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Re-Thinking Water and Food Security
RE-THINKING WATER AND FOOD SECURITY Re-thinking Water and Food Security Fourth Botín Foundation Water Workshop Editors Luis Martínez-Cortina Spanish Geological Survey (IGME), Spain Alberto Garrido Research Centre for the Management of Agricultural and Environmental Risks (CEIGRAM), Spain; Technical University of Madrid (UPM), Spain; Marcelino Botin Foundation – Water Observatory (FMB-WO), Spain Elena López-Gunn Marcelino Botin Foundation – Water Observatory (FMB-WO), Spain; London School of Economics (LSE), UK Cover photo: Courtesy of M. Campos and M. Rica Izquierdo. CRC Press/Balkema is an imprint of the Taylor & Francis Group, an informa business © 2010 Taylor & Francis Group, London, UK Typeset by MPS Ltd. (A Macmillan Company), Chennai, India Printed and bound in Poland by Poligrafia Janusz Nowak, Poznán All rights reserved. No part of this publication or the information contained herein may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, by photocopying, recording or otherwise, without written prior permission from the publisher. Although all care is taken to ensure integrity and the quality of this publication and the information herein, no responsibility is assumed by the publishers nor the author for any damage to the property or persons as a result of operation or use of this publication and/or the information contained herein. Library of Congress Cataloging-in-Publication Data Marcelino Botín Water Forum (4th : 2009 : Santander, Spain) Re-thinking water and food security : fourth Marcelino Botín Foundation water workshop / editors, Luis Martínez-Cortina, Alberto Garrido, Elena López-Gunn. p. cm. Includes index. ISBN 978-0-415-58790-7 (hard cover : alk. -
October 12-18 Videofest.Org Video Association of Dallas Make Films That Matter
ANGELIKA FILM CENTER OCTOBER 12-18 VIDEOFEST.ORG VIDEO ASSOCIATION OF DALLAS MAKE FILMS THAT MATTER UNIVERSITY OF The Department of Art and TEXAS ARLINGTON Art History at UTA has an ART+ART HISTORY excellent reputation for FILM/VIDEO PROGRAM grooming young filmmakers, preparing WWW.UTA.EDU/ART 817-272-2891 them for the creative challenges and emotional rigors of the motion picture industry. Call our advising sta to find out how you can train to be a vital part of the film industry. Art Art History Department 2 CONTENTS 2 BROUGHT TO YOU BY 3 2015 BOARD OF DIRECTORS 4 SPONSORS & CONTRIBUTORS 8 WELCOME BY BART WEISS 10 ABOUT OUR JURORS 14 TEXAS SHOW JURORS 16 KOVACS AWARD 18 HONOREES 26 SCREENINGS 52 SCHEDULE 1 BROUGHT TO YOU BY BARTON WEISS YA’KE SMITH Artistic Director Festival Bumpers RAQUEL CHAPA MARK WICKERSHAM Managing Director KARL SCHAEFFER Transportation BOXOFFICE: PREKINDLE SELIG POLYSCOPE COMPANY CAMERON NELSON Videography Technical Supervisor REDMAN I AM CHRISTIAN VASQUEZ Trophies DAVID GRANDBERRY Technical Assistant MATTHIEU CARTAL DAKOTA FORD MARISSA ALANIS MATTHEW GEISE MARGARITA BIRNBAUM VIVIAN GRAY AMY MARTIN Outreach MIKE MILLER YUMA MORRIS KELLY J KITCHENS ELEONORA SOLDATI Interns RONI HUMMEL Media Relations/Entertainment Publicity BETH JASPER ALVIN HYSONG DANA TURNER MARSHALL PITMAN Program Editor WES SUTTON Programmers TAMITHA CURIEL Newsletter Editor RON SIMON Curator of Television Pasily Center CYNTHIA CHAPA Program Content ED BARK Critic Uncle Barkey SULLIVANPERKINS MICHAEL CAIN Graphic Design Filmmaker, former head of AFI Dallas Festival DESIGN TEXAS - UT ARLINGTON JOSH MILLS Program Book Design It’s Alive! Media & Management DEV SHAPIRO Kovacs Committee DARREN DITTRICH Webpage 2 BOARD OF DIRECTORS JEFFREY A. -
ASMS Parish Profile
