THE DIAPASON AN INTERNATIONAL MONTHLY DEVOTED TO THE ORGAN, THE HARPSICHORD AND CHURCH MUSIC

Seventy-FiTsl l'tdr~ No.3. IV/role No. 844 A Scranton GiUctte Publication MARCH, I980

A Conversation with Gill ian Weir by Laurence Jenkins

Gillian Weir is one of the finest One should never, as I heard some­ concert artists in the world. Her one say, learn to play such a section perfonnan'i:es all over the globe are slowly and then gradually get faster hailed as "exciting," "definitive," - that's death to the music - but "brilliant," and generally top-notch. one should learn to play the triplets Organists can be proud to count far too fast if anything and the her among their ranks, but as a same with the other figure, and matter of interest, Gillian Weir did then put them together not think­ not plan to become an organist. ing about either one. It is tile rhyth­ She was solidly on her way to be­ mic pulse that should be felt. coming a pianist when she encoun­ A sort of organic approach? tered a mechanical-action organ Well, it is one that it totally which changed her fate and lifted rhythmical, living, breathing, if you tlle standard of organ pcrfonnance will. I have learned so much about in one motion. rhythm in the last few years, espe­ Born in New Zealand, to which cially concerning baroque articula­ she returns almost annually a "fav_ tion. Baroque articulation has noth­ orite daughter," Gillian Weir now ing to do with structure, nothing resides in Britain, a proud citizen to do with phrasing, it is entirely of the country which she reports rhythmic. It is in the dance of the has been good to her. Indeed, it time, with its fonnal gestures and would seem that the good things its measured step, and it is this began to happen here when she which should come across in the won the St. Alban's International music. Organ Competition in 1964 and I am very glad to hear you say began a skyrocketing career the thaI about the dance, for I have next year, with appearances at the always postulated thaI every musi­ Royal Festival and Royal Albert cian should have as part of his Halls, the latter appearance as so­ training some form 0/ movement loist at the opening night of the or dane< c/ass, preferably in early "Proms." dance. But hers was no mere virtuoso Yes, if one understands this kind talent, and so she has endured to of movement, one can create a cer­ become perhaps the most sought­ tain kind of rhythmic flow which after performer on the organ to­ will get rid of this stick-in-the-mud day. Her scholarship, dedication, kind of playing. I am doing a and ability to project the music course at Fort Collins in June and she plays, no matter what period or I have asked that we have a whole style, have caused departments of unit devoted to baroque dance .... music in all countries to engage her G\\': I've never studied with with. They write what they mean BrauD! 1/ one can dance a gav­ as teacher, lecturer, and expert on Nfessiaen, no, but I do know him. and they may play it a little differ­ otte, perhaps one can play one. composers from Marchand to Mes­ I played ~{essiaen when I won the ently - so what? - they prefer that Yes, if one understands the ges­ siaen, and it was in the midst of St. Alban's competition in 1964 and I stick to what is on the page. And, tures and their responses and the doing some recordings for the BBC became associated with his music in the case of !vlessiaen, anyway, I way all this is represented in the (British Broadcasting Company) because of that. I didn't really have always usc, as far as is possible, his music, then one understands the that I was able to secure an inter­ a particlllar thing about doing this registrations. I am amazed when I rhythm. And this idea is very im­ view with her in the heart of Lon­ music; as a matter of fact I hate do a masterdass and people pre­ portant in Jvlessiaen, because his don's Mavfair. labels. There aren't too many things sent all sorts of funny ideas of their idea of rhythm is the antithesis oC Anyon~ who has ever had occa­ I get wound up about, but one of own, when it is all printed for them everybody else's. He finds Sousa sion to encounter Gillian Weir has, tl1em is labels. However, I love to see. He kno' .... s what he is doing marches to be a-rhythmical because I am surc, remembered the event. Messiaen and I play all the music. and the colors are all right for the they are much too strict to have An event is just what this remark­ I've done the complete series sev­ music. anything to do with rhythm, and able woman makes of a meeting, eral times. In fact, I've just record­ In a7l)' discussion of J\1cssiaen's in this context the Greek idea that and on the night of this interview ed the music in Washington, D.C. music, the matter of adherence to you have both a verb and a noun she was in good form, I had had What sort of approach do you thl! note values is bound to coml! for the word, so that you can talk the privilege of attending her take to learning the music? Do you up. Do you, in fact, pIa)' the exact of rhythming I find fascinating. "Happy Birthday" concert for talk 10 him about it? note values asked for, or cia ),ou And of course that's what you do Olivier Messiaen only the month I don't talk to him in detail about believe they are only an indication with Jvlozart, who is supremely before and so began by asking Miss the piece. He gave valuable help of an effect Messiaen is asking for, rhythmical but not at all metrical; Weir some questions about the con­ and advice when I did the UK pre­ I do adhere to the note values. but that is a whole topic in itself. cert and her associations over the miere of the A1cditations. I wrote However, I think, as with any com­ This mention of composers and years wi th IvIessiaen and his music: to him and said there were one Of poser, that it is the rh"thm of Mes­ your working with them brings me LJ: I was at your Messiaen con­ two things that were different on siaen we ought to be talking about, to another question I was intending "rt given at the Royal Festival the score from what was on the Cor it is the rhythmic ideas and to ask you, ... What present-day Hall and was greatly impressed and recording he sent me. He wrote how one puts them over which composers post-Messiaen do you wish to ask ''au how you got inter­ back and said to play it the way it create the effect. For instance, the prefer? Have you worked with any ISted in doing so much of Messi­ was on the score, and that has been section in Serene Alleluias in which with whom you have a particular aen's music. Did you actually go to more often than not the case with there are triplets in one hand rapport? him or study with him? any real composers I've worked against quintuplets in the other. • (Cantin",d, pag' 16) THE DIAPASON Established In IYOY Although the stoplists of many new organs of varying types are routinely pub-. lished, a great deal o£ information about the instrumcnts is £requently omitted. .in ',"emational Monthly Devoled to tile Orgsn, the Harpsichord Gnd Church Mwic Space precludes detailed treatment o£ c\'ery new installation, and complete de­ Ol/iels' Journal of Ille ,"neT/enn lrutitule 01 Organb"Uden tails are not always provided by the person submitting the information. Some routinely-produced instruments are frankly not worth describing. And a verbal MARCH, 1980 Edil., & 'ub#is"r AITHUR LAWRENCE description o£ an aural concept is ohen difficult to achieve. Nevertheless, there I._~ DAVID McCAIN is occasional value in exploring a particular nC\\' organ in greater depth, to dis­ FEATUIIES .-- cover the philosophy behind its design and to ale" others to worthwhile ideas f_ WESlEY VOl which may be incorporated in other organs. A CoA ... nathn, wida QUliaD Weir ColI,,...,,.. EcIiI.,. LURY PAlMD by Laurean Jeakbu J. .1-11 Harpskbard ID. s.arcb of a C1:IDreh Organ This month, there are two articles which deal with the design o£ new organs, hy E::ul L. MUI., 10 10.11 JAMES McCRAY one American-built, and one European-built, each written by the organist in· C,"""I Mo.. volved. One might correctly suspect that such penons tend to see and promote He. Jcmb Orqua !II Scm Frcmclace by Dcnid 8rittea 20-21 only the best in these organs, but the organist involved in the design can also HUDSON LADD tell us a great deal about the process undertaken to achieve certain T(!Sults. The IlEVIEWS Carillo... onc denls with a church instnlment, the other with a studio organ, but each Thalbea·BaU 110000001:ay 2; IRtlCE GUSTAFSON includes matters o£ interest. Maalc: lor Vo~ aDd Orqcm Ma""""w by Jam.. McCray • A different sort of anicle is the feature interview with Gillian lVeir. This I.,... Cot...... DAlE CAD" outstanding organist needs no introduction, but what she has to say about inter­ Groa"'" pretation, especially o£ new works, performance standards, recitals, and the like LAURENCE JENKINS should be o£ interest to all organists. The interview took last year in London, EDlTORIAL I '"'"'- where foreign correspondent Laurence Jenkins met ,".jth her and posed the SUSAN RIRE questions included in the conversation. LETrERS TO THE EDITOR a. 15 France NEWS AaDoaDnmeati 1,1:1 1".-$7.50- NUDe Dbalttls • 2 ,.,..-$13..... BeN " T1Mrw 7. n. 14. 11 su.. .. C_-$I..... AppolDtmeata '0 Koaon THE DIAPASON '0 P"blished Monthly",' Manavemeat ,0 Scrsnton emelle Co",munications, Inc. Summe.. Actl",ltl.. ,. 580 Norlhtvesl H/gllfllay Des Plaiues, IL. 6OO16~ NEW ORCMS 1".1 Phon, (512) 298-G622

Many, many organ recitals - too many, some think - take place during the ClIJ.EIIDAII ..... Controlkd ciTcui41ion /'OSla,e /MId year, as a glance at various calendars will reveal. There are undoubtedly more at Rocllelle~ IL and nt lk3 Pla;nt:$, II­ such programs than any listing shows, and they are played by many people...... Publication No. 156481>- Some recitalists play only a few times, while othen play frequently, and the Rouline items lor publicstion mwt be great majority arc not the recitalists who tour under management. Howevcr, received not hiler II'dn the 1st 01 the the most significant recitals probably are the oncs played by the "pro£essionals" All IUbscribcn an: urged to Imd monlh to assure insertion in the wue­ and it is those people - the oncs who devote a significant portion of their thanSei of addirell promptJ, to the lor 11,e next mouth. For advertisin," time and energy to recital playing - that are under discussion here. oroce of The Diapason. ChanS" topy, II,e dosing ddlt: if Ihe SIn. Materials lor revit!W s1.01dd resch must reach us before the 10th of the the aI/ice by ",e 1st D/ 'lie prmow I doubt that there is any organist today who can earn a living by exclusively month prccedl", the cbte of the month. Prospective conlri6",ors of concertizing; everyone, it seems, has to rely on a regular position (or on the fint Inlle '0 be mailed 10 the MW drlides .should reqUefl d style ,heel.. stock market) to pay the bills. But, a number of well-known organists, both _TbeDb_ ...... p .... American and European, do tour extensively, and they must at least meet their Thi.s journal i.s indexed in ~ "k)e dupliCAte tOf'irI mlllrd hn:ame Ptlnsic Index, "nrlot"ud In Music expenses through the fees they charge. Some o£ the "big names" arc reputed of a IUblcriber'. WI_ 10 aotllJ_ Arlicle Guide, dn" nb.slraded ,,. to command high fees, although none approach the fees obtained by other RILM Abslractl musicians, such as top-flight singers or instrumentalists. Nevertheless, the fees often seem high, especially for churches, Guild chapters, and educational insti­ tutions to have to pay. Thalben-Ball Biography But - before we complain about the high £ee Mr. X or Ms. Z exaCtS - think about it from the per£onoer's viewpoint. Out of that fee comes a nat George Thalben-BaII, by Jonathan Jonathan Rennert, newly-appointed percentage paid to the management, plus all the expenses o£ advertising, pub-. Rennert. North Pomfret, VT: David organist o[ the London church of Sf. Iicity, air farcs, taxis, car rentals, phone calls, meals, hotel bills, and the ta..x & Charles, 1979. 175 pp., $16.95. Michael, ComhiIJ, has produced a extracted by Big Uncle in Washington. Non-Americans have it even worse: George Thalben-Ball, organist or book which is well·written and high­ our government withholds 30% o£ all recital fees earned. One noted European London's Temple Church for 45 years lyareadable. In addition to nineteen artist recently wrote me about this and sent a detailed breakdown from last and organist o£ the City and Univer­ chapters on Thalben-Ball's lire, the year's tour: a two-month concert stint netted this person nearly $8,000 in fees sity o£ Birmingham for 30 years, is appendices include a discography. received, but after all the expenses and taxes mentioned above were deducted, one o£ the 2Othacentury's most distin­ specifications o£ six organs, a sum­ the "profit" was a grand $36.811 That person has to love per£onoing if there guished church musicians. He studied mary o£ important dates, and material is to be any reward. with Stanford, Parry, and 'Valford on the Temple Music Trust. The book Davies; was a friend o£ Holst, Howells, is handsomely printed and contains Managements, too, are hard-hit by today's high expenses (who isn't?). By the and Dupre; and he taught Gordon many interesting photographs. One of time the management breaks down its expenses and pays its employees, I would Jacob, Gordon Atkinson, and James the fascinating aspects o£ this work is. guess that the hourly pay earned is less than the minimum hourly wage on Dalton. These - among many others the light cast on the many musicians which many businesses (including publishing howes) run. - link him with the past, present, with whom Mr. Thalben-BaJl has been It all boils down to an old trulSm: quality in anything is expensive. So, the and future. He has played recitals associated; as the author puts it, "one next time we want to undelpay that expensive touring organis~ let's consider around the world, made recordings, o£ th~ 'perks' was the opportunity to whether or not any of the rest o£ us would want to cam only a £ew dollars for taken charge o£ music for BBC re· speak about GTB with leading mem· our trouble. - A.L. bers o£ the musical profession who had ligiow broadcasts, carried out music worked with him." programs during two wars, composed, This is a book which combines good taught, and is still today active in his inrormation with a gracious writing SO's. A biography o£ him seems ap­ style. It is available from the publisher propriate. in Norch Pomfret, VT 05053. - A.L. The Guild o£ CariUonneurs in North America will hold its 1980 Congress June 20-24 in Ames and Cedar Falls, Announcements Iowa. Recitals and carillon-related The national headquarters of the Three Hymns for 1979, commis­ BachaaaThon at First Baptist Church events will center around the instru· American Guild o£ Organists is mov­ sioned by the Hymn Society o£ Amera in Philadelphia, PAl will feature or· ments at Iowa State University and ing to a new address and phone, ica in memory of Annie Lytle ~{il1er gan works o£ J. S. Bach played from at the University of Northern Iowa. as of April I: 815 Second Ave., Suite (1918-1977), have been published by noon until 5 pm on Saturday, April The Stanton Memorial Carillon Fauna 318, New York, NY 10017 (212/687- the society at its national headquar. 12. PaTtidpating organists will be dation o£ Iowa State will sponsor a 9188). The new location is deemed ters, 'Vittenbcrg University, Spring. Earl Ness, Robert Plimpton, Richard competition for new compositions for a good one, inasmuch as it will yield field, OH 45501. The three are "Lord, Elliott, Robert Carwithen, Eugene castabell, mechanical-action carillon; more space at less cost. The reloea· As You Taught Us Once to Pray" Roan, Dennis Elwell, John Weaver, premieres of winning works (three tion also involves the o££icial journal, (text by Jaroslav J. Vajda, music by :Michael Stairs, Roben Elmore, and prizes o£lered) will take place during The American Organist. We wish all Lloyd P£autsch), "0 Lord of Love ~fark Suter. The organ works will be the congress. The deadhne for sub­ the starr well in this move and hope and Power" (text by Herbert Broker­ followed by the singing of Cantatas mission of entries is April 1. Further they are less dislocated by it than ing, music by lVilbur Held), and "You 106 and 128 and Motet 6, and a harp­ information is available from Richard their conglomeratearidden colleagues Called Me, Father, by my Name" sichord recital will be given by Tern· von Grabow, 320 Morrill HaJJ, Iowa in the shadow of O'Hare's jets have (text by Frederick Kaan, music by pic Painter at 7 pm. Proceeds will be State University, Ames, IA SOOt!. been. Alice Parker). used for the organ restoration [und.

2 THE DIAPASON Letters to the Editor

1570 Mi~s:ll of IJ iu5 V (knowlI as the If Only They Knew "Tridcntinc Rite"). Bemuse this Tri· In his tc\'iew of mass settings in the dentine Rile was suppressed at the same Dec. issue, James McCray mentions that lime that the use of the ,'crnacular was the Second Ecumenical Council abol· illtrlHhlO'd. most people were led In he­ ished thc Lalin Mis-'ia C:llltata and elim. lic\'c that Liltin had heen suppn.'Sscd inated Gregorian Chant. I'erhaps Mr. as well - a classic case of "mixing ap­ McCray deduces thL'Se ideas froll1 what ph.'S and h,lI1allas", It is a sad fact that he has seen of the music in Catholic man)' prominent liturgists as well as churches. "'e ha\'e, mallY of us, anne those o£ficials who were responsible (or 10 belic\'c that wltal we mually eI1COUI1· the implementation of the rC\'ised rites ter as up·dated practice in Roman Cath­ in the U.s. (e.g .• most members of the olic churces is what Vatican 11 pre. nishops' Committee on lhe Liturgy) scribed. On the contrary. it is a rare were strongly opposed to the usc of Catholic church whose liturgy reflect.s Latin and deliberately deech'cd Roman the official prescriptions and desiR'S of Catholics (most notably, the clergy) by Rome regarding music at mass. ...\nd preaching that the usc of Latin had J those prescriptions should bc encour· been "done away with by Vatican II", ~1111111 !~ aging to anyone that knows and lo\'es A misillfonncd media assisted in mak­ the church's treasure of Latin choral ing the confusiull unh·crsal. J tliJ~ _-:- nill !1~ music. Yet the growing number of official "' ~ (If T" T' Here are a few of the facts from Vati· Latin liturgical books promulgul<'11 b} _'" tJ ~ can II's Constitntion nn the Sacred the Vatican in recent )'ears aliens tu Liturb'1' and from se\'eral post·conciliar the fact that Latin is still not only .,.., documents implementing that Constitu· permillt.'tl but officially sanctioned, tion: Latin is still Ihe official liturgical These hooks include: language of thc Church of Rome: bish· Mi55l,/e 1l0l"6I11W, (the official Amer· ops arc In encourage their people to ican English translation of which is learn and usc a basic repertory of the entitled Sacramentary). This "Missal tmditional Gregorian chants; churches of Paul VI" is the hook used hy the in metropolitan areas, and especially prk'St for celehrations of the Mass in where polyglot congregations arc likely, Latin, and includes music, (Valican arc to includc masst.'S in Latin on Sun· Polyglot Prt.'SS; Lihreria Editrice days; not only are choirs to be fostered \'aticana; Cina del Vaticano; Rome. and gh'en their rightful place in the Italy 0(120). liturb'1' everywherc, but the tradition of Lecl;otlllT;lIm, in three volumes, cun· choirs of men and bo),s is 10 be pre· tains the Scripture readings for MaM sen'ed; and thc lIIore cxcellent choirs (Vatican Polyglot 1'f(.'SS, 19iO). in hasiliC'ds and othcr major churchL'S Graduale llama""", amtains the G I"C!' arc encouraged to prescnt the master gorian Chants for the Mass and was / choml works. The official policy of the revised in 19i4. The re\'isioll cOlu ist­ Church of Rome is that liturgy is to be ed primarily in the reassigning 01 solemn and dignificd and simple. If some chants lu different days (to ae­ I only Catholic churches knew this. collllllotiale the new I .u liorla,illm) Sincerel)' )'ours, and the suppression of 19th cen· James W. Frazier tury "pselUlfI'l,regori:m" compositions Hartford, COIIII. (Ahbaye Saint·Pierre de Solesnu.!s , 72 300 Sable SUI' Sarthe, France - I am disma)'cd that 50 many people amitable in this country Ihmugh continue to belie\'e that Vatican 11 sup­ C.I.A. publications) . pressed the use of Latin. In fact, thc r.radllale SimjJlex contains allernate Council declared that "the usc of the Latin chanls "for lise in small church· Latin language .•. is to be prescn'ed t.'S" (Vatic-.m polyglut lire!;!;, 1975) . in the Latin rilL'S." "A suitable place 111M/flte Deo conlains a "minimum may be allotted to thc vernacular in repertoire of l.alin chant for the faith· Masses which are celebrdted with the ful, according 10 the intent of Vati· peoplc, t.'Spedally in the readings and c:m Council II" (VatiC:1II l'ol)'glot the P'-:l)'cr of the Faithful and also, as Ilress, 19H). local conditious mOl)' warrant, in thuse Orelo Mi,s.tat: I" Cfwtl~ conlains Ihe parts which pertain to the people ... chant uf the Mi5.wle Iloma",,,,, ("Ro· Ne\'erthclL'Ss, care must be laken to en· man Missal") in a more convenient sure that the faithful are also able to fonnat (Abbayc Saint·I'jerrc de sayar sing together in Latin those parl'i SOICSIUL'S, 19i5). of the Ordinary of the Mass which per· Litllrgia Iloraru"" in four \'olumt.'S, tain to them." Whilc congrcg-dtional is the "breviary" which contains all singing was given a new emphasis, the o( the Latin texl'i for the revised Council also staled that the Latin chor· Canonical Hout5 or "Dh'ine Office" al heritage of the church was to be (Vatican Polyglot I'noss, 19i1). 25th Annual "prescn'ed and cultivated with great A"tijJJIO"ale MOIlasH, u"" containing care" (Vatican Cuuncil II: Corrstillltioll the Gregorian Chant for the Liturgy 011 Ille Stlcred Ulurg)'. 1963). of the Hours, is preselltly being re· Contrary 10 popular belief, Latin re· \ ised by the monks of SoiL'Smcs and mains the official - alheit no longer should be available SOOtl. (The Anti· National Convention exdush'c - language of the Romau jJJlDtlale and Ihe Gmd'lUte arc the Rite. The present confusiou arose (rom principal books uf Gregorian Chant. the fael that Vatican II also mandated The familiar Liber U5'Ullis, a 19th· a rcronn or "I'L'Sloratiou" of the liturgy century abridgement uf the two, is 24-26 June 1980 itself. This refonn was implemented in being phased out and, hence, will not sc\'eral stages between 1964 and 1969, be revised 10 accommodatc the recent and ultimately resulted in the 1970 changes in the Liturgy.) Missal of Paul VI, which replaced the (Cmlli,lII£d, jHlge 15) Finger Lakes Region, New York TWIN CITIES AGO 80 NATIONAL BIENNIAL CONVENTION (@rgatt 1i,illtoriwl §orirty

