Cage the Elephant Tickets
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
J. Dennis Thomas. Concert and Live Music Photography. Pro Tips From
CONCERT AND LIVE MUSIC PHOTOGRAPHY Pro Tips from the Pit J. DENNIS THOMAS Focal Press is an imprint of Elsevier 225 Wyman Street, Waltham, MA 02451, USA The Boulevard, Langford Lane, Kidlington, Oxford, OX5 1GB, UK © 2012 Elsevier Inc. Images copyright J. Dennis Thomas. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publisher. Details on how to seek permission, further information about the Publisher’s permissions policies and our arrangements with organizations such as the Copyright Clearance Center and the Copyright Licensing Agency, can be found at our website: www.elsevier.com/permissions. This book and the individual contributions contained in it are protected under copyright by the Publisher (other than as may be noted herein). Notices Knowledge and best practice in this field are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein. In using such information or methods they should be mindful of their own safety and the safety of others, including parties for whom they have a professional responsibility. To the fullest extent of the law, neither the Publisher nor the authors, contributors, or editors, assume any liability for any injury and/or damage to persons or property as a matter of products liability, negligence or otherwise, or from any use or operation of any methods, products, instructions, or ideas contained in the material herein. -
Prbis Brainscan
VOLUME 1 ISSUE 3 MAY/JUNE 2011 PRBIS BRAINSCAN LIFE BEYOND ACQUIRED BRAIN INJURY POWELL RIVER BRAIN INJURY SOCIETY Brain Injury 101 – a Marathon for Awareness Date: Saturday June 11, 2011 Location: Pacific Coastal Highway Our new marathon goal - the Pacific Coastal Highway, which includes Highway 101 Brain Injury 101 – a Marathon for Aware- ness For the purpose of: •promoting public awareness of Acquired Brain Injury •raising money to allow us to continue helping our clients and their caregivers. PRBIS BRAINSCAN Page 2 Walk For Awareness of Acquired Brain Injury In 2009 we walked the length of our section of Highway 101. This part of the Pacific Coastal Highway is 56 kilometers in length, start- ing in Lund, passing through Powell River and ending in Saltery Bay, where the ferry connects to the next part of Highway 101. This first walk was completed over 3 days. Participants were clients, professionals and ordinary citizens who wanted to take part in this public awareness project. Money was raised with pledges of sup- port to the walkers as well as business sponsors for each kilometer. For the second year, we offered more options on distance to com- plete – 1, 2, 5 or 10 kilometers, or for the truly fit, the entire 56 kilo- meters. Those who participated did so by walking, running or bicy- cling. We invited not only clients, family and ordinary citizens, but also contacted athletes, young athletes and sports associations to join our cause and complete the 56 kilometers ultra-marathon. _______________________________________________________________________________________________________ _______________________________________________________________________________________________________ _______________________________________________________________________________________________________ VOLUME 1 ISSUE 3 Page 3 PRBIS BRAINSCAN Page 4 The Too Much Sugar Easter Celebration Linda Boutilier, our resident chocolatier and cake decorator, once again graced our lovely little office with yummy goodness. -
Public Health Management at Outdoor Music Festivals"
