boys night out trainwreck full album rar download Trainwreck. A Canadian band known for songs with long-winded titles such as "The Subtleties That Make Mass Murderers Out of Otherwise Decent Human Beings," Boys Night Out is clearly up to something different on 2005's TRAINWRECK, which exclusively features one-word track titles ("Dreaming," "Purging," "Healing," etc.). It turns out that the lads have whipped up a concept album complete with prog-rock leanings, marking a notable leap forward from their past "" releases. Here, the songs follow the life of a catatonic character, from the scene-setting, spoken- word "Introducing" to the harmony-laden "Waking" to the anthemic "Relapsing" and beyond. Although frontman Connor Lovat-Fraser is still prone to abrupt bursts of shouting, most of his vocals are melodic and energetic, reflecting the guitar-heavy (and sometimes complex) tunes on offer. It seems that every generation of rock needs a few concept records, and, with TRAINWRECK, Boys Night Out have made a distinctive emo-core contribution to that tradition. Trainwreck Album. Trainwreck is the second full-length album from the emo/post-hardcore band Boys Night Out. It is a tightly-knit concept album that follows the loss of sanity of one man following the murder of his wife he committed in his sleep. A music video was released for the song "Medicating". Share your thoughts about the Trainwreck album with the community: Report Comment. We're doing our best to make sure our content is useful, accurate and safe. If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly. Boys Night Out. There are a number of things that could be discussed in this opening paragraph. We could talk about how Boys Night Out may have binged on the scream-laced pop-punk trend on their debut full-length Make Yourself Sick , but it was widely agreed they were a cut (no pun intended) above the rest. We could talk about the idiocy and/or laziness surrounding the mainstream media's discussion of Green Day's American Idiot last year as if it really was the first concept album made in music since the Who's Tommy . We could talk about progression. Maturity. Musical stagnation. A lack thereof. While these are all certainly both refreshing and utterly stale topics depending on the perspective, Trainwreck is an album that requires about as much text as can be allotted for. For starters, Trainwreck opts for more melodic pop-rock injected with post-hardcore flourishes and dream pop overtones as the vehicle for the conceptual narrative surrounding it, but with a fluid number of tempo, pace, and dynamic changes through and through. Written by guitarist Jeff Davis, each of the 12 tracks follow the story of The Patient, our protagonist who, after murdering his wife in his sleep, seeks to create the song stuck in his mind created by medication, prescribed in the first place to fill the "holes" and imminent loneliness following the murder. Most bands attempting this sort of musical novella would tend to rely on overblown instrumentals or overly vague narration, while Boys Night Out are mostly to the point, simple enough lyrically to clue the listener as to what's going on while at least keeping some open interpretation to it. "Introducing" finds The Doctor, the one other directly notable character in the tale, recording notes about The Patient following one of a few hospital releases granted to him, but all on top of delicate instrumentation being composed. Upon "Dreaming," the second track, The Patient takes over the story. From there, without giving too much away, we follow his attempts at recreating the aforementioned song save for a final narration from The Doctor in "Dying." Essentially, this is the same Boys Night Out fans have come to known. There's that playful guitar tone, Connor Lovat-Fraser's flawless ability to impart multiple emotions through his voice alone, and the band's consistent expertise at crafting inviting melodies. While Trainwreck is certainly bursting full of these traits, it's hardly reliant upon them. Sure, the first single, "Medicating," which involves The Patient trying to convince The Doctor he's sane enough to warrant a release from the hospital, is a spectacular song with a breathy singing style of the verses, a recklessly catchy chorus, and a breakdown with gang vocals and BNO's signature handclaps, but the diversity of the record is noticeable immediately following it; the introductory parts of "Purging" are the only inherently aggressive and seemingly intentionally cluttered moments of Trainwreck , containing most of the remaining screaming left in the band's system; if they're trying to convey The Patient's actual state of mind following his guise in assistance of the release, they've succeeded considerably here. Early track "Waking" is even moog-filled, cheesy power pop at its finest, and as infectious as the disease that starts to spread through The Patient's body from rusty factory machinery by album's end. Towards the end of the album, new keyboardist/vocalist Kara Dupuy ends up playing the part of his wife, and there's two clear instances of The Patient believing he's hearing her voice in his head: "Relapsing," in which Dupuy sings the chorus in a near-Denali / Bright Eyes-esque, acoustic- dependent (the latter more so in the first half of the track) setting, and "Disintegrating," in which she convinces The Patient the only way to conclude the song is through The Doctor's death. Machine is responsible for production on the record, and it's as fine a job as can be performed. Every cascading fill of guitars is heard beautifully, with differing levels of vocal power changing throughout. It's little things like Lovat-Fraser singing