THE DIAPASON .-\ ,· I\ Tl::.ll\ '.-\1 IOS.-\L .\IO.\'Tl/1-l" m:VOTED 1 o /"fl[ onr. .., s ,.\ ,\D J'f/[ /\ "ITIII· :.,n (}f UH(; ,,\ ,\ ISi ~

Sixl y-tl, ird rear, N o. 8 - Whole N o. 7!i2 J ULY, l!Ji2 Subscriptio11s $4.00 a year - 40 ce,1t.ra copy

5-ourlh ..!J.nlernalionaf

·1 he Roman musical sct'ne rrom April of the sunoutuling 1rnrks of :1rt. 26 through May 5 or this )"t'ar was The scttinu: for the concerts w:1~ in dominatt'd hy the . Spon h·s~ remarl..ahle : the Basilica Sa111;1C:e . sort'd hy the ,\smciazione Musir.ile Ro - cilia in the ancient Traste, ·cre sccti1n 1n-•n.1 undl'r the d irection or ,\meric:111 nf Rmne . Repnlcd as ha, ill'~ the fines I Miles Morgan . the Fourth International acoustic.~ of :ill Roman churcll('S, the Fcstiral comprised eight recit als by basi lica ua~ constructed upon a site lc~J11i11:; , sc,cn mast er :1'i.~ocia ted with the life of th e s·1in1. cl.1sscs in interpret:llion , two concerts Its interior is dominated hy a maj~">lic de\'11ted to ll,1ch haq,s idmrd concertos, ninth century momic that fills muc h :11111,111 illusuaw d kctnre on the dawn or the apse. Bach's rn11certm for sob or the pianoforte. h.irpsichon[ and orchestra in F minor, The recit:11~. heart or this )"Car's ksti­ A ;\laior, :111dD minor were performe l rnl, were gi,·en hy Gustav Leonhardt, hy \':1lda ,\\'cling, ,\una M.iria l'erna­ Egida Sartori, Kenneth Gilh~'l·t, Vald.1 felli, and Fernando Valenti, respecth·e ,\\'cling, ,\uua Maria l'erm1rclli, l'cr- ly, together with the orchestra of the 1wndo Valenti, , and As.~ociazione ;\lusicale Romana, Miles Achille lkrrllli. The cl.1sses in interpre­ Morg,m conducting. The concerts :1lso tation, held for selected )"onnger haq>si· inchulec[ Bach·s concerlos for two harp­ chnrdisls rrom around the world, ccn · !'1chonl~ :md orchestra in C Major an•I tercel 011 the music of Frl'scoh;1ldi ll minor, with Isolde ,\hlgrimm and (Leonhardt), Couperin (Gilh('rt), Bach Kcnneth Gilh cn a~ soloists; the Cou· (Ahlgrimm), and Sc:irl,mi (Valenti. ) rerto for Thre,: H,,rJ1Jiclwrd.t 11ml rl.s hy Haydn and ted the remarkable plasticity of rh y­ Mozart pla)cd hf ,\,· cling aml Ahl· them thaL charactcrizes his perform· grimm . ancl wilh works hr (,aluppi and ances. Inequality aml other rh) thmic Alessandro Speranza played h y Sartori. nuances scarcely appeared, howe, -er, in Otherw ise the recitals cm·crcd the fami­ 1\,·cling's straightforward rcading of a liar grnnud from F1cscobald i through sui1e hr Lodllet. Kc1111eth Gilbert 's per· . formance of Couperin 's Fifth and ,\s would he expected the approach Eighth Ordrcs was a model of clarit y to this rcp crloirc ,·ar icd considerahl) . .nul perfection in all details; the long Performanc es or Scarlaui's sonatas, for and musically -challenging P,m11rni/ 1r. in example , ranged rrom the the I:ightl1 Ortlre attained unusual read ing of Sartori tlmmgh drama . Ahlgrimm, who pl.1yed a suite h)' , hrought lo the per­ formance not only correctness of St)le hut also the intensity of feeling I) pical of hcr playing in general. Rh)"thmic nu;mce or the ahscnce ther cof was stressed in allitudes toward oth('r repertoire as well, al times pm· , itliug the students in the m.1ster da .sses with an opportunity to weigh conflict· ing ,·iewpoi111s. For example, the l'rcl Gustav Leonhardt conducting udc of Bach's Eug lisl, Suite i11 F ,\ltijar master class on the music of Freicobald i: he was performed by Leonhardt with is sealed al Schuetze's Italian copy. rlt)"lhmic nuances appropriate to the FR·nd 1 Sl}le. In hc l" d as:ses on Hach, Ahlgrimm cited thl? resemblance 0£ the English Suite preludes to concerto gros­ so strle a ml suggested an ltali ana te Right: Kenneth Gilbert leading cla.. an reading of these l>rclmlcs. In his classes the music of Couperin. David Harris i• on Scarlatti, \'.1 enti recommemlcd a 5eated at Schuetze 's copy of a B!anchet straightforward approach to rhythm in instrument , the sonatas am! a minimizing of rhyth­ mic nuance in general. Attitudes toward ornamentation also tkmonstratcd int eresling ,·iewpoints. In his cl:1s.~cs on Couperin , Gilbert rccom 0 (Cot1ti,111e1/,Jmge 13) Lowell Mason, 1792 - 1872 THE DIAPASON We recently receh·ed a note from Charles Krigbaum, organist of Yale Univer­ Establl,hed in 1909 sity, which reads as follows; "The following infonnation, which was relayed 10 me by a former librarian of the (Yale) School of Music, Miss faa O'Meara, may be of interest to you and ( Trademark reeistered al U. S. Palenl O//lce I your readers. "The 100th anni\'crsary of the death of Lowell Mason falls on August 11, 1972. S. E. CRUENSTEIN, Puhll,her ( 1909-1957 ) His dates are 1792-1872. Hec:ause 0£ his innuencc on the course of church music in America, and of his contribution to hymnology, it would be fitting to honor ROBERTSCHUNEMAN his memory on the Sunday nearest the 11th, i.e. August Ill, 1972. He composed JULY, 1972 Editor or adapted 1,697 hymn tunes. As many as 12 are still in use and familiar. Eight are in the 1940 edition of the Episcopal Hymnal." FEATURES We probably would have missed the e,•ent completely if Miss O'Meara and DOROTHYROSER Mr. Krigbaum had not brought it to our attention. But, come to think of it, Fourth lntemaUonal Hcnpalcherd 8u1ine11 Manager the idea is a good one. I ,6!17 hymn tunes is a lot of songs, and the name Lowell FHliYal , Rome, ltalr Mason has always been an important one in American music history. Why not by C. DaYld Harri& l, 13 have a Lowell Mason festh'al? We think it would be a grand idea. WESLEYVOS By the way, if you do, send us the program - we will be glad lo report on it. A Surny ol 0rqcm Literature & A11blant Eclifo, Edltlom: North & Middle Germany: Part l br Marilou Krabenateln 4-5

Floyd Gulick wtna Worce•ler Werkprinzip - Fact or Myth? Competition a An 1"temnlio1u1l Mo11thl11Dnioted lo One of the earmarks of the European "organ reform" mo,·emcnt has been the Orcnn nn,f to Organub and the codification of a dogma regarding organ design in order to rationalize the wtcb "Number One" Find• New Home 8 Church Mtulc changes which the mm·emcnt fdt were a necessity in organ design and structure. The "mm·ement" relied hea,•il)' on historical evidence to arrh·e at its dogma, and in the process many confusing ideas about organ building ha,·e been set The DlapMOn EDITORIALS 2 forth. One of these confusing ideas is what is now called Jf'erhprimip in German Editorial and Bn•ineu O//lce terminology, and which we will call here "work-principle." LETrERS TO THE EDITOR 12 434 South Wabaah Ac,enue, Chicago, One secs the word c\'e11·whcre today. It is used by organ builders of many Ill.: 60605. TeJe,Jhone 312-IIA7-3U9 tonal persuasions. and it is used to describe a multitude of practices in ton:1I Sub1criplion price, $4 ,00 n uear In ad• design. E\'cn electronic instrument builders arc using the term. 11ance.Single copie• 40 cent,. Back The term itself has been used loosely with some idea that it refers to a REVIEWS number• more than f1co uear• old, 715 historic pr inciple or idea. This is perhaps the first myth. Historically . although New Boob 12 ce11l1.Foreig11 sub1cri111iona muat be the tct m ll'er/1 (division) is used by most organ builders of the classical period, J111idill U.1ited State, /und• or 1hr the term ll '~r/1/irin=i/, is purely a 20th century concoction. In organ reform mo,•e· Organ Music 12 eq11lt,nlenl thereof. ment pailance , work -principle rcfors to the rule upon which each dil •ision of the organ is l·ascd on its own Principal stop. Usually, each division would be HJUIPSlCHORD NEWS 13 based on a difforent pitch le,·el of Principal stop, i.e., 16' in the Pedal, 8' in the CALENDAR 18 Adi,erliaing rnte, 011 a,,,,licalion. H:111plwerk, -I' in the Positiv, and 2' in the Brustwerk, for example. The idea is that each dh·ision is based on a di££crenl pitch le,·el of tonal structure for ORGAN RECITAL PROGRAMS 19-21 Routine item, /or publlcallo11 muat be its principal choruses, receii,ed not later than the 10th of the But, in Drg'.tn reform parlance, the term also has lo clo with location or the CLASSIFIED ADVERTISEMENTS 22-23 month lo auure in1erlio11 in the iuue pipework of each dh·ision in imlh•idnal ancl separale cases which surround the for the nen month. For recital p,o. dil•isiou on sides, hack, and lop. Thus, the lowest pitch Principal stop in each granu and adomiain,: cop11,the clo1- dh•ision determines the physical size of the division, and thus plays a part in All subscribers are urged to 11C11d ln,: dale l, the 5th. Material, /or re­ the physic-.il structure and layom of the o.-gan. The rule, in organ reform changes or address promptly to the tJiew 1ho11ldreach the office b11the parlance, says that each di\'ision should be based on a different pitched Principal oHice of The Diapason. Changes 1.t. stop, and that each iii\ ision should ha,·c its own case. The organ reform n1m·e­ must reach us before the 15th of the ment has gone 10 great lengths to supply historical witness to this practice from month preceding the date or 1be the lith and IKth century organ builders. first issue to be mailed to the new Second-clau po,ta,:e paid al Chi• As a result, the practice is partially used e\'cn by those who do not encase the address . The Diapason cannot pro­ cago, JU.,and at addillnnnl mailing organ, and it is practiced wnh a fair amount of unanimity uy contemporary vide duplicate copies missed because office. luued monl11l11,The Diapa,on European builders. or a subscriber's £allure lo notify. O//lce of pablicatlan, 434 Sa,,th Wabaah Aomue, Chkago, lll. 60605 When one looks deeper into the hislorical e\'idence, howe,·er, one finds that the rule is far less a rule than a widespread practice, and one also finds that the tenn as it is nscJ today is somewhat foreign to classical organ building, and further that it might not c,·cn be a wholesome one from the contemporar)' SIXTH"MUSICULTURA" SCHEDULED through discussions with the perform­ point of ,·iew, One hesitates to say that the tenn should be thrown out for fear ing soloists. that the ideas a~ociated with it will also be thrown out. We arc suggesting that FOR SEPTEMBERIN HOLLAND The "Wagner" project consists of at· the tenn should be thrown out, that the ideas connected with it be subjected tendance at rehearsals of Lolumgrin. to much deeper penetration, so that the results of this penetration might produce The sixth "Musicultura" sponsored ,\nal}·sis of Wagner's philosophy, study finally a sounder and more satisf}'ing understanding. by the Eduard ,·an Bcimnn Foundation of scores with the aid of records will be From a historical standpoint , the great bulk of organs built in the 16th, 17th will be held this year from September included, and ample attention will be and 18th centuries were organs which were conceived with the idea of two 4 through October 15 at Qucekl10,·en, gh•en to the theatrical aspects of his "works" - the main work or division, and the Riickpositiv or Chair Organ. a 17th century estate located in Breuke­ work. The concept or these two divisions penadcs e\·en earlier organs. Even the len on the rh ·er Vccht, 21 kilometers In the "\\ 'ebem" project, several con­ l'edal work is thought of frequently as part of the main or larger work. These from Amsterdam, Holland. The "Musi­ certs will delve deeply into Webem's two divisions or works contrasted with each other in se,•eral ways: by their size cultura" is an international gathering chamber music repertory. Preceding (the main work being larger and based on a larger Principal stop), by their of young musicians and musicologists each concert an analysis of the worb location in two separate cases (and thus by separate acoustical locations), and who, after finishing their formal educ:a• to be present ed will be made. In addi­ finally by the layout of the pipework within the case. Furthermore, there is littJe tion, feel a need to broaden their ori­ tion, this project will deal with the im­ c,·idence historically that each and e,·et)' division in the organ had a separate entation to the cultural and social bases portance of lVehern for the new music. case. The overwhelming majority of organs of any size had two cases - the of their profession. The meeting5, con­ Participants will ha, ·e the opportunity main case and the Riickpositiv case. The main case would contain the main work certs, workshop performances, lect11res, for prh'atc coaching with Webern spe­ (Hauptwerk) , the l'edal, and any otJ1cr subsidiary dh-isions such as an Ober­ discussions, and proj ects in creative ex­ cialists. wcrk or a lirustwcrk. Sometimes, the Oberwerk was separate from the Unten\·erk, pression prm •ide a confrontation with During the six weeks, ample time will especially in the late 18th centur}'. nut the o\ erwhclming majority of classical information about music and its rela­ be dedicated to the study of compara­ organs arc thought of as being in two works. tionship to other artistic processes to ti\'c de, ·clopments in literat11re, paint­ thinking and to the sciences. The par­ ing, architecture, theatre, etc. Thus it is that the idea of each di\ ·ision being detennined on a different ticular instrument of the participant Musical direction will be under the pitched Principal slop is also not so much a rule as a frequent practice. The is not the central factor, although there size of each di\ ision or work was determined by the physical space available in leadership or the following: Amster­ arc many possibilities for making mu­ dams Strijkwarlet, The Netherlands; the loca,ion. Thus, it is frequent, e\·en in Sdmitger's work such as the organs sic. A number 0£ instrumentali sts and of St. Jacobi and St. Nicolai in Hamburg, to find both the Hauptwerk and The o Bruins, The Netherlands; Dutch singers of international reputation will Opera (performing Lohengrin) , Edo de Riickpositiv based uoon 8' Principals. Indeed, in the St. Jacobi organ, even tJ1c be present not only to give concerts Oben~crk and Hrust,,·erk arc based on 8' Principals. The size of the acoustical \\'aart (Rotterdam), conductor, and for the participants, but to discuss and Filippo Sanjust (Italy), direetor; Niko­ space, the physical loc.-ition of the organ, and the height available for the organ 5ludy with them the problems dealing were probab\}' t11ore important in the de,·clopment of the tonal structure. laus Harnoncourt, Austria; Ton Hart­ with performance practices. suiker, The Netl1erlands; Emiko Lyam:i, 1£ we arc to follow a work principle in today's organ building, it seems to The theme for the meeting tl1is year .Japan; Kocckert Quartet, Germany; us necessary to grasp what the idea is all about. In order to do this, we ha,·c will be "Innovators in the Arts ," and Jiirgen Jiirgens, Germany; the Monte­ to think of the organ as it mosl olten has been historically - primarily a two­ four composers will stand as the central verdi Choir, Germany; Eduardo del division organ. ·1 here should be two cases, e,·cn in the three and four-manual projects: Monteverdi, Beethoven, Wag­ Pueyo , Belgium; the Syntagma Mus1- organ. The main case is the larger, and the Riickpositiv or Chair or Choir organ ner, and ,vebem. Through these four cum, The Netherlands; and the Webern is the smaller. The Pedal organ belongs with the main work. But most 0£ all, proje cts, the participants will work to­ Pool (16 instrumentalists), The Neth­ the organ shonlcJ be designed for a particular space, and a particular acoustic. ward a clarirication of the work and erlands. Pei-haps this is where most of the confusion surrounding ll'erlcprinzip discus­ time of each composer as well as toward Musicological direction will be in the sion has arisen. For a long time now, we ha,·e been building organs according an understanding 0£ the position of hand s or Denis ,\mold of England, H. to "rules", "principles", and abstract ideas, and in most cases we ha,·e been these men as "inno\ ·ators." Oesch of Switzerland, ancl Jos Wouter s building organs primarily for the performance of a particular kind of music in The project "Monteverdi" co,·ers a of The Netherlands. Various professors the abstract f' the litcrnturc ") . musical introduction of the period of the Uni\·ersity of Utrecht and the Hisloric.-ally, one can show that \\'hcnc,er an organ builder broke the rules, preceding and including Monteverdi University of Amsterdam will lead tJ1e it was for good reason, and that reason usually had the support of the space through workshop perfonnanccs on discussions dealing with architecture, for the organ and the aconstic of the room. Tims, in the hands of good organ authe ntic instruments and theoretical literature, philosophy, sociology, musical builders, these rule-breakers were ill\'a.-iably successful in doing so. But they exami n ation of the innovations in mu­ sociologr, painting, stage, and dance. sclclom broke the main rule or the dual ,work-cncasemetu, for there was usually sical techniques with accompan) 'ing ii· The predominating language £or the good rcamn for that to be kept. One can learn from all this today. If we would lustralive concerts. meeting is English. Infonna tion about start building organs again for specific space and acoustic, but build them In the "Bectho, ·en" project, attention schedule, fees, scholarships, etc., may with the chief principle 0£ dual-work instruments in mind, our organs of two will be given to the composer in his be obtained by writing: Eduard van manuals and larger would be far more acceptable as musical instruments than role as social critic . Comparati, •e inter­ Bcinum Stichting, Queckhoven, Breuke­ they presently are. And we would be bothered by this term and its myth far less. pretations of his music will be made Jen, The Netherlands.

2 THEDIAPASON CATHOLICUNIVERSITY GIVES McFARLANE-NIELSENFORM CHICAGO EPISCOPALDIOCESE LITURGICALMUSIC COURSE NEW MANAGEMENT FIRM HOLDSANTHEM COMPETITION

A six-week course cleating with vari ­ Ralph Nielsen , owner of Cramer ­ A competition to select original an· ous aspects of contemporary problems, Nielsen Management of Rockford, Illi ­ thems for publication is being spon­ practices and trends in church music nois, announces a new management sored by the Bishop's Advisory Commis­ 1s being given by the Calholic Unh ·cr­ name and two additional dh'isions. sion on Church Music, Episcopal Dio­ sily of America, Washington, D.C. from Forn1crly a management dealing mainly cese of Chicago. The anthems should June 27 through August 4. Each week with singers and instrumentalists, this be suitable for a Christian worship ser­ of the course o£fcrs a diffcrcnt faculty company has opened organ and record­ vice and may be vocal with organ ac• member with a spcciric subject. The fol­ ing branches and is now listed as the companiment, with instrumental ac• lowing subjects arc included in the l\kFarlane •Niclscu Management . companiment, folk-rock, or a capJiella. course: "Folk Liturgics" by composer Ralph i\lcFarlanc of San Marcos, Four prizes will be awarded irrespective and o.-ganisl Thomas Parker; "The Re­ Texas, is expanding the management of these types, S300, S200, and two $50 lationship of Music ancl the Arts to in the Southwest. His wi£c. Kare n, awards. The music should be of high Theology"' by the Rev. Anthony Dana , heads the new organ division , which quality but only moderate di££iculty. professor of liturgy ancl S)"Slematics at represents G. Dene Barnard, Robert Winning compositions will be puhlished St. Mary's Seminary and Unh·crsity, MacDonald, Richard Forrest Woods, by Hope Publi shing Company, Chicago, Baltimore; "Choi:-al Techniques for and Ronald Wyatt. Illinois, which will pay an ad, ·ance Church Choirs" hy Paul J. Christiansen, Mr. l\lcFarlanc is a voice teacher al royalty of $50. Manuscripts must be rc­ director o[ the Concordia College Choir, Southwest Texas State Uuh ·ersit)", Mrs. cei,·cd by December I, 1972 , to be eligi­ l\foorchead, Minn.; "New Art 1:orms l\lcl-"arlanc, director of music and organ­ ble. The name aud address of the com­ in Worship" by Haig Mardirosian, or­ ist of St. Mark's Episcopal Church, San poser should accompany the mamt· ganist ancl direclor at Reformation Lu· Marcos, is also director of the San script, but not be written on the music. theran Church, Washington, D.C.; "The Marcos Community Chorus and dean Send entries to Dr. Russell E. Durning, Full Spectrum of Music in the Church" of the Austin Chapter AGO. The Mc· 311 W. Alden, DeKalb , Illinois, 60115. A new positiv organ bull! by organ build­ by C. Alexander Peloquin, director of Farlancs moved to Texas in 19i0 from Additional inforin ation is :ivailahl c on er Patrick Collon of Brussels, Belgium, has the Peloquin Chornlc and music direc ­ New York City where Mr. Mcfarlane request. been imtalled in the Rijlr.smuzlekacademie tor of the Catholic Cathcclral, Provi­ sang professionally and his wife was in Brussels. Essentially a one-division posi­ dence, R.I.; and "An Artistic Approach employed in the music department of tiv, the organ has a second manual coupled to the Liturgy" by Robert Twynham, The Riverside Church. WESTMINSTERCHOIR COLLEGE to the first, and a pedal keyboard sa that director of 1m1sic at the Cathedral of HONORSROGER WAGNER trios ond manual changes may be pradiced. Mary Our Queen, Baltimore. ARTHURWILLS JOINS The keyboard compass of the completely ROBERT GLIDDEN has bttn appointed Roge r \\1ag11e1· recched an honorary mechanical instrument ls 54 notes in the executive 1ecretary or the National Associa• ARTS IMAGE ROSTER Doctor 0£ Fine Arts degree £ram West · hyboards and 30 notes in the pedal. Josef tion or Schools or Music to 1ucceed David minste r Choir College in Princeton, N.J., Sluys, titular organist of St. Michael's Cath• Ltdet. Dr. Glidden, who will assume his du­ Dr . ,\rthur Wills, organi st of Ely during the annual commencement cere ­ edral, Brussels, and director of the Music ties on July I, has been director or graduate Cathedral , Ely, England , has joln ccl the mony on May 26. Throughout the 1971- Academy, ployed the dedication recital on studies and chainn,n nr the music department roster of performers re pre sen led in th is 72 school year . Dr. Wagner hacl served March 6. The specification includes the fol­ at the Unh·ersity or Oklahoma, Norman, Olr.­ lahoma. Dr . Ledet will become head or the country by Arts Image. In addition to on the \\'cstm in,ter faculty as a visiting 8 4 Roer­ lowings Gedeckt ft., Prestant ft., music department at the Unh·cnity or Georgia , his duties at Ely Cathedral, Dr. Wills profossor of conducting and conductor fluit 4 ft,, Octoof 2 ft., and Oclaaf 1 ft. Athens , Ga. is a member of the faculty at the Royal of the Weuminstcr Choir, leading it on MALCOLM WILLIAMSON, Brifuh com­ ROBERT E. PAGE , prorcuor of music and Academy of Music in London , ancl also t1rn highly successful tours. poser, ltd a workshop for the Chi cago Chap­ director or choral activities at Temple Uni­ at Cambridge University. He is a fre­ In presenting the degree to Dr. Wag­ ter AGO on April II at the Judson Baptist versity's College of Musi c, Philadelphia, Pa., quent recitalist for the nnc, and he ner, Dr. Ray Robinson, president of the Church, Oak Park, Ill. About 50 cluipt<,r was one or six Temple faculty members cited has recorded numerous programs at Ely Choir College, lauded him as a "signi­ members were pttsent as l,e gave them the £or distinguished teaching during the past Ca thedral. He was born in Cm·entry ficant cultural force in the world of opportunity lo perform various choral works academic year . Each n,ceh·•d grants or $500 in 1926 and became assistant organist which he has written, and as he played sev­ music," citing his work during the past from the Christ ian R. and Mary P. Lindback at Ely in l!J4!J. He was appointed or­ eral or his organ pieces. Foundation. 25 }"cars with the Roger Wagner Chor ­ ganist at Ely in 1958. ale, his position as "the country's lead· THE ST. LOUJS CHAPTER AGO is plan­ JONATHAN STERNBERG, proressor of ning a memorial concert ne,ct Oct. 15 in hon• music and conductor of the Temple Univer• Dr . Wills has made four North Amer­ ing authodty in Renaissance and Gre­ or or Ralph Vaughan Williams. A pn,view of sity Orchestra, Philadelph ia, Pa., was named ican tmirs , the latest being last April. gorian Chant interpretation" and the 56 the program was given chapter members by rrtipient or the Cit.:ition Award of the Na­ His first tour umlcr Arts Image reprc , recordings 0£ choral repertoire which Mrs. Kathleen Thomenon and Douglas Brdt­ tional Association for American Composers sentation will take place in the autumn "re present a monumental conlribution mayer at the chapter's May 22 meeting. and Conductors. of next year. to the field of choral interpretation."