ALL SAINTS MARGARET STREET LONDON W1 APPOINTMENT OF FOURTEENTH INCUMBENT THE PARISH PROFILE STATEMENT DESCRIBING THE CONDITIONS, NEEDS AND TRADITIONS OF THE PARISH JULY 2020 1 Two quotations from former Parish Priests of All Saints relevant today: Henry Falconer Barclay Mackay – Fifth Vicar 1908 – 1934 “What is All Saints’, Margaret Street? It is a parish church in very little more than name. Few people and scarcely any Church People live in the tiny district, full now of day workrooms and wholesale businesses, which is bounded by Mortimer Street on the north, Oxford Street on the south, Great Portland Street on the west, and which on the east does not even include the near side of Wells Street. From the first it was intended that All Saints’ should diffuse an urbi et orbi ministry. It was to be a rallying point for the Catholic movement in the Church of England.” Parish Paper for October 1919. Quoted by Fr Moses thirteenth Vicar of All Saints in the Parish Paper for October 2019. [In 1919 the population of the parish then was around 2,000; the population of the enlarged parish is now only around 300 people.] Kenneth Needham Ross – Eighth Vicar 1951 – 1969, on the Mission of All Saints “Early in this century All Saints’ was described by a well-known and sympathetic observer as an “extinct volcano”. Whether that was just or not, it certainly started erupting again under Mackay’s inspired leadership. The parish work might diminish and almost reach vanishing point, but the mission of All Saints Church to London as a whole increased. -
A Dark New World : Anatomy of Australian Horror Films
A dark new world: Anatomy of Australian horror films Mark David Ryan Faculty of Creative Industries, Queensland University of Technology A thesis submitted in fulfillment of the degree Doctor of Philosophy (PhD), December 2008 The Films (from top left to right): Undead (2003); Cut (2000); Wolf Creek (2005); Rogue (2007); Storm Warning (2006); Black Water (2007); Demons Among Us (2006); Gabriel (2007); Feed (2005). ii KEY WORDS Australian horror films; horror films; horror genre; movie genres; globalisation of film production; internationalisation; Australian film industry; independent film; fan culture iii ABSTRACT After experimental beginnings in the 1970s, a commercial push in the 1980s, and an underground existence in the 1990s, from 2000 to 2007 contemporary Australian horror production has experienced a period of strong growth and relative commercial success unequalled throughout the past three decades of Australian film history. This study explores the rise of contemporary Australian horror production: emerging production and distribution models; the films produced; and the industrial, market and technological forces driving production. Australian horror production is a vibrant production sector comprising mainstream and underground spheres of production. Mainstream horror production is an independent, internationally oriented production sector on the margins of the Australian film industry producing titles such as Wolf Creek (2005) and Rogue (2007), while underground production is a fan-based, indie filmmaking subculture, producing credit-card films such as I know How Many Runs You Scored Last Summer (2006) and The Killbillies (2002). Overlap between these spheres of production, results in ‘high-end indie’ films such as Undead (2003) and Gabriel (2007) emerging from the underground but crossing over into the mainstream. -
“All Fired Up” Le Monde De Merde
The Krewe du Vieux Presents PURPLE PROSE, YELLOW Le Monde de Merde JOURNALISM AND THE LUST Vol. 19, No. 1 January 30, 2010 Priceless FOR GREEN Krewe du Vieux Is “All Fired Up” Dr. John Will Light Krewe’s Fire KdV Parade Route and Firewalk the parade fires up at NEW ORLEANS – We didn’t start the Regionalism took on a new meaning, Royal Street Chartres & Marigny fire. But looking around the city and the as politicos in Jefferson, St. John and Royal Street country, the whole shithouse nearly did St. Tammany parishes demonstrated a go up in flames. burning desire to mimic the exploits of things really start to heat up here! Despite the best efforts of President our home-cooked (and half-baked) of- Chartres Street Yomama and Fed Chief Burned Hankey ficials. Many will soon be facing a trial Frenchmen Street (Indian casinos being about the only by fire. Street Toulouse Decatur Street the parade ends in a profitable enterprises