Patriot Players Presents

Total Page:16

File Type:pdf, Size:1020Kb

Patriot Players Presents Patriot Players presents The mission of Make-A-Wish Foundation is to grant the wishes of children with life-threatening medical conditions to enrich the human experience with hope, strength, and joy. Thank you to our Children’s Workshop participants and this weekends’ audience members for helping the CB East Patriot Players raise $5,000 for this wonderful organization! Don’t miss our fall production of... November 20-22, 2020 The CB East Patriot Players Present Disney’s Directed by Many thanks for costuming contributions from: SASHA EISENBERG Choreographed and Produced by ALICIA SEHN Cargill’s Costume Barn Costume Builders Wrightstown Library Technical Director Vocal Director MICHAEL GRIECO CHRIS VILLANTE Costume Mistress Music Direction THERESA POIRIER JASON MOREHOUSE Scenes and Musical Numbers - Act 1 Overture Prologue Olim…………….....…………………………....Congregation, Choir The Bells of Notre Dame (Part 1)………….......Congregation, Choir The Bells of Notre Dame (Part2)………………….…..Frollo, Jehan Congregation, Choir The Bells of Notre Dame (Part 3)……....Jehan, Congregation, Choir The Bells of Notre Dame (Part 4)……………..Father Dupin, Frollo Conregation, Choir The Bells of Notre Dame (Part 5)…..…..Frollo, Congregation, Choir The Bells of Notre Dame (Part 6)……………...Congregation, Choir Scene 1: The Bell Tower Sanctuary……………..………………….…….....Frollo, Quasimodo Out There……………………………….………..………Quasimodo Scene 2: Town Square Topsy Turvy (Par1)……………………………...Clopin, Quasimodo Revelers, Choir Rest and Recreation…………………………..….Phoebus, Frollo Clopin, Revelers, Soldiers, Choir Rhythm of the Tambourine……………..Esmeralda, Phoebus, Frollo Quasimodo, Clopin Topsy Turvy (Part 2)…………...Clopin, Esmeralda, Revelers, Choir The Harrowing Sanctuary (Part 2)………………………………...Frollo, Quasimodo Scene 3: Inside the Cathedral The Bells of Notre Dame (Reprise)……………………….Esmeralda Parishioners, Choir God Help the Outcasts……………....Esmeralda, Parishioners, Choir Transition to the Bell Tower……………………..Statues, Gargoyles Scene 4: Bell Tower Top of the World……….Esmeralda, Quasimodo, Statues, Gargoyles Act 1 Continued Scene 5: Tavern Taven Song (Thai Mol Piyas)……….…....Gypsies, Esmeralda, Frollo Scene 6: Bell Tower Heaven’s Light………………………………………....….Quasimodo Scene 7: Prayer Stalls Hellfire…………………………………..…..…..Frollo, Priests, Choir Scene 8: The King’s Court Scene 9: Streets of Paris/Outside a Brothel/Bell Tower Esmeralda (Act I Finale– Part 1)…………………………….Company Esmeralda (Act I Finale– Part 2)…………………………….Company Intermission There will be one 15 minute intermission. Refreshments will be sold in the lobby. Scenes and Musical Numbers Act 2 Entr’acte……………………………………………………………….Choir Scene 1: Bell Tower Agnus Dei……….Choir Flight to Egypt…..………….…………..………...Saint Aphrodisius Quasimodo, Statues, Gargoyles, Choir Esmeralda (Reprise)……………………..…….Frollo, Congregation Rest and Recreation (Reprise)…………………………..…..Phoebus Scene 2: Streets of Paris Rest and Recreation (Reprise)……...……………..…..…Quasimodo The Court of Miracles……………………………...Clopin, Gypsies Scene 3: Court of Miracles In a Place of Miracles……..…...Phoebus, Esmeralda, Quasimodo Clopin, Gypsies, Choir Bells of Notre Dame (Reprise II)……………...Congregation, Choir Scene 4: Prison The Assault………………………………………………….....Frollo Someday……………..………….....…………...Esmeralda, Phoebus Scene 5: Bell Tower While the City Slumbered…………………..….Congregation, Choir Made of Stone…………………..….Quasimodo, Statues, Gargoyles Scene 6: Town Square/Notre Dame Judex Crederis…………………………..…...……….………..Choir Kyrie Eleison………………………………………..……..Company Scene 7: Bell Tower Top of the World (Reprise)……………..…………Esmeralda, Choir Esmeralda (Frollo Reprise)………..………...Frollo, Jehan, Florika Congregation, Choir Finale Ultimo……………………….....Quasimodo, Statues, Gargoyles Scene 8: Town Square/Bare Stage Finale Ultimo………………..