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Acquisition, patronage and display : contextualising the art collections of Longford Castle during the long eighteenth century

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Citation: Smith, Amelia Lucy Rose (2017) Acquisition, patronage and display : contextualising the art collections of Longford Castle during the long eighteenth century. [Thesis] (Unpublished)

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Acquisition, Patronage and Display: Contextualising the Art Collections of Longford Castle during the Long Eighteenth Century

Volume 2: Illustrations

Amelia Lucy Rose Smith

Thesis submitted for the degree of PhD History of Art Birkbeck, University of London

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List of Illustrations

Fig. 1 Michael Dahl, Sir Jacob Bouverie, 1st Viscount Folkestone (1689- 1761), 1724-5, 124.46 x 99.06 cm, oil on canvas, Longford Castle Fig. 2 Attributed to Thomas Hudson, William Bouverie, 1st Earl of Radnor (1725-1776), c.1765, 76.2 x 63.5 cm, oil on canvas, Longford Castle Fig. 3 John Hoppner, Jacob Pleydell-Bouverie, 2nd Earl of Radnor (1750- 1828), c.1790-1800s, 149.86 x 119.38 cm, oil on canvas, Salisbury Guildhall Fig. 4 Follower of Cornelis Johnson, Laurens des Bouverie (1536(?)- 1610), probably seventeenth century, 22.86 x 18.46 cm, oil on canvas, Longford Castle Fig. 5 Michael Dahl, Sir Edward des Bouverie (1688-1736), 1724, 124.46 x 99.06 cm, oil on canvas, Longford Castle Fig. 6 Circle of Thomas Gibson, Sir Mark Stuart Pleydell (1693-1768), eighteenth century, 73.66 x 60.96 cm, oil on canvas, Longford Castle Fig. 7 Bouverie family arms: a double-headed eagle, from reproduction in N. Penny, with the assistance of S. Avery- Quash, A Guide to Longford Castle, 2012, back cover Fig. 8 Unknown artist, Jacob, 2nd Earl of Radnor (1750-1828) holding a medallion of King Alfred, 1767, 13.02 x 11.11 cm, pencil, location unknown Fig. 9 John Thorpe, ‘Partial Exterior Elevation’, Primary Series, c.1600, dimensions unknown, ink over pencil, Sir John Soane’s Museum Library, SM_vol101/156, from reproduction in J. Summerson, ‘The Book of Architecture of John Thorpe in Sir John Soane’s Museum, with biographical and analytical studies’ in The Walpole Society, Vol. XL, Glasgow: Walpole Society, 1966, Plate 72A, T156 Fig. 10 John Thorpe, ‘Partial Elevation of the Exterior of the Hall 3

Block’, Primary Series, c.1600, 26.67 x 29.85 cm, ink over scorer with additions and shading in pencil, Sir John Soane’s Museum Library, SM_vol101/158, from reproduction in J. Summerson, ‘The Book of Architecture of John Thorpe in Sir John Soane’s Museum, with biographical and analytical studies’ in The Walpole Society, Vol. XL, Glasgow: Walpole Society, 1966, Plate 73A T158 Fig. 11 John Thorpe, ‘Plan’, Primary Series, c.1600, dimensions unknown, scale 2 inches = 25 feet, ink over pencil with pale yellow wash for timber, Sir John Soane’s Museum Library, SM_vol101/155, from reproduction in J. Summerson, ‘The Book of Architecture of John Thorpe in Sir John Soane’s Museum, with biographical and analytical studies’ in The Walpole Society, Vol. XL, Glasgow: Walpole Society, 1966, Plate 72B T155 Fig. 12 Detail from Tobias Miller after T. Milton, ‘Plans of two Floors of Longford Castle, the Seat of the Earl of Radnor’, 1766, whole plate 25 x 37 cm, engraving, in Woolfe and Gandon Architects, Vitruvius Britannicus, or the British Architect; containing Plans, Elevations and Sections; of the Regular Buildings both Public and Private in Great Britain, comprised in one hundred folio plates, engrav’d by the best hands; taken from the buildings, or original designs, 5 Vols., 1771, Vol. V, Plate 94 Fig. 13 Detail from Tobias Miller after T. Milton, ‘Plans of two Floors of Longford Castle, the Seat of the Earl of Radnor’, 1766, whole plate 25 x 37 cm, engraving, in Woolfe and Gandon Architects, Vitruvius Britannicus, or the British Architect; containing Plans, Elevations and Sections; of the Regular Buildings both Public and Private in Great Britain, comprised in one hundred folio plates, engrav’d by the best hands; taken from the buildings, or original designs, 5 Vols., 1771, Vol. V, Plate 94 Fig. 14 George Vertue, Coleshill in the County of Berks The Seat of Sr Mark Stuart Pleydell Bart Built by Inigo Jones, in the Year 1650. The N. E. Front, 1735, 32 x 45 cm, engraving, Wiltshire and Swindon 4

