Exploring the Ethics of Representation in the Classroom
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TED Talks Education Revolution FINAL2
TED Talks: Education Revolution Premieres Tuesday, September 13, 2016, on PBS Featuring Sal Khan, Anna Deavere Smith, Baratunde Thurston, Sara Ramirez, and Others, the Special is Part of the American Graduate Initiative SAN FRANCISCO – Hosted by best-selling author and comedian Baratunde Thurston and actress, musician and activist actress Sara Ramirez, TED Talks: Education Revolution explores new and innovative approaches to learning and teaching. TED Talks: Education Revolution premieres Tuesday, September 13, 2016, 10:00-11:00 p.m. ET (check local listings) as part of SPOTLIGHT EDUCATION week on PBS and is funded by the Corporation for Public Hosts Baratunde Thurston and Sara Ramirez Credit: Ryan Lash/TED Broadcasting (CPB), as part of “American Graduate: Let’s Make It Happen,” a public media initiative to help communities ensure more students graduate ready for college and careers. Filmed live at New York's The Town Hall theater, these new TED Talks brings together a wide range of cutting edge thinkers, performers, entrepreneurs, and educators. Featured speakers include: • Entrepreneur Sal Khan, the former hedge fund manager who went on to create the celebrated Khan Academy, shares new ideas about how we can transform classroom learning by giving students the tools they need to master concepts, which leads to character-building and heightened creativity. • Author Julie Lythcott-Haims challenges parents to stop micromanaging their children and focus on creating lives centered more on love than conventional concepts of achievement and career success. • Dr. Victor Rios, author and educator, recounts how a dedicated and empowering teacher rescued him from a life of poverty and prison. -
Sandra Oh Sandra Oh Is a Major Reason Why
30 INTERVIEW EDGE n Thursday nights in America, life simply stops for somewhere between 10 inte rview Oand 20 million television viewers as they settle in for the newest episode of Grey’s Anatomy . Sandra Oh Sandra Oh is a major reason why. As Dr. Cristina Yang, she plays opposite the series’ title character, Dr. Meredith Grey, who is portrayed by Ellen Pompeo. They lead an ensemble cast that has become a second family to fans since the show first aired seven seasons ago. As J.M. Stewart discovered in this interview, Oh’s knack for creating signature characters (think Arli$$ and Sideways ) comes from an astonishingly honest place. Sandra’s greatest talent, however, may be the ability to keep her head and value her craft in a world where performers are measured by SAG Awards and Emmy Nominations. Of which she has plenty, by the way. EDGE: How was it conveyed to you that Grey’s Anatomy was a different kind of medical drama? s e g a m I It was never said or expressed SO: y t t e formally. The writers and [series G / p u creator] Shonda Rhimes found a way o r G n of telling this story that just worked. It o i s i v is basically a classic storyline. There e l e T are five acts, each person has a C B A y medical issue, and a lot of the time e n s i these medical issues reflect what is D / o c i going on with the characters. -
Ficção Seriada.Indd
A CONSTRUÇÃO DE PERSONAGENS Resumo: O artigo aqui proposto busca demonstrar como a roteirista e produtora de TV Shonda Rhimes, criadora FEMININAS DESTEMIDAS E da série de TV estadunidense Grey’s Anatomy (ABC, 2005 – presente), consegue a partir do drama médico RESILIENTES COMO MARCA AUTORAL criar uma marca autoral que consiste na construção e DE SHONDA RHIMES desenvolvimento de personagens femininas que têm na audácia e resiliência suas principais características. Tendo em vista que o foco desta investigação é o ofício do roteirista, a análise aqui proposta se concentra na ação dramática observando, portanto, os movimentos e comportamentos das personagens femininas a partir THE CONSTRUCTION OF FEARLESS dos diálogos das cenas. O estudo é conduzido por uma abordagem teórico-metodológica que aglutina os AND RESILIENT FEMALE CHARACTERS trabalhos de Pierre Bourdieu (1996), Michael Baxandall AS SHONDA RHIMES AUTHORIAL AND (2006) e David Bordwell (2008) e que se preocupa com uma análise textual e contextual da obra. A análise STYLISTIC TRACE. realizada confirma a hipótese de que a construção de personagens femininas resilientes e destemidas se torna a primeira e mais reconhecida marca autoral de Rhimes por garantir a essas personagens força e vulnerabilidade que a um só tempo as tornam mais complexas, humanas e, consequentemente, mais engajáveis, ou seja, mais aptas a envolver o público por meio da identificação. Palavras-chave: Séries de TV. Autoria. Estilo. Ficção Genilson Alves 1 Seriada. Abstract: This article seeks to demonstrate how the screenwriter and TV producer Shonda Rhimes, creator of the American TV show Grey’s Anatomy (ABC, 2005 – present), manages from the medical drama to create an authorial trace that consists in the construction and development of female characters \who have audacity and resilience as their main characteristics. -
