Carmilla’ Named Brand Content of the Year at Miptv 2018
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The Dracula Film Adaptations
DRACULA IN THE DARK DRACULA IN THE DARK The Dracula Film Adaptations JAMES CRAIG HOLTE Contributions to the Study of Science Fiction and Fantasy, Number 73 Donald Palumbo, Series Adviser GREENWOOD PRESS Westport, Connecticut • London Recent Titles in Contributions to the Study of Science Fiction and Fantasy Robbe-Grillet and the Fantastic: A Collection of Essays Virginia Harger-Grinling and Tony Chadwick, editors The Dystopian Impulse in Modern Literature: Fiction as Social Criticism M. Keith Booker The Company of Camelot: Arthurian Characters in Romance and Fantasy Charlotte Spivack and Roberta Lynne Staples Science Fiction Fandom Joe Sanders, editor Philip K. Dick: Contemporary Critical Interpretations Samuel J. Umland, editor Lord Dunsany: Master of the Anglo-Irish Imagination S. T. Joshi Modes of the Fantastic: Selected Essays from the Twelfth International Conference on the Fantastic in the Arts Robert A. Latham and Robert A. Collins, editors Functions of the Fantastic: Selected Essays from the Thirteenth International Conference on the Fantastic in the Arts Joe Sanders, editor Cosmic Engineers: A Study of Hard Science Fiction Gary Westfahl The Fantastic Sublime: Romanticism and Transcendence in Nineteenth-Century Children’s Fantasy Literature David Sandner Visions of the Fantastic: Selected Essays from the Fifteenth International Conference on the Fantastic in the Arts Allienne R. Becker, editor The Dark Fantastic: Selected Essays from the Ninth International Conference on the Fantastic in the Arts C. W. Sullivan III, editor Library of Congress Cataloging-in-Publication Data Holte, James Craig. Dracula in the dark : the Dracula film adaptations / James Craig Holte. p. cm.—(Contributions to the study of science fiction and fantasy, ISSN 0193–6875 ; no. -
Lesbianism and the Uncanny in Sheridan Le Fanu's Carmilla
Lesbianism and the Uncanny in Sheridan Le Fanu’s Carmilla Sergio Ramos Torres Trabajo de Fin de Grado en Estudios Ingleses Supervised by Constanza del Río Álvaro Diciembre 2016 Universidad de Zaragoza 0 Contents Introduction 2 1. The vampire in literature and popular culture 5 1.1 Female vampires 10 2. Lesbianism and the uncanny in Carmilla 13 2.1 Contextualisation 13 2.2 Lesbianism and the Uncanny in Carmilla 16 Conclusion 23 Works Cited 25 1 Introduction The figure of the vampire has been present in most cultures, and the meanings and feelings these supernatural creatures represent have been similar across time and space. For human beings they have been a source of fear and superstition, their significance acquiring religious connotations all over the world. The passing of time has modified this ancient horror and the myth has changed little by little, most of the time being softened, giving birth to diverse conceptions and representations that differ a lot from the evil spawn – originating in myth, legend and folklore – that ancient people were afraid of. These creatures have been represented not as part of the human being, but as a nemesis, as the “other”, and as something that is dead but, at the same time, alive, threatening the pure existence of the human by disrupting the carefully constructed borders that civilization has erected between the self and the other, the human and the animal, between life and death. They are, like Rosemary Jackson said, “our relation to death made concrete” (68) and thus, they “disrupt the crucial defining line which separates real life from the unreality of death” (69). -
Polysèmes, 23 | 2020 Revamping Carmilla: the Neo-Victorian Transmedia Vlog Adaptation 2