……………….…...………..Company CAST Featured Characters (In order of appearance) Dom Claude Frolllo………………….…………………….……..John Cuozzo Jehan Frollo……………………….………………………………..Alex Panas Florika/Narrator……………………...………………….…..Julianna Zannikos Father Dupin………………………………………….……………Wyn Levett Quasimodo………………………………………………….……...Nick Breen Clopin Trouillefou, King of the Gypsies……………………....Kyle Hendricks Captain Phoebus de Martin………………………...…………Aydin Zazyczny Frederic Charlus………………………………………...…………..John Hare Esmeralda……………………………………………...…………Olivia Traub King Louis XI……………………….………………………….…..Evan Stein Official……………………...………………………………...Blake Aspinwall Madam……………………………………….…..……………...Gabby Stokes Saint Aphrodisius………………………………………………..Griffin Bauer Congregants Gargoyles/Statues/Choir………………..…….....Lucas Badger, Griffin Bauer Katelyn Beasley, Trinity Foster, Hazen Gotschal Wyn Levett, Mary Orford, Morgan Scott Revelers/Gypsies/Parishioners……...….Miranda Ford, Reagan Hollingsworth Mary Kacsur, Angelina Mancuso, Olivia Newman, Megan O’Neil Alex Panas, Ava Risoldi, Evan Stein, Gabby Stokes Revelers/Soldiers/Citizens…………………...Jack Arnstein, Blake Aspinwall Carleigh Beck, Kayla Cartwright, Ryan Fean, John Hare Veronica Hodgson, Taylor Newman, Ryan Novak, Mina Ritz Choir/Priests……………...Holly Bender, Charlie Dell’Orefice*, Keri Doheny Lauren Dunckley, Riley Fleisch, Maddy Hollingsworth, George Layre III* Rishi Nair, Mikayla Piechotta, Shannon Raymer, Courtney Rowland Sydney Shine, Jillian Sinton, Nick Swartz*, Andrew Whinney *Priest Dance Captains: Olivia Newman, Nicolette Smith Crew Props Master………………………..……………...Virginia Howarth Projections…………………………………………...Micah Meyerov Assistant Director ...................................................... Sophia Martino Stage Manager ............................................................ Grace Mahony Master Carpenter ........................................................ Matt Coleman Assistant Technical Directors……………...Kiara Duran, Kylie Hier Props Chief ................................................................ Carolyn Heenan Lighting Chief…………………………………..………..AJ Plotnick Sound Chief………………………….Abigail Jurbala, Nate Schneller Costume Chief .................................................................. .Gigi Flego Ticket Supervisor ................................................ Mrs. Amy Zannikos Make-Up Supervisor………………………...………...Amy Johnson House Manager………………………..…….…..….Nathan DiFulvio Luncheon Coordinator .................. Lisa Hendricks, Katie Mackenzie Good Luck Cast! Photography ................................................................. Diana Iversen Kyle Hendricks- Always follow your dreams! Costume Crew: We are proud of you. Mrs. Virginia Howarth, Michaela Cherry, Maya Davidheiser Love, Zoe Ginsberg , Brooke Gormley, Brielle Walton Gram & Pop Props Crew: Marissa Ballew, Tara Beagelman, Caroline Eldringhoff Grace de Hoogh, Abigail Motter, Sofia Pollack, Talya Slezak Crew Construction Crew: Rachel Chodelka, Gillian Clayton, Devin Cummings, CJ Dalby Grace de Hoogh, Nathan DiFulvio, Elizabeth Gaffney Michael Herron, Mackenzie Hopkins, Haley Kloss, Grace Mandes Jamy Mershon, Braeden Miller, Jason Rackas, Ryan Szczyporski Noah Seaner, Kiran Sherby, Maddie Taggart, Eleanor Verbeck Sound Crew: Rocco Cufone, Abby Jurbala, Nate Schneller, Vraj Kothari Light Crew: Megan Hendricks, Kayla St. Cin, Gavin Okolichany, Nick Travisan Special Thanks To the Cast, Crew, and Orchestra of All Parent Volunteers The Hunchback of Notre Dame CB East Faculty Print Shop Jennifer Thompson We are very proud of you! Principal Congratulations on a wonderful Lori Gallagher-Landis production. House Principals Tracey DeRosier, Matthew Fash, Luke Hadfield Mrs. Eisenberg, Mrs. Sehn, Mr. Grieco, Principal’s Administrative Assistant Mrs. Poirier, Mr. Villante & Mr. Morehouse Lauren Plocharski Head Custodian Dale Ives National Honors Society Students Kimberly Koch—Advisor Senior Orchestra Bios ORCHESTRA Carl Soderstrom (Bassoon) has played the bassoon since soph- Keyboard 1………………………………..