Scotch College Piano Festival 2018
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Season 2013 Brochure
Enlighten your senses - Season 2013 - 1 Welcome Welcome 2 A messAge for QueenslAnd symphony orchestrA 2013 Welcome Queensland symphony orchestra 2013 PeneloPe Wensley AC ROS Bates MP GreG WAnChAP Governor of Queensland The Honourable Ros Bates MP Chairman of the Queensland Music emerges from silence. Patron of the Queensland Minister for Science, Information Symphony Orchestra stillness gives birth to sound; sounds of nature, Symphony Orchestra Technology, Innovation and the In 2013 the Queensland symphony man, music. only in deep stillness can we perceive It is with great pleasure and pride, as Patron Arts orchestra will again take you on a journey of entertainment and excitement through the the subtleties of hushed sounds. of the Queensland symphony orchestra, Power, passion and beautiful music are the artistic excellence of our talented musicians, that I introduce its program for 2013. It hallmarks of the Queensland symphony The world is growing louder. The commotion carefully and sensitively led by Maestro is a program I have myself been eagerly orchestra for its 2013 season. of daily life surrounds us. In barely a corner of awaiting, to find out what pleasures are in Johannes Fritzsch. As one of our state’s largest and most valued the city is stillness to be found. Music, more and store for Queensland audiences. every new our 2013 program has at its core many performing arts companies, the Queensland season represents a fresh challenge for the masterful symphonic works that will uplift our more, is used to dignify meaningless noise; Bach symphony orchestra plays a critical role in our orchestra, seeking to strike a balance between audiences through the technical excellence in the supermarket, Beethoven to let you know cultural life. -
Jayson Gillham Pianist
PROFILE Jayson Gillham Pianist Internationally praised for his compelling performances “of absorbing and relentless elegance”, Jayson Gillham has emerged as one of the finest pianists of his generation. Winner of the 2014 Montreal International Musical Competition, he signed a recording contract with ABC Classics in 2015. Jayson Gillham has worked with the world’s top orchestras including The Halle, London Philharmonic, Royal Philharmonic, Orchestre Symphonique de Montreal as well as Sydney Symphony and Melbourne Symphony orchestras with whom he made highly acclaimed recordings of Beethoven, Medtner and Rachmaninov. In recital, he performs at some of the world’s most prestigious venues including the Wigmore Hall and Louvre Auditorium, Verbier Festival and Edinburgh Fringe. Highlights The Halle Orchestra/Sir Mark Elder Beethoven Piano Concerto No 5 Sydney Symphony Orchestra/Vladimir Ashkenazy Beethoven Piano Concerto No 4 Bournemouth Symphony Orchestra/Victor Aviat Grieg Piano Concerto Royal Philharmonic Orchestra/Alexander Shelley Chopin Piano Concerto No 2 Beethoven Piano Concerto No 3 Melbourne Symphony Orchestra/Joshua Weilerstein Beethoven Piano Concerto No 3 Auckland Symphony Orchestra/Giordano Bellincampi Beethoven Piano Concerto No 1 Christchurch Symphony Orchestra/Ben Northey Rachmaninov Piano Concerto No 2 Adelaide Symphony Orchestra/Nick Carter Beethoven Piano Concerti Cycle Barbican/LSO St Luke’s/Sound Unbound Festival Recital “Joy of Piano” Royal Philharmonic Orchestra/Owain Arwel Hughes Grieg Piano Concerto Reviews “…from -
Beethoven: the Piano Concertos
ADELAIDE SYMPHONY ORCHESTRA SEASON 2019 SPECIAL EVENT Beethoven: The Piano Concertos June Wed 5 – Sat 15 7pm Elder Hall CONTENTS ARTIST BIOGRAPHIES 3 Nicholas Carter Conductor Jayson Gillham Piano CONCERT ONE 5 June Wed 5, 7pm CONCERT TWO 11 June Sat 8, 7pm CONCERT THREE 16 June Wed 12, 7pm CONCERT FOUR 21 June Sat 15, 7pm ABC Classic is recording the concertos for CD release in early 2020 – the 250th anniversary of Beethoven’s birth. The ASO acknowledges the Traditional Custodians of the lands on which we live, learn and work. We pay our respects to the Kaurna people of the Adelaide Plains and all Aboriginal and Torres Strait Islander Elders, past, present and future. 