Spoils of War
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Musical Culture
AD ALTA JOURNAL OF INTERDISCIPLINARY RESEARCH MUSICAL CULTURE: MULTICULTURALISM AND IDENTIFICATION aSERGII TYSHKO, bMARYNA SEVERYNOVA, cINNA functioning and coexistence of various ethnocultural TYMCHENKO-BYKHUN, dPOLINA KHARCHENKO communities in a given society, with their inherent awareness of their own identity, which ensures their equality, mutual respect, a,bUkrainian National Tchaikovsky Academy of Music, 1-3/11, mutual understanding, harmony and tolerance, as well as organic Architect Gorodetsky Str., 01001, Kyiv, Ukraine connection with a broad cross-cultural community. Moreover, cR. Glier Kyiv Municipal Academy of Music, 31, Lva Tolstoho the essence of multiculturalism as a social phenomenon is to Str., 01032, Kyiv, Ukraine ensure the mutual enrichment of cultures, as well as the dNational Academy of Arts of Ukraine, 20, Bylvarno- existence and definition of a common national system of norms Kydrjavskaja Str., 01054, Kyiv, Ukraine and values that form the basis of civic consciousness of the email: [email protected], [email protected], individual. [email protected], [email protected] In the process of interaction of different cultures, as a result of their mutual enrichment and interpenetration in society, new Abstract: In the space of contemporary art, two interdependent and interconnected cultural values are created and affirmed [30]. If we consider the tendencies of development are distinguished, the set of which outlines the existing potential, dynamics, and vectors of development of modern musical culture. We mean manifestations of multiculturalism at the individual level, the multiculturalism as a tendency to interaction and mutual enrichment of essentially result of this principle is the preservation of each individual's different cultural patterns, creating a single communicative space in which the inner uniqueness, awareness of the importance of self- existence of a common system of universal values is possible. -
CHERES Hailed to Be “The Best Purveyor of Authentic Ukrainian Folk
CHERES Hailed to be “the best purveyor of authentic Ukrainian folk music in the United States” by the former head of the Archive of Folk Culture at the Library of Congress, Cheres brings to life melodies from the Carpathian mountains in Western Ukraine and neighboring Eastern European countries. Since its founding in 1990 by students of the Kyiv State Conservatory in the Ukraine, the ensemble has enthralled North American audiences with their rousing renditions of folk music performed on the cymbalum, violin, woodwinds, accordion, bass, and percussion. Virtuoso musicians join spirited dancers, all donned in traditional Western Ukrainian hand-embroidered garments, to paint a vivid picture of Ukrainian folk art. The musicians, most of whom are from Halychyna in western Ukraine, are united by an artistic vision to preserve their traditions. “Cheres” is actually a little known Ukrainian term for a metal- studded leather belt formerly used as a bulletproof vest during the Middle Ages. Today, the group Cheres has adopted this Medieval protective shield as their name to symbolize the safeguarding of vanishing folk art traditions from the Carpathian mountains. This seasoned ensemble has performed in nightclubs and concerts in New York City; music festivals in the Tri-State area, including Lincoln Center’s Out of Doors Festival in 2006 and Folk Parks in 2000, as well as colleges and universities on the east coast. Cheres has appeared on television on NBC’s Weekend Today show, as well as the Food Network’s Surprise! show. Tracks from their latest CD, Cheres: From the Mountains to the Steppe” have been played on WNYC’s New Sounds program, as well as other stations in the region. -
Report to the Public on the Work of the 2019 Proceedings of the Symposium Held on November 15, 2019
