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Home , History of Hollyoaks, Hoxton Hall, Jeremy Irons, Jessica Regan, London Palladium, Matthew Bourne

2018 Winter/Spring Season

Brooklyn Academy of Music

Adam E. Max, Chairman of the Board

William I. Campbell, Vice Chairman of the Board

Katy Clark, President The Old Vic Production of

Joseph V. Melillo, Executive Producer Long Day’s Journey Into Night By Eugene O’Neill

BAM Harvey Theater May 8—12, 15—19, 22—26 at 7:30pm; May 12, 19 & 26 at 2pm; May 13, 20 & 27 at 3pm

Running time: approx. three hours & 20 mins, including intermission

Directed by Sir Set and costume design by Lighting design by Peter Mumford Season Sponsor: Sound design by John Leonard

Major support for Long Day’s Journey Into Night provided by the Richenthal Foundation

Leadership Support for the Winter/Spring Season provided by the Howard Gilman Foundation

Major support for theater at BAM provided by: The Achelis and Bodman Foundation The Gladys Krieble Delmas Foundation The Francena T. Harrison Foundation Trust The Fan Fox & Leslie R. Samuels Foundation, Inc. The SHS Foundation The Shubert Foundation, Inc. Long Day’s Journey Into Night

JEREMY IRONS

MATTHEW BEARD RORY KEENAN JESSICA REGAN

PHILIP CHILDS DEBORAH BLAKE JACK HARDWICK Long Day’s Journey Into Night

CAST

James Tyrone Mary Tyrone Lesley Manville Edmund Tyrone Matthew Beard James Tyrone Jr. Rory Keenan Cathleen Jessica Regan

UNDERSTUDIES

James Tyrone Philip Childs Mary Tyrone & Cathleen Deborah Blake Edmund Tyrone & James Tyrone Jr. Jack Hardwick

ADDITIONAL CREATIVE TEAM

Original Casting Director Maggie Lunn CDG West End Casting Director Charlotte Sutton CDG Associate Director Katie Henry Associate Designer Ben Davies Associate Costume Designer Irene Bohan Associate Lighting Designer Charlotte Burton Props Supervisor Lisa Buckley Voice and Dialect Coach Penny Dyer Fight Director Kate Waters

Producers and Fiery Angel US Engagements produced in Association with Pádraig Cusack

Production Management Jim Leaver Manager Laura Flowers Deputy Stage Manager Sarah Hellicar Head of Wardrobe & Wigs Megan Keegan General Management Fiery Angel

American Stage Manager Sara Sahin

The Actors are appearing with the permission of Actors’ Equity Association.

The American Stage Manager is a member of Actors’ Equity Association. Wh

Who’s Who

Rory Keenan. Photo: Hugo Glendinning Keenan. Rory Jeremy Irons, Matthew Beard, Lesley Manville, Jeremy Irons, Matthew Beard, Lesley Manville,

PRODUCTION TEAM

Producers Edward Snape and Jon Bath for Fiery Angel, Chloé Elwood for Bristol Old Vic General Management Jon Bath, Hugh de la Bedoyere Marketing & Sales Manager Bonnie Royal Production Assistant Christabel Holmes Production Accountant Helen Maddison Design Assistant Megan Huish Assistant Props Supervisor Mary Halliday Lighting Programmer Victoria Brennan Scenic Construction & Painting Souvenir Scenic Studios Production Carpenter Craig Emerson Cyclorama Painted by Alistair Brotchie Costume Hires Supplied by Cosprop Wigs Made & Supplied by Campbell Young Wigs Consultant Helen Keane Make Up Supplied by MAC Rehearsal & Production Photography Hugo Glendinning Original West End Artwork and Design SWD