History Centre (hereafter WSHC) 1946/3/3/1PC Fig. 15 James Wyatt, Architectural Model of Longford Castle, 1797, 114.3 cm, medium unknown, Longford Castle Fig. 16 Daniel Alexander, Plan of the Principal Floor of Longford Castle, 1801, 60.5 x 47 cm, pen and ink on paper, WSHC 1946/3/2E/8 Fig. 17 Unknown artist, Elevation of the complete round of one of the Circular Towers supposing it open’d out into a flat surface, early nineteenth century, 104.5 x 71.5 cm, pen, ink and coloured wash on paper, WSHC 1946/3/2E/14 Fig. 18 Daniel Alexander, Plan of the First Floor of Longford Castle, 1802, 58.5 x 45 cm, pen and ink on paper, WSHC 1946/3/2E/11 Fig. 19 Detail from Daniel Alexander, Plan of the First Floor of Longford Castle, 1802, whole image 58.5 x 45cm, pen and ink on paper, WSHC 1946/3/2E/11 Fig. 20 Detail from Daniel Alexander, Plan of the First Floor of Longford Castle, 1802, whole image 58.5 x 45cm, pen and ink on paper, WSHC 1946/3/2E/11 Fig. 21 Robert Thacker, The Southside of Longford House with the Flower Garden & Fountaine, modern copy from late seventeenth- century engraving, 31 x 20 cm, engraving, WSHC 1946/3/2C/4PC Fig. 22 Robert Thacker, A View about Longford Stewpond nearer the close- Arbour Walk, by the River-side, modern copy from late seventeenth-century engraving, 32 x 20.5 cm, engraving, WSHC 1946/3/2C/4PC Fig. 23 Robert Thacker, A View of Longford House att an Angle, modern copy from late seventeenth-century engraving, 32 x 19 cm, engraving, WSHC 1946/3/2C/4PC Fig. 24 Unknown artist (possibly William, 1st Earl of Radnor), Longford Castle & its grounds as it was between the years 1760 & 1770, 1760- 1770, 22.3 x 20 cm, ink, WSHC 1946/3/2G/2 Fig. 25 Curvature of the walls in the Round Parlour, late sixteenth century with interior decoration c.1730-1740, Longford Castle 5