Polysèmes Revue d’études intertextuelles et intermédiales 23 | 2020 Contemporary Victoriana - Women and Parody Revamping Carmilla: The Neo-Victorian Transmedia Vlog Adaptation Les adaptations néo-victoriennes transmédiatiques en vlog : l’exemple de Carmilla Caroline Duvezin-Caubet Electronic version URL: http://journals.openedition.org/polysemes/6926 DOI: 10.4000/polysemes.6926 ISSN: 2496-4212 Publisher SAIT Electronic reference Caroline Duvezin-Caubet, « Revamping Carmilla: The Neo-Victorian Transmedia Vlog Adaptation », Polysèmes [Online], 23 | 2020, Online since 30 June 2020, connection on 02 July 2020. URL : http:// journals.openedition.org/polysemes/6926 ; DOI : https://doi.org/10.4000/polysemes.6926 This text was automatically generated on 2 July 2020. Polysèmes Revamping Carmilla: The Neo-Victorian Transmedia Vlog Adaptation 1 Revamping Carmilla: The Neo- Victorian Transmedia Vlog Adaptation Les adaptations néo-victoriennes transmédiatiques en vlog : l’exemple de Carmilla Caroline Duvezin-Caubet I was anxious on discovering this paper, to re- open the correspondence commenced […] so many years before, with a person so clever and careful […]. Much to my regret, however, I found that she had died in the interval. She, probably, could have added little to the Narrative which she communicates in the following pages with, so far as I can pronounce, such conscientious particularity. (Le Fanu 242) 1 This is how an anonymous “editor” introduces Joseph Sheridan Le Fanu’s Carmilla (1872), framing the novella as a found manuscript. However, over a century after its initial publication, the “clever and careful” narrator Laura did get to add to her story and re-open her conscientious and particular communication through new media: Youtube and the world-wide web. -
The Gendered Vampires in Contemporary Culture: a Lesbian Feminist Reading
The Gendered Vampires in Contemporary Culture: A Lesbian Feminist Reading Thesis presented by Ina YEE to Department of Modem Languages and Intercultural Studies The Chinese University of Hong Kong in partial fulfillment of the requirements for the Degree of Master of Philosophy 1999 © 1999 Ina YEE .^^;-/ji系維書圖^ ^^ \ 4 FFB in|| :—l.,.,,^RSiT Y ZJJ/cg/ 'v-^V"xLiBRARY SYSTE^y^T �^^^ Acknowledgements I would like to take this opportunity to thank the various people who have given me tremendous help and support during the past two years. To begin—with, I would like to express my heartfelt gratitude to Prof. K.Y. Wong, my supervisor and mentor, whom I have known since my undergraduate years. In fact it was him who set me off on this project: he introduced vampirism to me. I have leamt a great deal from his expertise and enthusiasm. Over the years, he has been a wonderful teacher and supervisor, taking pains to listen to my---sometimes personal--- problems, giving me advice. Working with him for the past two years has been fun and rewarding. I have not only found a teacher in K.Y., but a great friend too. I would also like to thank Prof. Thomas Luk, my co-supervisor, for his time and energy in looking through the rough drafts of my thesis, which are never in short of careless mistakes. He has been a helpful supervisor, and with his solid experience in literary criticism,he has identified errors in my arguments which I have overlooked. I am glad to have Prof. Cheung Chan Fai and Prof. -
QUEERING the SCRIPT 93 Minutes / CANADA
QUEERING THE SCRIPT 93 minutes / CANADA Written and Directed by Gabrielle Zilkha ** OFFICIAL SELECTION – 2019 Inside Out LGBT Film Festival ** ** OFFICIAL SELECTION – 2019 Frameline43 ** Recipient of the Frameline Completion Fund ** OFFICIAL SELECTION – 2019 Outfest LGBT Film Festival ** Winner of the Special Programming Award for Freedom ** OFFICIAL SELECTION - AGLIFF 2019 ** ** OFFICIAL SELECTION – RAINDANCE FILM FESTIVAL 2019 ** Queering the Script is produced by Shaftesbury with the participation of Hollywood Suite, the Canada Media Fund, the Frameline Completion Fund, and with the assistance of The Canadian Film or Video Tax Credit and The Ontario Film and Television Tax Credit. Logline: Giving queer fandom a voice in the conversation about LGBTQ+ representation from “Xena” to “The L Word” to “Pose”, QUEERING THE SCRIPT examines the rising power of the fans and audience shaping representation on TV, the relationship between fandom and activism, and what lies ahead for visibility and inclusiveness. Synopsis: Queerness on television has moved from subtext, in series such as “Xena: Warrior Princess”, to all- out multi season relationships between women, as seen on “Buffy the Vampire