Southwick Police Host First National Night
TONIGHT: Mostly Cloudy. Low of 58. Search for The Westfield News The Westfield Search for The Westfield EALITYNews CAN News “R Westfield350.com The Westfield News DESTROY THE DREAM; “TIME IS THE ONLY Serving Westfield, Southwick, and surrounding Hilltowns WHY SHOULDN’T WEATHER CRITIC WITHOUT THE DREAM TONIGHT AMBITION DESTROY R.”EALITY Partly Cloudy. JOHN STEINBECK ?” Search for The Westfield News Low of 55. www.thewestfieldnews.com — G.E. MOOrE Westfield350.comWestfield350.org The WestfieldNews “TIME IS THE ONLY VOL. 86 NO. 151 Serving Westfield, Southwick, and surrounding Hilltowns WEATHER TUESDAY, JUNE 27, 2017 75 centsCRITIC WITHOUT VOL. 88 NO. 202 TUESDAY, AUGUST 27, 2019 75 Cents TONIGHT AMBITION.” Partly Cloudy. JOHN STEINBECK Low of 55. www.thewestfieldnews.com VOL.Southwick 86 NO. 151 Police TUESDAY,host JUNE 27, 2017 75 cents first National Night Out By HOPE E. TREMBLAY community. The event includes activities for families, Assistant Managing Editor hot dogs, hamburgers and ice cream. SOUTHWICK – Police Chief Kevin A. Bishop According to organizer Det. Sgt. Thomas Krutka, the invites the entire community to the town’s first National Night Out includes visitors from Security Forces from Night Out Aug. 28 at Prifti Park. Barnes Air National Guard base, the One Call Away “This is Southwick’s first time participating in this Foundation and the Hampden County Sheriff’s event and we really hope people will come out and meet Department. The Westfield Police Cadets will be on Southwick’s police officers, get to know their neighbors hand to create child identification kits (finger printing), and make it an annual event,” said Bishop. -
The BBB Featuring Bernie Dresel – Live and Energized 11.1‐Channel Auro‐3D® “Live” Recording Event (Working Title)
The BBB Featuring Bernie Dresel – Live And Energized 11.1‐Channel Auro‐3D® “Live” Recording Event (Working Title) Date: Tuesday, April 19, 2016 Arrive By 7:00 PM, Sound Check 8:00 PM NO Admission Fee Or Cover Charge Joe’s Great American Bar & Grill, Burbank, California Bernie Dresel’ s jazz orchestra, The BBB, is without question one of Los Angeles’ most exciting large jazz ensembles, if not on the planet. The BBB provides potent testimony to the sheer exhilaration of big band jazz...a combination of intense swing and fiery soloing, as well as tight ensemble playing. The BBB is comprised of sixteen seasoned pros on the LA studio scene. Populated by LA’s finest players, The BBB takes the big band tradition into the new millennium with a contemporary, highly original sound featuring the witty, intricate, and hard‐ swinging compositions of established and up‐and‐coming composers and arrangers. And like those other famous road bands such as Buddy Rich’s, Count Basie’s, Woody Herman’s, Stan Kenton’s, Thad Jones/Mel Lewis’, the music and delivery of The BBB’s music is nothing less than astonishing when experienced live. The sound has a contemporary, dynamic and hard swinging energy with a focused edge to it that is like no other jazz orchestra, though reminiscent of Buddy Rich’s ensembles. The band make‐up is unique in that there is no piano but jazz/rockin’ guitar instead, in addition to four trumpets, four trombones, five saxophones and upright acoustic bass and drums. When people hear Bernie’s BBB, the first thing that hits them is its energy and intensity. -
Cable Networks Dominate Emmys
TAIPEI TIMES P A G E 1 6 TUESDAY, SEPTEMBER 23, 2008 ith so much of prime-time rated Fox drama that was also a network television being nominee for best drama series, W taken over by so-called said the disparities in audience reality shows, it is no wonder rightly had little bearing on awards that the big winners at the 60th like the Emmys. Primetime Emmys — an awards “There are awards for that; show that mainly celebrates they’re called ratings,” Shore said. acting and writing — would hail “There are really good shows on from cable rather than from the cable, and even if only 10 people are broadcast networks. watching them, if they’re good they HBO, the perennial Emmy should be recognized. The shows powerhouse, took home the most they’ve selected are excellent.” golden statuettes on Sunday, Perhaps the biggest change winning 26 Emmys, including this year was in the assignment awards for its made-for-television of hosting duties. Traditionally, movie Recount, its mini-series the job has gone to a comedian John Adams, its comedy series who has some connection to the Entourage and its drama series network televising the Emmys In Treatment. ceremony, as Conan O’Brien did AMC, the cable channel formerly two years ago on NBC. known as American Movie Classics, In addition to showcasing one won three awards, two of them of the network’s big stars, the for its first-year scripted series, precedent usually had the added of Mad Men, which won best drama advantage of managing to keep the series, and one for Breaking Bad, audience entertained through what which, with only seven episodes, can be a tedious evening. -
GREY's ANATOMY "Who's Zoomin' Who?"
