The Visual Nature of Color
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Colors and Fillstyle
GraphicsGraphicsGraphicsGraphicsGraphicsGraphicsGraphicsGraphicsGraphicsGraphicsGraphicsGraphicsGraphicsGraphicsGraphicsGraphicsGraphicsGraphicsGraphicsGraphicsGraphicsGraphicsGraphicsGraphicsGraphicsGraphicsGraphicsGraphicsGraphicsGraphics andandandandandandandandandandandandandandandandandandandandandandandandandandandandandand TTTTTTTTTTTTTTTTTTETETETETETXETXETXETXETXETXETXETXEXEXEXEXEXEXEXEXEXEXEXEXEXEXEXEXEXEXXXXX Ordinary colors More colors Colorful Fill—in style Custom colors From one color to another Tricks Online L Part II – Graphics AT EX Tutorial PSTricks c 2002, 2003, The Indian T This document is generated by hyperref, pstricks, pdftricks and pdfscreen packages on an intel and is released under EX Users Group The Indian T pc pdf running Floor lppl T Trivandrum 695014, EX with iii, sjp http://www.tug.org.in gnu/linux Buildings,EX Users Cotton HillsGroup india 1/19 Ordinary colors More colors Fill—in style Custom colors From one color to another 2. Colorful Tricks Seeing the (ps)tricks so far, at least some of you may be wishing for a bit of color in the graphics. Here’s good news for such people: you can have your wish! PSTricks comes with a set of macros that provide a basic set of colors Online LAT X Tutorial and lets you define your own colors. However, it has some incompatibility with E the LATEX package color. However, David Carlisle has written a package pstcol Part II – Graphics which modifies the PSTricks color interface to work with LATEX colors. All of our examples in this chapter assumes that this package is loaded, using the PSTricks command \usepackage{pstcol} in the preamble. Note that this loads the pstricks package also, so that it need not be separately loaded. c 2002, 2003, The Indian TEX Users Group This document is generated by pdfTEX with hyperref, pstricks, pdftricks and pdfscreen packages on an intel pc running gnu/linux and is released under lppl The Indian TEX Users Group Floor iii, sjp Buildings, Cotton Hills Trivandrum 695014, india http://www.tug.org.in 2/19 Colorful Tricks 2.1. -
Watercolor Basics with Susan Donohoe
Watercolor Basics with Susan Donohoe BASICS SUPPLY LIST FOR - TECHNIQUES - Day 1 The lists are long, beginners should bring what they have. They SHOULD NOT go out and buy supplies just to have them. I will bring supplies that they can use to fill in the blanks. Better for them to learn in the workshop what is best for them to buy instead of wasting their money. Personal Needs for each day: Please bring any of these items that you will require. A cushion for your chair, the day can get long for your backside. Your lunch each day. There is a microwave and a small refrigerator for your use. Keep it simple. Hydration-bring plenty of liquid to stay hydrated. A sweater or work shirt to stay comfortable as the room temperature may fluctuate throughout the day. Brushes: Preferred brands: Escoda, Holbein, Cheap Joe’s, Loew-Cornell, Da Vinci, Halcyon One of each if you have them: Round: #6, #10, #14, #18+ (the biggest round brush you own - no need to buy one.) Flat: 1/2”, 1”, 2”, Hake (if you have one) Scrubber brushes: assorted sizes. (These brushes can be purchased at Michael’s or JoAnn’s. They are stiff brushes similar to oil painting brushes. They are sometimes called fabric brushes.) Paper: Arches #140 - Cold Press - 1 full sheet. If you know how and wish to do so prior to class, you can tear the full sheet into 4 equal 1/4 sheet pieces. Paint: Artist Grade Paint only!!!! Preferred Brands: Holbein, Daniel Smith, Mission, Aquarelle Sennelier, M. -
JULIETA by Pedro Almodóvar