Fig. 26 Unknown artist, chimneypiece in the Round Parlour, sixteenth century, Longford Castle Fig. 27 Detail of the gilded and painted panelling in the Round Parlour, panelling c.1591 with gilding c.1737-8, Longford Castle Fig. 28 Attributed to Benjamin Goodison, Pier Table, c.1730, 208.28 x 86.36 x 92.71 cm, white enamelled pine surmounted by a slab of verde antico marble, Longford Castle Fig. 29 Detail from work attributed to Benjamin Goodison, Pier Table, c.1730, 208.28 x 86.36 x 92.71 cm, white enamelled pine surmounted by a slab of verde antico marble, Longford Castle Fig. 30 Unknown artist (possibly Henry Cheere or John Michael Rysbrack), chimneypiece in the Long Parlour, eighteenth century, Longford Castle Fig. 31 Attributed to Benjamin Goodison, Pedestal, eighteenth century with bases and decoration c.1830, 27.94 x 165.1 cm, Japanned and grained, Longford Castle Fig. 32 Unknown artist, Mirror, c.1740-1750, 172.72 x 127 cm, giltwood, Longford Castle Fig. 33 View of the Picture Gallery, late sixteenth century with eighteenth-century interior decoration, Longford Castle Fig. 34 Attributed to Benjamin Goodison, Day Bed, early eighteenth century with silk damask reupholstered c.1980, 274.32 x 91.44 cm, parcel-gilt mahogany with silk damask upholstery, Longford Castle Fig. 35 Attributed to Benjamin Goodison, Long Stool, early eighteenth century with silk damask reupholstered c.1980, 160.02 x 83.82 cm, parcel-gilt mahogany with silk damask upholstery, Longford Castle Fig. 36 Arrangement of paintings in the Picture Gallery, Longford Castle Fig. 37 Arrangement of paintings in the Gallery, Harewood House Fig. 38 Picture Gallery, Temple Newsam House Fig. 39 Attributed to William Vile, Japanese Rectangular Lacquer Toilet- 6

Box upon Giltwood Stand, eighteenth century, 38.1 x 91.44 x 25.4 cm, lacquer, Longford Castle Fig. 40 Unknown artist, Chinese Export Black Lacquer Games/Writing Cabinet, late eighteenth century, 85.09 x 175.26 cm, lacquer, Longford Castle Fig. 41 Thomas Rucker, Renaissance Chair of the Holy Roman Emperor Rudolph II, c.1574, 143.51 x 69.85 cm, iron, Longford Castle Fig. 42 Green velvet wall hangings in Green Velvet Drawing Room, eighteenth century, Longford Castle Fig. 43 Attributed to Giles Grendey, Chair, eighteenth century, dimensions unknown, parcel-gilt mahogany with velvet upholstery, Longford Castle Fig. 44 In the style of Thomas Chippendale Junior, Wall Appliqués, eighteenth century, 165.1 x 35.56 cm, giltwood, Longford Castle Fig. 45 Unknown artist, Sketch of Wall Appliqués in the ‘Circular Drawing Room’, late eighteenth century, 33.8 x 20.7 cm, pencil and ink on paper, WSHC 1946/3/2E/1 Fig. 46 Peter Van den Hecke after David Teniers the Younger, Preparing the Inn Dinner, early eighteenth century, 243.84 x 337.82 cm, Brussels tapestry in wool and silk, Longford Castle Fig. 47 Unknown artist, Rectangular Cedarwood Bijouterie Cabinet, eighteenth century with sixteenth-century metalwork on a seventeenth-century giltwood stand, cabinet 45.72 x 38.1 cm, stand 58.42 x 87.63 cm, cedarwood, metalwork and giltwood, Longford Castle Fig. 48 Edward Wakelin, Sauceboat Engraved with the Arms of Pleydell- Bouverie impaling Clarke, 1759, dimensions unknown, silver, Longford Castle Fig. 49 Yongzheng, Famille Verte Armorial Service featuring the Arms of Duncombe quartering Cornwallis impaling Verney, c.1724, enamelled porcelain, Longford Castle Fig. 50 Isaac Ware, Drawing of Details of Interior Features at Coleshill House, c.1750, 63 x 49 cm, pen and ink on paper, WSHC 7