2 ARTIST BIOGRAPHY Nicholas Carter Conductor Newly appointed as Chief Conductor of the In Australia, he collaborates regularly with Stadttheater Klagenfurt and the Kärntner many of the country’s leading orchestras Sinfonieorchester, Nicholas Carter will lead and ensembles and led the 2018 Adelaide three new productions per season and Festival’s acclaimed full staging of Brett appear regularly in the orchestra’s concert Dean’s Hamlet. Past engagements have series. In his first season, he conducts included the Melbourne, Sydney, West Rusalka, La Clemenza di Tito and Pelléas Australian, Queensland and Tasmanian et Mélisande, and concert programmes Symphony Orchestras with soloists such include Haydn’s Die Schöpfung and Mahler’s as Michelle de Young, Simon O’Neill, Alina Symphony No. 1. Ibragimova, Alexander Gavrylyuk and James Ehnes; also galas with Maxim Vengerov Since his appointment as Principal (Queensland Symphony) and Anne Sofie von Conductor of the Adelaide Symphony Otter (Sydney Symphony). -
CARNEGIE HALL ANNOUNCES 2017–2018 SEASON the '60S: The
CARNEGIE HALL ANNOUNCES 2017–2018 SEASON The ’60s: The Years that Changed America Carnegie Hall leads citywide festival, inspired by Pulitzer Prize-winning author and journalist Robert A. Caro, exploring the turbulent 1960s through lens of arts and culture Debs Composer’s Chair: Philip Glass Visionary composer continues celebration of 80th birthday year with season-long residency featuring premieres and classic works, performed by Philip Glass Ensemble, Nico Muhly, American Composers Orchestra, and JACK Quartet, plus Louisiana Philharmonic and Pacific Symphony in their Carnegie Hall debuts Perspectives: Janine Jansen & Daniil Trifonov Violinist Janine Jansen curates five-concert Perspectives series featuring chamber music performances with all-star roster of collaborators, and concerto appearances with Royal Concertgebouw Orchestra & The Philadelphia Orchestra Pianist Daniil Trifonov featured in seven concerts, including exploration of Chopin, solo recitals in both Stern Auditorium / Perelman Stage and Zankel Hall, and collaborations with Matthias Goerne, Sergei Babayan, Kremerata Baltica, Gautier Capuçon, and Mariinsky Orchestra with the premiere of his own piano concerto Carnegie Hall’s Opening Night Gala 2017-2018 season launches on October 4 with festive Opening Night Gala concert featuring Yannick Nézet-Séguin and The Philadelphia Orchestra celebrating 100th anniversary of Leonard Bernstein’s birth (For Immediate Release: January 25, 2017 (Updated September 18, 2017), NEW YORK)—Clive Gillinson, Executive and Artistic Director, today announced Carnegie Hall’s 2017–2018 season consisting of more than 170 concerts as well as a wide range of education and social impact programs created by Carnegie Hall’s Weill Music Institute. The upcoming season includes performances by many of the world’s finest artists and ensembles representing classical, pop, jazz, and world music, with events presented on Carnegie Hall’s three stages, in the Hall’s Resnick Education Wing, and throughout New York City. -
Dogma Chamber Orchestra SO, 25.10.2015, 19:00 6 - 7 Jubiläumskonzert - 200
Podium der Musik Konzertprogramm der Werner Richard - Dr. Carl Dörken Stiftung KONZERTE IM WERNER RICHARD SAAL 2015 / 2016 Inhaltsverzeichnis Podium der Musik Datum: Veranstaltung: Seite: September 2015 FR, 04.09.2015, 20:00 Trilok Gurtu & Band 36 - 37 SO, 06.09.2015, 19:00 Noé Inui, Mario Häring 20 - 21 SO, 20.09.2015, 19:00 Rupa & The April Fishes 28 - 29 SO, 27.09.2015, 19:00 Qi Xu, Klavier 4 - 5 Oktober 2015 SO, 11.10.2015, 19:00 Nils Wülker Gruppe 38 dogma chamber orchestra SO, 25.10.2015, 19:00 6 - 7 Jubiläumskonzert - 200. Konzert „Meister von Morgen“ SA, 31.10.2015, 19:30 Nemec´ Platz - bitte ! 