Work,hop' by Waller Anderson, John Bailey, Robe"a Bilgood, Roberl Clark. Fenner Douglass, Heinrich Fleischer. Philip Gehring, larry Jar cielails and rf!gi:ilralhm, cOll/acl: Kirkegaard, Gerhard Krapf, Paul Manz, The Rev. Elaine Marsh. Marilyn Mason, Ronald Nelson, Larry Palmer, Marjorie Pohlmann, lowell Riley, Barry Rose, The Rev, Don Saliers, Russell Saunders, W. Thomas Smith, Anne Kazlauskas Robert Thompson and Marianne Webb. 210 N. Cayuga Street Ithaca, N~w York 1,1850 Choral Reading sessions by major publishers with Clinicians Ronald Arnatt. Allan Mahnke, Robert Currier, Phillip Brunelle and others. 607-27H-65H2

.June 1 6-20 M,nneL-lpolls/St. PLlul ,. ;J/A . , .. " -,1' . , Il ,,, . CJ:J,.(/" ,,,,rll

MARCH, 1980 3 Reviews • • • • Choral Music & Recordings

Music for Voices & Organ New Organ by James McCray Recordings

"salm Seuings by Arthur Lawrence

Jean Langlais: Six esquisses pour deux A psalm is defined as :l sacred song Teach Ale Your lVa}'s, Lord, Harald / Lift U" Jly Eyel. Kent Newbury; or lyric contained in the Old Testa­ Rohlig; unison or SA with organ; Con­ SATH or SA with kt:yhoard and op­ orgues. Jean Langlais and Marie­ Louise Jaquet at the 1965 (main or· ment Book or Psalms. This collection cordia Publishing House, 98-2348, 3~, tional percussion; Shilwnec Pr('ss, A- gan ) and 1954 (choir organ) Becke­ of words has probably been ~el to mu­ (E). 5766, -101 (E). rath organs, Allstadter Nicolai·Kirche, There arc two verses with some of '1 he optional percussion calls for sic morc than any other single hook o( Bielefeld. Motette·Ursina sterc>:) M· the material treated strophicall),. The the Bible. The settings are not re­ nmracas and bongo drums; their music 1016; available from Motette- nina. stricted to Christian doctrine ani),. but keyboard part is on two staves and i'i on a separatc score. The character, Schallplaltenverlag, P.O. Box 130364, transcend a more univenal expression could be played on pianoj the alto line ('5JlCcially with the percussion, is that 6200 Wiesbaden 13, West Gennany o( praise and, or course, owe their iJ: listed ad lib. The music is very calm IIf a Latin American folk tunc. It (no price listed). origins to poeu who lived cellturies tx.... and performable by young voices. Thi!'i would be quite appealing to a young (ore the birth of Christ. There arc two gentle setting of Psalm 25 is simple ret girls' chonls and the vocal ranges suit In 19;+, Langlais W4lS commis.~ioncd versions employed in numbering the :turacti\,c. them well. Most of the nOles ror the hy the l~rench Ministry of Cultural Psalms; one is associated with the Vul­ male sections simply double the wo­ AHaifS to wrile three pieces for two gate and the other with that of the men'!'i lines. organs, which became Three llotnall­ Hebraic. This results in a discrepancy My He." Is Ste.df.st. Daniel Pink­ csque Sketches. These were followed hy Three Gothic Skelches also for two in the numbering which occurs only ham; SATB Wilh optional organ (pi­ I Will Lift U /' Mine E)"n. Melod) l organs {although the first piece in thi!'i between numbers 10 and 147. ano ) doublingj C.F. Peters Corp., SchlittC'nhard; SATB with pianoj Mark 66708, 40¢ (M ). set may be performed on one inslnl­ In worship services before the lime Foster :Music Com pan)" MF 187, GO¢ ment - sec "A new \Veddillg Proccs­ of Christ, the Hebrews sang pSOIhns The choral parts are written on two I M- ). ~ional of Jean Langlais" by Douglas staves in this the eleventh of a series and this waS continued later; in about Ao; with the previous Newbury set­ D. Himcs in this journal, Jan. 1978}. 60 A.D., Christians were still attend­ of psalm-motets by Pinkham. The mu­ t ing, this one is based On Psalm 121. Both sets are in similar !'ityle, the fint ing temple worship services, and sic is mildly dissonant with changing Schlittenhard's is a delightful, jo),ful heing based on IOth- and 11th-century psalms were sung as an imponant seg­ meters and it moves in a block-chord version that would be useful for junior plainchants, while the second use!'i ment of those services. '''infrid Doug­ fashion with $Orne momentary melis­ high \'oices, in addition to church chants from after the 12th century. The las in Church Music in History arid mas. The ranges arc good for most choirs. The modal shifts which occur harmonic language is typical of Practice points out that: church choirs and it could be sung give it an appealing quality and tht' Langlais' earlier works, although (here At the Temple worship the), heard, unaccompanied. It is brief, lasting less 4lccompanimcnt is simple but very seem to be occasional rcfercnce.~ here after the Shema, "Hear 0 Israel," than two minutes. The text is part of "prettr". The main theme is presented 10 Messiaen, especially in the Esquissc the singing of the daily Psalm, Psalm 57. se\'eral times in slightly varied arrange­ R omane 2, in which the listener may ushered in by the sound or the ments. he reminded of Die" parmi now. magrepha and by the sound of cerc­ Rather than pit the two instruments monial trumpets, and accompanied Out of t"e Depths I Cry. Itondolph o Come, ut Us Sing Unto the Lord, against each other in these piece!'i, the by the Temple orchestra. The litur­ Currie; SATB, sopmno or tenor solo Kayron Lee Scott; SATB and organ or composer here (end!'i to exploit the gical Psalms were sung in three and organ; Roger Dean Publishing Co., hrass; Augsburg Publishing Home, 11- grandeur of two organs playing to­ parts; the trumpets were blown nnd CE-103, 40¢ (M). 0671, 65¢ (M+). gether from dif£erent parts of the the people prostrated themsch-es The tenor part is optional and lIlay The organ part is a tl11nscription of building. after each part. be played by a viola or an oboe, but' is the original brass score. This is a qual­ Thc recording is well-pre.'ised and "fhe reviews for this month arc all best left as part of lhe choral texture, ity anthem of 17 pages which will re­ ha.'i II sound which suggCSl'i comider· 20th-century settings of one or the particularly in the unaccompanied sec­ quire a good choir; the changing able resonance; the stereo effect is nOi Psalms. Many of the texts arc vcry tions. There are several short areas and mcters, which arc not difficult, will pronounced. Packaging includes note!'i familiar to not onl)' choir directors, but moods; organ interludcs, which have challenge most church choirs, but they in English, German, and French, and to congregations and audiences as well. registration suggestions, link the areas gh'e a wonderful dance character In the specifications of Ihe organs :lre in­ Their messages continue to stimulate together. The writing is not difficult the music. There is a tranquil contra­ cludf"d. The performances are pleasing composers just as the)' ha\'e throughout and the modality used makes this an at­ puntal section sung unaccompanied. 10 hear and mar be c::ollsidered defini­ the ages. tractive anthem of interest to most The style is gener.llly festh'e, with li\'e oncs. choirs. The te."(t is Psalm 130. some unison and divisi areas for th(' Festal Anthem. Robert Leaf; SATB, chorus. This is an exciting piece lh.n organ and Bb trumpet with music for is highly recommC'nded for both good solo or children's choir; Augsburg Pub­ Ps.lm 27. T. Charles Lee; SATB with adult choirs and high school groups. Eggen: Ciaconnn in G f\1inor; Sand· lishing House, 11.1795, 60~ (M+). medium voice solo, organ and hand· void: Introduction and PaSSDcaglia in The text is based on Psalm 29 with bells; Belwin-MiILs Publishing Co., Smg Forlh the Honor of His Narnr. B Minor. Kjell Job"""n at the Gron· some additional textual and music.11 GCMR 3414, 451 (M). Eugene Butler; SATB and keyboard; lunds organ or the Enge1brektschurch, material at the end. There is a driving The harmony used in this anthem Hinshaw ?\.fusic Corp. HMC-405, 6 ,~¢ Stockholm. Ansgar Grammofon stc· rhythmic excitcment to this setting, al­ is typical of the late 19th-century 1M ). reo K.1335; available from Ansgar though the total amount of music for chromatic style. 34 or 35 bells are The keyboard has an important role Grammofon, Mollergt. 26, Oslo J, the chorus is limited. The organ and needed and they arc wed extensively in this setting in which Dutler ha!'i Norway (no price listed). trumpet have extended solo passages; throughout the composition often in :tdapted the texl'i of several P ,~:llll1s , The st),le is that of a fanfarc, \\ ith the Mr. Johnsen (b.1945 ) turn' in a the area for the solo 01' children is also eight-part chords; they also have some £ine performance of two large-scale of moderate length. The closing section solo responsibilities. The organ writ­ opening harmonic: and rhythmic ges· works b)' 20th-t entury Non,'egian com­ lure heard in the accompaniment sen'­ is a bravura setting of the familiar tune ing is easy, on two staves, and sen'es poSCI~. Arild Sandvold (b.1895 ) W,IS to "Rejoice ye pure in heart" wilh that primarily as a support for the voices illg as the unifying moth'c, The k('y­ organist or the Oslo Cathedral for text. The organ here has some power­ and bells. There arc some dh'isi spots board part is not especially di£ficult . more than 30 years and wrote hi!'i ful chords which gh'e a thrilling back­ for the chorus, but its music is not dif­ hut will, ne\'crtheless, requirc a good I"troduction and PasJa ~aglia in 1927, ground for the unison voices. This ficult and is singable by most good performer. It consiSl'i of pulsating when he was studying with Straube psalm setting is certain to be a favorite church choirs. block triads which harmonically shirt in Leipzig. After a brilliant opening, with both the choir and the congrega­ quickly to unrelated ton,,1 arell'i hUI there arc six variations using various tion. retum rapidly to the conal center. This canonic techniques and n fugue based i!'i a typical Dutler piece and is an­ on the Nom'egian folktune Herre, jeg 1·". Lord Is My Liglll ."d My S.lva· other of chose works which will be or Iljerte/ig onsker a fremme di,. aue. Psalm 148. Joseph Gelineau; SAlTB tion. David H. \Villiams; men's voices interest to both schools and churches. The work by "me Eggen (1881.1955), imd organ; O.l.A. Publications, G- in unison, flute and contrabass; Beh"in­ It is stirring, imd the \'ocal craft should his only organ solo, was also written 2245,5O¢ (E). Mills Publishing Corp., GCMR H 10, make the choir sound brilliant. under the tutelage of Straube. Not Gelineau is a French Jesuit priest 401 (M-). surprisingly, both are r.lther Germanic who hilS made significant contributions This ABA anthem is based on Psalm The Lord ;s Good to All. Jean Berger; in style, reminding one of Reger, albeit in psalmody. He developed a new style 27 with the chorw written in the SATB unaccompanied, with optional less chromatic. of chanting which is "halfway between treble clef and a separate score for finger cymbals; Alexander Braude Inc., The recording was made on a 5- plainsong and Anglican chant". This the instruments. The parts are easy, AB 448, 75; (M+). tIlanual tracker of 87 stops built in piece is very repetith'e and employs a with the bass played pizzicato in a Contrapuntal and repetith·c. this 1964 by Gronlund, Orgelbyggeri. The cantor who interjects a recurring alle­ jazz style; the flute part is somewhat happy setting mo\'es in 12/8 and ha, recorded sound is good but a bit dis­ luia that is then echoed by the choir. more elaborate yet suitable for most an extended alleuia section which is tant. Jacket notes, which include Ihe The organ music is very simple and average high school players. This is an faster. The cymbals are sparingly used. specification, are in Norwegian, Ger­ merely provides a harmonic back· unusual combination of mediums There are some dissonances, divisi, and man, EngJish, and French. For those.! ground for the voices. The choral writ­ which offers a nice contrast to the a wide variety of dynamics. The vocal interested in contemporary Scandina· ing is in two parts except ror the end­ regular anthem and make it possible to ranges and style make it especially ap­ vian organs and organ music, this rec­ ing, which divides. feature the men of the choir. propriate for a good high school choir. ord will be a "mwt."

THE DIAPASON The pursuit of excellence knows no schedule

When you're ready to practice, there is simply no substitute for the comfort, convenience, and privacy of your own home. Nor is there a substitute for the Allen System 120 as the instrument of choice. Why? Because the 120 offers you everything you'd look for in a home practice instrument and more (including a very affordable price). First, you have two 61 note manuals and a 32 note concave radiating pedal board, both AGO. Then there are 36 totally independent stops, including a complete reed chorus, at 16', 8', 4', and mixtures. Plus Allen's unmatched computer tone generation means pipe sounds with no missing notes. The 120 can also be equipped with Allen's new "Total Ambient Sound," for the feeling you're playing in an enhanced acoustic environment. And when it comes to tone quality, an Allen Organ will speak for itself.

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C. Harold Einecke, former organ· Fast UPS Delivery ist-choirmaster-carillonneur of the Ca· thedml of St. John the Evangelist in WOMEN'S whole .. nd half sizes 4.10 Spokane, died in the Washington city MEN'S whole lind half sizes 6·15 Nov. 30. He had retired from the CAll OR WR'TE (203) 238·7078 cathedral position in May 1971, after 90 Fowler Ave .• Meriden. Ct. 06450 serving there 16 years, and was named Canon-Prccentor-Carillonneur Emeri­ William C. (T<>Jlin) Nicholls was tus. killed Jan. 3 in Pittsburgh, PA, where Born in Quincy, IL, he held church he had been director of lIlusic at St. positions in that city and in Grand Annt: Roman Catholic Church. He Rapids, St. Louis, Santa Ana, and was 31. Gerald Knight, director uf Ihe Santa Barbara. A graduate of Colum­ Mr. Nicholls was born Mar. 25, Royal School of Church Music from bia University, he studied with Charles 1948 and had studied at St. Vincent 1952 to 1972, died Sept. 16, 1979, at Doersam in New York, Joseph Bon­ College, La.trobe, and at Ihe Univer­ 'he age of 71. net in Paris, and Karl Straube in sity of Pittsburgh, where he received Born at Par, Cornwall, in 1908, he Leipzig. He also worked with Ernest the BA degree in philosophy. He had rirst sang in the Truro Cathedral Bullock, Ralph Vaughan Williams, subsequently taken graduate work in choir. He read English and studied Adrian Boult, and Reginald Jacques. organ and theory. Since coming 10 music at Cambridge, .then was a stu­ He held a doctor of music degree (rom Ihe St. Anne position, he had estab­ dent of Sydne)' Nicholson at Ihe the University of Chicago and was a lished several instrumental ensembles School of English Church Music. fellow of \Vestminster Choir College, and choral groups, and had doubled After holding several positions and as well as it member of the RCO in Ihe size of the church's adult choir. earning the FRCO diploma, he be­ London. A funeral liturgy was held at 51. Anne came orgolnist of Canterbury Cathe­ hilrflSlchordrs! Church on Jan. 7i tribute was given dral in 1937, a position he held while Frank K. Owen, former organist Ro bert Edward Smith b)' members of the church music sem­ becoming associate director of the and choirmaster of St. Paul's Cathe­ inar to which he had belonged. RSCM at Nicholson's death; upon dral in Los Angeles, died Dec. 20. assuming the directorship, he relin­ Rom in 1901 in Manchester, England, [:IIJn!st Paul Ensrud died Nov. I at the age quished the Canterbury position. I-Ie he served the Los Angeles fane for 25 Thomas Richner of 80. He was professor emeritus of also served a~ overseas commissioner years before retiring to Palm Desert, music and department chairman for for the RSCM from 1972-1978, when CA, where he was organist-choirmas­ rive years at St. Olaf College, North­ he retired, hut became, for it shorl ter at St. Margaret's Episcopal \OfJ! ensemble field, MN, where he had retired in period, acting orgilnist of Lincoln Ca­ Church. Noted for many FM broad­ The Scholars 1968. thedral. casto; of organ mwic during the 1950's, After studies at St. Olaf and gradu­ Gerald Knight received the Lam­ he had also been a member of the orgJnlst' soprJno ation from Carthage College and Syra­ beth D,Mu5, degree in 1961 and was Episcopal Commission on Liturgy and larry Allen & Monica Robinson cuse University, he was awarded an appointed CBE in the New Years Church Music and the Southern Cali­ honorary music doctorate from Honours of 1971. He wa~ also hon­ fornia Chapter of the Royal School of Muhlenberg College. In addition to ored with degrees and honorary mem­ Music. Long an active member of the leaching at St. OJaf beginning in berships from St. Michael's College, Los AngeJes AGO chapter, he served 1948, Dr. Enscud taught at Carthage Tenbury, the Royal Academy of Mu­ as dean 1956-58. College, Luther College in Nebraska, sic, Westminster Choir College, Around the time of Mr. Owen's and Newberry College. He worked Princeton University, and the Royal death, St. Paul's Cathedral was de­ extensively in the liturgy and music College of Music. (This notice is consecrated in preparation for wreck­ of the l.utheran Church, composed a based on material prepared by Dr. ing. The building, constructed 1923-26, number of commissioned works, and Watkins Shaw (or the Jan. issue o( will be razed to make way for an of­ published articles. the RSCM Magazine. ) fice building.

Oberlin College Program leading to Bache­ Conservatory of Music lor of Music degree In performance. music Organ faculty: education, music history David Boe and other areas. Garth Peacock WIlliam Porter For additional Information Haskell Thomson contact: Michael Mandaren Outstanding facilitIes Coordinator of Conserva- including practice organs tory Admissions by Brombaugh, Flentrop, Oberlin College Conserva­ Holtkamp and Moeller; tory of Music concert instruments by Oberlin, Ohio 44074 Flentrop and Aeollan- Telephone: (216) 775·8413 Skinner.

FIBntrop Organ (19UI ~rncr, Concert H.11

6 THE DIAPASON Here & There

Activities of interest to organist! at Wolff, 1971); Southport, CT (Trinity the November meetings of the AMERI­ Episcopal: 1lI/35 Wilhelm, 1972); Wor. CAN MUSICOLOGICAl. SOCIETY in New cester, MA (Trinity Lutheran: 111/ 41 York City included the following pa­ Noack, 1967); Boston (First Church pen: "Handel's Keyboanl Music" (Ter­ Unitarian, Jamaica Plain: III/31 Hook, ence Best, England). "Ordering Prob­ 1854; Immaculate Conception Church: lems in J. S. Bach's Art of Fugue Re­ IV/59 Hook, 1863/1906; St. Stephen'S solved" (Gregory Butler, URiv. of Brit­ Church: II/15 anonymous, 1830 / re­ ish Columbia). "A Newly-Discovered stored Fisk, 1967; King's Chapel: IlI/ 38 Manuscript of Early Keyboard Music" Fisk, 1964; Old West Church: 1ll/ 29 (Marie Louise Ganner. UCLA). "Pal­ Fisk, 1970; St. Paul's Cathedral: IV/ 86 terns in the Dissemination of the Music Aeolian-Skinner, 1951 + II/28 Andover, of Chambonnieres" (Bruce Gustafson, 1977); Cambridge (Harvard University St. Marys College). "The Source and Memorial Church: IV/49 Fisk, 1967: Model for Bach's Mwical Ollering: The Busch-Reisinger Museum: III/27 Flen­ Institutio Oratoria of Quintilian" (Ur­ trop, 1959; Fint Church Congregational: salOl Kirkcndale. Durham, NC). "Three 111/40 Frobenius, 1972; Christ Church: Italian Organs: Zefferini. 1566; Testa, 1/7 Gray, 1805): Boston (Christian Sci­ 1703; and Paoli, 1819" (Rudolph ence Mother Church Annex: IV/ I66 Kremer. Univ. of Nq . "New Insights Aeolian-Skinner, 1952; New England into the Creative Process in Charles Consen'atory: II Noack, 1979; Church Toumemire's rOrgue Mystique (Robert of the Covenant: IV/ 68 Welte-T ripp, Sutherland Lord, Univ. of Pittsburgh). 1929): Stom. CT (St. Mark's EpiSCO­ and "Maxton's jilrlgsle GeTicl,t: An pal: 11/22 Brombaugh, 1979): West­ Abendmwik of Buxtehude?" (Kerala J. field , MA (First Congregational: III Snyder. Yale Univ.). Lecture-redtals in­ 16 +5 Fisk, 1977); New Haven, CT cluded a facile demonstration of "The (Yale University: 111/ 39 Beckerath. Elizabethan Lute Song" by soprano 1971 ; Ill/50 Holtkamp, 1950; IV/ 175 Lucy Shelton and lutenist Paul O'Dette, Hutchings/Steere/ Skinner, 1003/ 1916/ and a remarkable manirestation of the 1928; United Church on the Green: beauties of the fortepiano in Joshua 111/ 41 Hillebrand, 1967; Center Church: Rifkin and Robert Winter's "Viennese 111 / 33 Fisk, 1971 /74: Trinity Episcopal: Pianos and Viennese Piano .Music of the IV/ SO Aeolian-Skinner; St. Casimir's Classic Era," using a 1979 copy by Rob­ Church: 11/ 18 Hook &: Hastings. 1874) ; ert E. SmiUl (Boston) of a ca. 1810 \\'est Haven, CT (First Congregational: Viennese instrument by ConJild GraC, Il/ IG, ca. 1835/ 1865) ; New York City belonging to Owen Jander. Formal con­ (St. John the Evangelist: III/28 Wolff, certs were an 0rulem staging of the 1974: Eighth Church of Christ, Scientist: ROllin" de Fnuve by the Waverly Con­ 11/28 \voUf, 1978; St, George's Episco­ sort at Alice Tully Hall, and a vigorous pal: IV/ 86 Moller. 1958); Trenton. NI resthal of Medieval and Renaissance (Pearson Methodist: II/25 Steere) : Bar­ music played and sung for two nights timore (Mount Calvary Church: 1I /36 at the Church of St, Mary the Virgin Fisk, 19(1); Philadelphia (Wanamaker by eight early music ensembles, Store: VI/ 451, 1911 -1 930); Lawrence­ \'ille, NJ (Lawrenceville School: III/ 52 Members of the GERMAN ORCAN So­ Andover, 1968): Princeton. NJ (West­ CIETY (PDO) visited organs in the minster Choir College: III Aeolian­ northeastern United State! during the Skinner, 1933; 1I/ 14 Aeolian-Skinner lauer part of last September. The cities (Praetorius Organ''). 1934: II/ II Fisk. toun..:) and organs heard were New York 1978; Trinity Episcopal: IV1 42 Casa­ City (St, John the Divine: IV/ 114 Skin­ vant, 1978). Visits to that many orgelll ner/ I\t.'Olian-Skinner. 191 0/1954) ; Wil­ toncluded with a wine and cheese ton. CT (St. Mauhew's Episcopal: II/23 party.