EXEC. PRODUCER: SHONDA RHIMES EP#lOB EXEC. PRODUCER: JAMES PARRIOTT (Airs as #108) EXEC. PRODUCER: MARK GORDON EXEC. PRODUCER: BETSY BEERS CO-EXEC. PRODUCER: PETER HORTON GREY'S ANATOMY "Who's Zoomin' Who?" Written by Gabrielle Stanton & Harry Werksman Jr. Directed by WendeyStanzler REVISED PAGES: Dec. 17, 04 WHITE 3,4,31,51,SlA,52,55 Jan. 12, 05 BLUE (FULL) Jan. 20, 05 PINK (FULL) Jan. 26, OS YELLOW (FULL) Jan. 27, 05 GREEN (FULL) Jan. 28, 05 GOLDENROD Jan. 31, 05 BUFF Feb. 02, 05 SALMON Feb. 02, 05 CHERRY Feb. 03, 05 TAN Feb. 04, 05 GRAY Feb. 07, 05 IVORY Prep Dates: 1/17/05 -1/26/05 Shoot Dates: 1/27/05 - 2/07/05 -NOTICE- o 2004, Touchstone Television Productions, LLC. All Rights Reserved. This material is the exclusive property of Touchstone Television Productions, LLC and Imagine Television and is intended solely for the use of its personnel. Distribution to unauthorized persons or reproduction, in whole or in part, without written consent of Touchstone Television Productions, LLC is strictly prohibited. GREY'S ANATOMY "Who's Zoomin' Who?"• CHARACTER LIST DR. MEREDITH GREY DR. DEREK SHEPHERD DR. CRISTINA YANG DR. PRESTON BURKE DR. ISOBEL "IZZIE" STEVENS DR. GEORGE O'MALLEY DR. ALEX KAREV DR. MIRANDA BAILEY DR. RICHARD WEBBER Addison Shepherd Alice Franklin Bill Adams Jordan Franklin Dr. Knox Holly Adams Lab Tech Ms. Henry Patricia Rebecca Franklin Olivia GREY'S ANATOMY "Who's Zoomin' Who?" SET LIST INTERIORS EXTERIORS SEATTLE GRACE HOSPITAL LOBBY STAIRWELL CORRIDOR LOCKER ROOM TRAUMA ROOM ONE PATHOLOGY LAB MR. FRANKLIN'S ROOM RICHARD'S OFFICE CAFETERIA BILL'S HOSPITAL ROOM EXAM ROOM CONFERENCE ROOM FILM ROOM O.R. -
ABSTRACT Stereotypes of Asians and Asian Americans in the U.S. Media
ABSTRACT Stereotypes of Asians and Asian Americans in the U.S. Media: Appearance, Disappearance, and Assimilation Yueqin Yang, M.A. Mentor: Douglas R. Ferdon, Jr., Ph.D. This thesis commits to highlighting major stereotypes concerning Asians and Asian Americans found in the U.S. media, the “Yellow Peril,” the perpetual foreigner, the model minority, and problematic representations of gender and sexuality. In the U.S. media, Asians and Asian Americans are greatly underrepresented. Acting roles that are granted to them in television series, films, and shows usually consist of stereotyped characters. It is unacceptable to socialize such stereotypes, for the media play a significant role of education and social networking which help people understand themselves and their relation with others. Within the limited pages of the thesis, I devote to exploring such labels as the “Yellow Peril,” perpetual foreigner, the model minority, the emasculated Asian male and the hyper-sexualized Asian female in the U.S. media. In doing so I hope to promote awareness of such typecasts by white dominant culture and society to ethnic minorities in the U.S. Stereotypes of Asians and Asian Americans in the U.S. Media: Appearance, Disappearance, and Assimilation by Yueqin Yang, B.A. A Thesis Approved by the Department of American Studies ___________________________________ Douglas R. Ferdon, Jr., Ph.D., Chairperson Submitted to the Graduate Faculty of Baylor University in Partial Fulfillment of the Requirements for the Degree of Master of Arts Approved by the Thesis Committee ___________________________________ Douglas R. Ferdon, Jr., Ph.D., Chairperson ___________________________________ James M. SoRelle, Ph.D. ___________________________________ Xin Wang, Ph.D. -
Diagnosing Drama: Grey's Anatomy, Blind Casting, and the Politics Of