PUBLIC HEALTH MANAGEMENT AT OUTDOOR MUSIC FESTIVALS CAMERON EARL Ass Dip Health Surveying; Masters in Community and Environmental Health Graduate Certificate in Health Science Thesis submitted in fulfilment of the requirements for the degree of Doctor of Health Science, School of Public Health Faculty of Health Queensland University of Technology, Brisbane January 2006 2 Thesis Abstract Background Information: Outdoor music festivals (OMFs) are complex events to organise with many exceeding the population of a small city. Minimising public health impacts at these events is important with improved event planning and management seen as the best method to achieve this. Key players in improving public health outcomes include the environmental health practitioners (EHPs) working within local government authorities (LGAs) that regulate OMFs and volunteer organisations with an investment in volunteer staff working at events. In order to have a positive impact there is a need for more evidence and to date there has been limited research undertaken in this area. The research aim: The aim of this research program was to enhance event planning and management at OMFs and add to the body of knowledge on volunteers, crowd safety and quality event planning for OMFs. This aim was formulated by the following objectives. 1. To investigate the capacity of volunteers working at OMFs to successfully contribute to public health and emergency management; 2. To identify the key factors that can be used to improve public health management at OMFs; and 3. To identify priority concerns and influential factors that are most likely to have an impact on crowd behaviour and safety for patrons attending OMFs. -
Commissioners Approve Kid Ballfields and Performance Stage but Timelines for Expected Challenges Begins
Los Feliz Ledger Read by 100,000+ Residents and Business Owners in Los Feliz, Silver Lake, Vol 9. No. 11 May 2014 Atwater Village, Echo Park & Hollywood Hills Commissioners Approve Kid Ballfields and Performance Stage But Timelines for Expected Challenges Begins LOS ANGELES—Now that two youth baseball fields at Griffith Park’s Crystal Springs and a permanent stage at the park’s Old Zoo have been ap- proved by a 4-0 vote by the Los Angeles Recreation and Parks Board of Commission- ers a series of challenge time- lines begin. May 9th is the deadline for anyone opposing the two new projects to file a legal challenge, in regards to the California Environmental Quality Act, otherwise known as CEQA. At the April 2nd hearing, held at the Expo Center near the Los Angeles Memorial Coliseum, a last minute letter from the law firm of Chatten- Los Angeles City Councilmember Tom LaBonge celebrates April 2nd after the Los Angeles Recreation and Parks Board of Commissioners approved Brown & Carstens, on behalf a permanent stage for Griffith Park’s Old Zoo as well as youth baseball fields at Crystal Springs. To his right are Symphony in the Glen’s Barbara Fer- of Friends of Griffith Park ris and Arthur Rubenstein and to LaBonge’s left is David Melville of the Independent Shakespeare Co. Both organizations will use the stage for free see BALLFIELDS page 21 concerts and performances. City Negates 25 SLNC Election [COACHELLA 2014] Challenges Los Feliz’s Beck and Other Locals Give Memorable By Colin Stutz, Ledger Contributing Writer Performances By Charles H. -
Grouplove/51765840/1?Loc=Interstitialskip
December 9, 2011 http://www.usatoday.com/life/music/ontheverge/story/2011-12-06/on-the-verge-with-indie-rock-group-grouplove/51765840/1?loc=interstitialskip Grouplove grew out of friendship By Korina Lopez, USA TODAY Group love, indeed: This Los Angeles-based quintet certainly lives up to its name. "We never planned to be a band. We were friends first and we just love being together," says lead singer Christian Zucconi. "Grouplove grew organically from that love." Their debut album, with the tongue-in-cheek title Never Trust a Happy Song, is quickly spreading the love, too. Their sweet and savory mix of jangly, upbeat melodies, Zucconi's anguished howl and keyboardist Hannah Hooper's coquettish backup vocals have been making the rounds in indie rock circles and on the charts. Joyful, noisy single Colours peaked at No. 12 on USA TODAY's alternative chart. Another track, Tongue Tied, lassoed the new iPod Touch commercial, which ran during the Grammy nominations concert and has continued since Thanksgiving. Add Grouplove's lock as the opening band for Young the Giant's tour in March and April, and it's no wonder they're so lovey-dovey. Happy accidents: Zucconi wasn't always this upbeat. "Before Grouplove, I was in other bands, but the timing never seemed right," he says. "I'd wake up every day depressed, I spent so many years miserable doing music. But it's wonderful now how we overcame everything together. It's funny that Grouplove is such a happy band." The band members met each other in 2008 at an artist commune in Crete. -