OUTSTANDING PERFORMERS FOR OUTSTANDING INSTRUMENTS

MARK BROMBAUGH organ, harpsichord Wes tminster Choir College, Princeton, N.J, harpSichord Organi,t, Swarthmore Presbyterian Church, Faculty, University of Michigan Swarthmore, Penn, LYNN EDWARDS organ, clavichord The Westfield Center for Early Keyboard Studies The Weslfield Center for Early Keyboard Studies Co-Director of Music, Co-Director of Music, First Congregational Church, Westfield, Mass, First Congregational Church, Westfield, Mass, WILLIAM PORTER organ, harpsichord YUKO HAYASHI organ Faculty, Oberlin College Conservatory of Music Chairman of the Organ Department, Organist and Choirmaster, New England Conservatory of Music St, Peter's Episcopal Church, Lakewood, Ohio Music Director, Old West Church, Boston CHRISTA RAKICH organ MARGARET IRWIN-BRANDON Faculty, New England Conservatory of Music harpSichord, organ Assistant University Organist, Faculty (1979-80), Oberlin College Conservatory of Music Havard University george "Iaylor Also repre ...tatiDes for: HARALD VOGEL Ensembles: organ, harpSichord, clavichord MICHAEL LYNN recorders and Baroque flute Director of the North German Organ Academy and EDWARD PARMENTIER harpSichord PAUL O'DETIE lute THE MUSICALISCHE COMPAGNEY Director of Early Music, Eastman School of Music "THE MUSICIANS OF SWANNE ALLEY Co-Director of Th. Muslcia"s of Swa"". Allty MUSICK FOR THE GENERALL PEACE Buchanan ATtists Ltd Chester, Massachusetts 010ll Inquiries in.viftd. Telephone: (413) 354-7701

. MARCH, .1 9BO :7 In Search of a Church Organ

by Earl L. Miller In designing the new organ (or the The console is simple in appear­ Episcopal Church of the Epiphany, ance (the Skinner console, with only four primary functions were stipulated 17 stops, is far more impressive look­ by the organ committee: to encourage illg). In a town which is predominated and support congregational singing, by many organists plnying electronic to accompany the choir, to senfe as a devices, I wantcd to have a console solo instrument in the service, and to that would not threaten the player. meel the special musical needs of the 'Vllh the exception of the blower stop­ church. The committee was asking for knob, all of the drawknobs control an instrument to he created that could tone. All couplers and special effects adequately serve the needs of a Prot­ arc on hitch-down pedals, arran&ed e5tant Episcopal Church - a church from the center 10 the outside in the organ. order most frequently used. The instrument follow5 many of the The nat pedal clavier was a per· ("llrreDl organbuilding trends in this sonal preference. Since the instrument country, hut its specification has some is used for instructional purposes and, unusual Ceatures. Proponents of the since the Skinner has a 32-note con­ classiral revival school might consider cave-radiating clnvier (as do most or it a bit large for the roomj visually, it the other pipe organs in the city ). docs not follow the wtrkprinzip design. students can experience a variety of The solid oak ca'ie presents Epiphany pedal arrangements and the various motHs in gold. leaf pipe shades carved techniques required for each. The with crowO!i and a star. Acorns and sharps arc radiating, i.e., longer at the carved oak leaves reflect the case top and bottom of the clavicr than at wood. In this respect, the organ ful· the center, making the end pedah fills the traditional concept that an easier to reach. This follows a patlem instmment should nppeal to the ere. found on some 19th-century tracker· It departs from tradition with an action instruments in this country. So m'erall (".m: depth of about tweh-e far, all of the visiting organists, who ff'('l; )'('t, the sound from the Swell (nt number in the hundreds, howe found the bnck of the case ) projects well into the console arrangement comfortable. the rC'Om, through the Grent. Sin("e the Most unfamiliar with the flat pednl gallerY-lo-ceiling height is relatively clavier found adnptation to it easier 10\\', th(' rase iii dl"Cp t'l :!ccommodate than expected. the pipt". 'Vhen one designs the tonal sped· When nne first approaches the in· fication of an organ, certain pennnal slrumt'nt, !wvC'ral per lll i ariti ~J herome preferences surface. TIle Andover com­ a'parent. Thl'fe arr no combination pany was most cooperative in working pistons. Thf' thirty-nut ped!tl clavier with me, and we felt thnt they mnde i<; £1 .1. The C'fomornc-type stop h every attempt to understand how the found at J 6' pitch on the Great, not in organ was to be used in this situation. its tr.:tditional Choir location. The Ped­ I have always been convinced that al contains no mixtures or softer null'S, rich, colorful stops at 8' and 4' pitches S

8 THE DIAPASON Your room tells us how your Rodgers ~ - should sound. Oddly enough, you've already got one of to its surroundings, just as traditional pipe the most important parts of your new organ: organ builders have done for centuries. Every the room in which it will be played. note of every stop can be made more vivid or Its unique acoustical characteristics will more mellow. It's one reason Rodgers organs color and shape every note you play, for better are famous for their remarkably true pipe organ or worse. But since you can't very well rebuild sound. your room to make the most of a new organ, Shouldn't you hear more from Rodgers? Rodgers builds organs that make the most of For a free voicing demonstration record, write your room. the Rodgers Organ Company, 1836 N.W. They do it by voicing each Rodgers organ Couch St., Portland, Oregon 97209.

nrpet and uphoZstefed!u:rniture absorb 80th .zow and high luenciei

A Rodgers Organ. Everything you hear is true. Search than 1-1/2'" in diameter. At the b;J;S! (Cfmtinued Irom p. 8) end it produces a controlled. rauc:ous and is capablc of supporting the rather sound, but a5 it progresses up the scalc, bright 4' Principal and clear 2' Fif­ it becomes clearer. As a solo stop it is teenth. It also serves as a marvellous useful in the French literature and, solo stop accompanied by the Swell with the tremolo (and sometimes the strings. The crown of the Choir prin­ 16' Bourdon ) produces a very pleasing ci pal chorus is the I II· r.mk Sharp, romantic solo stop. In the plenum it which is somewhat lighter and Jess is somen-hat gentler than the 16' Bour­ aggressive than mixtures ohen found don in \.. ' cighl, but with full Great it in a RuckpOlitiu. I was concerned for adds the luxury of a 16' reed. the listeners who sit near this division The Swell division is designed to be and did not want them to have to en­ versatile with a minimum of stops. dure an extremely aggressive, high­ Since there arc no octave couplers, pitched mixture which, in this room, the stops arc voiced to produce a wide might be orrensive to the car. scope of pitch levels that can be con­ The Choir flutes are contrasting, the trolled for choir accompaniment. A wood Stopped Diapason being of a celeste is a must! Granted, few , ..·orks rich, fundamental nature and very arti­ in the organ repertoire specifically call culate (some would call this the "chirr for this, but watch most organists try stop/' though the Andover's action and out a new instrument. It doesn't take slider chests make the chiff control­ long before they are looking for the I.ble), nnd the 4' Flute (or Koppel. c('lcste!i (usually just after trying the flute design ) possessing a milder arti­ 16' ped.1 reed ). We .11 know the vir· cuhuian and sweet sound. Doth arc tue of the celeste stop. The in-tune weful to produce a singing quality rank for the celeste is also the basis for CDMOf. of !plph", Anda.... r individually, and in combination with the diapason chorus. Robert R eich and each other and the rest of the Choir I found an example of the sound we flues to make various choruses. The wanted on the old Aeolian at Duke OC lave quintc ( 1-1/3' Nineteenth) is University. It has a supportive sound, \'oiccd on the nutey side and the oc­ yet enough stringiness to function in lave ticrcc ' 4/5' Twcnly£ourth) js a the celeste combination. Interestingl)" curiosity. I£ added to the 4', 2' and the celeste rank also works with thc 1-1 / 3', and played down an octave, a Choir Gemshorn, producing an alto­ bright comet results. Added to the gether different quality. 'Vith the plenum it gives the Choir division a Swell Chimney Flute it creates a character all of its own. Used with liquid quality resembling the marvel­ other combination of £lutes it produces lous Ludwigtone stop of 'Valter Holt­ a variety of tonal colors and when kamp and has been used to good ef­ OIddcd to the full organ without mix­ fect by several of our guest recitalists. lures, but with reeds, changes the en­ The Swell 4' Slap is a tapered prin­ tire tonal scope. In addition, when it cipal. Since this is the primary 4iC. and the Nineteenth arc added to the companying division, the principal full Choir with reed and mixture, it tone was found more useful for carry­ gives the effect of a small clarion. ing the musical line than a covered The Hautboy was chosen to serve as flute at 4'. Tonally. it is almost equal a chorus reed - a light trumpet to to the 8' Violin Diapason and also fit into the ensemble. It is full length, works well with the 8' Flute. The 2' bright, but on the thin side, yet ha.'\: Fifleenth is also a principal, but some­ sufficient weight to serve the chorus what milder and blends well with the function. It is also a finc solo stop 8' flute. The III rank Mixture has with or without the tremolo. Aero-­ lJccn dubbed a "Millerism." Originally, marne it is not, and olle simply must it was conceived by the builder as a accept the fa ct that a limit must be bright, aggressive stop, 3 ! it had to set to one musical period at the ex­ travel some distance to get out of the pense of another when striving for organ casco It actually enhallced the Detail of Great a .. " Choir stop Jambs authenticity. After all, how many me­ reed chonas, but I felt that the reeds chanical-action organs built in the last had sufficient power of their own, so decade in churches this size can play the mixture was softened and nicked. music of the Victorian period? Some In good-natured pokes, it has been may not wish to do so, but, at Epiph­ said that the nicks are so d«:p you any, we do. can see bumps on the backs of the The Great is the Hmeat and potato" pipes. 'Vhat resulted, though, is a full division. The diapasons are rich and diapa~on chorus that produces a rich, filling, but not overpowering, and yet hut contained effect, just right for there is no evidence of the choking choir accompaniment. of 'tone; they have a singing quality The Sesquiahera is narrow scaled, that the firm is known for achieving. of principal quality. Because of its The Mixture IV tops the chorus but brightness it can be dearJ)' heard with does not make it top heavy. Again, an the shutters closed and is, therefore, L.ft: d.t.lls of I'n'." pip•• aggressive mixture would be deadly in useful as an echo comet. 'Vhen added this em·ironment. The J 6' Bourdon is to the plenum it gh,cs a reedy effect very rich and sits under the full prin­ prior to adding the reeds. The Cym­ cipal chorus; it is not a quinty flutc. bal bears no relationship to the pitches The flute chorus is complete through of the plenum and was not conceived cornet, with higher pitches of open as the nCoxt pitch lc\'el after the III metal pipes which make an almost pure rank :Mixture. It is vcry high pitched fundamental tone. The 2' Flute, played and breaks every octave. It sen'cs two alone as a solo stop in the tenor .range, major functions: with the S' Chimney reminds one of the solo flutes found Flule (.nd ocellSionally the 4' or 2' ) on many tum-of-the century organs. it produces the quaJity one tradition· It .150 blends perfectly wilh both cho­ aJly finds in a Brwlwerk division j ruses. Likewise, the 2' Fifteenth works when wed with the plenum it gives weU with both. The comet combina­ the effect of adding an octave coupler, tion French-like; adding the 8' Open is e~pcdally when accompanying. Diapason and 4' Principal produces an "English mounted comet" effect. The The Swell reeds are primarily for comet also blends with the plenum chorus purposes. The Fagotto resem­ to Bive the division a certain "clang." bles a G. Donald Harrison counter­ The Trumpet was designed to cap part and has a nice, plaintive quality but not overpower the Great. It is in the upper r:mge (adding the 8' not a predominant solo reed. ''''hen Chimney Flute makes it sound surpris­ played against the Swell principal illgly like .n English Hom). At the bass end it closely resembles pedal chorus it produces the necessary J solo trumpet effect, and when it is added reeds by the same name found on to the Great principals of 8' and 4' it Germanic style organs. The Trumpet produces what is jOkin?ly called our blends with the division but is thin "synthetic Tuba Major.' enough to be useful as an Hautbois. The Clarinet was designed aher a The Clarion is rich and bright, capping similar 8' stop found on an 1899 MOl­ off the divis ion. In spite of its recessed ler tracker located across the street. location in the case, the effect of full It is unique in dcsibrtl, with the lowest Swell is thrilling in the navc - the resonators, at J 6' pitch level, no more result of a line voicer.

10 THE DIAPASON The Pedal is fundamental in tone fects within its 39 stops, but adheres to and has been lamented by several or· the basic rules of organ design: prin. ganists who wished to see lighter dpal choruses on all divisions with 51. Joseph 's Oratory stops and mixtures included. Had the corresponding mixtures; flute choruses announces the 2nd annual instrument been built for a teaching on all manual divisions; chorus reeds institution or a church with a different for each division; special effects in· tradition, perhaps a larger or differ­ eluding clarinet, celeste, a windblown SUMMER ORGAN ently conceived pedal division would zimbelstern and the Birdola. ACADEMY have been justified. But, space and This last effect has absolutely no cost, along with personal preferences liturgical function, at least not in the brought about these results. The 16' traditional Episcopal service. It's there Master Classes on Bach, the Diapason is an old, open wood rank for fun. I have used it in Mendels­ Classic French and the from the last century that gives depth sohn's Spring Song (at an April Fool's Romantic repertOire on the and weight to the instrumentj the pipes Day concert) and with success for magnificent von Beckerath seem far superior to newer metal ones. several measures during the accom· organ, under the direction of The Bourdon was borrowed mechanic· panying of a flute suite by Telemann. ally from the Greatj it serves the two It is simply three whistles in a bucket functions well. The st Octave is very of water and is called Birdola since RA YMOND DAVELUY flutey and, when drawn with the 16' the entire nomenclature of the organ Open Diapason, enhances both the 16' is English - rossigtJol simply would and st line. The 4' is brighter and the not fit. June 23-Ju/y 4, 1980 2' sings. These last two ranks are The instrument is part of the com· located just behind the Great facade munity. It was purchased through in· For brochure, write: and can be heard very well in a mO\'· terest earned over several years from A two-week academy for Anthony King. Coordinator iug, contrapuntal line. Affected by the a very generous bequest to the church organists with daily classes, Summer Organ Academy tremolo, they are useful as solo stops. which stipuated that the funds must practice facilities and the St. Joseph's Oratory The reeds are powerful. The S' be distributed among the church, dio· opportunity for recitals. 3BOO Queen Mary Road Trumpet has a cutting quality and the cese, and community. It is there to be Montreal, Quebec 16' Trombone is huge and noisy in played and enjoyed by all. The church Application deadline: May 1. 1980 CANADA HaV 1H6 ever such a nice way - when it comes feels that far more Christian outreach on you know it! It was conceived as can be accomplished through the open­ the final stop, not to be used with any­ ness of its wonderful organ rather than thing but large, rich combinations. to covet it through unavailability. How does one play German baroque There are no locks on the console, literature with a pedal division such The instrument is played publicly as this? The Swell was designed not in weekly, free Sunday evening con­ ,Q, 10 only as a division in itsetr, but also as certs throughout the year and we wei· a secondary pedal division. Using the come anyone wishing to perConn, or Valparaiso University pedal 16' Bourdon as the foundation, simply try it out. It was dedicated in one can draw from the S\\'ell the 8', a series of concerts during the first 4', :Mixture{s)' and, if one desires, the three weeks of March 1979. The first 16' Fagotto and/or the 8' Trumpet, to showed the various ways in which the Church Music Seminar produce a very convincing and, with instrument could be used in solo, duet the usc of the shutters, a very control· with the Skinner, with brass, and ac· lable pedal division for any manual companying congregational singing and Lectures on liturgy by Daniel C. Brockopp combination. A purist might argue that two contrasting choral works by Bux· one should not have to couple to ere· tehude and 'Vesley. The second can· Seminar choir conducted by Maurice H. Skones ate choruses. I say, "'Vhy not?" The cert involved organists from various couplers work well and the action is community churches and the syna­ Organ master classes with Russell Saunders light, so the couplers are not bother­ gogue. The final was presented twice, some to the touch. in the morning for the congregation and in the evening for the community, Children's choir workshops with Avis Evenrud This instrument was not designed to by Thomas l\!lurray. Since the dedica· purposely break trends. It was con­ tion it has been pia red by numerous Daily worship in the Chapel of the Resurrection ceived as an instrument to carry out guest recitalists and visited by hun· a job: playing a church service. Need­ dreds of organists, school children, and less to say, it handles recitals very laymen. well. The room is kind to sound but is Epiphany Church is located on the June 9-13,1980 not overly reverberant. The full organ corner DC Jefferson and IHain Streets fills the room, but not in an unbear· in Danville, Virginia. Write Alice Baehler, able manner. 'Ve tried to create an Valparaiso University, ValparaiSO, IN 46383 instrument that would offer more than the primary colors on the artist's pal· ette. It has countless combinations 01 ~I '~I traditional and experimental tonal ef· {> Here & There

WALTER A. EICHINGER, professor emeri­ HOUSE OF HOPE tus at the University of Washington, was honored by a Feb. 9 concert ilt ORGAN INSTITUTE Whitworth College, Spokane, W 1\, when composer Michael E. Young premiered his Di.scover;es (1979) for organ and St, Paul, Minnesota wind quintet and dedicated the work to Mr. Eichinger. June 21 - 25, 1980

Ml1$ lK OER BA CII' FAMILIE is an infor­ immedialely followillg tI .. AGO COllvelllion mative OO-page book":t issued by H5ns- 51er Verlag to publicize choral and in­ Faculty: stmmcntal mU$IC of the Bach family in its catalog. It may be requested from the HARALD VOGEL publisher in Neuhausen-StuUgart, 'Vest Germany. FENNER DOUGLASS

1.\'!lJNF. nAVIS, 1975 St. Albans first­ Masterc/asses, leclures, and recitals on prile winner, recently completed a recital lour of the US and Canada. reo the new CB. Fisk Organ, Limited turning to Paris. where she pcrfonned in December. Her tour took her to In­ enrollment; tuition for auditors or diana, Michigan, Ohio, California, Penn · sylvania, North Carolina, and Ontario. participants $125. Accommodations Miss Da,"is, who is organist of the EgHsc can be arranged for you al minimal St. Pierre·St. I'aul in Clamart. France. is preparing a SUbsequent North Amer­ extra cost. For details write: ican tour for Oct.-Nov. 1980.

The ORGAN HISTORICAL TRUST of Aus­ HOUSE OF HOPE tralia held its second annual conference last September in Sydney, with the ORGAN INSTITUTE theme o( "I'reserving it 19·century Her­ itage:' I'apers and demonstrations dealt 797 Summil Avenue with the work o[ Hill &: Son, Forster Be Andrews, Samuel Parsons, 1. W. Walker, SI. Paul, MN 55105 Richardson, and Hele.

MARCH, 1980 11 Appointments Honors

~[r. Eyrich has served churches in New England and has taught at the University of ~Iinnesota, the New England Consen-atory, and Rhode Is­ land College. He is conductor of the Canterbury Chorus of Trinity Church, Boston.

David R. Hunsberger has been ap· pointed organist.choirmaster at the First Presbyterian Church of Santa Barbara, CA, beginning Feb. 1. He Victoria Ressmeyer Sirota, a doc­ leaves a similar position at the First toral organ candidate at Boston Uni­ Congregational Church of '""custer versity, has been awarded a 'Voodro\\, Groves, St. Louis, ~IIO, ,.,.here he had lVilson research grant in women's J. William Greene, a doctoral stu~ served since 1972. Richard R. Bunbury has been ap­ studies for her work on Fanny ~Ien­ dent in organ at the Eastman School of :Mr. Hunsberger has taught music pointed organist and music director delssohn Hensel. l'o'fs. Sirota, who re­ 1\lusic, has been awarded an ITT in­ at the Thailand Theological Seminary at St. Theresa of A vila Roman Cath­ ceived one of twelve such grants for ternational fellowship for graduate in Chiang ?vIai, and at \Vcbster Col­ olic Church in 'Vest Roxbury, MA, the current year, will be assisted by study in The Netherlands during the lege and \Vashington Unh-crsity, both the largest parish in the Boston arch­ grants from the Eva H. Brown Foun­ 1980-81 academic year. I-Ie is one of in St. Louis. He did his undcrgmdu­ diocese. His duties include supervi­ dation and the Concord Academy 25 young Americans honored this year ate study at Baldwin-\Vallacc College, sion of liturgical music, directing the Ballantine Fund in doing research this with the award from International Berea, OH. and in 1979 received the choir program, and expanding musi­ summer at the Bodleian Library in Telephone and Telegraph Corp. Ph.D. from W'ashington University. cal participation of the parishioners. Oxford, England, and at the ~Iendel­ ~[r. Greene will study harpsichord, He holds the AAGO certificate. He leaves simiJar positions at Delmont ssohn Archive in Berlin. organ, and baroque performance prac­ ~lr. Hunsberger has been a frequent United ~.fcthodist Church and St. Am­ American Institute of Organ build­ tices with Gustav Leonhardt at the carillon recitalist at Concordia Sem­ brose Church in Dorchester. ?o.lr. Dun­ ers members Charles l\Icl\fanis, Pete Amsterdam Conservatory. He will inary in St. Louis, and throughout the bury is a nath'e of Savannah, GA, and Sicker, and Pieter Visser have been also be a part-time student of 1\farie­ midwest and northeast. He is current­ graduated from Armstrong State Col­ granted ~Iaster Organbuilder status Claire Alain. He currently is a stu­ ly recording secretary and a director lege; he holds the M.Mus. degree from by the institute. This official action dent of Russell Saunders and has for the Guild of Carillonneurs in the New England Consen·atory. His was taken in recognition of the work studied previously with 'Volfgang North America. organ studies h,we been with James achieved by the three in setting up Riibsam at Northwestern University Claude Richardson, Robert Schune­ and administering the original exam­ and I-I. ~bx Smith at Appalachian manJ and James David Christie. ination structure for the A.LO. State University.

