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Newsletter 2017.Pub Rock Hill Board of May 2017 Historic Review Preservation Month 2017 Thirty Years … and Counting This year, the City of Rock Hill marks 30 years of recognizing the im- portance of historic preservation. In 1987, City Council formed the Rock Hill Board of Historic Review, a group of seven volunteer citizens charged with aiding in the protecting the character of architecturally and historically significant structures within the locally designated his- toric districts. These citizens donate their time each month to prepare for the public hearing, which is held on the first Thursday of each month in City Council Chambers at City Hall at 6 PM. Each Board member takes the time to carefully consider each Certificate of Appropriateness applica- tion, the pros and cons of each request, and how the Board’s decision may create a permanent change to an historic structure and district. 662 East Main Street ca 1926 Without this group, many structures may have undergone significant restored 2016 changes—or demolition—destroying the historic character of the building and surrounding neighborhood. Each Certificate of Appropriateness request is considered individually Inside this issue without making comparisons to past applications, because each building Economics of PreservaƟon .......... 2 has its own unique set of circumstances. For example, the Board may allow new windows on one building because the replacement windows Frank Lloyd Wright ...................... 3 installed in the 1980s are no longer viable, while it may refuse another Flair for Repair ............................ 4 property with original windows, requiring repair instead. Historic Rock Hill………………………..4 The City’s Design Review Guideline Manual for Historic Properties (more commonly known as the Guidelines) provides uniform design standards InformaƟon about the Board of Historic Review, the City’s locally for property owners with respect to best practices in rehabilitation and designated historic districts, and appropriate new construction. The Board applies these standards when preservaƟon informaƟon is availa- making decisions. ble online at cityofrockhill.com/ historic. If you have any quesƟons Structures considered as “contributing” on the National Register of His- as to whether or not your structure is located within an historic dis- toric Places are held to a higher standard—because these structures trict, or if you just general ques- are considered exemplary representations of what makes that historic Ɵons about historic preservaƟon, district remarkable. “Non-contributing” structures have either undergone feel free to contact Janice E Miller, [email protected] or significant changes or were built after the historic district’s era of sig- 803.817.5129. nificance, such as a gas station built in the 1970s, but these buildings may be just as important to the local district as they may help define the district as a whole. However, the Guidelines allow the Board to exercise more flexibility on requests for changes to non-contributing properties. Economics of Preservation Lindsay Stuber, Historic Rock Hill I’m sure that when you think about historic preservation, plumbers, painters, and other project employees will you think about historical societies, big plantations or spend their wages locally, which impacts local commerce. historic houses, or even cities like Charleston or Savan- All across the US, rehabilitation projects continue to out- nah. You probably don’t necessarily think about Rock Hill perform new construction in the number of jobs created, but in reality, historic preservation is all around us. Rock the increase in local household incomes, and in impact Hill’s rich industrial history is reflected in its historic ar- on local businesses. chitecture in building that stand today, like the Cotton Historic Preservation has spurred revitalization across Factory down the street. The Cotton Factory opened in South Carolina for decades. From 1984 – 2000, down- 1881 as Rock Hill’s first Mill, was listed on the National town revitalization projects have led to the creation of Register of Historic Places in 1992, and is now the beau- more than 6,150 jobs, 1,750 business opening or relocat- tifully restored home of Williams and Fudge. York Coun- ing to downtown districts, and the rehabilitation of over ty, as a whole, has over 800 properties on the National 1,580 buildings. In Rock Hill, historic preservation projects Register of Historic Places, which puts us right up there have truly made downtown Rock Hill what it is today! with Charleston County and Richland County for the num- Who remembers Town Center Mall? After it was demol- ber of registered places and districts. ished, Main Street was returned to its traditional look, It is this environment, one with varied heritage and styles, once again showcasing the original building facades. which attracts tourists, new investment, and even new Soon, new businesses began to pop up around the Main residents, Historic preservation creates jobs, spurs down- Street corridor and today we have restaurants, apart- town revitalization, and is a vehicle for tourism, specifical- ments, event space, and other businesses all directly ly heritage tourism. impacting our local economy. The “rediscovery” of our downtown generates tax revenue and has an overall posi- When the decision is made to repurpose a building, like tive economic impact on our local economy. the Cotton Factory or the Lowenstein Building, more manpower is needed than that with new construction The piece of historic preservation that likely impacts you projects. Preservation projects