…………..Sophia Martino omore year. He has participated in PMEA District 11 Orchestra Keyboard 2………………………………….………....Olivia Marcino as the principal second bassoonist and is the section leader of Flute/Piccolo…………………..………………….Lauren Jaroszewski the Philadelphia Sinfonia Bassoon section. This is his first year Clarinet……………………………….……………..…...Emily Jordan in pit orchestra. Bass Clarinet………………………..….………….Jordyn Marchincin Grace Stevens (Violin) is beyond excited to be a part of The Bassoon……………………………….…………..….Carl Soderstrom Hunchback of Notre Dame. However, she wishes this wasn’t her Saxophone…………………………………………….….Derek Deihl last year with Patriot Players. In her sophomore year, Grace Trumpet 1………………………………………….…….Kate Gutkind played violin in the pit orchestra for Joseph and the Amazing Trumpet 2…………………………………………….…...Josh Enders Technicolor Dreamcoat. While she will continue working with Horn……………………………………….………......Drew DeRosier music, she hopes to attend college to study Public Health. She Trombone……………………………….……….Maggie Kettelberger has dedicated much of her time here at CB East to the music Drum Set…………………………………...………….Nick Cimorelli programs and would like to thank everyone who helped along Aux. Percussion……………………………….………..Jason Rackas the way. Violin 1………………….….Alicia Luo, Grace Stevens, Jillian Troth Jillian Troth (Violin) has played for the Patriot Players pit or- Violin 2…….…..Sammy Hayes, Mackenzie Hopkins, Nick Travisano chestra in all three of her years at CB East. Having attended Viola……....Alex Baxevanidis, Galen Sutterlin, Phoebe Vallapureddy Patriot Players productions since she was four years old, Jillian is honored to now be a part of the spring musicals. She intends to continue
Recommended publications
  • Programnotes Clyne Beethove
    PROGRAM ONE HUNDRED TWENTY-FOURTH SEASON Chicago Symphony Orchestra Riccardo Muti Zell Music Director Pierre Boulez Helen Regenstein Conductor Emeritus Yo-Yo Ma Judson and Joyce Green Creative Consultant Global Sponsor of the CSO Thursday, May 28, 2015, at 8:00 Saturday, May 30, 2015, at 8:00 Ludovic Morlot Conductor Jennifer Koh Violin Berlioz Les francs-juges Overture, Op. 3 Clyne The Seamstress JENNIFER KOH World premiere CSO commission INTERMISSION Beethoven Symphony No. 3 in E-flat Major, Op. 55 (Eroica) Allegro con brio Marcia funebre: Adagio assai Scherzo: Allegro vivace Finale: Allegro molto These violin concerto performances have been enabled by the Paul Ricker Judy Fund. This program is partially supported by grants from the Illinois Arts Council, a state agency, and the National Endowment for the Arts. PROGRAM ONE HUNDRED TWENTY-FOURTH SEASON Chicago Symphony Orchestra Riccardo Muti Zell Music Director Pierre Boulez Helen Regenstein Conductor Emeritus Yo-Yo Ma Judson and Joyce Green Creative Consultant Global Sponsor of the CSO Tuesday, June 2, 2015, at 6:30 Afterwork Masterworks Ludovic Morlot Conductor Jennifer Koh Violin Clyne The Seamstress JENNIFER KOH World premiere CSO commission Beethoven Symphony No. 3 in E-flat Major, Op. 55 (Eroica) Allegro con brio Marcia funebre: Adagio assai Scherzo: Allegro vivace Finale: Allegro molto There will be no intermission. This violin concerto performance has been enabled by the Paul Ricker Judy Fund. The Chicago Symphony Orchestra is grateful to WBBM Newsradio 780 and 105.9FM for its generous support as a media sponsor of the Afterwork Masterwork series. This program is partially supported by grants from the Illinois Arts Council, a state agency, and the National Endowment for the Arts.