University of Southern Queensland Behavioural Risk At
University of Southern Queensland Behavioural risk at outdoor music festivals Aldo Salvatore Raineri Doctoral Thesis Submitted in partial fulfilment of the requirements for the Degree of Doctor of Professional Studies at the University of Southern Queensland Volume I April 2015 Supervisor: Prof Glen Postle ii Certification of Dissertation I certify that the ideas, experimental work, results, analyses and conclusions reported in this dissertation are entirely my own effort, except where otherwise acknowledged. I also certify that the work is original and has not been previously submitted for any other award, except where otherwise acknowledged. …………………………………………………. ………………….. Signature of candidate Date Endorsement ………………………………………………….. …………………… Signature of Supervisor Date iii Acknowledgements “One’s destination is never a place, but a new way of seeing things.” Henry Miller (1891 – 1980) An outcome such as this dissertation is never the sole result of individual endeavour, but is rather accomplished through the cumulative influences of many experiences and colleagues, acquaintances and individuals who pass through our lives. While these are too numerous to list (or even remember for that matter) in this instance, I would nonetheless like to acknowledge and thank everyone who has traversed my life path over the years, for without them I would not be who I am today. There are, however, a number of people who deserve singling out for special mention. Firstly I would like to thank Dr Malcolm Cathcart. It was Malcolm who suggested I embark on doctoral study and introduced me to the Professional Studies Program at the University of Southern Queensland. It was also Malcolm’s encouragement that “sold” me on my ability to undertake doctoral work. -
Label ARTIST Piece Tracks/Notes Format Quantity
Label ARTIST Piece Tracks/notes Format Quantity Sire Against Me! 2 song 7" single I Was A Teenage Anarchist (acoustic) 7" vinyl 2500 Sub-pop Album Leaf There Is a Wind Featuring 2 new tracks, 2 alternate takes 12" vinyl 1000 on songs from "A Chorus of Storytellers" LP Righteous Babe Ani DiFranco live @ Bull Moose recorded live on Record Store Day at CD Bull Moose in Maine Rough Trade Arthur Russell Calling Out of Context 12 new tracks Double 12" set 2000 Rocket Science Asteroids Galaxy Tour Fun Ltd edition vinyl of album with bonus 12" 250 track "Attack of the Ghost Riders" Hopeless Avenged Sevenfold Unholy Confessions picture disc includes tracks (Eternal 12" vinyl 2000 Rest, Eternal Rest (live), Unholy Confessions Artist First/Shangri- Band of Skulls Live at Fingerprints Live EP recorded at record store CD 2000 la 12/15/2009 Fingerprints Sub-pop Beach House Zebra 2 new tracks and 2 alternate from album 12" vinyl 1500 "Teen Dream" Beastie Boys white label 12" super surprise 12" vinyl 1000 Nonesuch Black Keys Tighten Up/Howlin' For 12" vinyl contains two new songs 45 RPM 12" Single 50000 You Vinyl Eagle Rock Black Label Society Skullage Double LP look at the history of Zakk Double LP 180 Wylde and Black Label Society Gram GREEN vinyl Graveface Black Moth Super Eating Us extremely limited foil pressed double LP double LP Rainbow Jagjaguwar Bon Iver/Peter Gabriel "Come Talk To Bon Iver and Peter Gabriel cover each 7" vinyl 2000 Me"/"Flume" other. Bon Iver track is EXCLUSIVE to this release Ninja Tune Bonobo featuring "Eyes -
Chance the Rapper, the Killers, Muse, Arcade Fire, the Xx, Lorde, Blink-182, Dj Snake, and Justice to Headline Lollapalooza 2017