35 November 2015 SO, 08.11.2015, 19:00 Fabian Müller 22 - 23 SO, 15.11.2015, 19:00 Huun-Huur-Tu, Tuva Mongolei 30 FR, 20.11.2015, 20:00 Hendrika Entzian Quartet featuring Sandra Hempel 39 SO, 22.11.2015, 19:00 Marc Bouchkov, Violine - Kian Soltani, Violoncello - Adrien Boisseau, Viola 8 - 9 Dezember 2015 SO, 20.12.2015, 19:00 Kurpfälzisches Kammerorchester 10 - 11 Januar 2016 SO, 10.01.2016, 19:00 ARUNDOSquintett 24 - 25 SO, 24.01.2016, 19:00 vision string quartet 12 - 13 Februar 2016 LINIE HERAUSSCHNEIDEN AN DER GESTRICHELTEN FR, 12.02.2016, 20:00 Memphis PC 40 SO, 14.02.2016, 19:00 Cristina Braga, Brasilien 31 SO, 21.02.2016, 19:00 Xenon Saxophonquartett 14 - 15 März 2016 SO, 06.03.2016, 19:00 Irish Spring Festival, Irland-Schottland 32 April 2016 FR, 08.04.2016, 20:00 PABLO HELD TRIO 41 SO, 10.04.2016, 19:00 Klavierduo „Praleski“ 26 - 27 SO, 24.04.2016, 19:00 Carducci String Quartet 16 - 17 Mai 2016 SO, 01.05.2016, 19:00 I Liguriani, Italien (Ligurien) 33 FR, 20.05.2016, 20:00 Tingvall Trio 42 Gebrüder Gerassimez - „Family Clash“ SO, 29.05.2016, 19:00 18 - 19 zum 100. -
Music Iconography, Opera, Gender and Cultural Revolution – the Case Study of the Kwok on Collection (Portugal)
Music Iconography, Opera, Gender and Cultural Revolution – The Case Study of the Kwok On Collection (Portugal) Luzia Aurora ROCHA NOVA FCSH/CESEM, Colégio Almada Negreiros, Campus de Campolide, 1099-085 Lisboa, Portugal E-mail: [email protected] (Received: March 2018; accepted: June 2018) Abstract: This study aims to revisit the creation of opera, symphonic versions of opera and ballet (yangbanxi) during the period of the Cultural Revolution of Mao’s China. Beginning with the Kwok Collection (Fundação Oriente, Portugal), I aim to establish a new vision of the yangbanxi (production and reception) by means of an analysis of sources with musical iconography. The focus of the study is on questions of gender and the way in which the feminine was an indispensable tool for the construction and dis- semination of the idea of a new nation-state. This study thus aims to make a new con- tribution to the area, showing how the construction of new opera heroines, communist and of the proletariat, is built on the image of the first “heroine-villain” constructed by the regime, Jiang Qing, the fourth wife of Mao Zedong. The title chosen demonstrates the paradox of the importance of woman in opera and in politics at a time when the only image to be left to posterity was that of a dominant male hero, Mao Zedong. Keywords: cultural revolution, opera, gender, China, musical iconography 1. Introduction The Kwok On Collection results from the 1971 donation by Mr. Kwok On of a set of Cantonese puppets, musical instruments, books and assorted objects in favour of Jacques Pimpaneau. -
The Accordion in Twentieth-Century China A
AN UNTOLD STORY: THE ACCORDION IN TWENTIETH-CENTURY CHINA A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN MUSIC AUGUST 2004 By Yin YeeKwan Thesis Committee: Frederick Lau, Chairperson Ricardo D. Trimillos Fred Blake ©Copyright2004 by YinYeeKwan iii ACKNOWLEDGEMENTS My 2002 and 2003 fieldwork in the People's Republic ofChina was funded by The Arts and Sciences Grant from the University ofHawai'i at Manoa (UHM). I am grateful for the generous support. I am also greatly indebted to the accordionists and others I interviewed during this past year in Hong Kong, China, Phoenix City, and Hawai'i: Christie Adams, Chau Puyin, Carmel Lee Kama, 1 Lee Chee Wah, Li Cong, Ren Shirong, Sito Chaohan, Shi Zhenming, Tian Liantao, Wang Biyun, Wang Shusheng, Wang Xiaoping, Yang Wentao, Zhang Gaoping, and Zhang Ziqiang. Their help made it possible to finish this thesis. The directors ofthe accordion factories in China, Wang Tongfang and Wu Rende, also provided significant help. Writing a thesis is not the work ofonly one person. Without the help offriends during the past years, I could not have obtained those materials that were invaluable for writings ofthis thesis. I would like to acknowledge their help here: Chen Linqun, Chen Yingshi, Cheng Wai Tao, Luo Minghui, Wong Chi Chiu, Wang Jianxin, Yang Minkang, and Zhang Zhentao. Two others, Lee Chinghuei and Kaoru provided me with accordion materials from Japan. I am grateful for the guidance and advice ofmy committee members: Professors Frederick Lau, Ricardo D. -
Study on Historical Value Communicated by Yellow River Piano Concerto Jinghua Hu