Slayer”, “Lost Girl”, and “Carmilla”. But things still aren’t perfect. In 2016, a record number of queer women died on fictional shows, which broke the hearts of queer fans and launched a successful fight for better, more diverse LGTBQ2S+ representation. Stars such as Ilene Chaiken, Stephanie Beatriz, Lucy Lawless and Angelica Ross join with the voices of numerous kickass fangirls in this fast-paced history of queer women’s representation of contemporary television. QUEERING THE SCRIPT not only charts the evolution of queerness, but also demonstrates the extraordinary impact of activism on its many diverse fans, ensuring that they see themselves accurately portrayed on screen. -
Castlevania Judgment Vampire Killer
Castlevania Judgment Vampire Killer Is Lance far-seeing or lustral after excisable Uri commemorated so inimitably? Sasha remains piggy after Godfry generate quirkily or referee any Fergus. Is Garwood divisionary or rhizogenic after power Bjorn furnacing so undistractedly? Need to the castlevania judgment vampire killer roblox id below to a secret gameplay, she had to bring back against his killer? No hope for castlevania judgment vampire killer in castlevania his village in quick view. What you will take your favourite artists on an ancient civilization for combat cross. More detailed trees and flora. Gabriel to palm The Mask to bring as his ambassador wife Marie. This whip rila fukushima and generally enjoyable, castlevania series hero chris redfield, sunt in a key script element, samba de amigo, get a slap in. While the arrangements are generally enjoyable, they tend to be quite formulaic in their approach. The payment has been chosen by and carl critchlow takes for castlevania judgment vampire killer from decent to me out! The end to create a saga older than time rift while also offers him back to dracula x: livestream recap ft. You want to help me out this, leaving a god, has been keeping busy as. Seitokai no custom animation possible for castlevania judgment vampire killer whip is back against rivals works. Simon is used during stage themes are castlevania judgment. Sorry, unfortunately Sony cannot respond to this request at the moment. Castlevania black characters look like this page for mountains and landscaping much. She appears in a remix introduces a vampire. Instead of castlevania judgment employs too many design ideas that you agree to load we are neither well as well planned nor well as pets. -
Carmilla and Affect in Contemporary Lesbian Fandom
Lesbian Feelings and Fandoms: Carmilla and Affect in Contemporary Lesbian Fandom by Sneha Shilip Kumar A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Film Studies Carleton University Ottawa, Ontario © 2020, Sneha Shilip Kumar Abstract My thesis explores the contemporary lesbian web series as being similar to fanfiction and its fandom as an affective community built on a set of inclusions and exclusions. My case study is Carmilla (Canada, Spencer Maybee 2014-2016), a YouTube web series shot in vlog format, and its lesbian fandom. I argue that Carmilla challenges the genres of the gothic and lesbian vampire in ways similar to fanfiction. Building on the work of fan studies scholars Katrin Döveling and Louisa Stein, I propose that affective bonds are created between Carmilla fans through various kinds of online activities and these flows of affect are influenced by the race and location of fans. My experiences at the first CarmillaCon in Toronto suggest that the online and offline Carmilla fandom both create and reflect each other. i Acknowledgements I am grateful to the Carmilla fandom for many reasons: giving me community when I thought I had none; allowing me to feel acceptance when I felt uncomfortable in my own skin; getting me through long nights filled with many assignments; and finally, providing me with the resources to successfully write my thesis. There are so many people I have to thank for giving me the strength and guidance to finish this project. First and foremost, I am indebted to my supervisor, Dr. -
Univerzita Palackého V Olomouci Filozofická Fakulta Katedra Anglistiky a Amerikanistiky Hana Zámečníčková the Metamorphos