Special thanks to PRG Lighting for supporting Long Day’s Journey Into Night. Wh

Who’s Who

JEREMY IRONS (James Tyrone) trained at the was last here in 2015 with a tribute to Ingrid Bristol Old Vic School and joined the Bergman. He is married to Sinéad Cusack. company in 1969, staying three years. In the West End he performed in and Simon LESLEY MANVILLE (Mary Tyrone) is an award- Gray’s The Rear Column (Clarence Derwent winning stage, screen, and television actress, Award), and in and Much Ado most recently Oscar- and BAFTA-nominated About Nothing at the . He played in for Best Supporting Actress for her role as Wild Oats, The Rover, Leontes in The Winter’s Cyril Woodcock in Paul Thomas Anderson’s film Tale, and the King in Richard II for the RSC. Over Phantom Thread, and Olivier-nominated for Best 60 film credits include The French Lieutenant’s Actress for her reprisal of Mary Tyrone in Long Woman (1981); The Mission (1986); Dead Day’s Journey Into Night. Previously for Richard Ringers (1988); (Golden Eyre, Manville has appeared in Ghosts (Almeida Globe, Emmy, and Academy Award for Best Theatre/West End/BAM 2015), for which she Actor); Damage (1992); M. Butterfly (1993); won both the Olivier and Critics Circle Award and (1997). He voiced in The Lion for Best Actress. Other theater includes Grief, King (1994) and played Simon Gruber in Die directed by for which she received Hard with a Vengeance (1995). His more recent an Olivier Award nomination for Best Actress, film work includes (2011), Night Her Naked Skin, Pillars of the Community, The Train to Lisbon (2013), The Man Who Knew Alchemist, and (NT); Six Infinity (2015), and the recently released Degrees of Separation and All About My Mother Sparrow (2018). His television credits include (Old Vic); Top Girls (Royal Court/New York); Charles Ryder in and , The Pope’s Wedding, Saved, Lord Dudley in Elizbeth I with for The Mother, How Now Green Cow, Falkland which he won a SAG Award, his second Golden Sound, Three Sisters, American Bagpipes, Globe, and an Emmy. In The Borgias (2011) he Borderline, and Rita, Sue and Bob Too (Royal played Pope Alexander, and portrayed Henry Court). She has also appeared in The Cherry IV in the BBC’s The Hollow Crown directed by Orchard and Some Girls (West End); Miss Julie Richard Eyre (2016). In Europe he has been (Greenwich); Les Liaisons Dangereuses, As You awarded a César and the Premio Europa Per Like It, Philistines, and The Wives Excuse (RSC). Il Teatro Award. He is an Officier des Arts et She has worked on numerous films with Mike des Lettres. Additionally, he produced and Leigh, most notably in Another Year, for which appeared in TRASHED, Candida Brady’s award- she won the Critics Circle Film Award for winning environmental documentary. He played Best British Actress, National Board of Review Professor Higgins opposite in My Award for Best Actress, and was nominated for Fair Lady at the and sang Noel a BAFTA and British Independent Film Award. Coward at the Last Night of . He won Other films with Leigh include All or Nothing, for a Tony for his performance in ’s which she won the London Critics Circle Award (1983) opposite and for Best British Actress, Mr. Turner, Vera Drake, appeared in ’s A Little Night Topsy Turvy, Secrets and Lies, and High Hopes. Music as Frederick in the City production Other film credits include Hampstead, Rupture, (2003), played in ’s Maleficent, , Molly Moon, A Embers (2006), and as Macmillan in the Five Star Life, Spike Island, Ashes, A Christmas National Theatre’s Never So (2008). Irons Carol, Sparkle, Milk, and High Season. Extensive appeared on Broadway again in Jack O’Brien’s television credits recently include the title role in Impression opposite (2009) and he the BBC series Mum (for which she received a narrated Leonard Bernstein’s Kaddish at the BAFTA nomination) and the Hulu series Harlots. New York Philharmonic (2017). His recording of For the BBC: River (BAFTA Best Supporting the Complete Works of T.S. Eliot was released Actress nomination), The Go-Between, Mayday, in March 2018. In 2016 he first performed the Cranford, North and South, The Cazalets, role of James Tyrone as part of the Bristol Old Other People’s Children, Real Women, Holding Vic’s 250th anniversary. He is Patron of the On, The Bite, Goggle Eyes, The Mushroom Prison Phoenix Trust and the Hope Foundation, Picker, Top Girls, The Firm, and Grown-Ups, and Chancellor of Bath Spa University. Irons and for , The Queen, Fleming, and is pleased to return to the stage at BAM. He Bodily Harm. WhCi

Who’s Who

MATTHEW BEARD’s (Edmund Tyrone) perfor- As former series regular Dr. Niamh Donoghue in mance in And When Did You Last See Your Fa- Doctors, she won Best Actress at the Royal Tele- ther? gained him nominations for both a British vision Society Awards (Midlands) 2014 and Best Independent Film Award and an Evening Stan- Newcomer at the British Soap Awards 2015; dard British Film Award as Most Promising New- and appeared in Silent Witness, Eastenders, comer and was hailed as “A Star of Tomorrow” The Wrong Door (BBC); Peep Show, Ladies by . Beard’s subsequent film and Gentlemen (Channel 4); and No Signal work includes Hideo Nakata’s Chatroom, Lone (FX Channel). Theater credits include: Henry Scherfig’s , One Day, and Michael V at Regents Park; Liola at the NT, directed by Winterbottom’s The Look of Love. His television Richard Eyre; The Kitchen, The Cherry Orchard, credits include Rogue opposite Thandie Newton and Blood and Gifts (NT); Coalition (Pleas- and Labyrinth produced by . Other ance); Stars in the Morning (Belgrade Coventry); film credits include The Riot Club, The Imitation The Flags (Royal Court, ). Radio and Game, alongside and voiceover work includes: A Time to Dance (BBC Keira Knightley, and Roland Joffe’s Singularity. Radio 4) and The Cider Queens (RTE Radio). Re- He made his stage debut in (West End, gan is a contributor and performer on hit podcast Broadway), receiving a Tony nomination. The Guilty Feminist and trained at RADA.