Fo11rrh Prestwreri,m Church Cl1ica110, Jlli1iois l:."mesr ,II. Ski1111crCo. 191 S Aeolia11-Ski1111cr Co. J 9-16, J 971 -I Manuals and pedal, 6 dfrisio11s 8 J rcgisrcrs, J ::!S ranks

NO GENERATION GAP.

We welcome ,·our i1,qulrles - lart e o, snu,Jl. mEolian-~fdnner...the organ. AEolia.n.Skmlll'rOn;a n Comp.iny,ln.. Pm•lla P.1rkOm~ Randolph,Mass.02368 (617)9h l·2 c05

JULY.1972 3 A Surveyof OrganLiterature & Editions North and MiddleGermany: Part I

n,,1l1arilou Kratzenstein

Les.~ is kncm•n ahoul. pre •llaroque or composers , were n 11lec1e,I in a nonh Ex. la . Scheidt, <:,mlio lacra : ll' nru m /1etrulut du tlic/r, mc i11 Her:, \'crse 3, gan music in north and miclcllc Ger German ma1111scrip1, Die Cc/fa 01~el - 111.1.:;. nrnny than in south Germany since 1,1/111l11t11r(lli0I}. An interesting aspect most of the t:arly m:111uscrip1s came of this t:ihl,Hure is the prl'seucc of sq ·le from 1he soulht:rn part of 1he comllr} , traits which poim ahc:ul lo salient fea ­ .:~~~J=p=¥~ -;JiJ~~ :::: B :.F_ i rJ'I~ ::~ Still. the Clitremdr progressi\ ·e lilh · tures of the nurth German century nonh German school anti the school (fragmeutalion of :1 chorale - . -~ CJr=-a~;J~-::.:::=:: ::--=r: - o - """'-- c:irdul. orderly middle Gcnmm school mclo1lr, melismatic cl:1horation of 1hc .r~ - --·------,lid not spring up futl ,hlmm without melodr . echo effeus, l'tc .) . prep:nation. The Jlr.lmrgla T11hlr,1urc' ·1 he l:irgc, \Crs:uile instrument~ found of 1-1411was compiled in middle Ger ­ in uumcrous d111rd1cs in northern Ger • ( 1'} -- - m:111y, and ~ver;il middle and 11or1h many , and lo some cxtcut , in 111id11lc -- vv,..- - J - J. J J- 0 - German m:muscript h:igmenls of the Gcrm:my, must h;ne had a form:11h·c -- J i - l:ith ccn111ry gh·e e, iclu1cc of e;irl} nr ­ infh1c11l·c on org:111 composition . ·1 he g:111pl.I} ing in this parl of the countr}. original impetus for these inst111ment~ Ex , lh . Sd1chlt, Cuul,o ~11crn: 11'11n1111/1et1iil1j1 ,/11 clic/1, mcill lie•· ~, Verse 7, From the Jlcl"'rg/1 Tr1l1l111111eit is clear had u,mc from the Hrnhant h11ildc1-sof m .1-5. that the ped:11 w:1s ust:d al least as early the :,.,'1:1herl:1111lswho were ;icti\e in as the micl, I 51h centln) '· Proof that (,crm:my (particul,1rly northern Ger • pcd,1I pla)·ing continued to he impor man) ) in 1hc 16th cen1111·}. rl1c north taut in the 16th ccnlllr} is providecl hy German instrument soon dc\clopcd he no =lh German Renais.~ance org:uu, yoml its llrah;mt prcdccc~or, 11·ith a which often h;ul a rnriety of pedal grc,ller ,:iricty of pedal Slops being stops. Tims, the \'irtnoso pedal tech ­ most 1101iceahlc. While the llrahant ni(Jue which hcrnme a di~tingui~hing pedal was usually confined lo c1m111s fcawrc of lhc north German Harmp1c /irmus stop s, the German instnnncnt F., . 2. 'l 11ndc1, C/oi J/ / ..ug iu 1'0'111:1 Jlt1111ln1, m.10-12 . school was haSt:d on an old tradition . had a full pedal chorus beginning at A few 16th-century manuscripts pm· 16' or 32' pitch aud going up to 2' or ,•iclc focts about compositional st)le in I'. Nowhere iu Europe ,lid the full north and middle Germany . ,\ Hreslau pedal chorus, with stops for holh rn11- manuscript, compiled c.151i5, is belic,cd l11s ffr11111splaring and for the bass. to ha, e conlaincd a Lutheran chorale line, appear with such regularity as in selling and Ji1urgical ,·crscts written in north Germany . '.\loreo\'cr, throughom imilati\·e counterpoint in a style com· 1he organ as a whole there c:dsted a parable lo that of the south German, di,·crsity of sonorities unc11uallcd any­ Hans Huchner. Although this manll· where csccpt in the Low Countries. ,\n script disappeared aher World War II, amazing variety of recd types was culti­ its contents arc known through 1:. Die ­ rn1ed. The flutes, too, wen : distinctly trich's Gcscldchte tics tlc1115che11Orgel· different from each olhcr. In addition, chorals im Ii. Jahr/11mclert (1932), the ll'erhpri11:i/1, on which 1he organ Ex. :l. lh1x11:h11dc, 1'1·11el11di11111rmd Fuge (d), fugu e subjccls , m.l!l -22 , li-1,68 . where they arc listed and described. was based, nc:ucd an indcpcndc!ll From a Danziv; manuscript of 1591 character for each di\'ision. Each ll'crh, (Ms.30II.R.\', ·, 123, Archiwum Wojew· or dh ision, of the organ was based odzkie} , one secs that Italian keyboard npon a principal stop of a specific pitch, music was influential in the north, since with 1hc Jm,est localed in the pedal, this manuscript was wrillen in llalian , the nell.l (an octa\'e higher) in the rather than German, l;cyboard notation. Hm,J1hrerh, the following in the Posi­ From st}'lc traits and forms employed tif, and so on. The Jla11/1twerk had the fullest sound, the PositiJ was pe11c­ by later German organisls, it is clear ,·cry mom1mcntal chorale scuiugs of the kc) board isl, but an organist concerned that Italian keyboard music con1inuc1I tra1i11g, and the llntslwcrh had high ­ BarO(Jue era. pitched stops ,md a regal. 11·ith specific sonorilies. In a typical to be influential in north and middle Following 1hcsc transitional figures, Scheidt rcgistralion, the cm1t11s /ir11111t Germany lhroughom the Uaroquc era . In middle Germany, the sa111cgeneral 1he leading organisls of the Early principles gm·crncd organ building in "'ould be taken on the P mitif or pedal Yet it was not allowed to dominale as Ilarrn1uc period were men who studied with a sharp, bi ling sound, clearly the earl}' and middle Uaroquc periods, it did in south Gt:rmany and Aus1ria. ll'ith Sll'cclinck in Amsterdam : Samuel differentiated from the other parts. bul middle Geiman instrumc111S seldom A widespread use of Lmheran chor­ Scheidt, Jacob Practorius, J\lclchior 'itrangcly cnongh, Scheidt had no attained dimensions :is imposing as Schildt, and Heinrich Schcidcmann. ale melodics characterized organ play· those of prominent organs in the immediate followers of imporiance . The ing in north and middle Germany. The Small wonder that Sweclinck became explanation for this may lie partlr wealth)' Hanse:itic cities . Also, a smaller known as the Derllscl,er Orga11isle11· organist oflcn played a Chcra/iJorspie/ pedal dh-isinn was t} pica I in middle wi1h the fact that lhc musician or as the introduc1ion to congregational maclrcr! Like 1:rescobaldi in Italy, prominence in middle Ccnnanr was Gennany. Otherwise, middle German Sll'eclinck 's spiritual successors were Ins singing. He .ilso wmctimcs substituted organ b11ildi11g followed nm th German 1hc Kar,tor, or choir direclor , whose Choralbcarhci11111gc11• for congregation ­ German students rathl'r than his own work o,·crshadowcd the organist's. prtndplt:s of consUUll lon unul about countrymen. The Germans absorbed al ,·erscs, since all of the stanzas of a I iOU. At th,ll time , a distin ct middle Scheidt, himself, was admired primarily chorale ,,ere supposed to he sung or S,1·cclinck's technique (itself a union for his choral music, n111cl1 of it in Lcnuan organ t~·pc e,·oh-cd. ll will be of English, l1alian, Spanish, and Nether· pla)Td, regardless of their number. discu

4 THE DIAPASON him. Included in Praelorius ' prescn ·ed cycles; the ca,uu.s 1Irmus was pl:iccd in New Orleans Church DUTCHSCHOLAR AND worl..s arc three pieces entitled Pream ­ the bass and was m ·erlaid with four ORGANIST VISITSTHE U.S. /,11/a. The)' arc :ictually embryonic ap­ or ri\·e contrapuntal ,·oiccs. His £ice Completes Rebuild pearances of that combination " Prel , works - preludes, fugues, toccatas, Dr. Anne Rissclada, organist of the suilt.'S, etc . - were influenced by Fro ­ udc and Fugue"' which later became im • Trinity Episcopal Church, New Or ­ historic Petrnskcrk and profL'Ssor at berger, with whom Wcckmann bcca1~u, portant. leam, lhc largt.-sl Episcopal Church in Augustinus Collci;«; _in Groningen, 1:'hc The HannO\cr organi it, Melchior acquainted during his (\\'eckmann s) the stale of Louisiana, has completed Nclherlantls, is ,·1s11111gthe U.S. d11r111g )·cars as court organist in Dresden. Schildt (c. 1:.i92-lfi67) likewise attaiuc~ I the tonal rc,·ision of its organ. The 1hc momh or July. An expert on the Johann (Jan ) Adam Rcincken (lf>2:I· fame, 1ml, as in 1hc case or J. Praeon , changc.'S, dc.-signcd h}' organist-choir ­ orbran building or the Schnitgcr school, li22), like Tundcr, was a true nort~1 us, only a [ci. · o( his works ha, ·c been master, J. Marais Ritchie, and carried Dr. Rissclada is prescming a program German . His well -known toccata n prescn·cd , Schildt 's works do not show out b) ' lhc Ri\c Organ Company of on barr1<1uc i11stn1111entsof The Nether ­ composed of altcrnaling free and fugal .is mnch indi\'iduality as do those or New Orleans, were ncccssitalcd by a fonds during his ,·isit. The program in , l'ractorius, uor as much as do lhc work; scclions and displa}"S that love o( fan. largely expanded musical program. The las}' and brilliance which is s}nonymous eludes slides and tapes of the organs. of another Swcclinck pupil, Hcinric h original mechanical instrument or about Dr. Rissclada smdicd at the Royal with the north German school. Scheidcman n . 33 r.inl..s was hnilt in 1886 hy Odell. Conscn·atory in The Hague, and he re , Rcinckcn 's two presen·cd chorale com· Schcidemann (c. 1596-1663) was a 11111, U tilizing the existing casework, Austin cch·cd his doctoral degree from the sician or broad scope. Unlike some com­ positions arc cxtcnsi\·c choral_c fantas1~, Org-.ins Inc. rebuilt the instrument in employing the most progrcss\\'c t_cduu· Uni\·ersity of Groningcn. Through lhc posers who conccntrall!d on only one 1914, anti again in 1951, changing the Netherlands Orb'"ll-11Society. of which he or two forms of Clwra/11e11rl1dl11nge11, cal and compositional means o[ hn dax. aclion to electro-pneumatic. Changr.'S With Dietrich Buxtehude (c. 1631 · is prcscnll)' co-chairman, he has hecn Schcidemann culti\·a1ed all lhc majm in 19i1·7!! ha,·c included mm•ing the active in the tcslotation of m:my old forms of chorale composition known in I illi) , 1101th German o~gan mmic console lo a more ad,·antagcous posi­ reached its climax. A nau,·c o( Den ­ instruments. He is widely known in The his day : chorale variations, chomlc tion for lhc organist-dircctor lo hear Netherlands as performer, teacher, anti motels, 1hc chorale wilh ornamented W· mark, although probabl)' of (:erman anti sec the choir and congregation; re­ consu ltanl. prano melody line, compositions witl, descent, lh1xtchudc was orgau1st ro, leathering the main rr.-scn·oir; pro,·iding the c,rn111sfirmus in the pedal, chorale many years at the Maricnldrchc, L!i · a new swell engine ; the addition or DR. FRANK IIERAND , of Sacramento , beck, where he at1rac1cd numerous hs, fantasies, etc. Some of his chorale .§e t • sc, er.ii new ranks; and rc,·oicing of Calif. . is making another .5-inoutli concert .411d 1c11crsand dc\'out disciples. Chief among tings ha, ·e an cxpresshcncss which tends many or the old ranl..s. A program of lrclurc.. tour to Germany :ind S"'itzcrland this toward a subjccti\ ·e interpretation ol llm,:tchude's works arc the preludes ,llltl summer and fall. Iii, concerts will include music for organ and orchc.-sua was per • Br.mnsch"·eig Cathedral, the Stadkirche of the thoralc . He alw wrote £rec pii,ccs, fugues , a passacaglia, and two ciacmta. fanned on the completed instrun1c111 by i.e., compositions not based on a cho­ The preludes and fugues arc actually Celle, a 4-island 11i111in East Friesland, Brr-­ Mr. Ritchie and mc111bcrs of the New me11, the Mmart 0111an in Kirchheimbolanden, rale or ca11lus /irmus. An1ong his worl..s toccatas in which free and fugal M."I.'.· Orleans Philharmonic S)·mphony un , tions arc set in opposition. Ohen th e )lanuhcim , lladen•lladen, Ulm, St, BlaJien, in the latter category arc preludes, toc­ dcr the direction of its concertmaster, St. l'eler in the Blaclr. Forest, Ahenburg, 2 catas, fugues, a , ariation canzona, fi\'c •part toccat~ Corm. was u~d. T~1c Carter Nice , on Jan. 23. concerts in Berlin , .and radio broadcasts for dances, and intabulations. Cree sections, wuh their audaC1oui. dis­ Radio Ziirid, and Lugano in Switzerland. A Contemporary wilh l'ractorius, Scheidt, sonances and forccrul, dri\'ing passage concert on the l'alroclus Muller organ in Bor• GR,\ND-ORGUE and Schcidemann were a number or work , arc perhaps the most direct_ ex• gcnlrdch, We,tphalia, will feature Dr. Hcrand Subpri11ci11al 16 ft. 61 pi11es as o'l!an soloi11. lie will perform a number lesser lights, some of whom arc be· prcssion of his gc11i1u. Strongly-outlmcd Manire 8 ft. 61 11i11e1 fugue themes , some or them with tone• 111 rc,cital1 in 1hi1 ecs mcml,er al Sherwood Sd,ool of l',h11ic, Chi• Tahlaturcs, the two mosl comprchcn ­ preludes and fugnL'S, for cxamp ie, a Viole de Gambe 8 It. 73 pipes ~ go. Mr . Bailey was 11r,,1ented in a win­ shc sources of Earl) ' llaroque north moti\"e relationship oflcn uni£ir:d th e Voix (M o le 8 It. 61 11i1,e, ner's rcc i1al nn May 7 al the Church of the Gcrma11 organ music. fugal sections: the subject of th e fir~t l'rinci11al -f fl. 73 pipct A>ceusion , Chicago. llclphin Slnmgk (lf.01 -169~), orga .11• fugue would he altered mclod1call ) and f .,gara '.! It . 73 pipes rhythmicall) to become the sub ]c:-.t. or Fhne harm oniq ue 2 It. 73 11i11cs MELVl:S and MARGARET DICKINSON ist in Wolfcnbiittcl and llraunsclrn c1g, Bal!on-Hautboi,e 16 fl. 73 J1ipe1 is :mother organ composer worth} of subjccls, of the next fugue (,) • "·ere conductor :md nrganist for a concert at Tmm1,eue 8 ft. 73 pipes Cakary E11ilcopal Church, Lnui,-ille , Ky . ml note . Chief among his prcsencd \Jorks flaucboisc 8 It. 73 pipd (Example 3) May 28 ,.-hid1 leature,I the " Sinfonia, BWV arc a tocc:ua and two ,·ariation C}dcs, Clairon .f It. 73 pipd 35", Canlal:u 72 and UH, Mozart 's "Mi11a one on the j\fagnifical , the other 011 In addition to the £.-cc compositions Zimbebtem llre.\·is. K~ 192." • " Nun bitten wir den hdligcn a Luthci-an chorale. 111 hoth of tl,c Tremu1ant Geist" by J .N. David . and Di1tlcr•1 cantala, mentioned . Huxtchudc also wrote a Chimes mriation cycles, 1hc la st mriation re• numhcr of canzoni and some piett.'S en· u \\ 'o Golt zuliaus nit gibt srin Gun st". 01tu1 scmhlcs a chorale fantasy. titled ·roccaltt. II . This form , lhc chorale fantasy, while Within the field or chorale composi · l'OSITJF prepared by numerous mu sicians, £irst Violon 8 It. 61 pipes lion , nuxtehudc contributed a numl,cr Flute harmoniquc 8 It . 61 pipes crystallized inlo a firm ly-outlined tn1c of la.-ge work s, pins :10 short chorale Gemohorn ttle1tc 8 It. 61 pipe, under the hands or 1-·r.111z Tuntlc1 preludes. Among the more cxtcnshc Flu le octavi anlc 4 ft. 61 pipes (16H -lfllii ) . Tundcr ohcn prcscutcd Cll c ralber1rbei11mge11 arc chorale ,·aria­ Doublelle 2 ft. 61 pipe, each phrase o[ the canlru Jfr mus bo~h tion s, chorale motets , chorale fanta li1!$. Quinle l ½ It . 61 pipe• in the soprano (ornamented ) and m Magniricats, and a Tc Dcum. As in Principal I ft. 61 pipcs the bass (unomamcnlcd ) . Takiug the £rec works, one man-els at his Clarinctlc 8 ft. 61 pipes NOACK__ fragmenls rrom the ornamc111cd soprano ability 10 combine bra, ·ura technique Tnmulanl ca11t11s Jir11111s, he made moth-cs which with a profound scmi1i\ •i1y to fonn and he then treated in a ,•ariet} ' or wa}'S l'EDALE color. ·1 he chorale fanta sies arc lengthy, THE NOACK ORG AN CO, INC. (with contrapuntal imit:ition , echo scclionalizcd works in the Tundcr Rcsullanl 32 ft. Prlnci11albasoc 16 ft. 32 pipes MAIN ANO SCHO OL STREETS repetition , etc.) • Fragmentation of the tr.idition. Violone 16 fl. 32 11ipcs GEORGETOWN, MA SS. 01 Bll melody remained a basic principle of The 30 short Choral uonJ,iele :arc Hourdon 16 It. 32 11ipes all subscr1ucnt chorale fantasy compo among Uuxtchude ·s m ost influei.ti.il Sou,baste 16 It. ( Recil ) sition. compositions. Nea rly all of them be , Principal 8 It. 32 pi1,.. In addition 10 chorale fantasies, Tun . long to the type known as the oma- Violone 8 It . 12 11ipc• Sou1ba11e 8 fl . ( Recit ) dcr wrote other types of Cl1ornlt>et1r • 111c111ed melody chorale. With their emotional melody lim.'S, they expressed Octave .f le. 32 pipes bei11111ger1,a canzona, and preludes Contr ...Bombarde 16 fl . 32 JJip.,. (which arc actually 3-part toccata~) . pcrfcctl} · the faith of that day, and Bombanle 8 It. 12 pipe, ANDOVERORGANCOMPANY, INC. they scrnd as an inspiration to many Characteristic of his style are virtuoso Clairoc, -f ft. 12 pipe, loJC36 pedal lines, hold imprmisational pas ­ composers, including J. S. Hach. sagcwork, and melodic lines which are Meth11en,Mouochusetts 018.U more flexible and flowing than the (To be co11ti,111ed) KING DAVID by Honegger , and JUBI­ LATE DEO by Philip Kr.au, ..-er,, performed modernmechankal action melodics of earlier north Getman Colll• NOTES by the NurChwetlern Uni\·enity Conttrl Choir , posers. The gmndcur and hr cath -tal..ing 1he conaerl choir and chancel choir of the qualities which wonld become the \'cry •Diocwsed in Che fir,t article of this 1eri .. (Tull Finl U niled Methodi,t Chur ch nf Evanston , soul or lh c nnr1h Genuan school arc D1ArAsoN, Oct. 1971, p. :?!) • the Symphonic Wind En,emb1e of Norlhwe,t­ :••••••••••••• ORGANERIA ESPANOLA (Madrldl first fully realized in tJ1e music o( crn Unh ·en ity, and memhen nl the Unh:er­ T und cr. 'lltc .aU..inclusil ·c Gctt nan lerm lor organ •ity Sym11hony Orchestra on May 21 a t the • S o ..,. - TES , NO ONE - h lld• or11111JI ET- com po1i1ions basc,d on a chorale ls Choralbtdt· Finl Methodist Church, Evanston, Ill ., under • T.:ll than lhe DEDICATED BPANlllH ARTI • • BANS. We ... ,un VERY CO)lPETlTIV E. S.nd (Example 2) be,tunf,n . This has somecimcs been translated the ,lirn: tion o[ Ma..,arel Hilli,. Mr . Krauo i, • u, your opers or deslre1 - ALL TV1'E8 - Wo as ' 4chur.1le arra ngcmcnU " or ' ' chor.iJc trans· a senior in Nor1hw cslt"'rc1's School of !\lu sic. • ,.Ill quote and perh1p1 1uri,1be ,ou . D. Whltlns Tundcr organized a seri es of public criplion 1," 80 th tcnn i carry connotations no t • fAOOI, llePTOIOR\a\ln . HU lloulh On nd A1•nue , organ reci tal s al SI. Marien in Liibe r.k, pf'Qcnt in the ori si nal word. The lerm "chor• :LoiAnseles DOOlr. ale preludes " lw al5., been equa led with ROB ERT CARWITIIEN cnnducced the 56- where he was organist from lft41-166i . CAarolb«trbt1 '/unt"', but Chis is ronfusin1 1ince voice Oralorio Choir of the Fint Pmbyceri an ••••••••••••••••••••••••• Some concerts took place dur ing lhc " chora le ptdudc" ma)' also identify " opccilic Church, Philadelphi a , Pa ., in Verdi', "R e­ d ar. when the mer chants gathered to tYJ>e of Ch<1ralbtarbrilM nron - lhe C S.a,alvo r• quirm1 • in St. Pete r' s Church. London , Eng ­ await the opening of the sto ck marl.ct , 1t,i.:I ~ n,e term ' •urpn chorale' ' has likewise land du ring a live-da y visit 1herc in Ma rch, JOHNBROMBAUGH & CO. others during the evening. The eve • been wed , but 1hi, i1 misleading ti nce its Ger· London ~"·ie\\·cr, Afan Han ·enon, g~ve: the ning concerts, known as Alle11dm1uiket1 , man rqUl\'alent ( Orrrfrhoro/ ) M>mctim,s hat choir good notic e :md reported that the la'lle a more limilrd meaning , To 1im11lil)· ,natccn, audie~ce sa" ·~ !!1e cho ir a •~well.dcs en ·cd Tracker Organ Builders reached th eir greatest fam e under the J ,hall lea,·e the term untran1la1cd. standing o,·,311on. direction o[ T nndc r' s successor , Diet ­ 7910 Elk Creek Road ric h lh1xtchudc . During this era the north German organist was clc, ·atcd to 1',{USICAL SOURCES EDWARD MO NDE LLO was th e soloist lor Middletown, Ohio 45042 the rol e of i;onccrt arti st. the lint Chicago 11erformanec ol Hindem it h'• Ex. la . Sc htid t , Au s,,a ·dt liltc ll'crl-t, ed, Ke\. "C oncer to lor 0'l! all and Orchestra " on May Contemporary with Tumlcr was Mat • lcr , 11. 62. 1-f al Rockefeller Chapel , Unh ·enity of Chi­ thias Wcckmann (c. 1619-16H), whose ugo . The coucerc . under the dirr ction ol works were tota lly diffe re nt . \\'cck ­ Ex. lb. Sche idt : Aa1r

JULY, 1972 5 Floyd Gulick Wins Worcester Competition ~E Floyd Gulick, 24, of Boston, M:iss., is Church of Sudbury, Massachusetts. the winner of t.he 4th annual ,vorcester Second place winn er was Henry Lowe, National Organ Playing Competition organist and choirmaster of Christ 0~ sponsored by the , vorccster Chapter of Church, Hamilt on, Mass. He is a grad­ the A.G.O. Following his, award recital uate of the School of Sacred Music, on May I in the First Baptist Church Union Theological Seminary, New York Installed by AJtenburg at of ,vorcester, he was awarded t.he cash City , and scn ·ed £or two years as assis­ prize or S300. tant organist of St. Bartholomew's A native or Manhasset, N.Y., Mr. Gu­ Church, New York City. HOLY SPIRIT lick is a gradate of Cornell University Other finalists were Jo Deen Blaine, and received the Master of Music degree a stud ent of Russell Saunders at East­ LUTHERANCHURCH rrom the Eastman School of Music as man School of Music, and Harold Wills, a student 0£ Russell Saunders. He also a pupil of Albert Russell in Washing ­ Montvi1le, New Jersey studied with Nadia Boulanger in Fon­ ton, n.c. tainebleau, France. In 1968 Mr. Gulick Judges for the competition were won the organ competition sponsored Henry Hokans, organi st and choirmaster Kenneth E. Schwengel, b)' the Saint Andrew Music Society in of All Saints Church, ,vorccstcr; Char­ New York. This past fall he was invited les Krigbaum, chairman or the organ Pastor hy Comcll 10 gh-e a recital as part or department, Yale University School of the universil}"s annual Festival of Con­ Music; and Max Miller, university or­ Robert Oehme, temporary Music. He is currently organ • ganist and choinuaster , Boston Uni\'er­ Organist isl and choir director of the First Parish sity.

