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FCC-06-11A1.Pdf
Federal Communications Commission FCC 06-11 Before the FEDERAL COMMUNICATIONS COMMISSION WASHINGTON, D.C. 20554 In the Matter of ) ) Annual Assessment of the Status of Competition ) MB Docket No. 05-255 in the Market for the Delivery of Video ) Programming ) TWELFTH ANNUAL REPORT Adopted: February 10, 2006 Released: March 3, 2006 Comment Date: April 3, 2006 Reply Comment Date: April 18, 2006 By the Commission: Chairman Martin, Commissioners Copps, Adelstein, and Tate issuing separate statements. TABLE OF CONTENTS Heading Paragraph # I. INTRODUCTION.................................................................................................................................. 1 A. Scope of this Report......................................................................................................................... 2 B. Summary.......................................................................................................................................... 4 1. The Current State of Competition: 2005 ................................................................................... 4 2. General Findings ....................................................................................................................... 6 3. Specific Findings....................................................................................................................... 8 II. COMPETITORS IN THE MARKET FOR THE DELIVERY OF VIDEO PROGRAMMING ......... 27 A. Cable Television Service .............................................................................................................. -
Spanish Language Broadcasting Collection
Spanish Language Broadcasting Collection NMAH.AC.1404 IrMarie Fraticelli, Edwin A. Rodriguez, and Justine Thomas This collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center. Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 4 Series 1: Gilda Mirós, (bulk 1950 - 2016, undated) (bulk 1950 - 2016, undated).................................................................................................................... 4 Series 2: Hector Aguilar, 1940 - 2002, undated.................................................... -
11/27/2017 Your Muscular System | Discovery Kids
11/27/2017 Your Muscular System | Discovery Kids So what do muscles do? Muscles move cows, snakes, worms and humans. Muscles move you! Without muscles you couldn’t open your mouth, speak, shake hands, walk, talk, or move your food through your digestive system. There would be no smiling, blinking, breathing. You couldn’t move anything inside or outside you. The fact is, without muscles, you wouldn’t be alive for very long! Do I have lots of muscles? Indeed. On average, probably 40% of your body weight is in muscles. You have over 630 muscles that move you. Muscles can’t push. They pull. You may ask yourself, if muscles can’t push how can you wiggle your fingers in both directions, back and forth, back and forth? The answer? Muscles often work in pairs so that they can pull in different or opposite directions. How do muscles move? The cells that make up muscles contract and then relax back to original size. Tiny microscopic fibers in these cells compress by sliding in past each other like a sliding glass door being opened and then shut again. The cells of your muscles use chemical energy from the food you eat to do this. Without food, and particular kinds of nutrients, your muscles wouldn’t be able to make the energy to contract! Some muscles are known as “voluntary” — that is, they only work when you specifically tell them to. Do you want to say something? Or swing a bat? Or clap your hands? These are voluntary movements. Others, like the muscular contracting of your heart, the movement of your diaphragm so that you can breathe, or blinking your eyes are automatic. -
Before the FEDERAL COMMUNICATIONS COMMISSION Washington, D.C. 20554 in the Matter of Bright House Networks, LLC for Determinatio
