —107/143 to our main sponsor Canon. To the Arts Council of Ireland and the Dublin City Noel Phelan —109 Emma Turpin —134 Council for the continuous support. Big thanks to Leszek Wolnik and everyone at Calin Ploscar —115 Fabian Unternaehrer —43 Fire for their kindness. To the Instituto Cervantes Dublin, Goethe-Institut Irland, Tim Portlock —129 Catrine Val —143 Alliance Française Dublin, Istituto Italiano di Cultura, and the embassies of Austria, Gillian Prenderville —109 Ad van Denderen —44 France, Poland, The Netherlands, and Lithuania, for facilitating a rich intercultural Lyndsey Putt —110 Liudmila Velasco —58 dialogue. To Kay Bear Koss and IMOCA for supporting us at Moxie Studios. Jill Quigley —125 Cristina Venedict —125 Thanks to all the participating venues, artist, curators, international guests, and Paul Quinn —107 Elena Venzo —107 to our Flâneurs. To Tanya Kiang, Trish Lambe, Daniel Scully, Darragh Shanahan, Anna Rackard —86 Veronica Vierin —80 and Pete Smyth, at the Gallery of Photography; RTE, The Irish Times, Totally Dublin, Sandra Ramos —59 Sergio Vilchez —107 Le Cool; Ruth Carroll, Amelia Stein, Martin McCabe and GradCAM, Elizabeth M. Espen Rasmussen —46 Siabh Wall —125 Kirwan, The National Library of Ireland, the National Photographic Archive, Rachel Adrian Reilly —84/132 Alex Webb —44 Stanley and Blurb, Peggy Sue Amison, Nora Hauswirth, and Richard Mosse; always Tina Remiz —9/143 Nicola Whelan —125 thankful to Andrew, Rowena and Stuart, at Business to Arts, and to Bobby Kerr for Nicolas Reuland —118 Wojciech Wilczyk —.54 his advice and support; Maryrose Lyons; Dermot McLaughlin, Lynsey NiRainaill and Emmanuel Reynaud —94 Conor Williams —109 Temple Bar Cultural Trust; Inspirational Arts, Exhibit A, MIP Mac Innes Photography; Jean Revillard —45/62 Gwen Wilkinson —107 to Source magazine, Prism Magazine, Irish Photo News, Piranha Bar, Keith Nally; to Leanne Rigney —132 Kimberly Witham —129 all who supported us in the past, and to those who will help us build the future. Gaspar Risko —143 Jamie Young —86/125 Andrea Robbins —38 Patrick Zachmann —45 Martin Robinson —134 Antonia Zharko —109 Eric Roettinger —94 Alex Rose —132 Lynn Rothwell —125 Andrzei Rozycki —147 Kate Ryan —132 Steve Ryan —132 Sebastião Salgado —43 Stefania Sapio —143 Ulla Schildt —86 Andreas Seibert —45

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