require niched skilled con- the most is Heritage Tourism. In the US, tourism is an tractors, architects, laborers, etc. which leads to greater 18 billion dollar industry a year. In South Carolina, tour- economic impact in job creation and capital investment. ism dollars spent totaled $20.2 billion in 2015, with herit- In fact, more than 400 direct hires are created annually age tourism as one of the largest growing segments of and another 369 additional jobs are created as a result the tourist industry. In past years, heritage tourism cre- of this preservation construction activity. In addition, his- ated a capital investment of as much as 325.6 million toric preservation projects are generally more labor inten- dollars annually through direct spending. Heritage Tourism sive, which means that 60-70% of total project costs go also resulted in nearly 9,097 jobs and more than 2,300 toward hiring specialized labor as compared to 50-60% indirect jobs in South Carolina. An additional estimated for new construction projects. As you know, increased 2.6 million more people visited a historic place than went capital investment positively impacts our local economy, to an amusement park in 2010. For every international especially since labor is usually hired locally. Carpenters, visitor who played golf in South Carolina, 14 visited a historic place. Rock Hill’s historic structures represent our community’s tangible past. By preserving our history, eco- nomic development and tourism opportunities are created to ensure Rock Hill’s future. May is Preservation Month Check out the National Trust for Historic Preservation page, savingplaces.org, to learn more. 2 Frank Lloyd Wright in South Carolina Janice E Miller, City of Rock Hill Frank Lloyd Wright (1867-1959) is credited with establishing the distinctly American architectural style known as the Prairie School. Wright’s de- signs take into account the nature surrounding the building site so the new structure seems to blend in seamlessly into the background. One of only two known structures designed and built by Wright that are found in South Carolina include Auldbrass (Old Brass), located in Yemassee, Beaufort County SC. This working farm was de- signed and built by Wright between the years 1940 & 1951. This privately-owned property, which includes the main house and a number of outbuildings designed by Wright, was listed on the National Register of Historic Places in 1976. Photo & Description from the National Register of Historic Places Nomination Frank Lloyd Wright designed and built over 532 homes ‐ but very few are located in the South, and only two exist in South Carolina: Auldbrass and Broad Margin. Broad Margin, located in Greenville, SC, was designed in 1951 and built in 1954 as a private residence. As with Auldbrass, this structure followed the form and function of nature, blending in seamlessly with its surroundings. As with other Wright-designed structures, the majority of the interior furnishings were also designed by Wright specifi- cally for this home. Construction tech- niques used in this building were ahead of their time: the heating system is provided by hot water circulating through copper pipes embedded in the concrete floors, and walls were secured using brass screws instead of nails. Although the structure was only 24 years old at the time, it was listed on For More Information… the National Register of Historic Places The South Carolina Department of Archives & History has photo- in 1978 due to the importance of the graphs and nomination forms of all South Carolina’s National Register properties and districts online at scdah.sc.gov. For a list of properties architect and construction techniques. throughout the United States, visit the National Park Service website Photo & Description from the National Register of Historic Places at nps.gov/nr/. Nomination 3 Historic Rock Hill Update Historic Rock Hill Events
Recommended publications
  • Frank Lloyd Wright
    'SBOL-MPZE8SJHIU )JTUPSJD"NFSJDBO #VJMEJOHT4VSWFZ '$#PHL)PVTF $PNQJMFECZ.BSD3PDILJOE Frank Lloyd Wright Historic American Buildings Survey Sample: F. C. Bogk House Compiled by Marc Rochkind Frank Lloyd Wright: Historic American Buildings Survey, Sample Compiled by Marc Rochkind ©2012,2015 by Marc Rochkind. All rights reserved. No part of this book may be transmitted or reproduced in any form or by any means (including electronic) without permission in writing from the copyright holder. Copyright does not apply to HABS materials downloaded from the Library of Congress website, although it does apply to the arrangement and formatting of those materials in this book. For information about other works by Marc Rochkind, including books and apps based on Library of Congress materials, please go to basepath.com. Introduction The Historic American Buildings Survey (HABS) was started in 1933 as one of the New Deal make-work programs, to employ jobless architects, draftspeople, and photographers. Its purpose is to document the nation’s architectural heritage, especially those buildings that are in danger of ruin or deliberate destruction. Today, the HABS is part of the National Park Service and its repository is in the Library of Congress, much of which is available online at loc.gov. Of the tens of thousands HABS buildings, I found 44 Frank Lloyd Wright designs that have been digitized. Each HABS survey includes photographs and/or drawings and/or a report. I’ve included here what the Library of Congress had–sometimes all three, sometimes two of the three, and sometimes just one. There might be a single photo or drawing, or, such as in the case of Florida Southern College (in volume two), over a hundred.