JULIETA by Pedro Almodóvar Julieta’s three houses in Madrid, at the three different stages in the story: House 1 is the one she shares with her daughter Antía, after Xoan’s death. 19, Fernando VI, Third Floor. From 1998 to 2006-2007. House 2 is the one to which she moves, after throwing out all the reminders of her daughter. A neutral, ugly neighborhood far from the center. Shortly after, Ava dies and Lorenzo appears in her life. 2006-2007 to 2016. House 3 is in the same building as House 1, 19, Fernando VI, Second Floor. Julieta moves there immediately after her encounter with Beatriz. At that moment she decides to stay in Madrid and not go to Portugal with Lorenzo. From 2016 to the end. 1. MADRID. JULIETA’S HOUSE 2. INT. IN THE MORNING. 2016. SPRING A red fabric fills the screen. Over it appear the opening credits. At first it gives a sensation of stillness, but with the insistence of the shot we discover that the fabric is moving, a slight, rhythmic movement. We discover that the fabric is the front of a dress and that Julieta’s heart is beating inside it. Julieta, an attractive woman of 55, independent and full of determination, a mixture of timidity and daring, fragility and courage. Blond. She is sitting next to a bookcase, surrounded by cardboard boxes, the kind used for moving house. She picks up a sculpture of naked, seated man, with the color and texture of terracotta (some 8 inches high), and wraps it carefully in bubble wrap. -
FORT BEND INDEPENDENT SCHOOL DISTRICT School Colors and Mascots 2016-17 Elementary Schools Abbrev
FORT BEND INDEPENDENT SCHOOL DISTRICT School Colors and Mascots 2016-17 Elementary Schools Abbrev. Colors Mascot (Lynn) Armstrong AE Royal Blue and Orange Gators Austin Parkway APE Red and Blue Sailor Barrington Place BPE Teal Green and White Broncos Blue Ridge BRE Blue and White Eagle Brazos Bend BBE Green and Yellow Bullfrog Briargate BGE Blue and Gold Jaguar (Walter Moses) Burton WBE Navy Blue and Silver Sheriff Colony Bend CBE Red, White and Blue Eagles Colony Meadows CME Royal Blue, Black/Silver Tiger Commonwealth CWE Blue and Red Cougar Cornerstone CSE Teal and Navy Blue Chameleons (Rita) Drabek RDE Burgundy, Dark Blue and Forest Green Dragons Dulles DE Red, White and Blue Little Viking (Arizona) Fleming AFE Blue and White Star Heritage Rose HRE Royal Blue, Silver and White Mustangs Highlands HE Blue and Gold Scottie Dog (Mary Austin) Holley MHE Purple and Red Hawks Hunters Glen HGE Royal Blue and White Owl (Edgar) Glover GE Gold and Teal Golden Eagle Goodman LGE Red, White and Blue Owl (E.A.) Jones JE Royal Blue and Gold Dragon (Barbara) Jordan BJE Royal Blue and Bright Gold Wolverine Lakeview LVE Red and White Viking Lantern Lane LLE Black and Yellow Yellow Jacket Lexington Creek LCE Purple and Teal Lion (Carolyn and Vernon) Madden CVME Royal Blue and Silver Huskies Meadows ME Red and White Mustang Mission Bend MBE Red and Blue Marshal Mission Glen MGE Green and Yellow Alligator Mission West MWE Purple and Gold Wildcat Oakland OE Sky Blue and Yellow Wildcat Oyster Creek OCE Blue and White Blue Jay Palmer PE Blue and Gray Bear (Rosa) Parks RPE Hunter Green and Gold Rockets Pecan Grove PGE Blue and White Cougar Cub Quail Valley QVE Red and Blue (white) Eagle Ridgegate RGE Red and Gold Ranger Ridgemont RME Royal Blue and Yellow Roadrunner (Jan) Schiff JSE Navy, Gray and White Sharks (Juan) Seguin JSES Red, Black and Silver Stallions Settlers Way SWE Red, White and Blue Hot Air Balloon Updated 7/2016 FORT BEND INDEPENDENT SCHOOL DISTRICT School Colors and Mascots 2016-17 Elementary Schools Abbrev. -
Bachman's Landscaping Garden Heliotrope
Garden Heliotrope Heliotropium arborescens Height: 18 inches Spread: 18 inches Spacing: 15 inches Sunlight: Hardiness Zone: (annual) Garden Heliotrope flowers Other Names: Cherry Pie Plant Photo courtesy of NetPS Plant Finder Description: Sweet fragrant clusters of purple, white or blue flowers are featured on lush upright mounded plants with deeply veined, dark green leaves; excellent in borders, beds and containers; adaptable as a houseplant; deadhead to encourage new blooms Ornamental Features Garden Heliotrope has masses of beautiful clusters of fragrant purple flowers at the ends of the stems from late spring to early fall, which are most effective when planted in groupings. Its textured pointy leaves remain green in color throughout the season. The fruit is not ornamentally significant. Landscape Attributes Garden Heliotrope is an herbaceous annual with an upright spreading habit of growth. Its medium texture blends into the garden, but can always be balanced by a couple of finer or coarser plants for an effective composition. This plant will require occasional maintenance and upkeep. Trim off the flower heads after they fade and die to encourage more blooms late into the season. It is a good choice for attracting bees and butterflies to your yard, but is not particularly attractive to deer who tend to leave it alone in favor of tastier treats. It has no significant negative characteristics. Garden Heliotrope is recommended for the following landscape applications; - Mass Planting - Border Edging - General Garden Use - Container Planting - Hanging Baskets Planting & Growing Garden Heliotrope will grow to be about 18 inches tall at maturity, with a spread of 18 inches. -