Before the FEDERAL COMMUNICATIONS COMMISSION Washington, D.C. 20554 In the Matter of ) ) Bright House Networks, LLC ) CSRNo. _ ___ ) For Determination of Effective Competition in: ) Brevard County, FL (FL0014) ) Grant-Valkaria, FL (FL1348) To: Office of the Secretary Attn: Chief, Media Bureau PETITION FOR SPECIAL RELIEF Bright House Networks, LLC, ("Bright House Networks" or the "Company"), pursuant to Sections 76.7 and 76.907 of the Commission's rules, 1 requests that the Commission find that it faces "effective competition" in the above-referenced Florida franchise areas (the "Franchise Areas"). The Communications Act of 1934, as amended (the "Act"), and the Commission's rules provide that cable television rates may be regulated only in the absence of effective competition.2 Cable operators are entitled to demonstrate that effective competition exists on a franchise-by- franchise basis. 3 When a cable operator demonstrates that effective competition is present within a franchise area, cable rates in the affected area are no longer subject to regulation. 4 1 47 C.F.R. §§ 76.7 and 76.907. 2 47 U.S.C. § 543(a)(2); 47 C.F.R. § 76.905(a). 3 47 C.F.R. § 76.907. 4 See Implementation ofSections ofthe Cable Television Consumer Protection and Competition Act of 1992, Rate Regulation, 8 FCC Red. 5631, 5664-5665 (1993) ("Rate Order"). DWT 21 18866lvl 0102538-000001 Under the "competing provider" test set forth in Section 623(1)(l)(B) ofthe Act and Section 76.905(b)(2) of the Commission's rules (the "Competing Provider Test"), a cable system will be deemed subject to effective competition if the franchise area is: (i) served by at least two unaffiliated multichannel video programming distributors, each of which offers comparable programming to at least 50 percent of the households in the franchise area; and (ii) the number of households subscribing to multichannel video programming other than the largest multichannel video programming distributor exceeds 15 5 percent of the households in the franchise area. -
The Uses of Animation 1
The Uses of Animation 1 1 The Uses of Animation ANIMATION Animation is the process of making the illusion of motion and change by means of the rapid display of a sequence of static images that minimally differ from each other. The illusion—as in motion pictures in general—is thought to rely on the phi phenomenon. Animators are artists who specialize in the creation of animation. Animation can be recorded with either analogue media, a flip book, motion picture film, video tape,digital media, including formats with animated GIF, Flash animation and digital video. To display animation, a digital camera, computer, or projector are used along with new technologies that are produced. Animation creation methods include the traditional animation creation method and those involving stop motion animation of two and three-dimensional objects, paper cutouts, puppets and clay figures. Images are displayed in a rapid succession, usually 24, 25, 30, or 60 frames per second. THE MOST COMMON USES OF ANIMATION Cartoons The most common use of animation, and perhaps the origin of it, is cartoons. Cartoons appear all the time on television and the cinema and can be used for entertainment, advertising, 2 Aspects of Animation: Steps to Learn Animated Cartoons presentations and many more applications that are only limited by the imagination of the designer. The most important factor about making cartoons on a computer is reusability and flexibility. The system that will actually do the animation needs to be such that all the actions that are going to be performed can be repeated easily, without much fuss from the side of the animator. -
Oklahoma City Channel Lineup