    [Show full text]
  • Virginia Woolf & String Quartets Concert
    Virginia Woolf & String Quartets Robinson College Chapel Cambridge 3 November 2016, 7.45pm Kreutzer Quartet Peter Sheppard Skærved – Violin Mihailo Trandafilovski – Violin Clifton Harrison – Viola Neil Heyde – Cello Kindly supported by PREFACE Welcome to the third concert of ‘Virginia Woolf & Music’. The project explores the role of music in Woolf’s life and afterlives: it includes new commissions, world premieres and little-known music by women composers. Outreach activities and educational resources have been central to the project since it began in 2015. Concerts on Woolf and Bloomsbury continue throughout 2016- 17. For further details see: http://virginiawoolfmusic.wp.st-andrews.ac.uk Woolf (1882-1941) was a knowledgeable, almost daily, listener to ‘classical’ music, fascinated by the cultural practice of music and by the relationships between music and writing. Towards the end of her life she famously remarked, ‘I always think of my books as music before I write them’. Her writing continues to inspire composers who have set her words or responded more obliquely to her work. This concert takes its cue from Woolf’s extraordinary experimental short fiction, ‘The String Quartet’ (1921). The work explores the pleasures and frustrations of ‘capturing’ music in language. Juxtaposing the banal remarks that frame the performance with the exuberant flights of fancy that unfold during the playing, Woolf’s work celebrates music’s capacity to stimulate memories and associations. And it celebrates too music’s own ‘weaving’ into a formal ‘pattern’ and ‘consummation’. On 7 March 1920, Woolf attended a concert that included a Schubert quintet ‘to take notes for my story’.
    [Show full text]
  • Adams Other Mary on Stage
    Boosey & Hawkes Music Publishers Limited February 2015 2015/1 Adams Other Mary on stage Included in this issue: “John Adams received a rapturous response for the world premiere staging MacMillan Concertos including new at ENO of his Passion oratorio, The Gospel According to the Other Mary. work for Colin Currie Bursting with fury, compassion and inspiration, this elemental score seems to carry the composer to a whole new level of expression.” So wrote The Independent of the work’s first full staging by Peter Sellars, in a production shared between English National Opera, Theater Bonn and Royal Swedish Opera. Joana Carniero Little summoned a vivid range of sonorities from Interview with the newly the orchestra, with fervent vocal portrayals signed US composer from Patricia Bardon as Mary, Meredith The final book by the late Bob Gilmore, Arwady as Martha and Russell Thomas Claude Vivier: A Composer’s Life, breaks as Lazarus. new ground as the first in-depth study of the composer (University of Rochester “…the music sweeps all before it. The distance that Press 978-1-58046-485-7). With Adams has travelled from his minimalist beginnings unrestricted access to Vivier’s archives, to this rich tapestry of a score is remarkable. Some of the passages for orchestra alone, such as the author drew upon interviews with the Lazarus’s death, ride on waves of emotion; and Canadian-born composer’s family, friends Adams has mastered the ability to keep the and colleagues to build a picture of a complex audience gripped over hour-long arcs of intensity… Photo: ENO/Richard Hubert Smith soul, while revealing the personal quest for Is it opera or oratorio? It hardly matters.
