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Wijhe Index Ref Dopen 1730-1769
Wijhe, index ref. dopen 1730-1769 - gemaakt door Jan Heideman - Oorspronkelijke bron Archiefinstelling: Historisch Centrum Overijssel, Zwolle Archief: DTB Overijssel (Wijhe) Inventarisnummer 543-544 (origineel 642 en 644) Omschrijving: Nederduits gereformeerde dopen 1704-1753, 1753-1812 Opmerking: Chronologische index pag. 2 t/m 63 Alfabetische index op naam van de vader pag. 64 t/m 117 Alfabetische index op naam van de moeder pag. 118 t/m 171 Transcriptie Gemaakt door: Jan Heideman Wijhe Soort: Index Datum versie 1 4 januari 2015 aangeleverd aan het project Deze versie: 1 Opmerking: - Eventuele correcties en aanvullingen door derden op de, binnen dit project gepubliceerde, transcriptie worden door de maker(s) verwerkt in een nieuwe versie die weer aan het project kan worden aangeboden. Het kopiëren (downloaden) van dit bestand is toegestaan voor persoonlijk gebruik en voor verspreiding op niet-commerciële basis. Commerciële verspreiding is uitdrukkelijk niet toegestaan. Bij gebruikmaking van gegevens uit deze bewerking ten behoeve van publicaties, in welke vorm ook, moet een adequate bronvermelding naar deze bewerking worden aangegeven. Beschikbaar gesteld voor het projekt "VAN PAPIER NAAR DIGITAAL" http://geneaknowhow.net/vpnd/ Wijhe index ref.dopen 1730-1769 - pag. 1 datum doop kind naam van vader naam van moeder opmerking/aanvulling 22-01-1730 Berent Jan H. Jan Essen, van Maria Jansen 29-01-1730 Dirk Jan Willems H. Willems 12-03-1730 Janna Hermen Berents Berentijn Dirks 19-03-1730 Gerrit Evert Gerrits Hendrikijn Janssen 26-04-1730 Geertijn Berent H. T. Antonijssen 07-05-1730 Jannes Willem Janssen Janna Roelofs 28-05-1730 Hendrick Hendrick Derks Petronelle J. -
1 Setting up Offspring Pairing
SETUP GUIDE Indicator Scale Weigh XR5000 the using pairing Offspring Offspring pairing XR5000 Weigh Scale Indicator The offspring pairing feature allows a breeder to link offspring to a dam so they can look up an animal's lineage. This feature is intended to be used in a workflow where the Dam ID is entered first and then its offspring IDs are entered. You can achieve the following with this feature: • Link a Dam with its current offspring and record into the offspring lifetime information • Record other information for the offspring and/or Dam such as DOB, Breed • Optionally record weights either by connecting to a load cell/ load bar or by manually entering • Look up the statistics of the lambing (or calving) percentages to monitor reproductive performance Note: This feature is only available on the XR5000 model. 1 Setting up offspring pairing 1. Go to the Settings screen. 2. Press 3. In the Weight Recording drop down list, select Offspring Pairing. 4. Go to the Weigh screen to start. In offspring pairing mode, you will notice some changes to the Weigh screen: • The right hand pane provides status information on the current Dam. • The size of the weight has been reduced and you have the option to manually enter a weight. • The left hand pane remains the same as in other modes. You can configure what information you want to display and record. • A new soft key is displayed that you use to set or clear the Dam. • A table at the bottom of the screen provides a quick view of the last four records. -
Psychosocial Consequences in Offspring of Women with Breast Cancer
Received: 6 August 2019 Revised: 11 October 2019 Accepted: 14 November 2019 DOI: 10.1002/pon.5294 PAPER Psychosocial consequences in offspring of women with breast cancer Arlene Chan1,2 | Christopher Lomma1 | HuiJun Chih3 | Carmelo Arto1 | Fiona McDonald4,5 | Pandora Patterson4,5 | Peter Willsher1 | Christopher Reid3 1Breast Cancer Research Centre-WA, Medical Oncology, Nedlands, Western Australia, Abstract Australia Objective: Breast cancer (BC) accounts for 24% of female cancers, with approxi- 2 School of Medicine, Curtin University, mately one quarter of women likely to have offspring aged less than 25 years. Recent Bentley, Perth, Western Australia, Australia 3School of Public Health, Curtin University, publications demonstrate negative psychosocial well-being in these offspring. We Bentley, Perth, Western Australia, Australia prospectively assessed for psychological distress and unmet needs in offspring of BC 4 CanTeen Australia, Sydney, New South patients. Wales, Australia Methods: Eligible offspring aged 14 to 24 years were consented and completed the 5Cancer Nursing Research Unit, University of Sydney, Sydney, New South Wales, Australia Kessler-10 Questionnaire and Offspring Cancer Needs Instrument. Demographic and BC details were obtained. Correspondence Chan Arlene, School of Medicine, Curtin Results: Over a 7-month period, 120 offspring from 74 BC patients were included. University, Kent Street, Bentley, Perth, Fifty-nine mothers had nonmetastatic BC (nMBC), and 27 had metastatic BC (MBC) Western Australia 6102, Australia with median time from diagnosis of 27.6 and 36.1 months, respectively. The preva- lence of high/very high distress was 31%, with significantly higher scores reported by female offspring (P = .017). Unmet needs were reported by more than 50% of off- spring with the majority of needs relating to information about their mother's cancer. -