RORY KEENAN (James Tyrone Jr.), previously PHILIP CHILDS (James Tyrone, understudy) for director Richard Eyre, played the title role in trained at the Bristol Old Vic Theatre School. He Liola at NT. Other theater credits include The recently played Bob in the UK and international Kitchen, Damned By Despair (NT); Saint Joan, tour of Priscilla, Queen of the Desert, and Dr. Dil- Welcome Home Captain Fox!, and Philadelphia lamond/first cover, Wizard in Wicked in London’s Here I Come! (); West End. Other theater credits include: Malvolio Carrol (Donmar at Trafalgar Studios); Someone in in Brockwell Park and New Mor- Who’ll Watch Over Me (Chichester Festival The- den Hall; ’s People and The Habit of atre); The Shaughraun (Noel Coward Theatre); at the , both directed The Big Fellah (Lyric Hammersmith/UK tour); by Sir ; Stan in Stand Up and and Lakeboat/Prairie du Chien (). Be Counted (UK Tour); Lord Astor in Keeler (UK Before moving to London he worked extensively Tour); Crichton in Guilty Secret (The Mill at Son- in theater in appearing in many Abbey ning); Nick Wilmott in On Your Honour (Jermyn Theatre productions including Six Characters in Street Theatre); Lloyd Dallas in and Search of an Author, The School for Scandal, Gordon in Neville’s Island (Torch Theatre, Milford She Stoops to Folly, and Saved. Elsewhere in Haven); Serge in Art (tour of Gulf States); Jimmy Dublin he has played the title roles in , Grimes in —The Musical written , and as well as many and directed by Kid Creole; Paul Burns in Oh! other leading roles at , Olympia What a Night! (UK/European tour); Romeo in Theatre, and Gaiety Theatre including Festen, Romeo & Juliet (Oldham); Lenny in Having a The Importance of Being Earnest, The Taming of Ball (Cheltenham); Bottom in A Midsummer the Shrew, and The Seagull. TV credits include: Night’s Dream and Sir Toby Belch in Twelfth Come Home, War & Peace, Peaky Blinders, Night (Canizaro Park, Wimbledon); Bernard in Birdsong, and Aristocrats (BBC); Versailles (Ca- Don’t Dress For Dinner (Northampton); Vincent nal+/BBC); Striking Out, The Clinic, On Home Minelli in Judy (Bristol Old Vic, Greenwich/West Ground, Showbands (RTE); Lucky Man (SKY); End); Antonio in (Oxford Stage Benedict Arnold (ABC); and Primeval (ITV). Film Company); Killing for Company—a one-man work includes: The Young Messiah, Grimsby, play about mass murderer Dennis Nilsen (Hen & The Guard, Take Down, One Hundred Mornings, Chickens); Sgt. Match in What the Butler Saw Second Coming, Zonad, Ella Enchanted, Inter- and Christopher Riley in Shadowlands (Coven- mission, Pride and Joy, and Reign of Fire. try); Phil Spear in The Ballroom (Attic, Wimble- don); and Snoopy in You’re A Good Man Charlie JESSICA REGAN’s (Cathleen) television credits Brown (Overground, Kingston). Other West End include: Ill Behaviour (Fudge Park/BBC/Show- credits include The Hired Man, Casablanca, and time), Nowhere Fast (Deadpan Pictures/RTE), It Arturo Ui. Television credits include: The pilot for Should Have Been Me (Merman/Sky), Call the The Trial (barrister Michael Beloff), , Midwife (Neal Street/BBC), and Casualty (BBC). Eastenders, Dream Team, Bernard’s Watch, The Jeremy Irons, Lesley Manville. Photo: Hugo Glendinning Who’s Who

Bill, Woof, Backup, Out of Sight, Into the Fire, 2 CREATIVE TEAM Point 4 Children, Cracker, Peak Practice, Waiting for God, A Dark Adapted Eye, Minder, Inspec- EUGENE O’NEILL (playwright), born in New tor Morse, Sophia and Constance, Mile High, York City on October 16, 1888, was the first Murder City, and Men Are Wonderful. Film credits great American playwright. His father was James include: Vera Drake directed by Mike Leigh and O’Neill, the famous dramatic actor; during The Damned United. his early years O’Neill often traveled with his parents. Beyond the Horizon (1920), the first DEBORAH BLAKE (Mary Tyrone, Cathleen, of his plays to reach Broadway, won a Pulitzer understudy) portrayed Helen Alving in Ghosts at Prize (he eventually won four) and opened the the . She covered the lead role way for serious theater in this country. In 1936 of Maria Callas in Terence McNally’s Masterclass he became the only American playwright to in transfer to the West End’s Vaude- be awarded the Nobel Prize for Literature. His ville Theatre. She had the comedic role of Lady major works include The Emperor Jones (1920); Virginia in Wilde’s last attributed play, Constance, The Hairy Ape (1922); Desire Under the Elms at the King’s Head. Additional roles: Comtesse (1924); The Great God Brown (1926); Strange de Saint Fond/Baronesse de Simiane (covers) Interlude (1928); Mourning Becomes Electra in Madame de Sade for ’s (1931); Ah, Wilderness! (1933); A Moon for the Donmar West End Season; Martha (cover), That Misbegotten (1957); Hughie (1964); A Touch Face, Duke of York’s; Catriona in The Ride and of the Poet (1967); and what most consider his Betty Bell in Mary Bell by Mary Bell at the White two greatest plays, (1964) Bear; Oberon in A Midsummer Night’s Dream, and Long Day’s Journey into Night, completed in Isabella in Measure for Measure, Olivia in Twelfth 1941 but unproduced until three years after his Night, Queen in Cymbeline, all for The Original death on November 27, 1953. Shakespeare Company; Portia, , and national tour; RICHARD EYRE (director) has directed Hamlet, Protoe in Pentheselia at The Gate Theatre; Miss Kafka’s Dick, Edmond (Royal Court); Come- Julie in Miss Julie, tour; Kissinda, A dians, , The Beggar’s Opera, Tragedy, Tristan Bates Theatre; The Government Inspector, The Futurists, The Sarah in Another World, Production Village Crick- Changeling, The Voysey Inheritance, Racing lewood; Mason in An Ideal Husband, also cover- Demon, Richard III, Night of the Iguana, White ing Gertrude and Mabel Chiltern, Westminster Chameleon, Skylight, Napoli Milionaria, Sweet Theatre and national tour; Mary in The Mysteries, Bird of Youth, The Absence of War, John Gabriel The Orchard Theatre; and Bella Manningham in Borkman, The Prince’s Play, Amy’s View, King Gaslight, Salon Varieties, Malaga. Television: UK Lear, The Invention of Love, , News Anchor in Billionaire Boy, , Search The Reporter, , Welcome to BBC, and Secrets and Lies. Blake is also a visual Thebes, Liolà (NT); (Broadway); artist under her given name, Pearse. (West End/Broadway); A Flea in Her Ear (Old Vic); The Last of the Duchess JACK HARDWICK (Edmund Tyrone, James (); and The Tyrone Jr., understudy) trained at Bristol Old Vic Dark Earth and the Light Sky, his own adapta- Theatre School. Work in theater includes Elyot tions of Les Mains Sales, Hedda Gabler, Ghosts Chase in (UK tour); Peter in The Rail- (BAM, 2015), Little Eyolf (Almeida); Private way Children (King’s Cross Theatre); Joe in Battis Lives, Betty Blue Eyes, Quartermaine’s Terms, Boy (Arcola Theatre, The Miniaturists); Groom in Stephen Ward, Mr. Foote’s Other Leg (West Blood Wedding (Courtyard Theatre); Hippolito in End); Long Day’s Journey Into Night (Bristol Old Revenger’s Tragedy ( Hall); U/S Gregory, Vic); The Last Cigarette, The Pajama Game, and Sergei, Actor One in (NT); Ensign The Stepmother (Chichester). Opera includes Blades in Quality Street (); La Traviata (ROH), Le Nozze di Figaro (Aix-en- Adrian in The Tempest (Shakespeare at the To- Provence/), Carmen, Werther, bacco Factory); Lysander in A Midsummer Night’s and Manon Lescaut (Metropolitan Opera). Televi- Dream (Shakespeare at the Tobacco Factory). sion includes The Insurance Man, Country, v, Television and film: Mark in Misfits(Clerkenwell Tumbledown, , Changing Films); PC Nick in Law and Order: UK (Kudos); Stages, Henry IV Parts I and II, The Dresser, and Tybalt in Verona (Mirror Productions). and . Films include The Ploughman’s Who’s Who