Commission pour l’indemnisation des victimes de spoliations intervenues du fait des législations antisémites en vigueur pendant l’Occupation Report to the public on the work of the 2019 Proceedings of the symposium held on November 15, 2019 Speech by French President Jacques Chirac, on July 16, 1995, at the commemoration of the Vel’ d’Hiv’ roundup (July 16, 1942) Excerpts « In the life of a nation, there are times that leave painful memories and damage people’s conception of their country. It is difficult to evoke these moments because we can never find the proper words to describe their horror or to express the grief of those who experienced their tragedy. They will carry forever, in their souls and in their flesh, the memory of these days of tears and shame. [… ] On that day, France, land of the Enlightenment, of Human Rights, of welcome and asylum, committed the irreparable. Breaking its word, it handed those who were under its protection over to their executioners. [… ] Our debt to them is inalienable. [… ] In passing on the history of the Jewish people, of its sufferings and of the camps. In bearing witness again and again. In recognizing the errors of the past, and the errors committed by the State. In concealing nothing about the dark hours of our history, we are simply standing up for a vision of humanity, of human liberty and dignity. We are thus struggling against the forces of darkness, which are constantly at work. [… ] Let us learn the lessons of history. Let us refuse to be passive onlookers, or accomplices, of unacceptable acts. -
De Jodenvervolging in België in Cijfers
Kroniek / Chronique De Jodenvervolging in België in cijfers LIEVEN SAERENS * Nadat sinds geruime tijd het landen- over de eventuele verantwoordelijkheid vergelijkend onderzoek inzake het aantal van de Belgische overheden bij de vervol- gedeporteerde Joden centraal stond, komt ging en de deportatie van de Joden in de laatste jaren het accent te liggen op de Bel gië tijdens de Tweede Wereldoorlog, lokale variatie binnen een welbepaald dat in 2003 door de Belgische regering land. Een recent, belangwekkend voor- aan het SOMA werd toevertrouwd 3. Het beeld daarvan is het proefschrift van de accent ligt weliswaar op het Antwerpse, historicus-politicoloog Marnix Croes en maar ook de globale Belgische – en in het de socioloog Peter Tammes, uitgegeven bijzonder de Brusselse – context komt onder de beeldrijke titel ‘Gif laten wij niet uitgebreid aan bod. voortbestaan’. Een onderzoek naar de over- levingskansen van joden in de Nederlandse 1. De eerste Jodentellingen in 1940 gemeenten, 1940-1945 (Amsterdam, 2004), door de Belgische gemeentediensten dat de Nederlandse casus op gemeentelijk vlak bestudeert 1. Voor België zelf blijft Voor heel België werden volgens de het hoge Antwerpse deportatiecijfer intri- Tätigkeitsberichte van de Militärver- geren 2. Hoe is die Antwerpse specificiteit waltung, in uitvoering van de Duitse te verklaren ? Deze bijdrage poogt daar, via verordening van 28 oktober 1940, een nieuw, meer verfijnd en uniek onder- circa 42.500 Joden boven de 15 jaar zoek – tot op wijk- en straatniveau – een geregis treerd. De feitelijke registratie antwoord op te bieden. Die vraagstelling ging uit van Belgische instanties, sluit ook aan bij het onderzoeksproject meer bepaald de betrokken gemeente- 1 Het proefschrift mocht op heel wat belangstelling rekenen. -
The Ukrainian Weekly 1965, No.25
www.ukrweekly.com ' "" r- І Address: The Ukrainian Weekly "WE INTEND TO BURY 81-83 Grand Street NO О N E AND W E D О Jersey City, N.J. 07303 Tel. HEnderson 4-0237 NOT INTEND TO BE New York's Telephone: BUR1ED" BArclay 7-4125 Lyndon B. Johnson УКРАЇНСЬКИЙ ЩОДЕННИК. UKRAINIAN одну Ukrainian Natioanal Ass'n Sty? lkrauttan pwfclg forfimt TeL HEnderson 5-8740 РІК ЬХХП 4. 120 SECTION TWO 15 ЦЕНТІВ - 15 CENTS SVOBODA,-THE UKRAINIAN WEEKLY. SATURDAY, JUNE 26, 1965 No. 120 VOL LXXH ! І ssss - Metropolitan Theodorovych Democrats Affirm vital Role . і ' Ukrainian Day at Singer Bowl Rochester ТУ Station Airs To Attend Blessing Ceremony Of Ethnic Groups if Scheduled for July 11 Ukrainian Program MAYOR WAGNER TO OONT1NUE AS ALL AMER1CANS in Boston JERSEY C1TY, NEW YORK GROUPS PERFORM ROCHESTER , N. Y.—With latter group is under the tute- COUNCIL CHAIRMAN TOMORROW BOSTON, Mass. — His Emi- ry, liturgical appointments of NEW YORK, N.Y. - "The ences designed to deal with the merely a switch of the dial lage of Jaroslaw Kuzhil. Mi- nence, Metropolitan loan The-' this newly constructed edifice hopes and aspirations of the problems and issues confront- By HELEN P. SM1NDAK Ukrainians in this city were chael Yurkiw's orchestra play- odorovych, Spiritual Head of in Boston, it marks the com- foreign-language groups and ing the nationality groups in .) ' able to view their own te!evi- ed for the dancers. the Ukrainian Orthodox Church, pletion of the church building the causes that they seek to the light of the far-reaching World's Fair. -