Name Call Letters Number Name Call Letters Number Name Call Letters Number Fox College Sports - Central ** FCSC 648 Nicktoons NKTN 316 ActionMAX ACTMAX 835 Oklahoma City Fox College Sports - Pacific ** FCSP 649 Noggin NOG 320 Cinemax MAX 832 Fox Movie Channel FMC 792 Oxygen OXGN 368 Cinemax - West MAX-W 833 Fox News Channel FNC 210 PBS KIDS Sprout SPROUT 337 Encore ENC 932 Fox Reality Channel REAL 130 qubo qubo 328 Encore - West ENC-W 933 Channel Directory Fox Soccer Channel ** FSC 654 QVC QVC 197 Encore Action ENCACT 936 BY CHANNEL NAME Fox Sports en Español ** FSE 655 QVC QVC 420 Encore Drama ENCDRA 938 FSN Arizona ** FSAZ 762 Recorded TV Channel DVR 9999 Encore Love ENCLOV 934 FSN Detroit ** FSD 737 Sci Fi Channel SCIFI 151 Encore Mystery ENCMYS 935 Name Call Letters Number FSN Florida ** FSFL 720 Science Channel SCI 258 Encore Wam WAM 939 FSN Midwest ** FSMW 748 ShopNBC SHPNBC 424 Encore Westerns ENCWES 937 FSN North ** FSN 744 SiTV SiTV 194 FLIX FLIX 890 LOCAL LISTINGS FSN Northwest ** FSNW 764 Sleuth SLEUTH 161 HBO HBO 802 FSN Ohio-Cincinnati ** FSOHCI 732 Smile of a Child SMILE 340 HBO - West HBO-W 803 HSN HSN 8 FSN Ohio-Cleveland ** FSOHCL 734 SOAPnet SOAP 365 HBO Comedy HBOCOM 808 KAUT-43 (MY NETWORK TV) KAUT 43 FSN Pittsburgh ** FSP 730 SOAPnet - West SOAP-W 366 HBO Family HBOFAM 806 KETA-13 (PBS) KETA 13 FSN Prime Ticket ** FSPT 774 Speed Channel ** SPEED 652 HBO Latino HBOLAT 810 KFOR-4 (NBC) KFOR 4 FSN Rocky Mountain ** FSRM 760 Spike TV SPKE 145 HBO Signature HBOSIG 807 KOCB-34 (THE CW) KOCB 34 FSN South ** FSS 724 Spike -
Press Release
Press Release Astellas Partners with Discovery Communications for its Global Branding Campaign Tokyo, February 14, 2018 - Astellas Pharma Inc. (President and CEO: Yoshihiko Hatanaka, “Astellas”) today announced the launch of a new global branding campaign centred on the company’s commitment to corporate social responsbility and to the transplant community. The program features its involvement in the World Transplant Games 2017 which were held in Malaga, Spain. In collaboration with Discovery Communications, the integrated campaign will run on Eurosport’s and Discovery’s platforms across Europe, Asia including Japan, and the United States. A five-minute program – Director’s Box – will be televised on Eurosport, featuring interviews with athletes, officials from the World Transplant Games Federation and Astellas’ president and CEO, Yoshihiko Hatanaka, who said “Astellas expanded its collaboration with the World Transplant Games Federation through this programme to help people in its physical activity-focused programming to include providing transplant and organ donation communities with resources, research and advice regarding nutrition and physical activity post-transplant”. The program will highlight Astellas’ collaboration with the World Transplant Games Federation and the Fit for Life! program, and how this initiative positively impacts the lives of transplant recipients. Launched last year, the Fit for Life! is a global program to help transplant recipients live full and active lives through ongoing physical activity and participation in organized sports. The campaign will also enable Astellas to share its vision of turning innovative science into value for patients.on Eurosport and Discovery Channels globally in a one-minute television advertisement. The advert features Astellas’ president and CEO and gives a unique glance into Astellas’ laboratories including an interview with a company researcher. -
Crime Scene Investigation
CRIME SCENE INVESTIGATION DESCRIPTION OF SESSION This session provides participants with an understanding of some of the procedures that are employed during a crime scene investigation. CATEGORIES . Exploring: Law Enforcement . U.S. Department of Education: Law, Public Safety, Corrections & Security OBJECTIVES By the end of this session, participants will be able to: . Explain why it’s important to cordon off a crime scene and to limit the number of people entering the scene. Discuss the importance of documenting a crime scene. Identify and distinguish between the standard methods of documenting a crime scene. Define the chain of custody and explain why it’s important. Differentiate