Lunch, Iris, , Notes on a Scandal, Norman Conquests (also Broadway), Speed the The Other Man, and The Children Act. He is the Plow, and Complicit (Old Vic); The Last Cigarette author of Utopia and Other Places—a memoir, (Chichester Festival Theatre, Trafalgar Studios). National Service—a journal of his time at the Opera credits include Turn of the Screw (Welsh National Theatre, Talking Theatre—conversations National Opera), Sophie’s Choice (Royal Opera with theater people, and What Do I Know—a House; Metropolitan Opera, NY); Carmen, collection of essays. He was director of Not- Werther, and Manon Lescaut (Festspielhaus, tingham Playhouse from 1973—78, producer of Baden Baden). Howell has received numerous Play for Today for BBC TV 1978—81, and direc- Oliver and Tony nominations, and has been tor of the National Theatre from 1988—97. He awarded Oliviers for Best Set Designer in 2000 has received numerous theater and film awards and 2006. For Matilda the Musical he won the and is a Fellow of the Royal Society of Literature. 2012 Olivier award, and Drama Desk, Outer He was knighted in 1997 and was made a Critic’s Circle, and in 2013. Companion of Honour in 2017. PETER MUMFORD (lighting design), in theater ROB HOWELL’s (set and costume design) work has recently worked on: Long Day’s Journey in theater includes: The Observer, Her Naked Into Night, The Ferryman, 42nd Street, Top Skin, The Reporter, Buried Child, Chips with Hat, Stepping Out (West End); The Children Everything, Troilus and Cressida, Money, Battle (Royal Court, Broadway); Royal, and Howard Katz (NT); Matilda the (Donmar); King Kong (Global Creatures, Austra- Musical (also West End, Broadway, Australia, lia); Escaped Alone (Royal Court; BAM, 2017), and US tour), The Shakespeare Review, The Slaves of Solitude (Hampstead); High Society Painter of Dishonour, Little Eyolf, Richard III, (Old Vic); Ghosts (Almeida; West End; BAM, and The Family Reunion (RSC); The Ferryman 2015); Bull (Young Vic); Scenes from an Execu- (also The Gielgud), Simpatico, Hard Fruit, and tion (National). Opera includes: Werther, Faust, Real Classy Affair (Royal Court); Tartuffe, The Carmen, Peter Grimes (Met Opera); Manon Government Inspector, Vassa, Conversations Lescaut (Baden Baden, Met); The Damnation of after a Burial, Lulu (also Kennedy Center), Faith Faust (ENO, , Palermo, De Vlaamse); But- Healer, The Lady from the Sea, and Hedda terfly (ENO, Met); Pelléas et Mélisande (Mari- Gabler (also Duke of York’s Theatre) (Almeida); insky); Eugene Onegin (LA Opera, ROH); La Fathers and Sons, Philadelphia, Here I Come, Traviata (Glyndebourne); Fidelio, The Ring (Scot- Habeas Corpus, The Fix, How I Learned to tish Opera); The Midsummer Marriage ( Drive, True West, The Glass Menagerie (also Lyric Opera); The Bartered Bride (ROH); Faust Comedy Theatre), and (Donmar); Venus In (Vilnius City Opera); Butterfly, and Andrea Ché- Fur, Stephen Ward, Deathtrap, The Prisoner of nier (Opera North). Dance includes: Corybantic Second Avenue, Private Lives, Tom & Clem, Tell Games (Royal Ballet); Carmen (Royal Ballet, Me on a Sunday, The Caretaker, and Our House Texas Ballet Theater, Queensland Ballet, Carlos (West End); Ghost the Musical (Manchester, Acosta); The King Dances, Faster, E=mc2, Take West End, Broadway); The Graduate (West End, Five (Birmingham Royal Ballet); Carmen (Miami Australia, Broadway); Sunset Boulevard (UK City Ballet, Richard Alston); Ein Reigen (Vienna tour); True West (Circle in the Square, NY); Wild State Ballet). Awards include: Olivier Award for Honey, Little Malcolm and His Struggle Against Outstanding Achievement in Dance (The Glass the Eunuchs (and West End) (Hampstead Blew In); Olivier Award for Best Lighting Design Theatre); (Theatre D’atelier—Paris, (Bacchai); Knight of Illumination Award (Sucker Broadway); Simply Heavenly (Young Vic); Long Punch); Helpmann and Green Room Awards for Day’s Journey Into Night (Bristol Old Vic); Peter Best Lighting (King Kong). Mumford has directed Pan (West Yorkshire Playhouse); and designed concert stagings of The Ring Cycle (Manchester Royal Exchange); Eddie Izzard tours (winner, Opera and Music Theatre—RPS Music (1998, 2000); Endgame (Albery Theatre), Bash Awards 2017; Winner, Opera—South Bank Sky (Trafalgar Studios), Boeing Boeing (Comedy Arts Awards 2017) and The Flying Dutchman for Theatre, Broadway), Lord of the Rings (Theatre Opera North, Fidelio for Orchestre de Chambre Royal, Drury Lane, Toronto); , de Paris, and Otello for Bergen National Opera. Groundhog Day (also Broadway), The Caretaker, In addition to his lighting design work, he also The Master Builder, The Lorax, Future Condi- designed the sets for Dying City at the Royal tional, A Flea in Her Ear, Inherit the Wind, The Court and Carmen at Miami City Ballet. Who’s Who