CHANCE THE RAPPER, THE KILLERS, MUSE, ARCADE FIRE, THE XX, LORDE, BLINK-182, DJ SNAKE, AND JUSTICE TO HEADLINE LOLLAPALOOZA 2017 1-DAY TICKETS ON SALE TODAY AT 10AM CT Lineup posters: www.dropbox.com/sh/ea49gtywp85acvq/AADIgwnMcDVj0ontkkli0cfOa?dl=0 (Chicago, IL - March 22, 2017) Lollapalooza returns with another powerhouse lineup led by headliners Chance The Rapper, The Killers, Muse, Arcade Fire, The xx, Lorde, blink-182, DJ Snake, and Justice, delivering a diverse roster of some of the most exciting artists in today’s music landscape. After a historic 25th Anniversary, the world-class festival will return with four full days of music and over 170 bands in Chicago’s crown jewel, Grant Park, August 3-6. View the full lineup and lineup-by-day here. 2017 delivers a hero’s homecoming for recent Grammy-winner Chance The Rapper, a coveted performance from rock hit machine and Lolla veterans The Killers, alongside triumphant appearances from Muse, headlining for the first time in six years, and Arcade Fire, returning to command the main stage for their third performance in the festival’s 13-year Chicago history. Lollapalooza also welcomes heavy hitters including alt-J, Cage The Elephant, The Head and The Heart, Ryan Adams, Liam Gallagher, Phantogram and Spoon, while continuing to deliver fans artist discovery performances with hot new acts including Rag’n’Bone Man, Maggie Mae, 6lack, Sampha and Jain. Hip hop’s hottest stars will also take the stage, including Wiz Khalifa, Run the Jewels, Big Sean, Rae Sremmurd, Migos, Lil Uzi Vert, Lil Yachty, 21 Savage, Joey Bada$$, Noname, Russ, Machine Gun Kelly and Amine, while dance fans revel in performances from Kaskade, Porter Robinson, Zeds Dead, Crystal Castles, and many more. -
30 YEARS of CRAFT BEER
ROSE FESTIVAL KICKS OFF – SEE LIFE, B1 PortlandTribuneTHURSDAY, MAY 22, 2014 • TWICE CHOSEN THE NATION’S BEST NONDAILY PAPER • PORTLANDTRIBUNE.COM • PUBLISHED TUESDAY AND THURSDAY ■ Portland beer pioneers built buzz that revolutionized industry Water plan swamped; city pledges to change Voters turn county over to Kafoury, return most incumbents to offi ce The Tribune Mayor Charlie Hales admits he was surprised by the lopsided defeat of the proposed Portland Public Water District at Tuesday’s Ben Dobler election. It lost by a 3-to-1 margin. of Widmer But Hales says that does not mean the City Council can return to business as usual when it Brothers stirs comes to running the Water Bureau and the Bu- a tank at the reau of Environmental Services. brewery’s pilot “I heard throughout the campaign that Port- location at the landers want us to improve the management of the Moda Center. water and sewer bureaus. I think the margin of victory means they trust us to do a better job, but we have to deliver,” Hales said as he watched the results in a Pearl District sports bar. After the outcome was Story by Jennifer Anderson clear, Hales reaffirmed Photos by Jonathan House that he will appoint a blue City toasts ribbon commission to study options for increas- isa Morrison remem- “Beer O’Clock!” and author and ing public oversight of the bers when a customer co-author of several books about two bureaus, including some proposed before and came into her bar dur- Portland and Pacifi c Northwest during the campaign by the City Club of Portland, L ing a recent remodel craft brews. -
Sands the REPORT
OCTOBER 16, 2014 THE Sands REPORT UNIFYING THE ALT COMMUNITY “Call-out” is Out: The looks nothing like it did five years ago, let alone thirty years ago! Changing Face of Research Oh man. My space is limited! hen it comes to music research, OK. In the interest of brevity, it’s a maze out there. As we saw I’ll focus on three attributes— last week, radio has an abun- multi-methodological sampling, dance of sources to assess a online data collection, and record’s success. Tweets. Band new measurements. Warren Kurtzman likes on Facebook. Streaming stats. Sales. W Good. Tell me about sampling. But what about the more traditional forms... As consumer tastes and adoption of technology have like call-out? This