between the three types of photographs taken at a crime scene and explain why each is important. Apply proper crime scene photography methods to a mock crime scene. Describe the importance of taking scaled photographs. Explain the importance of taking notes. Conduct note taking at a mock crime scene. Prepare a rough sketch and explain how it differs from a finished sketch. Demonstrate proper evidence collection and packaging procedures. SUPPLIES . (1) computer with internet access For each group of two or three participants: . (1) cellphone camera or digital camera . (3) blank index cards . (1) Sharpie marker . (3) evidence bags or blank brown paper bags . (1) roll of evidence tape (if evidence tape is unavailable, clear packing tape will do) . (1) 6-inch scale or ruler . (1) measuring tape . (1) clipboard . (1) pencil with eraser . (1) compass . (1) note pad . A variety of proxy evidence items . “A Visual Guide to Properly Packaging Physical Evidence” (PDF, see below)—one for each participant PREPARATION See Activity 6 for suggestions of speakers who could attend the meeting or places where participants could visit, and make arrangements as needed. -
Federal Register/Vol. 85, No. 103/Thursday, May 28, 2020
32256 Federal Register / Vol. 85, No. 103 / Thursday, May 28, 2020 / Proposed Rules FEDERAL COMMUNICATIONS closes-headquarters-open-window-and- presentation of data or arguments COMMISSION changes-hand-delivery-policy. already reflected in the presenter’s 7. During the time the Commission’s written comments, memoranda, or other 47 CFR Part 1 building is closed to the general public filings in the proceeding, the presenter [MD Docket Nos. 19–105; MD Docket Nos. and until further notice, if more than may provide citations to such data or 20–105; FCC 20–64; FRS 16780] one docket or rulemaking number arguments in his or her prior comments, appears in the caption of a proceeding, memoranda, or other filings (specifying Assessment and Collection of paper filers need not submit two the relevant page and/or paragraph Regulatory Fees for Fiscal Year 2020. additional copies for each additional numbers where such data or arguments docket or rulemaking number; an can be found) in lieu of summarizing AGENCY: Federal Communications original and one copy are sufficient. them in the memorandum. Documents Commission. For detailed instructions for shown or given to Commission staff ACTION: Notice of proposed rulemaking. submitting comments and additional during ex parte meetings are deemed to be written ex parte presentations and SUMMARY: In this document, the Federal information on the rulemaking process, must be filed consistent with section Communications Commission see the SUPPLEMENTARY INFORMATION 1.1206(b) of the Commission’s rules. In (Commission) seeks comment on several section of this document. proceedings governed by section 1.49(f) proposals that will impact FY 2020 FOR FURTHER INFORMATION CONTACT: of the Commission’s rules or for which regulatory fees. -
Delinquent Tax List for 1898
r "'HfSDHfH'1 " "W-1- " mmm mm i"mf imiwpwwp PPlypPlP SUPPLEMENT IF THE HAWAIIAN GAZETTE. VOL. XXXIV. HONOLULU, 11. I., FtiliKUAItY II, 1SD0. SKMMVKKKI.Y. W1I0I.K No. 2010 DELINQUENT TAX LIST FOR 1898 In accordance with Section 58, Act LI , Session Laws of 1896, the following List of Delinquent Taxpayers is hereby published, and comprises the Delinquent Taxes or the FIRST DIVISION AND DISTRICTS, as indicated, including Real Estate, Personal Property, Carriages, Carts and Drays, Dogs and Personal Taxes assessed and remaining unpaid for 1898, with 10 per cent, penalties and the Cost for Advertising, as the Law provides. 102 Clark, Mrs. Jane 30 20 205 Huka, Henry 7 20 309 K.utiaino nnil Kalee 1 60 414 KanlkanllioA (w) .... 4 00 617 Kclllaa, Ester 3 90 103 Cabral, Joaquin 31 15 206 Hlgashl 8 20 .110 Kaulu-a- , II 2 90 415 Kalua No. 2 1 70 618 Kcnu, Kala 13 SS SUPPLEMENT 104 Crulz, John C CS 207 Hoopllllllli 16 55 311 ICalmlhau, Jos 170 41C Kamaliua, loso (w) . 7 10 619 Koohokapu 7 10 105 Corrca, Francisco 2 90 20S Heu, T 13 70 312 Kamaka, 1) 7 20 417 Kahlnu, J. Iocla..... 8 20 520 Kealoha, John 10 95 106 Costa, Maria de 170 209 Hanapau 7 20 313 Katnallc 7 20 418 Kamaka 6 00 C21 Kokoowal, Alona 13 70 TUESDAY, FEBRUARY 14, 1899. 107 Cavanaugh, George C 35 210 Harper, Louisa 25 90 314 Kahale 17 C5 419 Knplloho, C. H 32 00 C22 Koholo (w) 1 co 108 Clark, Charles 7 20 211 Helenlhl, Estato of Jim. -