JOHN LEONARD (sound design) began work Insignificance, , Jumpy in theater sound 45 years ago, since providing (Theatr Clwyd); Twelfth Night Re-Imagined soundtracks for theaters all over the world. He (Regent’s Park Open Air Theatre); The Busk- has written an acclaimed guide to theater sound; ers Opera (Park); Hedda Gabler, Little Shop of received Drama Desk, LDI Sound Designer of the Horrors (Salisbury Playhouse); Goodnight Mister Year, and USITT Distinguished Career Awards; Tom (Duke of York’s, tour for ATG); wonder. and is a fellow of Guildhall School of Music and land (Manchester International Festival, NT); Drama and an Honorary Fellow of the Hong Albion (Bush); The Light Princess, Emil and the Kong Academy of Performing Arts. His most Detectives, The Elephantom (NT); One Man, Two recent theater includes: Mood Music (The Old Guvnors ( recasts); The Vic); The Retreat (); Cell Mates, Rise and Shine of Comrade Fiasco, I’d Rather Prism, The Firm, Mother Christmas (Hampstead Goya Robbed Me of My Sleep Than Some Other Theatre); The Stepmother (Chichester Minerva A*sehole, Gruesome Playground Injuries (Gate); Theatre), The Real Thing and Duet for One (UK Our Big Land (New Wolsey, Ipswich, tour); For- tours); All Our Children (Jermyn Street Theatre); ever House (Drum Theatre, Plymouth); Cabaret Consent, Waste, Detroit, Grief, Untold Stories— (Savoy, National Tour); Desire Under the Elms Cocktail Sticks, 2000 Years, England People (Lyric Hammersmith); Not Another Musical (Lati- Very Nice, Much Ado About Nothing, London tude Festival); Run! A Sports Day Musical (Polka Assurance, and Rocket to the Moon (NT); The Theatre); Shivered (); The Heresy of Love (RSC); The Dark Earth and The Tour Guide ( Festival); Bunny (Under- Light Sky, The Master Builder, and Little Eyolf belly; Edinburgh; Theatre; 59E59, NY) and (Almeida); as well as Ghosts (West End, New First Lady Suite (Union Theatre). York); Long Day’s Journey Into Night (Bristol Old Vic); Into the Woods (The Royal Exchange); The IRENE BOHAN (associate costume designer) BFG (Birmingham Rep); Birthday and has designed for Follies, Common, The Three- (Royal Court); Stevie, Farewell to the Theatre, penny Opera, Three Days in the Country, Lawrence After Arabia, Ken, and Mr. Foote’s National Theatre 50 Years On Stage, Robert Lep- Other Leg (also West End) (Hampstead); Macbeth age’s A Midsummer Night’s Dream, The Wind in (Shakespeare’s Globe); Lady Windermere’s Fan, the Willows, Arturo Ui, The Madness of George The Libertine, Dead Funny, Hand to God, The III, , Trelawney of the Wells, , The Duck House, Just , Firebird, and Mc- Pillowman, , Collaborators (NT); A Queen (West End). Christmas Carol, The Caretaker, Dr. Seuss’ The Lorax, Future Conditional, Speed the Plough, MAGGIE LUNN (original casting director) had The Norman Conquests, Inherit the Wind, been head of casting at the RSC, the Almeida, Future Conditional, The Caretaker (Old Vic and the National Theatre and her work in film Theatre Company). Costume design: Inherit the and television was acknowledged with an Emmy Wind, The Tempest, Lulu, Costume Design Bash Award nomination. Her death last year meant the (Almeida); Nine (London, Buenos Aires); The loss of one of the most influential and respected Real Thing, Juno and the Paycock (Donmar); casting directors of recent years. Skylight, The Audience (also Broadway); Jackie; ; The Graduate; On an CHARLOTTE SUTTON CDG (West End casting Average Day; ; Boeing, Boeing; The King’s director) has credits in theater including: Quiz, Speech (West End). Opera includes: associate The Norman Conquests, The Stepmother, Fid- costume designer for Manon Lescaut, Le Nozze dler on the Roof, Sweet Bird of Youth, Strife, di Figaro, Werther, Die Fledermaus, Carmen Mack and Mabel, and Caroline, or Change, (Metropolitan Opera); co-costume designer with (Chichester Festival Theatre); Nell Gwynn (ETT Maria Bjornson for Ernani (ENO). Dance: The tour, Shakespeare’s Globe); My Brilliant Friend Red Shoes (’s Early Adventures), (Rose, Kingston); The Pitchfork Disney, Killer Les Liaisons Dangereuses (), ( Town Hall); trade, Dutchman (Young Dorian Gray (Sadlers Wells, UK tour). Musical Vic); Annie Get Your Gun, Lady Chatterley’s theater costume supervisor: Love Never Dies, Lover, Flowers for Mrs. Harris, Waiting for Godot, Priscilla Queen of the Desert (London). Musical Queen Coal (Sheffield ); A Pacifist’s theater associate costume designer: The Lord Guide to the War on Cancer (Complicite, NT); of the Rings (Toronto, London), The Phantom Sheppey, German Skerries (Orange Tree); of the Opera (Hamburg, Toronto, Manchester), Photo: Yannick Grandmont Who’s Who Pride, ter Jenkins,Testament ofYouth, BlueJasmine The JungleBook,DanishGirlFlorenceFos - Chesil Beach,EuphoriaZooMyCousinRachel , Fantabuloso, TheDealandBlackpool.Film: On Biggs, SmallIslandMargaretDowntonAbbey Cilla, Tommy Cooper,TheGirlSlapMrs. , Kingdom,Marvellous Code ofaKiller,TheLast Snatch, Waiting forAndre,TheRack Pack, ester, West End).TV: Kiri,TheWoman inWhite, Ui,KissMeKateresistible RiseofArturo (Chich- Crosses, TheCrucible(RSC);ThisHouseIr Days (Hampstead);JuliusCaesar,Noughtsand , WildLabyrinth , Reasons tobeHappy,55 rara andRoots (Donmar);TheSlavesofSolitude, Circle Transformation Teddy (Royal Court); Fer the Door,TheMistressContractandMirror Really Trying (Broadway);Linda,TheWolf from Inishmaan, HowtoSucceedinBusinessWithout Grandage Season(West End);TheCrippleof of Mormon,ClybournePark, andtheMichael Good People, TheCommitmentsPosh, Book Woolf, Gypsy(alsoCFT);TheRuling Class, (Old Vic);Heisenberg,Who’s AfraidofVirginia Cities, SweetBirdofYouth, Speed-the-Plow Groundhog Day,TheCaretaker , OtherDesert (alsoWest Country Girl fromtheNorth End); (NT); Sons, ThisHouseandBloodGifts worked onFollies, TheRed Barn,Husbandsand PENNY DYER (voiceanddialectcoach)has sion forBazLuhrmann’s MoulinRouge. - Madness ofKingGeorge;UKcostumesupervi Film includes:assistantcostumedesignforThe The Wizard ofOz(London, Toronto, OurHouse). Sunset Boulevard(Germany, Australia,UKtour), West End).Recent workincludes Handto God Women BewareWomen, and (also tour); Frankenstein, Season’s Greetings,Hamlet , Two Guvnors(alsoWest End,Broadway, world West End);TheComedyofErrors; OneMan, ous IncidentoftheDoginNight-Time (also Good, Rules forLiving,Dara Hotel, TheCuri- For theNT: ,AsYou Like It,OurCountry’s len atChichesterFestival TheatreonKingLear. rehearsals forJuliusCaesar,andwithIanMcKel- new theaterTheBridgeonYoung andisin Marx She hasrecentlyworkedwithNickHytnerathis women ontheEquityRegister of Fight Directors. KATE WATERS (fightdirector)isoneofonlytwo and BhajiontheBeach. The War Zone,ElizabethOscarandLucinda Damned United,Frost Pretty Nixon , Dirty Things, Philomena, Nowhere Boy, The Queen, The - - (Birmingham REP); ClingtoMeLikeDerngate, Northampton; Ivy Van (HullTruck); TheYears Between(TheRoyal; Work inthe asassistant directorincludesLady Skin (MountviewAcademyofTheatreArts). Szechwan, TheGrandfathersandHerNaked and Welcome toThebes,TheGoodPerson of Tree Centre); Theatre);Iron(BatterseaArts TrainNight’s Dream,andLast toNibroc(Orange Dream BeforeITake theStand,AMidsummer Centre), bothdevisedwiththecompany; I Bed(Southbank Grandpa Joe’sGiantStorytelling as directorincludesAlice’sHouseofCardsand the China-UKcollaborationinBeijing.Otherwork was associatedirectorintheWest Endandon revival directorfortheUKtourofWar Horse,and KATIE HENRY (associatedirector)iscurrently Street Live2015. She choreographedthefightsforCoronation for CoronationStreet,EmmerdaleHollyoaks. Lloyd. Television: Waters isaregularfightdirector on Tina Turner theMusicaldirectedbyPhyllida & JulietandMacbeth.Shewillalsobeworking at theRSCchoreographingfightsforRomeo (Lyric, Hammersmith).In2018Waters willbe (Bush); BugsyMalone,SavedBlastedHerons of theFlies(Regent’s Park OpenAir); Disgraced Midsummer Night’sDream,Porgy &Bess,Lord Peter Pan, SevenBridesforBrothersA Duchess ofMalfi,SweetBirdYouth (OldVic); tus (RSC);NoisesOff(OldVic;West End);The Andronicus, KingLearLovesSacrificeDr. Faus- house; StAnn’s Warehouse, NY);Hamlet , Titus IV,JuliusCaesar(DonmarWareEnd); Henry - Giovanni (ROH);From HeretoEternity(West the Musical(St.JamesTheatre;West End);Don Comedy (ChichesterFestival Theatre);Urinetown Black (The Globe);LiberianGirl(Royal Court); Anthony &Cleopatra,Dr. Faustus V , Henry The Pride (JamieLloydCo.); MerchantofVenice, III, EastIsTheRuling Class,TheHothouse San Diego, CA);TheMaids,MacbethRichard (West Goodbye(TheOldGlobe; End);TheLast University.and St.Mary’s directors atMountview, BADA, theOrangeTree, She regularlyteachesandmentors actors and called Motherlandtobepresentedin2018. developing anewplaywithSilvaSemerciyan directorofStandFast is artistic Theatre,Henry at OrangeTree Theatreasatraineedirector. As (Watfordin-Law Palace); andsixproductions Aladdin andTheDaughter- Who’s Who