1946/3/3/1PC Fig. 51 Isaac Ware, Drawing of Dining Room Chimneypiece at Coleshill House, c.1750, 28 x 42 cm, pen and ink on paper, WSHC 1946/3/3/1PC Fig. 52 Isaac Ware, Drawing of ‘dineing room one pair of stairs’ at Coleshill House, c.1750, 31 x 48 cm, pen and ink on paper, WSHC 1946/3/3/1PC Fig. 53 Anthony Van Dyck, Henrietta Maria, Queen Consort of England (1609-1669), 1632, 106.68 x 81.28 cm, oil on canvas, Longford Castle Fig. 54 German or Swiss school, Jean Calvin (1509-1564), possibly seventeenth century, 10.16 x 8.89 cm, oil on card laid on panel, Longford Castle Fig. 55 Claude Gellée, called Claude Lorrain, Sea Coast with the Landing of Aeneas in Latium (Morning – the Rise of the Roman Empire), 1650, 101.6 x 134.62 cm, oil on canvas, Longford Castle Fig. 56 Claude Gellée, called Claude Lorrain, Pastoral Landscape with the Arch of Titus (Evening – the Decline of the Roman Empire), 1644, 101.6 x 134.62 cm, oil on canvas, Longford Castle Fig. 57 Nicolas Poussin, The Adoration of the Golden Calf, 1633-4, 153.4 x 211.8 cm, oil on canvas, National Gallery, London Fig. 58 Nicolas Poussin, The Crossing of the Red Sea, 1632-4, 155.6 x 215.3 cm, oil on canvas, National Gallery of Victoria, Melbourne Fig. 59 Italian school, Tiber, late seventeenth century, 46.99 cm, bronze, lacquered brass and mahogany, Longford Castle Fig. 60 Italian school, Nile, late seventeenth century, 46.99 cm, bronze, lacquered brass and mahogany, Longford Castle Fig. 61 David Teniers the Younger, Boers playing Bowls at an Inn with the Sign of a Star, seventeenth century, 40 x 52.7 cm, enlarged below and on the left, oil on panel, Longford Castle Fig. 62 Annotated extract from ‘A Catalogue Of the Choice and Valuable Collection of Pictures and Bronzes of Mr. Bragge; Purchased by him out of the most Celebrated Cabinets in Italy, 8

France, and Flanders. Which will be Sold by AUCTION, By Mr. COCK, At his House in the Great Piazza, Covent-Garden … 1743- 44 …’, 1744, 24 x 28.5 cm, printed catalogue with pencil and ink annotations, WSHC 1946/3/4A/1 Fig. 63 Jan Brueghel the Elder, Flowers in a Glass Vase on a Ledge, late sixteenth to early seventeenth century, 29.21 x 19.05 cm, oil on copper, Longford Castle Fig. 64 Hans Holbein the Younger, Erasmus (1466-1536), 1523, 76.2 x 51.44 cm, oil on panel, National Gallery, London, on long- term loan from Longford Castle Fig. 65 Quentin Matsys, Aegidius (Peter Gilles, 1480-1533), late fifteenth to early sixteenth century, 72.39 x 50.8 cm, enlarged on all sides, oil on panel, Longford Castle Fig. 66 Anthony Van Dyck and studio, Katherine Wootton, Countess of Chesterfield (1609-1667), seventeenth century, 215.9 x 127 cm, oil on canvas, Longford Castle Fig. 67 Giacomo Cavedone, The Adoration of the Shepherds, late sixteenth or early seventeenth century, 284.5 x 223.5 cm, oil on canvas, New College, University of Oxford Fig. 68 Luca Cambiaso, Venus disarming Cupid, sixteenth century, 149.86 x 106.68 cm, oil on canvas, Longford Castle Fig. 69 Nicholas Hilliard, Queen Elizabeth I (1533-1603), c.1660, 6.35 x 5.08 cm, watercolour on vellum mounted on card, contained in an ivory box, Victoria and Albert Museum, London Fig. 70 Hans Holbein the Younger, Jean de Dinteville (1504-1555) and Georges de Selve (1508-1541) (‘The Ambassadors’), 1533, 207 x 209.5 cm, oil on oak, National Gallery, London Fig. 71 British school, Sir Humphrey Forster (d. 1602), probably seventeenth century, 46.99 x 33.02 cm, oil on panel, Longford Castle Fig. 72 Michael Dahl, Mary Clarke (1700?-1739), 1724-5, 123.19 x 99.06 cm, oil on canvas, Longford Castle Fig. 73 John Michael Rysbrack, Jacob Bouverie, 1st Viscount Folkestone (1694-1761), early-mid eighteenth century, 64.77 x 53.34 cm, 9

