INDEX acting 154, 233–4, 236–43 Carnal Prayer Mat see Li Yu, works, artifice, as 167–90 Rou putuan authentic, as 139–66 Carroll, Lewis 73 element of theatricality, as 7, 75 in Shuihu zhuan see performers of as connoisseur of heroism 56, 91, heroism 94–5, 208 in Xiyou ji 128–36 “Changing Bridal Gowns” see “Huan ‘unwitting’ (wuxin 無心) 154 jiayi” with incongruity 8, 69–73, 140–5, Changsheng dian 長生殿 23, 24, 196 157–66 Chao Gai 91, 94, 208 see also playacting Chen Yujiao 陳與郊 214 appropriation Chibei outan 池北偶談 31 definition of 111 childlike characters 152–3 of courtroom 41, 66–9, 114–7 see also authenticity, impetuous of official ceremonies 117–20 characters of rituals 112–3 Chow, Kai-wing 16, 113, 193, 229 artifice 8, 167–9 Chu Renhuo 褚人獲 13 and artificial persons (jiaren 假人) chuntai 春台 (spring platform) 2 167, 169–82 Clunas, Craig 180, 192, 201, 243 and authenticity 168–71 connoisseurs of heroism see Shuihu as the cultural feminine 182–6 zhuan, character types authenticity 2, 132–3, 174–6, 190, 243 costumes 60, 118n23, 134–5, 141–2, 242 and artifice (jia) 168–71 and religion 123, 127 and “Monkey!” 161–2, 165 “Crazy Drummer, The” see “Kuang and theatricality 8, 145–55, 254 gushi” and zhenren 真人 (genuine persons) 145, 148, 150, 155, 174–6 “Dangui tianhe” 丹桂鈿合 44, 49 current scholarship on 145–6, 182–3 Davis, Tracy 253 in clashes of performative codes 8, Debord, Guy 89 139, 167, 170, 190 didactic theater 9, 167, 221–35, 249 see also qu disguise 124–25, 131, 136, 176, 189, 197, 212 Banqiao zaji 板橋雜記 177–8 see also masquerade Bantly, Francisca 121–2 Dongpo zhilin 東坡志林 16 “Baojian ji” 寶劍記 209 Doushi huan 都是幻 223 bense 本色 (authentic quality) 161–2, 187 Du Jin 杜堇 57–8, 97–8 Bhabha, Homi 109, 116, 133 Du Jun 杜濬 25, 244, 255 Bi liyuan 筆梨園 2, 222–4 Du Mu 杜牧 15 Bimuyu 比目魚 18, 238, 240, 243, 247 duplicity see artifice Bingshan ji 冰山記 21 Bodhisattva 125, 130–2, 135 Epstein, Maram 146–7, 148n23–4, Boxiao ji 博笑記 17 182–3, 226n15 Buddha-nature 158–9, 201 everyday encyclopedia see riyong leish Bull Demon King 164–5 eyes 8, 131, 185, 189, 191–7 fleshly eyes 8, 201, 209, 210–7 Cadaver Demon 126, 210–1, 217 in Shuihu zhuan 198–208 Campany, Rob 122, 129n47, 137 hierarchy of eyes 193–4 Cao Cao 63–75, 195, 247 see also viewing, visuality 272 index

Fan Zhongyan 范仲淹 83 interlineal commentaries 4–5, 9, 118–9, fantastic 152 as mode of perception 208–11 “Buddha!” 157–61 Faurot, Jeannette 61n40, 64 “Monkey!” 161–66 feminine wail 167, 173–4, 182–4 one-word 155–6 see also artifice on authenticity 147 fiction on contemporary events visual guidance in 198–9 see shishi xiaoshu see also Jin Shengtan, “Li Zhi” flesh puppet 117n21, 118n23, 119 commentator, Wang Qi forthright persons (kuairen 快人) 90n, Jay, Martin 192 175 Ji chuntai 躋春臺 238n40 Fujian shulin 福建書林 54 jia (duplicity and artifice) see artifice Furth, Charlotte 182 Jianghua meng 江花夢 23 “Fuyunlou” 拂雲樓 see Li Yu, works jiaren 假人 (duplicitous persons) 167–90 Gao Wenxiu 高文秀 90, 93, 96 Jin Ping Mei 金瓶梅 173, 176–82 Gong Dingzi 龔鼎孳 25–6 Jin Shengtan 金聖嘆 5, 18, 84, 100, Gu Mei 顧眉 177–8 143, 152, 157, 159 Guanyin see Bodhisattva adoption of theater vocabulary 3–4 appreciation of authenticity Handan ji 邯鄲記 26–7 89–90n40, 149–50, 153 Hao Siwen 199, 200 appreciation of theatricality 18, 140, Hehua dang 荷花蕩 2, 42, 45 143, 157, 159, 189, 197–9 Hegel, Robert E 20n35, 23n48, 30n64, criticism of artifice 167, 169, 173–5, 142, 196n16, 198–9 182–4 on illustrations 35n3, 49, 54, 57–8, identification with martial heroes 60n39, 61n41, 192n2 83–4 heroism on hero connoisseurship 205–8 atheatrical approaches 81–2 on repetition 129 connoisseurs of see Shuihu zhuan, on 169–72, 203n35 character types Journey to the West see Xiyou ji performers of see Shuihu zhuan, journey 96–7, 121, 122n31, 123, 150 character types as theatrical space 124–8, 136–7, theatricalization of 80, 86–90 151, 164 Hong Sheng 洪昇 24–5, 64 Juanxiang guben Xiyou zhengdao shu Hou Fangyu 侯方域 24, 178 鐫像古本西遊證道書 see Xiyou Hou Han shu 後漢書 63–4, 70 zhengdao shu Hsia, C. T. 84 Hsiao, Li-ling 5–6 Kirby, Farrell 94 Huai Lin 懷林 90n40, 116, 149, 172–3 Kong Shangren 孔尚任 163, 191, 254 “Huan jiayi” 換嫁衣 222–30 on theater as ephemeral 13, 21, Huang Fanchuo 黄幡绰 249 24–5, 33 Huang Jiahui 黃嘉惠 195 “Kuang gushi” 狂鼓史 7, 36, 41, 61–75, Huang, Martin 91n45, 99n60, 184n47 114–5, 130, 143 Huineng 160 human nature (zixing 自性) 1, 158 Lanling Xiaoxiao Sheng 蘭陵笑笑生 humor (huaji 滑稽) 70 176 ledgers of merit and demerit 230 illustrations 4, 6–7 Li Bai 82 theatrical structuring in 35–61 imperceptiveness 200 acting with incongruity 143, 145 moral connotations of 211–6 as embodiment of authenticity impetuous characters 92, 153–4, 174 149–54, 169, 174 see also genuine persons, forthright as performer of heroism 7, 87–93, persons, tianren 95, 104–5, 198