    [Show full text]
  • May 2, 2019 Program Notes: Anna Clyne
    May 2, 2019 Program Notes: Anna Clyne Anna Clyne of music as “a naked woman include the symphonic ballet RIFT a key role in the piece’s inspiration: running mad through the pure and The Seamstress, a violin concerto the composer refers to two specific Born March 9, 1980, in London; night.” for Jennifer Koh, which Clyne poems, each containing powerful currently resides in Brooklyn, New composed as “an imaginary one- nocturnal imagery. The first is by the York act ballet” inspired by a William Nobel Prize-winning Juan Ramón nna Clyne’s position as Butler Yeats poem. Jiménez (1881-1958): La musica;—mujer This Midnight Hour composer-in-residence A desnuda/corriendo loca por la noche pura! through the Music Alive program The London-born Clyne has lived Composed: 2015 (“Music;—a naked woman/running is coming to its end after three in the United States since 2002, First performance: November mad through the pure night!”). The seasons. In the process, Berkeley having studied at the University 13, 2015, with Enrique Mazzola second is one of the best-known poems Symphony audiences have come of Edinburgh and the Manhattan conducting the Orchestre national from Charles Baudelaire’s (1821-1867) to experience Clyne’s commitment School of Music, where 2019 Pulitzer d’Île de France in Plaisir, France Fleurs du Mal (“Flowers of Evil”), the to collaborative creativity in Prize winner Julia Wolfe became highly musical Harmonie du soir: Duration: approximately 12 her artistic practice—and the an important mentor. Clyne’s minutes innovative spirit this has fostered. music has been featured at the Voici venir les temps où vibrant sur sa tige Her music characteristically seeks BBC Proms, and her double violin Chaque fleur s’évapore ainsi qu’un encensoir; This Midnight Hour is scored for out connections with the visual concerto Prince of Clouds, which Les sons et les parfums tournent dans l’air du soir; 2 flutes and piccolo, 2 oboes, 2 arts, poetry, and dance.
    [Show full text]
  • 2017 Season 10:00 AM, Wheeler Opera House, $40.00 Edward Berkeley Director, Aspen Opera Center Artist- June 29 –August 20, 2017 Faculty
    SATURDAY, JULY 1, 2017 Aspen Music Festival and School Opera Scenes Master Class 2017 Season 10:00 AM, Wheeler Opera House, $40.00 Edward Berkeley director, Aspen Opera Center artist- June 29 –August 20, 2017 faculty THURSDAY, JUNE 29, 2017 Chamber Music Violin Studio Class 4:30 PM, Harris Concert Hall, $45.00 1:00 PM, Edlis Neeson Hall, Free Donald Crockett conductor, Sarah Vautour soprano, Paul Kantor Elizabeth Buccheri piano, James Dunham viola, Anton Nel piano, Robert Chen violin, Cornelia Heard violin, Jonathan Chapel Chamber Music Haas percussion, Michael Mermagen cello, Bruce Bransby 4:15 PM, Aspen Chapel, Free bass, Aralee Dorough flute, Alison Fierst flute, Felipe Jimenez-Murillo clarinet, JJ Koh clarinet, Samuel Williams A Recital by Arnaud Sussmann violin David Finckel cello saxophone, Per Hannevold bassoon, Brian Mangrum horn, and Wu Han piano Joe Blumberg trumpet, Kevin Cobb trumpet, Michael 7:00 PM, Harris Concert Hall, $60.00 Powell trombone, Ingmar Beck conductor, Aspen BRAHMS: Cello Sonata No. 1 in E minor, op. 38 Contemporary Ensemble DVOŘÁK: Sonatina in G major, B. 183, op. 100 HYLA: Polish Folk Songs — WEILL: Berlin im Licht MENDELSSOHN: Piano Trio No. 2 in C minor, op. 66 Je ne t’aime pas WEILL/BERIO: Surabaya Johnny from Happy End FRIDAY, JUNE 30, 2017 WEILL: Youkali from Marie Galante Aspen Chamber Symphony Dress Rehearsal I’m a Stranger Here Myself from One Touch of 9:30 AM, Benedict Music Tent, $20.00 Venus Ludovic Morlot conductor, Simone Porter violin HINDEMITH: Viola Sonata, op. 11, no. 4 R. STRAUSS: from Tanzsuite nach Klavierstücken von MILHAUD: La création du monde, op.