white marble, Longford Castle Fig. 74 John Michael Rysbrack, Sir Edward Bouverie (1688-1736), early- mid eighteenth century, 61.6 x 57.15 cm, white marble, Longford Castle Fig. 75 Attributed to John Michael Rysbrack, William Bouverie, later 1st Earl of Radnor (1724-1776), early-mid eighteenth century, 49.53 x 38.1 cm, white marble, Longford Castle Fig. 76 George Lambert, Longford Castle from the South West, 1743, 102.5 x 142.5 cm, oil on canvas, Government Art Collection, London Fig. 77 John Cheere, Flora, 1759, dimensions unknown, lead, Longford Castle Fig. 78 Samuel Scott, View of London Bridge, c.1750, 48.26 x 142.24 cm, oil on canvas, Longford Castle Fig. 79 Samuel Scott, View of Westminster Bridge, c.1750, 48.26 x 142.24 cm, oil on canvas, Longford Castle Fig. 80 Thomas Hudson, William Bouverie, 1st Earl of Radnor (1724- 1776), c.1749, 74.3 x 61.6 cm, oil on canvas, Longford Castle Fig. 81 Thomas Hudson, Harriot Pleydell (1723-1750), c.1749, 76.2 x 60.96 cm, oil on canvas, Longford Castle Fig. 82 Thomas Hudson, William, 1st Earl of Radnor (1724-1776), c.1749, 124.46 x 99.06 cm, oil on canvas, Longford Castle Fig. 83 Thomas Hudson, Harriot Pleydell (1723-1750), c.1749, 127 x 100.33 cm, oil on canvas, Longford Castle Fig. 84 John Michael Rysbrack, Monument to Harriot Pleydell (1723- 1750), mid eighteenth century, dimensions unknown, marble, Coleshill Church Fig. 85 Detail from John Michael Rysbrack, Monument to Harriot Pleydell (1723-1750), mid eighteenth century, dimensions unknown, marble, Coleshill Church Fig. 86 John Michael Rysbrack, Design for a memorial (front and side elevations) to Harriot Bouverie (1723-1750), c.1750, 28.42 x 18.42 cm, pen and ink and wash on paper, Victoria and Albert Museum, London, E.448-1946 10