BEN DAVIES (associate designer) in theater JIM LEAVER (production management) is a (as associate designer): Matilda the Musical freelance production manager working across (UK tour); Art, Electra, A Christmas Carol, The multiple art forms. For the NT: Macbeth, Pinoc- Lorax (Old Vic); Venus in Fur, Beautiful—The chio, Follies, Ugly Lies the Bone, The Beaux’ Carole King Musical, The Ferryman (West End); Stratagem, Everyman, King Lear, The Amen Charlie and the Chocolate Factory (West End; Corner, Othello, People, Cocktail Sticks, Mister- Broadway); The Red Lion, Three Days in the man, She Stoops to Conquer, The Veil, The Holy Country, King Lear (NT). Theater (as assistant Rosenbergs, The Habit of Art, and The Birds. For designer): Sweeney Todd, Oliver!, The Audience, Theatre Company: A Winter’s The Wizard of Oz, Hamlet, Betty Blue Eyes, The Tale, Harlequinade, All on Her Own, Red Velvet, Children’s Hour, Shrek the Musical, Gypsy (West The Painkiller, Romeo and Juliet, and The En- End); (West End; Broadway); tertainer. For Manchester International Festival: The Trojans (Met Opera, NY); An American in Fatherland, Tree of Codes (Manchester, New Paris (Broadway; Paris); Singin’ in the Rain York, Miami, Paris, Aarhaus, Melbourne, Syd- (Paris); , Bombay Dreams, ney); Macbeth (Manchester, New York); Dr. Dee Groundhog Day (Broadway). (Manchester, ENO); Prima Donna (Manchester, Toronto, New York); and Monkey: Journey to CHARLOTTE BURTON (associate lighting de- the West. For in the Turbine Hall: signer) trained at LIPA, where she won the prize I Don’t Know (2014, an installation for Richard for Creative & Technical Excellence. Associate Tuttle), Empty Lot (2015, an installation for credits include: Jubilee (Lyric Hammersmith); Abraham Cruzilevegas), and Anywhen (2016, an Dick Whittington (Manchester Opera House). installation for Philippe Parreño). For Nica Burns: Assistant credits include: Young Frankenstein Medea, Feelgood, A Dangerous Corner, One (West End; Newcastle Theatre Royal); Sunset Flew Over the Cuckoo’s Nest, and Who’s Afraid Boulevard (UK tour); , Bugsy Malone of Virginia Woolf?. For Bristol Old Vic: A Midsum- (Leicester Curve); Legally Blonde (Opera Garnier mer Night’s Dream (Bristol, Hong Kong, Seoul), Monte Carlo; Curve Leicester); Annie (West End); Swallows and Amazons (Bristol, London), Wild The Addams Family (UK tour); The Wedding Oats, and Far Away. Singer (UK tour); La Cage Aux Folles (UK tour); Cinderella (); The Children PÁDRAIG CUSACK (associate producer, US (Royal Court); Disney’s Broadway Hits (Royal engagements) an international producer with Albert Hall); Long Day’s Journey Into Night Cusack Projects Limited, has produced and (Bristol Old Vic); A Christmas Carol (West End); toured productions on over four continents Little Eyolf (Almeida); Mr. Foote’s Other Leg winning awards in the UK, US, and Australia. (West End; Hampstead). Design credits include: Recent projects: Tiger Bay the Musical; La Voix The Blue Road, Vinegar Tom, , Pornogra- Humaine; My Country, a work in progress; phy, Café Crescendo, School Shorts, Hacktivists Jeremy Deller’s commemorative piece we’re here (Royal; Derngate); You Boy and The Pier (UK because we’re here (with 1418 Now); and The tour). Burton was the inaugural participant of James Plays. International touring: One Man, the Lumiere Scheme run by the Association of Two Guvnors; Grief; Phèdre; The Year of Magical Lighting Designers. Thinking; Waves; Happy Days; ; The PowerBook; and The Plough and the Stars. SARA SAHIN (American stage manager) in New New York on Broadway: Man to Man, My Eyes York on and off-Broadway has worked on pro- Went Dark, A Girl Is a Half-formed Thing, Not I/ ductions including at Roundabout, Park Avenue Footfalls/Rockaby, riverrun, John Gabriel Bork- Armory, MCC, LCT, Public Theater, Playwrights man, The Pitmen Painters, Waves, Happy Days, Horizons. Regional: Signature Theatre, Good- Primo, and Not About Nightingales. man Theatre, and Barrington Stage Company. With writer Greg Turner she has co-produced and directed five of his original plays in NYC and one short film. She is a graduate of New York University. Who’s Who