International Conference on Education, Management and Computing Technology (ICEMCT 2015) Study on Historical Value Communicated by Yellow River Piano Concerto Jinghua Hu Music College, Ningxia University, Yinchuan, 750021, China Keywords: Piano concerto, Background, Artistic characteristics, Communication, Historical significance Abstract. Yellow River has important and special historical significance for Chinese music, because its unique temperament reflects “Yellow River” spirit of Chinese nation. Powerful rhythm in piano concerto expresses integrity character of Chinese people. This paper briefly generalizes historical background and artistic characteristics of Yellow River piano concerto and analyzes far-reaching historical value of the works in communication process. Introduction At the end of 1938, Wuhan fell into enemy hands. When the poet Guang Moran led anti-Japanese team to evacuate to Hukou, Yellow River, they saw boatmen in turbulent flow of Yellow River. Their resounding slogan infected him. After arriving at Yan’an, Guang Moran wrote this poem Yellow River when inspiration stroke. Xian Xinghai recomposed it and created Yellow River Cantata which becomes a classical chorus song. Yellow River piano concerto is recomposed according to Yellow River Cantata. Yellow River piano concerto Historical background of Yellow River piano concerto Yellow River Cantata is the peak and model of Chinese modern large-scale vocal music works. Its powerful rhythm sensation and resounding emotional expression show Chinese patriotism and historical sense of crisis in that specific historical period. It is a heart-stirring chorus song. After it was sung for 3 decades, Chu Wanghua, Sheng Lihong, Shi Shucheng, Liu Zhuang and Xu Feixing made joint efforts to recompose the chorus song to a piano concerto in 1969. -
Jayson Gillham
BIOGRAPHY Jayson Gillham Pianist “He plays Beethoven in a very open, honest, secure way – with a sort of ‘glow’… always a lovely sound – gorgeous.” Sir Mark Elder Internationally praised for his compelling performances, Australian-British pianist Jayson Gillham is recognised as one of the finest pianists of his generation. After receiving numerous prizes from some of the world’s leading piano competitions including the Leeds and Van Cliburn, it was Jayson’s win at the 2014 Montreal International Music Competition that brought him to international attention. His outstanding performance of Beethoven’s Piano Concerto No. 4 waspraised in the Canadian press and described as being played ‘with absorbing and relentless elegance.’ In May 2015 Jayson signed a three-album recording contract with ABC Classics. His debut recital album featuring works by Bach, Schubert and Chopin was released in October 2016 and immediately reached the No.1 spot in both the Core Classical and Classical Crossover ARIA charts. This first release was soon followed by Jayson’s highly acclaimed live recording of Beethoven Piano Concerto No 4 with the Sydney Symphony Orchestra under the baton of Vladimir Ashkenazy. Jayson’s next CD album recorded in 2017 of works by Medtner and Rachmaninoff with the Melbourne Symphony Orchestra and Benjamin Northey received unanimous praise and was Recording of the Month at the Limelight Magazine. His solo album Romantic Bach, featuring original works and virtuoso piano transcriptions, was released internationally in January 2019. Jayson -
WASO's Summer Classics (Pdf)
SE_SummerClassic_A5_ProgramCover_v2.indd 1 20/12/19 9:54 am West Australian Symphony Orchestra and Wesfarmers Arts, creating the spark that sets off a lifelong love of music. Julia Brooke – WASO Horn The West Australian Symphony Orchestra respectfully acknowledges the Traditional Owners, Custodians and Elders of the Indigenous Nations across Western Australia and on whose Lands we work. SPECIAL EVENT West Australian WASO’s Summer Classics Symphony Orchestra BERLIOZ Roman Carnival – Overture (9 mins) and Wesfarmers Arts, VIVALDI The Four Seasons: Summer (10 mins) creating the spark Allegro non molto that sets off a lifelong Adagio - Presto love of music. Presto GERSHWIN Porgy and Bess – A Symphonic Picture (16 mins) Interval (25 mins) DE FALLA The Three-Cornered Hat – Suite No.2 (12 mins) Seguidillas (The Neighbours’ Dance) Farruca (The Miller’s Dance) Jota (Final Dance) PIAZZOLLA Milonga del Àngel (7 mins) PIAZZOLLA Adiós Nonino (5 mins) RAVEL Boléro (16 mins) Benjamin Northey conductor Laurence Jackson violin James Crabb accordion Julia Brooke – WASO Horn 3 2019 Upcoming Concerts Absolute Beethoven Thu 5 March, 11am Fri 6 & Sat 7 March, 7.30pm Perth Concert Hall Of all Beethoven’s symphonies, his seventh is the most thrilling. More than 200 years since its premiere, its driving momentum pulses with red-blooded vitality. Beethoven’s powerful overture sets the scene for Absolute Jest, John Adams’ witty and playful take on the ecstatic energy of Beethoven’s music, performed here with the Australian String Quartet (Evening concerts only). BEETHOVEN Coriolan Overture JOHN ADAMS Absolute Jest (Evening concerts only) BEETHOVEN Symphony No.7 TICKETS Ludovic Morlot conductor FROM $30* Australian String Quartet (Evening concerts only) Dances with Daphnis Thu 12 March, 11am Fri 13 & Sat 14 March, 7.30pm Perth Concert Hall The sun rises on Debussy’s daydreaming faun as acclaimed French conductor Ludovic Morlot returns to WASO with this blissful program. -
China and the West: Music, Representation, and Reception
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE Revised Pages China and the West Revised Pages Wanguo Quantu [A Map of the Myriad Countries of the World] was made in the 1620s by Guilio Aleni, whose Chinese name 艾儒略 appears in the last column of the text (first on the left) above the Jesuit symbol IHS. Aleni’s map was based on Matteo Ricci’s earlier map of 1602. Revised Pages China and the West Music, Representation, and Reception Edited by Hon- Lun Yang and Michael Saffle University of Michigan Press Ann Arbor Revised Pages Copyright © 2017 by Hon- Lun Yang and Michael Saffle All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by the University of Michigan Press Manufactured in the United States of America c Printed on acid- free paper 2020 2019 2018 2017 4 3 2 1 A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging- in- Publication Data Names: Yang, Hon- Lun, editor. | Saffle, Michael, 1946– editor. Title: China and the West : music, representation, and reception / edited by Hon- Lun Yang and Michael Saffle. Description: Ann Arbor : University of Michigan Press, 2017. | Includes bibliographical references and index. Identifiers: LCCN 2016045491| ISBN 9780472130313 (hardcover : alk. -
Rachmaninov (1873-1943)
RUSSIAN, SOVIET & POST-SOVIET CONCERTOS A Discography of CDs and LPs Prepared by Michael Herman Sergei Rachmaninov (1873-1943) Born at Oneg, Novgorod Region. He had piano lessons from an early age but his serious training in composition began at the Moscow Conservatory where he studied counterpoint with Sergei Taneyev and harmony with Anton Arensky. He began to compose and for the rest of his life divided his musical time between composing, conducting and piano playing gaining great fame in all three. After leaving Russia permanently in 1917, the need to make a living made his role as a piano virtuoso predominant. His 4 Piano Concertos, Rhapsody on a Theme of Paganini and substantial solo piano works make him one of the world's most-performed composers. However, he also composed operas and liturgical choral works as well as other pieces for orchestra, chamber groups and voice. Piano Concerto No. 1 in F-sharp minor, Op. 1 (1892, rev. 1917) Leif Ove Andsnes (piano)/Antonio Pappano/Berlin Philharmonic Orchestra ( + Piano Concerto No. 2) EMI CLASSICS 74813-2 (2005) Agustin Anievas (piano)/Rafael Frühbeck de Burgos/New Philharmonia Orchestra ( + Piano Concertos Nos. 2, 3 and 4, Rhapsody on a Theme of Paganini, Prelude in C-sharp minor, 10 Preludes and 12 Preludes) EMI CLASSICS TRIPLE 5 00871-2 (2007) (original LP release: ANGEL SCB 3801 {3 LPs}) (1973) Vladimir Ashkenazy (piano)/Bernard Haitink/Royal Concertgebouw Orchestra (+ Rhapsody on a Theme of Paganini) DECCA 417613-2 (1987) Vladimir Ashkenazy (piano)/André Previn/London Symphony Orchestra ( + Piano Concertos Nos. 2, 3 and 4, Rhapsody on a Theme of Paganini, Variations on a Theme of Corelli and Piano Sonata No.