Write, or call collect lor information you may require regarding any of the magnificent standard or custom designed Rodgers Organs directly to Mr. Otto A. Altenburg or Mr. WIiiiam S. Wrenn.

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Above: finalists in the compelilion were (I, to r,) Harold Wills, Jo Deen Blaine, Floyd Since 1780 Gulick, and Henry Lowe. &elow: The judges are pictured with the winner - (I, to r,) Charles Krigbaum, Henry Waleker Organs Holcans, Floyd Guliclc, and Max Miller.

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excellentestimates - also completeservices

E. F, WALCKER& CIE, ORGELBAU 714 Ludwigsburg Postfach1148 West Germany

Illockl!otc 2 ft. 61 pipes Austin Builds for Four niturc IV 24-1pipes (19-22-26-29) _____H'HINNSIS,, __ Rockford, Ill. Church LlS511MNDt.H~ SWELL (expressive) Austin Organs, Inc., Hartford, Conn., Rohrllote 8 ft. 68 pipes Hear Les Strand, together with Jazz greats Viola 8 ft. 68 pipes ha\ 'e just completed the installation of Viola Celeste (TC) B (t, 56 pipes Shelly Mann e and Barney Kessel m excihng a sma ll, !I-manual organ at Emmanuel Prestant 4 It, 68 pipes Episcopal Church, Rockford , Illinois. Waldl!otc 4 ft. 68 pipes performances of a variety of music ranging Lim ited space prevented an cfricient l' lcin Jcu Ill 183 pipes from Gershwin to Bocharoch. installation, so the Great division was Trom11ette 8 ft. 68 pipes Tremolo Produced by Leonard Feather. inst.ailed in its own oak case with front pipes of the Principal under the rear Ava1lable at most Yamaha Electone Dealers, CHOIR (exptt1.1ive) gallery window. The Swell and Choir Hol,gedcckt 8 ft. 61 pipes or direct from Yamaha. Wnte to: divisions are suport ed on an~le irons Koppclllo te 4 ft. 61 pipes Yamaha lnterna\Jonal Corp., Box 6600,Buena immediately adjacent at the sides over Principa l 2 ft. 61 pipes TBBWIIIBBS: the access sta irways, with vertical ahadcs Lari got 1 ½ ft. 61 pipes LH Strand and the Yamaha, Park. California and enclose check for $5.00 angled toward the nave. Dorothy Walls Krununhorn (TC) 8 ft . 49 pip,s Tremo lo An exciting new album of {includes sh1ppmg and handhng). is organist of the church, and Richard Litt.erst, organist of Second Congrega­ PEDAL organ music from the win­ tional Church, Rockford, served all Principal 16 (L 32 pipes ner of the Eighth Yamaha OYAMAHA consultant to the church. Bourdon 16 ft. 12 pipes (G reat) Ocbvc 8 fr. 12 pipes (Pffl&l) Internat 1onal Elecl one GREAT Bourdon 8 ft. (Great) Festival. Bourdon 16 It. Super Octave 4 ft. 12 pipes {Pedal) Principal 8 (L 61 pipes Mixture II 6¼ pipes Bourdon 8 ft. 61 pipes Trompe u e 16 ft. 12 pipes (Swell) Octa~e 4 ft. 61 pipes Krummhom 4 ft. (Choi r)

6 THE DIAPASON

ST-HYACINTHE, QUEBEC, QUEBEC, ST-HYACINTHE, CANADA CANADA

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lvl1lron. lvl1lron. lass. lass. ~ ~

1'11LTON 1'11LTON J\Ct\DLMY J\Ct\DLMY Wicks "Number One" Finds New Home

BacL: around lhc lllrn or the century. The med1anism of the organ is en­ a Highland, Ill., cabinet maker and lirely mechanic-JI and it was originally his two watch -maker brothers combined equipped with a hand pump to pro, itlc their talents and turned out a pipe air, hut this mechanism had been re­ orh'lln at lhc suggestion or the local placed wilh an electric blower. The Catholic priest. ,.N umber ' One," re · original wind chest had been replaced slorcd to it~ original condition . has during the l!l50's and this one had 50 been present ed to the Museum at South • deteriorated h) ' 19i0 that the organ was en1 Illinois Unh ·crsit }' at Carbondale unusable. An auempt has been made b}' Mr. and Mrs. l\Iartm Wick of High • to pro\'idc a new wind chest as much land, president of the Wicks Organ like the original as possible. Compall) '. Martin Wick is 1he 5011 of Louis Wick , who with his brothers John and Adolph built the instrument abo, ·e the walch -making shop. The success or the rirst organ, whid1 Martin Wick heHe,es was originallr built for St. Paul's Catholic Chur ch in Highland , prompted the brothers to build another , and then another; and hy 1908 the company \\as inoorporalt'd and has been in cominuous operation as a famil)' enterprise ever since. Todar the company employs approxima1cly 80 skilled crartsmm. Bethany Lutheran Church, Menlo Park, California Arter a time the organ was trans­ ferred lo St. Anthony 's Roman Catholic Norman G. Pfotenhauer, Pastor Church in Li,·cly Grm ·e. where it re · Fred A. Krueger, Music Director mained for at least r,o }Cars , until Mr. Wick was able to buy it back. Donald E. Knuth, Advisor The official presentation was made at a luncheon at the Student Center Tlll'llday , May 2, h)' Mr. and Mrs. Wick. Accepting the organ <111 behalf or university president Da, •id R. Derge, Willis E. Malone, vice president, termed TWENTY-TWO RANKS the gift "a most generous and greatly appreciated" one, and said the inslru· ment would be installed in the museum wing or the new humanities building, While the instrument may ha\'e been now being construclcd. wned 10 a pitch or A-·135 originally, " Nu mber One," as the management since that pitch was widely used in and e111plorees of the " 'icks company those day s, there is no actual evidence aHeclion ately refer to the instrument, or this, and it must have been at A· WICKS ORGAN COMPANY /Highland, Illinois 62249 was badly deteriorated when Martin HO for manr years, because some or \\'ick reclaimed it. The pine casework, the pipes arc not long enough for the originally stained walnut, had been Craftsmen Since 1906 lower tuning. Although the present painted with many coal5, as had the pitch of A+W was not orficiall)· adopt· pipes thcmscln'll. Both caSC\\'ork and ed in the United StalL'5 until 1918, it pipes ha,·c been restored lo their ori­ was used in many cases long before gina l appearance. Traces of the outline that, so the organ may well ha,·c lx.-cu or the original decoration could slill tuned to that pitch to begin with. Since be detected under the paint on the the rcno,•ation, the organ is complelely front pipes, and it was able lo be re, operable, and is said lo ha, ·c an ex· stored. cellent to11c. SCHLICKER Reuter Builds for Fort Meyers, Florida Nash ville Church Has New Moller

for excellence of design, the finest of quality materials, and the The Reuter O11,'lln Company, Law­ l\f . P. MiilkT, Inc., Hagerstown, Mary­ rence, Kansas, has co111pktl-d inslalla­ land, has recently completed the in ­ highest order of craftsmanship in mechanical and electric action tion of a new 2-manual, IS.rank in­ stallation of a 3-manual organ in the slru ment in the \\'oodmont Christian First Prcsby1crian Church, 1-"ort ~lc)·ers, pipe organs. Ch11rd1, Nash\•ille, Tennessee. The or- 1-·1orida. The Great and part of the 1,'llll pipework is looted to the lcrt Pedal dh ·isions are exposed in the of the cha ncel area, as one faces the chancel, and the Swell and Choir di­ cha ncel, with pipework or the Great di· ,·isions arc in chambers on each side dsion and a portion or the Pedal di · or the chancel. Specifications for lhe Buffalo, New York 14217 \'ision o ntile,·ered and ex(>O§(.'tl lo new inslrumcnt were prepared by H. ,·icw. Th e remainder o[ the organ is M. Ridgely of the !\lolle r finn in con­ 1530 Military Road installed im1nediately 10 the rear o( the snltation with Barbara Mann, organist exposed work. Tonal finishing was 1111· and choir director of the church. dcr th e direction or Mr. Franklin brochure available member APOBA Mitch ell, vice president and tonal di· GREAT rector of the Reuter finn. Mrs. Caro· Princi1nl 8 fl. 61 11it1cs lyn Downey i, organist of the church. Rohrfliile 8 It. 61 pipes Oc:tav 4 ft. 61 pi1,es GREAT Mi, tur II-IV 208 pipes l'rincip •I 8 ft. 61 1>ipc1 Tmrupctc 8 ft . Iii pipes Gcdcc kt 8 h . lit plpn Ch ime• CRATIN CHOIR SCHOOL V iole de G ·mbc 8 It . (Swell } Viole Ccle>t c 8 It . (TC ) (Swell ) SWELL education thru music Oc ta\' c 4 ft . 61 pipes Gcde ckt 8 It. Iii 11ipn Fifteenth 2 ft. 61 pip .. Viole de Gam!,., 8 fl . 61 pipes for 4th - 8th grades Fourniturc Ill 183 pipes Viole Cc,lcsl• I TC) 8 It. 49 p il'es Chimes Nachtho rn 4 fl . 61 1•i1>es Uniontown, Pa. 15401 Prin d p,ll 2 fl . 61 ppics SWELL (c~pneuive) M i,tur IJ 122 pi1>es Rohrgcdn:kt (TC) 16 fr. Trompettc 8 ft . 61 pipes Rohrll Bte 8 ft. 61 pi1>e1 Cbiron 4 ft. 12 pipes Viole de Gamh,: 8 It. 61 pipes Trcmulant Viole Cct .. ,e (TC) 8 It. 49 pipn THETEMPlE Spitzt>rindpal 4 It. 61 pipes CHOIR Ko1•1•clfliitc 2 h. Holz11cdeckt 8 ft. 61 ,,;,..,, CleV1tland, Ohio 44106 Nasanl 2½ h . 61 piprs E=hlcr 8 ft. 61 pit•es G. F. ADAMS Koppellliilc 4 fl . 61 pipes Kot,pclllotc 2 ft. Ti erce I¼ ft. 61 pi1,es Scsquialtcra (TC) II 98 1'ipc1 Tro1111>cltc 8 ft. 61 pipe, 01_, 8 fl. 61 pipe, Organ Builders, Inc. ll autlN,is 4 fl. 61 pipes Tremulanc DAVID T remolo PEDAL 204 West Houston Street PEDAL Subbas s Iii ft. 32 pipes GOODING Resu ltan t 32 ft. Gcdeckt 16 fl . 12 pit,es Bourd on 16 It. 56 ,,ipcs Principa l 8 fl. 32 piJ>cs New York, New York 10014 Robrgedeckt 16 ft. 12 J>ipcs (SwcUl Gedeckt 8 ft. (Swell) THE CLEVELANDORCHUTilA Oct ave 8 ft. -H pipes Ocbv 4 fL 12 pipes llou nlo n 8 ft. Nac:hthotn 4 ft. 32 pipes MUSICALHERITAGE SOCIETY Telephone OR99on 5-6160 Rohr flo tc 8 ft. (Swell) Nachthorn 2 It. 12 pi1>cs Supc,r Oc1:11vc 4 fL Mixtut1: II 6-1 pipes RECORDINGS llounlo n 4 ft. Contrc Trompctte 16 ft. 12 pipes Contn: T tolllpcttc 16 It. 12 pipc,1 (Swell) Clairon 4 It. (Swell) 8 THE DIAPASON At homewith the GreatOrgan Literature. Andcomfortable on thepurse too! The new System l00 Computer Organ. There has never been PEDAL, Mixtur Ill Prinzipal 16' Contra Fagotto 16' anything like it! Would you expect a really satisfying reed Bourdon 16' Hautbois 8' chorus and mixture experience in a self-contained organ? Lieblich Gedeckt 16' Trompene 8' You can now. That and much more . Octave 8' Clairon 4' Gedacktflote 8' Chiff At your nearest Allen representative. Choralbass 4' Tremulant FluteOuvene 4' Mixtur II GREAT • Digital computer tone generation Posaune 16' Ouintaden 16' Trompete 8' Prinz ipal s· • 36 stops, no unifica tio n, no duplexing Great to Pedal Dulciana 8' Swell to Pedal Hohlflote e· Oktav 4' • Mixtur es, mutations corre ctly tuned SWELL Spitzfli:ite 4' Salizional 8' Ouinte 2-2/3' • Stereo speaker system fully self-cont ained Gemshorn 8' Doublette 2' Ged ackt 8' Waldflote 2' • Built-in transposer Spitzprin zipal 4' Mixtur IV Koppelf lote 4' Schalmei B' • AGO consol e Nasal 2-2/3 ' Krummhorn 8' Blockflote 2' Percussion Terz 1-3/5' Swell to Great Siffl6te 1' Tremulan t

Organ Company @1972 Macungie, Pa. 18062 SWELL Viola 8 fl. 61 pipes Viola Celeste 8 ft. 49 pipes Rohrnuie B ft. 61 pipes Principal 4 ft. 61 pipes Spitdlutc 4 It. 61 pipes Octavin 2 II. 61 pipes La1risot I½ fl. 61 pipes Scharll tu 18.1pipes Krnmmhom 16 ft. 61 TrompeUe 8 ft. 61 pipes Tn,mnlanl CHOIR Gcm,hom 8 ft. 61 pipes Gcmshom Celeste 8 ft. 49 pipes Holzgedeckl 8 fl. 61 pipes Fugara 4 ft. 61 pipes Koppclnulc 4 ft. 61 pipes Nazanl 2¼ ft. 61 pipes Flagcolet 2 It. 61 pipes Tierce 1¾ fl. 61 pipes Oboe B It. 61 pipes Vmt Humana 8 h. 61 pipes Trem11lant SCHANTZ PEDAL New Frels Organ to Principal 16 fl. 32 pipes Suhba,s 16 ft. 32 pipes Fort Worth, Texas Bourdon 16 ft. {Gn,at) Octa,·e B ft. 12 pipes ORRVILLE, OHIO Gedeckt Pommer 8 h, 32 pif1es E. Power Diggs was recitalist at the Choral Bass 4 ft. 32 piJ>tS dedication of the Carter Memorial Or­ Stillll11te 4 ft. 32 pipes gan in Holy Family Catbolic Church, Schwdgel 2 It. 32 pipes Fort Wortb, Texas, on Oct. 24, 1971. Mi~lure III Gt pipes (Schweigcl) The ll2·stop, H-rank instrument is the Pmaunc 16 It . 32 pipes work of Rubin S. Frels of Victoria, Trumpet 8 It . 12 pipes Texas. The free-standing organ is lo­ Schalmey 4 It. 32 pipes caled above and behind the altar in a spacious choir lo£t and speaks unim­ peded down the length of the church. The modern architecture and brilliant spla shes of color in the carpet and windows from Chartres, France, com , bine with handsome acoustics in the churd1 . 1'he instrument has mechanical II ember: Aaaoela&•dPipe 0111.11Balldefa or.America key action with slider chests, electric stop action, and it is in a walnut case. George Bragg, founder and director of the Texas Boys Choir, is master of the choirs at the parish.

IIAUPTWERK Singcnd Gedeckt 16 it. 58 pipes Principal B ft. 58 pipes Rohrlliite 8 ft. 58 pipes Octa,•e 4 ft. 58 pipes Quinle 2½ ft. 58 pipes I'rincipal 2 ft. 58 pipes HarpsichordsMi:.1ur IV 232 pipes Trompc te 8 ft. 58 pipes ROCKPOSITIV Holzgcdcck t 8 ft. 58 pipes Principa l 4 ft. 58 pipes ClavichordsRohrlliit e 4 ft . 58 pipes Spitzprincipal 2 ft. 58 pipei C!uintc I½ ft. 58 pipes W ciland Rebuilds Zimbel Ill 174 pipes Kru111mhom 8 ft. 58 pipe, Fclgcmacher Organ SWELL Gcdeckt 8 ft. 58 pipes Henry Weiland , of tbe Tellers Organ Genuh orn 8 h . 58 pipes Company, Eric , Pa., has recently com­ Gctnshom Celeste 8 ft. iii pipes pleted an organ for St. Paul's Episcopal Principal 4 ft. 58 pipes Church, Wat er town, Wisconsin. The SpilzRiite 4 ft. 58 pipes slider chests and mechanical key stop Waldlliite 2 ft. 58 pipes Sesquiallera II 116 pipes action of a Felgemacher organ were Scharff IV 232 pipes used. In spite of il5 80-90 years of age, Schalmey e ft. the chests and otber mechanical parts Tremolo were in excellent condition. All new 5ASSmAnn PEDAL pipe work was installed, and some of fjplJJSid}Ot'~5 Principal 16 ft. 32 pipes the top boards of the chests were re­ Subbass 16 II . 32 pipes made to pennit the introduction of :peball}Or.psic~or~s Principa l 8 ft. 32 pipes Gedeckt 8 ft. 32 pipes mixtures. The pipes were made by Jor-1.fonstrurlion Choral'-3 4 It. 32 pipes August Laukhuff of West Germany . llolzllii te 2 ft. 32 pipes The principals are of pure tin and tbe Mixtur IV 128 pipes facade pipes of copper . Since tbe Pedal Fa1got 16 ft. 32 pipes division of the original organ had only 1lroc1Jum- ~rnlm~ips Sperrhake a 16 ft. Bourdon, it was decided to install a new division with electro­ mrtgoire~arpsirJ}orb Holloway to Build for pneumatic chests and a standard pedal· board . Mr . Weiland also built a nc:w bistributors Warren, Ohio Church mahogany case. The organ is unenclosed and stands in tbe soutbcast comer of 6:l)ar1emontJllass.om,9 The E. H . Holloway Organ Com ­ the nave, which , altbough not large, Passau/ W.-Germany pany , Indiana~lis, Indiana , has been is quite resonant. engaged to budd a new organ for Cen· Box S32 tral Christian Church, Warren, Ohio . MANUAL I The new imtrument Is a gift of Mrs. P raestant B ft. F. P. Stroud in memory of hei- parents . Holz Gcdackt 8 It. The church is undergoing a complete 0kl'1Y 4 ft. redecorating program during which Block Fl octe 2 ft. KEATESD.S. WENTZ, INC. Scsqualter JI the choir and organ will be moved to Mixtur III I½ ft. tbe gallery in order tbat tbe chancel Dul,inn 8 ft. ORGANCOMPANY Pipe Organs may be a center of worship. Installation of the organ is scheduled for September, MANUAL II P. 0, Box 222 1972. Specifications for tbe organ were Roh r Pommer 8 ft. LIMITED negotiated by E. H, Holloway and Spit z Floetc 4 ft. Worth, Ill. 60482 John W. Goulding of tbe Holloway Oktav 2 It. firm, tbe Rev. Robert E. Kintner or Zimbel JI ½ It . Hol z Reg al B It. • WA 5-0534 GI 8-0534 Lexington, Ky., and Pa ul Batson , or­ ganist of the chur ch . PEDAL Subbass 16 rt. GREAT Oktav 8 ft. That lovely souna ••• Bourdon 16 It. 61 pipes Na chthom 2 ft. of the South German laroqa. Principal 8 It. 61 pipes Dulzian 16 It. F. C. DREWS& CO • Gedeckt 8 ft. 61 pipes Tri chtcr Regal 4 ft. Octave ft. 61 pipes • ORGAN BUILDERSSINCE 1960 + NEW WORK FROM$6,000 , SpiUllute 4 ft. 61 pipes CAROLYN ZISKOWSKI, a junior at Smith REBUILTFROM $4,000. BlockDute :Z ft. 61 pipa Coll ege, ls the recipient of a $100 scholanhip ACTON,ONTARIO Boz 505, Mlddle Vlllave, H.Y. llffl Foumirure II 122 pipti awa1rded by the Springfield Chapter AGO at 212-316-IDJ Cymbalc II 122 pipet their May 16 meeting at the F',nt C,ongn,­ PaulistaJposaune 8 ft. 61 pipes ptional Church, Spriq(wd, Mus.

10 THE DIAPASON SpillOote 2 ft. 61 pipes Scsquialter If 110 pipes Fazakas Rebuilds Mixture IV 244 pipcs SWELL New Jersey Organ Holzgcdackt 8 rt. 61 pipcs Salicional 8 ft . 61 pipcs St. Paul's Episcopal Church, East Vnix Celeste 8 ft. 49 pil"'' Rnhrrote 4 ft. 61 pipn Orange, N.J. dedicated its newly re­ lt3lian Principal 2 It. Iii pip., built organ on Jan. 2!1. T11c rebuilt Quinte I½ It. 61 pipes instmmcnt is a memorial 10 Mi5S Ros­ Trompcllc 8 ft. 61 pipe• alie M. Gussner, a life.long member PEDAL of 1hc church. The 2-manual and pedal !iuhhass 16 It. 32 pipe, organ of !19 slops was rebuilt by the Gcmshorn 8 ft. 32 piptt Fazakas Organ Company of Martins­ Chncallm.s 4 + 2 ft. Gt pipe, Fagot 16 It. 32 pipes ville, N.J., with an electric action and a new Reisner console. Special music for the dedication 5ervice was pre­ HOWARDL RALSTONRETIRES pared by Edward Nawyn, organist and FROM PITTSBURGHSEMINARY choir director, and Evelyn Radaban of Pa1crson, N.J.was 1he guest organist. Hol\'arcl L. Ralston, assistant profes­ GREAT sor of church music at Pittsburgh Theo­ Open Di:tpa&nn 8 It. 61 pipes Dr. George William Volkel, FAGO, has logical Seminary since 19-14, has re­ Flute 8 ft. 61 pipes accepted the invUalion to become organist Salicional 8 ft. (Swell) Illinois Parish tired at the end of May. Mr. Ralston and choirmaster of Iha Firsl Uniled Presby­ c.-ime 10 the fonner ,vestcrn Seminary Dulcian, 8 ft. 61 pipes Gets N cw Bosch Organ Octave 4 It. 61 pipes terian Church of Pompano Beach, Florida. as director of music and teacher of Flute 4 rt. 12 pipes Dr. Volkel has held many church positions, hymnology . He also began an identical Twelfth 2½ ft. 61 pipes bolh in the metropaliton New York area A new organ built by the Bosch Or­ program :it the former Pittsburgh -Xenia Fifteenth 2 ft. 61 pipes and in Florida, previous to this one. He gan Company, Kassel, West Germany, Seminary and continued to sen·c both Fourniture Ill 183 pipe, is a graduate af the Juilliard School of was installed last year in the Trinity seminaries until their merger in 1959 Fagotlo 16 ft. (Swell) Music and the School of Sacred Music, Episcopal Church, Jacksonville, Illinois. into what is now known as Pittsburgh French Trumpet 8 It. 61 pipes Union Theological Seminary, New York Clarion 4 ft. 12 pipes The new instrument is encased and Theological Seminary. At Pittsburgh City, and he has been a racully member free-standing in a walnut case. It has Seminary he became director of music SWELL of both schools. A 4-manual Schantz; organ Bourdon 16 fl. 12 pipes mechanical key action and electrical and spent many hours directing the is at Dr. Volkel's disposal in the new pa­ stop action. The organ was designed by men's and mixed choirs, taught courses Violin Diapason 8 ft. 61 pipes Cello 8 ft. 61 pipes silion, and plans are now under way for Werner Bosch in consultation with the in hymnology and church music and Stopped Di:ipason 8 fl. 61 pipes the completion of the instrument, some 25 church's organist and choir director, served as the seminary organist. Mr. Salicional 8 ft. 61 pipes ranks having been prepared for in the Mrs. Ruth Bcllatti, and it was installed Ralston was also active in local church • Aeoline Celeste 8 ft. (TC ) 49 pipes console. A series of ledure-recitals featur­ by Martin Ott of the Bosch £inn with cs, serving 25 years as organist and Principal ,f ft. 12 pipes ing the organ and guest instrumentalists is the assistance of Whitney Otis of St, choirmaster at tJ1c Delleficld Presby . Gamhctte 4 II. 12 pipes planned for the coming season. Louis. The first concert on the organ terian Church, Pittsburgh . Hannonic Flute 4 ft. 61 pipe! Flute d'A mour 4 ft . 12 pipes was played by Wilma Jensen on Oct. THE CAT HEDRAL OF T UE SACRED Naia nl 2½ ft. 61 pipes 26, 1971. According to Dr. Walter ll. HEAR T , Newark, N.J., attra cted a cumula­ JERRYA. & VIRGINIA LEDOUX Pittol o 2 ft . 61 pipes tive total attendance ol 7,158 people lo its Hend rickson, profe ssor emeritu s in his­ Tierce I¾ ft. 61 pipes tory at MacMurray College and a long­ RECEIVEAPPOINTMENT 1971-72 organ reci tal series. The average a t• Larigot I½ ft. 12 pipes t endance for the weekly series was about 230, time membe r of T rin ity Church, the Mixtu re III 61 pipe, ah lmugh the actu al count ,·aried from a luw new organ "h as made possible more di­ Jerry A. LcDoux has been afpointed Oboe 16 ft. mmi sler of music and his wtfe, Vir ­ of 98 to a high of l o:H. The season was high• versity in the chu rch' s service music, Oboe 8 ft. 61 pipes li!!ht ed by the li n t U.S . rttital by David the choir has been inspired to sing ginia, organist at Fourth Presbyterian Oboe 4 ft. 12 pipes Bruce-Pa yn e of Wc.tmi n1tcr Abbey in London. Church, Washi ngton, D.C. Mr. LeDoux Tremolo more advanced works, and the congre ­ For the second season in a row I the recitals gation sings better and with more con­ holds a MusB degree from ,vc stmin ster PEDAL were broadcast by WSO U-FM, the radio sta ­ ridcnce," T he parish plan s to expand Choir College, and he is presently work­ Open Diapason 16 fL 32 pipes tion of Seton Hall U nivcn ity , South Orange, ing on his MusM degr ee at Peabody Gededt 16 ft. 32 pipes N .J. John Rose is organi st of the cathed ral . its mission to bring great chu rch mu sic Bourdon 16 ft. 32 pipes to central Illinois with the addition of Consen•atory of Mus ic. He is the con­ ductor of the La urel Or alorio Society. Princi pal 8 ft. (Great ) WALTER H ENDL has rc.igncd as direct or t11is instrument to its program. Viole 8 ft. 18 pipes of th e r:.a&tman School of M usic, Roc hester, GREAT Mrs. LeDoux is also a graduale or West· Bourdon 8 ft. 12 pipes N.Y., for reason• o[ heah h. He has been Princip al 8 ft. 61 pipes minster Choi r College, and she received Choral Bass 4 ft. (Great ) dirl'ctor of th e scho ol since 1964- a.h er sen.ring Mdallgcdad ,t 8 ft. 6l pipes her l\lu sl\l degree in organ performan ce Trumpet 8 ft. (Great) as as1ocia lc conducto r of the Ch icago Sym ­ Oktavc 4 ft. 61 pipes from Peabody Conservatory this sp ring. Oboe 8 IL (Swdl) phon y Or-d1estr.,,