BRISTOL OLD VIC is the oldest continuously (West End) Mary Stuart (West End), Long Day’s working theater in the United Kingdom and Journey into Night (West End; BAM, New York; celebrated its 250th anniversary in 2016. It and The Wallis, Los Angeles), The Jungle Book aims to create pioneering 21st-century theater in (2018 UK tour), Love From a Stranger (2018 partnership with the people of Bristol, inspired UK tour). Recent productions include: Kenneth by the history and magical design of our beauti- Branagh Theatre Company: The Winter’s Tale, ful playhouse. Work originates in Bristol, which Harlequinade, The Painkiller, Romeo and Juliet, goes on to play both nationally and internation- The Entertainer (); Ben Hur (Tri- ally. Most recently, both Peter Pan and Jane cycle Theatre); (2016 UK tour af- Eyre transfered to the National Theatre and The ter nine years at the in the West Grinning Man to Trafalgar Studios, and Long End, three years on Broadway, and presented Day’s Journey Into Night has traveled here to in over 40 territories worldwide to date; Olivier, BAM. Bristol Old Vic is committed to developing Tony and Moliere winner); the next generation of artists, providing an ongo- (UK tour and Barbican); The Scottsboro Boys ing program of opportunity and support through (Garrick); The Ladykillers (Gielgud, Vaudeville the Bristol Ferment, and helping individual artists and UK tour—five Olivier nominations); Ghost and companies from across the southwest to find Stories (); Private Peaceful (UK and establish their voices as the theatermakers of tour); The Painkiller (Lyric Theatre, ); and tomorrow. Its award-winning Engagement strand Dial M for Murder (UK tour). As part of The Chil- creates shows and participatory opportunities for dren’s Touring Partnership, a joint venture with people from all over Bristol and the region, and Chichester Festival Theatre: Running Wild (UK is currently working with young people from all tour), The Boy in the Striped Pyjamas (UK tour), over. In 2016, work began on the final phase of Goodnight Mister Tom (Duke of York, Phoenix, the building’s £25m capital development, a long- and three UK tours—Olivier Award winner), awaited plan to transform its front of house into and Swallows and Amazons (Vaudeville and UK a warm and welcoming public space. Designed tour). As part of Fierylight Productions, a joint by Stirling Prize-winning architects Haworth venture with Limelight Productions: Peppa Pig Tompkins, the project is due for completion in Live! (West End; UK, US, and Australian tours), autumn 2018. Its work connects on a local, Ben & Holly’s Little Kingdom (UK tour), and national, and international level. Funding sup- Octonauts and The Deep Sea Volcano Adventure ports experiment and innovation, to allow access (UK tour and US tour). fiery-angel.com to programs for people who would not otherwise encounter it or be able to afford it, and to keep Edward Snape—Producer & Director its extraordinary heritage protected and alive. Marilyn Eardley—Producer & Director Jon Bath—Executive Director Chair of the Board—Dame Liz Forgan DBE Zena Choi—Executive Assistant to the Directors Deputy Chair—Denis Burn Hedda Beeby—Development Producer Artistic Director— Bonnie Royal—Head of Marketing & Sales Chief Executive—Emma Stenning Michael Stevens—Head of Concerts & Special Executive Producer—Chloé Elwood Events Producer­—Catherine Morgenstern Sarah Sweeney—Production Coordinator Hugh de la Bedoyere—Production Coordinator & FIERY ANGEL LTD Head of Tour Booking Headed by Edward Snape, Marilyn Eardley, and —Production Coordinator Jon Bath, Fiery Angel is a theatrical production Rachel Francis—Production Administrator company that produces and manages drama, Christabel Holmes—Production Assistant comedies, musicals, and event theater in the Louise Waldron—Head of Finance West End, on tour throughout the United King- Helen Maddison—Production Accountant dom and internationally. Current and upcom- ing productions include: Young Frankenstein