E-Lesson Plan) Dated: 30-3-2015

DEPARTMENT OF MUSIC & DANCE KURUKSHETRA UNIVERSITY KURUKSHETRA From: 30-3-2015 to 4-4-2015 (E-lesson Plan) Dated: 30-3-2015

Days Classes Paper Unit Topic of Theory/Practical (Revision for practical)

Monday MPA (IV) Practical I Raag Bhairav MA (P) Practical I Raag Bhairav Introduction MPA (V) Theory IV Tunning-Steel Tarang, Kasth Tarang] Ghanta, MA (F) Practical I Ghanti MPA (II) Theory Sec-B Raag Aabogi Kanra Methods of Tunning of your Instrument

Tuesday MPA (IV) Theory I Raag Bhairav Introduction MA (P) Practical I Raag Bhairave (Revison) MPA (V) Practical IV Raag Aabogi Kanra MA (F) Practical I Raag Aabogi Kanra MPA (II) Practical I Raag Khamaj M.PHIL. Practical Opt. 1 Raag Bhuqpal Todi

Wednesday MPA (IV) Practical I Raag Bhairav Revision MA (P) Practical I Bharav Revision MPA (V) Practical I Raag Aabogi Kanra MA (F) Practical I Raag Aabogi Kanra MPA (II) Practical I Raag Khamaj

Thursday MPA (IV) Practical I Raag Bhairav Revision MA (P) Practical I Raag Bhairav - Revison MPA (V) Theory IV Tunning-Jai Ghanta, Jhanj and Chimta MA (F) Practical I Raag Aabogi Kanra M.PHIL. Practical I Raag Bhatiyar

Friday MPA (IV) Practical I Raag Bhairav Revision MA (P) Practical I Raag Puriya MPA (V) Practical I Raag Aabogi Kanra MA (F) Practical I Raag Aabogi Kanra M.PHIL. Practical Opt. 1 Raag Bhupal Todi

Saturday MA (P) Practical I Raag Bhairav - Revison MPA (IV Theory I Raag Bhairav Introduction

Dr. Sanjeev Sharma

Days Classes Paper Unit Topic of Theory/Practical

Monday M.A.(P) III Practical - Raag Nat Bhairav (Revision) II II Theory- Music in Shiksha Granth (Revision) M.A.(F) V Practical- Raag Bhimplasi-vilambit

Tuesday M.A.(P) III Practical - Raag Nat Bhairav (Drut Khayal) M.A.(F) V MPA-IV V Practical- Raag Bhimplasi- with alap and Taan in Vilambit Khayal

Wednesday M.A.(P) Practical - Raag Nat Bhairav (Alap and Taan). MPA-IV Drut Khayal of Rag Nat Bhairav M.A.(F)

Thursday M.A.(P) III Practical - Raag Nat Bhairav- Practice

M.A.(F) Practical- Raag Bhimplasi- Salow Khayal with alap V M.Phil. Practical- Raag Shree– Revision

Friday M.A.(P) Revison of Nat Bhairav M.A.(F) V II Practical- Raag Bhimplasi Detailed – Practice

M.Phil. Theory – Importance of Resarch in Music

Saturday M.A.(P) II I Theory- Music in Upanishad Granth mein Sangeet M.A.(F) II Practical- Raag Bhimpalasi – Practice M.Phil. Theory- Preparation of Synopsis

Prof. Shuchismita

Days Classes Paper Unit Topic of Theory/Practical

Monday MPA (V) V i. Project work –Practical (File Work) MA (F) III ii. Rag Darbari, Taan and Alap MPA (IV) V iii. Project work Practical (File Work)

Tuesday MPA (V) V i. Project work Practical (File Work) Practical MPA (IV) V ii. Project work Practical (File Work)

Wednesday MPA (V) V i. Project work (File Work) Practical MPA (IV) V ii. Project work Practical (File Work)

Thursday MA (P) Theo-II III i. Music in Patanjali Treatise

MPA (V) Theo-II IV ii. Meaning and Definition of composition

MA (F) Prac. iii. Rag Darbari, Revision MA (P) Prac. II iv. Practical Practice

Friday MPA (IV) Theo-II II i. Importance of Recording place (Open & Studi o MA (F) Prac. III ii. Rag Darbari, Taan and Alap MA (P) Theo-II iii. Music in Patanjali Treatise MA (P) Prac. iv. Practical Practice

Saturday MPA (IV) Theo-II II i. Importance of Recording place (Open & Studio MPA (V) Prac. ii. Practical Practice MPA (V) Theo-II II iii. Musical Voice

Dr. Ashok Kumar ‘Yaman’

Days Classes Paper Unit Topic of Theory/Practical

Monday M.PHIL I IV Theory- Taals Daspran of Sangeet Rattnakar MA (F) III I Practical- Raag Nat Bihag Drut Gat MPA (V) III I Practical- Raag Nat Bihag Drut Gat

MA (P) III I Practical- Raag Rageshree Revision MPA (IV) III I Practical- Raag Rageshree Revision

Tuesday M.PHIL I IV Theory-Importance of Taal and Laya M.PHIL II I Practical- Raag Gujari Todi Revision MA(p) I IV Theory – Critical and Comparative Study of III I Ragas Shudh Sarang and Madhumad Sarang