Fig. 87 Possibly John Michael Rysbrack, Harriot Pleydell (1723-1750) and William Bouverie, 1st Earl of Radnor (1724-1776), mid eighteenth century, 19.69 x 16.51 cm, wax, Longford Castle Fig. 88 Attributed to John Michael Rysbrack, Design, date unknown, size unknown, medium unknown, Victoria and Albert Museum, London, 4910-52 Fig. 89 Edward Haytley, Harriot Pleydell (1723-1750), mid eighteenth century, 49.53 x 34.29 cm, oil on panel, Longford Castle Fig. 90 Arthur Devis, Robert Gwillym (dates unknown) and his Family, 1745-47, 101.6 x 127 cm, oil on canvas, Yale Center for British Art Fig. 91 Joshua Reynolds, Rebecca Alleyne (1725-1764), c.1760, 124.46 x 99.06 cm, oil on canvas, Longford Castle Fig. 92 Joshua Reynolds, Elizabeth Gunning, Duchess of Hamilton and Argyll (c.1733-1790), c.1758-64, 238.76 x 147.32 cm, oil on canvas, Lady Lever Art Gallery, Liverpool Fig. 93 Joshua Reynolds, Jacob Bouverie, 2nd Earl of Radnor (1750-1828) as a child, 1757, 125.73 x 99.06 cm, oil on canvas, Longford Castle Fig. 94 Thomas Gainsborough, William, 1st Earl of Radnor (1724-1776), 1773, 73.66 x 62.23 cm, oil on canvas, Longford Castle Fig. 95 Thomas Gainsborough, The Hon. William Henry Pleydell-Bouverie (1752-1806), 1773, 74.3 x 61.6 cm, oil on canvas, Longford Castle Fig. 96 Thomas Gainsborough, The Hon. Bartholomew Bouverie (1753- 1835), 1773, 73.66 x 60.96 cm, oil on canvas, Longford Castle Fig. 97 Thomas Gainsborough, The Hon. Edward Bouverie (1760-1824), 1773, 74.3 x 61.6 cm, oil on canvas, Longford Castle Fig. 98 Thomas Gainsborough, William Bouverie, 1st Earl of Radnor (1725-1776), c.1770, 127 x 99.06 cm, oil on canvas, Longford Castle Fig. 99 Thomas Hudson, Jacob, 1st Viscount Folkestone (1694-1761), 1749, 124.46 x 99.06 cm, oil on canvas, Longford Castle Fig. 100 Thomas Gainsborough after Thomas Hudson, Jacob, 1st 11

Viscount Folkestone (1694-1761), 1776, 217 x 117 cm, oil on canvas, Royal Society of Arts, London Fig. 101 Joshua Reynolds, Anne Duncombe (1759-1829), 1786, 127 x 99.06 cm, oil on canvas, Longford Castle Fig. 102 Richard Cosway, Jacob Bouverie, 2nd Earl of Radnor (1750-1828), 1812, 184.15 x 128.27 cm, oil on canvas, Longford Castle Fig. 103 Richard Cosway, William Pleydell-Bouverie, later 3rd Earl of Radnor (1779-1869), and Lady Mary Anne Pleydell-Bouverie (1778-1790), 1780s, 100.33 x 125.73 cm, oil on canvas, Longford Castle Fig. 104 Richard Cosway, The Hon. Laurence Pleydell-Bouverie (1781-1811), c.1788, 124.46 x 99.06 cm, oil on canvas, Longford Castle Fig. 105 Richard Cosway, Lady Barbara Pleydell-Bouverie (1783-1798), c.1799, 49.53 x 38.1 cm, oil on canvas, Longford Castle Fig. 106 Richard Cosway, The Hon. Frederick Pleydell-Bouverie (1785-1857) and the Hon. Philip Pleydell-Bouverie (1788-1872), c.1799, 124.46 x 99.06 cm, oil on canvas, Longford Castle Fig. 107 Richard Cosway, William Bouverie, 1st Earl of Radnor (1724-1776), c.1812, 8.09 cm high, watercolour on ivory, Longford Castle Fig. 108 Ramsay Richard Reinagle, Anne Duncombe (1759-1829), 1797, 14.29 x 19.05 cm, pen and ink with grey and coloured washes, location unknown Fig. 109 Henry Edridge, Anne, Countess of Radnor (1759-1829), 1805, 32.4 x 22.86 cm, pencil and watercolour, Longford Castle Fig. 110 Louis-François Roubiliac, Sir Mark Stuart Pleydell (c.1693-1768), 1755, 54.99 cm, marble, National Trust, on long-term loan to the Victoria and Albert Museum, London Fig. 111 Reconstruction of potential picture hang in Long Parlour (left to right): Thomas Hudson, Harriot Pleydell (1723-1750), c.1749, 127 x 100.33 cm, oil on canvas, Longford Castle Thomas Hudson, William, 1st Earl of Radnor (1724-1776), c.1749, 124.46 x 99.06 cm, oil on canvas, Longford Castle Joshua Reynolds, Rebecca Alleyne (1725-1764), c.1760, 124.46 x 99.06 cm, oil on canvas, Longford Castle 12