The music or Charles Toumemire, 59, L'Orgue Mystique: Immaculata played in honor of the 40th anniver­ Conceptio B. ~Iariae Virginia, Op. sary of that composer's death, has 55, and the Choral-Improvisation sur been the subject of three recitals by Ie "Victimae paschaJiIl made up the Robert Sutherland Lord at the Uni­ program for Dec. 4. Dr. Lord also versity of Pittsburgh. The Oct. 2 pro­ played the Sept Choral-Poemes at the gram was comprised of Sei Fioretti, Ri\'euide Church in New York City Op. 60, L'Orgue r.,'Iystique: Dominica on Nov. 4- _ the anniversary of Re:mrrectionis, Op. 56, and Suite Tournemire's death - in conjunction Evocatrice, Op. 74. On No\'. 6, the with the national meetings of the complete Sept Choral-Poemes d'Orgue American ~Iu $icological Society, to pour les sept paroles du Xrist, Op. 67, which he presented a lecture.

was heard. The Troisieme Poemel Op. Management

Christa Rakish has joined the organ faculty of the New England Conserva. Kim Armbruster has been appoint­ tory or h.fusic in Boston and has been ed director of music and organist for appointed ass istant university organist St. Dunstan's Episcopal Church, San at Han'ard University. She holds the Diego, CA. A student of Catharine masters degree in organ performance Crozier, Roy Johnson, and 'Vayne from the New England Consen-atory, Fisher, he reeeh'ed his hL~.'Ius. de­ where she studied organ with Yuko gree from the Unh'ersity of Arizona. Hayashi; she also has degrees in organ He also did graduate work at the and German from Oberlin College. College.Con~crvatory of Music at the As a Fulbright student of Anton Heil­ University of Cincinnati. He wiU ler, she won second prize at the In­ sen'e on diocesan commissions on ternational Dach competition in liturgy and music for the San Diego Brugcs. Christa Rakish is under the area. Mr. Armbruster leaves a simi­ management of Buchanan Artists Ltd. lar position at Grace Episcopal Church in Tucson, Douglas 1... Butler has been appoint­ ed organist-choirmaster of St. Mat­ Earl Eyrich has been appointed di­ thew's Church, an Episcopal church rector of music of Trinity Church of Anglo-Catholic tradition in Port­ (Episcopal) in Concord, :MA, as of land, OR. He continues his duties as Feb. 1. He leaves a similar position artist-in-residence at the Jefferson at the Church of Our Redeemer Center for the Performing Arts, where Robert Anderson (Iclt) and Martin naselbiick (right) arc among the per­ (Episcopal) in Lexington, h'IA. he teaches keyboard, musical theatre, formers represented by Howard Ross, Inc./Concert Management, a newly­ Mr. Eyrich received the B. Mus. and chamber music. He recently as­ formed agency in Dallas, TX, for the representation of concert organists. degree from the New England Con­ sumed duties as director of the AII­ Dr. Anderson, intemationaIly-kno''''n performer, is chairman of the organ servatory and the hLMus. degree from College Chorus at Lewis and Clark department at Southern hfethodist University in Dallas. ~[r. Haselbock is or­ Boston University. He has completed College. ganist of St. Augustine Church and of the Hofmusikkapelle, both in Vienna, course work and performance require­ Dr. Butler has received grants from Austrit\, where he is also a faculty member at the Hochschule flir Musik. His ments for the D.h-tA. at the latter the ~fetropolitan Arts Commission for next U.S. tour is scheduled for Nov.-Dec. 1980. institution. His organ teachers include chamber music performances in the Howard Ross has been music director or the Church of the Transfiguration, Marion Hutchinson, Gerald Bales, Oregon city, and he tours under the Dallas, for fifteen years. Inquiries to the management should be addressed to Donald Willing, and George Faxon. representation of Artist Recitals. 13408 Flagstone Lane, Dallas, TX 75240 ( 214/661-5883) .

12 THE DIAPASON A umque center lor graduate Announcements Interdls( ,p ~ i nary study In t.turgy. Iheok:!gy. mUSIC and the arls, based In the DIVinity School Catalogue M has been issued by the The Organ in Our Time, a sympo­ ond the School 01 MUSIC Organ Literature Foundation. Listing sium to be held May 26·28, 1981, at ot Vole UnIVersity more than 900 pamphlets, books, :McGiII University in ~.[ontreal has magazines, and recordings, dealing issued a call for papers of approxi­ "Th. compassionat. artist has oft.n b ••n with organs, organists, organ music, mately 20 minutes' duration plus dis­ the b.st minlst.r within our soci.ty, organ history, and organbuilding, it cussion. Proposals for papers dealiw~ and the InsHtut. Is dedicat.d is available upon request from the with organology and other topics re­ to nurturing that rol .... foundation at 45 Norfolk Rd., Brain­ lated to the French classical organ Yale Jon D Bailey tree, MA 02184. are invited : one page abstracts should director be submitted before Sept. 30 to Prof. Donald ~'Iacke y , Faculty of ~Iusic, Institute The establishment of an endowed ~fcGiIl University, 555 Sherbrooke chair in composition has been an­ Strcet West, Montreal H3A I E3, Can­ nounced by the music di\'ision at ada. The symposium, which will also of Southern Methodist University; a include panel discussions on "New search is currently being conducted for Directions in Contemporary Organ­ a distinguished person to fill the posi­ building" and "The 20th-century Sacred tion. Applications or nominations may Composer and Historic Instruments" he scnt to Dr. ''''illiam Hipp, Search and recitals, will mark the installa· Committee Chninnan, SMUt Dallas, tion of a new organ by Hellmuth Music TX 75275. Wolff (see this journal, Sept. 1978, p. 19).

A onc-manual Jardine organ of 1848 The large organ in the 'Yashington will he heard in a special program at (DC) Cathedral will be the subject St. Paul's Episcopal Church, Pendle­ of special tours offered each 'Yednes­ ton, SC, on April 6 at 2 pm. The day and Thursday, March 12 to June Easter Sunday recital will be played • • 12, at 12:15 pm. Associate organist­ by Henry von Hasseln and Frank choinnaster D ouglas :rvfajor will dem­ Breazeale; a brief lecture will be given onstrate the instrument. on the 1819 church and its furnish­ ings. The event is sponsored by the Pendelton Historical and Recreational Martin Neary) 'Yinchester Cathe­ Commission and the South Carolina dral organist currently on sabbatical Commission for the Humanities. in this country, will present the pre­ miere of a work for organ and tape by the English composer Jonathan c The International S:Jciety of Organ­ Harvey in a recital at the Church of builders will convene its 11 th Con­ the Ascension in New York City. The gress in Houston, TX, beginning May program will take place on April 23 'lble Institute of Socfed Music 11. The event will be larger in scope at 8 pm and will also include works 4rR Prospect Street than usual, with events taking place by Bach, Buxtehude, Dupre, and ~[c­ New Hoven, CT 06510 in both the US and ~:Iexico. In Texas, Cabe. 2034362915 19th-century American organs as well as new mechanical-action instruments will be visited, and there will be a A Festival of Organ Music will be special forum for product exhibits, played Sunday, May 4, from 12:30- technical lectures, and organ building 3:30 pm at St. John's Church in 'Vash­ ideas. Flights to Mexico City and bus ingtol1, DC. Performing half-hour seg­ travel to Queretaro will begin an ments will be Albert Russell, Charle'i CONCORDIA COLLEGE Callahan, Douglas ~bjor, Eileen additional 6-day segment, to examine 7400 Augusta Street / River Forest, Illinois 60305 16th- through 19th-century Spanish Guenther, Emily Gibson, and J. and native-built organs, including the Franklin Clark. pair restored by Flentrop in the Mexi­ Thomas Gieschen, Chainnan. Music Department co City Cathedral. A duo-organ con­ A fourth annual Bach Festival will cert is planned, and there will be op­ be presented in Hagerstown, MD, :May MASTER OF CHURCH MUSIC DEGREE PROGRAM portunities to visit historic sites. 16-18 by the St. Cecilia Choral So­ Although the congress is open only ciety under the direction of its foun­ 1980 Summer Session Course Offerings to members of the society, the pro­ der-conductor Clair A. Johannsen. An gram booklet, which \\ ill include color organ-harpsichord recital will be photographs, technical drawings, and played by James David Christie, re­ Five Week Session: June 16 to July 16 specifications, will be available to cent Bruges competition winner; a Hisloric Riles of the Western Church (Schalk) others at a cost of $4.50 pp. after youth concert will be giveni and the Studies in Worship; Theology and Music (Heinitz-Schalk) May 30. Interested persons may send 'Magnificat and Cantata 140 will be Literature of the Organ (Gotsch) payments to :Mr. Jan Rowland, Visser­ heard in the final e\"ent. The society lohann Sebastian Bach (Waldschmidt) Rowland Associates, 2033 Johanna, has received a grant from the ~fary­ Studies in Music History: The Renaissance (Rimbach) Suite B, Houston, TX 77055. (Resi­ land Historical Trust to assist with Modal Counlerpoint (Hillert) dents of countries other than North finances. America should write Orgelbaufach­ Music Theory Review (Bllllies) verlag ISO Information, D-7128 Siudies in Music Education: Orff Methods and Techniques LauHen/N., Postfach 2H , West Ger­ South ~ m Methodist University has (Hildner) manYi price, DM 8,50. ) announced an Organ Intcrtcnn in Teaching Children to Read Music (Hildner) Honolulu Dec. 26, 1980 - Jan. 10, 1981. Private lessons, masterclasses, Music Education for Lower Grades (Zeddies) and recitals will be given by ~Iari e ­ St. Bartholomew's Church in New Two Week Session: July 17 to July 31 York City has established a David Claire Alain and Robert Anderson. Group flights will be arranged from Diatonic Techniques in Contemporary Choral Music (Hillert) McK. Williams Memorial Fund in Organization and Supervision of Music Education (Zeddies) honor of the late musician who was Los Angeles, and housing and meals organist and choirmaster of the church will be provided. Further information The How, When and Why of Chanting for Worship Leaders from 1920 to 1947. Income from the is available from Robert Anderson, (Schalk) fund will be used to further the tradi­ Division of ~Iusic, SMUt Dallas, TX tion of fine music established at the 75275. One Week Session: July 21 to July 25 well-kno"l1 fane by Dr. Williams. Handbells for School and Worship (Arlene Kolb) L'ORGUE MYSTIQUE is a radio reo Repertoire for Handbells (Charles Kennell) cital series being broadcast during the Arranging Music for Handbells (Mary McCleary, Pres., AGEHR) The Presbyterian Association of current yea" by Radio·Canada, which Musicians (PAM) has announced a features the complete cycles of lIuites August 4 to August 8 "plan for the certification of Presby­ by Charles Tournemire. Various organ. Music in Early Childhood Education (Zeddies) terian church musicians," which has ists perfonn on the Wednesday broad­ casts at 7:30 pm. some using European the endorsement of both the Presby­ inSlJ'umell15, and others using Cal'ladian Applied music in organ, piano. and voice is available throughout these terian Church US and the United ones. A .second series of general pro· sessions. Presbyterian Church USA. Informa­ grams, "Recital d'orgue," is broadcast tion concerning the plan may be ob­ 011 Fridays at I pm and repeated 011 Other degree programs include: Bachelor of Music, Bachelor of MlIiic tained from the PAM National Of­ Sundays at 12:30 pm. Fifteen FM Ita· Education, Bachelor of Arts. fice, 1000 East Morehead St., Char­ tions throughout Canada an: participat­ lotte, NC 28204. ing in the broadcasts.

MARCH, 1980 13 Here & There Summer Activities

As In recent years past, THE DIAPASON Zu~ano Ruzickova (harpsichord). Colin Tilney will publlsh 'his column of InformaHon re­ (harpsichord). and Hans-Joochml Erhard (con­ garding summer m"sic octi ... ltlas for the next tinuo). Academic credit h avoUab",. Write 'O... erol months. The range, scope, and length Summer Acodemy Johonn Sebadlon loch. of the YOrio"s worksOOpl, conference" fe"i· Aft: Royce Soltunon. School of Musk. Unl­ vals. and the likll Is considerable; thesa .... nily of Oregon, Eugen., OR 97~. listings should appeal to many talles and abilities. In addition to musical vallie, some CANAOA of the adivities provide 'he opportunity for travel ond r&ereation. Potential travelers Summer Organ Academy, St. JOMph's should explore early information on the Oratory, Montreal, Quebec:, June 23·July 4. various discount flight plans that applv at Masterclasses on Bach. the classic Frenen. certain times and places. and the Romantic repertory will be taught Readers are invited to peruse this column at this second annual ocademy by Raymond and write the appropriate persons for fur­ Daveluy. using the large Beckerath organ. ther informatjon. Events are listed within There will be dally classes. with prodlce each catagary by dote. facilities and recital opportunltie•. Applico­ tions must be received by May I. For bro­ EUROPE chure, write Anthony King, Coordinator, Summ.r Organ Academy, SI. JaMph's Ora· lod!iII Musk Festi ... al, Dorklng. Surrey, tory. 3Boo Queen Mary Road, Mant,.al. England, June U. Three programs will ta~e Quebec, Canada H3V 1 H6. place on three sU(all3l... e days at Cleveland lodge, where there will also be on exhibi­ UNITEO STATES tion of mU3icol Instruments and music of the period. The programs '011111 be devated to Chu,ch Musk SemInar, Valpara1so Un''''''· The centenary of the birth or Healey 'VillaR \\ as obsen.'cd at Ihe Church of J. S. Bach 18irglt Morcus.sen, organ; Susl lily, J\lfte 9-13. Beco"se the summer lutheran St. Mary Magadalcnc (Anglican) in Toronto, Ontario, during February. An Jeans. harpsichord and cla ... ichord; Jeneler worship and music. instfiutes have been dll­ historical plaque (abo\'e) was IIm'ciled on Feb. 17 at the church in the presence Shell, mezzo.soprono; ea ... id Jones, oboe continued. the Valparaiso seminar has been of church and civic dignitaries. Francis Jackson, shown below at the console d'omare; louise Williams, violin); composers expanded to live days and will offer daily of the newly refurbished nod enlarged Heale), Willan Memorial Organ, Was associated with the locality Ithe ~me artists choral and organ classes. Maurice Skanes heard in reci tal on Feb, 12, 13, and H , when he played the following works: in works by Purcell, Burney. March. Gal· '011111 conduct the choir. Russell Saunders '011111 liard. Mozart. Storace, Mendelssohn. and 91"'e organ masterclaues. and Avis E... enrud Fh'c Preludes on Plainchanl ~[elodies, Willani Sonoita in E·Flat, Bairstowi Ouseley); and baroque works by the some will demonstrate children's choir techniques. Toccata, Chorale, and Fugue, Op. 16, J,lcksonj Introduction, Passacaglia, and ortists with period instruments and low pitch. lectures will be given by Daniel C. Brockopp Fugue, 'Villan. Information may be obtained from the Sec­ and William Eifrig. Further Information Is retory, lo.hlll Music Felti ...al, Cleveland available from Alice Ia.hl.r, Deportment of Lodge, Dorking. Surrey RH5 68T, England. Music, ValparailO Unl .... rslty. Valparailo, IN 46383. International S"mmer Acodemy for Orga". ish, Hoorlem, The Netherlands. July ".20. Church Music Workshop, Indiana Uni .... ,. More complete information h gi ... en In a lity. Jun. 9-13. To be held in Bloomington, notice on p_ 2 a. OUr Feb. luue. Details mav this workshop will be a joint effort of the be obtained by writing Stich.lng In ..rlta'ion. uniVersity and Westminster Chair College. aT Org.lconea"rs. Townhall, 2011 He Hoar. Faculty will be Wilma Jensen, Oswald Ra­ lem. The N.rilerlandl. gat~, Robert Rayfield, Charles Webb. John Kemp. Helen Kemp. Erik Raul"'y, Roy Robift­ Reskf.ntial Summer CO"ne for O"'.".os son, and Frederkk Burgomaster. For further Church Mulkion., Royal School of Church Information. write Speeial $elSlon •• IU School Musk:, Croydon. England, Jut,.. 7.... ug. 11. of Mulic, Bloomington, IN 47405. The course '011111 include pradkal work at Addington in all aspeds of church music, Organ Seminars, Wallingford, CT. June choir rehearsal techniq"es, choral condudlng. r5-2B. Masterclassel. ledure-demonstrations. organ playing, service accompaniment. key­ and concerts will be given at the Choate board skills. Resident tutors will be Richard Rosemary Hall sessions by Bernard Lagace Seal, John Rutter. Ivor Keys, Allan Wicks, ond Roberta Gory. Information on this 12th and Peter Hurford. There '011111 also be visits annual event is available from Duncan Phyfe, to cathedrals and musical .....nts. Applica­ Seminar Director. Choote ROMmory Hall, tions and deposit should be made by April Wallingford. CT 06492 (203/269-7722, ••t . 14. Write The Royal School of Church Music, 33t). Addington Palace, Croydon CR9 5AO. Eng· land. Summer Session Coursel. Concordia Col. lege, r Farest, IL, June 16.Aug. B. Five­ Organ Seminar. Uni .... nity of Si.na, Ital,.. Ri .... wee~, two-week, and one·week sessions will J"ly 16-A"g. 20. Sessions and cOftcerts will be given by Giordano Giustarin! of the foe­ include courses on organ literature. Bach. ulty of Session Saneil per Jo Muska e l'Arte, and church musk.. Arlene Kolb. Charles Ken­ Original organs from 1517 to the present nell. and Mary McCleary wI! lead a session on handbells. July 21-25. Further Informa­ will be used and academic credit ls avail­ tion Is available from Thomas Gieschen. able. Information and applicaUons are ovai~ Chairman. M\tIic Depart .... nt. Conconila Cal. able from S.S.M.A. Dindor, 2067 Broadway, lege. 1400 AlIglnta St •• Riyftr Far.st. IL Suite 41~ New Yorle, NY 10023 (212/580- 2800). 60305.

10th International Course, Romalnmotier. Natianal Ilennial Convttntian, Am.rkon Switzerland, JuJy 2().Aug. 3. Guy Bovet Dnd Guild of Organists, Mlnneapolfs/St. Paul, Uonel Rogg will be the faculty for the MN. June 16-20. Convention booklets have course, In which works by Bath. Dondrieu. been moiled to Guild members and furlher F!'anck, Frescobaldl. Grigny, Mendeluohn, information will appear elsewhere. Write and Muffat will be studied. For information, V. W. Beck, Registrar, AGO BO. P.O. 10. write La MailOn du P,ieur, 1349 Romainmo­ .... 32. St. Paul. MN 5510.4. tier. Switzerland. Organ Institute. HOUle of Hope Presby. Organ Tour IV, Northern Itol,.. f,once, 'erian Church, St. Paul. MN. June 21·25. North Germany, Holland. July 2Mug. 7. This institute is timed to follow the AGO Harald Vogel and Klaas Iolt wUl lead this convention so that attencianee Is possible at 'Yorks of American composer Keo­ Joseph Stevens has performed the tour. sponsored by Westminster Choir Col­ both. Harold Vogel and Fenner Douglass ton Coe will be featured in a contem­ complete harpsichord music of J. S. lege in cooperation with the North Germon will be the faculty. using the new Fisk or­ porary music festival at Virginia In­ DOlch for the Bach Society of Balti­ Organ Academy. Repertory from five cen­ gan; there will be masterclasses, ledures. termont College in Bristol on April more, in a series of fourteen recitals turies will be performed on original instru­ and rec.Uab. Accommodations can be or· 15. The compositions will include two which began in 1966 and concluded in ments In demonstrations and recitals. Joan ranged. For detalb, write Hause of Hope cantatas, uCelcbration Hymn" and 1979. The programs excluded most lippincott '011111 be the coordinator. For bro­ Organ Institute, 7V1 S41mmit Ave., St. Paul, chure and opplicaHon. write Summer Ses­ MN 55105. uThe Handwriting on the 'van," both transcriptions and works of doubtful sion. Westminster Chafr Coltege, Princeton. for keyboard, brass choir, and choral authenticity, but cmbraced both parts NJ 08540 (609/1>201-7416). Church Music Workshop, WirtOOskl, VT, ensemble; "Burlesque" ror two pianos; of the Well.Tempered Cla\'icr, French J"ne 22.27. Organist McNeil RobinM)n from and "Fantasy for Organ." The last and English Suites, Partitas and Toc­ Sixth Harpsichord W.ele, Irug.s, klglum. the Church of St. Mary the Virgin In New work was commissioned b}' the col­ catcs, Im'cntions and Liltle Preludes, July 26-Aug. 3. More complete Information York City will be the guest clinician. Fur_ lege and is dedicated to its organist, Goldberg Variations, Italian Concerto Is given in a notice on p. 9 of ollr Feb. ther information Is aavilable from Music De­ Stephen Hamilton, who is premiering and Chromatic Fantasy, Concerto in issue. Details may be hod by writing festl ... ol partment, St. Michael', Colleg., Winooski, the score this season. A student of D after Vivaldi, Four DuelS, Varia­ van Vloanderen·Brugge, C. Manslon.traat 30. VT 05.ro4. Hindemith and Quine}' Porter at tions in Italian Style, Capriccio on the 8-8000 Irugge, Belgium. Organ Malterdasses, Unt.;erslty of K.n· Yale University" Mr. Cae later studied Departure of a Beloved Brother, and Summer Academy J. S. lach, Stuttgart, t"cky, June 23·24. Arnold Blackburn and in Paris with Nadia Boulanger. His miscellaneous suites and preludes and West Germany, July 26-Aug .10. The acad­ Gerre Hancock will deal with 19th. and first opera, "South," was performed fugues. For the first ten recitals, a emy theme will be "Bach and his sons/' con­ 2Oth-cenlury masterworks; Mr. Hancoclc: will at the Paris Opera, and his music for 1957 Hubbard & Dowd after a 1769 certs, seminars. and masterclaS$es '011111 be playa recilal. For further information: write a documentary film on James Agee Taskin was used; a 1975 Mark Arler given by a number of faculty In vocal. i"­ Office of Fin. Arb ExtensTan, Fine Arb was recently premiered at the Ken­ after a 1745 Dulcken was played in strvmental. and muslcofogcal areas. Among Bldg., Room 51. Uni\'. of Kentucky. 'Le.ing. I ~ edy Center in Washington. the last four. them will be Helmuth Rilling (condudlng). ton, ICY .40506.