Art Catch · Russian Curators Abroad 09-03-2021 18:56
Art Catch · Russian Curators Abroad 09-03-2021 18:56 ARTICLES russian curators abroad The review of the most renowned Russian contemporary art curators on international scene. Text: Sergey Guskov Translation: Basil Ballhatchet Posted on: January 26, 2021 EKATERINA DEGOT, PHOTO © MATHIAS VOELZKE / ART REVIEW A successful 2020 To a certain extent 2020 was the year when Russian curators started to be noted. According to the magazine ArtReview, Ekaterina Degot is th https://artcatch.art/articles/russian-curators-abroad/ Pagina 1 van 24 Art Catch · Russian Curators Abroad 09-03-2021 18:56 ranked 54th in the annual rating of the 100 most inLuential people in art. Technically she was recognised for the most recent Steirischer Herbst festival which was adapted for a TV channel (September-October 2020), but in actual fact this was recognition for her overall achievements. This is the Trst time that a Russian curator has appeared on this list. Previously Russia was only represented through the patroness and founder of Garage Daria Zhukova: the Trst time in 2008 together with her husband back then oligarch Roman Abramovich, and subsequently in 2011- 2016 on her own. In addition, Katerina Chuchalina was one of the curators of the travelling European biennale Manifesta, which was held on this occasion in Marseille (August-November 2020). It was a miracle that the event held for the 13th time actually went ahead: it opened two and half months earlier than had been planned, albeit subject to health and hygiene restrictions. Judging by press feedback, however, the Manifesta was a success. The list of Russian curators in demand in the west is quite short. -
PRESS INFORMATION 2019 Inhalt
PRESS INFORMATION 2019 Inhalt 3 Introducton 4 General informationen 5 For Media 6 Team 7 Sponsors + Partners 8 Quotes 9 Special Presentations ZONE1 Explorations Focus: NSK State in Time Video: Falling Awake DUO 13 Prizes 14 Dialogues Talks | Next? Media + Partner Talks Culture 5.0 Conference 18 Family Programm and Guided Tours 19 Partners in the city 22 Exhibitor list 2019 Introduction Dear Ladies and Gentelmen of the press, On a long weekend in September, from 26 to 29 September 2019, Vienna is the shining center of the contemporary art scene. With its consistent focus on art and galleries from Central and Eastern Europe, viennacontemporary has firmly established itself as a highlight of the national and interna- tional art scene. The most prestigious art fair of the region offers a platform to 110 galleries from 26 countries, which present exciting discoveries as well as established contemporary art positions. Since the beginning of this year, the German-Polish art expert Johanna Chromik is the artistic director of the fair. She carries on the successful format while bringing a fresh feel to the fair and setting new, future-oriented trends. International and Austrian galleries interact more than ever, strengthening the network that makes the art-marketplace of Vienna so interesting. Buying art, experiencing culture, understanding more, discovering new things - these are the key- words for your visit to viennacontemporary. An expert team of art educators guides you through the gallery landscape covering various topics. A series of carefully curated exhibitions within the fair allows its guests to focus on different topics. For those of you, who are still not satisfied by the vast offer at the fair, we recommend the frame- work program of the cooperating partners. -
University of California UNIVERSITY of CALIFORNIA