the sole line of "Introducing" ( "these lines I wear around my wrists are there to prove that I exist" ), and having his voice trade off between equal stereo separation and sneaking up from the right side alone that proves there's fine attention to detail, whether it be through interchanging drum fills -- clicks on the rim, light taps on the cymbals, or barreling charges -- or the advantage taken of a range of effects pedal options that the band's recording shines with a perfect amount of harrowed gloss. Complementing it all is a lavishly gloomy layout from Switzerland. It's hard to imagine managing to get away with a hue palette consisting solely of greys and one shade of yellow, but through Gordie Ball's photography of several of The Patient's states, a cover shot fitting into the story perfectly, song lyrics flip-flopping between said two colors, and scattered amounts of pills and blotch stains, the general sense of the record reaches across visually defectless. Trainwreck is a surprise full of surprises. It's a dark and morbid tale exploring the intentions and actions of a deeply troubled man, and the drastic consequences that can occur simply from trying to write a song. Granted it's a rare, hyperbolic scenario when stated simply as such, but whole- heartedly imaginable when carried by an assorted range of styles and affectations bundled inside a package as cohesive, riveting, and picturesque as the story is alone. Boys Night Out TrainWreck. Until 2005 and the making of 'Trainwreck', Boys Night Out were writing and performing fast-paced Rock songs with hardcore influences, songs that were average, songs that - For the majority of them - never had any deep meaning to them. Then the 5-piece Canadian band took a different direction for the follow-up album to 'Make Yourself Sick' by writing an in-depth concept album following the story of a man so troubled with nightmares that he kills his wife in his sleep and ends up in an institution rather than prison. He is released and then he cuts off his own hands with a machine at work so that he can never kill again. The story begins with the track simply titled 'Introducing'. The track is an instrumental (Containing some lines of singing) with a doctor explainging the mans condition into a tape recorder. The songs music is dark and I feel that the purpose of this song - Although deemed pointless by some - Is to give us a feel to the album and is very important to the storyline. The story also ends with another instrumental which is produced in the same way as the first track, with a doctor walking into the mans apartment and describing how the man is laying on the floor dying from infection as he's smiling and singing to himself. The music through the enitre album is rock, with dark overtones and a darker feel to it than anything Boys Night Out have done before. Aside from the song 'Relapsing' which features a female vocalist; They calm the album down slightly for a few minutes with acoustic guitars that lead into a big chorus that reminds us of the rest of the album. In my opinion, this is the best song on the album. Sometimes it feels like Boys Night Out focused more on the story line rather than the music on this album. With some songs sounding a lot like the previous one, particularly in the second half of the album. Although the band do try to mix it up a bit, for example, the echoing synths in 'Waking'. They repeat a few lines throughout the album although that is done for the purpose of the story line. Lines such as "The lines I wear around my wrist are there to prove that I exsist" and "We were inseparable" are repeated quite a few times throughout. This album will not appeal to many because after I'd only heard a few songs, I thought they were some of the most depressing songs I'd heard since stumbling upon 'The Black Parade' () a few years ago. However the case was back then as it is now; There is a story behind most things. The addition of the female vocalist, which enacts the voice of the mans dead wife in his head, was a good move by Boys Night Out. It helps separate this album from anything else BNO have done in the past. I was quite suprised with the intellectual differences between this album and the rest of the BNO discography. My feelings on this album are quite mixed, I feel that is it a good album, that is different but I also feel like there are only one or two tracks that really stand out on it. The production of the album is spot-on the effects and sounds are put in at all the right places and the lack of screaming is a plus point on this album. I think that if Boys Night Out had put in any more screaming, it could have ruined the whole album. So as a whole, the album is pretty good, but when you really break it down it is not much more than a standard pop-punk album with a storyline, but the storyline seems to be what makes the album what it is. It would be a step forward if BNO follow this experimental format in the future but spend more time writing the music than the actual story. The band show that they can be powerful and write deeply which separates them from other bands in the same genre but are Boys Night Out really meant to be separated from the others? Boys Night Out ​– Trainwreck. The Patient murders his wife in his sleep. Or did he? Toronto band's gloomy concept album theatrically melds melodic pop-punk and post- hardcore, fusing macabre lyrics and gang vocals with female backing, Moog synths, and an unnerving narrative. Pressing sounds great to my ears—really loud and dynamic, capturing everything going on in these very busy songs. I'm excited that this finally got a repress, as it's an ambitious and underrated classic for the scene.