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JULY,1972 11 gan builders, and he gi\·es detailed in­ of the principal countries in,•ol\•cd. The imprm ·isational Fantasia on ,vachet New Books formation about all the historic orgam listings include l!OO recordings o( some au£ and a quiet Prelude on O Sacred in Lower Austria as they stand toda )'• 200 historic organs, and 60 discs 0£ Head . Two new hooks merit our attention or p:nticnlar interest is Dr. Hasel · olhcr old l.e}board instruments. The Of 111111sual interest is the A11lilology this month, e,·cn though both arc writ­ l>OCk's discussion or the place and use compiler also includes bric( discussion of Orga11 Music - Seco11d Series ,·ols. ten iu German and arc thcrcrorc valu­ or the organ during the ume or Mozart 0£ the chief labels on which series or 7-12, edited by Gordon Phillips (C. F. able onl)' to those who can read the and Haydn. He includes within his recordings or historic inslrmnems ha,c Peters -Hinrichsen, Nos. 1067-I072, $·1.00 language adequately. Both bool.s will be subject the organs built until 180'.i, been rcleaSt.-d. each ) . Each ,·olumc is exemplary in ,·aluable to those who can do so, how • with the work at Hciligenkreuz signal· Such an allempt lo compile an ex• its ,·aricd content - from Uaroquc to e,er . ing the beginning or the rom:mtic per · haustivc c-Jlalogue ma)' be an almost contemporary - its handsome layout iod. It is a lo\·cly hook, both to read impossible job if one wunu to reach and priming , and informath-c introduc ­ Hasclbocl. , Hans. llarocker Orgel ­ :uul look at , and the price is modest perfection, bu l certainly this book is tions. Many or the individual pieces arc Jchalz i,i Ni etlerii steutirh . 184 pages, (Sl2.00) in comparison to the usual successful and thorough within the una, ·ailablc elsewhere. This entire set 12 drawings by H. Holz! , 8 color plates, price 0£ such hooks. Ir you want to limits of Mr. Laade's ability. The text is a must for C\CT)' complete organ 3!, h/ w illustrations, I map, 2 facsuniles. knm1· what kind of organs the VienllL'SC of the book is entirely in German. H library. M:umtiuspressc, \'icnna / Munich, 19i2. pla)'cd on during the baroque and ro­ )OU want to start a historic record col­ Orgd mruik im Golles,lie, ut (C. F. Dr. Haselbock, who is proks.,;or or or­ cocco periods, and ir )'OIi can read Ger ­ lection, this book will be a help. - RS Peters -Hinrichsen, No. 2006c, $9.00), on g;m and imprm •isation at the man, this book will scn ·c you well. It the other hand, h a peculiar juxtapos ­ Music ,\cadcmy and organist or the is a most welcome addition to the liter • tion o( the obscure, the fascinating, and Dominican Church in Vienna, here pro· ature . the dull. The collection cries out for ,·ides ns with a handsome and worth}' an adequate editorial introduction list • addition to the growing number of Laade, Wo1£gang. K(ar1g,lolt111111mle ing so11ri:es, lo say nothing of a ration­ works on European organ history. Low­ hislorischer Tas1e11irulru1111mte. Disko­ ale for 1hc comcnt. Although a few e r Austria is the area which surrounds graphie , Orgcln , Kiel- und Hammerl..la · items arc 1111a,·ailahlc elsewhere . $9 .00 \'ienna . and , although there were man) ,iere . 133 pagt.~, paper, Mmiherlag Organ Music is far too high a price. baroque orgam built in the area, (cw zum Pelikan (Kati Mersclmrger) • Zii­ 1-1. F. l\l icheclscn 's .Ueditatio11en f11r ha,·c sur,h ·cd lo this day . What little rich, 19i2. Only two publishers arc represented Orge/ (C. F. Pcters-Miillcr Verlag, has sunilcd, howc,er, is indicath·c of This little reference hook will £ind in this month's listings , but a consider , S!i.00) is Pan 2 or the Gre11che11erOr ­ able amount of music is in\'oh'cd . the skill and art of the "Viennese School" great use among those who arc inter • gelfmd1 (196:i) . There arc in all £he Augsburg 51.'nds G. \\ 'inston Casslcr's of organ builders. Dr. Hasclhock docu­ L'Stcd in recordings (discs) of old and mctlitations, ranging in style from in • ments this in a delightfully story -like important historic kc)·hoard instru· Orgn11 deJcn11ts for Sefecle1l Hym11 timatc to bra, •nra. and espcciall>· not­ J'um~s (11-930·1, $4.50). Altcmath ·e bar • volume which ncverthdt.-ss docs not ments. It is quite simpl)' a discography able is a successful synthesis of serial monizations arc pro, ·ided for 56 wcll­ lose its scholarly worth. of all the known recordings (to the techniques and traditional hannonic de­ l;nown tunes, and styles generally arc His slor) begins with the pre-classical compiler) which hne been made of \'ices. Technical demands arc only mod ­ period, continues through discussion of historic organs, , harpsi­ quite conscn·ath·e. erately high. the organs at Klosternculmrg, Diirnstein, chords, and early piauos. The list is ar­ Volume Two of Richard Hudson's \\'e confoss to being non -plused at Zwcttl, l.\lclk, Hcrzogcnhnrg, Pull.au, ranged according to countries, and in­ Trios f or Or ga11 (Augsburg ll -9:i09. Norbert Linl:.c's Org,111 Po/1$: Choral • Lilicnfcld, ,\ I t c n burg . Sonntaghurg, cludes the European countries (north S3.i5 ) has arrhcd. It fonns a logical SC· 11onpiel e fiir Orgel (C.F. Pelers •Miillcr Langcgg, Heiligenkrcuz, and their ,ur­ aud south) , Russia, England, and the qucl to \ 'ohunc One , reviewed in this \ 'erlag , $,i .00) • The first impression o( roumlings. Such organ builders as J. G. United States. It also includes (because column in February (pa ge 14). Tech ­ highbrow satire fades out to a realiza ­ 1-·rcundl, B. Heiutzler , J . I. Egedachcr, of their contemporary historical im­ nical lc,·els in the second ,·olume arc tion of Teutonic gra,·ity. If you arc G. Sm!nlmlz, J. Henckc, _M. J~wangcr, portance) a list of improvisations on slightly higher than in the first, but interested in \Vachel au( in boogie­ A. Pflieger, I. Gallo, F. X. Cfmstoph, S. recordings. ,\ chronology o{ the most the focus is still dearly on leu •:ul· woogic, "'undcrbarer Konig in rhumha Helmich, and I. Kober , as well as many important organs which arc documented rnnct.-d students and organists of modest st)'lc, or possibly the Valer unscr done others, show their work through this in the recordings is also included with auainments. up in a Hungarian g)'psy idiom, this story. Dr. Hasclbock discusses the style some atlempt to date and identify the Also from Augsbmg is ,\)cc \\'yton's collection is for you . of the organs, the rnsework and decorJ· builder's work (although complete and PreludeJ 011 Contemporary Hymm (11· i:inall)', if the abo,·c docs nut end on tion, the use to which the org-Jns were accurate aual)'Sis of modern or later 9~89, $3.50), consist ing o( manualiter a ncgati\ 'c enough note, we would re • pllt, and their style in relation to Ger­ changes in a par1icular instrument p reludc11 on ten tunes. spcctfully suggt.-sl that Marco Martin i's man and Dutch organs of the period. could, of course, not be included). C. 1-·. Peters (Hinrichsen 810b) heads rr1riazit111i per orgam> (C. F. I'ctcrs · He includes a glossary of words that There arc lists of the ,arious organ its list with Pict KL-e's ·rw o Pieres /Cf' Zanibnn !i239, $.UlO) he mcrciftdly were common in the period among or• buildc~ and builders, and maps Organ (no price listl-d), containing an withdrawn from prin t. - \ \'V

mu tt lint rea lize th at any syi 1em is " cntll • In this age of tn,merduus scientifi c progress old H·eral leuers ,onablc then to adopt a luning system which comprumise in which no k1i-s are favored over and even the old pi111·swhid1 were left in tl,c in the May in ue. It ,cems that there art: fa\·on these keys , suclt a.s \Vcrckmel tu·r'i or othen , but all an, equally bad. But consider• w-pn wrre in some cases rrvoiccd or "im­ some miscon<:IC'l•lions about tuning syJtrrns Kirnb~rgcrt1. ing the natuf'C of the organ and its literature , proved" in effccl . I 1cc nothing whatsoever which need n--examination, The .tdvanbRCS of so doing arc nnmerous. the inslrument certainly lost in th e de.11. wrong wilh this and would like very much to A common auumption io lh ~I if 1,·e arc to Fint, the kC}'Splayed in most frequently sound It ...-ill lake time and patience lo open minds sec the organ. me a praclicul tuning 1y,tem other than equ"l· considerably heller 1han in equal-lemperament , lo other tuning syshna, for all of us ha,·e However , in tny project, ii was decided that ternpcramen t, it must be mean•tonc tun1ng. many 1ri.ods havi ng perfect fifths and/or just been .., thoroughly conditioned in one tl,al all we would cndr,ivor lo ptc:sen·c as far as possi­ But in 10 thinking, we arc ignoring .at lean thinls, Second, each key has its unique color othen sound out-ol•tune and ...-mng. But for ble the original qualities of the Hook ors.in, thne common temperaments of lhe 17th and according lo the make,up of just , perfcc:I, or those with oJ..cn minds and 1cruiti,·e •an 1 die including e\·ery slop s rill cxiJlillg (a 16' Open 18th centuries. These systems , cmnmnnly lempercd intervals in that key's pnmary tri­ effort is well rewarded. Diapason in the 1,cdal w;u removed yiean ago), known as Wctckmeistcr's I and If, and Kirn• ads - an effect which is very plcasanl . indeed. Sincerely. to retain the old aclion, and the old wind IVS· berger's, were the type advocated by J, S. Third, lhc mulation ranks are much heller in Randolph Foy tem {e~ce,,t for a new blower ) including its Bach in the heated discu,sions during his lif~ tune with the unison ranks or pipes, increas­ rather shaky characleri,tic on die Swell. The time. D,u Wo~l-temf>en,rte Clavier was com• ing the instnuncnl 11 sonority. And one can only tonal changeo arc lo be addil iou, one posed lo illwtrale the possibility nf playing still safely play in all keys, wmc being some. Lowell, Ma H., May 15, 1972 - stop for each of the manuals, and three pedal in all keys with these systems, as was impns• whal l..s in lune than with equat-tem1>eramC"nl, To the Editor : stopo where lhe old 16' Open DiaJJ3SOn once sible wilh mean-tone luning, It is interesting but thow: most frC"qucntly ~d att much 1nore Hap11inns is oflen one little won!. I apprc• stood. 11,csc will be carried out so that l,y lo nole lhat our present sy,lem of equal• pleasant than du~ same in equal tt!'mperament. ciatcd your running a piclure and story about 1i1111,lynot using them , lhe old Hook can be temperamenl was known long bclorc the 19th ( (n Werdmeisrer 11, for example , only two me and my new organ £inn in the ltlay issue made to sound exactly like ii did before, a:11tury, being set forrh by Zarlino (among k.,,.., D-flat - C, sharp m:1jor and G-flat - but wa, unhappy that you described my 1870 Considering my objectives, and the melhods others) in lhc mid l500's. It was known the~ F-sharsi major arc "mll..s," but ccrbinly not Hook organ project as a "rebuild" rather than used to carry them out , I believe thnt my retically, but was consistently rejec1ed in prac• unplayable, whereas F major , with two J>erfect a "restoration. " In lhe March 1972 DJAr.uor< project then is properly 3 "ratnr.alion '' plw ticc as being too diuo nant be-cause none n£ lihhs :1nd a just 1hinl , is quile beaut iful. How you ra11 3 story about an 1872 Houk organ wmc additions, r.lther than a 11rrhuild. u the fiflhs arc perfect and none of the thirds man y wnrth\\·hilc organ Jtieccs are in either which was rebuilt by Leonard G. Berghaus of Respect fully, arc just. D-flat - C-;harp major or G-Rat - F-sharp Melrose Park , Illinois. Th i, story was particu­ George Bo,eman, Jr. ] n reviving the issue 0£ tun ing systcnu, we major as comp:,rcd to lhe number i11F ul.ljor?) larly fascinating lo me because ap 11:1ttntly this Orsanb uildcr

AGO CHAPTERSREPORT dean; Mrs. Elmer Williams, sub-dean; Zbinden . Joy ce 1-·isher, exccut i\'c com · in Philadelphia on Ap ri l I, 1973. ELECTIONRESULTS Jeff Nichols , secretary -treasurer . mittt.'e. Comcstauts must be high school grad · Bangor, J\laine Chapter: Richard J. Canion Chapter: Arthur Lindstrom, uatcs hut not ha\'e reached tJ1cir 2ith Snare, dean: Eleanor Snow , sub-dean : dean: Da,·id C. Bower, sub-dean . birthday by the date of the national The following chapters of 1he A.G.O. Arline Smiley, recording secretary; ,\lien Anderson, South Carolina Chapter: auditions. Colllcstan ls need not be cnr ­ ha,·c reported the rcsuhs of their local 1:c11iald, corresponding secretary; Har­ l\lrs. Freder ick Terry, dean; l\lrs. Rich ­ rc nti)' enrolled in a college or unh ·er­ elections of officers for the coming year: rie t Mchann, treasurer. ar d Ruhle , sub-dean; Mrs. Paul Stewart, sit)', bill must be studying with an ac· Southern Arizona Chapter: V. Lou ise l\lontgomcry County, Maryl and Chap­ sccrclilr)'·lreasurcr. th·c MTN ,\ 111c111hcr. Patterson, dean : Roy Duran , sub -dean : ter: Kenneth D. Lowenberg , dean; Law• A solo program of 30 minutes dura­ the Rev. Richard Babcock, secretary: rencc Sa,·agc, sub -dean ; Elizabeth C. tion must inch ide works from each of Russell C. Baughman, registrar; Janel 1-·reeman, treasur er: James N. A)TCS, the following classifications: (A) one J\liller, librarian -historian : Denise Web­ registrar ; Canncla Broughton, secretary . MTNA SPONSORS 1973 lar ge prelude and fugue by J. S. Bach, er, Celella Verna, auditors; Charles Bur • Springfield, !\lass. Chapter: Franklin such as that in C major (9/8), E minor gl'SS, Mary Zua Kamp, Lucille Hall, P. T aplin, dean; Da, ·id W. Cogswell, ORGAN COMPETITION (Wedge) , n minor, E-flat major, or ,\ Francis J\I, Johnson, Ro y A. Johnson, mb -dcan: Mrs. Arthur Standen Jr. , sec­ minor (Great) : (B) a Tocrn ta by Georg excc uth ·c com miucc . retary: John L. Karalckas, treasurer; The Music Teac he r' s National Assa· Muffat; (C) a sui te or Mass by a Central Florida Chapter: Waller N . Lawrence R . llnddington Jr., Mrs . Roh­ ciation will sp~msor a collegiate artist French baroque composer such as Clc­ Hewitt , dean; Daren Williams, sub ­ crl J. McCarlncr, d irectors . organ competition in 19i3. A prize o( ramha ult, Couperin, clc.; and (D) a dean: Grace Corman, registrar; Kathy St. Louis Chapter: E. Ala n Wood , $400 will be awarded to the first pl ace work composed during the 20th cent ury. Atkisson , sccreta11·: Beatrice Buck, treas • dean: Marie Kremer, sub-dean; Kath · winner in organ performance. The con· Memorization is optional, and rcgis, urer; Ruth Ens low, Dana McKinnon, lcen A. Thomerson, secretary; Da,•id test will begin al the sta te lc\'el, with trants will be prm•ided if needed . auditors; Clifford R. Berry Jr., Howard Nelson, treasurer; She lby Brcedlo,·e , winners ad, ·ancing to the divisiou lc,·cl, Arthur A. B1rl.by, £acuity member at S. Fleming, Athalia Cope, Stephen Czar ­ registrar. and dh'ision lc,·el winners going lo the the Unircrsity of W)'oming, is national necki, cxccuth'e committee. Akron Chapter: Carolyn Stahl, dean: national competition. Auditions £or tJ1c chairman for the orga n aud itions . In ­ Kansas City Chapter: William Bliem, Robert Quade, sub-dean; Pat Delancy, state le,·el will be no later than Feb . formation and registration information dean; the Rev. Benjamin Harrbon , suh ­ sccrcta11·; Herb Klein, treasurer; Jan I, 1973; the dh-ision !e,·el auditi ons will may be obtained from state rollegc au ­ dean. Lewis, registrar : Helen Cande, librar­ be no later than March I, 1973; and ditions cha irm en or tho state presidenL, Oiark Chapter: Mrs. Lloyd Clinton, ian : Don Noh emeyer, auditor; Hans the national competition will be held or the i\lTNA.