Diagnosing Drama: Grey’s Anatomy, Blind Casting, and the Politics of Representation AMY LONG N FEBRUARY 5, 2006 NEARLY THIRTY-EIGHT MILLION VIEWERS CHOSE TO forego post-Super Bowl celebrations in favor of tuning in to a Omuch-hyped episode of ABC’s hit medical melodrama Grey’s Anatomy. The episode thus constitutes ‘‘the best scripted-series perfor- mance since the series finale of Friends’’ in 2004 and ‘‘the best per- formance of an ABC show since an episode of Home Improvement in 1994’’ (‘‘Grey’s Scores Big’’). Grey’s Anatomy and its multiracial ensem- ble stand in marked contrast to the all-white casts of both aforemen- tioned shows, a fact that has not been lost on media observers. When civil rights groups issued their annual ‘‘diversity report cards’’ for 2006, ABC garnered the highest overall grade of the four major net- works (an A-), thanks in part to shows like Grey’s Anatomy, Lost, and Ugly Betty (‘‘Grey’s Leads Charge’’). Its diverse cast and the production practices through which it was assembled have been the major focus of the media attention conferred upon Grey’s, second only to stories con- cerning the colossal audiences it routinely snags.1 The show’s creator, Shonda Rhimes (currently the only African American woman ‘‘showrunner’’ in network television), gives the credit for her show’s diversity to her ‘‘race-blind’’ casting methods. In her Time Magazine profile of the writer and producer, Jeanne McDowell notes that ‘‘[Rhimes’] script for the pilot had no physical descriptions [of its characters] other than gender,’’ a statement repeated in almost all of the popular press coverage the show receives.2 As Rhimes herself affirmed in an interview with Oprah Winfrey, ‘‘We really read every color actor for every single part. -
Reminder List of Productions Eligible for the 86Th Academy Awards
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 86TH ACADEMY AWARDS ABOUT TIME Notes Domhnall Gleeson. Rachel McAdams. Bill Nighy. Tom Hollander. Lindsay Duncan. Margot Robbie. Lydia Wilson. Richard Cordery. Joshua McGuire. Tom Hughes. Vanessa Kirby. Will Merrick. Lisa Eichhorn. Clemmie Dugdale. Harry Hadden-Paton. Mitchell Mullen. Jenny Rainsford. Natasha Powell. Mark Healy. Ben Benson. Philip Voss. Tom Godwin. Pal Aron. Catherine Steadman. Andrew Martin Yates. Charlie Barnes. Verity Fullerton. Veronica Owings. Olivia Konten. Sarah Heller. Jaiden Dervish. Jacob Francis. Jago Freud. Ollie Phillips. Sophie Pond. Sophie Brown. Molly Seymour. Matilda Sturridge. Tom Stourton. Rebecca Chew. Jon West. Graham Richard Howgego. Kerrie Liane Studholme. Ken Hazeldine. Barbar Gough. Jon Boden. Charlie Curtis. ADMISSION Tina Fey. Paul Rudd. Michael Sheen. Wallace Shawn. Nat Wolff. Lily Tomlin. Gloria Reuben. Olek Krupa. Sonya Walger. Christopher Evan Welch. Travaris Meeks-Spears. Ann Harada. Ben Levin. Daniel Joseph Levy. Maggie Keenan-Bolger. Elaine Kussack. Michael Genadry. Juliet Brett. John Brodsky. Camille Branton. Sarita Choudhury. Ken Barnett. Travis Bratten. Tanisha Long. Nadia Alexander. Karen Pham. Rob Campbell. Roby Sobieski. Lauren Anne Schaffel. Brian Charles Johnson. Lipica Shah. Jarod Einsohn. Caliaf St. Aubyn. Zita-Ann Geoffroy. Laura Jordan. Sarah Quinn. Jason Blaj. Zachary Unger. Lisa Emery. Mihran Shlougian. Lynne Taylor. Brian d'Arcy James. Leigha Handcock. David Simins. Brad Wilson. Ryan McCarty. Krishna Choudhary. Ricky Jones. Thomas Merckens. Alan Robert Southworth. ADORE Naomi Watts. Robin Wright. Xavier Samuel. James Frecheville. Sophie Lowe. Jessica Tovey. Ben Mendelsohn. Gary Sweet. Alyson Standen. Skye Sutherland. Sarah Henderson. Isaac Cocking. Brody Mathers. Alice Roberts. Charlee Thomas. Drew Fairley. Rowan Witt. Sally Cahill. -