Representations of the Color Green in Shakespeare
Representations of the Color Green in Shakespeare MATSUDA Misako The color symbolism in English Renaissance literature is no longer innovating topic for students of literary history,1 however, figurative meaning of colors in literary works from the Middle Ages to the sixteenth century deserves further research for the understanding of complicated changing symbolism of colors. As Don Camerron Allen points out, the English poets learned continental color symbolism, and applied it to their works. He lists four treatises which serves as the main stock of the color imagery for the English writers: Alciatus’Emblemata, Giovanni de Rinaldi’s Il mostruossimo mostro (1592), Fulvio Pellegrino’s Significato de’ Colori e di’ Mazzolli (1593), a commentary on a popular sonnet; and a Trattato dei Colori di Sicille Araldo del Alfonso d’ Aragona.2 Among these, Sicille Araldo is one of the most influential writings on colors, which Cesare Ripa consulted when he compiled Iconologia.3 Jean Courtois’s Le Blason des Couleurs, the French version of Sicille Araldo, was written in French in 1435―58. It was first published in 1495 in Paris, and the enlarged edition was published in the beginning of sixteenth century. In France the book was reprinted at least fourteen times by the end of the sixteenth century.4 The book also became popular in Italy during the sixteenth century where it was reprinted six times. These Italian and French treatises discuss colors in terms of their physical substance and psychological effect. Colors are not just colors, but different colors were associated with different human sentiments. Each color has had several figurative meanings from classical times, and was related to each other to represent inward passions, virtues and vices. -
2015 Plants Available List
2015 PLANTS AVAILABLE LIST ANNUALS AND PERENNIALS Abutilon- Pink - Tangerine - White/Green variegated - Variegated Acanthus mollis Whitewater Achillea ? Magenta - Saucy Seduction - Rose Agapanthus ? Blue Heaven Agastache cana ? Summer Love - Purple Haze Ajania pacifica ? 'Yellow Splash' Alcea ? Chatters doubles & singles - Indian Springs Alternanthera Brazilian Red Hots Alyssum - Snow Princess - Dark Knight Amsonia ? hubrichtii Angelonia Angelface Wedgewood Blue Angelface Pink - Zebra Aquilegia ? Alpine Blue - Single Winky Red/White - Songbird Goldfinch Artemesia - d'Ethiopia Parfum Asclepias - red - yellow Asparagus Fern - - Plumosa Astilbe Radius (red) Elisabeth van Veen Baptisia ? Carolina Moon - Blueberry Sundae Begonia - Dragonwing Begonia Sunset Begonia double - Cherry Blossom Begonia Sempervirens Bletilla ? pink Bracteantha Dark Rose Brugmansia - white, pink & yellow - Supernova (white) Callibrachoa - Cherry Star - Compact Red - Sweet Tart - Star Pink Canna - Blueberry Sparkler Carex Sparkler Cassia - Alata Clematis - Wildfire - Nelly Moser Cleome – Pamela Clerodendrom Bleeding Heart Vine Coleus - Dipt in Wine - Alligator Tears - Chocolate Covered Cherry - Jade - Glennis - Gaye's Delight - Kingwoods Torch - Redhead - Rose - Ruby Dreams - Saturn - Tell Tale Heart - Watermelon Colocasia – Black Coral Coreopsis - Dream Catcher - Full Moon - Zagreb Crocosmia - Ember Glow Cuphea - Burgundy Cyclamen Dahlia – XXL Alamos - XXL Paraiso - XXL Sunset - XXL Veracruz Datura metel purple Delospermum Garnet Dianthus ? Pixie Dicliptera suberecta -
Eloise Butler Wildflower Garden and Bird Sanctuary