12 THE DIAPASON (Contir111rd from page I) harpsichord was used in Leonhardt 's classes on Frcscobaldi. This latter in· mended a skeptical approach to the strument initiated the most startling signs for ornaments because of frequent contrast in 50und of the entire fosti,·al. misprints, especiall}' in Couperin's later Those who heard the clear, bright works, and because appropriate signs sound of its two 8-foot registers in the often arc omiucd in parallel passages. class were confronted that same e,·e· Citing the resemblance of certain musi· uing hy the sound of l'rcscobaldi 's 11111· cal cadences lo fomininc cntliugs in sic plarcd hy Sartori on the Ncupcrt, French poet'}', he recommended that with rrcqncut use of the 16-foot n-gis­ an appoggiatura to the second note in ter. In general, the recitalists who a descending third always he played in played the Ncupcrt changed registra­ the time of the first note in strong to tion rrequcntly. The series' :intithcsis weak rhythmic si111ations, even though in registration was rurnished by Gil· the appoggiatura is phrased lo the sec­ bcrt's performance of Couperin 's Fifth MIXED VOICES ond note. ,\ddition of ornamentation and Eiglrtl1 Orclres almost exclush·cly h)' the performers was prominent in with two 8-foot registers, either singly se\·cral of the recitals. Leonhardt ens· or coupled; tl1c 4-foot register was rc­ tomarily ornamented the repeated sec· scn·cd for portions of the Passacaille FEMALE VOICES lions in dances, with eleg-.un results, near the end of the Eighth Orclre. Simi­ ancl in the Scarlatti sonatas used for lar!)' ncarlr all the couccrlos were per· her encores, Ahlgrimm introduced on1a­ fonned without any use of the 4-foot mcntation reminiscent of Spanish lute wgistcr. Trpicallr, though, c,·en the CHILDREN'S VOICES and guitar music. The pmt-cadential recitalists who played instruments with nourishes in Sarlori's reading of Frcs­ hamlstops introduced greater variety of cobaldi's Romam:sca J'arintions, how­ registration. and some 1musual cUccts ever, sounded somewhat curious. appeared, for example Leonhardt's use MALE VOICES Choice of instrument and registration of the /1e1111de bu{fle to accompany the also demonstrated dirrcrcnccs among right hand's solo on the upper manual the i-ecilalists. By far the farnritc in­ in the A clngio o[ C. P. E. Bach's "II ' iuir VOCAL SCORES strmucnt of the fcsth·al was Ahlgrimm's tem/Jerg" Sonntn. In his recital of the n Taskin copy, made this }Car by Da, ·id Kuhnau sonatas, l!.crruti coupled the Rubio in England. The instrument, upper 8-foot register "luted" to the which includes a /w111 tie l111flle re~is· penr1 ,le lmlflc for a curious and ana­ CHORUS WITH INSTRUMENTS C tcr, is c1p1ipped with harulstops anti chronistic ef£cct. The perfonnancc of has a heantiful lacquered case and dec­ these same sonatas was accompanied by orated ~oundhoard; its tone is magni­ dramatic recitation o[ the tlescripth-c M ficent. It w.is used not onlr by ,\hl­ texts prm·idccl by the composer. The CHORUS AND ORCHESTRA grimm herself, but also hr Leonhardt, tour de force or the recital series where Gilbert, and Pernarclli in their recitals, registration is concerned was Ahl­ as well as in sc,·en 11£the eight harpsi , C grimm ·s perfonnancc of the Gruncn­ chord concertos. A French double hr wald dances, in which the kaleidoscopic CHORAL COLLECTIONS William Dowd was chmcn hr Valen ti changes of tone color demonstrated and Hernu i for their recitals , and this what ii possible with an instrument same instrument was USL'll in ,·arious - equipped with pedal mechanisms. of the concertos. Sartori am! A,·cling Because of the wealth of music per­ BOOKS ON CHORAL MUSIC a pla)ed their concerts on a Neupen formed and disctmed, and because or "11.ich" model, which was used also hr the high qualit)' of man)' 0£ the per· Ahlgrimm for the Grunenwald dance5 formanccs, the International Harpsi­ ~ hec-,rnsc or the rrcqucnl changes of chord J,'cstil al orrercd a unique oppor­ registration required. Rainer Schucuc 's rnnity to obscn ·c current st)les of per· C,f:, peLeRS CORpOROLfOO copies or instruments hy HJ.inchct and formancc and attitudes toward rcpcr­ 373 Pank Avenue South l>nlckcn were used in certaiu of the loire for harpsichord. It is lo be hoped concertos and in most of the master that the rcs1i,·al will be continued for New Vonk, N. V. 10016 clas.,cs, and his copy o[ an carlr Italian man y rears lo come. (.2.l.2.)0H0-4147 Off the Soundboard James Stmnd, Southwestern College , Fugues in 1' Major, E-flat Major, and Win£icld , Kansas was heard at South· F 111im1r;l'arlila i11 G Mnjor; Tocca/a from Arts Image ... eastern State College and at the Uni ­ in D minor: "E11glisll" Su ite i11 E mirlor. ,·crsit)' of Oklahoma in April. His pro· Richard Peck, , and f.,'Tam: "llalinri" Concerlo, Hach; Tam­ Dale Higbee, nmisl, were hc-Jnl in am­ RICHARDHESCHKE lmurin, ,\true/le er, ro11tfea11, l.n Po11fr., cert in the Morriso n Chapel of Co\'C· LouisianaState University, Baton Rouge Rameau; Fa111,uy fc,r H11r/i.1irlrurrl nant Pn-shytcrian Church, Charlolle, (1970), James Wintle; "French," s,ui _le N.C .. on Mar 21. The program: Smiata " ••• hi~h standard of performance •• , crisp ;,, G ,\fojor, Hach; T ire Carman s II Im • i11 II millor, nwv I030, Hach; llihlical articulation, brisk tempos, and bright, clear lie, H)-rd; S,mntns, K. 115, 2:i!J, 6, Scar­ .form/11 Due, Kuhnau; Atlngio e Mesia registrations •••• an unquestionable mastery latti. from Crmccrto in D minor, Reinecke; of pedal technique .•.• manifested the ac­ Victor Hill closed his annual scriL~ Srmnta i11 E-flnl, Martin Shaw; Pnslor- curacy wrought of good training; but also of Griffin Hall Concerts at Williams 11/c a11rl Nor.I, Richard Pl'Ck, played with authority and permeated with the College (Williamstown , Mass.) on April H. Ro~ Wood was harpsidmnli st at spirit of a fine musician." 22 and 211. His program: Toccnln, L. St. Luke's Episcopal Church , Dallas, (MUSIC, The A.G.O. Magazine) 2D, P1ma11n l..nchrimne, Oruler cen li11de when Hugo Distlcr 's l'esJ11:r Car,tnla, gro,m, Swcclinck; Toccnln R, Suite 12, Christ Who A lo11e Ari Light of Day re· Toccnla 12, Fmhergcr; Prclrules nrul ccin:d iu American premiere in a new Fugues in D (11) , ll·/lat mirior (!.) , L' Mnjor (!) , C 111i11c,r (f) • G C,mlala l!iO was also on the program, mi11or (1), C-slwrJ, Mnjor (If) from and the harpsichord was a copy o[ the the WTC, Hach; Smmla i11 D Major Smithsonian 's 17th-century Rid o If i, FRANK SPELLER (Opus 5/2), J. C. Had,. built by Dallas ' harpsichord maker, University of Texas at Austin On June 12 Dr. Hill played at Rider Richard Kingston. 11 ••• puts forth a solid performance at the College, Lawrenceville , N .J., for the Kenneth Nienhuis pia) "L'd his grndu­ organ sonsole • . . precision and rhythmic annua l A,h·anccd Placement Reading at c harpsichord recital in the Mcado l\'S energy . . . finely worked interpretation. He or the Educational TL-sting Service, al Museum of Southern Method ist Unh ·cr­ injected the necessaryexcitement .. . com­ which he also sern'tl as a Reader in sily on June 5. His program : ,\fore bines exemplary technique with interpretive mathematics. His progrnm: Sminla i11 Pa /111i,w, Swcclinck; S11ile ir, D Major, intelligence and excitement to producea fine D Maj G1', J. C. Hach; Es t-u -.Uarsl, l'n · Frobcrgcr ; Sor,alll iu D M ajor, Ha)dn; musical experiencefor his audience." 11,mn focl1ri111ac, Omler ee11 li111le grue11, C,mt inrmm , Ligcti; Tom/i en11 tie Mr. Sweclinck; Ca/1rircio ,,,, the De/iarture lllrmaoc hcr , Louis Couperin ; l'a ss11• (The Daily Camera, Bou!der,Colorado) c,f his llr.lrmcd llrnl/1er, Hach; J.n For· caillc from the Eighth Orclrc, Francois q11erny, Clmwrme , Duphl)', Co uperin; "llnlin11" C1111ccrlo, Bach. Jerry Umina rd, har psichordis t, and Victor Wolfram's article T ire Ha r/1- James Walker, flulist from Texas Tec h sicl,cm l: llnck from tire IJri,1k has been Unh ·crsi t)', Lubbock, were presented in published in High Fidclil)' Mngnt ine also recital in Carlsba d , New Mexico , b} ' the for June , 19i2 , pages -111··17.In it he Carlsbad ArL, Council m, April 30. The traces the 20th ,centu ry re-emergence of BRADLEYHULL/St. Bartholomew's Church, New York, assistant program : S11ite in JJ 111i11or,Louis Coll· our instrument in a ,·er}' literate and JOHNROSE/Cathedral of the Sacred Heart, Newark pcrin; Sminla i11 G ,\ltlj cr f nr Flut e arul read able manner, and append s a list plus outstanding British artists •. . this autumn presenting Har/1sicl10rrl, Telemann; Capriccio 011 of tweh ·e, favorite recordings . Highl y tire De/mr/1irt ! of His /Jelm1ecl JJrothc r, rccom mended. GEORGEMcPHEE of Paisley Abbey, Scotland, and composer Hach; Sonnla i11 G Major for Ffrllc nr1d Concerts by the Lucktenberg Duo MALCOLMWILLIAMSON on workshop and recital tours HarJisichord, Henda; Suite in E M n1or, (George and Jerrie) are always a de· Handel; So11ala i11 E minor for F/11/e light; recent word indicates lhaL they n11rl HnrJ1sicllord , Bach. arc now sporting a new Witt Ha rpsi­ chord to complement Mrs. Luckten ­ Dr. Joseph Stephens of Halt imore herg's Stradh ·arius. plared the concluding recital of the Features and ne"l\'S items for these Sixth annual Washington Hach Feslirnl pages arc welcome. Addrcs5 them lo Dr. at the Chur ch of the Ascension and St. Larry Palmer, Division of l\huic, South• Agnes. on May 12. Th e program , all ern l\lethodi8t Unh·ersity, Dallas, Texas, Bach: WTC, Book JI, Pre lud es and 75222.

JULY, 1972 13 CHARLOTIE WILLIAM South Orange, N.J. Church Dedicates New Austin Organ Organltt THE ATKINSONDUO flutist RRSTPRESBmRIAN CHURCH ARMY AND NA VY ACADEMY A new 4-manual and pedal Austin OCEANSIDE, CALIFORNIA CARLSBAD, CALIFORNIA organ will be dedicated on May 7 at BOX 785, CARLSBAD, CA 92008 • 714/729-2990 the Church of the Holy Communion, South Orange, New Jcr..cy. The organ consists of fi{i stops in six divisions. Two sections of the former l!J29 organ were retained ancl modified, forming the Solo ARTHUR C. BECKER, Mus 0., A.A.G.O. and Choir divisions as well as part of the Pedal dMsion. The Positiv . Great . DE PAUL UNIVERSITY Swell and balance of the Pedal are all new divisions br Austin and arc lo­ ST. VINCENTSCHURCH, CHICAGO cated in the fonvan part o[ the original organ space on the second noor level (abo,·c Solo and Choir) , speaking into the church through large grilles in the chancel and south transept. Funds avail­ Edward D. Berryman, SMD Warren L Berryman, SMD able Crom a trust set up by the Vanston family, who presented the former organ to the church as a memorial in 1929, BERRYMAN W. Riley Daniels (standing), president of helped pay for the new instrument. Th e Organist.Choirmaster Head, Organ-Church Music Dept. M. P. Moller, Inc., Hagerstown, Maryland, new console is movable and can be WESTMINSTERPRESBYTERIAN CHURCH BALDWIN-WALLACECOLLEGE has announced the retirement of H. Monroe placed at any point in the church. War­ Mlnneapolls Berea, Ohio Ridgely (left), senior vice president, effec­ ren Brown is organist and choirmaster tive May 31-, and the appointment of Jack of the church. Staley (right) as sales manager af tha or­ Margaret gr;,n building rirm. Melvin Mr. Ridgely joined Moller in June, 1926 GREAT upon grr;,duation from Dickinson Collage. Quinbtcn 16 £1. 61 pipes P tin cipal 8 rt. 61 pipes DICKINSON Ha had earlier studied organ at Peabody Bounlon 8 rt. 61 pipes Unlvenity of Loui1vllla Conservatory of Music. Following an ap­ Octave 4 It. 61 pipes prenticeship in the Moller erecting room, Mr. Nachthom 4 lt . 61 pipes Loul1vllle Bach Society Ridgely spent several years "on the road" Supc roctll\ e 2 ft. 61 pipes Calvary Episcopal St. Franci1-in•tha-fielcl1 Episcopal in argon installation and finishing, In 1932 Fonrnit urc IV 2-1-l pipes ( 19-?2-26-29) Trmnpcte 8 It. 61 pipes he was appointed Moller sales representa­ Chim et tive in Philadelphia; in 1941' ha returned to Hagerstown after a short period in New SWELL York. In 1942 ha was appointed sales mon­ R ohrgcdeck t 8 £1. 61 pipes WAYNE FISHER ager by Iha firm, and young Mr. Ridgely Viola Pomposa 8 ft. 61 pipes commenced a distinguished career that wa, Viola Celeste 8 ft. 49 pipes College-Conservatory of Music to take him on behalf of Moller to every Spit,niite 4 rt. Gt pipes stale on the North American continent dur­ D!ockfliite 2 fl. 61 pipes Scsquialtera H 122 pipes ing the next thirty years. Raspansibla ulti• University of Cincinnati Plcin Jeu IV 2-H pipes (22-26-29-33) mr;,laly for the design and sale of many Contra Fagotlo 16 fl. 61 pipes hundreds of organs, Mr. Ridgely shored T rompctlc 8 ft. 61 pipes prominently In the rise of the Moller firm as Rohnchalmei 4 fl. 61 pipes one of the world's largest builders of pipe Tn:mulant Vemonde Tar argons. Mr. Ridgely will continua ta be as­ F.A.C,0., Mut, Doc., S.M.D. sociated with Moller as o spacial sales con­ POSITIV Church of the Ascension sultant in many areas, and ha will hove Gedeckt 8 lt. 61 pipcs K oppelfliitc 4 ft. 61 pipes Fifth Avenue al Tenth Streat particular responsibility for Southern Florlda, JAM6S L8LANb Principal 2 ft. 61 pipes New York, N.Y. 10011' where he will reside with his wife for seven Quint 1½ ft. 61 pipes Juilliard School of Music HOLLI NS COLLEGE months each year, Cymbel II 122 pipes (W -29) Union Theological Seminary Mr, Staley has had a su"essful career In Krummhorn 8 ft. GI pipes business, coming to Moller in 196.C as sales Treaiulan l Recitals representative for Northern Ohio and East­ Cynmdstern Organ and Choral Workshops ern Michigan from tha vice presidency of a major manufacturer in Akron, Ohio. Mr. CHOIR (old chcsu &; pipes ) Staley holds a music degree from Maunt English Diapason 8 ft. 73 pipes Union College, AIUance, Ohio, as well as a Slopp...d Flut c 8 ft. 73 pipcs degree in oc:counting from Hammel Business Salicional 8 ft. 73 pipes Salicional Cele,tc 8 rt. 73 pipes LAWRENCE George Wm. Volkel College. He has studied organ at Westmin­ English Oct a,-e -l fl. 73 pipes ~t•r Choir College with Alexander Mccurdy, Harmonic Flute 73 pipteS SAC, MUS. DOC., F.A.G.O. and he was for many years organist at Finl Salicet 'I { L 73 pi pes United Methodist Church, Akron, Ohio, Ha Nnzard 2½ ft. Is a past dean of the Akron Chapter AGO. Prin cipal 2 ft. 61 pipes Clarinet 8 h. 73 pipes ROBINSON FirstPresbyterian Church Mr, Staley, his wife and their six sons moved Vox Humana 8 ft. 73 pipes lo Hagerstown in September, 1971 when ha Tn: mula at VIRGINIA COMMONWEALTHUNIVERSITY POMPANO BEACH joined the Moller home office organization. RICHMOND,VIRGINIA SOLO (old chests &; pipes) FLORIDA Stcnthorn B ft. 73 pipes HILDA JONAS HOLDS Quintadena 8 ft. 73 pipes HARPSICHORDWORKSHOP Viola da Gamba 8 ft. 73 pipes Unda Maris II 138 pipes A harp sichord workshop by Hild a Stenthorn 4 rL Contra Oboe 16 ft. 12 pipes RUSSELLG. WICHMANN Jonas is being held July 9-14 at the English Hom 8 ft. 73 pipes 801, WltitltuJ Unh'ersity of Evans,·ilfe, Evansville, In­ Oboe 8 rt. 73 pipes Chatham College diana. There will be a series of ten F rcnch Horn 8 ft. 73 pipes FOX CHAPEL EPISCOPAL CHURCH lectures and master classes on the vari­ Trumpet 8 ft. 73 pipes Shadyside Presbyterian ous techniques needed for the perform­ Oboe 4 ft. 12 pipes Fcnc Chapel, Pilhburgh, Pa. 15238 ance of the Inventions and Preludes Clarion 'I rt. 61 pipes Pittsburgh, Pa. 15232 and Fugues by Bach , music by Handel, Tttmwant Scarlatti, Couperin, Rameau , and other PEDAL composers of the baroque period. The Cornet SZ ft . sessions will also deal with performance Ptfnclpal 16 ft. ) 2 pipes HARRYWILKINSON JOHN E. WILLIAMS on the piano and organ, regi~tration Bour-don 16 fl. 12 pipes (Greal ) Ph.D., F.A.G.O. and stylistic characteristics. Quintaten 16 ft. (Grcat ) St, Andr•wt Pra1byterian Collage The workshop is open to pianists, Gcdeck t 16 ft . 12 pipes (Swtll) ST. MARTIN-IN-THE-FIELDS organists, ensemble directors, accompa ­ Principal B ft. 12 pipes Chestnut Hill, Phlladalphla Laurinburg Presbyterian Church nists, and harpsichordists, and both Bourdon 8 ft. (Great) WEST CHESTERSTATE COLLEGE, PA. graduate and undergraduate credit is Gcdeckt 8 ft. (Sw•II) Laurinburg, North Carolina Choralbass 4 rt. 12 pipe, being offered. Students in the workshop Mixture III 96 pipes are encouraged to bring appropriate Contra Oboe 32 ft. 12 pipes (Solo) solo and ensemble music to perform on Po,aunc 16 rt. 12 pipes (Great) the two harpsichords which Mrs. Jonas Oboe 16 rt. (Solo) DONALD WILLING will bring with her to th e campu s. Fagotro 16 rt. (Swell) George Y. Wilson Mrs. Jonas will perform in public re­ Trompele 8 ft. (Gttat) facuhy cital on July !J. Oboe 8 rt. (Solo) INDIANA UNIVERSITY Knunmhorn 4 rL (Positiv) North Texas State Unlvenlty Further information may be obtained Chimes (G reat ) by writing : Harpsichord Workshop, Danton Bloomlnglon, Ind. Uni\'crsity of Evansville, Evansville, IN VOLUMINA by Gyorgy Llgeti w:u given 47101. a choreographed performance 011 April 28 and 29 by the music, art, and dance departtnenu DELAWARE ORGAN COMPANY , INC. or Radford College, Radford, Virginia. Carl has completely refurbished the Kilgen organ Gibner, instructor of music at Radford, was Gary Zwicky at St. Patrick', Cathc:dr.ol, New York City. organist, with Christine Cn1,b1 and Pa111tla barclaywood All chest pneumatics in five or the sc:ven Lafever llSSisting as registranb. Dr. Mary DMA FAGO divisions were co111pletcly n!COVered with Pat Balkus or the Radford dance department polylon, and all o( the rcservoin, swell en­ created choreography to present a viiual cx­ FIRST BAPTIST CHURCH Eattem lllinolt Unlvenlty gines, lrcmul anll and concussion regu}aton periena: or 111ovement biterplay along with Won:at.er wen: rerovered. For tlie fant ti111e in recent the variable auditory e,cperienca of the mu­ Charleston months, all 11otes llll f!IIWplaflllg in tho sical WDl'k . Seti were designed and e,,:ecutcd 1-rge cq&II, hr i\lQ Vaugha a( pe art department. 14 DAVID HEV\ILETT MARSHALL BUSH The Con1ervatory of Mu1ic at Chrlat Church, Fitchburg, Most, 01420 !:_l=====~IIIIIIIIIHA'~""''"""""'""J"~"';;-;;"'""H"';~·:;:·;·""""' Faculty: HARTI COLLEGE, University of Hartford Organist: CENTER CONGREGATIONAL CHURCH, Hartford

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Mrs. Jacqueline Southard of Hayes Cen· ter, Nebraska wan the 1972 Gruenstein Award Organ Playing Competition for Richard T. Biernacki has been appointed Young Women held May 14 at St. Poul's arganilt and cholrmaster of St. Bartholo• United Church of Christ, Chicago, Illinois. mew's Episcopal Church, White Plains, New The annual contest is sponsored by the Chi• York, effective July 1. He leaves a similar cago Club of Women Organists. Mrs. position at the Lutheran Church of the Re­ Southard will be presented in a Chicago deemer, Old Westbury, long bland, New rt.cital during the 1972.73 season at which York. He has served in various churches in lime she will be awarded a cash prize of the New York area, and he was for sev­ $150. MARILYN MASON eral years organist of the Chapel af Christ Mn. Southard studied argon with Robert CHAIRMAN,DEPARTMENT OF ORGAN the Lord at the Episcopal Church National Town of Wichita Stale Univenity, and she UNIVERSITYOF MICHIGAN Headquarters, New York City. Mr. Bier• now teaches at McCook College, McCook, ANN ARBOR nocki's education has bean at Plus X Nebraska. "Miu Mason ployed with au11erltyancl reterve, demonlf,crting an,w School of Monhattonville Collge, and among Runner-up In the competition was Martha lie, ,xtrao,dina,y facility • • ," Des Moines Regl1te,, Odober S, 1964 his teachers have been Dr. Gardon Jones Heck of Salem, Illinois, a pupil of Kenneth and Kalman Antos. He will supervise the la Rae at MIiiikin Unlversity, and a former 11ntire music program of the parish and will pupil of Jerald Hamilton. dlr11ct the two choirs, with plans for de• Other competitan were Lorraine Smith, veloplng additional choirs In the future. student of Karel Paukert al Northwestern LARRYPALMER Univeslty; Elizabeth Faul, student of LIiiian TIMOTHY LEE BAKER of Shelbyville, Organ - Harpsichord Kentucky, 1w been llppointcd organist at the Robinson at Moody Bible lnstitutet ond Fint Presbylerian Chun:h in Shelbyville. He Patricia Moore, pupil of Gladys Christensen Southern Methodist University was formerly organist at St. James Episcopal at Wheaton College, Wheaton, llllnols. The Ghun:h, Shelbyville. Mr. Baker, 15, .iudies at judges for the contest were Merlin Lehman Dallas, Texas 75222 the Univcnity of Louisville with Melvin and of the Valparaiso Unlvenity music faculty, Margaret Dickinson. He began his new duties Herbert L White, Jr. of Sherwood School of at Finl Church, where Peter Rusaki is choir director, on June 18, 1972. Music In Chicago, and Benjamin Hodltty of Chicago. OawcJcl G. LARRY SMITH, of South Garollna, won D, M.A. tl,e Young Artists Competition Jointly 1pon• DANA EGBERT, 11 student o[ Gordon Mc­ 10...-d by the Boston Chapter AGO and Har­ Millan, won the annual student competition vard Univers ity on May 7 at Harvard Mem­ sponsored by the Central Arizona Chapter RAGATZ orial Church. Four finalists selected from 24 AGO on April IO at First United Methodist P,ofe110, af Organ cntranll competed for the $500 fint prize and Church, Phoenix. Si" pupils o[ local chapter a chance to play a recital on Harvard Mem• memben compctd in the contest which was Recltal1 INDIANA UNIVERSITY orial Church'• 1972•73 recital series. judged by Roy Johnson and Martin Stellhorn.

TRINITY UNITED METHODIST CHURCH CLEARFIELD, PENNSYLVANIA

A new 3 manual Austin organ of 26 ranks has been installed as part of the complete rebuilding program of this church, gutted by fire in 1968.

The choir sits immediately in front of the organ and the console is in front of both.

The organ is ideally placed, rather high, and speaking directly across the center axis of the room.

AUSTINORGANS INCORPORATED H A RT F O R D' CO N N E CT I C4U T O6 101

Member: Associated Pipe Organ Builders of America

The "AUSTIN ORGAN STORY" 16 mm. sound & color film available to Guild Chapters

JULY. 1972 15 Trnmp•lte 8 fl. Florida Church Gets Clairon 4 fl. Holmberg Builds Residence THE DIAPASON Aeolian-Skinner Organ Tremulant Organ for James Neumann l'OSITIV Gemshorn 8 ft. A MUST FOR The ,\eolian Skinner Organ Company lloligedeckt 8 ft, The Holmberg Organ Company ho1s has compleled a 4-manual and pedal Principal 4 It. hcen contracted to place a new pipe EVERY ORGANIST !)().rank organ at the flagler Memot;a1 Knpprlniilc 4 ft. 011,r.1.n in the home of Mr. and Mrs. Presbyterian Church , St. Augustine , Oc:ta,·c 2 It. James 1-·.Neumann, San Antonio, Texas. $4 per year Florida. The 70-slop or1p11 is one of lllockmlte 2 ft. Dcli\·ery· is scheduled £or early Decem­ Larigot I½ ft. cite largest instrumems in the South. ber, 19i2. The organ will he placctl is Sllflote I ft. Send THE DIAPASON The main organ, which locnted high Krum,nhom 8 ft. in a free.standing c-.ise 0£ seven sound­ in the choir ,r.illery in the front of the Scharf IV-VJ rcflccting lowers. The console will meet for ---·- year{s) to church behind the original Renaissance Zimbtel1tern AGO specifications, and he 0£ lhc or,r.111screen . was the gift of Mr . and Tn-mulant drawlmob t)·pe wich special pear wood Mrs. Howanl M. Johnson, and was in­ knobs from Gennany. The two manual Name ______CHOIR (ex11ressi,·e) stalled about one year ago . The keyboards will be fitted with beechnut Homhardc and Antiphonal cli\•isions and Erzahlcr B ft. Erzahler Cel.-.te (TC) 8 ft. naturals and palisander sharps. The the Festhal Trumpets were installed at Street - - -- ·--·- -··----- Geclrckt B ft. all new pipework imported from Ger· a later date to complete chc instrument. Spit,principal 4 rt. man)' will he of :II least 51% tin, and The Antiphonal dhision is installctl in Rohrflote 4 It. ,·oia.-cl on low wind with open tol.'5. The City ------·------the nor1h gallery. and the Bombarde di · N~z:ard 2½ It. action will he electro-pneumatic uciliz· \'i~ion and Festi\'al Trumpets arc in ­ S1,iuflo1e 2 ft. ing plaslics with leather being used onl)' Tierce I¾ {t. State ------···- Zip ___ _ stallctl with the main organ al>O\'c the £or bushin~. The blower and rectifier Choir. The action b electro-mechanical Bauon 8 h. Vox Humana 8 It. will he self-amtained. wi1h a rapture type solid Slate combina ­ Enclosed is $______. Festival Trumpet 8 h. (Grnt ) tion action system. The Flagler Mc· Trcmulant rnorial Church is a large and imposing SUMMARY ($4 per year-do nol send cash) GMnllmrn 8 ft. pipc.s BOl\.lll·\RDE eo structure: built in 1890, and is , isited Bourdon 8 It , 80 1';1,rs hy o, ·er 100,()()() tourists annually. Daily Bombanle 16 r1. Trmn1•ct1c llarmon ;quc 8 ft. l'rrslant 4 It . 73 p 'p -s organ recilals arc presenled for visitors, Cd n 1e 8 h . :t! p iJ>r> THE DIAPASON Clairon 4 rt. and frequent Sunday V'-'5per recitals l\.lixtur VJ-Vll( Cymhal II ½ It . :!G p i11rs 434 South Wabash Ave. arc held in the church by outstanding Chicago, Ill. 60605 , isiting organists. William R. Dixon l'EDAL GR~:AT is organist and choirmaster. Unle= tz 32 ft. Grm shorn 8 h . Principal 16 ft. Voi , Cel este 8 It . GREAT Subbass 16 ft. Bourdon 8 fl . Quintalon 16 rt. Quintaton 16 rt. (Gneal) P n-st ant 4 II . Prindpal 8 It. Bourdon Dnux 16 II. (Swell) Oct ave 2 ft. fGr nulmm ) Rohrflotc 8 ft. Octave 8 ft. Mi , 1ur Ill I II . (Gem shorn , C ymlnl ) LIFE STYLE Octave 4 It. Gedcck t 8 ft. Tt~ rnula11t Spitzllote 4 It. Chorall,a 11 4 II. Superoctave 2 ft. lloh lllote 4 ft. PIPE ORGANCU. Mutur IV-VJ Querlliite 2 ft. l'OSITIV Scharf Ill l\.lixlur V Co1111b 8 II. ( flounlun I 1117 Shc Pf er IDad -I It. &'-'ror 111, 111. 6050, Fagoll 16 ft. Kontra l'osaunc 32 ft. Grrnshom Flute -I It. (Bourdon) Ph one : :11:::1:&H·llll Tromp•lc 8 ft. Posaune 16 It. Festival Tru1npct 8 It. ll autbois 16 It. (Swell) Nanrd 2½ f1. (Bourdon) Chimes TromJ>ctc 8 ft. l'rrst ant 2 h. Schalrncy 4 ft. T irrre I¾ It. (Grmshorn) Zimhalstern 3 hells SWELL (Hp rcssi,·c) Chimes (Great) Bourdon Doux 16 ft. RANDALLS. DYER Viole de Gamba 8 It. ANT ll'JIONAL PEDAL Pipe Organs and Organ Service Viole Celcsle 8 It. Gcdeckt 8 ft. Ban 16 h. ( Bourdon) llourdon 8 ft. l'rindpal 4 fl. Flute Ban 8 fl. (Bourdon) l'n-slant 4 ft. Box 489 Octave 2 ft. Gmsnaz:anl 5½ It. (Bourdon) Flute Harmoniquc 4 ft. Mixtur IV Chorall,a11 -I fl. ( l'n:stanl) Jefferson City, Tennessee 37760 Octa, ·in 2 ft. C:rmsbass -I ft. (Gcmshnrn) l'lcin Jcu V ANTll'HONAL PEDAL Nason 2 It, (Bourdon) Hautboi1 16 ft. Gcdrcktbass 16 ft. luuKhquit1lc ff I½ f1. (Gcmsliorn)

Some~ buildinstant 0l"gcl1S.\Ye don't.Of course, it would be easier to simply buy a bunch of component parts and put them to­ gether. We could build organs a lot faster that way. But what would we have when we finished? Certainly not an organ you'd want to play. And certainly not a Reuter. Instead, virtually every component part of a Reuter organ is made right in our shop. From casting metal and forming the pipes to carefully cutting by hand the lambskin for our windchests. If you're considering an organ, consider one that's built from scratch. One built by skilled artisans with years of experience backed by a five-year guarantee. Consider a Reuter. Write or call us collect (913-843-2622) for a free color brochure and use of our 30-minute sound film.

