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Ann Hui Films and Movies (Filmography) List : Vote Ann Hui Movies List (Filmography) The Way We Are https://www.listvote.com/lists/film/movies/the-way-we-are-1038109/actors Night and Fog https://www.listvote.com/lists/film/movies/night-and-fog-1054369/actors Visible Secret https://www.listvote.com/lists/film/movies/visible-secret-1067611/actors The Golden Era https://www.listvote.com/lists/film/movies/the-golden-era-11176909/actors Summer Snow https://www.listvote.com/lists/film/movies/summer-snow-115844/actors As Time Goes By https://www.listvote.com/lists/film/movies/as-time-goes-by-15052427/actors A Simple Life https://www.listvote.com/lists/film/movies/a-simple-life-167432/actors Ordinary Heroes https://www.listvote.com/lists/film/movies/ordinary-heroes-2131292/actors July Rhapsody https://www.listvote.com/lists/film/movies/july-rhapsody-2132200/actors The Secret https://www.listvote.com/lists/film/movies/the-secret-21707066/actors Starry is the Night https://www.listvote.com/lists/film/movies/starry-is-the-night-22963240/actors The Great Escape https://www.listvote.com/lists/film/movies/the-great-escape-24840780/actors All About Love https://www.listvote.com/lists/film/movies/all-about-love-2837459/actors Jade Goddess of Mercy https://www.listvote.com/lists/film/movies/jade-goddess-of-mercy-3109697/actors Love in a Fallen City https://www.listvote.com/lists/film/movies/love-in-a-fallen-city-3264257/actors Princess Fragrance https://www.listvote.com/lists/film/movies/princess-fragrance-3403447/actors The Romance of Book and https://www.listvote.com/lists/film/movies/the-romance-of-book-and-sword-3522541/actors Sword The Spooky Bunch https://www.listvote.com/lists/film/movies/the-spooky-bunch-3522821/actors The Stunt Woman https://www.listvote.com/lists/film/movies/the-stunt-woman-3522900/actors Zodiac Killers https://www.listvote.com/lists/film/movies/zodiac-killers-3575676/actors Eighteen Springs https://www.listvote.com/lists/film/movies/eighteen-springs-5349060/actors Song of the Exile https://www.listvote.com/lists/film/movies/song-of-the-exile-548742/actors Visible Secret 2 https://www.listvote.com/lists/film/movies/visible-secret-2-7936091/actors Boat People https://www.listvote.com/lists/film/movies/boat-people-836737/actors The Postmodern Life of My Aunt https://www.listvote.com/lists/film/movies/the-postmodern-life-of-my-aunt-852093/actors The Story of Woo Viet https://www.listvote.com/lists/film/movies/the-story-of-woo-viet-866656/actors The Swordsman https://www.listvote.com/lists/film/movies/the-swordsman-942603/actors From Vietnam https://www.listvote.com/lists/film/movies/from-vietnam-96424822/actors Vietnam Trilogy https://www.listvote.com/lists/film/movies/vietnam-trilogy-96433846/actors Qing Dynasty Duology https://www.listvote.com/lists/film/movies/qing-dynasty-duology-96441755/actors Septet: The Story of Hong Kong https://www.listvote.com/lists/film/movies/septet%3A-the-story-of-hong-kong-97179196/actors Love After Love https://www.listvote.com/lists/film/movies/love-after-love-97602927/actors.
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  • DP Une Vie Simple
    Bona Entertainment Co Ltd Focus Films Ltd & Sil-Metropole Organisation Ltd présentent UNE VIE SIMPLE (Tao Jie) un film de Ann HUI SORTIE LE 8 MAI 2013 Hong Kong - 2011 - 1h59 DCP - 1.85 - Dolby DISTRIBUTION PRESSE Les Acacias Laurence Granec et Karine Ménard 63, rue de Ponthieu 5 bis, rue Kepler 75008 Paris 75116 Paris Tél. : 01 56 69 29 30 Tél. + 33 1 47 20 36 66 [email protected] [email protected] Dossier de presse et photos téléchargeables sur www.acaciasfilms.com SYNOPSIS Au service d’une famille bourgeoise depuis quatre générations, la domestique Ah Tao vit seule avec Roger, le dernier héritier. Producteur de cinéma, il dispose de peu de temps pour elle, qui, toujours aux petits soins, continue de le materner... Le jour où elle tombe malade, les rôles s’inversent... ENTRETIEN AVEC ANN HUI Votre film s'inspire de la vie de Roger Lee, un célèbre producteur de cinéma à Hong Kong. Comment avez-vous eu l’idée de faire un film sur lui ? Roger Lee est le producteur du film. On s'est rencontré et il m'a raconté son histoire qui m'a beaucoup plu, et à partir de là, nous avons commencé à rechercher des finan - cements. Je voulais faire un film autour d'une histoire simple concernant les relations de travail entre une domestique et son patron dans le Hong Kong des années 60-70. À quelle occasion avez-vous rencontré Roger Lee pour la première fois ? Roger était co-producteur sur Neige d'été , un film que j'ai réalisé et qui est sorti en 1995.
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    This is the version of the chapter accepted for publication in Cultural Conflict in Hong Kong: Angles on a Coherent Imaginary published by Palgrave Macmillan https://link.springer.com/chapter/10.1007/978-981-10-7766-1_6 Accepted version downloaded from SOAS Research Online: http://eprints.soas.ac.uk/34754 “Ann Hui’s Allegorical Cinema” Jessica Siu-yin Yeung To cite this article: By Jessica Siu-yin Yeung (2018) “Ann Hui’s Allegorical Cinema”, Cultural Conflict in Hong Kong: Angles on a Coherent Imaginary, ed. Jason S. Polley, Vinton Poon, and Lian-Hee Wee, 87-104, Singapore: Palgrave Macmillan, 2018. Allegorical cinema as a rhetorical approach in Hong Kong new cinema studies1 becomes more urgent and apt when, in 2004, the Closer Economic Partnership Arrangement (CEPA) begins financing mainland Chinese-Hong Kong co-produced films.2 Ackbar Abbas’s discussion on “allegories of 1997” (1997, 24 and 16–62) stimulates studies on Happy Together (1997) (Tambling 2003), the Infernal Affairs trilogy (2002–2003) (Marchetti 2007), Fu Bo (2003), and Isabella (2006) (Lee 2009). While the “allegories of 1997” are well- discussed, post-handover allegories remain underexamined. In this essay, I focus on allegorical strategies in Ann Hui’s post-CEPA oeuvre and interpret them as an auteurish shift from examinations of local Hong Kong issues (2008–2011) to a more allegorical mode of narration. This, however, does not mean Hui’s pre-CEPA films are not allegorical or that Hui is the only Hong Kong filmmaker making allegorical films after CEPA. Critics have interpreted Hui’s films as allegorical critiques of local geopolitics since the beginning of her career, around the time of the Sino-British Joint Declaration in 1984 (Stokes and Hoover 1999, 181 and 347 note 25), when 1997 came and went (Yau 2007, 133), and when the Umbrella Movement took place in 2014 (Ho 2017).
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  • A Different Brilliance—The D & B Story
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