CTP Template: CD_DPS1 COLOURS Compact Disc Booklet: Double Page Spread CYAN MAGENTA Customer: Cherry Red Records YELLOW Catalogue No. CDLEM123 BLACK Job Title : / Second Honeymoon Page Nos 12 / 1

CDLEM122

CDLEM 123 Key: CTP Template: CD_DPS1 COLOURS No text area Compact Disc Booklet: Double Page Spread CYAN MAGENTA Customer: Cherry Red Records YELLOW Bleed Catalogue No. CDLEM123 BLACK Trim Job Title : Deaf School / Second Honeymoon Page Nos 2 / 11 Fold

ALL 2.56 WAY TO END IT arner Chappell Ltd) WHAT A Allen (W 3.12 arner Chappell Ltd) Testi and to all those earlye, 1976 / LangerTHE /WEEKEND? ever you ar WHERE’S Allen / Lindsey / Martin (W A big thank you to Kenys and girls wher 1976 / Langer / hool bo y Bright’ Harris, AILS AT 8 3.05 arner Chappell Ltd) Deaf Ssc a ‘Sand ans, COCKT Allen (W k, Sandr Mike Ev 1976 / Langer / Paul Pilnic ner Chappell Ltd) am, Dave Saunders, ancis BIGGER SPLASHAllen 3.30 (War Hazel Bartr Connie Fr 1976 / Langer / er, Monty Rakusen, ywhere! Nigel Hely KNOCK KNOCK KNOCKINGarner Chappell 3.26 Ltd) mer Bright Sisters ever 1976 / Langer (W and for Allen, arner Chappell Ltd) Ward, Phil 2ND HONEYMOONAllen 4.53 (W ‘James’ 1976 / Langer / getting Kevin man Killen, Y GO 2.44arner Chappell Ltd) Not for eis, Storming Nor GET SET READ Allen (W TEL 4.24 Paul Meer 1976 / Langer / Y MOONLIT NIGHTarner MO Chappell Ltd) Frank Silver and Pete Swettenham. NEARL kins, ans, 1976 / Langer /Allen (W Rob Dic Cürt Ev ner Chappell Ltd) y Red. ROOM SERVICEAllen 3.57 (War Thanks to Steve Hammonds, 1976 / Ripple / arner Chappell Ltd) er, HI JO HI 2.22 Malcom Dome and our friends at imCherr Whittak 1976 / Langer / Shark (W T TS 4.57 ner Chappell Ltd) e dedicated to . SNAPSHO Allen (War These ar 1976 / Langer / Derek Taylor ....and Roger Eagle ACT 3.58 Roy Holt, FINAL arner Chappell Ltd) 1976 / Lindsey (W BONUS TRACKS ner Chappell) ) DING DONG Allen (War 1976 Langer / ate Music Limited YOU yright Control / Elev 2.47 WAITING FORAllen (Cop BBC Session 1976 Langer / ALL - WAY TO END IT ner Chappell Ltd) WHAT A Allen (War - BBC Sessionarner 2.58 Chappell Ltd) 1976 / LangerTHE / WEEKEND? WHERE’S Allen / Lindsey /- Martin BBC Session (W 3.22 1976 / Langer / KNOCK KNOCK KNOCKINGarner Chappell Ltd) 1976 / Langer- BBC(W Session 4.04 FINAL ACT arner Chappell Ltd) 1976 / Lindsey (W y Red Warner Brothers Music Ltd Allen, ൿ 1976 dings, a division of Cherr 2009 Lemon Recor Ꭿ racks 1-14 licensed courtesyWorldwide of Steve Ltd. Records Ltd.T tracks 15-18 licensed courtesy of BBC arple y Red & associated labels catalogue, W Write for full Cherr ds, 3a Long Island House Cherry Red Recor United Kingdom. to: W3 0RG, y PHD. ay, London W yred.co.uk Distributed b herr .uk E-mail: infonet@c yred.co . www.cherr Made in EU dination - Steve Hammonds Project Co-or for Pinball productionsy Pearce ed by And Master Cürt Evans for Pinball.uk Productions Art work: www.pinballproductions.co

PLEASE NOTE THIS TEMPLATE HAS BEEN CREATED USING SPECIFIC CO-ORDINATES REQUIRED FOR COMPUTER TO PLATE IMAGING AND IS NOT TO BE ALTERED, MOVED OR THE DOCUMENT SIZE CHANGED. ALL DIMENSIONS ARE IN MILLIMETRES. BLEED ALLOWANCE OF 3MM ON TRIMMED EDGES CTP Template: CD_DPS1 COLOURS Compact Disc Booklet: Double Page Spread CYAN MAGENTA Customer: Cherry Red Records YELLOW Catalogue No. CDLEM123 BLACK Job Title : Deaf School / Second Honeymoon Page Nos 10 / 3