~ORGAN COMPANY/ Box486 AG/ Lawrence,Kansas 6604~

16 THEDIAPASON lANGlAIS PlAYS COMPlETE played by John Skelton. FRANCKWORKS IN GREAT Open Di3J13S<>n16 It. The complete works o( Cesar Franck Open Diapasnn 8 fl . GEORGE Princ i1,a1 8 It. MARKEY were pla}'cd in two concerts at the Ha­ Ooppelilulc 8 ft. Records Markey Enterprises 201-762-7674 silica of St. Clotilde, Par is, by Jean Gen u hom 8 ft. Langlais on April 26 and Mar 3. En­ Octa\"e 4 ft. Recitals 42 Maplewood Avenue titled "l·lommagc ;1 Cesar Franck," the Gcdttktlh1tc 4 It. lnstrudion Maplewood, N.J. 07040 conccrls were sponsored by the National Twclllh 2¾ It . Committee for J\lnsical Commemora­ Fillecntl1 2 It. Mi~turr. Ill tions 0£ the l'rench As.'IOciation or the l'osaune 16 h. Friends o( Mozarl and the Class ical Trmnp

Photographs at left point up recent and very important improvements to the Model R-R Capture Type Combination Action. Bearingsat the endsof movable bars are now made of Celcon-a tough, durable plastic used by industry for self­ lubricating gears and bearings. This eliminates corrosion at the hinge points, an important feature in humid or salt-air environments. Also, heavy-duty relays are now used for stop-action "on -off" operation, eliminating the need for peri­ odic adjusting. These refinements are simply part of our policy of continuous product improvement.

Contact your organ serviceman for fur• ther information.

THE d~,ielt tf/1).~.r.l~ MFG. CO. VVfJWVV INC. N.w toggle-lunges and bearings (left} are made of Ce/con, a space-ageplastic with very lpflC/alproper­ ties. Heavy-duty lfllays (right) mean long, trouble-free operation without periodic adjustment.

JULY, 1972 17 17 July 28 July David Pizarro, Skagen, Denmark Jay Peterson, Smith Hall, U. of Illi­ CALENDAR Fred Tulan, RadiodiUusion-Televi­ nois, Urbana, IL 8 pm sion Fra11caise, Paris, France Gillian Weir, St. Margaret's Church, London, England JULY 18 July Klaus and Marilou Kratzenstcin, St. 1 Cherry Rhodes, Riverside Church, Lorenz Church, Nuremberg, Germany New York City 7 pm David Pizarro, Church or St. Bridget, 2 3 4 5 6 7 8 Sounds of the 70's, instrumental re • \'adstena, Sweden cital, Trinity Church, New York Cit)" 9 10 11 12 13 14 15 12:45 pm 2!) July William Teague , St. JaGObi Church , Ronald Hylton, Cathedral of St. John 16 17 18 19 20 21 22 Hamburg , Germany th 1: E\'angclist, Spokane , " 'A 2 pm Gillian Weir , Cathedral , Freiourg i/ Baroque Festival: lmtrumental and 23 24 25 26 27 28 29 Ur., Germany rncal chamber music, University of Ore· gun . Eugene , OR 30 31 19 July Allen G. Brown, Mem . Music Hall , Methuen, MA 8:30 pm 30 July Conmd nemier, Shrine of the Im­ DEADLINE FOR THIS CALENDAR WAS JUNE 10 Donald S. Sutherland, St. John°s Ep:s­ copal, Washington, DC 12: IO pm maculate Conception, \Vashington, DC David Pizarro, Frcdril.shavn, Denmark 7 pm liaroqne Festi\'al; Edith Kilbuck, I July 11 July Da,•id Aeschliman, Cathedral o[ St. Sounds of the 70's, instrumental re­ harpsichordist; Uni\'crsity of Oregon, 20 July Eugene, OR John the Evangelist, Spokane, WA 2 pm cital, Trinity Church, New York City Larry King, Trinity Church, New 12:45 pm York City 12:45 pm 2 July Robert MacDonald, Riverside Church, Gillian Weir, Aosta Organ Festi, ·al, 31 July William Whitehead, Cathedral of St. New York City 7 pm Italy Uarn

John Barry ROBERTABITGOOD ETHEL SLEEPER BRETT Henry Bridgel!J ST. LUKE'SCHURCH Firat Congregational Church Organist and Recitalist First Presbyterian Church LONG BEACH, CALIFORNIA Fiat Mcthodut Church, Sacramaato, Cal. BATTLECREEK, MICHIGAN Charlotte, North Carolina

Wm. G. BLANCHARD DAVID BOWMAN ORGANIST JOHNBULLOUGH D.M.A. WILFREDBRIGGS POMONA COWGE M.S., CH.M, A.I. M.S.M. Ch.M. Forlelgh Dlclcinson UniYBrsity CLAREMONTGRADUATE SCHOOL Alabama State University St. John's in the Village Teanaclr, New Jersey THE CLAREMONT CHURCH Mamorlal Methodist Church Claremont California Montgomery, Alabama New York 14, N.Y. White Plains, New York

18 THE DIAPASON Robert Parkins, Stamfonl, CT - St. Thom:i.! Church, Ne .. York City April 2: Fa nL~•Y and Fugue on BACH, Reger; Resurgence du Feu ARTHUR CARKEEK EARLCHAMBERLAIN William,on; Suite op. 5, Dururle. ' M.S.M. A.A.G.O. OrganRecitals F.T.C.L Iforry Huber , Salin:t, KS - Ka n,;u Wes• DcPauw University Organist !cyan, Salina A111il 25: Prelude in D minor Christ.inc Cribb, - Radford College, Rnd­ ST. STEPHEN'SCHURCH fonl, VA April 7: Kleine Tocc.:,la uber Ein l'achelbel; Trumpet Dialogue, Clcramb;ault '. Gobin Memorial Church festc Burg, Scl,indler; Fantasia on Wie schon 1:rclude and Fugue in A minor, Dach; Fania, ;;; Greencastle, Indiana C1:1hasset MaHachuMHI leud!tct, Bulltchudc; Prelude and Fugue in K 59-1, Mozart; Choral in B minor, Franck; A mmor BWV 543, Bach; DeUJ: daruco a Agni Allegro from. Symphony 6, Widor; Suite for Y avishta, Alain; Rccit de tierce en taille de Organ, Andncsscn; Alleluy:i.!, Presto n. Grigny; Cortcgc ct Litanic, Dupre. ' Gruerutein Award Spowor Muy Grenier Skalicky, Big Spring, TX - CuicAoo Bobert ClarA J\lnrlha N. Folts, Amco, IA - Grace Hm~ard County Junior College, Big Spring Church, J\lillbrook, NY April 9; Wheaton ~pnl 30: Sonata •n D for organ and s trings CLUB OF School of Music College, Norton, MA April J.I; Finl Congre­ K 144, .Motart; Concerto l in G minor for Wor,rnN gational, Winchester, MA April 16: 5 pieces organ a_nd strings, Handel; Le jardin 1uspcn­ University of Michigan from Organ Ma .. , de Grigny; 2 1eltings Al• ~u, Alain; Toccata from Suite in modo con• ORGANIS T S lein ~olt in dcr Huh, Fantasy and Fugue in Jimcto, Va~ der Hont; Concerto Gro,s 0 op. Anamay Owen Wale1, Praidcnt Ann Arbor G minor, Bach; Fantasy in F minor K 608 6/~, Corelh; Conce~to in G minor for organ, Mozart; Quodlibct SF-!2569, Bicl3wn; Etud; slnngs an~ percu.s11on, Poulenc. Assisted by I, Volumina, Ligeti. The Penman Bas,~ Chamber Music Society, James John Gambmo, founder-director. Timothy L. Zimmerman, Allentown, PA - WALLACEM.COURSEN, JR. St. Thomas Church, New York City April 9: Wayne Burcham - lloly Nativity Lutheran Harry E. Cooper Prelude and Fugue in E minor DWV !i48, Minneapolis, MN April 30: Valet will ich di; F,A.G.O. Hach; Prelude and Fugue on ALAIN Duru­ gcbcn, An Was1erfliissen Babylon, trio on Herr Mus. D., F.A.G.O. CHRIST CHURCH lle; Le jardin suspendu, Alain; Prd~de and Jcsu Chri!t, Wir glauben all, Bach; Magn1fi­ Fugue on BACH , Liszt. e>t, Scl1e1dt; _Paco ,·ivacc ( Kleine l'raludien BLOOMFIELDANO GLEN RIDGE, NJ, und ,lnterm a21 ), Schroeder; Dcsscin• ettrncls, RALEIGH, N. CAROLINA The Kimberly School, Montclair, N. J. Robert Glasgow, Ann Arbor, MI - St. Mcrnaen ; ~!'" thank we all our God, Vcni Luke's I:p i1copal, Monrovia , CA April JO: Creator Spiritu,, Rondo-Improvisations for or­ Suite du dcuxieme ton, Clcrambault; G randc gan, organ pl ayer and singer, and soprano Piece Symphonique, Franck; Dcux danscs a Burcham; Cortc'ge ct Litanic, Dupre. ' KATHRYN ESKEY Agni Ya,nhla , Alain; Fantasia and Fugue in DELBERTDISSELHORST G minor DWV 542, Dad,. A~tl,ur P. Lawrence, Notre Dam e, IN - Marion CollC!le, Mar ion, IN Apr il 30: Pre l­ OMA The University of Ronald Wyatt - Trini ty U ., San Antonio ude, Fugu e and Chaconne , Buxtehu de• Trio TX April II : ln\"ocations op. 35, Mathias; in Dialogue, Dialogue for lhc Full En~emble Univeuily of Iowa North Carolina Concerto in F, Handel ; Prelude and Fugue with Recd, , de Grigny; Come Saviour uf the ~cntiJC!, Trio .Son~la 4 E 1uinor, Fantasic in E-llat, Dach; Bcrceusc from Suite Drctonne, in Iowa City Iowa al Grean,boro Du11rc; Fantasy in F K 608, Mow.rt; Prelude m G, Bach, Epilogue, Langlais· Prelude and Fugue on ALAIN , Durufle. Fugue .and V 3;riatlon, Fi;anck; P:Clude and Fugue m G mmor. Dupre. l'etu Hutfonl , St. Alban>, England - Pat ­ ricia Corl,ctt l',l\"ilion , U. o( Cincinnati, Cin­ Larry R. RCNJtcs, Chicago, lL - l'ilgrim cinnati, OH April 13: l'rocC1Sional, Mathias; Luthcrnn, Chicago ,\pril 3(1: Suite in D minor GEORGEESTEVEZ EARLEYRICH ,\ri:, dcuo balleuo, Frcscobaldi; 5 pieces from (l'lcin jeu ) , Marchand; 4 settings Da Jesus ch.m. Linc d'Orguc, Marchand; Sonata 6 in G an , dc1.n Krcuzc stund, Scheidt; Fantasia con First Unitarian Church llWV !130, l'assacaglia BWV 58:!, Bach; Son­ l1111ta~1011c,D::is ahe Jahr vergangen it l, Can­ Director ata 3, Hindemith. zona m D 1111nor, Bach ; 2 pieces from Masi for l'.'fishcs, Cou perin; Choral Ph.rygicn CHICAGO CHAMBER CHOIR Providence, Rhode Island Gra dy Wilson, Brooklyn, NY - St. Thomas Alain ; lmpro\·Wtion • Roote.s. • Chur ch , New York City April 16: Cho ral in II Ulinor , Fran ck ; Chorales DWV 651, 676, Henrietta Grocnboom - Ebcneier Christian Bach; Prelude and Fugue in A minor , Brahms; Refonucd Chu rt h, Den-,·n, lL April 30: Gigue Charles H. Ph. D., F. A. G. O. Sonata, Shackleford: Prelude in C, Bruckner; Fugue, Wake awake, De glad now, Bacl1; Con­ Pa1Sacaglia quasi T ocQta on BACH, Sokola. certo 2 in A minor, Vivaldi-Dach; Fant ~•ia in GEORGE FAXON F, l\lozart; Pcclude on ALAI N, Durulll:; Der­ ccusc , V iernc; Lit anies, Ala.in. FINNEY Alan Mibtcr - sen ior recital, Carloton Col ­ TRINITYCHURCH Cholrman, Dlvl1lon of Music & Art lege, Northfi eld, MN April 16 : Prel ude and Fugue in A minor , Passacaglia and Fugu e Frederick 0. Gdmcs, New York, NY - St. Houghton Callege, Houghton, N.Y. Tho mas Chur ch , New York City April 30, BOSTON in C minor , Bach ; Prelude ,md Fugue on Houghton Wesleyon Methadl1t Chunh IIACII , Liszt ; 3 p ieces from Messc d es l'arois­ Carill on de Westminster, Final from Sym­ ses, Couperin; 0e ux danses II Agni Ya, -ishta, phony I , Adagio from Symphony 3, Vicrnc ; Alain. Toccata from Symphony 5, Widor; l'astorale, Franck. l.tichard Lillcnt, Rockford, IL - Second Gu, · Bo,·ct, Gcnc, -a, S\l·il2erla nd - Herrick Robert Finster C ~ngregat ional , Rockford April 23: Prelud e Cha pel, 0c dd ental Coll ege, Los Angeles, CA HENRYFUSNER and Fugue in F, Bach; Piece llcroique, ?.by 1: Suite du premier ton, Ni,·en; Noel OMA 5.M.O., A.A.G.o. Franck; Litany, Felciano; Fantasy on Christ Dourguignon, Balbastre; Andante con molo, the Lord has risen, Pcelen; Canzon primi Fantaisic et Fugue, Boely; Variatioru from St. John'• Cathedral Flr1t Presbyterian Chunh toni, G. Gabricli; Festival Procession, Strauss; Symphony 5, Widor; Trois dames, Alain; Im• Su11plication, Cowell; Toccata from Symphony provisation on submitted themes. Denver Noshville, Tenne11ee 37220 !I, Widor. Assisted by brass ensemble and the Sane tuary C11oir. Eug ene Belt, Gc tty•burg, PA - Geltytburg College May 2: Thrce Mcdiev;al Pieces, Elkus; Doroth y M. Hester - Fint Methodist, Ri,·­ Fanfare, Coo~; • Aubade, Hamilton; Pageant, enidc, CA A11ril 23: Prelude, Fugue and Cha­ Sowerby; Vanallons on Lucis Creator, Alain; Antone Godding LESTER GROOM conne, Dwi::tehudc; Komtnst du nun, Komm Vcnel for the Fcsth ·al of Dedication, Mcs- Seattle i liucr Tod, Fantasy and Fugue in G minor 11:1en; Three l' ieces, lbert. Oklohoma City University Bach; Adagio from Concerto for Clarinet and Se11UlePacifi c Church of the Orchestra, l\lozart; Sperania, E lmore; La Na· Harry Kelto n, Lcsington, J\IA - Busch­ School of Music tivlt~, L .1nRlais; Fou nQin Reverie, Fletcher; Reisinger M useum, Cambridge, .MA May 4: College Epipltan1 Sona ta for Clarinet and Organ, Brown; Finale Dialogue (Troisieme Livre ) , Marchand; Par- Bishop W. Angie Smith Chapel 98119 98122 from Symp hony 1, Vieme . Assisted by Da,·id 1:1a on Frcu diciL schr, ll eiller; Fantasia on M ead, cluind. l ei, rul zu dir, Scheidt; Prelude, Fugue and Ciacona, Buxtehude. Robert Roubos, Allentown, Pa - CJ,rist Lutheran, AUent mvn April 23: Prelude and Ruth Km-,,ch, Buffalo, NY - 51. Paul's E. LYLE HAGERT DAVID S. HARRIS Fugue in G minor, Buxtehude; C horal in B Cathedral, Buffalo .May 5, M agnilicat de ro:cit de uaurd , Dialogue, Dandrieu • l'rclude minor , Franck; Flute T une 1 Arne; Som1ta on Church of Our Saviour tl.e 9-ltl, P1.1lm (Fugue}, Reub ke; Prclude ;and Fugue and Variation, Franck; Le' banquc~ Gethsemane Episcopal Church ccl ~ite , M tts iaen; Choral, J ongcn. Fugue in D DWV 532, Dach; Shimah B'koli 1 Akron, Ohio l' ersichr tt i; Pre lude and Fugue on ALAI N Minneapolis , l'tlione5ola 55-104 Durufl c. I . ~Va,·nc Cohn, East Oran ge, NJ - St. Ce ­ t 1ha Church, Engle wood, NJ May 6: Toccata Organ Wea, ·er; M inuet, R ondo, Pu rcell; Three Ren: William Oibome , Gran ville,, OH - Dcni­ •on U., Gran, ·ille April 23: Prelude, Fugue a1~ nce. D.in ccs1 Anon . 16th C..; Cilna.riosJ and Ch~co nnc, Buxtehude; Sonata in G .,,,. S:mz; Fmal m 11-rlat,. Franc k ; Adagio K 356, 28, Elga r; Ca nonic Variations on From ltcann ~lozar t ;_ Pa,·nn, Gaillard, Byrd; Concerto 3 WILL 0 . HEADLEE 1111 high to earl h 1 come, Dach; Three l' roludcs m G, ,Sol~r. !\ssist ed by David M aury, dass ,­ YUKO HAYASHI c,I guitarist m Soler and Byrd pieces. and Fugues Di' • 7, Du pre. faculty SCHOO L OF MUSIC Virginia Youn g stud en t of Ruth Trued Lee Barnhart , Pri nceton, IN - St. M ark 's St. George's ~p u copal, R0>cburg, OR May 7; new england conservatory SYRACUSE UNIVERSITY Luthe ra n, Evansville, IN, for fa·;aruville AG O Concer to 3 m G, Soleri Sheep may safely SYRACUSE, NEW YORK 132 10 Apri l 24. Allelu yas , l'raton; Aria con ,-aria• gra ze, ~nch; Sonata I, Meqd clssoh n; Noc­ boston zione, Mar tini; Prelude and Fugu e in B minor turn e, I urvu ; Prelude 1 on 0 mr anne n ll~VV 5-H, Dael, ; Prelude and Fugue in C S_iinder, l' e1111ing; Prais e to th e Lord , C hri.s­ mmor, Me nd cluoh n ; La Nati vite Lang lais · ttilnst n. Cari llon de Westmiru tcr, Vlcr ne. ' ' Philip Keil, Berkel ey, CA - Univenity Lawren ce Robinson, Richmond, VA - Sa­ Cl1urch of St. Ig natius, Sa n Francisco CA LAYTENHECKMAN WILBURHELD cre~ Heart. Calhedral, Richmond April 28: 2 May 7: Fantasy in G BWV 572, Tocca~ and SM.D., F.A.G,O. •et11ngs W1r glaubcn all, Allegro from Trio l'ugue in D minor _BWV 565, Ba ch; Echo Holy Trinity lutheron Church Sonata 5, Prelude and Fugue in £..flat, Bach; Fantasy on D, Swcchnck; Hymnos de Sanclo Ohio State University Sonata 6, Mendelssohn; Trio in C minor S11iritu, Echl. ad manuale duplex Scheidt· Minneapolis, Minnesala 55406 Trinity Church Rheinberger; Divertis.sement Vi,me· pjC~ Fanfare, Wyton; Suite Gotl1ique, Bocllmann'. COLUMBUS,OHIO Heroique , Franck. ' ' Toccata in B minor, Gigout. ' SAMUEL HILL St. Paul '• Church Chicago, Dllnoili william whitehead C.arthage College Kenosha, Wiscomin 2344 center street, bethlehem, pennsylvania