around these Meanwhile, at City Hall… blaze of glory at Chartres & Elysian Fields Franklin Avenue days), the economy refused to rise from Chief Technology Punk Greg Meffert the ashes. The Cash for Clunkers pro- found himself smiling for the crime cam- gram netted only a small number of used eras. Recovery Czar Ed Blakely burned U.S. Congressmen, though we were every last bridge, but most people had Parade Route of the Krewe du Vieux, Saturday, January 30, 2010 at 6:30 PM pleased to see that former LA Rep. already decided it was extraneous com- citronellas of the Krewe will burn the Krewe of PAN, Mystic Krewe of Dollar Bill Jefferson was one of them. -
The Premiere Fund Slate for MIFF 2021 Comprises the Following
The MIFF Premiere Fund provides minority co-financing to new Australian quality narrative-drama and documentary feature films that then premiere at the Melbourne International Film Festival (MIFF). Seeking out Stories That Need Telling, the the Premiere Fund deepens MIFF’s relationship with filmmaking talent and builds a pipeline of quality Australian content for MIFF. Launched at MIFF 2007, the Premiere Fund has committed to more than 70 projects. Under the charge of MIFF Chair Claire Dobbin, the Premiere Fund Executive Producer is Mark Woods, former CEO of Screen Ireland and Ausfilm and Showtime Australia Head of Content Investment & International Acquisitions. Woods has co-invested in and Executive Produced many quality films, including Rabbit Proof Fence, Japanese Story, Somersault, Breakfast on Pluto, Cannes Palme d’Or winner Wind that Shakes the Barley, and Oscar-winning Six Shooter. ➢ The Premiere Fund slate for MIFF 2021 comprises the following: • ABLAZE: A meditation on family, culture and memory, indigenous Melbourne opera singer Tiriki Onus investigates whether a 70- year old silent film was in fact made by his grandfather – civil rights leader Bill Onus. From director Alex Morgan (Hunt Angels) and producer Tom Zubrycki (Exile in Sarajevo). (Distributor: Umbrella) • ANONYMOUS CLUB: An intimate – often first-person – exploration of the successful, yet shy and introverted, 33-year-old queer Australian musician Courtney Barnett. From producers Pip Campey (Bastardy), Samantha Dinning (No Time For Quiet) & director Danny Cohen. (Dist: Film Art Media) • CHEF ANTONIO’S RECIPES FOR REVOLUTION: Continuing their series of food-related social-issue feature documentaries, director Trevor Graham (Make Hummus Not War) and producer Lisa Wang (Monsieur Mayonnaise) find a very inclusive Italian restaurant/hotel run predominately by young disabled people. -
'They're My Two Favourites' Versus' the Bigger Scheme of Things': Pro-Am
This may be the author’s version of a work that was submitted/accepted for publication in the following source: McKee, Alan & Keating, Chris (2012) ’They’re my two favourites’ versus ’the bigger scheme of things’: Pro-am historians remember Australian television. In Turnbull, S & Darian-Smith, K (Eds.) Remembering television: Histories, technologies, memories. Cambridge Scholars Publishing, United Kingdom, pp. 52-73. This file was downloaded from: https://eprints.qut.edu.au/54554/ c Copyright 2012 Alan McKee & Chris Keating This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the docu- ment is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recog- nise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to [email protected] Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. http:// www.c-s-p.org/ flyers/ Remembering-Television--Histories--Technologies--Memories1-4438-3970-1. -
Inaugural Samsung Aacta Awards