ELOISE BUTLER WILDFLOWER GARDEN AND BIRD SANCTUARY WEEKLY GARDEN HIGHLIGHTS Phenology notes for the week of October 5th – 11th It’s been a relatively warm week here in Minneapolis, with daytime highs ranging from the mid-60s the low 80s. It’s been dry too; scant a drop of rain fell over the past week. The comfortable weather was pristine for viewing the Garden’s fantastic fall foliage. Having achieved peak color, the Garden showed shades of amber, auburn, beige, blond, brick, bronze, brown, buff, burgundy, canary, carob, castor, celadon, cherry, cinnabar, claret, clay, copper, coral, cream, crimson, ecru, filemont, fuchsia, gamboge, garnet, gold, greige, khaki, lavender, lilac, lime, magenta, maroon, mauve, meline, ochre, orange, peach, periwinkle, pewter, pink, plum, primrose, puce, purple, red, rose, roseate, rouge, rubious, ruby, ruddy, rufous, russet, rust, saffron, salmon, scarlet, sepia, tangerine, taup, tawny, terra-cotta, titian, umber, violet, yellow, and xanthic, to name a few. According to the Minnesota Department of Natural Resources, the northern two thirds of the state reached peak color earlier in 2020 than it did in both 2019 and 2018, likely due to a relatively cool and dry September. Many garter snakes have been seen slithering through the Garden’s boundless leaf litter. Particularly active this time of year, snakes must carefully prepare for winter. Not only do the serpents need to locate an adequate hibernaculum to pass the winter, but they must also make sure they’ve eaten just the right amount of food. Should they eat too little, they won’t have enough energy to make it through the winter. -
Chapter 2 20Th Century
THE SPORT OF ROWING To the readers of www.Rowperfect.co.uk This is the second installment on All my contact info is at my website. I www.Rowperfect.co.uk of the latest draft of will also be at the World Championships the beginning of my coming new book. next month on Lake Karapiro, and I hope to Many thanks again to Rebecca Caroe for be at the FISA Coaches’ Conference in making this possible. London in January. Or you can email me anytime at [email protected]. Details about me and my book project are available at www.rowingevolution.com. For a short time you can still access the For six years I have been researching and first installment. Additional chapters for writing a four volume comprehensive histo- your review will continue to appear at regu- ry of the sport of rowing with particular em- lar intervals on www.Rowperfect.co.uk. As phasis on the evolution of technique. In you would expect, the first part of the book these last months before publication, I am deals with rowing in England where the inviting all of you visitors to the British sport began, and that has presented a special Rowperfect website to review the near-final challenge for me, a colonial writing at a dis- draft. Your comments, suggestions, correc- tance of 8,000 miles from the Mother Coun- tions, agreements, disagreements, additional try. That is why your various perspectives sources and illustrations, etc. will be an es- will make such a difference, so let me thank sential contribution to what has always been you all again for your contributions to this intended to be a joint project of the rowing book project. -
The ISCC-NBS Method of Designating Colors and a Dictionary of Color Names
Uc 8 , .Department of Commerce Na Canal Bureau of Standards Circular UNITED STATES DEPARTMENT OF COMMERCE • Sinclair Weeks, Secretary NATIONAL BUREAU OF STANDARDS • A. V. Astin, Director The ISCC-NBS Method of Designating Colors and a Dictionary of Color Names National Bureau of Standards Circular 553 Issued November 1, 1955 For sale by the Superintendent of Documents, U. S. Government Printing Office, Washington 25, D. C. Price 32 7 1 National Bureau of Standards NOV 1 1955 8 (0*118 QC 00 U555 Cop. 1 Preface I^Ever since the language of man began to develop, words or expressions have been used first to indicate and then to describe colors. Some of these have per- sisted throughout the centuries and are those which refer to the simple colors or ranges such as red or yellow. As the language developed, more and more color names were invented to describe the colors used by art and industry and in late years in the rapidly expanding field of sales promotion. Some of