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  • Frank Lloyd Wright
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  • Inside the Walls: Architects Design January 18 – February 17, 2018 Friedman Benda Gallery
    For Immediate Release Follow Friedman Benda on Instagram: @Friedman_Benda #FriedmanBenda Inside the Walls: Architects Design January 18 – February 17, 2018 Friedman Benda Gallery Left: Frank Lloyd Wright, Pair of exterior light fixtures, Francis W. Little House, Wayzata, MN. Right: Francis W. Little House Exterior New York, NY – Friedman Benda presents its annual guest-curated exhibition Inside the Walls: Architects Design, a survey of seminal architect-designed furniture curated by Mark McDonald. With representations spanning over a century, the exhibition will present a broad range of pivotal architects from the US, Europe, and Asia—such as Marcel Breuer, Charles and Ray Eames, Frank Gehry, Philip Johnson, Charlotte Perriand, Warren Platner, Gio Ponti, Ettore Sottsass, Kenzō Tange, and Mies van der Rohe—with a focus on three groundbreaking figures— Gerrit Thomas Rietveld, Rudolph Schindler, and Frank Lloyd Wright, whose global reach continues today. Drawing on archival photographs of interiors and historical ephemera, this exhibition charts revolutionary developments in architecture and design across the 20th century. Testaments to the innovative use of new technologies born out of post-war scarcity, works such as Charles and Ray Eames’s Storage Unit (ESU) 400 (1950) and Charlotte Perriand’s Bibliotheque ‘Maison du mexique’ (1953) epitomize the ingenious use of materials like the lighter weight Fiberglas, Masonite, bent plywood and tubular steel. This presentation will be a unique opportunity to analyze the relationship between architectural aesthetic and design ethos on a smaller, more intimate scale and investigate various approaches to reconciling interior and exterior spaces, the commercial versus the residential and the private versus the public sphere.