Grey's Anatomy
The Language of Race & Class in Shonda Rhimes’ Grey’s Anatomy Daniel Lefkowitz Department of Anthropology University of Virginia [email protected] 1 April 2017 Author Profile: Daniel Lefkowitz is Associate Professor of Anthropology and Middle Eastern Studies at the University of Virginia. His early work focused on the politics of language use in Israel, published as the 2004 Oxford University Press book, Words and Stones: The Politics of Language and Identity in Israel. More recent work on the sociolinguistics of Hollywood cinema has been published as a 2005 Semiotica essay, “On the Relation between Sound and Meaning in Hicks’ Snow Falling on Cedars.” Abstract: This essay contrasts the visual hyper-presence of racial diversity in Shonda Rhimes’ Grey’s Anatomy to its aural absence, arguing that two episodes from the show’s 2nd season construct diametrically opposed visions of the role of white and black forms of non-standard speech. While non-standard forms of language that construct blackness are – when they appear at all on the show – condemned as obstacles to the medical outcomes the show valorizes, non-standard forms of language that construct working-class whiteness appear frequently on the show, and are recuperated by the plots and characters. The sociolinguistic patterns thus re-instate hegemonic ideas about race that the color-blind casting Rhimes is famous for seeks to subvert. The Language of Race & Class in Grey’s Anatomy Page 1 Film studies has a long and serious engagement with the representation of race in Hollywood cinema,1 yet the discipline’s focus on visual aspects of films (at the expense of the aural and especially language, speech, and dialogue) leaves many impactful perspectives unexplored. -
Fred Ebb & Bob Fosse
Barry & Fran Weissler in association with Kardana/Hart Sharp Entertainment WELCOME. present LADIES AND GENTLEMEN, YOU ARE ABOUT TO SEE A Lyrics by Music By Book by STORY OF Fred Ebb John Kander Fred Ebb & Bob Fosse MURDER, Original Production Directed and Choreographed by Bob Fosse Based on the play by Maurine Dallas Watkins GREED, Supervising Music Director Music Director Rob Fisher Leslie Stifelman Scenic Design Costume Design Lighting Design John Lee Beatty William Ivey Long Ken Billington Sound Design Orchestrations Dance Music Arrangements CORRUPTION, Scott Lehrer Ralph Burns Peter Howard Script Adaptation Musical Coordinator Hair Design David Thompson Seymour Red Press David Brian Brown VIOLENCE, Casting Original Casting Duncan Stewart and Company Jay Binder Technical Supervisor Dance Supervisor Production Stage Manager Arthur Siccardi Gary Chryst David Hyslop Executive Producer Presented in Association with EXPLOITATION, Alecia Parker Broadway Across America General Manager Press Representative B.J. Holt Jeremy Shaffer The Publicity Office ADULTERY & Based on the presentation by City Center’s Encores!SM Choreography by Ann Reinking in the style of Bob Fosse TREACHERY Directed by Walter Bobbie – ALL THOSE THINGS WE HOLD Cast Recording on RCA Victor NEAR AND DEAR TO OUR HEARTS. AMY SPANGER STEPHANIE POPE This production isn’t just smoke and mirrors. It’s flesh and blood shaped by discipline and artistry into a parade of vital pulsing talent. If there’s any justice in this world (and Chicago insists there isn’t), audiences will be