JULY, 1972 19 Hetbcert Gots<:h, Rivrr Fornt, IL - Grace Lutheran, River Fur .. l May 7: 2 settin11s Harry H. Huber Komm Hdli11er Gdst, Sonat;i 6 in G , Bach ; JOHN HUSTON Ticnlo a cualro, partida de mano derccha , Organ M.Mus. FIRSTPRESBYTERIAN CHURCH Nassartt; Sonat.as in G . D, D 1aer org3no , Kansas Wesleyan University ;ind Fu!lue in G minor , D. Scarlatti ; Concerto TEMPLEEMANU-EL del Si11r. Telemann , Walther; Rdonnation University Methodist Church Suite, Kra11f; Prelude o• Si,ie nomlne . Su..-er• All:,n J. Ontko, Palis:idcs Park, NJ - SALINA, KANSAS New York City by ; Vari.1tions on Down Au,i,ncy , Bt!ndert United Methodist Church , Leonia , NJ May Ric~rcata for Or!lan, Hillcrt. 14: Dialogue sur lrs 11rancl jeu~, Marcl1n11d; Russell Gl'ftn - Thirtl A,·c . Unitrd Church, Plein jcu, Flutes, Clcramhault ; 3 snialler KY· Sa skatfl<1n, Sask. May 7: Rhapsody op. 17/3, rits (Clavieriihnng), 0 M•nKh 1,ewcin, Pnel· EtlEN KURTZ Howells; Rhosymrdre , Vaughan Williams; The ucle and Fugue in E minor BWV 533, Bach; d. deane Wnrld A"·aiting the Saviour, D1111...:;Prelude 0 \\'ell ich mun Jich la &k n, Brahms; Fanfarr, lrnm !Juice op. 5, Durulle; Sona b 3, Hinde· Lrighton; Aria, Prettn; Chant de J1ai;1",Lang• lais; E11ita1•h I, William111n; Ap11arition de JACOBSON mith J l'asturale , Milhaud; Lied to the S~~· 1 l Egli.1e:Cternellc A.fessiacn+ Herceu1e, Carillun Perten j ln1pro,·isatlnn on Veni Creator S1nn­ 1 hutchison du Longponl , V/rrnr , M.Mu1, A.A.G.O. tus , CcMJki Sonata , Prpping; PrClude pour un portland, oregon dimanchc a11rC1,la PcntcCOtc, Dudiarmr, Concord, Colifornlo Rollin Smith, BfVlllclyn,NY - The Meth­ JcH Nichols, Ba•tcr Sprin!:", KS - 11udcnl one• .All,inoni ; Laud am us tc- lrom Grund 0£ Musical Art, Detroit. Calvary Methodist Church tr.ilia - St. ,\ndn,w's Church, Bri11htnn May ~lass in C 1ninnr, A(oiartj Fantasy i11 F mi­ 10: Fa ntas ia in F minor, Mozart; Allcin Gott nor for Or,s:an and Ol,or , K.n!bs ; \\ 'ith ,·er­ Organist, The Detroit Symphony LeMars, Iowa in der lloh, Mein• Seele erhebt den Hrrren, dure clad !run, The Crratinn , llay,ln; Fete . Bach; Minuet, Stanley ; Sonata 11ara cla,·e o Langlais. Assisted by Phyllis Wrr lcin llmld, 11aro&organo con ttompel:l real, Li don ; Choral meuo.so1,rano . ~nd Earnest H.arrison , ulx,isl . in A minor , Franck ; Sempre: Semplice, Karg• HAROLD MUELLER Elrrt; l'rclude on Old IOhh, Parry; l'salm Gary Jenkim, Chica,in, IL - Glrn, ·icw WILLIAMH.MURRAY l'rcludc, Bk. 1/1, llowrlls; Corlcge Cl Lit.anie, Unitr,I Methndist, Glen,·ic:w, IL May 21; F.A.o.o. Du1m\; Fanfare , Whitlock. Tru1111tet Tune . llolhon1e ; Ayre . Vivnldi j Trumpet Tunr- 1 Purcell ; Ayn!, Telemann ~ Trinity Episcopal Church Elaine Mcnitt Pudwell - St. Pau l's Cathe• Trumpet Corrrnlr, ,\da!lio Curdli; Trumpet Mui. M. F.A.G.0. d ra l, Bulralo, NY May 12, Toccata, Adagio 1 Temple Sherith Israel Final.-, D. Gabr1,li; Toccata and Fugue in and t·ugue , Bach; Sou~enir op. 27/ 1. Du1m;; D minor , Nnw thank we all our Go- f,0/ 5, Sdmmann; !'rel• Meyer cand Wornc,11 udc :..nd Fugue ln 8 minor, Bach; Snnata~ fim, Kansas City, Mi11ourl 64113 Jeney City Heigh .. New Jeney Walt l,er ; Allrin Gott in der ll oh BWV l'enichrtti; l'a storalc nnd A,·iary , Rober" • T ntt at~, Ada!lio and Fugue in C BWV 56-1, .AHrlnj:u , Preslon ; 5C"hcrzo and Final frur~ Bach. Symphony 5, Vierne. Robert Delcamp, Cindnnatl, OH - St. JOHN KEN OGASAPIAN Stephen J. Ortlip, AAGO Thom "" Church, Nr-w York City May 14: Fan· Byron L. Blackmore, Lo. Crosse, WI - Fint t~nia .ind Fugue in G minor B\VV >12, Baell; Lutheran, Onalaska, WI May 21: l'relude and Fugue in B minor BWV 5-H, T rio Sonala ;i Granc.Jc Pie« Sympho11iqur 1 Franck; Trlptyc1ue: Saint Anne's Church ChcaHanooga Boys Choir OfHU 51, Dupre. in C DWV 529, Hach; Jesus still lead 1111,God the Father be our 1lay, Mani; Voluntary in Ma11achu1eHs State College lookout Pre,byterian Church Richan! P. DeLoru,: - 11udcnt nl Mal,c\ D, boy~ ; Acclamations, Langlaisj \Ve now Zc,hnr-r, A1hland College, Mansfield, 011 May i11111loreGod the Holy Ghost, Schroeder. Lowell S.wanee Summer Mu1lc Center 1-f: Toccab and Fugue in D rninor BWV 565, W cr nur den liehr n Go ll , Hr-rr Jnu Christ William Best, Chi ca,in, IL - St. Jo hn did , 1U uns ..-,nd , l'ttlude and Fugue in D United Metl101lilt, Chiagn May 21: Fan tasia HWV :i32, Bac h ; Suite ,lu pn,mier ton , Cle• in G minor ,, Sl~r-pen wake, Toccata in C . FRANK K. OWEN ramb.aulli Scherzo , Gigout; Snug of Peace , Hach ; Prelud e , Fugue 1 an d Variation , Fr~ncki Lan glais; Fa ntas y and Fug ue on HACII , Liu t. l'n,lude 1111Hrnther J am es' • Air , Wri!lhl ; Toc­ Jack Ossewaarde Lessoru - Recitals c.,ta, llnellman n. Bradley Hull , New York, NY - R idley St. Bartholomew's Church l' ark Un itr-

John K. ~aaapbn, Lowell, MA - St. John Corrie, E\-:,nstnn, IL - Vail Chaprl, An11e' 1 Chu rch, L<,..-cll Ma y H: Prelude a nd North western U. E\'an scon ?.lay 22: Ricr rcar r, RICHARDM. PEEK 1 FranklinE.Perkins Fu11ue in G mlnor, Bwctrhude ; From God Jul io Segui ,fa M odena; Ricerc.ire , J acO()o Sac. Mus, Doc. shall nau11h1 d ,vide me, Pn, lude and Fu gue Fogliano da Mo

ALEXANDER BOGGS Recitals and Master Classes ARTHUR A. PHILLIPS Organ Consultation AAGO Ch.M. F.T.C.L

RYAN Cathedral Churchof Christthe King St. Albans Congregational Church CONCERT ARTIST Western Michigan University at Kalamazoo 172-17 St, Albon,, N.Y. 11434

20 THE DIAPASON John Ed..,:ird Oss - ,111drnt or C. Hamid 1:incckc, c~thcdr:il ol St. John tlie E,·:rngc-­ lht, Spokaue, WA May 28: S11ile from Mass St. John's Cathedral Recitals for Pari,hn, CmtJtcrin; Fugue in C (Jig), MYRTLEREGIER Bu,tCehude i Trio on 1 Ierr Jcsu Christ dlch zu "'" wend, Fanl••Y in G, llach; The Mu,ic.~I Jack Edwin Rogers Clucks, llaycln; Air, G, Hancock; l'salnt Prel· Mount Holyoke College ade on P,alm 37/ 11, Howell,; Toccala from Symphony 5, Widor, South Hadley, Massachusetts Luke Grubb and R~inald Lun t, l..anc:uler. Jacksonville, Florida PA - Finl l'reshylcrian, Lanc aster May 21: ll )·lrydo l, Scha ck; llcnlicb,tcr Jcsu, Lunt; Jeanne de Vo .. - St. Mary 's Cathedral, \\'c1m "·ir in llttchstcn Niilen sdn, llach; Sydney, A11,1ralia May 31: Carillon, Choral Sym11lmuic-P~.,ion, Du11r~ h•layrd by Mr. {Sain, Regina), Vcrsels r,.9 sur A,·e mati, K. BERNARD SCHADE strlla, l,rcludc arul Fugue in G minor, La­ Lunt); Druxirrnc Sympl,onie, Du11re (J11"yrd S.M.M. b)· Mr. Grubb). mrnto, Final op. 27/7, Duprr.; Pastorale, RUSSELLSAUNDERS F1·;u1dq Variations on \rcinen Klagcn 1 LiszL STATECOLLEGE Stephen H. Rest - Fi Bl l'rcshylrrian, Eastman School of Music EASTSTROUDSBURG, PA. Je[il Romanu, North Hollyl\·kHiaen; Two Epibt1hs for Edith Sitwell, Williamson; God of the Ex11anding Michael C. Rullcy, Ralri~h, NC - Cathe­ Uni\·rrse, Felciano; Toccata (rum Suite OJI. dral nf SI. John the Evangcli,1, Stlllkanc, WA JOSEPHSCHREIBER 5, DnrullC, June 3: Prelndr, ,\dasin and fUFJUC 51:rnlcy· john h. schneider \\re all brlic\'c in nnc God l,reiudc and Independent Presbyterian Church Johnn)·e E!!not, l'lorcncc, Italy - Chic,a 1-·usuc in B minor, lbch; Clm~I in A ,ninor, Calvary Presbyterian Church dell' Autoslrada del Sole, Florence May 23: Franck; My heart i, filled with longing, Deck Birmingham-Southern College Ari a con ,·ariaz ionc clctta U Frcscnhalda, thy1cll my snul, llrahms; Fanfare C,N>k• Le Frcscobaldi; Ollnt oitc Silt le• grands jcux , jardin sus 11cndu, ,\l ain ; Toccata . Snwcrb;. Riverside, California Birmingham, Alabama CouJtrri n; Nu n kmnm dcr Heid en Jlci land , Prelude aml FuRue in Is minor (Wedge ), Rober I E, Scus:,:in, Rochester MN Hach; Symphony 6, Vicrnc. Chri st United Mc-thod i,t , Roches,;, June 6: Cmne ll oly Spirit. Rach; Flute Solo, Hine ; HeiflJ: Arnold, C<>lumbia, MO - l' reshytcr• ~ ha1,1ody I, llm ,·ells; Trumpet Tune, J,owell; Robert Shepfer ian Chu rch, llcdlord , NII May 25: Toccata Sche rzo, Lc 1gh1nn; ~oug ur Alay, J m1sr11; Toc­ L.ROBERT SLUSSER cata 1111li yh1·dol , Near, in IJ 1ninor IIWV 5'.18, Prelude and Fugu e in Organist • Choirmaster MUS. M., A.A .G.O. G IIWV !'>41, 0 Mensc h l1ewci11, Toccata and SECONDPRESBYTERfAN CHURCH Fug ue in D minor HWV 565, llach; Ad , lk rr . Da~irl , .Maul,by SI. Paul 's Cha prl, Trin• LA JOtlA PRESBYTERIANCHURCH rnich ;umcu Si.indc r, Kuli m111; T occa ta per lly I ar1>h , l\e " Yo rk City Ju ne 7: Vatcr Indianapolis, fndiana 46260 l'de,·aiione- . Frcscnba ldi ; Concerto 2, lland el­ mncr, Ci acon a iu 1-: mnmr, Hu,i;lehmlc; 3 Recitals LA JOtlA, CAUFORNIA Du1irc; Ein k,tc llurg , Walcha ; l'a, ·an,e- Th e \'ers_n on Ven1 Cr-ra lur S1Jiri tus, Sd1ridt ; 2 Earl of Salislmry , llyrd ; Scheno from Sym· i. 11I ng• Vat~t uuse r IIWV 636, 737, Pn,lude 11'mny 2J Vien1c . and Fugue Ill C mi nor IIWV !',46, llach. ROBERT SMART Melvin Rollema - lliola Collrgr , La Mira• Mary Thnmpson - ,tudcnt of Hyn 111 L. da, CA May 24, Fantasia Chromatica, Sw~c-­ lUadu11nrr, St. Panl' .s Lutheran L-. C tm.sc Swanhmore, Pennsylvania linck; Cydu,, Carel Jiron,; Sonata da Chiesa, \\:I June 11: Tn:mfH!l Tune: in, D, Johnson; Trinity Episcopal Church ROLLl·NSMITH Arulriessen. L1ebst~r Je•~, II\\ V 7:11, In duld , nbilu IIWV Swanhmore C:Ollege 751, fantasia and Fugue in C minor BWV C:Ongregation Rodeph Shalom, Frederick Buri:omastcr , Buffalo, NY - St. 517'. Hach; Doria11 and l'hrygian Chorals RECITALS Alan,; l'raambeln und lnl e rludien Sch roeder'. Philadelphia 1150 Farly-lint Stre1:1, Brooklyn , NY 11218 Paul's Cathedral , Buffalo May 26: Canion 1 alla lranccsa, Mac,1ue; Ad, hlcib mit deiner GrrenslcC\.•es, \\ 'right ; Jloma!c 10 Perotin' Gnade , Ein feste Burg , Liebster Jesu wir ,ind Robert s. ' hirr, R<'ger: Sonatina, Sowerby; Prelude ;:md Fugue in G minor, Dui,re. Sherry Huland, Los ,\n~clcs CA - Catbc­ ADOLPH STEUTERMAN d,tal of St. Paul, Loo ,\ngcl;s, CA June 9: Carl Staplin I rrlmle llnd Fugue in f. 111inot IIWV 533 Mus. Doc., F.A.G.O. Donald Renz, Ann Arbor, Ml - St . Paul Ph.D., A.A.G.O. Un ited Church of Ch rist , Chel,ea, Ml May Hach; Lord l...-r, us 1lcadfa 11 1,y Thy word: 28: Prelude and Fugue in G IIWV Ml , !lad, ; Abide O dearest Jesus, l'ceten; Sonata 2, Drake University Southwestern al Memphis Sona ta for Trumt1ct and Organ n!J, 200, Mendelssohn. University Christian Church Calvary Episcopal Church llovhancso ; Voluntary on Ohl 100th, Sonata DES MOINES,IOWA Memphis, Tennessee for Trum11ct and Organ, Purcell; Choral in Sue ~ortney, Viroqua, WI Chr,., United E, Franck; Trumpet Voluntary, Slan!ey; ~fethod11!, Rocheuer , M'i June 13: Choral l'raycr from Christ ascending, Outbunt ol ~n _A mumr , Franck; \\ 'achrt aul , Jn duld joy, Me,siacn . Juhllo, ,~hrcns ; H crzlicbster J esu, Gdobt sci G?tt, I ct>tllng; Prelude and Fugue in C Orrin Clayton Sut11em, Il nunor , Bach . Richanl Boueheu, New York, NY - St. FREDERICKSWANN Mich ad 's Church , New York Cit y Ma y 28: Professor of Music Prehule and Fugue in G, llruhn, ; Schm iieke l'rank K. O"·en, Los An,;eles, CA - Cati, . The Riverside Church dicl, UWV li:H, l'antasy and Fugue in G mi• ":'ml nf St . Pau l, Los Angeles , CA June 16, Orpn iJt•Conductor nor IIWV 542, Bach; Introduction and p,.... New York City I rel ude 'Ind Fugue in F op. 85/3 Reger · Lincoln Univcnilr, Pa. sac.aglia, Rcs:cr ; PrrlmJe . Fugue and Varia­ l'a~ane Imm Rhythmic Suite, Elmo~•; l'ttl: tion , Franck : Adagio and Toccata from Sym· ude on _The W!1ite Rock, Vaughan Williams ; 11hony 5, Widor. Choral 1n A 111111or, Franck . W:illace M. Counen, Bloomfield, NJ - JOHN M. THOMAS - AAGO George Norman Tucker Kim Kaslin11:,J\hnkato , J\IN - Chriu United Organl1t • Director Christ E11isropal, lll1H>rn(ield May 28: l'rclude Meth odi,t, ~ochnter , J\IN June 20: Toccata Mus. Bach. and Fugue in C 19/ 8 ), Christ lag in Todes· Fram• Memorial Presbyterian Church and Fugue 111 D 111i11or, Sol\·inr of chc nations banden , Bach; l'relude and Fugue on Christ cmnc, Now J>ra_iisc we Christ, O innoct"nl Stoff: University of WiK0111in ST. L UKE' S CllORJSTERS lag in Todc,bandcn, Schroeder; J'n,ludc on Lamb of G1NI, Risen ii the Holy Chn , 1 ll,ch Stevena Point, WiK. 54481 Tall is' Canon , Noble; Prelud e in E-llat mi• 1 1 Prelude and Fugue on O l'ah, and Sorrow FOUNDER- DIRECTOR Kalamazoo nor, D l11dy; fulcrmt"Uo, Vicrnc ; Fugue , Hon­ llral11111; Thou art the Rock, Mulet. • rgger; Prelude et Fughctta, Roussel ; A T11·p· "CHURCH MUSIC INTERESTS"AGENCY BOY CHOIRS tich ol Fugues , Near . D~,·id J. Hurd Jr., Ne..- York, 1'-Y - St. R~inald Lunt, Lancaster, PA St. l'al• Paul• Chapel , :0-ew York City June 2 1: J,n. pro,·isaliun rrmn Sonah !! op. 60, Retter; Son­ rick ' s Cathedral . New York City M ay ~8: WlltlAM Th• Baptist R"urrrct ion, Dupr-S; Hertl iehslcr Je su, Lun t; a ta 6, J\lendel u nhn ; Tocca ta and Fugu e in W. WILLIAIH WAGNER Toc cala and Fugue in D minor BWV 538, A minor op. 80 , Reger . FRANCIS Tempi• Hach; Postlude 1m11r l' olfic e de Co11111lie,, Alain , Fugue on Ad nus, Liszl. \\ '.illiam . H. Weinmann, Siou:rt Chy, I,\ _ VOttMER Temple Square llfT. LEBANON METHODIST CHU RCH Clm,t Un1led Method ist, Rochester, .MN June James Mei er, Paramus, NJ - SI. Cecilia Blclyn 17, N.Y. Pit1$burgh, Pcnnsylr.u1ia Church, Englewood, NJ May 28: Prelude in 27: yol'!nlarin i.11 D ~nd A, Selby; Corti:ge d 1:tt~me• Dupre ; LC? Jard in suspl'mh1 1 Alain; D minor , In death'• strong gra ,p, I ca ll to Vanah ons on America, lvc.s. Thee , Prelude and Fugue in H-llat, llach ; l'arlit a on t he Lourdes Hymn , Peloquin; Eter . nal Purp ose, ~l cu ia~n; Toccata , Alonniken­ Joh n Upham, Ne"' Yor k, N\' S1. Paul's dam . sally slade warner Clu111cl, Ne" · York City June 28: Prelude and WA-LI-RO Fugue in D minor, l'art ita on Nu n Jasst uns a.a.g.o. ch,m. Thomas Turner - Fin t Presbyterian Churcl1 , Gott dern Hcrr, ,n , Lube ck ; Prel ude d,rough BOY CHOIR Wilmington, NC May 28 : Pre lude and Fug ue the major keys, 2 piccn for a mtt:lrnnical CHURCH OF in E· llat, Uach; Canons in B minor and A· organ, Beethove n; Part ita on \r er nur tlen WARRENC . MILLER- DIRECTOR ST. JOHN THE EVANGELIST flat , Schumannj Ascension Suite, J\(cssiacn, licbe n Goll , Fug ue in D, Pepping. Chrl1t Church, Shaker Helght1 22, Ohla Beacon Hill Boston

DAVID A. C. GORDON HARRY ARTHUR WELLS CLARENCEWATTERS RECITALS WEHRPh.D. Washington Stale University WEDERTZ St. John's Church E.,~rcm Kentucky Univcnily ~ Pullma n 99163 25!14 West 118th SL Richmond, Kcn&ucky W. Hartford, Connecticut CHICAGO 60655

Organ Builders 8nd • Rebuilding FRANKJ. SAUTER SONSInc. * • Repairing * Phones: 388·3355 • Contractual Servicing ,.__-- ---.:- r 4232 West 124th Place PO 7-1203 Alsip, Illinois 60658 . - Fo r Unexcellcd Service

JULY, 1972 21 CLASSIFIEDADVERTISEMENTS

POSITION JVANTED WANTED -MISCELLANEOUS MISCELLANEOUS HifRPSICHORDS 0 R GAN IS T-CHOIRMASTER, DACK­ WA!\TED - 16' OPEN WOOD, SOFT IMPROVE THE SOUND OF YOUR PRES­ FINE HARPSICHORDS, CLAVICHORDS, ground in adult nnd youth clmirs, seeks full­ string, (Dulciana,, Acolinco) in .~ew EnRl~nd ent nrg;an with ColumnSound. Write for infor­ made in di,•en e configurations and disposition s. time church IK>Sitionbeginning fall, '72. M. area, G i,·c builder's name, cond1t10n of Pl'.'e· mation. Ste,•e Baranoski, 1332 South Fairview, Write, phone, visit •hop. E. 0. Witt, R3, o( Mus., n,cita l and college teaching ""peri• wnrk, a1,11rrndttl"1lC age, m3ter ia1, Qnd pncc Park Ridge, 111. 60'.168. Three Rivers, Mich. 49093. 6Ui/24-t-5128. cnce. Write: Orgnnisl, SI. Paul'•, 1302 W. desired. M. A. Loris, RFD 2, Barre, Vennoul 05f,4I. FLEMISH HARPSICHORDS CUSTOM Kit!SI Blvd., Dalla!, T"". 75224, ur phone HA.RPS/CHORDS built lrnm Zuckcrmann kits; very reasonable 214/5-12-2!1911. WANTED AEOLIAN CHAMBER OR- FOR S,\LE - SABATIIIL BA<;II Ill CON­ prices. Roy Crouse, N. Wilkesboro, N.C. ORGANIST CHOIRMASTER , TIIIRTY gau J>ipr~; 8' Frrn Flute , 4' Flute d'Amour , cert harpsichord. 16', 8', 4' - 8', 8'. Lute 28f,59. years r.xpi!riencc , des ins tn relocate in Alc1h­ -I' Wald Flute , 2' l'iccolo , and 5-rank String slop on both upper and lower 8' and 16', 7 Sl'ERRHAKE HARPSICHORDS AND ndis!, Preshyteri:m or Epistop:ol Church in Mhturc w/ chest. A. II . Rebsnn, 6309 Mc­ prdals. Like new $-1,500, E. H. Mueller, M.D ., cluvichords, E,cellent, dependable, hca111ilul. Miami arra of Florida. Address G-4, THE Pi,rron , St. Louis, Mo. 63130. 707 Commonwealth Ave., Newlon Center, Robert S. Taylor, 8710 Garfield St., Bethesda, DtAl'Al!ON, Mass. 02159. Md. 2003-I. WA:-:TED KINURA, WURLITZER OR POSITION WANTED - ORGANIST . NYC equal. C. A. Sencenhaugh, 678 Chimal111 Dr., IIAllPSICIIORD KIT. BUILD A FULL FOR SALE - PIPE ORGANS nrra, ll~A., somr. choir exr,crience _ A,-ailahlc Palo Aho, California !H306. siic re1>lica ol a French 18th century harpsi· Srptembcr . A. LaBclla, 1100 Clove Road, chord, 2 x 8', I x 4' F F-g' ' '. Designed FOR SALE - WILLIS ORGAN FROM Slalen Island, NY 10301, WANTED - DIRECT ELECTRIC MAN­ and made hy Frank llul>bard. Single manual, Eton CollcRe, (Dismantled), four manuals, for ual dt ~tl - Wid,s or Reisner uniu. Also $f,00; double manual $860. For brochure, immediate disposal, .£3000. O.,tails Imm Noel POSITION Al'AlLABLE 11ir,.., for same ir nvailab!c. Send description write , 185A Lyman St., Wal­ M;ander, SI. l'elcr's Organ Works, London, nnd price to F-3, TUE DurASOM. tham, Mas,. 0215t. E 2, l,1111land. WANTED - ORGANIST-CHOIR DIREC­ WANTED DE,\GAN VIBRA-HARI' FOR SALE - HARPSICHORDS AND FOR SALE - KILGEN TRACKER OR­ lor, Senior Choir , 1,nssible youth choirs , olficc and nction lo complete specification of 3-24 cla,·ichords made hy J. C. Neupcrt and S. gan, 2-manual, 9 ranks. Orgoblo blower, I studio, pri\"'te pupil• permitted, Firs I Prcsliy­ Wicb "'II"" in Pictun United Church. IL C. Sabathil & Son Ltd . Finest quality , fully 11uar­ IIP; I set lin t edition Audslcy's "Ari of Or­ lerian Church, 2930 Woodward, Detroit, MI Blakely, 24 Ontario Stn,et, Picton , Ontario, a11tced. Largest sclcclion availahl e from our gan Building; " miscellaneous organ pipes, re­ 48201. C3na,la. showrooms. Fi11anei111 Naw ,foailable . Fru lay boards. Moller 4-manual honeshoe consnle Catalog. J . W. Allen, 500 Glenway, Dristol, opus 4802, mndetnited case, . Some player piano WANTED - ORG,\NIST-CIIOIRMASTER. WANTED - MUSIC ROLLS FOR AUS­ actions. L. L. Craver , Route 5, Box 268, Lock­ First l'rcobytcri:m Church, 2000 W. Jefferson Va. 2-1201 703/669.a396. tin, Welte, Skinner . Aeolian, Dun-Art and JKlrt, Ill. 604-II. St ., Kokomo , Ind:ana 46901. E•tcy 11ipc Of1!3n players. J . V. Macartnct· , HARPSICHORDS & CLAVICHORDS . 106 Haverford A,·c., Narberth, Pa. 19072. Complete kits rrom $218, basic kits from FOR SALE - RESIDENCE ORGAN. 20 MAN WITH SALES ABILITY AND RAl'­ ranb, 2 mam~~ls, suitable for church. Custom port with church laymen for p:pe organ sales $125. Write for free illustrated brochure and price list. Zudermann llarpsicl,ortb, Inc,, 160 mahol!"nY console, Prorcosionally dcoi11ned and in northeastern U.S. with major company ~ MISCELUNEOUS built by my father, an organ purist, hobhieot, Must h:wc knowledge or church music requirc­ Avenue of the Americas, New York, N.Y. 10013. exceptional craftsmlln and for 40 years, a m~nts and organ mtthanism. Sale! experience IVORY AND ROSEWOOD DRAWSTOPS, clu1rch organist . Swell and Pedal divisions preferred. All inquiries conlidenlia!. Repl)' F-2, hand ~nRraving, and all small organ 11arls. (14 ranb) 01M!ralional. Great division (6 Tu& DtArASoM. HARPSICHORDS AND PEDAL UARPSl­ Tlu,s. llnrrison ( Est. 1830), li6 Ada Stn,ct, chords - the ideal instruments for organists, ranb) partially com11letc with all pipco avail­ London, E.8, England. NEEDED - l\lEN EXPERIENCED IN individuals, and schools. For brochure send '15/ able, most mounted in dicsts. Direct electric botb building and servicing or pipe organs. AUSTIN ACTIONS REBUILT, (PRl- to S. Sabathil & Son Ltd., Dc11t, D, 1084 Ho­ action, 4½" prcosurc. Easily removed. Must Send rcoume 10 : G-P Pipe Organ Company , mariC$ nnd secondaries ) with new plasti c Per• mer, Vancouver, B.C., Canada. ocll immediately, best offer over $10,000 ac­ 5808 Iluuon Rd . Nw, Kansas City, Missouri cepted. For full details contact : R. Dumont, flex material. State your needs and lend for HARPSICHORDS AND CLAVICHORDS 605 1. details. Per llcx pouches also. Foley-Baker , Inc. , 233 Glen Ave., Glen Rock, New Jersey 07452. - Various dispositions; harpsichords from 201/417-4956. Box 66, Buckland Station , M;anche,tcr , Con ­ $860, c\avicliords from $-130. Thomas E. Mer­ VICTOR AND ORGANS rs necticut 060!0. oponing new mall stotts from Miami lo Palm cer, 215 11.o.rrisonAve., Christiana, Pa. 17509. FOR SALE - SKINNER RESIDENCE organ, 7 ranks pipco, includin11 two rttd stops, Beach . Will hire organists for sales tra ininR, QUALITY DIRECT ELECTRIC CHESTS also organ seiviccm;an, Send resume to: Vktor HARPSICHORDS, CLAVIC HORDS , 5- also electric Harp . Some unificalion and du• made In order , good dcli,·ery. Aiken Associates, Dcl. E1111lisl, spinet $900, 2 manu;als from plexing. Two-manual detached canonic with Pianos & Organs , 300 N .W. 5-1 St. , Miami, Bm, 143, Brooklyn, Pa. 18813. Fla. 33127. Phone 305/751-7502. $3!!00, spincttino $550. B.W.M. Benn Harpsi• player mechanisms; also complete selection of chonls, +12-1 Judso n La ne, Minneapolis , Minn . rolls. Condition good. Contact: J. J . llydcck, WANTED - FULL-TIME EXPERIENCED SERVICE MEN - DO YOU LAC K SHOP 55435. Bethany Colony Lid ., 305 Chen-y St ., Scran­ pipe organ tuner -technician. Good income. space ? ,ve: J1,ecia]ize in leat her work, reco ver• ton, Pa. 18501. Travel necessary, SinRle penon preferred . Re­ ing pncm na lia , pou ches , ;actions, engra \'in gt FOR SALE - HARPSICHORDS, CLAVI­ ply F--1, Tm 1 DtArAsoM, ele . Write R. M. Minium & Son, Box 293 , chords by Ncu1,ert, world's finest, oldest FOR SALE - USED 2-1',lANUAL AND Lcwislmrg, Pa. 17837. maker . Catalogs on request. Magnamusic, Sha­ pedal Wangerin unit organ : Open Diapason, WANTED - MISCELLANEOUS nm , Conn ~ 0fi06!)~ Stopped Diapason, Salicional, 16-ft. Bourdon ORGAN SERVICE MEN - WE WILL extension; ch.,.ts, pipes, coD10le, blower, louv• rec11\'er °""'"""Iand Skinner poudiboards , HARPSICHORDS FROM $790. ZIMBEL ­ ers, Trcmulant; available summe r 1972. Best WANTED ,\EOLIAN ARTIFACT : primary and ofhet actions. Write Bumcos As­ oller F OB at Church. Wesley United Metho­ original brass light fixture At!Olian Co. used to sterns , seen, unseen, porta ble. D. Woollclt, sociates, 1!!07 Susquehanna Rd ., Abington, Pa . (CO2 Lake Lo:s Rd. S.E., Olympia, Waoh. dist, 1101 Elm, Wausau, Wis. 54401. 715/842- illuminate spool bo1t of their player org;an 1!!001. 3768. console,. C. Ro,s, Box 4010 l'SA, Victoria, 98503. B.C ., Canada. PN EUMATICS AND POUCHBOARDS OF FOR SALE - 1930 3M/JSR WICKS OR- HARPSICHORDS , CLAVICHORDS 11an. In 1torage. Horseshoe console. Pipl!S WANTED - SMALL, LOW -PRESSURE nny make rcco\'ercd with i'olyurelh;ane plastic. Magnificent lone & hantbome appearance at Write for quotation , Cburch Organ Co., 18 mitered for low ceiling. Minor work required. pipe organ or paru; preferably in N.Y.S. or reasonable cost. Maurice de Angeli, Box 190, Pipl!S like new. $2000.00. Donald L. Wiloon, Walton St., Edison, N.J. 08817. RD, # 1, Pennsburg, Pa. 18073. Northern Pcnn.syl,·ania. Will consider organ in c/o Southminster Presbyterian Church, 7001 need of repair. Carl Sundell, 310 Forcst Home ST. CECILIA, PATRONESS OF SACRED Far Hilb Ave., Centerville (Dayton ), Ohio Drive, Ithaca, N.Y. l-!850. "THE HARPSICHORD," INTERNATION­ 45459. tn•1sic1 sealed al the organ. Print o( famous al quarterly for lo,·crs of early ke)·board in­ WANTED - ALL WURLITZER 3-MAN­ painlin11 by Naujok, I doz. (5x7) note cards stnuncnts and music. Artk )es, inlervicws. pho­ FOR SALE - 2-MANUAL , 7-RANK PIPE uat console, 8' Quintadena, 8' Solo String, and cn.-clupcs (Opus # 2) $3.00 postpaid . lOKraPh• and illustrations by today's foremost organ , ;about 30 ycan old. 2 HP Orgoblo . St. 8' offset S•riug chest. H. Morch, 127 Bclmill (Sample $.50) Organ Ari, Box 309 Burl in­ artists. $8 per an num, "Tiu, Har psicliord," Andrew-St. Joseph Church, 925 Rd., Bellmore, N .Y. 117!0. game, Cali{. 9-1010. Broc1thunt ------=--=.,--,Box-_-_ -:_--1323-D_-_-_,- _Den-:_-_ve-_r-, _-Co_-_lo-._ -80.?_-_-lt._-:..-= --=----_-_-_St.,-_- _- Oakland,_-_-_-_- _- Calif._-_-_ -_!H608.-_-_- _-_-_-_-_-_-_-_-_-=; QUALITY and COMPLETENESS