UCLA UCLA Electronic Theses and Dissertations Title Ukrainian Identity in Modern Chamber Music: A Performer's Perspective on Valentyn Silvestrov's Violin Sonata "Post Scriptum" and its Interpretation in the Context of Ukrainian Chamber Works. Permalink https://escholarship.org/uc/item/8874s0pn Author Khomik, Myroslava Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Ukrainian Identity in Modern Chamber Music: A Performer’s Perspective on Valentyn Silvestrov’s Violin Sonata “Post Scriptum” and its Interpretation in the Context of Ukrainian Chamber Works A dissertation submitted in partial satisfaction Of the requirements for the degree Doctor of Musical Arts By Myroslava Khomik 2015 © Copyright by Myroslava Khomik 2015 ABSTRACT OF THE DISSERTATION Ukrainian Identity in Modern Chamber Music: A Performer’s Perspective on Valentyn Silvestrov’s Violin Sonata “Post Scriptum” and its Interpretation in the Context of Ukrainian Chamber Works. by Myroslava Khomik Doctor of Musical Arts University of California, Los Angeles, 2015 Professor Movses Pogossian, Chair Ukrainian cultural expression has gone through many years of inertia due to decades of Soviet repression and censorship. In the post-Soviet period, since the late 80s and early 90s, a number of composers have explored new directions in creative styles thanks to new political and cultural freedoms. This study focuses on Valentyn Silvestrov’s unique Sonata for Violin and Piano “Post Scriptum” (1990), investigating its musical details and their meaning in its post- Soviet compositional context. The purpose is to contribute to a broader overview of Ukraine’s classical music tradition, especially as it relates to national identity and the ii current cultural and political state of the country. -
Lijst Van Publicaties Voorgesteld Door De Bibliotheek Van De DG Oorlogsslachtoffers
Lijst van publicaties voorgesteld door de bibliotheek van de DG Oorlogsslachtoffers Documenten geklasseerd op alfabetische volgorde van de auteur . Om een “full text’ opzoeking in de lijst te doen, moet u gelijktijdig op “CTRL” en “F” duwen. De volgende opzoekingsbalk zal verschijnen: Voeg de term in die u zoekt en klik daarna op “volgende” om van de ene term naar de andere te gaan. Voor alle vragen kan u ons contacteren via e-mail. ([email protected]) Boeken Auteur Titel Bibliografisch adres Code Formaat Administration communale Ham-sur-Heure Devoir de mémoire ! Statuts de reconnaissance Ham-sur-Heure-Nalinnes : BIB P0110 Papier - Nalinnes nationale ! Administration communale de et à Ham- sur-Heure - Nalinnes, 2008 Administration des pensions Aperçu de la législation relative aux victimes du devoir Bruxelles : Administration des pensions, REF 0023 Papier patriotique en temps de guerre. 1971 Administration des Victimes de la Guerre [Inventaire/Liste] de documents administratifs du C. C. Bruxelles : [S.n.], [entre 1968 et 1973?] BIB P0135/a Papier Mauthausen, relatifs aux détenus et documents établis par ces concentrationnaires. Vol. I. Administration des Victimes de la Guerre [Inventaire/Liste] de documents administratifs du C. C. Bruxelles : [S.n.], [entre 1968 et 1973?] BIB P0135/b Papier Mauthausen, relatifs aux détenus et documents établis par ces concentrationnaires. Vol. II. Administration des Victimes de la Guerre [Inventaire/Liste] de documents administratifs du C. C. Bruxelles : [S.n.], [entre 1968 et 1973?] BIB P0135/c Papier Mauthausen, relatifs aux détenus et documents établis par ces concentrationnaires. Vol. III. Administration des Victimes de la Guerre Invalides civils et ayants droit de la guerre 1940-1945 : [Bruxelles?] : Administration des REF 0029 Papier évolution des montants annuels des pensions et des Victimes de la Guerre, [197?] indemnités spéciales (à partir du 1.4.1972). -
Meesters Van Het Diamant
MEESTERS VAN HET DIAMANT ERIC LAUREYS Meesters van het diamant De Belgische diamantsector tijdens het nazibewind www.lannoo.com Omslagontwerp: Studio Lannoo Omslagillustratie: Grote Zaal van de Beurs voor Diamanthandel Foto’s: Beurs voor Diamanthandel Kaarten: Dirk Billen © Uitgeverij Lannoo nv, Tielt, 2005 en Eric Laureys D/2005/45/432 – ISBN 90 209 6218 3 – NUR 688 Niets uit deze uitgave mag worden verveelvoudigd en/of openbaar gemaakt door middel van druk, fotokopie, microfilm, internet of op welke wijze ook zonder voorafgaande schriftelijke toestemming van de uitgever. Gedrukt en gebonden bij Drukkerij Lannoo nv, Tielt Inhoud Dankwoord 9 Woord vooraf 11 Terminologische afspraken en afkortingen 15 1. Inleiding tot de diamantsector 23 Economisch belang van de diamantsector 23 Diamantontginning 24 Diamantbewerking 27 2. Ontstaan en ontwikkeling van machtscentra 35 De Beers en het Zuid-Afrikaanse kartel 35 Het Londens Syndicaat 38 De Forminière en het Kongolese kartel 41 Het Antwerpse diamantcentrum 48 3. Uitbouw van het Belgische overwicht – De diamantnijverheid tijdens de Eerste Wereldoorlog en de grote crisis 65 De