Univerzita Palackého v Olomouci Filozofická fakulta Katedra anglistiky a amerikanistiky Hana Zámečníčková The Metamorphosis of the Character of Count Dracula during the Century Bakalářská práce Studijní obor: anglická filologie Vedoucí práce: PhDr. Libor Práger, Ph.D Olomouc 2013 Prohlašuji, že jsem tuto bakalářskou práci vypracovala samostatně a uvedla úplný seznam citované a použité literatury. V Olomouci dne ............................. .................................. Table of contents: 1 Introduction.......................................................................................................................1 1.1 Dracula as a subject of study.................................................................................2 2 Dracula in the novel..........................................................................................................6 2.1 The visual appearance of Count Dracula...............................................................6 2.2 Dracula's Personality.............................................................................................7 2.3 Dracula as a supernatural being.............................................................................8 2.4 Dracula as a metaphor..........................................................................................11 3 Dracula emerges on screen.............................................................................................15 3.1 Dracula in the 1920s............................................................................................15 -
Carmilla's Creampuffs Amanda Irwin Rhode Island College, Airwin [email protected]
Rhode Island College Digital Commons @ RIC Honors Projects Overview Honors Projects 4-15-2017 Carmilla's Creampuffs Amanda Irwin Rhode Island College, [email protected] Follow this and additional works at: https://digitalcommons.ric.edu/honors_projects Part of the Lesbian, Gay, Bisexual, and Transgender Studies Commons, and the Other English Language and Literature Commons Recommended Citation Irwin, Amanda, "Carmilla's Creampuffs" (2017). Honors Projects Overview. 132. https://digitalcommons.ric.edu/honors_projects/132 This Honors is brought to you for free and open access by the Honors Projects at Digital Commons @ RIC. It has been accepted for inclusion in Honors Projects Overview by an authorized administrator of Digital Commons @ RIC. For more information, please contact [email protected]. CARMILLA’S CREAMPUFFS: THE ALCHEMY OF QUEER ADAPTATION, BRANDING, AND FANDOM IN A WEB SERIES By Amanda Irwin An Honors Project Submitted in Partial Fulfillment of the Requirements for Honors In The Department of English Faculty of Arts and Sciences Rhode Island College 2017 Irwin 2 CARMILLA’S CREAMPUFFS: THE ALCHEMY OF QUEER ADAPTATION, BRANDING, AND FANDOM IN A WEB SERIES An Undergraduate Honors Project Presented By Amanda Irwin To Department of English Approved: ___________________________ _____________ Project Advisor Date ___________________________ _____________ Honors Committee Chair Date ___________________________ _____________ Department Chair Date Irwin 3 TABLE OF CONTENTS Prologue………………………………………………………………………………………….4 Introduction………………………………………………………………………………………5 -
Reviews of Dreyer's VAMPYR [Taken from the Amazon.Com Web Page for the Movie; Remember That for the Most Part These Reviewers Are Not Scholars]
Reviews of Dreyer's VAMPYR [taken from the amazon.com web page for the movie; remember that for the most part these reviewers are not scholars] Editorial Reviews Amazon.com In this chilling, atmospheric German film from 1932, director Carl Theodor Dreyer favors style over story, offering a minimal plot that draws only partially from established vampire folklore. Instead, Dreyer emphasizes an utterly dreamlike visual approach, using trick photography (double exposures, etc.) and a fog-like effect created by allowing additional light to leak onto the exposed film. The result is an unsettling film that seems to spring literally from the subconscious, freely adapted from the Victorian short story Carmilla by noted horror author Joseph Sheridan