2ND HONEYMOON 2ND HONEYMOON BY DEAF SCHOOL BY DEAF SCHOOL “In the whole histor y of Liverpool music two bands matter most, one is The Beatles and the other is Deaf School. If that seems like a sweeping evolution of the 1960ss ledmusic by “In the whole histor statement then consider this: after the pop r The Beatles and other Merseyside gr The Beatles and the other is Deaf School.oups, If itthat looked seems as likeif the a city’sweeping e came a motley band of scene had dried up for statement then consider this: after the pop r e the catalyst for . But in 1975 ther Liverpool ar The Beatles and other Merseysideever gr the most dramatic r scene had dried up for us. Their impact on the city is with t students called Deaf School. And they wer us to this day Liverpool ar evival since .Lazar the most dramaticPaul r Du Noyer y. This is a thr .” – t of tale that no script writeroll stor would ever us to this day ock ’n’ r consider – and yet, in so many ways it’ t soap opera. The sors the ultimate r s up and coming ee-par d Branson’ who played a gig wher This is a thr aylor (Beatles publicistner Brandos consider – and yet, in so many ways it’ y Derek T ar “We did our debut show in London at The Nashville in 1975, and Glen Matlock, Steve e the band who so nearly signed to Richar t refuse by W fer they couldn’ Jones, Paul Cook first met Malcolm McLar Deaf School ds,wer but, after meetinge made the legendar an of Virgin Recor “Years later former head of Apple) they wer irgin,” admits him that some bloke had been heckling me, shout out, ‘What a shonker ds. Recor y keen on us. Hee wined ready andto commit dined us,to Vcame to the gigs, for ‘big nose’)’. T Cadillac’ Allen. “Richard Branson was ver oots we joined in the spirit of the band and we wer m, personality and Liverpool r Deaf School wer . ek’s char ’s. It was an unusual deal Langer now arner arner US” adds unusual deal with W gely because of Der “But then, lar “Richar e a British band, the deal was with W eventually signed, for better or fortunity worse, to tourto W the states earlyelease” on, and gave us back wer because although we wer “But then our management signed us to W Allen. “Which gaveecor usdings the oppor after 25 years, hence evivedthis new the r Liverpool music scene in the rights in the r we wer “It also gave us the option to get back out r They are the band who almost single-handedly r the early 1970s. CTP Template: CD_DPS1 COLOURS Compact Disc Booklet: Double Page Spread CYAN MAGENTA Customer: Cherry Red Records YELLOW Catalogue No. CDLEM123 BLACK Job Title : Deaf School / Second Honeymoon Page Nos 4 / 9

ds, Ian , Max Ripple onee/Stealers keyboar Wheel ementioned Steve Lindseyums (and ex Big Thr Eric Shark, the afor im Whittaker on dr Ritchie on sax and T est of guitarist Paul Pilnick who played on the first ). t told the r e, came when the band ,won who the hadn’ ’75 ‘Melody Maker eak, as it wer ed by Lindsey e-eminent music weekly The big br ’ was the pr ementioned Rock Contest’; they’d been enter the band. At the time, ‘Melody Maker ting of the band by other magazine, so this success wasek a major(after muchtriumph. cour It led to that afor others deal with Dernd Honeymoon was made. Warner Br mer bassist with the inwood, for oducer. labels) and the debut album 2 f’ W oduced by ‘Muf eputation as a hot pr . “We wanted to The album was initiallyoup, andpr at the time making a r Spencer Davis Gr f was great, but too clinical forn us,”And believesThe High Langer Roads or Roxy Music. ay “Muf oss between Kilbur sound like a cr f – ‘Hi Jo Hi’, ‘What A W f had just finished workingoduced with Sparks. by Muf I have to say that the best And Muf e the ones pr ‘sounding’ tracks ar arner Bros Publishing, and the To End It All’ ‘Bigger Splash’…” ector of W ecord, which was then mixed by est of the r s on tour soundman). Rob Dickins (then oducedManaging the Dir r ay To End It All’ s mentor) pr s band’ arner A&R and later Deaf school’ t success. It’ Pete Swettenham (W eezy, Released in 1976, neither the album nor the single ‘What A W om different eras it (with ‘Nearly Moonlit Night Motel’ on the B-side)tistes was afr char ences many ar hard now to understand why eferit failed. The album sounds. bright, br ed and even though it r ock sensibility inspir m and unique pop/r has its own char “We tried to copy Roxy Music,n and theand High came Roads, out as and Deaf came School,” out as laughs Deaf Allen. “We tried to copy Kilbur t success. School.” oducer choices, hello America…and still no char Next time: Pr CTP Template: CD_DPS1 COLOURS Compact Disc Booklet: Double Page Spread CYAN MAGENTA Customer: Cherry Red Records YELLOW Catalogue No. CDLEM123 BLACK Job Title : Deaf School / Second Honeymoon Page Nos 08 / 5