time we check in with evolved, we’ve determined that there’s no single “right” Coleman Insights President/Chief Operating way to recruit consumers to participate in music Officer Warren Kurtzmanı to find out more research. Some segments of the population are best about the current state of record research. reached through calls to their mobile phones, some are best reached online, and some respond to the tradi- tional landline telephone recruitment techniques our Warren, is there anything new in traditional re- industry has used for years. At Coleman Insights, we use search like call-out or auditorium tests? Or are all three techniques in appropriate proportions based things done just as they have been the past 30 years? on the target audience we’re trying to recruit. It’s more You could probably write a whole article on what’s complicated -
Octobre 2019
OCTOBRE 2019 M'OKA // OCTOBRE 2019 "HOW DARE YOU?" Greta Thunberg... Qui ne connaît pas Greta Thunberg? Se retrouvant dans le top 25 des adolescents les plus influents du monde, selon le magazine américain Time, cette jeune suédoise de 16 ans est en train de révolutionner le monde. En août 2018, elle a lancé la « Skolstrejk för klimatet », ou grève pour le climat. Depuis, à chaque vendredi, elle manifeste en manquant l’école et en réclamant aux gouvernements d’agir pour régler l’urgence climatique qui nous envahit présentement. Nous courrons à la perte de notre planète si nous n’agissons pas dès maintenant. Greta entraîne un véritable mouvement international et éveille les consciences peu à peu. Le 27 septembre dernier, une grève pour le climat se déroulait à Montréal et des milliers d’individus se sont réunis pour manifester leur volonté de changer notre monde. Les glaciers fondent, la température se réchauffe, des milliers d’espèces et d’écosystèmes meurent… La liste est déjà longue et continuera de s’allonger si nous restons là sans agir. Mais il est encore temps; nous devons nous lever et prendre conscience de l’alarmante réalité à laquelle nous faisons face présentement. Nous avons tous un rôle à jouer dans l’avenir de notre planète, et ça commence avec de simples gestes et actions que nous pouvons tous accomplir. Aujourd’hui est notre demain. Agissons. Rédigé par Audrey S. M'OKA // OCTOBRE 2019 MAX DOMI EST-IL MALADE? La réponse est oui! À l’âge de 12 ans, Maxwell John Domi a appris qu’il souffrait du diabète de type 1. -
CTE Bio Unpeeled
Cage the Elephant UNPEELED You can’t talk about music in this century without mentioning Cage the Elephant. They are the last of the great bands — or perhaps, based on new album Unpeeled, the first of the great new ones. They trace their nervy, seditious lineage from that same uncompromising place that gave us Between the Buttons-era Stones, the Pixies, the Stone Roses, the Velvet Underground and Iggy Pop. In fact, it was as if Bowling Green, Kentucky’s second-most famous export had been born full-blown and knowing when they first burst out on a stage in the early days of 2006, regurgitated whole out of the music's murky past with their platinum hair, sunglasses and Doc Martens. Mysterious, a little troubled, with an unstudied cool, a reckless charm and the striking looks of the young Yardbirds and the rakish confidence of the early Stones. “We had this picture of what a rock ‘n’ roll band was supposed to be when we started,” says vocalist Matt Shultz, who fronts the sextet comprising brother Brad on rhythm guitar, drummer Jared Champion, bassist Daniel Tichenor, lead guitarist Nick Bockrath and keyboardist Matthan Minster. “In my younger years, I definitely tried to play into personas that often hindered the material’s ability to be truly effective. Then as years passed I started wanting to shed some of that creative baggage.” That might have been the most important lesson the band learned working with Dan Auerbach, who produced Cage’s 2015 Grammy- winning Tell Me I’m Pretty album. He helped them chip away at all the things that stood between them and their songs, uncovering their own raw power.