INAUGURAL SAMSUNG AACTA AWARDS WINNERS BY PRODUCTION TELEVISION The Slap ‐ 5 Awards AACTA Award for Best Telefeature, Mini Series or Short Run Series AACTA Award for Best Direction in Television ‐ Episode 3 ‘Harry’ AACTA Award for Best Screenplay in Television ‐ Episode 3 ‘Harry’ AACTA Award for Best Lead Actor in a Television Drama ‐ Alex Dimitriades AACTA Award for Best Guest or Supporting Actress in a Television Drama ‐ Diana Glenn ‐ Episode 3 ‘Harry’ Cloudstreet ‐ 2 Awards AACTA Award for Best Young Actor ‐ Lara Robinson ‐ Part 1 AACTA Award for Outstanding Achievement in Television Screen Craft ‐ Herbert Pinter ‐ Production Design Angry Boys‐ 1 Award AACTA Award for Best Performance in a Television Comedy ‐ Chris Lilley East West 101, Season 3 ‐ The Heroes' Journey ‐ 1 Award AACTA Award for Best Television Drama Series The Gruen Transfer, Series 4 ‐ 1 Award AACTA Award for Best Light Entertainment Television Series Killing Time ‐ 1 Award AACTA Award for Best Guest or Supporting Actor in a Television Drama ‐ Richard Cawthorne ‐ Episode 2 Laid ‐ 1 Award AACTA Award for Best Television Comedy Series My Place, Series 2 ‐ 1 Award AACTA Award for Best Children's Television Series Packed To The Rafters ‐ 1 Award Switched On Audience Choice Award for Best Television Program Paper Giants: The Birth of Cleo ‐ 1 Award Switched On Audience Choice Award for Best Performance in a Television Drama ‐ Asher Keddie Sisters Of War ‐ 1 Award AACTA Award for Best Lead Actress in a Television Drama ‐ Sarah Snook INAUGURAL SAMSUNG AACTA -
A Post-Colonial Ontology? Tim Winton’S the Riders and the Challenge to White-Settler Identity
humanities Article A Post-Colonial Ontology? Tim Winton’s The Riders and the Challenge to White-Settler Identity Lyn McCredden School of Communication and Creative Arts, Deakin University, Melbourne 3125, Australia; [email protected] Received: 21 July 2020; Accepted: 23 August 2020; Published: 28 August 2020 Abstract: Through a reading of Australian non-Indigenous author Tim Winton and his novel The Riders, this essay seeks to shake to the very roots white-settler understandings of identity and belonging. The essay treads respectfully into the field of Australian identity, recognizing that Indigenous people’s ancient and sacred relationship with country and the formation of treaties with the nation, are now rightfully central on national agendas. However, this essay asks the following question: what are the ontological grounds upon which respectful dialogue between Indigenous and non-Indigenous Australians might occur, after such violent and traumatic history? The essay explores the possible grounds for an evolving dialogue, one which will be necessarily intersectional: (post)colonial, spiritual/ontological and material. Further, the essay identifies “spirituality” and “ontology” as broad denominators for religion, speculating on a (post)colonial ontology which centers on home and (un)belonging. White-settler Australians, this essay argues, must confront deep ontological issues of brokenness if they are to take part meaningfully in future dialogues. Scully, the protagonist of The Riders, finds himself far from home and stripped of almost all the markers of his former identity: as Australian, as husband, and as a man in control of his life. The novel probes (un)belonging for this individual descendent of colonial Australia, as trauma engulfs him. -
4Th Grade Recommended Reading Friday, November 25, 2011 6:33:18 PM Emmaus Lutheran School Sorted By: Title
AR BookGuide™ Page 1 of 330 4th Grade Recommended Reading Friday, November 25, 2011 6:33:18 PM Emmaus Lutheran School Sorted by: Title Quiz Word Title Author Number Lang IL BL Pts F/NF Count Book RP RV LS VP Description The 100-Year-Old Secret Barrett, Tracy 122356 EN MG 4.4 4.0 F 27663 N N - - - Xena and Xander Holmes, an American brother and sister living in London for a year, discover when they are inducted into the Society for the Preservation of Famous Detectives that Sherlock Holmes was their great-great-great- grandfather. Book #1 1001 Cranes Hirahara, Naomi 125613 EN MG 4.6 6.0 F 42868 N N - - - A twelve-year-old Japanese American girl spends the summer in Los Angeles with her grandparents, where she folds paper cranes into wedding displays, becomes involved with a young skateboarder, and learns how complicated relationships can be. 101 Ways to Bug Your Teacher Wardlaw, Lee 80179 EN MG 4.4 8.0 F 54326 N N - - - Steve "Sneeze" Wyatt attempts to thwart his parents' plan to have him skip eighth grade, but he has bigger problems when his friends disapprove of his new list, and Mrs. "Fierce" Pierce threatens to keep him from the Invention Convention. 11 Birthdays Mass, Wendy 128370 EN MG 4.1 7.0 F 51075 N N - - N After having a falling out on their tenth birthday and not speaking to each other for the last year, Amanda and Leo prepare to celebrate their eleventh birthday separately, but peculiar things begin to happen. -