Le Fanu, about a young man who discovers the presence of a female vampire in a mysterious European castle. There's more to the story, of course, but it's the ghostly, otherworldly tone of the film that lingers powerfully in the memory. Dreyer maintains this eerie mood by suggesting horror and impending doom as opposed to any overt displays of terrifying imagery. Watching Vampyr is like being placed under a hypnotic trance, where the rules of everyday reality no longer apply. As a splendid bonus, the DVD includes The Mascot, a delightful 26-minute animated film from 1934. Created by pioneering animator Wladyslaw Starewicz, this clever film--in which a menagerie of toys and dolls springs to life--serves as an impressive precursor to the popular Wallace & Gromit films of the 1990s. --Jeff Shannon Product Description: Carl Theodor Dreyer's eerie horror classic stars Julian West as a visitor to a remote inn under the spell of an aged, bloodthristy female vampire. -
An Examination of Violence and the Lesbian Vampire Narrative
DEFANGED AND DESIRABLE: AN EXAMINATION OF VIOLENCE AND THE LESBIAN VAMPIRE NARRATIVE Chelsea Graham A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2016 Committee: Piya Pal-Lapinski, Advisor Stephannie Gearhart © 2016 Chelsea Graham All Rights Reserved iii ABSTRACT Piya Pal-Lapinski, Advisor The vampire, like any sort of Gothic monster, operates as a conduit for various societal pressures. However, the vampire is seen as particularly adaptable in how it restructures itself as a figure of fear in multiple time periods. This work examines the various forms and fears the lesbian vampire embodies and why society is continually fascinated with such a figure. One of the key texts in my project is Sheridan LeFanu’s novella, Carmilla, published in 1872. LeFanu’s story predates Bram Stoker’s Dracula, and is one of the first major explorations of the lesbian vampire trope including victimology, seduction tactics, and even popular adversaries. Although there are many adaptations which feature a lesbian vampire, my project will be limited to Scott’s film The Hunger, produced in 1983, and season one of the recent Youtube series, Carmilla, produced in 2014. In these various adaptations, I have noted a cycle of violence surrounding the vampire, her adversaries, and victims. What is interesting is how this cycle seems to change with each adaptation of the lesbian vampire’s story depending on the time the story is set in. What is interesting about this trend of shifting cycles and loci of violence is what happens to them when society begins to accept the lesbian vampire and no longer fears her. -
Queer Subjectivity, Transmedia, and Embodiment in the Carmilla Fandom
Georgia State University ScholarWorks @ Georgia State University Anthropology Honors Theses Department of Anthropology 5-7-2016 Queer Subjectivity, Transmedia, and Embodiment in the Carmilla Fandom Stephanie Skinner Follow this and additional works at: https://scholarworks.gsu.edu/anthro_hontheses Recommended Citation Skinner, Stephanie, "Queer Subjectivity, Transmedia, and Embodiment in the Carmilla Fandom." Thesis, Georgia State University, 2016. https://scholarworks.gsu.edu/anthro_hontheses/13 This Thesis is brought to you for free and open access by the Department of Anthropology at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Anthropology Honors Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. QUEER SUBJECTIVITY, TRANSMEDIA, AND EMBODIMENT IN THE CARMILLA FANDOM by STEPHANIE SKINNER Under the Direction of Cassandra White, PhD ABSTRACT This study examines the ways in which individuals mediate the institutionalization and embodiment of queer identities in the Carmilla fandom by manipulating transmedia networks. The research conducted expands upon Boellstorff’s (2015) methodology for virtual communities and Spitulnik’s (1993) theory of “media power”. Data was collected using three strategies: 1) quantitative surveys of 436 individuals, 2) five interviews, and 3) participant observation in the Carmilla fandom through social media. While Marxist and critical theorists assert that mass media is contextualized as