I “THE MUSEUM AS a TOOL to DEVELOP MAN's FUTURE
“THE MUSEUM AS A TOOL TO DEVELOP MAN’S FUTURE”: PUBLIC RELATIONS AND PUBLIC HISTORY IN KANNAPOLIS, NC A Thesis by WILLIAM C. RABY Submitted to the Graduate School at Appalachian State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2020 Department of History i “THE MUSEUM AS A TOOL TO DEVELOP MAN’S FUTURE”: PUBLIC RELATIONS AND PUBLIC HISTORY IN KANNAPOLIS, NC A Thesis by WILLIAM C. RABY May 2020 APPROVED BY: Karl E. Campbell, Ph.D. Chairperson, Thesis Committee Andrea Burns, Ph.D. Member, Thesis Committee Bradley Nash, Jr., Ph.D. Member, Thesis Committee James R. Goff, Ph.D. Chairperson, Department of History Mike McKenzie, Ph.D. Dean, Cratis D. Williams School of Graduate Studies ii Copyright by William C. Raby 2020 All Rights Reserved iii Abstract “THE MUSEUM AS A TOOL TO DEVELOP MAN’S FUTURE”: PUBLIC RELATIONS AND PUBLIC HISTORY IN KANNAPOLIS, NC William C. Raby B.S., Appalachian State University M.A., Appalachian State University Chairperson: Dr. Karl E. Campbell Industrial heritage displays have attracted a large and growing multidisciplinary body of scholarship, much of which explores the relationships between the politics of deindustrialization and the politics of memory. Industrial heritage museums began to emerge in the late 1970s and early 1980s in concert with widespread deindustrialization, often with the backing of economic development coalitions in the name of economic diversification and postindustrial growth. Scholars have noted that industrial heritage displays represent a marked shift from the industrial museums and exhibitions that proliferated across the Western world in the late-nineteenth century to narrate the social and cultural changes brought by industrialization against the backdrop of shared national pasts.
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