14 THE DIAPASO~ Leiters in tune, but they were on higher pro­ sure, to the dismay of the baroque en· (continued lrom fl. 3) SERCO. thusiasts. Today proponents of neo· IRYN MAWR, ' A 19010 Of course, those parishes and mon­ classic instruments insist that such reeds astcries in the U.s. that continue to be placed in the Great organ on low -- celebrate at least an occasional mass in pressure, preferably e,,·cllnmnde. The Sacred Organ Music Latin (using the new liturgical books) Swell frequently re\'erts to the baroque from Coburn Press arc few and far between. Ne\'erthelcss, RnlSlltle,'k , with short-lcngth reeds rem· they do exist ••. In certain other count iniscent of the same. Flat pedalboards "Fine editions for the church trics (e.g., Austria and England) par­ are again becoming popular, along with musician." ishes and monasteries whleh celebrate cone luning to uncqual temperamenL'i. mass in Latin, according to thc "new Thc smaller \'arictics of these organs THEODORE PRESSER CO. order", are somewhat more common ha\'c a largc Great or Hauptwerk with now Exclusive Oislribulor! than in this country. (These parishes a hig mixture and an e'I -c1rnmnde trum­ and monasteries should '101 be confused pet, and, because of low wind pressure, with those small reactionary groups who the rc..'Cd tongues ha\c to be tissue· --COLlECTIONS-­ continue the illegal usc of the 1570 paper thin so thcy don't stay in tunc ed. Peter Pindar Steams \ "Tridentine Rite", e.g. the followers of Dnd obliterate c\'crything else. The Archbishop Lefebvre in France.) AI· fonner Swell scrcams, snarls and buzzes; MUSIC FOR THE MANUALS of course, celC5tes arc allowed only in for Organ without Pedals though some bishops and diocesan litur­ $8 .00 gical commissions have claimed othcr· extreme drcumstances when an en­ wise, the truth is that a parish does closcd division is pro\'ided for. The tremulant must shake the whole or­ Peter Pindar Steams nol need special permission from their ORGAN BOOKS bishop or the Vatican to celebrate mass gan, and all the Duework must dliff - TWENTY HYMN PRELUOES in Latin, so long as Ihe New Order 0/ from the prim.ipals to the gemshoms. $6 .\10 MIISS in Ihe 19iO Lat;'1 Missal 01 Paid A majoril r of these instruments, in­ KLAIS: THE ORGAN STOPLIST VI il riled. stalled by almost every small builder, ---,SOLOS--- 136 Pages, Illustrated $17.50 Today the Roman Catholic Church come out of the same European sup­ Hard Cover plicr with chests made of parucle.board. is cnlering a new era of reconcilation. BLANCHARD: as she auclllpts to hcal the wounds The list could go on fore\'cr. Lamar Friend ORGANS OF OUR TIME aud rifls caused by 15 years of haphaz­ So now that a church has im'cstcd MEOITATION FOR ORGAN $LSO 231 Pages, Illustrated $17.50 ani reform. It is 10 be hoped that the a six· figure sum in an "authentic" nco· dctg}'. as well as liturgists and diocesan classic organ, what happens when the BOTH FOR S30_DO liturgical commissions, will catch this rector requests a Stainer anthem or the Thomas Middleton spirit - indeed, llle Spirit that was family of the principal benefactor rc­ TWO SHORT PIECES FOR ORGAN KLAIS: THE BAMBOO ORGAN (,rl"SCnt at Vatican Council II - and qucsts a Franck chorale. A wcll·dcsigncd (Evensong & Benediction) 292 Pages. Illustrated $30.00 embracc a more liberal attitude regard. and ·voiced American classic organ does $1,75 iug the usc of Latin. The languages of play carly music authcnticall)', and, thc Roman Ritc - both Latin and vert e\'en though most of them havc electro· Wesley Pease nacular - would then serve as a sign pneumatic action, they come closer to CHORALE-VARIATIONS of the Church's unity as well as her sounding likc Silbennann or Schnitger on an Original Theme dh·crsity. Ouly when this happens will than most of the European imports. $200 the musical heritage of the Roman One supposes that our modcrn·day mu­ Catholic Church oncc again be allowed sical geniuses can and do figure out Peter Pindar Steams 10 flourish. ways to get through the Staincr and PASTORALE FOR ORGAN Christopher M. Schaefer Franck pieces on their tonally-limited $1.50 Seymour, Connecticut throw·backs, but the average churdl' goer is not so pleased with the resull.s. Yehudi Wyner Perhaps it might be more desirable to TWO PRELUOES ON SOUTHERN III-Tempered Hydraulis perform one limited school o[ music a Fur the past several years, one sees HYMNS little less "authentically" than to not $2.50 with increasing frequency various and be able to playa good authel1ticall}' in· sundry specifications designed in the spiring church scryice and a wcll· Available from your favorite Iiealer, CATHEDRAL ORGAN POSTERS slyle or North German Baroque and rounded recital program. or dillie/ from DEPT. 2DX_ Berlin - Graz - Trier other das$ic schools of pipe organ de· Sincerely }'OUts, 1611z " x 23Y2" 3 'orS7.00 sign. One will not be surprised. one day Raymond E. Church town in the not too distant future, to sec a St. Louis, MO highly touted design of a hydraulis, de­ AU items postpaid when check signed after one from the time of em· accompanies order. peror Nero, tuned to an obscure tem­ Dupre Works Requested (Ohio residents add 4,5% sales tax) permeDt. Naturally this will be dedi­ Two of Marcel Dupre's works fo r or· cated by a noted European authority on gan and piano arc out of print! Dallade, THE PRAESTANT PRESS op 3D, and S;'I/o1lin, Opt 42, both for· pipe organ history. (ollawed by an -~!~~" P.O. Box 43 mcrly publishcd by H. W. Gray. If any erudite panel discussion. The outcome, Delaware, Ohio 43015 of course, will be a declaration that the reader could sell or loan me ropies, ] SAX I'BARCISCO 1Il.·i).baroque instmments of the 1970's would be extremely grate[ul. ,Ire Ollt of style and that we must go Prof. Hugh J. McLean hack 10 c\'cn earlier ones in order to Faculty of Music really know what early organ music University of Western Onlario ORGAN SEMINARS '80 souuucd like. However absurd this may London. Canada N6A 3K7 seem, hack in the more recent decades Twelfth Season, June 15-28 of (he '40s. 'SO and '60s G. Donald Har- ri~on ,lIul othcr builders developed an Wallingford, Connecticut instrument that is now considered by.______.., many as "old hat". Although there are , BERNARD LAGACE and ROBERTA GARY those who disagree, these organs were capable of playing the bulk of the liter­ BULLETIN Master classes-Lecture-demonstrations- Concerts :Iturc authcntically. For information write: loor years organists lamcnted the fat, harsh, blatty recds of older organs. Over Arthur Poider, noted American or­ Duncan Phyfe, Seminar Director thc years builders developed reeds of ganist and teacher of organIsts. died Choate Rosemary Hall great refincmcnt: scintillating trompeltes In Raleigh, HC, on Feb. 25. after an in thc Swcll organ wcre clean and bril­ tIIness of several months. Trlblltes to Wallingford, Conn. 06492 liant and yct placed where they could him will follow_ be controllc..'tl. What's more, thcy staycd Phone (203) 269-7722, ext. 331 TODD WILSON Winner

GRAND PRIX DE CHARTRES "His playin, • • • UUJJ e1lJet itJIl, worthy of IIole for iI, incUrue articulaljon and fie ry ,pinl." 1978 MUSIC. The AGO Magazine

ANNUAL COMPETITION, 1st Presbyterian " Mr. Wilson played 'he enlire program wi,h imagina­ tit'e regu"aljon. sleadine,. 0/ ,hy'hm, riarily 0/ line, Church" Ft. Wayne, Indiana and abJolule preeu;on," 1977 Tlu~ R'ade, Toledo, Ohio "'u was tU if the organ Judd"nl), became a IIew ORGAN COMPETITION, 1st Congregational indrumen, full of unlimited JUllnd Juvru, and pouibililies." Church, Los Angeles Journal_Gazette . Ft. Wayne, Indiana 1975 AVAILABLE FOR RECITALS. AGO Regional Competition Call ()I wrile (U j 1973, '75, '77 Director uf Music Collingwpud Presh) teriall Chul'Ch A new recording of works by Charles Tournemire played 2108 Collingwood ntn!. in thc Chartres Cathedral has just been released by T oledo, OhiO 436~() Disques du Solslice (Fran",)- European lour August-October 1980 -119-243-7871

MARCH, 1980 15 Conversation the entire repertoire from a musical (continued from p. 1) point of view, but so often we don't. I've played a tremendous number We get a little bit of infonnation of first perfonnances - recently I and take a slandpoint. did eight in one month - and Do you find that these "cults" probably the most interesting work which espouse new causes more that I have done is by Charles often than nol spring up in North Camilleri, called Missa Mundi. America? Of which you gave Ih. premiere, I believe. • I think that they flourish in He's just finished another for America, because Americans are me. I-lis music is interesting be­ always open to new ideas ... they cause it comes from the "root and will say "why not?" (a wonderful branch" tradition with its use of phrase) and try something new, as nonnal notation, although it is lIsed opposed to here, where you will in a new way, where for instance, get "Oh, I don't think so ..." and you have rhythms treated as Afri­ then you have to persuade them. I can rhytluns and so forth, but at love American audiences and stu­ the same time the music has shape dents for their open attitudes, but and fonn. it is a dual-sided coin, in that it hns James Stevens is another inter­ good and bad effects. I do C,ink esting new composer. He has wnt­ that there can be found in Am(" rica ten a lot of film music and a work a slight inferiority complex which called Amo ego sum in which the is totally undeserved. All this has audience is called upon to chant. got in the way of improving per­ I played it in a rather different en­ fonnance standards. In adjudicat­ vironment, in a Northern cathedral, ing competitions, and indeed in Organ Music from and they didn't chant. teaching masterclasses, I am stnlck Northern reticence, ell ? by the way in which extramusica{ Yes, I'm afraid so. considerations have inhibited par­ Limburg Cathedral Anything .Ise? ticipants so that there is a lack of No, I am not particularly keen projection of the music. performed by Almut RoBler on music for organ and tape, be­ Can the youth of the parti&ipallts Nicolaus Bruhns: Praeludium e-mail cauSe the tapes seem to contain haue an),thing to do with Ihis? You J. S. Bach:) Chorale aus dem Org

16 THE DIAPASON mooements of Ihe chenr and clergy time and tim' again. - a kind of ecclesiastical musak. I I became an organist only after ~.I don't think the same kind of atmos­ playing my first tracker-action Of­ THE AFFORDABLE phere exists in American ch urches. gan. I found that I could do things, -1iiII I~ No, it's always lively, with the achieve effects which I had spent PIPE ORGAN BY hymns taken at a brisk pace, and hours working on at the piano, and the organ is not used so much to that I could not do on electric­ cover up other activity. I don't action organs. But a tracker action play for church services. I found that is heavy, sluggish, and impedes myself to be temperamentally un­ playing is useless. I'm not one who suited to it - I just can't begin advocates m,J' tracker action just RODGE:RS when a red light comes on, for in~ for the sake of the action. There Compact in size , , , large stance. I was once in a church p0- again we have this awe ul polariza­ in tonaillexibility. the sition for three weeks but ] just tion in the organ world. The music Rodgers Cabinet Organ couldn't get it right and I won't must again be the major considera­ adds new dimension to classtcal organ perlor­ treat music that way. It is like tak­ As tion, to design, it is imperative mance for the church. be . • .11 ing the liTo be or not to to know tlle type of music one wants university setting. speech from Hamlet and just as to play and be content with that, leacher, or serious stu· you are getting to the punch line but it is absurb to say, for instance dent of the organ, having to stop and go on to some­ that an organ must not have a top Designed to acco mmo~ thing else. Of course it's deplorable G or must not have strings. That's date installation in a room that the church, which used to be more muddled thihking. Things with B' ceilings. the Rod· the clWodian of all tIle arts now like the proper balance between di­ gers Cabinet Organ is reminiscent of early 17th puts. music in the background. visions should be achieved. If an and 18th century design Perhaps the doctrine that music organ is three-manual one should characteristics, where is to be used in the service of the be able to play three-manual music emphasIs is placed on Lord is a depressant where music on it, and so on. unity, balance and op­ in the ChUTCh is concerned. lVhat about French organs. Don't timum perlormance, But MODEL 205 More likely, the people who em­ they seem to be the ideal medium through the wonder of brace thjs doctrine don't under­ for just about all the repertoire? electronics. permiUing Well, they certainly sound •.

THE ORGAN In the gallery of this historic church was recently completed wIth the installation ofthe Ruck· Po.lllv.

Glial l!lckPIlIIh 16' O\Jifltade 8' GrobgedtCkt 8' [)Qp;lson 8' AIf'Jl lOete 8' Spitzlloete 8' OlMlaCle .c ' OcLlve 4' Gedeckn Dele 4' Spitzfklete 4 PrinclPilI 4' Nachillofn 2' Printlp;ll 2213' DUlnl II Sesql,I1,,'!cI, 2' Principal III Zitnbel 2" Nachthom 8 ROhrsct\i!me J 1315' TelZ 8 Spanl$h Trompel II Rauschpleile t remolo IV Mlxlure 21mbtlslem s ... hllal 8' Rohrflo!te 16' OQpoi'SOCl ST. JOHN'S EPISCOPAL CHURCH 8' VloledeGambeClleste 16' Dulnlatl. 4' Prtnc!p.al 8' Printip;ll MONTGOMERY,ALABAMA -4 HoIIIIloele 8' Spitl flOele 4' Gemshorn 4' ClltllalNn 221 :)" Nasal 4' HK1'I\!)Ofn THE WICKS ORGAN COMPANY 2' Ot\.1viA IV Mld llft 2' HdlWIOeIe 32 ' SOfdun 1113' LuIQOt IS' Pt:WI1\e HIGHLAND, ILLINOIS 62249 l' IGeinOkliYe 16' f.1go1 16' fiOOtto . ' TrCfnperte.nCt\atNde 8' TrompeneenCIlacN.dt: 4' Kc!plf~ Pipe Organ Craftsmen Since 1906 8' Koplrrgil T~_ Memlx-r of the International Society of Organ Buildeu

MARCH, 1980 17 New Organs

DElAWARE OROAN COMPANY. INC 252 AO ... on An. 'onowonclo, N.w YCN'k 14150 (71" "2·1791

MEMBER A.P.O.I.A.

ROtHE ORGAN CO., INt.

PIPI OIGAN '1U1LDEIS

"'-- ...... ------

lynn A. Dobu.n,· Lake City lA, hu 0, A. Flen.rop Orgelbouw, Zaandam, completed a l-m.nu.1 and ped.l organ The Netherlands, has completed a I-man­ of 8 r.nks haying mechanical ac'ion for u.1 and pedal organ for the Blessed S.c­ Bethlehem lutheran Church in Ced.r Falls, ramen' Chapel at the C.thedr.1 of St. IA. The case is of white oak with pipe­ Mary, Gaylord, MI. The instrument has shades. key cheeks, and st0r jamb, of mechanical action, with a nat, straight. Renowned walnut. Stop levers and peda sharp, are pulldown pedalbo.rd. The manu.l e.om­ of Pad auk, and the Gedackt is constructed pass is 56 notes, that of the pedal, 27 forthefr of poplar. The instrument has a steel sup­ notes. The organ is used for daily service" porting struc'ure fitted with cade ... which small weddings and funerals, and chamber RANDALL S. DYER allow the organ to be moved easily. Wind­ music and recitals. Wayne Wyrembelski. pressure is 55 mm. M.uilou Kranenslein music director, played the dedication re _ is music director and organisl for the cital. Pipe Organs and Organ Service church. L'Ii Bo.489 ·Lynn A. Dobson, member, American MANUAL Insfitute of Organbuilde .... Holp ii p 8' Jefferson City, Tennessee 3771>0 Q uintllldeen 8' ~Jm)IN MANUAL Pte,tlllnt

"B.:!Jllltlpge,.. ofAmenca Since JU:I..... PEDAL 3().nole pedolbollfd 380 FRONT ST. permanently coupled EL CAJON, CA. 82020

TELLERS ORGAN Frifuche Organ Co.·, Allentown. PA, Company, Inc. has completed .. 2-manual and pedal or­ gan of 15 ranks for Redeemer luth.ran COMPllTf OROAN SERVICE HARVEY &ZIMMER Organ Designers Church in Columbia, SC. The diegonal­ Greenwood Organ Co., Charlotte, NC, SINCE 1906 'Il1d!er and Builders corner installation, with Great and Pedal P.O. lOX 1383 has built a 2-manual and pedal organ of 20. ... 111111 1IIIIu, 'I'I.U 71111 el'posed, makes full use of .he square 23 ranh for the Fint Baptist Chure.h of En.. P•• 16512 Ph. 456-5306 Ilt/Nt·Utl sanduary. Robert Wuesthoff of the firm Brewton, Al. The instrument, designed by collabora'ed with Mrs. Joan Kiser of the music minister leon J. EnlOt and Norman church on the design. A. Greenwood, replaces • 1954 Kilgen, ·Robert O. Wuesthoff, Patricl. Hock­ from which some ranks have b.. n r,. man, members, American Institute of 0,­ tained. VISSER-ROWLAND ganbuiklers. G REAT GREAT P,incipal I' 61 pipes n3!t88'7346 P, incipal 8' 61 p ipes Bourdon 8' 61 pipes 2033 JOHANNA B Gededt Pommer 8' 61 pipes Dulciana 8' 61 pipes HOUSTON 770SS CktGve

International SocIety of Or~nbuilders SW ELL SWEll Rohr Flute 8' 61 pipes Rohrflule 8' 61 pipes Viola 8' 61 pipes Sal i.e ·onGI 8' 61 pipes Prestant

18 THE DIAPASON BRUSTWERK GedacU S' Spillflule 4' Principal 2' We build contemporary Ou'nt 1-1/3' Trechler.teoall 8' Tremolo TRACKER ORGANS

PEDAL Beurtle n I" Brunzema Organs Inc.

COUPLERS Great 10 Pedal 596 Glengarry Crescent South Bruslwerli: to Pedel Post Office Box 219 Brustwerli: to Great Fergus, Ontario Canada N1M 2W8 (519) 843-5450

BuDden of Fine Tracker and Eledro·Pneumatlc Pipe Organs

Vtuer·Rowland ASlociate~· of Hoydon, Inqulrlu are Cordially Invited TX. have co~.ted a 2·manual and pedal organ of 24 stops and 38 ranks for The W. Zixnxner & Sons Church of the Holy Spirit, Houdon. The INCORrORATED indrument has mechanical key action and .Iectric dop action, and is supported by Member APOBA a ledge above the balcony, originally Mll11ng Add", •• : P. O. Box 520, Pineville, N. C. 28134 planned for an electro·pn81Jmatic inda"a. HAnONa FORD ROAD' CIWILOlTE, No Co tion. The ancased organ has tracke,s whtch Bait through a glan·enclosed duct to the det.chad console below. The infernal framework is structural deel. The winding is steady, with equal temperament. The glass shuHers of the Brustwer. pivot al. McMANIS ORGANS t.rnafely in pain, Incorporated -Jan Rowland, po.. ter Visser, memben, American Inditut. of Otganbuilden. Wicks Organ Co. of Highl.nd, IL, has 10th '" Garfield installed a ].manual and ped.1 organ of HAUPTWERK KANSAS CllY, KANSAS 51 ranks in the Wilson Music Cent.r .t Principal 8' (enfa~odlll i 61 plp l!- t 66104 Rohrflole B' 61 pipes Glassboro State College, GI.ssboro, NJ. OU..... 4' 61 pipes The direct·electric action instrument i. A..P.D.B.A. Member Nochthom

19 MARCH, 1980 ROGER GOODMAN llARPS ICIlOII IJ/ST. TEACllER RECITALS. MASTER CLASSES RESIDENCIES 1247 Judson. Evanston, 111. '0202