NT Drama Prospectus AUS-NZ 2020 V2 130819
2020 Drama Aust/NZ Students COURSE PROSPECTUS TABLE OF CONTENTS Section One - Introduction and General Information .................................................................. 3 Section Two - Schools and Course Information .............................................................................. 5 Part 1 - National Theatre Ballet School ............................. Error! Bookmark not defined. Part 3- National Theatre Student Policies ..................................................................................... 12 Section Four - Application Process ................................................................................................... 21 Section Five - RTO information .......................................................................................................... 23 The National Theatre Melbourne RTO: 3600 Page 2 of 23 Cricos 01551E Section One – Welcome to the National Theatre Hello and a very warm welcome to the National Theatre Drama School. Creativity is a natural human expression. It’s a necessity for human evolution. At the National we seek to nurture and encourage this creativity. Einstein said, “It’s not that I’m so smart, it’s just that I stay with the problems longer.” We commit to you and your training over a three year period. Because creative artists need time. Time to grow, develop and mature. You need to invest the time to discover the artist you want to be. Our creative staff have been producing and nurturing artists since 1936, making us Australia’s original actor training academy. We employ working actors, directors and teachers who train our students with knowledge of the real world and all its demands. The caring and supportive nature of our staff is second to none. The training at the National is up-to-date, comprehensive and fresh. You will draw upon the teachings of Stanislavski, Mike Alfreds and Michael Chekhov. Classes include Shakespearean text, Suzuki, American text, Theatre creation, Film, TV and new media training, Yoga, Clown and voice and body work. -
Acknowledgement to Reviewers of IJERPH in 2016
Editorial Acknowledgement to Reviewers of IJERPH in 2016 IJERPH Editorial Office Published: 11 January 2017 MDPI AG, St. Alban-Anlage 66, 4052 Basel, Switzerland; [email protected] The editors of IJERPH would like to express their sincere gratitude to the following reviewers for assessing manuscripts in 2016. We greatly appreciate the contribution of expert reviewers, which is crucial to the journal’s editorial process. We aim to recognize reviewer contributions through several mechanisms, of which the annual publication of reviewer names is one. Reviewers receive a voucher entitling them to a discount on their next MDPI publication and can download a certificate of recognition directly from our submission system. Additionally, reviewers can sign up to the service Publons (https://publons.com) to receive recognition. Of course, in these initiatives we are careful not to compromise reviewer confidentiality. Many reviewers see their work as a voluntary and often unseen part of their role as researchers. We are grateful to the time reviewers donate to our journals and the contribution they make. If you are interested in becoming a reviewer for IJERPH, see the link at the bottom of the webpage http://www.mdpi.com/reviewers. The following reviewed for IJERPH in 2016: Aarabi, Bizhan Akamani, Kofi Alves, Cláudio Aaseth, Jan Akbari, Mohammad Reza Alves, Elisabete Aasvang, Gunn Akhtar, Yasmin Amarasena, Najith Abballe, Annalisa Akk, Gustav Amasheh, Salah Abbasian, Firouz Akushevich, Igor V. Amenta, Pietro Roberto Abdin, Edimansyah Alam, Meer Amini, Reza Abdul Aziz, Ammar Albrecht, Huguette Amireault, Steve AbiGhannam, Niveen Albrecht, Julie Amiri, Azita Abou Neel, Ensanya A. Albrecht, Urs-Vito Amirpour Haredasht, Sara Abughosh, Susan M. -
The Countdown To 1,000 Chicks Is On!