Fig. 112 Joshua Reynolds, Jacob, 2nd Earl of Radnor (1750-1828) as a child, 1757, 125.73 x 99.06 cm, oil on canvas, in an overmantel frame in the style of William Kent, Longford Castle Fig. 113 Jacob, 2nd Earl of Radnor, Sketch Plan showing Arrangement of Pictures in the Green Bedchamber with Accompanying Key, 1814, 37 x 22.5 cm, pen and ink on paper, WSHC 1946/3/2A/1 Fig. 114 View of the Picture Gallery, late sixteenth century with eighteenth-century interior decoration, looking towards Claude Gellée, called Claude Lorrain, Sea Coast with the Landing of Aeneas in Latium (Morning – the Rise of the Roman Empire), 1650, 101.6 x 134.62 cm, oil on canvas, Longford Castle Fig. 115 View of the Picture Gallery, late sixteenth century with eighteenth-century interior decoration, looking towards Claude Gellée, called Claude Lorrain, Pastoral Landscape with the Arch of Titus (Evening – the Decline of the Roman Empire), 1644, 101.6 x 134.62 cm, oil on canvas, Longford Castle Fig. 116 Jacob, 2nd Earl of Radnor, Sketch Plan showing Arrangement of Pictures in the Round Bedchamber with Accompanying Key, 1814, 18.8 x 22.8 cm, pen and ink on paper, WSHC 1946/3/2A/1 Fig. 117 Claude Gellée, called Claude Lorrain, Sea Coast with the Landing of Aeneas in Latium (Morning – the Rise of the Roman Empire), 1650, 101.6 x 134.62 cm, oil on canvas, in an early eighteenth- century French carved and gilded frame, Longford Castle Fig. 118 Claude Gellée, called Claude Lorrain, Pastoral Landscape with the Arch of Titus (Evening – the Decline of the Roman Empire), 1644, 101.6 x 134.62 cm, oil on canvas, in an early eighteenth- century French carved and gilded frame, Longford Castle Fig. 119 Jean-Baptiste I Martin, called Martin des Batailles, View of the Palace of Fontainebleau, late seventeenth to early eighteenth century, 116.84 x 162.56 cm, oil on canvas, in a contemporary French carved and gilded frame with the initials of King Louis XIV, Longford Castle Fig. 120 James Collins after Robert Thacker, ‘The Porters Lodg att Longford’, Plate 2, c.1680, 30.5 x 19 cm, engraving, in N. 13