VICTOR HILL Harpsichord and Of1ion WllI1ams Collol)e St. John', EplscOiHIl Chu~h Williamstown, Mass. 01267

a.oWCST~ ~TTEVlU-L, WI., 1113.,. 1608) 34S·6410

LARRY PALMER

Harpsichord - Organ Southern Methodist University

Organls'.Cholrmaster Saint Luke'. Episcopal Church

Dallas. Te.QI

LYNNE DAVIS San francisco Janke International New Janke Organ DAVID GOODING Recitalist FIRST PRIZE In San Francisco THE TEmPLE ST. ALBANS 1975 by David Britton 10, rue Pierre el neUELAno OHIO, 44106 In June, 1979, Rudolf Janke of become onc of Europe's renowned 92140 Clomorl "V cst Germany installed an 11 stop- builders. Both men havc gone their FUANCE 13 rank organ in the San Francisco individual ways. Janke's own philos­ studio.rcsidence of David Britton. ~Ir . ophy can be gleaned, in part, from Janke, who is wcll-knO\YJl in Europe, his article "The Planning and Real­ is gradually becoming known for his ization of Contemporary Organs" in CAROL TEll work in this country. Of his eight or­ ISO Information, No. 16 (March gans in the United States, two arc in 1977). LAWRENCE churches (Christ Episcopal Church in The time-honored ideal of warmth Dallas, T exas, and the United Metho­ combined with sih'ery brilliance hac; ROBINSON dist Church of Berea, Ohio). The rc­ heen effectively realized in the "oicing maining six are all privately owned of David Britton's studio organ. The and range in size from a small posi­ design of this instrument reflects its tive to the instrument recently com­ owner's three-fold desire for an organ pleted for Dr. Britton. suitable for teaching and performance, VIRGINIA COMMONWEALTH UNIVERSITY Born in 1930, Rudolf Janke began in addition to researc:h inlo carl}' per­ Indiana University 01 Pennsylvania RICHMOND, YIIGINIA his organbuiJding apprenticeship in formance practices relevant to Bach. Department 01 Music 1948 with Paul Ott in Cottingen. In Indiana, Pa. 15101 1952, he took his journeyman exam The specification: in Hannover. He remained with Ott until he attended the Master School of Organbuilding in Ludwigsburg in DAVID HEWLETT 1956 and then went to ~1artensson in 'Manual I Lund, S\\'eden, for a year. In 1957 he Rohrflote 8' MARSHALL BUSH also established himself in Vecker­ Principal 4' Th. Conservolory of Musk hagen an der \Veser and specialized Octa,'c 2' 'NlncIletHr. New Hom..... in making reeds for other builders. (He Mixture II-III I' N G.C.s.A still personally makes all reed pipes for his organs.) After passing his mas­ ter organbuilder exam in Kassel in Manual II •.. 1958, he opened his organbuilding Spitzgedackt 8' -JOHN HOLTZ firm in Gertenbach an der 'Veera. In FlOte 4' "I 1963 he moved his shop to Bovenden, Quinte IVl' T near Gottingen where he is located A Faculty: HARTT COLLEGE, University af Hartfard J Regal 16' I. today. S Organist: CENTER CONGREGATIONAL CHURCH, Hartfard Janke operates a small finn employ­ ing about seven men, one or two of Pedal whom are usually apprentices. To date, Subbass 16' Organisl he has produced over eighty new or­ Gedackt 8' oAVIO ROTHE, gans and has restored about twenty Octave 4' Call1ornia Slale University, Chico historical instruments, for which he SL John's Episcopal Church, Chico enjoys a prestigious reputation in Ger­ many. His early training with Paul Recitals Workshops Ott, one of the men credited with re­ Tremulant: a vcnt perdu P.O. Box 203 (91&).,345-2985 viving the art of tracker building after Forest Ranch \ . '8

20 THE DIAPASON The casework and most interior e ) provides a distinctive foil to the parts are of quarter-sawn solid white Manual I Rohrflote. The metal POSJ 5:13·7247 oak or veneer quality. Each pipeshade FlOte 4, open from tenor c, is har­ is carved rrom a single slab of oak. monic in the top two octaves. Blending tim The case has been fumed in ammonia, perfectly with the 8', it has a distinc-I WALTER A. GUZOWSKI while the pipeshades have been lert tive edge which helps bridge l'II'Il OIlOAI' SEllVICB publication is natural to provide a subtle color con­ monic gap of the missing 2' trast. Key naturals are grenadillaj the ...... H_ to the silvery-voiced Quinte. Ull E. CDnunetdallMi 1225 SW• • 1h Ct~ ~ B available in sharps are ebony covered with bone. three stops fonn a "concerti no" ple­ Flo Ui~ Fra. 33334 Ft. Uiudlfdar.. n.. 33312 Stop knobs are hand-turned and are num. The 16' Regal (trichter regal­ mit!~ raced with bone. The tempennent is type metal resonators, ebony shallots, a modification of Kimberger III. common solid oak block) can be Wind pressure is 44 mm., and is slight­ played one octave higher as a solo ly flexible. Principals are 80% tin- stop or it can function as an 8' founda­ fiim :ijtmry 20% lead. Flute metal composition is tion to the other pitches in the man­ PJPEORGANS the reverse. All pipework was made ner of a Brustwerk, providing a com­ Restonliou. Daip. Senke at the pletely different plenum sound. Through coupling, the 16' Regal also imparts a gentle, wann gravity to the lOS! Roanoke Road Manual I plenum, an eHect all too (%16) 38:'9396 Ondutd II,..", DElio ,"IZI frequently missing on even la rger in­ ------Please send me addilionaliniormalion. struments. Coupled to the pedal, it University Microfilms provides additional delineation of the NEW ORGANS. RESTORATIONS TUNING & MAINTENANCE International 16' line. The Regal, with its olle-piece 300 North Zeeb Road wooden block, can be removed; a dif­ RAYMOND GARNER & CO. Dept. P.R. ferent rank could be installed in it"i Mechanical·Action Pipe Organ SpecioUsls Ann ArbOr, MI4Bl06 place if that were desired. The Pedal P.O. Box 478 Telephone U.S.A. employs a partial transmission system Crestline, CA 92325 (714) 338.3751 lB Bedford Row between the 16' Subbass and the 8' Dept. P.R. Gedackt, while the Octave 4' is en­ London, We1 R 4EJ tirely independent. England Presented with the considerable \'oic­ ~ !IWJnum Name ______ing challenge \\' hich such a Instllutlon' ______scheme presents, Rudolf Pip. Organ lulld.r Street ______succeeded admirably. 2742 An. H Clly ______light nicking, an historical _ fort Worth, haas 76105 rationally ignored by the early Slate Zip __ 'i.I •. 1.17] 536·0090 Rudolf Janka of the Orgelbewegung. Metal are cut to pitch (there are . A constant challenge for the design wooden pipes in the entire organ ). of a small organ, in addition to pro­ Great care was exercised in the final viding a beautiful plenum, is satisfy­ \'QlCIng and tuning, which were BERKSHIRE ORGAN COMPANY INC. ing the need for color. The design of evolved in a multi-phase process, oc­ 68 SO. BOULEVARD, WEST SPRINGFIELD, MASSACHUSETrS the second manual in particular meets cupying the builder during the latter Are. Code 413.734-3311, 736.1079 this challenge in a variety of ways. half of his three-week assembly period Menab r" American Inl'ililnle or Organhuilders The Spitzgedackt (metal from tenor on location in San Francisco. t e " International Society or Organhuilders A. David Moore & CO. TRACKER ORGAN DESIGNERS & BUILDERS David Britton's Janke organ will be relocated to the campw of A-Iount Saint Alary's College in Los Angeles, where Dr. Britton will join the mwic faculty North Pomfret Vermont 05053 in Srpt. 1980. 802-457-3914

WANT A PRACTICE ORGAN? Here & There PEMBROKE PIPE ORGAN Un kit lonnl Send Mamp lor hroc"ure THE OR G A N L 0 F T EPSOM. N.H. 03234 T.1. 603-736-4716 Ram.mbar: If it dae. NOT have pip". it i. NOT an oraan

CREATIVE ORGAN BUILDING FOR ARTISTIC MUSICAL RESULTS Greenwood Organ Company

P. O. BOX la254, CHARLOTTE, N.C. 21218 ~ ''THREE GENERATIONS OF ORGAN BUILDING" Qualily • Craftsmanship • Inlagrlly • Consclanllous Rasloratlons iI. Billiam 3lI.ernbnn. ilr. Pipa Organ Malnlananca and Rasloratlon Inquiries atll cordially Invited. P. O. Box 362, Tolado, Ohio 43691 Phona: (419) 241·8822

Sherwood Organ Company Inc. 85 Longdale Avenue White Plains, New York 10607 (914) 946-7990 (212) 582-4240

Th. Allen Organ Company recently opened iI. new international sale. headquarters in Macungia, PA, where the firm .pecializes in the develop,.ent and production of digital computa.. elactronlc Instrumenh. PJctunci above Is Oelave Hall, which has an acaustlcally· variable envlranment parmitting the demontration af varying dagrees af reverberation or lack thereof. The building cantaining the hall has received a management award 'or Ih aHnJy-savllMJ cflaracterlstlc••

90- -,a 111 111111. 1).' ~ 7047 South Comstock Avenue, Whittier, California• 90602 •• • (213) 693-4534 MARCH, 1980 21 SARA ELIZABETH AL VATER robert anderson Calendar SMD fAOO o~n Qulnlette Brahms Requiem, Riverside Church, New ralorlo Accompanlsl Southern Metho.U.t Unlyerslty This calendar covers a two-month period of York, NY 4 pm Dlreclor Madrlpl Sln,ers ending May 15_ All events are assumed to Verdi Requiem; St Bartholomews Church, Woodslock. Vermonl 05091 Dalla•• Texas 75275 be .argan recitals unless otherwise indicated New York. NY 4 pm and are grouped east-west and north-south David Hurd; Sf Lukes Chapel, New York, within each date. * = AGO event, Informa­ NY 4 pm tion will not be accepted unless It includes Bach St John Passion I; Holy Trinily L,,­ CHARLom AND WILUAM ortist name, date, location, CVld hour. THE theron, New York, NY 5 pm WILLIAM AYLESWORTH DIAPASON regrets that It ca nnot assume Joshua Singer; St Thomas Church. New responsibility for the accuracy of colendor York, NY 5: 15 pm ATKINSON D. M. entries. Donald George; St Mary the Virgin. New fiRST PRESBYTERIAN CHURCH York, NY 5,30 pm 2001 EI Camino Reol Eva_ton, DUnola UNITED STATES Albert Melton; All Saints Cathedral. AI. Oceansid., California 92054 East of the Mississippi bony. NY 4:30 pm Verdi Te Deum, Faure Requiem; lst Pres­ ORGAN VIRTUOSO 15 MARCH byterian, Red Bank, NJ 4 pm Gerre Hancock workshop, Old lst Church, Rossini Stabat Mater; ht Baptist. Phila­ Springfield, MA 9;30 am delphia. PA 4 pm Peter Basch Terry Charles; Kirk of Dunedin. FL 8:15 Bingham Canticle of the Sun; 10th Pres­ J. pm byterian, Philadelphia, PA 5 pm Roberta Gary masterdass, St Peters Ca­ P.o. Box 165 ~Y.!!M~.~~~ 16 MARCH thedral, Scranton, PA 3 pm a division of Suncoast Concert Oldwick, New Jersey 08858 Management &: Prod., Inc. Box 6374 Margoret IfVl'l n-Brond::n; Old West Church, Handel Messiah; St Davids Church, 8altl. CI ..rwater, FL 33518 (813) 446-2914 Baston. MA 3 pm more, MD 4 pm Lenten evensong; St Joseph Cathedral. Vocal recital; Cathedral of Mary Our HartFord, CT 3 pm Queen. Baltimore, MD 5:30 pm Workshops Recitals Hilse Sang of Solomon; St Lukes Luther. Boch St MaHhew Passion; Washington CHARLES BOEHM an. New York, NY 3 pm Cathedral, DC 3 pm Handbell festival; Riverside Church, New DuruFle Requiem; St Johns Church, Wash.­ ROBERTO BIT6000 TRINI1Y LUTHERAN CHURCH S.M.D., F.A.G.O., Ch. M. York. NY 4 pm ington, DC 5:30 pm Hldmill., N.Y. Schubert Lazarus; St Bartholomews Church, Kathryn Stephenson. 1st Presbyterian, Ft 13 Besl View Road NASSAU COMMUNI1Y COllEGE New York, NY 4 pm Lauderdale. FL 4 pm Quaker Hili, Connecticul 0&315 Garden City, N.Y. Daniel Hathaway; St Thomas Church, New Diane Bish & ensemble; Coral Ridge Pres.­ York, NY 5: 15 pm byterian, Ft Lauderdale, FL 4:30 pm George Bokerl 1st Presbyterian, Glens Mozart Requiem; Fairmount Presbyterian, CHARLES S. BROWN Falls, NY B pm Cleve~and Heights, OH 7 pm DMA FAGO CHM Jay Adams; All Saints Cathedral, Albany. Westland Chair; St Joseph Cathedral, North Texas Siale University NY 4:30 pm Columbus, OH 7:30 pm Denlon 76203 Frederick Swann; lst Congregational, Haydn MlssQ Sandi Nicolai; I st Metho­ Westfield, NJ 8 pm dist, Ashland, KY 4 pm St. John's Episcopal Church 8ach Cantata 135; St Marys Episcopal, Joyce Schemanske; St Pauls Epi5copal, Dallas Ardmore. PA 10:)5 am La Porte. IN 4 pm The Denlon Bach Society Durufle Requiem; ht Baptbt, Philadelphia. Sowerby Forsaken of Man; Sf Chrysostom PA 4 pm Church. Chicago, Il 7 pm *Dovid Hurd; Calvary Episcopal, Pitts­ Mozort Mass In C; lst Presbyterian, Nash. burgh, PA 8 pm ville, TN 8 pm Kurt A. Chione Richard Osborne; Cathedral of Mary Our Jay Peterson; ht Methodist. Decatur. IL WILL CARTER Queen, Baltimore, MD 5:30 pm 4:30 pm Cathedral Church or St. lamcs Brahms Requiem; Cathedral, Washington, Church of Saint John the Evangelist DC 4 pm 2-4 MARCH New York Clfy South Bend, Indiana Antone Godding; Coral Ridge Presbyterian. Jane DJllenberger, lecture; Trinity Eplsco­ Ft Lauderdale. FL 4:30 pm pat. Hartford. CT 8 pm Terry Charles; Kirk of Dunedin, FL 8:15 Britten & Vaughan Williams, Grace Church, pm 8rooklyn Heights. NY 8:30 pm Maryville College Choir, ht Presbyterian. Hobert L".,rh Ft Lauderdale, FL 8 pm 25 MARCH Whetstone Choir; St Joseph Cathedral, Handel Messiah (complete); St Thomas School Music Columbus, OH 7130 pm Church. New York, NY 7130 pm 0/ Donald E Renz; Faith Lutheran, Detroit, University of Michigan MI 3:30 pm 26 MARCH Ann Arbor The Scholars, Independent Presbyterian, Marian Van Slyke; Trinity Church, New· 8irmingham, AL 4 pm port, RI 12:15 pm Lynn Edwards; St Marks Episcopal. Stom. 17 MARCH CT 12 noon Jeanne Rizzo Conner *David Hurd workshop, Holy Crass Church, Music of Tallis & Handl; SI Thomas Church. Harry E. Cooper Pittsburgh, PA 8 pm New York, NY 12:10 pm Organ-Harpsichord Lynn Brant, piano; Community Church, 18 MARCH Pork Ridge, IL 12:15 pm Broward Flotida Mus. D., F.A.G.O. Roberta Gary masterdass; Lebanon Volley CommUlli~_ ....

22 THE DIAPASON 3f MARCH 15 APRIL James Grace. ht Presbyterian_ Deerfield. Simon Preston; Siale Univ, Purchase. NY IL 12;)0 pm 8 pm EARL EYRICH Nichola. Danby; St Pauls Cathedral, Pills­ GEORGE FAXON 1 APRIL burgh. PA 8 pm Trinity Church Christine Marshall Kraemer; 1st Presby. David Allan Weadon; Trinity Church. TRINITY CHURCH terian, Deerfield. Il 12:10 pm Princeton. NJ 8:30 pm (Episcopal) Martin Neary; ht Congregational. Elyria. Concord, Massachusetts BOSTON 2 APRIL OH 8d5 pm Bach 51 MaHh.w Pauton: Sf Bartholomews George Rltchi.: 2nd Presbyterian. Indian· Church. New York. NY 8115 pm opolis. IN 8 pm James eNtry; 1,1 Presbyterian. Deerfield, Geff. Hancock; ht Baptist, Chattanooga. JAMES FREY Il 12:10 pm TN 8 pm Robert Finster Thll Unitarian Church 3 APRIL 16 APRIL T!lIAS I"CK CHOIR Poh"trino MinCi If"evi'f Downtown PUIS.· Eileen HIM'; St John, Churth, Waw,ing. ST. LUKrS EPlSCOl'AL CHUIICH of Evanston byterion, Rocheslar, NY 7;30 pm tan. DC 12:10 pm SANAHTONIO Marlfy" Per"'ns; ht Preibyterion, Deer· Evanston, illinois fiekt. IL 12:10 pm 18 APRIL ·Westminster Choir: Cenlral Baplist. Hor'. 4 APRIL ford. CT 8 pm Tenebroe service. West Side Presbyterian, Even$Ong; Bethesda Episcopol, Saratoga Ridgewood. NJ 8 pm Springs. NY 8 pm HENRY FUSNER Jobn U. 49tarbart III Brahm. Requiem; ht Baptist. Philadelphia. Simon Pre.'an: Trlnlly Church. Princeton, I.M.D. "-".0.0. B.A.,M.Mu• • PA 3:045 pm NJ 811S pm FIn' ...... ,...... Chu .... Boch SI John Passion: Trinity Cathedral. Mendol$lOhn !Iijah; Coral Ridge Presby. SL Paul'. Episcopal Cburcb Cleveland. OH 7:30 pm terian. ft Lauderdale, fl 8 pm Ha ....., Ten ...... 37220 P.O. Box 8427 Leon Nelson; 1st Presbyterian, Deerfield. Ann labounsky: 1st Presbyterian, Boca Mobile, Alabama 36608 Il 12:10 pm Rotan, Fl 8 pm Mozart Requiem; 4th Presbyterian, Chico. Joyce Jones, HOrlisburg Baptist, Tupelo. go. IL 7:30 pm MS 8 pm Ten.broe servke; 1st Presbyterian, Nosh­ Robert Glasgow ville, TN 8 pm 19 APRIL Antone Godding louis Rabilliard masterclo$S; ht Presby· School of Music 6 APRIL terian. Burlington. NC 10 am School., M•• Louis RobilhOfd, MolnOfiol Church. Har­ • Ann labounsky workshop; Christ Melho­ University of Michigan va rd Uni ..., Cambridge, MA 8;30 pm lIo1>ep w. " .... s..~h c"poI dist. Ft lauderdaJe, Fl 8 pm Ann Arbor CJty UoIvonlty f.stival of Easter Alleluias; St Thomas 010_ Church, New York, NY 3 pm ~ APRI L Dvorak r. a..,.; St Bartholomews Church, Margaret Irwin Brondon; 1st Congrego. New York. NY 4 pm Ikmol. We.&tfi.kI. MA 7l3O pm E(J$t.r festival; Riverside Church, New WilUam Whitohead: Gustavus Adolphu. LESTER GROOM Vork. NY .. pm lutheran. Now York, NY 3 pm BRUCE GUSTAFSON Gerre & Judith Hancock; St Thomas Keith Williams, All Saints Cathedral. AI· Seattle Church, N.w York. NY 4:30 pm bony, NY 4130 pm $NtH. '.clflc U.. ..,.,.., till' Bach East.r Oratorio; Holy Trinity lu· Horbert Burtis, United Methodist, Red lalne Mary'. COO. theron, New York, NY 5 pm 80nk. NJ 4 pm 1st ',..brferl.n a..rch ",04 Notre Dame, lodJaaa 1848 Jardine recital; St Pauls Episcopal, Ten~hoir fostlval: lst Methodist, Pitts­ Pendleton, SC 2 pm burgh, PA 7,30 pm Music; for Bross & argon; Zion lutheran, John W Holzer: Incarnation Cathedral, Ann Arbor, MI 8110 & 10;40 am Baltimore. MD .4 pm E. LYLE HAGERT William Ness; Andrews University, Berrien Michael Montz: Cathedral of Mary Our JAMES J. HAMMANN Springs. MI 4 pm Queen. 8oltimOf"o, MO 5130 p m M.M. - A.A.C.O. Marilvn Keiser; Haymaunl Methodist. f ay. !pIorDpo1 aoarMaryland Chlldrens Chorus; Cathedral 01 7 MAV H'inlilrnp ('o[J('~ll' Mary Our Queen. Baltimore, MO 5 :30 pm -Simon Preston; Alice Tully Hall. New Yo,k, NY 5:30 pm Hod.. Ildl. ~()1l1 h Caroltllcl ;t'17:n Palm Beach, Florida Vocal duo; Methodis, Church. lakewcod, OH 8 pm John Roso; Christ lutheran, York. PA 8 Columbus Symphony Ch~rus ; S, J OHi ph pm Cathedral. Columbus, OH 7:30 pm Robln$On Singers; St Johns Church, Wash· Thomas Richner with arch; Taylor Univ. ington, DC 12: 10 pm FREDERICK l. MARRIOTT ERNEST MAY Upland, IN 8 pm OAGANIST - CARILLONNEUR Ph. D. Bach series; Friedens UCC, Indianapa'is, B MAY 51. Jam ..' Church, G,eenfield IN 7;30 pm Terry Charles; Kirk of Dunedin. Fl 8:1.5 ICl.K·IN-TNt-HIllS Kathryn loew; St Pouls Episcopal, lo Porte, pm University of Massochusen, IN -4 pm Bach St MaHhew Poutan; 2nd PrlUby· BlOOMFiElD HillS. MtCH 4,013 Amherst, Mass. 01002 Simon Presion; 4tn Presby,erian. Chicago. terian, Indianapolis, IN 8 pm Il 6:30 pm Glenn Ellyn Children's Chorus; lst Pres_ 9 MAY byterian. Deerfield, IL 7 pm French Baroque music; Notional Shrine, ·David Hurd; S Bapllst Seminary, louis. Washington. DC 8:30 pm Norman McNaughton JAMES R. METZLER vi lle. KY 4 pm Terry Charles; Kirk of Dunedin. Fl 8015 pm Clllln:h 01 SL Franc.. d. fl.nnt.1 TRINITY CHURCH 28 APRIL TOlEDO, OHIO - Timothy Albrecht workshop; CaivOty E pj~ 10 MAY New York City copal. Pittsburg h, PA 7130 pm Terry Cha d es; Kirk of Dunedin. Fl 8:15 pm 29 APRil Gordon & Grady Wilsonj Holy Trinity 11 MAY lutheran, Buffalo, NY 8: 15 pm Edward Clark, S Conoregotional, New WILUAM H. MURRAY Bach se1ie$; 2nd Presbyterian. Indianapo­ Britain, CT 4 pm WARREN C. MILLER Mu .. M F.A.G.O. lis. IN 8 p m Bach Cantata 6; Church of the Ascension. Jay Peterson; Weslern III Univ. Macomb, New York, NY 11 am GRACE CHURCH - SANDUSKY, OHIO Il8 pm Bodinage; Park Ave Christian, NeW York, Churr:h of .he Mediator FAIRMONT TEMPLE-BEACHWOOD, OHIO NY 2 pm ChalO,la. 30 APRtL .lorry Smith, Kenmore Presbyterian, Buf· Marshall Madrigals; St Johns Church. lola, NY 8 pm Washington, DC 12:10 pm Handel Choir; Cathedral of Mary Our Queen, Baltimore, MO 5130 pm WILLIAM NESS RICHARD M. PEEK 2 MAY McNeil Robinson; St Marys Episcopal, Christo Rolkhj O ~ d West Church, Basta,., Kinston , NC 4 pm ANDREWS UNIVERSITY Soc. Mu •• Doc. MA 8 pm John Ferris; Trinity Cathedral, Cleveland, John Ra ~ ; Trinity College, Hartford, CT OH 5 pm Berrien Springs, Michigan Covenanl Presbyterian Church 8:15 pm John David Peterson; St Joseph Cathedral, Orgnn - Chllrci. U,.. i" 1000 Eo Morehe.d Charlo"e, N. C. G & S Gonda~ier'J Zion Lutheran, Ann Columbus, OH 7:30 pm Arbor, MI 8 pm Choir festival; Zion lutheran, Ann Arb::r, MI 11 am REC::ITALS 3 MAY Joan lippincott, Central PresbyterkJn, la­ Brillen Hayes Fluddll; Downtown P, e,· loyell., IN B pm FRANKLIN E. PERKINS byterlan, Rochester, NY 3130 pm Simon Preston; Broadway Boptisl, louis· Ph.D. G & S Gondoliers, Zion Lutheran. Ann ville, KY 7 pm bon Arbar, MI 8 pm Th. Ladue Chapel t~ MAY the John I .. .roughs School 4 MAY .Todd Wilson; Olmstead Community St. loul., rAl"ouri SuncorOItlltDer •• t concert Mgmt. Ia Production., Inc . HandbeU contllrtl Trinity Church, Newport, Church, Olmstead Falls, OH 7:30 pm P.0.1374 • Clurw.ter • Florid•• 3351. RI .. pm Bri tten Noyes Fludde; Downtown Presby. t4 MAY K. BERNARD SCHADE terian, R.ochester, NY 3:30 pm Paul Callawav: St Joons Church, Wash· Ington, DC 12:10 pm 5.M.M. Robert Sheprer John Chappell Stowe; Congregatianal Church, HomDr, NY .. pm Orlolli,1 • Chokma.t., STAtE COUEOE George E Tutwiler; James St Methodist, UNtTED STATES EAST snoUDsaUIO, PA. SECOND PRESBYTERIAN CHURCH Syrocuse, NY 4 pm West of the Mi»luippi Werbhopl a .. d ...., .. Indi.nopolil, Indi.na "6260 Handball festival. 1st Presbyterian, Red Bank, NJ 4:30 pm t6 MARCH th. Kocialy Choral Meth.d Redlals f rederick Grimesl Trinity Episcopal Cathe· Kathryn Johnson; Ncrthaven Methodist. dral, Trenton, NJ 3:30 pm Dallas. TX 7:30 pm Solemn evensong. St Davids Church. Balti. Virgil Fox; Performing Arh Soc, Houston, ROBERT L. more, MD 4 pm TX 8 pm L. ROBERT SLUSSER Vocal duo recita lj Cathedral of Mary Our Eric Housenkechh St Crou Church, Her. MUS . M., A.A.G.O. Q ueen, &Itimore, MD 5 :30 pm rnc»a Beach, CA 4 pm SIMPSON Festival of Mg on music: Sf Johns Church. William Charles Beck; St Francis Episco­ Cathedral .f St. Philip LA JOllA PlESBYTERIAN CHURCH Walkington, DC 12:30 pm pal, Palos Verdes Estates, CA 7,30 pm 2744 ,eachtr.. Rood N.W. Choir recognition; Blond Sf Me!hodist, Bach Mall in B Minor; 1st Congregational, Atlanta, GeoJsla 30305 lA JOLlA, CAUFORNIA Bluefield, WV 9:30 & II am l as Angeles. CA 7130 p m Simo n Prestan, All Saints Church. Atlanta. GA 8:15 pm 18 MARCH Wright Green Blo cl e Riseth; Collingwood Harvey Hinshaw, harpsichord; 1st P:ym. Presbyterian, Toledo, OH 4 pm outh Congregational, lincoln, NE 8 pm Hobert w. S,.. itl. Carl Staplin Paul Koch; Methodist Church, lakewood. Lorry long; Caruth Aud, SMU, Dollos, TX Hutont: FirJt ChriJlian Church Ph.D., A.A G,O. O H -4 pm 8:1S pm Dra~a University Choral concert; ht Congregational, Co­ James Walker; ht Presbyterian, Santo Cha,IoHesville, Virginia lumbus, O H 8 pm Manko. CA 12:10 pm Firsl Christian Church Bernstein Chiche,t.r Psalms; Christ Church, Marilyn Masoo w/"lalln; Method" , Church, Dn MOINES, tOWA Cincinnati. OH 4 pm Covino, CA 8 pm