. “The , before Deaf School,” explains Langer e were ea was dead musically “The whole ar e was no happening music scene.ted Ther selling out Cavern had been shut for years; ther e came along and star ock bands, but not much else. W some heavy r e gigs.” egular Liverpool kids who wer t students and the r e attracted a e the bridge between the ar ,” believes Allen. “W “We wer ferent and exciting in the city looking for something dif e-issues of cross section of people.” oss the sleeve notes for the r t Stop The World’ (1977) y of Deaf School,nd told acr - This then is the stor Honeymoon’ (1976), t?‘Don’ How about at the begin ee iconic studio albums: ‘2 e to star ols for his their thr orking Girls’ (1978). So, wher n Clive Langer enr and ‘English Boys/W t. London-bor ning, which is 1973, Liverpooloss this College guy wearing of Ar a leather jacket and tight jeans. It was first year, and comes acr Steve Allen. . “We ended up hanging out together

“I thought he looked cool,” says the guitarist now ound on a charabanc coach trip to Blackpool…” e can I get something to eat r , forever correcting and “Actually, the first thing you said to me was, ‘Wher . here?’” interjects Allen. The pair bantersed like manner this constantly interrupting each other in a good-natur ock ’n’ roll stories, the pair strikes up a friendshipt As inevitably happens in all good r . m a band. Well, what else would you do? Excepted was that character they didn’ and decide to for f, while the want a team of serious musos. Oh, no. For them whateally matter well, but looked naf ummers, and one could play r “If there were two dr tain cool look…well, guess who, aka we’d Mr take?”. Average. other wasn’t so talented, but had a cer t played a smiles Allen. “The only exceptiontney’ wass withson ourmusically bassist - althoughSteveoper Lindsey musical he didn’ suggestions He could have been Paul McCar Hofner bass - he was the one who came up with some pr and really great pop songs” e seemed to be no limit to the number of people in the band. It was an At the time, ther ew, it appeared, at will. ensemble that gr CTP Template: CD_DPS1 COLOURS Compact Disc Booklet: Double Page Spread CYAN MAGENTA Customer: Cherry Red Records YELLOW Catalogue No. CDLEM123 BLACK Job Title : Deaf School / Second Honeymoon Page Nos 6 / 7

eat eveals Allen. “Why?eally had Because no gr they

“We had a lot of female backing singers,” r e lovely! So, sometimeseat in we’dthe band, have andgirls we’d singing have who to mover on. I suppose wer e just gr voice but wer the most members we ever had was 14, crazyned butthat fun”. it took on a life of its own. yone concer Initially, the band was put together for a collegeom Christmas a building show that usedin 1973, to be but tment for the college,”n, and such was the fun had by ever e depar ’s Taver Deaf School – who took their name literally fr a school for the deaf (“It became the sculptur e-opened the club,” explains Langer) – got gigs at a local venue called, who O’Connor had r ted a residency ony e at a place called The Back Of The Moon/The Pentagon.uggling so we star ough an ‘uncle’ of mine, T e would be mor “We got that thr y week ther says Merseysider Allen, it was empty and str ound the block and getting there and made it our home for a while. Ever ess ning up to see us. The queue was r people tur y week.” ned up mimicking theirock style leather of dr longer ever s ew, fans of the band tur e As their fame gr tainment! Their stage attir that had become their trademark. Not for this lot the heavyent dynasties r and eras,ong -shirt look (except when they went out as ‘Thefer Diggers’, but that’ denim T y). This was Showtime,ew frthisom wasso many enter dif another stor reflected a musicalet, style burlesque, that dr vaudeville & music hall. But it also hadound str at ed by cabar oll, r&b and pop. e people ar inspir ock ’n’ r e wer elements of r e,” avers Allen. “And ther ywher s. Some saw us as om ever om New “We drew fr n and the High Roads whoe was we a loved, B-52’ but we had our own s before ther e was Split Enz fr the time like Kilbure were the B-52’ approach. W a new Sparks, but that was never the case. Ther eil, to name just Zealand doing their thing, but that was it.” t W om a huge pool of influences – Bowie, omRoxy the Music, masses. Frank By 1975,Sinatra, the Drawing fr t, Dan Hicks, The Kinkst fr and Kur eather Repor , plus singers Bette Bright and Motown, W centage – Deaf School stood apar a small per ound Allen and Langer line-up had solidified ar