    [Show full text]
  • Joana Carneiro Music Director
    JOANA CARNEIRO MUSIC DIRECTOR Berkeley Symphony 17/18 Season 5 Message from the Music Director 7 Message from the Board President 9 Message from the Executive Director 11 Board of Directors & Advisory Council 12 Orchestra 15 Season Sponsors 16 Berkeley Symphony Salutes Diana Dorman 17 Berkeley Symphony Salutes Jerry Olson 21 Tonight’s Program 23 Program Notes 35 About Music Director Joana Carneiro 37 Berkeley Symphony 17/18 Calendar 39 Guest Conductor Gemma New 43 Guest Artist & Composers 47 About Berkeley Symphony 50 Berkeley Sounds Composer Fellows & Full@BAMPFA 52 Music in the Schools 56 Berkeley Symphony Legacy Society 57 Annual Membership Support 66 Broadcast Dates 69 Contact 70 Advertiser Index Media Sponsor Gertrude Allen • Annette Campbell-White & Ruedi Naumann-Etienne Official Wine Margaret Dorfman • Ann & Gordon Getty • Jill Grossman Sponsor Kathleen G. Henschel & John Dewes • Edith Jackson & Thomas W. Richardson Sarah Coade Mandell & Peter Mandell • Tricia Swift S. Shariq Yosufzai & Brian James Presentation bouquets are graciously provided by Jutta’s Flowers, the official florist of Berkeley Symphony. Berkeley Symphony is a member of the League of American Orchestras and the Association of California Symphony Orchestras. No recordings of any part of tonight’s performance may be made without the written consent of the management of Berkeley Symphony. Program subject to change. December 7, 2017 3 4 December 7, 2017 Message from the Music Director hank you so much for the tremendously T warm reception upon my return to the podium in October to open the 17|18 season. It is with great pride that I call Berkeley one of my musical homes.
    [Show full text]
  • WORLD PREMIERES All Performances from 1891 to 1904 Were Given at the Auditorium Theatre and Thereafter at Orchestra Hall, Unless Otherwise Noted
    WORLD PREMIERES All performances from 1891 to 1904 were given at the Auditorium Theatre and thereafter at Orchestra Hall, unless otherwise noted. Soloists, when known, also are indicated. 1891-99 │ 1900-09 │ 1910-19 │ 1920-29 │ 1930-39 │ 1940-49 │ 1950-59 1960-69 │ 1970-79 │ 1980-89 │ 1990-99 │ 2000-09 │ 2010-19 Date Composer Composition Conductor 1891-99 Columbus Ode, Ode for the Opening of the Chicago World’s Fair (World’s Columbian 21-Oct-1892 George Chadwick Theodore Thomas Exposition, Manufacturers and Liberal Arts Building) Columbus March and Hymn (World’s Columbian 21-Oct-1892 John Knowles Paine Exposition, Manufacturers and Liberal Arts Theodore Thomas Building) Festival Jubilate, Op. 17 (World’s Columbian 1-May-1893 Amy Beach Theodore Thomas Exposition, Women’s Building) Triumphal March (World’s Columbian Exposition, Woizech Iwanowich 7-Jun-1893 Alexander Glazunov Music Hall) Hlavac Overture, Witichis (World’s Columbian 29-Jul-1893 Margaret Lang Theodore Thomas Exposition, Festival Hall) Cello Concerto in G Minor, Op. 33 (Bruno 30-Nov-1894 Arthur Foote Theodore Thomas Steindel) Concerto No. 2 for Piano in D Minor (W. C. E. 25-Jan-1895 W. C. E. Seeboeck Theodore Thomas Seeboeck) 17-Apr-1896 Frederic Grant Gleason Symphonic Poem, Edris Theodore Thomas 22-Oct-1897 Hugo Kaun Festival March and Hymn to Liberty Theodore Thomas 3-Feb-1899 Hugo Kaun Overture, Der Maler von Antwerpen Theodore Thomas 29-Dec-1899 Henry Schoenefeld Impromptus for String Orchestra Henry Schoenefeld 1900-09 5-Jan-1900 Adolf Weidig Capriccio, Op. 13 Theodore
    [Show full text]
  • 2019 National Humanities Bee Round 1
    2018-2019 Humanities Bee 2018-2019 Round 1 Round 1 Round 1 Tossups (Tossup 1) A character in this novel uses a freshly bought baton to slash up Mrs. Dubose's camellias. The father of the protagonist of this novel is nicknamed \Ol' one shot," as seen when he takes a rifle and kills a rabid dog in the street. Characters in this novel include the African-American cook Calpurnia and the town recluse, Boo Radley. Scout Finch's upbringing in Maycomb, Alabama is told in, for the point, what Harper Lee novel partly titled for a songbird? ANSWER: To Kill a Mockingbird (Tossup 2) Daniel Burnham designed a triangular one of these buildings in New York City. Red brick was extensively used in Louis Sullivan's design for one of these edifices in St. Louis, the Wainwright Building. One of these buildings in New York City scrapped a planned dirigible docking station near its summit, which was purposely designed to be taller than the nearby Chrysler Building. For the point, name these tall office buildings such as the Empire State Building. ANSWER: skyscrapers (prompt on office buildings before read) (Tossup 3) It's not France, but a filmmaker in this country pioneered the montage theory of filmmaking and created a film that was mostly black-and-white, with the exception of ten minutes of colored footage set during a murderous banquet. A film set in this country includes an act titled \Men on Maggots," shows a baby carriage rolling down some steps, and depicts sailors mutinying on the title ship, Battleship Potemkin.