ADOLPH STEUTERMAN Thomas R . Thomas MARIL YN MASON Mootploh, T__ Palm Beach CHAIRMAN, DEPARTMENT O' ORGAN Th~ Ror al Poi"cilffld Chllp~l UNIVIERSITY 0. MICHIGAN Mu .. Dec., '.A-O.O. Darector of Music ANN ARlO. Southw.. '", .. M_phl.. a•• lr.d Th~ H~nry Morrison FllIgkr Museum HMf .. MaIOft plo.,.J wi,,- •• at.,if,. and r... ' .... OemcNUft.' "'e aHw c.tvory IpkcepoI C1twch. Etn.,h", OfgllDist.in.Residence Jr e, .""nldl".,., focUity ...... 0.. MoiMt ....t.,. (kIn., s . 1tM

24 THE DIAPASON 19 MARCH 1·5 APRIL George Rilchie; ht Plymouth Congrega- A/ec Wylon, hymn fesllval; Church of Our 1I0nal. lincoln, NE 12:10 pm Saviour, N Plalle, NE 8 pm THE DIAPASON John Pagett. Dupre Stations; ht Congre­ Early Music Consort; Caruth Aud. South· gational, Berkeley, CA 7:30 pm ern Methodist Univ, Dallas. TX 8:15 pm 380 NORTHWEST HIGHWAY. DES PLAINES, 1160016

20 MARCH 18 APRIL Frederick Swann workshop; Plymouth Can. o NEW SUISCRIIER Vonce Reese; Caruth Aud. SMUt Dallas. PleoM beg1n no. gregationol. Des Moines, IA 7 pm Name ...... , _...... •. TX 3:30 pm .. _...... _.. _.. . lubscriptfon Virgil fox; Ambauador Aud, Pasadena. • Roberto Gory; West Zion Mennonite, CA 8:30 pm Moundridge. KS 8 pm Street o RENEWAL (AHoch 10 ...111"" lobo!) 20 APRIL 22 MARCH Sarah Wilkinson, soprano; Christ Church City .•••..•...... _...... •...... •...... ENCLOSED IS Joon lippincoU, workshop; lutker College, Cathedral. New Orleans, LA 4 pm Decorah, IA 9 om o $7.50 - 1 year 'Catharine CrOZier; ht Presbyterian. Dol· Slate ...... •...... _...... Zip ...... ••.... $13.00 - 2 yoo .. Havdn H.M" Man; Chandler Pav, los los. TX 5 pm o Angeles. CA 8:30 pm Four' R.quillm; St Christophers Episcopo', 'I •• , ••110. ala WMh 'Of" d.U"'...., of Ant '.we o $18.SO-3yoo.. E' POSD, lX .. & 8 pm 23 MARCH Paul Tepker; Christ Church lutheron, George Ritchie; 51 Jahns Calholic. Des Phoeni., AZ 7:30 pm JONATHAN A. TUUK Moines. I ..... pm *Mireille Lagace, harpsichord: Univ of Yuko Hayashi; Sf Louis & SI Mary Re. Washington, Seall/e, WA 8 pm Immanuel Lutheran Church CLARENCE WATTERS S: louh. Me 8 pm 338 North Division Avenue Michael Gulltinan, piano; Christ Church 21 APRIL RECITALS Cathedral. New Orleens. LA 4 pm ~ Mlrellle Lagace mostercloss; Emmanue Grand Rapids, Michigan 49503 Trinlly College Charles Brown; Christ Church. Dallas, TX Episcopal. Seattle, WA 8 pm Recitals Hartford, Connecticut • pm Gustav leanhordl; SI Johns Presbyterian. Marcia Hannah Farmer; Sf lukes Church, Berkeley, CA 8 pm M:)nro¥ia, CA 5 pm 8ach Cantata .-Ii Sf Andrews Church, Pasa­ 22 APRIL c. GORDON DAVID A. dena, CA 7:30 pm 'larry Palmer, harpsichord; St Peter Ihe Apostle Re, Galveston, TX 7:30 p m 204 MARCH Gustav leonhart, harpsichord; Herbst The. WEDERTZ Douglas L Butler, Vocal Arts Qt. Public otre. Son Francisco, CA 8 pm WEHR library, Portland, OR B pm 2554 Wal I 18th SI. w»h.'m KrnlUc:ky Vnln-nll' 23 APRIL William Pelerson; Pamana College, Clare· CIIICAGO 60655 Rkhmond, Knlludy mont, CA B:l5 pm *Mireille lagace; Emmanuel Episcopal, Seattle, WA 8 pm 25 MARCH 25 APRIL Morcia Hannan Farmer; 1st Presbyterian, George Ritchie; Oral Roberts Univ, Tulsa Charles W. Whittaker DONALD WlWAMS Santa Montea, CA 12:10 pm W. OK 8 pm Recitals D.N.A. ' Dale Peten: St Stephen Presbyterian, fj 26 MARCH Zio.. LutbeRD Chard! Warlh, TX 8: IS pm Fairfax United Methodist Church Mary Murrell Faulkner; hi Plymouth Con­ Concordia Collq. gregational, lincoln, NE 12:10 pm Robert Gla sgow; 1st Methodist, Pa'o Alto 10300 Stratford Ave. CA 8:15 pm Falrf ... VA 22030 An .. Arbor, 1111 28 MARCH 27 APRIL *John Weaver; Texas Christian Univ, Ft John Rose, dedication: lst Methodist, M:J· Worth, IX 8;)5 pm son City, IA 4 pm DONALD WILLING * James Moeser: lst Chri$tion, St Joseph, 29 MARCH MO 3 pm RONALD WYATT Joyce Jones; Community concert, libby, fDevlt, MT 8 pm John Obelz; Avondale Methodist, Kansas City, MO 3 pm North ' ••01 Stat. Univ.rsit, TrIIIl., Churda Lauretle Goldberg harpstehord workshop; Worner Pacific College, Portland, OR 10 am Ceremonial music; lst Plymouth Congre­ Don.en GaI._ gational, lincoln, NE 7;30 pm 30 MARCH Kothryn Johnson; Narthaven Methodist. Fenner Douglass; House of Hope Presby. Dallas. TX 7,30 pm Bogplpe concert; Trinily Episcopal, Ga terian, 5t Paul, MN 4 pm Ye$ton. TX 4 pm John R Turnbull: Colorado Slate Univ, Ft Max Yount Lynn Collins, CO a pm John Pogell; Groce Cathedral, San Fran Pinkoom Pas.;on of Jlotda.; Neighborhood cisco. CA 5 pm beloit tollege, wis. ZEIGLER-DICKSON Church, Po!Odena, CA 10:30 am McNeil Robinson; Methodist Church, Ga. __ 01_ den Grove, CA .. pm o."..Iot Ekillon Cantata MiMrKordluM' Immanuel organ harpsIchord 80ch St MoHhew Pos.sian; Presbyteria Presbyterian, Los Angeles, CA 7 pm composllion choir IOWA "All UNIVUSITY Church, La Jolla, CA 7:30 pm Mendeluahn Elijah; Community Church, A ...... Gorden Grove, CA 7 pm 2. APRIL Siman Preston: Ladue Chapel. MO 8 pm 31 MARCH Richord Fuller, fortepiano; Warner Pacific Joyce Jones: Communily concerl, Sand­ Gary Zwicky Your Profesriornd Card College, Portland, OR 8 pm pOint, 10 ails pm DMA 'AGO 30 APRIL could appear in this space 2 APRIL Simon Prelton; Trinity Unlv, San Antonio, ~D.t.'n lilinol' Univerth, Charles Oro; hI Plymouth Congregallonal, TX a pm Please write for rates lincoln, NE 12:10 pm Cho,t.,tan 2 MAY 5 APRIL Cindy Lindeen; Colorado State Un/v, F Melvi n Wesl; Green La ke 7th·day Adven. Collin$, CO 8 pm li$I, Seallle, WA 4 pm *Carole Terry; 1st Methodist, Tacorr.o. WA 8 pm a APRIL Ca rl Siapli n, Pou lenc Concerlo; Drake 4 MAY pOCOJ20 BOq SIl2CieRS Univ, Des MoInos, IA 8 pm Noncy loncoster; House of Hope Presby ST"TE CIV I FGf, ~ST1!OUOSIURG, I'£NNSYLVf\Nv. 11301 Dougkls L BUllar with trumpel; JeffelSDn lerion, St Paul, MN 4 pm Center, PorfkJnd, OR 8 pm Edwin Rieke; Christ Church Cathedral. New Orleans, LA .. pm K. BEliNARO SCHADE. fOUNOER ANa MUSICAL OIRKTotI Keith Weber; Transfiguration Church, 001· 10 APRIL la s, TX 7:30 pm (.ru~n"leiu ,\",urll SIWU,.llr Paul Riedo; Caruth aud, SMU, Dallas, TX Mendelssohn Elijah; University Park Meth· adS pm odilt, Oallas, TX 8 pm Nicholas Danby; Utah Slate Univ, Loga n, HICAGO Contemporary & new music; Lewis & Clark C UT 8 pm College, Portland, OR 4 pm LUB OF David Christemen, carillon; Univ, of Cali­ C 13 APRIL fornia, Riverside, CA 3 pm *Frederick Swann; Central Presbyterian, W OMEN De. Moines, fA 4 pm 9 MAY Carl Siapfin; Congregational Church, Cres· lorty Palmer, harpsichord concertos; New ORGANISTS lon, IA 4 pm Sinfonlo, Rochester, MN 8 pm Kathryn Johnson; hi Presbyterian, Tyler, Ellen LoCberg. I'reehlenl Founded 1928 TX 4 pm INTERNATIONAL David Hunsberger; 1st Presbyterian. Santa Barbara, CA 4 pm 15 MAY Margo Hoisted. carillon: Univ. of Co'ifor. Raymond Daveluy; Spring festiva', Guo'ph. nla. Riverside, CA 3 pm OntariO. Conado a pm RA YMOND & ELIZABETH CHENAULT All Saints Episcopal Church, Atlanta 3030B

Excl usive ManJecmcnt Roberta Bailey Artists International THOMAS MURRAY 171 Newbury Street, Boston 02116 ST. PAUL·S CATHEDRAL BOSTON 02111 West Coast: 6900 Santa Monica Blvd., Los Angeles 90038

MARCI'!, 1980 2S C'olsified advertising rat•• : p.r word $.20 minimum charge, $2.50; lIox number. additional $1.00. CLASSIFIED ADVERTISEMENTS R.pll•• to mox numb.r. should b. Hnt cIa Th. Diapason. 310 Northwest Highway, D•• Plan•• , IL 60016.

'OSITIONS AVAILABlE MISCELLANEOUS PU8l1CATlONS HARPSICHORDS MECHANICAL ACTION ORGANS, EXPERI­ FOR SALE ORGANIUILDING AND SEIlVICE AN ESSAY ON THE PROCESS OF HIRING NEUPERT VIVALDI, 2 MANUAL, "', .', ,', 4', enced and trainee. Send resume or call (603) business in East . Excellent st ll ff and ",putlltion A Church Musician, BocUet prepared b ... the 2 lutes. Perflld ctlndition wah shipping crate. 4&3·7407. Bozem l5 n·Gib n, Deerfield , NH 03037. in both electric= al and mechllnical indruments. Commission on liturgy lind Church Mus ic, Epis. Write: 27011 Edwllrd Av .• Modesto, CA 95]50. Present owner a nd tech diredor wining to re­ coplI l . Diocese of Los Angeles. $2 postpaid. (209 ) 52 1·0333 . AMERICAN INSTITUTE OF ORGANIUILD­ mllin. Pri IKipals only. Addre$S A·3 TH E DIAPA­ ($1.50 in lois of 10 or mo",) Order from, Carol ert Employee Clearing House. Employers lind SO N. Foste r, Diocese of Los Angeles, P.O. Box 2164, ANTE MUSICA HARPSICHORD WORKSHOP prospects are invited to send enquiries lind los Angeles, CA'1OO5I. maKes fine instruments from ZUcKermllnn Pllrts, resumes. Complete AIO apprenticeship guide, MUSIC ROLLS FOR A WURLITZER R·J SER­ IIdvises Kit builden, cllres for instruments of the $2.00. Roy Red man, 2742 Av • .,,,o H. Fort Worth, ieJ player pipe organ. H. Kemp, Box 12B, Ellst region's importllnt playen, and lixes work from TX 76105. Rochester. NY 14+45. HAHnlCHORDS other shops. We can tell you what's IIvlliiable, HARPSICHORDS AND VIRGINALS INDIVID· lind why you should hllve a ZUcKermann instelld. STEINER ORGANS HAS OPENING FOR EX­ VIRTUOSO TRUMPET SOLOIST. FOR A IKIL­ ullily constructed. Write Oliver Finney, Hllrpsi­ 1622 Bellevue, Sellttlll, WA 9B122. perienced organ builder, shop lind installation. liant service, use the mllgnificent combinlltion chord MaKer, 821·D Ohio, Lllwrence. KS 66044. Write or call Phres Steiner or Gottfried Red:. of trumpet lind organ, with vOCillids or t= horus. ('l13) 8425241. P/ANOfOIfrES 1138 G.uvin Piece, P.O. Bo~ 895, Louisville, KY Services lind concerts. Repertoire on request. 40201. Phone (502) 58].5032. Michael Schuman, 198 Dougills Rd ., Staten Is­ HARPSICHORDS. PEDAL HARPSICHORDS, SENSATIONAL ALL NEW VIENNESE FORTE­ land, NY 10304. (212) 448·0127. , Iavichords custom made. Jan H. Albllrda, 14 pillno .it project by Phillip Belt. AmericII's most ORGAN BUILDER, EXPERIENCED, TO HEAD Print.ess St., Elo rll, O nt., Canlld ll NOB ISO. experienced milker of early pillno repli cas. shop for lelld ing firm in No rthe.nt. Saillry THE DIAPASON IS INTERESTED IN PRO­ Write for free input brochure. 26 Stllnton St., $IS.ooo/yellr or higher, p lus all benefits. Mini. ducing oilS complete as possible a list-ng c f FLOWER YOUR HARPSICHORD SOUND­ PawcatucK, CT 06379. mum S yelln experience in woodworKing. Send all organ builders (firms lind individuals), t rllde board wi th authentic decorations. Ruden.type resume. Address K·2 THE DIAPASON, manufacturen and supplien, service persons birds, bees, flowers, $35. Early IBth C. French, SALE-PIn lind olhers currently engaged, /IS their primary $40. Full·size Illyout and complete instrudion FOR ORGANS WANTED - PIPE ORGAN oc;c upation, in the organ trade. Request ques· manuIII. Shirley Mllthews, .wI South St., Free· 2-MANUAL, 17·RANK HILLGILEEN-LANE PIPE NEEDED FOR CALVIN PRESBYTERIAN tionnllire flam THE DI APASON, 380 Northwest port, ME 04032. orglln. Presently in use. AVllilllble April, 1980. Church, North Bay, Ontario, 3-manual electro­ Highway, Des Plaines, Il 60016. Complete to highest bidder. Buyer to remove. pneumatic pipe organ by respeded builder in Fint United Methodist Church, Ames, IA 50010. THE NEW 7·0CTAVE PETERSON CHROMA­ BURTON HARPSICHORDS, SPINETS, AND restorable condition to serve as the basis of II (SIS) 232-2750. IiI; Tuner model 320, is no w IIvalillble from l: llIvic; hords-Professional instruments in Kit form, new installation, We can remove the instrument slacK. Continuously varillble Ve rnier t.onlrol al_ from $195. For bfOChure write Burton Harpsi. during July or Augud 1980, Munro Pipe Organ 4-MANUAL. 45-STOP ORCHESTRAL MOELLER lows you to compensate for temperature or chords. n 7 "R" St., P.O. Box 902220. Lincoln, Service. 631 Norman Av., North Bay, Ontario orglln, 1m, opus 5417. Bids through April I. tune celeste rllnks with elise. For more detll ils: NE 68501. Canada, PIB BC2. 1980. Specification indudes harp lind Echo or­ Pelenon Electro Musical Products, Dept. 31, gan. Orglln cUfrently in use lind may be played Worth, IL 604B2. HARPSICHORD OWNERS. A FULL LINE OF WANTED-ElKTRONIC ORGANS lII udio and visuIII Chromlltic Tuners is now lind seen. Availllble for removal after June IS, IIvll iiable to help you with your tuning require. 1980. Contact John Streetef, Fint Presbyterian ORGAN WITH 32' REED , SEND SPECIFICA­ METRONOMES-ASSORTED: SEND SELF AD· Church, Wooster. OH 44691. (216) 264·9420. tions and price to P.O. Box 3M, Regina. Sas· dressed, stllmped envelope for free color photos menh. Fo r more information write Petenon katchewan, Canada, S4P 3AI. kit and prices. or send $25 each ordering Super. Electro·Musical Produds, Dept. 20, Worth, Il 2.MANUAL, Il·RANK ESTEY PIPE ORGAN, Mini 4" or Pocket 6" .eywounds. I promise 604B2. new console. Sold to highest bidder. Buyer to WANTED-MISCEllANEOUS prepllid delivery of quality metronomes, eledric remove before June 1980. Clln be seen lind WE WILL PAY $1.60 PER POUND FOR or keywound. John FrllnK, 336 Harding Rd., Feir HARPSICHORDS, CLAVICHORDS BY NEU­ played at First Boptist Church, Tremont at Cen· spotted metal pipes or scrap delivered or ship­ Hllven, NJ 07701. pert, world's finest, oldest milKer. Catlliogs on tral, Kewllnee, IL 61+43. ped prepaid to our Gloucester workshop. Fair request, Mllgnamusic, Shllron, CT 06069. prices also for good common metal and tin. RECORDINGS 2-MANUAL KIMBALL ORGAN AVAILABLE C. B. FiSK, Inc., Cllpe Ann Indudrilll PllrK, Box HARPSICHORDS, CLAVICHORDS, MOZAIlT June 1980, for removal. Fint United Methodist 2B, Gloucester, MA 01930. (617) 283·1909. ON-LOCATION RECORDING SERVICE. AU ­ Pillnos by Neupert, sllie or rentlli. Financing Church, 128 PllrK Street, Chelsea, MI 4BIIB. d ition oII nd competition tllpes lind record pro­ IIvllila ble. Write or cIIII Wally Pollee, 1955 West (313) 475-BI19. BlOWER NEEDED FOR KIN GSTON THEATRE duction experience. Specilllizing in organ and J ohn Beers Rd .• Stevensville, MI 49 127. Organ Society's 21 ·rllnK Kimbllll, at least 15.hp choir recordings. Jerry leCompte, RR I, Bo x I.MANUAL AND PEDAL, 4-STOP TRACKER, and IB" stlltiC w.p. Please phone soon: (613) 153, Elgin, Il60120. 1312) B37-4787. SPElILHAKE HARPSICHORDS AND CLAVI­ split keybollrd. For informlltion, contact Klug 5+4-1991. chords. E:uellent, dependllble, bellutiful. Rob· & Schumacher, 3604 Waterfield Par.wlly, Lake. VIRTUOSO PERFORMANCES RECORDED ON ert S. Ta ylor, 8710 Gllrfield St., Bethesdll, MD IlInd. Fl 33801. (BI]) 665-4802. MUSIC ROLLS FOR AEOLIAN DUO-ART, Welte Organ Rolls in Germany. Re. performed 20034. Welte and Skinner Automatic Pipe Organ on a 1m Welte.Tripp organ. Felltured li t 1976 THREE MANUAL, I4-RANK ESTEY. 71/l' Pillyen. J. V. Macartney, 406 Hllverford Ave., AGO convention, now lIVaiia bie in stereo. height. Full spell. ing fecade (B' Haskell Dia­ YVES A. FEDER HARPSICHORD MAKER, PRO· Nllrberth. PA 1'lOn. Includes mllny 19th century fllvori tes; Poet lind pason). Set up and pillyable now. Perfect for Pellsant Overture, Lemmens Storm, Dance Mil ' fessional Workshop devoted to clllvichords and orgllnisf/hobbyist. CIIII for specificlliions, 6 cllbre, etc. Played by Farnllm, Gigout. Eddy, harpsichords. Cudom Mllde, finished, voiced pm to II pm any day, or write for informlltion MUSIC ROLLS FOR ANY PIPE ORGAN and reguill ted. Also lIu thorized agent for full playen. Other rolls too. W. Ed gerton, BOl BB , Goss·Custll rd and Eo H. Lemare. Two Dolby and photo. Price. $3Boo. R. Cudworth, -to lewis line Zudermann historicllily derived kits lit Darien, CT 06820. stereo cassettes $15 postpaid in U.S. Welte,. Lllne. W. Hllrtford, CT 06110. (203) 236·0588. Recordings, 292 Shllwmut Av. Boston, MA 02IIB. reasonable prices. Advice and trouble-shoot· ing for kit builders. North Chestnut Hill, Kil· PAIR OF THEATRE ORGAN STRINGS, KIN­ MEDIEVAL PORTATIYES £'75 EX WORKS. lingworth, CT OMI7, For list of other organs suitable for early mu· ura (or color rllflK), Posthom, and 3·manual, PU8L1CATIONS double stop.rlli! Wurlitzer console. Fred Hermes, sic, send two dollan. Noel Mander, St. Peter's 616 Sixth St., Rllcine, WI 53403. HARPSICHORD MUSIC, SOLO AND ENSEM­ SPElILHAKE HARPSICHORD, DOUBLE, 4', .' Orglln Worls, London EZ . Englllnd. ble. Best editions from U.S. lind European pub. lind 4', 16' with coupler lind 3 lute stops. Bellu_ STOPPED DIAPASON WOOD PIPES FROM lishers. Also books on hi story, performance, tiful tellK finish, elcellent condition. H. Wim. 1M1 l-RANK, IM7 MOLLER, OPUS nl2 WITH Tenor C. I set medium lind I set small SCllle. Write for free catalogue. Zudermann Harpsi­ berger. 796 NW Culbertson Dr., Sellttle, WA revoked GedecU. Wllinut Cllse. Highest offer J . Crum, BOl 384, CobleSKill. NY 12043. chords Inc., Box 121 -0 , Stonington, CT 06378. 9BIn. (206) 36S-1202. over $5,000. (312) 546·7673.