FOR IMMEDIATE RELEASE CONTACT: Jane Ballentine 26 October 2017 O: 443/552-5275 C: 301/332-1742 THE COUNTDOWN TO 1,000 CHICKS IS ON! --Maryland Zoo welcomes first penguin chicks of the 2017-2018 breeding season-- BALTIMORE, MD – The Maryland Zoo in Baltimore is excited to announce the hatching of two African penguin chicks – the first to hatch during the 2017-2018 breeding season at Penguin Coast. The chicks, which hatched on October 13 and 14, are being reared behind-the-scenes in the Penguin Conservation Center. One chick is being reared by its parents while the other is being hand-reared by the staff. “This breeding season is off to a wonderful start,” said Jen Kottyan, avian collection and conservation manager. “As soon as the nest boxes were made available to the penguins, they began exhibiting breeding behaviors and claiming their nests. We are really excited about the prospects for this season, and these two are just the beginning.” This breeding season at The Maryland Zoo could mark the first time that any zoo or aquarium in North America has hatched 1,000 African penguin chicks during the course of their history with the birds. “Since we began working with African penguins in 1967, the Zoo has successfully hatched 989 penguin chicks, which includes the two we are announcing today,” continued Kottyan. “If our penguin pairs hatch eleven more healthy chicks this season, then we will hit the 1,000 mark. Spoiler alert – we have several more eggs incubating under their parents right now! We really have high hopes of hatching at least eleven chicks, if not more, this season.” The Maryland Zoo has been a leader in African penguins for 50 years, winning the prestigious Edward H. -
Heemkunde Vereniging Swalmen
Bidprentjes Milieu- en Heemkunde Vereniging Swalmen Naam overledene Roepnaam Naam echtgeno(o)t(e) Geboren / te Overleden / te H Haan Frits Gerritsma Froukje A. * 14-4-1912 Amersfoort 2-12-2000 Roermond Haan de Anna Moosdijk van den Jan * 25-10-1902 27-7-1974 Haan de Wilhelmina Johanna J.M. Kamp van de * 10-11-1913 Rotterdam 31-3-1943 Rotterdam Haanen Elly Dabekaussen Clemens * 24-3-1941 Maasbracht 1-2-1998 Maasbracht Haanen Harrie Muijsenberg Annie * 1-2-1926 Tegelen 24-11-1986 Tegelen Haanen Jan Vorst van der Jes * 4-5-1918 Tegelen 4-10-2002 Tegelen Haanen Maria Jong de Johannes * 17-4-1904 Swalmen 12-6-1988 Venray Haanen Piet Reijnders Corrie * 13-4-1927 Baexem 4-2-1991 Baexem Haanen Sjraar Derks Leen * 29-9-1913 Blerick 11-9-1989 Tegelen Haanen Wiel Huberts Cato * 24-7-1909 Blerick 4-4-1989 Venlo Haanen Wilhelmus Hubertus Meussen Anna Maria * 7-6-1883 Echt 29-9-1972 Baexem Haanen Wilhelmus Petrus Chr. Kellen Gijsberdina * 16-1-1902 Swalmen 13-11-1987 Nijmegen Haanen Willem Nouwen Mien * 30-12-1904 Baexem 4-9-1979 Weert Haar van der Henri Christian J. de Belsj Masolijn Anna Wilhelmina * 9-11-1940 Herstal (B) 18-1-2005 Roermond Haaren van Maria Ferdinanda G. * 6-9-1918 Veghel 5-10-1944 Veghel Haaren van Philomena Viertel Friedrich Harl * 12-11-1907 's-Hertogenbosch 5-6-1997 Tegelen Haaren van Rosali Johanna F. Hermans Andries Paulus M. * 11-11-1928 Beuningen 1-7-1982 Eindhoven Haaren van Willem Antonius T. * 8-11-1911 Veghel 5-5-1940 Veghel 9-3-2021 Pagina 1 van 127 Naam overledene Roepnaam Naam echtgeno(o)t(e) Geboren / te Overleden / te Haas Gerard Sjra Telders Gerda * 7-12-1933 Roermond 25-7-2019 Roermond Haas Gertie Reijnen Leo * 12-9-1950 Merkelbeek 15-7-2012 Roermond Haas Louis * ongehuwd 31-3-1932 28-7-2005 Haas Willem Joseph M. -
The Feather in the Web
THE FEATHER IN THE WEB GRIFFIN THEATRE COMPANY PRESENTS THE FEATHER IN THE WEB Production Partner BY NICK COYLE 5 OCTOBER-17 NOVEMBER GRIFFIN THEATRE COMPANY PRESENTS THE FEATHER IN THE WEB NICK COYLE 5 OCTOBER- 17 NOVEMBER Director Ben Winspear Designer Sophie Fletcher Assistant Designer Ella Butler Composer / Sound Designer Steve Toulmin Lighting Designer Trent Suidgeest AV Designer Mic Gruchy Stage Manager Samuel Johnson With Tina Bursill, Gareth Davies, Michelle Lim Davidson, Claire Lovering SBW Stables Theatre Preview 5–10 October Season 13 October–17 November Production Partner Government Partners Supported by Griffin acknowledges the generosity of the