    [Show full text]
  • Cabrillo Festival 2016.Pdf (7.46
    MARIN ALSOP 25TH & FAREWELL SEASON! PROGRAM GUIDE CABRILLO FESTIVAL OF CONTEMPORARY MUSIC • AUGUST 2016 • SANTA CRUZ CIVIC AUDITORIUM MUSIC • AUGUST 2016 SANTA OF CONTEMPORARY CABRILLO FESTIVAL Fill your summer with music! Explore the musical riches and unique settings of these allied festivals of the Western United States. California Colorado Oregon Cabrillo Festival of Aspen Music Festival Chamber Music Northwest Contemporary Music June 30 - August 21, 2016 Summer Festival July 31 - August 13, 2016 Aspen, CO June 25 - July 31, 2016 Santa Cruz, CA aspenmusicfestival.com Portland, OR cabrillomusic.org cmnw.org Bravo! Vail Carmel Bach Festival June 23 - August 6, 2016 July 16 - 30, 2016 Vail, CO Carmel, CA bravovail.org bachfestival.org Washington Strings Music Festival Seattle Chamber Music La Jolla Music Society June 25 - August 20, 2016 Society Summer Festival August 3 - 26, 2016 Steamboat Springs, CO July 5 - 30, 2016 La Jolla, CA stringsmusicfestival.com Seattle, WA ljms.org seattlechambermusic.org Mainly Mozart Festival June 2 - 18, 2016 San Diego, CA New Mexico mainlymozart.org Santa Fe Wyoming Chamber Music Festival Grand Teton Music Festival Music@Menlo July 17 - August 22, 2016 July 4 - August 20, 2016 July 15 - August 6 Santa Fe, NM Jackson Hole, WY Atherton, CA santafechambermusic.com gtmf.org musicatmenlo.org Ojai Music Festival June 9 - 12, 2016 Ojai, CA ojaifestival.org CLASSICAL MUSIC FESTIVALS OF THE WEST 2016 CABRILLO FESTIVAL OF CONTEMPORARY MUSIC SANTA CRUZ, CA JULY 31 - AUGUST 13, 2016 Contents 3 Calendar of Events
    [Show full text]
  • Concert Halls July 2021
    equality & diversity in concert halls July 2021 JULY 2021 Equality& Diversityin Concert Halls 100 ORCHESTRAS WORLDWIDE COMPOSERS INCLUDED IN THE 2020-2021 SEASON donne-uk.org 1 donne-uk.org All Rights Reserved © 2021 DONNE Women in Music | UK Registered Charity No: 1191758 equality & diversity in concert halls July 2021 ACKNOWLEDGMENTS & INFORMATION EQUALITY & DIVERSITY IN CONCERT HALLS Orchestras Season 2020-2021 Composers included in 100 orchestras worldwide. JULY 2021 RESEARCH LEADER Gabriella Di Laccio RESEARCHERS Ann Grindley, Giulia Nakata & Julia Manzano DATA DESIGN AND ANALYSIS CONSULTANT Carl White Infographics & document designed by Lucía Sánchez Vilar Research sponsored by: Olga Ivannikova Founder and Director of Private Goodness. ABOUT DONNE DONNE is a charitable foundation that is here to make a positive change in the fight against gender inequality within the music industry. Our main goal is to celebrate, advance, and amplify women in music so that they are seen, heard, and appreciated for their talent so they can leave a legacy of inspiration for future generations. For all media enquiries contact: Charlotte Bennet Twitter: Instagram: Facebook: Website: [email protected] @donne_uk @donne_uk @DonneUK www.donne-uk.org 2 donne-uk.org All Rights Reserved © 2021 DONNE Women in Music | UK Registered Charity No: 1191758 equality & diversity in concert halls July 2021 Executive Summary Black & Asian Men 100 orchestras Men Women Black & Asian Women from 27 countries This latest research by Donne - Women in Music has been prepared to get a better understanding of how classical music is responding to the current and very important issue of equality and diversity in concert’s repertoire worldwide.