lobo" Copeland JULIAN E. BULLEY Im:M 11..I04AHAH " DAD ;BI. ~. ~ &: Q!1l. f'fTTSiUIlGIi, ...... lUll New Organs - Rebuilding ~ .'NC. AcIcIltIono-Robulkllnl Service Dhid w_W,ithl Tunlng-Rapol .. ,,_. "'- SINCE 1906 .. ..-._d 1376 Harvard Blvd.-Daytan. Ohlo.ecG6 HIck.vII1a, LI.. NY 11101 HO N.," , .. _ ...._ 513-276-2481 51 ....1·1220 " __. .... 11'''' .,UIIiM

KOPPEJAN Shawhan Pipe Sint·c J jU() \V AU:KEU pipe organs Tracker-organ builder Organs ItEBUILDI'iG - ~EnnCI-: new organs and restorallon - C'iEW OItGA:'iS- 48223 Y.t. Rd E 1 90l1lnwl'1l Slreet Chilliwack, B C ForI Wap"', J,"1. ·16303 C.•• d. V2P 6H4 PIa ••• (604) 792-1623 219-122-81l63 ,.,,.ES BELFAST CITY ORGAN PIPE WORKS

OHer

Top Grade Workmonship INCORPORATED Dispatch to D.tes 845 WEST 32ND STREET. P. O. BOX 1165 • ERIE. PA. 16812 Let Us Quote You

COOLBERG ST., BELFAST 12, NORTHERN IRELAND QUALIT.Y PIPE ORGAN SUPp ·LIES

Organ Builden and SONS Inc. * • Repairing * FRANK J. SAUTER • Contractural Servldng Phones: 388-3355 For Unexcelled Setvice 4232 West 124th Place PO 7·1203 Alsip, IIhnols 60658 • Rebuilding

26 THE DIAPASON Classified advertising rates: per word $.20 minimum charge, $2.50; box number. additional $1.00. CLASSIFIED ADVERTISEMENTS Replie. to mox numb.,. should b. sent c/o The Diapason, 380 Northwest Highway, Des Plan.s,IL 60016,

FOR SALE-PIPE ORGANS REED ORGANS ------fOR SALE-MISC. BEEHIVE REED ORGAN STUDIO. A GOOD PRE-EASTER SALE: POUCHES, VALVE TOps' 195& 3--MANUAL. ' ... RANK KILGEN. EXCEL..­ cludin9 lent condition, best offer. (203) 261·9784. selection of rtlstortld reed organs for sale. Ex· springs, beUows parts, saddle staples. quality pert rtlpair. Guaranteed rastort!ltion service. Box strings; flutes. Also miscellaneous organ plastic tubing. New magnets, $1.15. SASE Foza.. '·RANK K1L6EN UNIT ORGAN AND -tl, Alfred, ME 04002. (207) 324-0990. including 2' x 3' Organ Supply reservoir .as Org"n Copmany, 1322 Crim Road. Brid9e­ chimes, original instollation. Please writ.: Mrs. several mllnulIl chests, Reisner .ey reillY', water. NJ OBBn. 2·MANUAL AND PEDAL REED ORGANS FOR L. Cheek, c/o "41. Sherrill, P.O. BOll 1553, Hock· cer 3·hp. 3·phase blower and more. For com. ensed, NJ 07601. under $2000. Ned Phoenix, Reed Organ Service. plete list with prices. send SASE to: Herndon 1t42 WICKS &-RANK. 3lt-STOP CONSOLE. Townshend, VT 05353. Organ Company, Box 362. Toledo, OH 43691. Best offer. Box 201. Kenney, IL 61749. UNIQUE 1934 MOLLER, UNUSUALLY BRIGHT tonal work by British voicer Whitclegg. 16 fanks, 2·MANUAL AND PEDAL REED ORGAN, VERY NEW (1m) CHESTS OF S, 5. I, AND 2 CUsrOM KEYBOARD ASSEMBLIES IN AN· rare James Smith. II rtled sets, mod . legant 2·menuDI Audin Conwle. Excellent condition. stops. Used S' Du lciana, 8' Trompette, 16' Bour. tique slyles: split sharps. nonstandard meesul"&o Fih under T6" ceiling. Suitable for church, in sight and sound. Fully restortld. J. Crum. don. Console miscellaneous parts. Available May ments. SASE to AIM.K. 55 Mercer St.. New Box 384, Cobleskill, NY 1204J. school, or home. Pleying/lIovlliiable. Easy re­ 1900. Contact: United Methodist Church. 15434 York. NY 1000J. Rayen. Sepulveda, CA 9134J. (2IJ) Bn·IIM. moval. Serious buyers only. $12,000. D. Williams, 4-RANK PEDAL MIXTURE (2·2/3'), III PIPES. 281 Green Terr" Clarksboro, NJ 0B02D (near THEATRE ORGANS USED PIPES, CHESTS, CONSOLES AND MIS­ Phill!ldelphi4) (bOO) -t23·5845. May be inspeded and played. Best offer over FINE J.t.tANUAL. lS-RANK THEATER ORGAN cellaneous equipment in good condition. Write: $400. Massachusetts location. Address C2. THE Box 2061. Knoxville, TN 37901. l-RANK MOLLER IN CASE WITH ADDED for sale. Many percussions. New computerized DIAPASON. Celede tank. Excellent condition. Mangam Or· self·player available. Fits 10' ceiling. Reply to: Organ. P.O. BOI( 1181, Chapel Hill, NC 2751-t. WAREHOUSE CLEARANCE SALE: LARGEST gan Company, Inc., 21S Fairmount Av., Phila· inventory of pipes and various other com. SERVICES & SUPPUES delphia, PA 19123. (215) 922·2217. ponents, some new, some old. Various ma.es. FOR SAlE-EI.EC1RONIC ORGANS Send SASE fot list. W, J . Froehlich. 446 Grove NEW, SPOTTED AND COMMON METAL OR­ Itl5 TELLERS ORGAN, 2·MANUAL, 16 STOPS, St., Westfield, NJ 07090. gan pipes. Repair work and mitering on flue eltd 12·15 ranks, oak case, chimes, 1964 cCKIsole. Can BALDWIN ORGAN, MODEL 5-A, WALNUT, reed pipes of all sizes. HUpalo Organ Pipe 2.mllnual. 32 pedal clavier, spea.or, cobinet , be inspected and played. Good fo r parts. MAKE OFFER, ALL OR PART, PILCHER OR. Company, 107 Hatlan Street. Manchester. CT Buyar to remove by October. Ma . e offer. coble. (616) 693-23-1B. gan pipes, d rca 1920. Exce llent condition. Must 06010. Cerol Senford, The United Church, 1920 G St. sell quk Uy. 17 ranlcs including Bourdon 16', N.W., Washington, D.C. 20006. (202) 52J·6021 or ALLEN CONN CHURCH, THEATRE OR. CUSTOM·BUILT SLIDER CHESTS AND WOOD gans. 350 gro!lnd pianos. largest selection in Violin Diapason, 16'. g old display Open Dia. 546-6257. pason (t"ey do speak), Octave. Melodia, Har. pipes. Klug & SchumGcher. 3604 Waterfield USA over 1500. Victor, 300 N.W. 54th St., PGrkway, t....eland. Fl 33801. mo nic Flute - many mOrtl. Write for complete VINTAGE PILCHER ORGAN. 12 RANKS, Miami , FL JJ127. (305) 751·7502. list. 1611 Fulton, Shreveport, LA 71103. (JIB) NEW ORGAN PIPES. EXCELLENT WORK. Some new pipewo rk. Best offer. Buye r must reo £l6-IDO. move by June I, 1980. May be played. Specifi. BALDWIN, MODEL 10, #172 WITH" AMPlI· manship and expertly voiced. Formerly super. visor of AeoIian·Skinner plpeshop. Hans Rother. cotions on request. St. Anne's Catholic Church, fien, MllIal Vibrachime, SIOOl. Faith United SPENCER BLOWER 1=-21S ORGOBLO JR. 2140 Weslheimer, Houston, TX 7709B. (7IJ) 52&­ Methodist Church, 2600 Seventh St. N.W., Grand with sound·proof enclosure. 'h.hp, 115 volk, German Organ Pipecraft, 34 Standard St., Ma'­ Ra pids. MI 41504. (&16) 45)-0693. tapan, MA 02126. J276, or David Daniel, (7 IJ) 526-DJS4. 3SOO rpm, 6" wind, perfed condition. $495. Donald D. Curry, -4 Roma Court, Lincroft, NJ SCHOBER THEATRE ORGAN. REVERBATAPE, RECOVERING ANY TYPE OF POUCHES. 1'10 C.S. HASKELL ..lANK PIPE ORGAN. 0773B. (201) B42.QB37 or 544--4746. pneuPlatics Gnd primaries in leather. Reservoirs Aveilable immediately. For more information Dynabeat, combination action and tuned percus· sion. less amplHier and spea.en. Excellent con· SEITER SOLENOIDS FOR COMBINATION relMthered also. Write: Eric Brugger Releather. call (201 ) -475-3391. or wrOte: Ph illips, 192 Mar.et Ing Service, 1034 East 29th St•• &ie, PA 16504. St., Belvidere, NJ 07823. dition. Ad;in9 $3500. R. G. Oschmann, (201) action, Reisner CS-I. loiS unused, ssm. D. Young, 534--4886. R #12. Box 232, Paducah, KY -t200I. USED REYOICED CLASSIC PIPEWOItK. VARI. WURLITZER 2.MANUAL, a·RANK, WALNUT ous "'91sten offered for one·half price of new console. New organ purchase mandates sale by FOR SAlE-MISC. USED PIPE ORGAN BLOWER, LARGE RESER. pipework. We will also revoice your romantic vein. ofhet chests, many one· rank chests lind Buffalo church. Chi mes only percussion. Bed pipes on a time and materiGls basil. Cont"ct: Eo M. SKINNER l-MANUAL DRAWKNOB larger, and 3'manual console. Write: Fint Pres. offer. Delaware Organ Co., Inc., Tonawanda, Schneider Orgelbau, Box ...... Doc:otur, IL 6252S. console and blower. Approximately sixty yean byterian Church, Box 848, Las Cruces. NM 88001 NY 1-4ISO. (716 ) 692·7791. (217) 668·2412. old. Good condition. PricocJ to sell quic.ly. or call Kennett Melgaard. (50S) 255-1868. Tony Green (312) 373·J36&. KIMBALL ORGAN, CIRCA 1895, REMOD· QUALITY SliOER WINDCHESTS, CUSTOM. eled 1951, 35 ranh, wor.ing. available June I. OVERSTOCKED - MUST SELL LARGE INVEN. built. Excellent craftsmanship. Reasonable de­ 19111. Best offer. Basilica of St. Adalbert, c/ o 1174 STEER MELODIA, 46 EXCELLENT PIPES, tory of used pipe organ parts: Consoles, wind. livery lima. Hammes·Foxe Organs, Inc., -4553 Joseph Westdorp. 2J51 leonard N.W., Grand Tenor C. J. Crum, Box 38t, Cobleskm, NY 12043. chests, facade pipes, redifien, rtllays. swell N. l26th s,t., Butler, WI 53007. Rapids, tA l 49504. (616) -t5J·)(K-f after 6:00 p.m. boxes, shades. engines, pedal bourdon pipes, THREE-MANUAL CHURCH CONSOLE, 1'1«1. blowers. reservoirs. Petenon tunon. cable, USED CHESTS AND PIPES. CHESTS CUSTOM Cherrywood. 20 pistons, 67 stop tabs. crtlscendo, chime lIdians. winken. plastic tubing. console designed and manufactured. Write us for prices AUTHENTIC REPRODUCTIONS OF B'tZAN· and delivery. Omaha Pipe Organ Supply, 8m­ tine Imperial organs. Sold in pain, gold and 3 expression pedals. Wired straight. Bench, shelh. tremolos. Send SASE for priced inventory wcod Park Station, Box 6483. Omaha. NB 6B1D6. silver pipes, 15 note compass, ancient tuning. pedalboard. $1800 or offer. Gerard lindgrtln, to: Riv6 Pipe Organ Co •• Inc •• BII Foci. St•• Silver Spring. MO. (JO I) 434.0&3J. Met" itie, LA 70005. Choice of Black or Aegean sea water on hy. LEARN TO DENICK PIPES. RODNEY LESLIE draulic moders. C ircassian slaves exira. Addrtlu Degner, Box 201 , Kenney, IL 61749. Call : (217) C-3 TH E DlAPASON. 20 RA NKS OF ASSORTED PIPES; KINETIC OLD PIPES FOil SALE, MANY CHOICE AND 944·2454. 1% hp; Spencer Orgoblo ~ hp, both In A·I unusual sets, some OVli: f 100 yean okl. some in new conditi.g n. Abo olke: r parts. Andover Or9an REED ORGANS condition. 2 Wicks chests. 5·ranh li nd 6-ranlcs: NEW SILENT BLOWERS FROM $300; ElEC­ 200 chest magnets: new i.ieblich pedal action. Co" BOJl 36. Methuen, MA 01844. tric oction valves. $2.50 ea.: Aluminum .nd REED O RGAN REPAIRI NG - REE DS RE­ Entire 101 at a tremendous bo rg.in. William Spotted M,,'al pipes. Write o r call for informll' tongued, John White, 2416 Irving South, Minne· Bll rdroff & Son, 119 N. Kenwood Av., Bailimortl, JESUS LOVES YOUI WRITE: ROD, BOX 201, tion and q uotations. Justin Matten, IS E. Eliza· apolis, MN SS40!i. ' ''' 2) In·I9S0. MD 21224. (301 ) 342·2595. Kenn ey, IL 61749 , o r call (217) 944.245t. beth St., St. Paul. MN 55107. (612) 331·3289. Slider seals for slider chests. IT'S OUT! Verschueren B. V. OUR COMPlETE 118+ PAGe CATAlOO Pipe Organ Builders Il1.I.ISTRAT£D WOll CURRENT PRICe DATAl ELECTRIC EXPRESSIVE PERCUSSIONS

Heythuysen (L.) sam 1oC.25 TODAV For Pipe or Electronic Organs The Nelherlands ARNDT ORGAN SUPPLY COMPANY Operates from under key contacts. Full concert Instruments, 1018 LORENZ DRIVE · BOX 129 marimbas, vibraharps, orchestral bells, xylophones, and pianos. ANKENY, IOWA 50021 new organs removals in 2' and 4' staps. Only manufacturer of such instruments In service rebuilding USA. DURHAM ~AlUNID> Call callect (217-422-324n for order acceptance Tallahassee, Florida 32304 Chime Co. P.O. Box 2125 - (904) 575-2001 ••• since 1866. 2025 Eastern Ave. Cincinnati, Ohio 45202 221-5671 (51 3) dii,,~m~T,~~, SCHNEIDER INSTRUMENTS ORGELBAU WERKSTATT, Ltd. FOR SALE: Used organ parts. Many of I N C OI,O •• "D New Inslrumenh - Rebuilds antique value. Sand $1.00 for complete Tonal Alleratlons - Revolelng I , r·' 1 ~ Revo1ced Classic Plpework - list. Organ Maintenance Workshops In Niantic,. IIlInol. Wicks Organ Company P.O. Box 484 Decatur, illinois 62525 Highlond, Illinois 62249 (217) 668·2412 (618) 654-2191

121 B2-84 Morningside Ave., Yonken. New York 10703 CYMBELSTERNS DO IT YOURSELF PIPE ORGAN KITS ONE llUNDRED & TWENTY ONE YEARS Custom sp.clPc.tlans for church or \' J. H. & C. S. ODELL & CO., INC. are availafJIe again • r.sldanu, complet. or p.rt., lull In. E structions by est.bllshed Or9_" bulld.n. ,\ lUrll,i~,d Engineering - 1859.1980 - GEISLER & COMPANY 1\ Harry Odell, Prop. 3629 J.. ynndnle Place ~ COLKIT MFG. CO. S Five Genera';oru buildln. Odell Or.aru Fori Worth, TX 76133 251 fillmore A"... TONW4IIlCf., N.Y. 14150 914 Yonker. 5-2607

ORGAN COMPANY, INC. WASHINGTON ROAD PRINCETON, NEW .lERSEY 08540

MARCH, 1980 27 Murtagh -McFarlane Artists, Inc.

127 Fairmount Avenue Hackensack, New Jersey 07601 201-342-7507

Marie-Claire Alain- George Baker Robert Baker

' . ~ - -; ~:"\ ~. . i> f,'i . (~ Guy Bovat· David Craighead Catharine Crazier Susan Ferr' Garre Hancock Judith Hancock

.. . . ~ _-._.). . .. (f- . ~.:' f ''''' " \:., " .•..:.. . . Clyde Holloway Peter Hurford" Francis Jackson Marilyn Keiser Susan Landale" Joan Uppincolt

Marilyn Mason James Moeser Martin Neary Peter Planyavsky" Simon Preston Michael Radulescu· rIf#IA .... ,

Ii1L ;,~ j 'V_ .~ V // 1:/ George Ritchie Daniel Roth Ren' Saorgln Michael Schneider .. . . Frederick Swann

LoddThomas John Weaver William Whitehead Gordon & Grady Wilson Gerd Zacher

*European Artists Available Season 1980-1981