eerste diamantdiaspora 65 Achteruitgang van Amsterdam 70 Contract tussen de Forminière en het Londens Syndicaat 71 Rol van de diamantbanken 75 Consolidatie van De Beers 82 4. De diamantsector, de opkomst van het naziregime en de nakende oorlog 87 Corporatisme in het interbellum 87 De Duitse nieuwe economische orde 91 Naziorganisatie van de Duitse diamantexploitatie 96 België, de vooroorlogse diamantsector en de anti-Duitse boycot 115 De Nederlandse ‘verdedigingsvoorbereiding’ 134 De Britse diamantcontrole en de Schemeroorlog 135 Amerikaanse diamantcontrole op de vooravond van Pearl Harbor 142 5. De grote uitdaging – De diamantsector tijdens de Tweede Wereldoorlog 147 Opgang van het industriediamant 147 Het fiasco van Cognac 151 De tweede diamantdiaspora 163 6 De Duitse greep op de Belgische diamantsector 178 Reorganisatie van de sector in België 203 6. -
Reed May 01 Full
LETTERS Reed welcomes letters from readers found on page 50. The grinding wheel from kindergarten to fifth grade, concerning the contents of the left Reed for parts unknown many and everybody knows exactly where magazine or the college.Letters years ago.] they are and where they’re going. must be signed and may be edited The most enthusiastic prosely- for clarity and space.Our email IS SUCCESS FOR ALL tizers of SFA are invariably teachers address is [email protected]. A SUCCESS ? who didn’t know anything about Reed is now on line.Visit the elec- best practices in the teaching of tronic version of this publication at From Io McNaughton ’90 reading or cooperative learning http://web.reed.edu/ community/ How ironic that the very same pro- before coming across the program. newsandpub/reedmag /index.html. gram that drove me away from the And in my experience, SFA is teaching profession was invented driving the most thoughtful, by two Reedlings. experienced, creative teachers THE DOYLE OWL IN THE FIFTIES Slavin and Madden’s Success For away from the schools that need All has indeed been a lifesaver for them most. Success For All is an From David Lapham ’60 many troubled schools, but not easy way out for districts that In the summer of 1950 I had been because of any particular charac- don’t want to train and pay their a Reed student for two years. I was teristic of the program itself. teachers to use their own smarts living in a two-room apartment Instead, the program’s success has and initiative to develop their with Gary Snyder. -
Speakers Bios Magalí Arriola Is a Curator at Fundación Jumex Arte Contemporáneo, Mexico City. Previously, She Was a Chief Cu
Speakers Bios Magalí Arriola is a curator at Fundación Jumex Arte Contemporáneo, Mexico City. Previously, she was a Chief Curator at the Museo Tamayo (2009‒11) and the Museo de Arte Carrillo Gil (1997-2000). Arriola has curated Alibis, Mexican Cultural Institute, Paris, and Witte de With, Rotterdam (2002), How to Learn to Love the Bomb and Stop Worrying about It, CANAIA, México City, and Central de Arte at WTC, Guadalajara, Mexico (2003–04), What once passed for a future, or Landscapes of the living dead at Art2102, Los Angeles (2005), Prophets of Deceit at Wattis Institute for Contemporary Art, San Francisco (2006), and the 8th Panama Biennial (2008). She was also a visiting curator at the Wattis Institute for Contemporary Art in San Francisco in 2006. Arriola has contributed to publications such as Poliéster, ArtNexus, Parachute, Exit, Spike, Afterall and Manifesta Journal. María del Carmen Carrión is an independent curator and art critic from Quito, who received an MA from the Curatorial Practice Program at California College of the Arts, in San Francisco, and taught at Universidad Católica in Quito. She is currently an Associate Director of Public Programs & Research at Independent Curators International in New York. She co-founded Constructo, an international collective platform devoted to research and debate of art and visual culture. Since 2009, she has been a member of the curatorial college of ceroinspiración, an exhibition and residency space in Quito. Former positions include: Associate Curator at New Langton Arts in San Francisco, and Research Coordinator for Museo de la Ciudad in Quito. Ekaterina Degot is an art writer and curator, Artistic director at the Academy of Arts of the World in Cologne, and professor at the Rodchenko Moscow School of Photography.