Seaborn, Broughton & Walford Foundation in allowing it the use of the SBW Stables Theatre rent free, less outgoings, since 1986. S ’ Have you ever been listening to someone tell a story and been overcome with the urge to scream SHUT UP!? Have you ever been so bored at a work event you wanted to kick someone in the groin? Have you ever been in a car travelling very fast on a highway and thought about jerking the steering wheel to the side? Me neither. That would be crazy. But a character who follows through on those impulses and doesn’t give a damn about the consequences was the starting point of this play. Kimberly is dangerous because she is fearless. She pours petrol over banality and sets it on fire, figuratively and literally. She doesn’t laugh unless there’s something funny. She knows she’s not the PLAYWRIGHT NOTE architect of the body and face she was given. She refutes the falsehoods we’re trained to accept. -
Wiewaswie: Indexed Records Online Instructions
WieWasWie: Indexed Records Online The Netherlands” “How to” Guide, Beginning Level: Instruction April 2016 GOAL You will learn how to find records about your ancestors in the Netherlands and find documents associated with those records. INTRODUCTION WieWasWie is a collective database from numerous provincial, regional and city archives in the Netherlands and some of its former territories that includes over 100 million persons from many types of records. There is no fee to search the records, although one must have a paid subscription to search for two people at once or to use partial searches or wildcards. The most important record types for the beginning researcher include baptism, birth, marriage, death, and burial records. These records cover the period from the 17th into the 20th centuries. However, not all records in this time period are included. The critical date for Dutch research is 1811, when civil registration was imposed upon the Netherlands by the French. Before that time, church records are the primary source of records, although a few areas had already begun civil registration. Keep in mind that this is a work in progress, and that information is being added to the database. Most of the marriages from the civil registration time period (post-1811) have been indexed; however, many of the births and deaths have not. Coverage is much sparser prior to 1811. If you do not find your ancestor, it may be that his particular records have not been indexed yet. WieWasWie is available in Dutch and English. However, the researcher should know some Dutch terms. Use the key words list on the FamilySearch Wiki page, found at the following link: https://familysearch.org/wiki/en/Netherlands_Language_and_Languages HOW TO Before you begin using the website WieWasWie, you must understand the following concepts about Dutch names. -
Why We Should Create Artificial Offspring: Meaning and the Collective Afterlife
Why we should create artificial offspring: meaning and the collective afterlife By John Danaher, NUI Galway Forthcoming in Science and Engineering Ethics This article argues that the creation of artificial offspring could make our lives more meaningful (i.e. satisfy more meaning-relevant conditions of value). By ‘artificial offspring’ is meant beings that we construct, with a mix of human and non-human-like qualities. Robotic artificial intelligences are paradigmatic examples of the form. There are two reasons for thinking that the creation of such beings could make our lives more meaningful. The first is that the existence of a collective afterlife — i.e. a set of human-like lives that continue in this universe after we die — is likely to be an important source and sustainer of meaning in our present lives (Scheffler 2013). The second is that the creation of artificial offspring provides a plausible and potentially better pathway to a collective afterlife than the traditional biological pathway (i.e. there are reasons to favour this pathway and there are no good defeaters to trying it out). Both of these arguments are defended from a variety of objections and misunderstandings. 1. Introduction This article defends an unusual thesis. An illustration might help. In season 3 of Star Trek: The Next Generation, in an episode entitled “The Offspring”, Lt. Commander Data (an artificial humanoid life-form) decides to create an artificial child of his own. He calls the child “Lal” and gives it the characteristics of a female human. The episode then tells the charming story of Data’s emerging bond with Lal, a bond which is threatened by a group of scientists who try to take her away and study her, and eventually leads to heartbreak as Lal “dies” due to a design fault (though not before Data downloads her memories into his own brain so that a part of her can live on). -