Your "one-stop" supplier for all pipe organ supplies and components. DURSTORGAN SUPPLY CO., INC. P. 0. Box 1165 Erie, Pennsylvania 16512 MANUFACTURERSOF QUALITY ORGAN COMPONENTS Buildersof Fine Trackerand Electro-PneumaticPipe Organs CHESTER A. RAYMOND, INC.

Inquiri es are Cordially Inv ited PIPE ORGAN BUILDERS

W. Zimmer & Sons Rebuilding, Maintenance and Additions IN C ORPORAT E D P.O. Box 55 Princeton , N.J. 08540 Ma ll/ng Address: P.O . Box 11024 • Charlolle, N. C. 28201J Phone: 609-924-0935 NATIONS FORD ROAD • CHARLOTTE,N. C.

Reid Organ Co. FelixSchoenstein ORGANSERYICE-J. E.Lee, Jr. JULIAN E. SULLEY P.O. Box 363 KNOXVILLE,TENNESSEE 37901 New Organs - Rebuilding (408) 248-3867 & SonsPipe Organ Builders Box 2061 Service Santa Clara, California SAN FRANCISCO, CALIF. Tuning • Mainlenance - Rebullcllng SINCE 1906 Iii Consultant, 1376 Harvard Blvd.-Doyton, Ohio 45406

22 THE DIAPASON CLASSIFIEDADVERTISEMENTS Clauified advertising rates: per word, $.20; minimum charge, $2.50; box number, addilionol $1.00. Replles to box 11umbersshould be ••ni c/ o The Diopa1on, 434 5. Wabash Avenue, Chlcogo, Ill. 60605.

FOR SA.LE - PIPE ORGANS FOR SALE - PIPE ORGANS FOR SALE - MISC. FOR SALE - MISC. FOR SALE - 1952 KILGEN PIPE OR­ FOR SALE - AEOLIAN ORCHESTRELLE FOil SALE - MOVING , SELLING LAST FOR SALE - 4-MANUAL E. Ill. SKIN­ gan, 2,rn:,nual, 9 ranks. In """ now. Best of• player organ, S1yle V, new condition, rare , of C'flllcction, lhmly•gnrdy (barrel organ ) 10 ncr console with n,·erhau1ing in 50's and 60's fer. Buyer to remove, Avaifoble June 1973. bench, 50 music roils. Orgoblo, V. HP, 400 tu n.s, 1927-28 era. llladc in South Philadel­ by Moller and Aeolian-Skinner. New ivories, Con!Mt: Sr. Mary Edwanl Adolman, Mount CFM, 3~ wind. Addres, E-5, Tn,. D1ArASoN. phia. "Mc & My Shadow, " "Crazy Wonls capture action; 51 slop knob>; 26 rocking St. Benedict, Crookston, Minn. 56716. 218/ Cra,y Tunes," etc. Case ugly, needs tuning, tablet cou11lcrs; 4 p;1tons per divi,ion; 3 gen­ 281-3-441. hut the music! $2,200.00. Metal Atwater Kent erals (duplicated). Also +I pipes of pedal 16' FOR SALE - ELECTRONIC ORGANS radio & speaker, good onler, $27.50. Mirra Trombone and 73 pipe, ol 8' Clarabell.a. Buy­ FOR SALE - VOITELER-HEITCHE music bo1t, 20 records, $225.00. A. Hardee, er to re1novc by mid-September. Writer Min• pipe organ, 9-rank with tracker action, 10 FOR SALE - 1 RODGERS 33-E ORGAN, ll.D. #1, Norristown, Pa. 19-IOl. 215/56-l-6741. isler ol Mwic, Emmanuel U.C.C., 124 Broad­ three-111'.'nual theatre style, antique white com­ stops with couplen. Please make offer to way, Hanover, Pa. 17331. plete w11J, Rodg,,n external 1peaken and I Finl Congregational Church, 255 Bancrolt St., 2 FOR SALE - COMPREHENSIVE SET Large Leslie, 32-note pcdalboard, setter board, Imlay City, Mi. of rcla)'S and switches available for inspection. -ffl-144. toe stub., 3 cxpresion pedals. Two years old 32-nolc pedal keyboard AGO specific:itions FOR SALE - 2-MANUAL MOLLER CON­ solcs, -I-manual consoles, one l\loller stop key, FOR SALE - 4-MANUAL, 68-RANK and like new. Cost new w:,s $15,000.00. Will mint condition never been used. Two 16 ft. sell FOB price $7200.00 cash. Robert R. Strick­ pedal Bourdon, one with che.su. One bass one Skinner drawlmob; manual keyboards, two Kimball. Built 1931. In good condition. Ideal and three manuals, Spencer and Kinetic blow• for large auditorium. Buyer to remove. First ler, Sr., 203 N. Franklin St., Red Lion, octave only no che,ts. Best airer applies all. Penna. 17356. 717/2-14-4431. ers from ¼ to 3 HP, Swell shades and en­ CongTeptional Church, 4-H Broad Street, William Thoma,, South Egremont, Mass. 01258. 413/528-0068. gine,, oflnotc chc,ts, unit and pitman cl1c,ts Columbus, Ohio 43215. FOR SALE - ARTISAN "IMPERIAL" with 11ipcs. Write Rive', Inc., 811 Focis St., Metairie, La. 70005. FOR SALE - HOLTKAMP POSITIV; theatre style dcclronic organ, 3 manuals, 32 FOR SALE - AUSTIN 8' VOX HUMA­ pedals, 65 stops , 4 sell generators, 262 oseilla• Flute , Princi1,al and Miltture; maple ease and na. 5n 11rcs,urc. No che,t but all pipes ba,·e ton, more than 20 additional spcaken built bench, $450. Large Estey, 10 sell of reeds, foot boots. Good condition. $75. Mason-Carlson, FOR SALE - LARGE 4-MANUAL MOL­ into walls. Walnut console and bench. Make and hand bellows, $325. Rosewood mdodian, Plain,·illc Ave., Fannington, Conn. 06032. ier console ( 1928). All in working onler. n,s!oretl. Several other reeds 1tquirin1 refin­ offer. Mn. Roy Qunnslrom, i08 E. Florence 203/677-9614. Fmm Amphitheater, Chautauqua, N.Y. Best ishing, but otherwise inbcl. L. T. Conway, A,·c., Inglewood, Calif. 90301. 213/677-2826. oflcr. llnx 453, Chauuiuqua, N.Y. 14722. 2317 Bell field Rd., Cleveland Height,, Ohio FOR SALE - WURLITZER 4800 AMPLI· FOR SALE - WURLITZER 16' DIA­ 44106. 216/462-2375. lied ree1I organ. 2 foll mammls, 32-notc pcdal­ phnnc mitered to 8' 12 11ipe, with chest good rnnditinn. BC5t olfer, Del.aware Organ Co., Fj)R SALE - E. M. SKINNER CON­ FOR SALE - RUFFATII SPOLETIO board. Excellent practice instnunent or (or .sol~, -I-manual, presently in use, To be re- ,mall church. $900 or bc,t offer. Call Robert Inc., 252 Fillmore A\'C!, 1 Tonawanda, N.Y. 1•i1>eorgan, new, floor modd only. 2-manual 14150. 11laced on July IO. St. Paul'1 Church, Charles & 1iedal, 2 rank,, 10 1101,s, 3 coup!en. Robert Babstini , 312/598-176-l. & Saratoga slrccts, Baltimore, Maryland 21201. M . Side, Music Inc ., Williamsport, Pa. 17701. FOR SALE -WURLITZER TIBIA, \'OX, 717/326-2094. MUST SACRIFICE - CONN 3 MANUAL, model 830, church organ , all M>litl sble, eltl, Clarinet , all in gnod condition. Best oller. FOR S,\LE - THEATRE ORGAN PARTS. llcrnanl 11111111,434 Ruscomh St., Philadclphi., speakcn, f'\'I, owned , I yr , old, John Sand­ l'i1,c,: Tibia, Tuba, Concert Flulc (Barton), FOR SALE - 2-MANUAL, Ii-RANK PIPE Pa. 19120. ' organ, rebuilt 1951, electrified, 3'l0 pi11es. Best fonl, 1536 E. Rose, Orange, Cali£. !12667. 714/ abo Marr-Culton, Wurlitzer, Moller and Kim­ offer. Contact Bcthkhem Lutl,eran Church, 633-3565. b,111 pi1,cwork. Chests, trems, rcgulaton, con- Morris, Illinois (0450. 815/942/1145, FOR SALE - 8' T .C. SAXAPUONE 49 1olc,, rrlay - much miscellaneous, Send lor list. FOR SALE - "ALLEN POSITIV" LIKE 11ipcs w.p. 8" flue 11i1>c,.8' 73 pipes Hccklc- Doug Christensen, 301 W. Goebel Dr,, Lom­ FOR SALE - I-MANUAL, 2-RK. POSI. new, rented one term to University. Will dc- 1•hone w .p. IO" reed 1•i11cs.Morel Orga n Co., haril, Ill. 60H8. 312/ 629-4067. tiv with AGO pedal. $1,100. Tim Baker 380 1'.vcr within 500 mile,. !'riced to mo\'c $5 000. Inc., 178 Lowell St. , Reading, Mass. OIB67. Rivenidc Dr ., New York, N.Y. 100"..5.'212/ Reynalds Music Home, l'cnsacola, Fl.a. 32501. f.63-6618. FOR SALE - FOLLOWING FROM ES. FOR ,\ SONG - MISCELLANEOUS ITEMS: :lflpro,i matcly 200 l're>bytcrian hymnals, 1927/ FOR SALE- HAMMOND NOVACHORD, Icy organ. 2 11,a nual chc,ts , $:iJ each . 2 pedal FOR SALE - PILCHER 2M/7R, DE. chests ( l-sto11) $50. 12 rank, ol A-1 condi • 1932 (FREE ) ; 150 mwic shelf boxes, green nry good condi,ion , $500.0) . Write Organist , 15 x 12 x 4, hinged lid, very good condition tached conso!e, tltclropncumatic $800. Also P.O . .Box 811, l'otuville , Pa. 17'l01. tiun 11i11cwork, $50 l••r rank. Call Douglass •0111e other organ 11ear. Walker , 1019 Churcl, , Hunt in e,•enings, 914/693,6091. ($50.00 ur 50¢ cacl1/minimum IO); and about Galvnlon , Tx 77550. 150 nclilvo choral 11icc:cs, multi11lc co11ies1 l'OR SALE NEW SOLID STATE mostly women's, 1ccular/sacrcd (FREE). l\lrs. FOR SALE - USED PIPES, CIIESTS, FOR SALE - 2 MANUAL ORGANS: 3. church organ, 48 slops with transposer; com­ M. ,\. Jolunlon, Abbot Academy, Ando, ·er, consoles, rnis.c. parts. Organ Service, llo~ 2061 Ma,s, OIBIO. ,1011, 4-stop Wicks, 6..11op Moller, 12.. top di­ hi11atio11 I"""'" can be added. New Kimball Kno xville, Tenn. 3i901. ' rect-electric; also 5 .. top Kilgen unit chest mil 11!aycr organ, collectors item . Addrc,s G-3, pipC'I, rettrvoir , relay . Write Rive' , Inc . Bli TuP. DIArAsoN, FOR SALE - GOOD RELAY WITH FOR SALE - I KINETIC BLOWER, ¼ Foci, St., Metairie, La. 7000:;, ' Ex­ 500 USED IIOIIIE THEATRE AND switd 1-sbcb for 3. 13 unit org,,n, $150.00. Ill', 3½w 350 cu. It., $75,00. Small high speed cellent Aeolian-Deagan Ilatp, 49 silvered ban blower, high fll'CSSurc, Meidinger type, $75 .OJ, FOR SALE - 1925 KIMBALL THEATRE church organs , 1111to 60% olf, Allen, Conn, Gulbr-.inscn, Thoma,, Lowrey , \\rurlitztr, Kim· with 1uncd resonators, ;iutomatic dampen, Small high s11ccd blower, Meidinger ty11e -l½n 1>ipe organ, 2-manual, 8 ranks (unified). In l,all, Baldwin, Hammond . Moving arranged. $~'00.00. Swell Di..pason, $,¾9.00. Slmtlcn with 350 cu. It., $75.00. All three nmton and blow­ ,..., now. For reasonable offer, call 323-2318 cn~inc, $,¾9.00. Padgett, 9, Ap1>lcby Court, ers in cxcdlenl condition. St. Jama Church in Hinsdale , Illinois. Victor Pianos & Organs Warchowe, 30) NW 5411, St. , llliami, Fla. 33127. 305/ 751-7502. Ishngton, Toronto. 416/239-1952. 220 We>! Penn Street, Lung Beach, Long ts'. land, N. Y. 11561. FOR SALE - USED PIPE ORGANS NOW FOR SALE - WURLITZER PEDAL­ in sloragc in our factory ; 2-manual 8-rank FOR SALE - MISC. board (new cal"), Wurlitzer wood flute (com­ Moller; 2•manunl ll•rank Moller; 2-manual JJlctc 93 pipe,), Schop1> Vox Humana (73 FOR SALE - TWO DUO-ART AEOLIAN 15-rank Casavant. n,.,.e organs will be com­ FOR SALE - l'll'E ORGAN BUSINESS, pi11c,}, SchOJ>I> Tuba (73 pipe, ), Schopp IO roll aulumic playcn. One ne,·er wed, Plw pletely factory n,built, installed and guaran­ building and ocrvicc. Near Central l'cnn,yl\'a• String (85 pipe,), Kimball Marimba and ac­ 180 rolls in fine condition. $3,500.00. F. W. lrcd, M . P. Moller, Inc., Hagerstown, Mtl. Sulli,·an & Sons, l'.O. Box 215, Culver City, nia. Address G·2, Tm : D1ArMoN, t'on (action nerds rebuilding) (large scale) Calif. !J0230. 21740. 301/733-9000. other 1nisc. parts ( black cap magnets, !lex hose: FOR SALE - COMPLETE ALL ELEC­ c:c.). Partheo Productions, }'.O. Box 1741, FOR SALE - TWO 3-MANUAL 9-RANK tric console department. Very up lo date. Andcnon, Ind. 4{i:Jl4, or call 317/642-83-H. FOR SALE - KINETIC llLOWER 1100 Wurlitzen r>lus extra ranks and chc,ts Post All modern tools, die,, li,uun:s, blue prints , RPM - 250J/7 in., 2000/ 12 in., no motor. Hom, Piano, etc . S1>are J)arll and c~1,sole. stock in prucns. machinery, ~•c., ~tc. Present FOR SALE - LARGE INVENTORY CON­ Wurlit zer Style E theater pi11c organ ; Casa­ Also 2/M, 10/R Echo organ, Fint $6500.00 owner willing to instruct and teach new pro• .w!e , pipes, chcsb1·ork, etc, Alake offer on ' "' " 3-manual French drawknob oak Goll1ic clean• the wan,housc out . Write Organist, P.O. prictor all aspects. For details write P.O. Bos: nunt items. State needs. Lile Style l'i11e Or­ C'flll!olc. Call between 5 and 6 p.m. EDT. Box BIi, 1'011,ville, Pa. 17901. 86, Wenham , lllassachwctls 0198-t. gan Co., Aurora , Ill . 312/898-8883. 617/ 698-75-ffl. DELAWARE O RGAN COMPANY, INC. McMANIS a progressive company with traditional ideals designing and building custom pipe organs KANSAS CITY, KANSAS 66104 252 FILLMOREAVE. TONAWANDA,N. Y.

LOUIS F. MOHR & COMPANY 0 E.H. HOLLOWAY HANSEN ORGAN R Sinn 1906 G ORGANS MAINTENANCE CORPORATION A Constructors 2899 Valentine A ,·e. N Builders of New York 58, N. Y. & Tracker and Eleclro-pneumalic Telephone : SEdgwick ll-5628 Rebuilders of Emergen cy Service \' c:irly Co1l1racts slider chest organs. p JEROME8.MEYER &SONS QUALITY Harps - Chimes - Blowen Expe rt O,-erhauli ng I 2339 SO. AUSTINST . INDIANAl'OLIS,INDIANA PIPE ORGANS p "An Or1an Prope,ly .Mainlain,rl J.I,.,,,, Tel. 637-2029 I'. 0. Box 20254 E MILWAUKEE,WIS . S3207 QUINCY,ILLINOIS 62301 BclUr .Mu,i<" s

FOR SALE: Naw Organ Pipes, ST% DO IT YOURSELFPIPE ORGAN KITS PIANO TUNING Le,;,rn Piano tuning and repoir with easy spotted metal, Mixtures, Scharffs, Cym• CONRAD 0. DURHAM Custom specifications for church or residence, compl.te or parts, full ln• to follow home study coune . Wide op e n bols, Octaves, etc. promplly available. strudlon1 by establlshed orten bullden. R•bulldlng • Revaicing - Con1uhatlon fltld with good earnings . Ma~es uc -4- Excellent workmanship. Write ta: Ex­ COLKITMFG, Co. 1',0. Box 112 lenl '' extra " job . Write l'.O. Box 2125, Tallaha, .. e, Fla, 32304 perts on Organ Pipes, Gebrudar Keis, HU•r St•tlon, luff•lo, N.Y. 14m American School of l'iono Tuning Dept. 0, Box 707 Gilroy, Colif. 53 8011n • Beual, Wesl Germc1ny.

JULY, 1972 23 • • L I I I a n Murtagh C on~ert Managelllent

Box 272 Canaan, Connecticut 06018 203-824-7877

NITA AKIN- GERRE HANCOCK

ANNOUNCEMENT

In llu• season 1972-73

CATHARINE CROZIER

will he available for

only a limilecl number ROBERT ANDERSON CLYDE HOLLOWAY FHEDEHICK SWAN~ oren gngc•mtmls.

ROBERT BAKER WILMA JENSEN WILLIAM TEAGUE

European Artists Season 1972-73

MICHAEL RADULESCU lllb...._ ). Oct.-Nov. '72 DAVID CRAIGHEAD JOA"{ LIPPINCOTT LADD THOi\JAS GILLIAN WEIR Nov. '72

KA~IIEL D'HOOGHE Jan.-Feb. '73

HEINZ \VUNDERLICH Ft•h. '73

i\lO NIKA HENKJNG JOH~ WEAVER Mar.-Apr. '73 MICHAEL SCHNEIDER Apr. - '73

FHANCIS JACKSON May - '73

... JERALD --HAMILTON MAHII.. Y N MASON WILLIAl\l WHITEHEAD