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  • Frank Lloyd Wright Architectural Drawing
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  • An Exhibit Design for the Lowell Walter House (Cedar Rock)
    Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1-1-2003 Design, learning, and Frank Lloyd Wright: an exhibit design for the Lowell Walter House (Cedar Rock) Glenda Carson Edwards Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Recommended Citation Edwards, Glenda Carson, "Design, learning, and Frank Lloyd Wright: an exhibit design for the Lowell Walter House (Cedar Rock)" (2003). Retrospective Theses and Dissertations. 19954. https://lib.dr.iastate.edu/rtd/19954 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Design, learning, and Frank Lloyd Wright: An exhibit design for the Lowell Walter House (Cedar Rock) by Glenda Carson Edwards A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF ARCHITECTL;TRE Major: Architecture Program of Study Committee: Lynn Paxson (Major Professor) Gregory Palermo Anne Cleary Angela Corio Iowa State University Ames, Iowa 2003 Copyright D Glenda Carson Edwards, 2003. All rights reserved. 11 Graduate College Iowa State University This is to certify that the master's thesis of Glenda Carson Edwards has met the thesis requirements of Iowa
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  • Frank Lloyd Wright and the Automobile: Designs For
    FRANK LLOYD WRIGHT AND THE AUTOMOBILE: DESIGNS FOR AUTOMOBILITY by DANIEL CARSON BRUECHERT (Under the Direction of Wayde Brown) ABSTRACT Frank Lloyd Wright and the automobile appear on the American landscape at approximately the same time. Wright’s work and his ideas show the importance he placed on the car and vision of an expanded roll in society. This thesis explores how Wright’s architectural designs were impacted and influenced by the rise of the automobile. As a historic preservation thesis, it will also evaluate how the auto related components of these designs have stood up to almost a century of use and the changed role of automobiles in America. Finally, this thesis will try to determine the level of importance placed on preserving the automotive aspect of Wright’s work. INDEX WORDS: Frank Lloyd Wright, Architecture, Car Culture. FRANK LLOYD WRIGHT AND THE AUTOMOBILE: DESIGNS FOR AUTOMOBILITY by DANIEL CARSON BRUECHERT Bachelor of Historic Preservation, Mary Washington College, 2002 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF HISTORIC PRESERVATION ATHENS, GEORGIA 2006 © 2006 Daniel Carson Bruechert All Rights Reserved FRANK LLOYD WRIGHT AND THE AUTOMOBILE: DEISGNS FOR AUTOMOBILITY by DANIEL CARSON BRUECHERT Major Professor: Wayde Brown Committee: John C. Waters John F. Crowley Gene Seuber Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia August 2006 ACKNOWLEDGEMENTS I would like to thank my wife Katie for her patience over the last two years of late nights and little money.
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  • Frank Lloyd Wright Architectural Drawing
    CITY STATE PROJECT NO. CLIENT NAME WORK TYPE ITEM COUNT PROJECT TITLE DATE Colbert County AL Project 5823 Crosby-Lambert, Lillian House 29 drawings Mr. & Mrs. Crosby-Lambert house (Colbert County, Alabama). Unbuilt Project 1958 Florence AL Project 3903 Rosenbaum, Stanley House 20 drawings Stanley Rosenbaum house (Florence, Alabama). 1939 Florence AL Project 4815 Rosenbaum, Stanley House, alterations 18 drawings Stanley Rosenbaum house (Florence, Alabama). Alterations 1946 Chandler AZ Project 2804 Chandler Improvement Company Camp 4 drawings Chandler Improvement Company Camp (Chandler Heights, Arizona). 1929 Chandler AZ Project 2704 Chandler, Alexander Resort (San Marcos-in-the-Desert) 208 drawings San Marcos-in-the-Desert resort hotel for Alexander Chandler (Chandler, Arizona). Unbuilt Project 1928 Chandler AZ Project 2705 Chandler, Alexander Water Gardens (San Marcos-in-the- 36 drawings San Marcos water gardens for Alexander Chandler (Chandler, Arizona). Unbuilt Project 1929 Desert) Chandler AZ Project 2708 Chandler, Alexander Block House 18 drawings Dr. Alexander Chandler block house (Chandler, Arizona). Unbuilt Project 1928 Chandler AZ Project 3606 Chandler, Alexander Resort Inn (Little San Marcos) 21 drawings Little San Marcos resort inn for Alexander Chandler (Chandler, Arizona), Unbuilt Project 1936 Chandler AZ Project 3607 Chandler, Alexander Hotel (San Marcos), alterations 36 drawings Hotel San Marcos for Alexander Chandler (Chandler, Arizona). Alterations, Unbuilt Project 1936 Chandler AZ Project 3608 Chandler, Alexander Polo Stables 3 drawings Polo stables for Alexander Chandler (Chandler, Arizona). Unbuilt Project 1929 Chandler AZ Project 3609 Chandler, Alexander Club 16 drawings Golf clubhouse for Alexander Chandler (Chandler, Arizona). Unbuilt Project 1929 Chandler AZ Project 2706 Cudney, Ralph & Wellington House 9 drawings Ralph & Wellington Cudney house (San Marcos-in-the-Desert, Chandler, Arizona).