Yeates with J. Collins, ‘Two Plans and Nine Views of Longford House in Wiltshire, the Seat of Lord Colerane, by R. Thacker; engraved by Yates and Collins’ in Catalogue of Maps, Prints, Drawings, etc., forming the geographical and topographical collection attached to the Library of his late Majesty King George the third, etc, London, 1829, British Library, Cartographic Items Maps K.Top.43.44.k Fig. 121 Nicholas Yeates after Robert Thacker, ‘The Southside of Longford House, with the Flower garden, & Fountaine’, Plate 6, c.1680, 30.5 x 19cm, engraving, in N. Yeates with J. Collins, ‘Two Plans and Nine Views of Longford House in Wiltshire, the Seat of Lord Colerane, by R. Thacker; engraved by Yates and Collins’ in Catalogue of Maps, Prints, Drawings, etc., forming the geographical and topographical collection attached to the Library of his late Majesty King George the third, etc, London, 1829, British Library, Cartographic Items Maps K.Top.43.44.d Fig. 122 William Woollett after Claude Lorrain, Pastoral Landscape with Figures and Animals on Shore in the Foreground; beyond Arch of Titus at Left; Ruins in the Distance, 1772, approximately 46.8 x 59.3 cm (trimmed), etching, Prints and Drawings Room, British Museum Fig. 123 James McArdell after Joshua Reynolds, Jacob Bouverie, 2nd Earl of Radnor (1750-1828) as a child, 1757, 35.2 x 25.1 cm, mezzotint, Prints and Drawings Room, British Museum Fig. 124 Mariano Bovi after Richard Cosway, Anne, Countess of Radnor, c.1780-1813, 26.5 x 19.1 cm (trimmed), stipple engraving, Prints and Drawings Room, British Museum Fig. 125 Charles William White after Richard Cosway, Infancy (William Pleydell-Bouverie, later 3rd Earl of Radnor [1779-1869], and Lady Mary Anne Pleydell-Bouverie [1778-1790]), 1786, 25.8 x 27.7 cm, stipple engraving, Prints and Drawings Room, British Museum Fig. 126 Tobias Miller after T. Milton, ‘Longford Castle the Seat of the Earl of Radnor in Wiltshire’, 1766, 56 x 33.5 cm, engraving, in Woolfe and Gandon Architects, Vitruvius Britannicus, or the 14

British Architect; containing Plans, Elevations and Sections; of the Regular Buildings both Public and Private in Great Britain, comprised in one hundred folio plates, engrav’d by the best hands; taken from the buildings, or original designs, 5 Vols., 1771, Vol. V, Plate 95-96 Fig. 127 Tobias Miller after T. Milton, ‘Longford Castle the Seat of the Earl of Radnor: Garden Front’, 1766, 56 x 33.5 cm, engraving, Woolfe and Gandon Architects, Vitruvius Britannicus, or the British Architect; containing Plans, Elevations and Sections; of the Regular Buildings both Public and Private in Great Britain, comprised in one hundred folio plates, engrav’d by the best hands; taken from the buildings, or original designs, 5 Vols., 1771, Vol. V, Plate 97-98 Fig. 128 William Angus after Claude Nattes, ‘Longford in Wiltshire the Seat of the Earl of Radnor’, 1788, 16 x 20 cm, engraving, in W. Angus, The Seats of the Nobility and Gentry in Great Britain and Wales in a Collection of Select Views Engraved by W. Angus from Pictures and Drawings by the most Eminent Artists with Decsriptions of each View, London: W. Angus, Gwynne’s Buildings, Islington, 1787, Plate X Fig. 129 Unknown author, handwritten notes at the back of J. Kennedy, A New Description of the Pictures, Statues, Bustos, Basso- Relievos, and Other Curiosities in the Earl of Pembroke’s House at Wilton, sixth edition, 1774, with manuscript annotations, 787.e.30, British Library Fig. 130 Unknown author, handwritten notes at the back of J. Kennedy, A New Description of the Pictures, Statues, Bustos, Basso- Relievos, and Other Curiosities in the Earl of Pembroke’s House at Wilton, sixth edition, 1774, with manuscript annotations, 787.e.30, British Library Fig. 131 Anne Duncombe, Countess of Radnor, Drawing ‘from Woverman’, c.1793-1794, 23.8 x 18.3 cm, pencil and pen on paper, WSHC 1946/4/2K/21 Fig. 132 James Jebusa Shannon, Helen Matilda Chaplin, Countess of Radnor (1846-1928), early twentieth century, 139.7 x 106.68 cm, oil on canvas, Longford Castle 15

Fig. 133 Title page to H. M. Radnor and W. Barclay Squire, with a preface by Jacob, 6th Earl of Radnor, Catalogue of the Pictures in the Collection of the Earl of Radnor, London: privately printed at the Chiswick Press, third edition, 1910 Fig. 134 View of historical and contemporary sculpture and furniture in the Triangular Hall, Longford Castle Fig. 135 Twenty-first-century formal gardens, Longford Castle