Theatre Costume, Celebrity Persona, and the Archive
Persona Studies 2019, vol. 5, no. 2 THEATRE COSTUME, CELEBRITY PERSONA, AND THE ARCHIVE EMILY COLLETT ABSTRACT This essay considers the archived costume in relation to the concept of the celebrity performer’s persona. It takes as its case study the Shakespearean costume of Indigenous actress Deborah Mailman, housed in the Australian Performing Arts Collection. It considers what the materiality of the theatre costume might reveal and conceal about a performer’s personas. It asks to what extent artefacts in an archive might both create a new persona or freezeframe a particular construct of a performer. Central to the essay are questions of agency in relation to the memorialisation of a still living actress and the problematisation of persona in terms of the archived object. Can a costume generate its own persona in relation to the actress? And what are the power dynamics involved in persona construction when an archived costume presents a charged narrative which is very different to the actress’s current construction of her persona? KEY WORDS Costume; Archive; Deborah Mailman; Indigenous; Memory; Shakespeare COSTUME IN THE ARCHIVE: A CHARGED OBJECT In this essay I consider the archived theatre costume in relation to persona studies and what the materiality of costume might reveal or conceal about the celebrity performer’s persona(s). Can an archived costume have its own persona? What complexities arise when the charged historical narrative of an archived costume is at odds with a current persona? And in the following case study of Deborah Mailman, what happens when the framing of a living Indigenous actress’s costume constructs a persona that is quite different to the one that the actress currently constructs for herself? A costume worn by a performer live on stage is remembered in particular ways – and many in the audience might focus more on the performer’s stance, physicality, and verbal prowess than what they are wearing. -
Publicity Campaigns & Print Advertising
Fashion Stylist & Costume Buyer 0411 343 353 Agent: Freelancers 03 9682 2722 www.anitafitzgerald.com [email protected] Publicity Campaigns & Print Advertising Chrissie Swan & Anh Do Long Lost Family Stylist Publicity stills campaign 2016 Photography: Ben King Jo Stanley & Lehmo Gold FM/ARN Stylist Publicity stills campaign 2016 Photography: Elizabeth Allnutt SIDS & Kids Australia Photographer: Norman Krueger Stylist Safe Sleeping brochure 2016 Nadine Garner, Dr Blake Photography: Narelle Sheean Stylist Publicity stills campaign 2015 Kat Stewart, Mr and Mrs Murder Network Ten Stylist Publicity stills campaign 2013 Photography: Ben King Anthony La Paglia, Underground Network Ten Stylist Publicity stills campaign 2012 Photography: John Tsiavis Asher Keddie, Offspring Network Ten Stylist Publicity stills campaign 2012 Photography: John Tsiavis Carrie Bickmore Sunday Life Magazine Stylist Cover story 2012 Photography: Sam Ruttyn Clare Bowditch The Sunday Age, M Magazine Stylist Cover story 2012 Photography: Simon Schlutter Asher Keddie, Carrie Bickmore, TV Week Magazine Stylist Hamish Blake and TV Week Gold Logie Nominees Adam Hills Photography: Tina Smigielski Cover story 2012 Shaun Micallef, Amanda Keller OK Magazine Stylist Charlie Pickering, Josh Thomas Photography: Tina Smigielski Talking Bout Your Generation Stills 2012 Asher Keddie TV Week Stylist Cover story 2012 Photography: Tina Smigielski Lisa McCune, Matt Day Network Ten, Reef Doctors Stylist Publicity stills campaign 2012 Photography: Ellis Parrinder Kate Langbroek, Dave