    [Show full text]
  • Spartan Band Handbook
    Longfellow Middle School Spartan Band Handbook George Tullos, Director of Bands Alma Perez, Assistant Director Jonah Bahta, Assistant Director The Legacy Continues TABLE OF CONTENTS BOARD OF EDUCATION 3 INTRODUCTION 4 BAND CALENDAR 5 BANDS AND PERFORMANCE REQUIREMENTS 6 PRACTICE EXPECTATIONS, PRACTICE RECORDS, & SECTIONALS 7 GRADING GUIDELINES 7 ELIGIBILITY 7 COURSE OBJECTIVES & CURRICULUM 8 TEXAS ESSENTIAL KNOWLEDGE AND SKILLS 9 ABSENCES/ TARDIES 10 STUDENT BEHAVIORAL & REHEARSAL EXPECTATIONS 11 DISCIPLINARY ACTIONS 11 TRANSPORTATION 12 FUNDRAISING 12 BAND SUPPLIES 13 INSTRUMENT POLICY/ USAGE FEE 14 BAND BOOSTERS 14 UNIFORMS 15 "2 BOARD OF EDUCATION Patti Radle, President Arthur V. Valdez, Vice President Debra Guerrero, Secretary Ed Garza, Trustee James Howard, Trustee Steve Lecholop, Trustee Christina Martinez, Trustee Superintendent of Schools Pedro Martinez Deputy Superintendent Dr. Pauline Dow Assistant Superintendent Dr. Judith Solis Fine Arts Senior Executive Director Dr. Daniel Loudenback Principal Dr. Aurora Terry Assistant Principals Linda Rios-Garcia, Robert Hernandez, Abel Martinez Counselors Jessica Cavazos, Jennifer O’ Grady Fine Arts Department Isabel Romero, Elementary Music/Secondary Choral Coordinator James Orozco, Theater Arts/Visual Arts Coordinator Dr. Peter Acosta, Instrumental Music Coordinator Dianne Marks, Dance/ Spirit Teams Coordinator Ashley Draven, Administrative Secretary Judy Thompson, Department Clerk Gilberto Elorreaga, Chief Band Repair Technician Frank Abrego, Band Repair Technician The San Antonio Independent School District does not discriminate on the basis of race, religion, color, national origin, sex, or disability, in providing education services, activities, and programs, including vocational programs, in accordance with Title VI of the Civil Rights Act of 1964, as amended; Title IX of the Educational Amendments of 1972; section 504 of the Rehabilitation Act of 1973, as amended.
    [Show full text]
  • Clyne Works Astride the Atlantic Anna Clyne, Born in the UK and Resident in New York, Has a Lively International Schedule of Orchestral Performances
    October 2018 Clyne works astride the Atlantic Anna Clyne, born in the UK and resident in New York, has a lively international schedule of orchestral performances. During the 2010s Anna Clyne has developed The nocturnal theme is also explored in This into a sought-after composer of symphonic Midnight Hour which reflects on poetry by music, with an output also encompassing Jiménez and Baudelaire and has received over powerful chamber pieces with electronics, 30 performances since its premiere in 2015. intimate string ensemble works and colourful These include its Austrian, Italian, Swiss and UK scores forging musical links with art or dance. premieres last season and its German and Clyne’s music has been championed on the Swedish premieres this season. rostrum by Marin Alsop and Riccardo Muti, as well as by an emerging generation of conductors including Elim Chan, Alpesh Chauhan, Ben “An artist who writes Gernon, Cristian Măcelaru, Enrique Mazzola, from the heart, who Robert Trevino and Joshua Weilerstein. defies categorization…” A good introduction to Anna Clyne is her popular Riccardo Muti concert-opener Masquerade, commissioned for the Last Night of the BBC Proms in 2013, which draws upon the array of dance music presented Clyne has a special affinity with strings, as heard at 18th century concerts in London’s pleasure in two widely performed ensemble works, Within gardens. It has enjoyed over 40 performances to Her Arms and Rest These Hands. These were date, including those conducted by Marin Alsop in followed by the double violin concerto Prince Europe, the US and South America, while it of Clouds and the imaginary ballet for violin and continues to be heard on UK TV as the theme orchestra The Seamstress which weaves together Photo: Javier Oddo music for BBC Proms telecasts.
    [Show full text]