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  • 42868 Save Wright Vol3 Iss1 FIN1.Indd
    EDUCATION | ADVOCACY | PRESERVATION THE MAGAZINE OF FRANK LLOYD WRIGHT BUILDING CONSERVANCY SPRING 2012 / VOLUME 3 ISSUE 1 IN THIS ISSUE Strategic Interventions Guest Editor: Ron Scherubel editor’s WELCOME it’s what we do How does the Frank Lloyd Wright Building Conservancy go about doing what it does? Basically the Conservancy is an advocacy organization, although most of you probably know it better for its in- formative conferences and enlightening house tours. “Advocacy” means attempting to infl uence an outcome in support of a cause. With a mission to “facilitate the preservation and maintenance of the remaining structures designed by Frank Lloyd Wright” you’d think the Conservancy’s involvement would be obvious—to step in and “save” a threatened Wright structure from demolition or deterioration (hence the brand identity SaveWright). But as you will learn in this issue, it’s more than that. I represented the Conservancy at a National Trust for Historic Preservation conference in 2001 in a session allowing different preservation organizations to describe their recent success stories. After sev- eral executive directors explained how they saved and restored a historic building after three or four years of hard work, I surprised the preservation-savvy audience by relating how the Conservancy rescued four doomed Wright houses in four years. Each of these saves—Westcott House; Gordon House; Friedman House; and Goetsch-Winckler House—involved a different strategy and type of intervention on the part of the Conservancy and they are the cornerstones of its work. There are many other ways in which the Conservancy intervenes that are not so obvious or high exposure.
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  • Phoenix: Biltmore Hotel Scottsdale
    Obra de Frank Lloyd Wright Frank Lloyd Wright In England England, London : Edgar J. Kaufmann Sr. Office (at Victoria & Albert Museum) Frank Lloyd Wright In Japan Japan, Nagoya: Imperial Hotel (Lobby) Japan, OsTazaemon: Yamamura House Japan, Tokyo: Aisaku Hayashi House Japan, Tokyo: Jiyu Gakuen Girls' School Frank Lloyd Wright In Canada Ontario, Desbardts (Sapper Island): E. H. Pitkin Cottage Frank Lloyd Wright In Alabama Florence: Stanley Rosenbaum House & Addition Frank Lloyd Wright In Arizona Paradise Valley: Arthur Pieper House Paradise Valley: Harold C. Price Sr. House (Grandma House) Phoenix: Biltmore Hotel Phoenix: Biltmore Sprites (architectural sculptures) Phoenix: Biltmore Hotel Cottages Phoenix: Benjamin Adelman House, Sitting Room & Carport Phoenix: David Wright House Phoenix: Jorgine Boomer House Phoenix: Norman Lykes House Phoenix: Raymond Carlson House Phoenix: Rose Paulson House (Shiprock) (foundation ruins) Scottsdale: Taliesin West Tempe: Grady Gammage Memorial Auditorium (Arizona State University) Frank Lloyd Wright In California Frank Lloyd Wright's California Architecture: A Summary Atherton: Arthur C. Mathew House Bakersfield: Dr. George Ablin House Beverly Hills: Anderton Court Shops Bradbury: Wilbur C. Pearce House Carmel: Mrs. Clinton Walker House Hillsborough: Louis Frank Playroom/Studio Addition (for Bazett House) Hillsborough: Sidney Bazett House (Bazett-Frank House) Los Angeles: Aline M. Barnsdall Garage Los Angeles: Aline M. Barnsdall House (Hollyhock House) Los Angeles: Aline M. Barnsdall Residence A Los Angeles: Aline M. Barnsdall Spring House Los Angeles: Charles Ennis House (Ennis-Brown House) & Chauffeur's Quarters Los Angeles: John Nesbitt Alterations (to Ennis House) Los Angeles: Dr. John Storer House Los Angeles: George D. Sturges House Los Angeles: Samuel Freeman House Los Banos: Randall Fawcett House Malibu: Arch Oboler House, Gatehouse & Eleanor's Retreat Modesto: Robert G.
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