Ned Kelly and the Myth of a Republic of North-Eastern Victoria
Ned Kelly and the Myth of a Republic of North-Eastern Victoria Stuart E. Dawson Department of History, Monash University Ned Kelly and the Myth of a Republic of North-Eastern Victoria Dr. Stuart E. Dawson Creative Commons Attribution-NonCommercial-NoDerivs Published by Dr. Stuart E. Dawson, Adjunct Research Fellow, Department of History, School of Philosophical, Historical and International Studies, Monash University, Clayton, VIC, 3800. Published June 2018. ISBN registered to Primedia E-launch LLC, Dallas TX, USA. Copyright © Stuart Dawson 2018. The moral right of the author has been asserted. Author contact: [email protected] ISBN: 978-1-64316-500-4 Keywords: Australian History Kelly, Ned, 1855-1880 Kelly Gang Republic of North-Eastern Victoria Bushrangers - Australia This book is an open peer-reviewed publication. Reviewers are acknowledged in the Preface. Inaugural document download host: www.ironicon.com.au Creative Commons Attribution-NonCommercial-NoDerivs This book is a free, open-access publication, and is published under the Creative Commons Attribution- NonCommercial-NoDerivs licence. Users including libraries and schools may make the work available for free distribution, circulation and copying, including re-sharing, without restriction, but the work cannot be changed in any way or resold commercially. All users may share the work by printed copies and/or directly by email, and/or hosting it on a website, server or other system, provided no cost whatsoever is charged. Just print and bind your PDF copy at a local print shop! (Spiral-bound copies with clear covers are available in Australia only by print-on-demand for $199.00 per copy, including registered post. -
The Paul Hogan Story
Coming to HOGES THE PAUL HOGAN STORY From Seven and FremantleMedia Australia (FMA) comes HOGES: The Paul Hogan story. An almost accidental supernova of raw comedic talent exploding onto the entertainment scene; first Australia, then the world. The story of how a married-at-18 Sydney Harbour Bridge rigger with five kids entered a TV talent contest on a dare from his work-mates to become a household name and an Oscar-nominated superstar. Embraced by all Australians and soon known simply as “Hoges,” he is joined on his meteoric journey by lifelong friend, producer and sidekick John “Strop” Cornell. Together, they first make Australians laugh, then proud with one of the most successful tourism campaigns in history selling Aussie hospitality to the world. This, with the runaway success of Crocodile Dundee, the highest US-grossing foreign film ever in its day, cements Hogan’s legacy. HOGES explores the factors which shaped this success – and at what cost success might have come. It entwines the story of his amazing journey with that of his close family life, of his two great loves, the pain of divorce, his struggle with the intense scrutiny of life in the public eye, but also of his enduring friendship with Cornell and the rollercoaster ride of their careers. FMA’s Jo Porter and Seven’s Julie McGauran are Executive Producers, Kevin Carlin (Molly, Wentworth) is Co-Producer and Director, Brett Popplewell is Producer and the script is by Keith Thompson (The Sapphires) and Marieke Hardy (Packed To The Rafters, The Family Law). The Hoges Story PART ONE PART TWO Poolside at Granville baths, a young Paul Hogan cracks jokes and pashes While the success of Crocodile Dundee catapults Hoges onto the world Noelene, his childhood sweetheart.