Annual Report 2007 Creating and Distributing Top-Quality News, Sports and Entertainment Around the World
Annual Report 2007 Creating and distributing top-quality news, sports and entertainment around the world. News Corporation As of June 30, 2007 Filmed Entertainment WJBK Detroit, MI Latin America United States KRIV Houston, TX Cine Canal 33% Fox Filmed Entertainment KTXH Houston, TX Telecine 13% Twentieth Century Fox Film KMSP Minneapolis, MN Australia and New Zealand Corporation WFTC Minneapolis, MN Premium Movie Partnership 20% Fox 2000 Pictures WTVT Tampa Bay, FL Fox Searchlight Pictures KSAZ Phoenix, AZ Cable Network Programming Fox Atomic KUTP Phoenix, AZ United States Fox Music WJW Cleveland, OH FOX News Channel Twentieth Century Fox Home KDVR Denver, CO Fox Cable Networks Entertainment WRBW Orlando, FL FX Twentieth Century Fox Licensing WOFL Orlando, FL Fox Movie Channel and Merchandising KTVI St. Louis, MO Fox Regional Sports Networks Blue Sky Studios WDAF Kansas City, MO (15 owned and operated) (a) Twentieth Century Fox Television WITI Milwaukee, WI Fox Soccer Channel Fox Television Studios KSTU Salt Lake City, UT SPEED Twentieth Television WBRC Birmingham, AL FSN Regency Television 50% WHBQ Memphis, TN Fox Reality Asia WGHP Greensboro, NC Fox College Sports Balaji Telefilms 26% KTBC Austin, TX Fox International Channels Latin America WUTB Baltimore, MD Big Ten Network 49% Canal Fox WOGX Gainesville, FL Fox Sports Net Bay Area 40% Asia Fox Pan American Sports 38% Television STAR National Geographic Channel – United States STAR PLUS International 75% FOX Broadcasting Company STAR ONE National Geographic Channel – MyNetworkTV STAR -
Smb Fee Increase Proposal
SMB FEE INCREASE PROPOSAL FEBRUARY 27, 2019 (RES UBMITTED JANUARY 31, 2020) that there will be a single fee known as the Student Media Fee for the UHM campus. This will reflect the current state of student media whereby all student media programs are governed by the Student Media Board. 2. Approve the proposed fee increase for all fee-paying students at the University of Hawaiʻi at Mānoa, regardless of credit load, according to the proposed fee schedule in Appendix A. The combined fee for students will be $38 per student per semester (Fall and Spring semesters). RECOMMENDED EFFECTIVE DATE: Effective date of implementation will be Fall 2020. ADDITIONAL COST: The fee will increase AY2020 by $17 and AY2021 by $5. PURPOSE The purpose of this request is two fold: 1. Provide the Student Media Board with the necessary funding to sustain the University’s 98 year commitment to the student voice at the University of Hawaiʻi at Mānoa. Student media programs rely on mandatory student fees in order to deliver effective programs to students and the community. The fee funds five student media programs of which 140 students directly engage and benefit from them. 2. Streamline existing fee structure from two separate fees (BOP Fee and the BCA Fee) to a single fee that funds all student media programs that are under the purview of the Student Media Board. This will allow the Board increasing flexibility yet accountability over all of their programs. BACKGROUND In 1967, the University of Hawaiʻi Board of Regents (BOR) approved the charter for the Board of Publications (BOP) to be the governing authority of Ka Leo, the student-run newspaper since 1922; Hawaiʻi Review, the literary magazine which started in 1973; and Mānoa Now, the student media marketing and public relations unit that uses multiple digital and event platforms.