these refer to the pigment or dye used, as Ochre Red or Cochineal, or a geographical location of its source such as Naples Yellow or Byzantium. Later when it became clear that most colors are bought by or for women, many color names indicative of the beauties and wiles of the fan- sex were introduced, as French Nude, Heart’s Desire, Intimate Mood, or Vamp. Fanciful color names came into vogue such as Dream Fluff, Happy Day, Pearly Gates, and Wafted Feather. Do not suppose that these names are without economic importance for a dark reddish gray hat for Milady might be a best seller ; if advertised as Mauve Wine whereas it probably would not if the color were called Paris Mud. -
Review of Measures for Light-Source Color Rendition and Considerations for a Two-Measure System for Characterizing Color Rendition
Review of measures for light-source color rendition and considerations for a two-measure system for characterizing color rendition Kevin W. Houser,1,* Minchen Wei,1 Aurélien David,2 Michael R. Krames,2 and Xiangyou Sharon Shen3 1Department of Architectural Engineering, The Pennsylvania State University, University Park, PA, 16802, USA 2Soraa, Inc., Fremont, CA 94555, USA 3Inno-Solution Research LLC, 913 Ringneck Road, State College, PA 16801, USA *[email protected] Abstract: Twenty-two measures of color rendition have been reviewed and summarized. Each measure was computed for 401 illuminants comprising incandescent, light-emitting diode (LED) -phosphor, LED-mixed, fluorescent, high-intensity discharge (HID), and theoretical illuminants. A multidimensional scaling analysis (Matrix Stress = 0.0731, R2 = 0.976) illustrates that the 22 measures cluster into three neighborhoods in a two- dimensional space, where the dimensions relate to color discrimination and color preference. When just two measures are used to characterize overall color rendition, the most information can be conveyed if one is a reference- based measure that is consistent with the concept of color fidelity or quality (e.g., Qa) and the other is a measure of relative gamut (e.g., Qg). ©2013 Optical Society of America OCIS codes: (330.1690) Color; (330.1715) Color, rendering and metamerism; (230.3670) Light-emitting diodes. References and links 1. CIE, “Methods of measuring and specifying colour rendering properties of light sources,” in CIE 13 (CIE, Vienna, Austria, 1965). 2. W. Walter, “How meaningful is the CIE color rendering index?” Light Design Appl. 11(2), 13–15 (1981). 3. T. Seim, “In search of an improved method for assessing the colour rendering properties of light sources,” Lighting Res. -
A Theoretical Understanding of 2 Base Color Codes and Its
WHITE PAPER SOLiD™ System A Theoretical Understanding of 2 Base Color Codes and Its Application to Annotation, Error Detection, and Error Correction Methods for Annotating 2 Base Color Encoded Reads in the SOLiD™ System Introduction Constructing the 2 Base Color Code The SOLiD™ System enables massively parallel sequencing of The SOLiD System’s 2 base color coding scheme is shown clonally amplified DNA fragments linked to beads. This unique in Figure 1. sequencing methodology is based on sequential ligation [code] 0 1 2 3 of dye-labeled oligonucleotide probes whereby each probe [dye] FAM Cy3 TXR Cy5 assays two base positions at a time. The system uses four (XY) AA AC AG AT fluorescent dyes to encode for the sixteen possible two-base 1 (XY) CC CA GA TA combinations. This unique approach employs a scheme that 2 (XY) GG GT CT CG represents a fragment of DNA as an initial base followed by 3 (XY) TT TG TC GC a sequence of overlapping dimers (adjacent pairs of bases). 4 The system encodes each dimer with one of four colors using Figure 1: SOLiD™ System’s 2 base Coding Scheme. The column under code i a degenerate coding scheme that satisfies a number of rules. lists the corresponding dye and the di-bases (adjacent nucleotides) encoded by color i. For example, GT is labeled with Cy3 and coded as “1”. A single color in the read can represent any of four dimers, but the overlapping properties of the dimers and the nature Use the following steps to encode a DNA sequence of the color code allow for error-correcting properties.