Wednesday M.PHIL II I Practical- Raag Shana Kanada MA (F) I III Theory – Raza Khani and Masit Khani Gat MA (F) II IV Practical- Raag Nat Bihag Drut Gat MA (F) I III Practical- Raag Nat Bihag Drut Gat MPA (V) I III Practical- Raag Nat Bihag Drut Gat

Thursday M.PHIL II I Practical- Raag Shana Kanada MA(F) I I Theoretical Study of Raga Puriyadhanashree and Multani

MA (P) III I Practical-Revision of Raga Bageshree

Friday MA (F) III I Practical- Practical- Raag Nat Bihag Drut Gat

MPA (V) Practical- Practical- Raag Nat Bihag Drut Gat

Saturday M.PHIL II I Practical- Raag Shana Kanada Taan and Tode

MA (P) V III Practical- Demonstrate Taas by hand – Teen Taal and Rupak

MPA (IV) Practical- Demonstrate Taas by hand – Teen Taal and Rupak MA (P) I I Theory – Critical and comparative study of Raag Shuddh Saran and Madhumadh Sarang

Prof. Shakuntla Naagar

DAYS CLASSES PAPER UNIT TOPICS

MON MA(P) & PRACTICAL 1 Raga Vrindavani Sarang Drut khayal Sathai Antra MPA IV with Taans.

MA(F) & PRACTICAL 1 Raga Chandrakouns Vlambit Khayal Sathai MPA V Antra&Alaps. TUE MPA III PRACTICAL SEC.A Introduction of Raga Miyan Malhaar Dhrupad.

Raga Shuddha Sarang Vilambit & Drut Khayal MA(P) & PRACTICAL 1 with Alaps & Taans. MPA IV WED MPA IV PRACTICAL 1 Raga Devgiri Bilawalsathai,Alaps & Antra.

MA(P) & PRACTICAL 1 Raga Shudh Kalyan Khayal Sathai Alaps & Antra MPA V with 2 Sargems. THUR MPA I THEORY SEC.A Taals Ektaal & Choutaal MPA III PRACTICAL SEC.A Raga Kamod Drut Khayal Sathai. MPA V THEOREY 2 General Study of Raga Nat Bihag. FRI MPA I PRACTICAL SEC.A Raga Asawari Vilambit Khayal Sathai,Alaps & MPA III PRACTICAL SEC.A Antra. MPA IV PRACTICAL 1 Revision of Raga Kamod Sathai & Antra. Raga Vrindavani Sarang Vilambit & Drut Khayal MPA V THEORY 2 with Alaps & Taans. MA(P) PRACTICAL 1 General Study of Raga Nat Bihag. Raga Suddha Sarang Tarana. SAT MPA III THEORY SEC.B Taal Dhamar. MPA I PRACTICAL SEC.A Revision of Raga Asawari Vilambit Khayal Sathai,Alaps & Antra.

DR. SUSHIL KUMAR

Days Classes Paper Unit Topic of Theory/Practical Revision

Monday M.PHIL II I Practical- Raag Bairagi Bhairav MA (F) III V Practical- Raag Chandrakauns Slow MPA (V) III I Gat Sitar Practical- Raag Chandrakauns Tuesday MA(F) II IV Theory-Shruti Swar Relationship MA(F) III V Practical- Raag Chandrakauns Slow MA(P) III I-ii b Gat MPA(V) III I Practical- Raag Alhiya Bilawal Slow Sitar Gat Practical- Raag Chandrakauns with Todas

Wednesday M.PHIL II I Practical- Raag Bairagi Bhairav MA (F) III V Practical- Raag Chandrakauns Slow MA (F) II IV Gat MPA (V) I IV-ii Theory- Shruti Swar Relationship Sitar Theory-Principle of Orchestration MPA (IV) -- -- Accompaniment with dance

Thursday MA(F) III V Practical- Raag Chandrakauns Slow MA(P) III I-ii b Gat Practical- Raag Alhiya Bilawal MPA(V) III I with Jhala Sitar Practical- Raag Chandrakauns with Jhala

Friday M.PHIL II I Practical- Raag Bairagi Bhairav with MA (P) III I-ii b Jhala MPA (IV) I IV Practical- Raag Alhiya Bilawal with Sitar Jhala MPA (IV) III I Theory-Contribution to Indian Music MPA (V) -- -- of Matang and Sharang Dev Practical- Raag Alhiya Bilawal with Jhala Accompaniment with dance

Saturday MPA (V) I IV-ii Theory-Principle of Orchestration Sitar MPA (IV) I IV Theory-Contribution to Indian Music Sitar of Matang and Sharang Dev MPA (IV) III I Practical- Raag Alhiya Bilawal with Sitar Jhala Dr. Lalit Kumar Kaushal

Days Classes Paper Unit Topic of Theory/Practical (Revison of All)

Monday MA (F) III III-a Practical- Raag Shudh Kalyan MA(P) III I-v B Practical- Raag Dhun MPA(V) III I Practical- Raag Miyan ki Todi MPA(IV) III I Practical- Raag Vrindavanisarang

Tuesday MA(F) III III-a Practical- Raag Shudh Kalyan MA(P) III I-v b Practical- Raag Dhun MPA(V) III I Practical- Raag Bilaskhani Todi Jhala MPA(IV) III I Practical- Raag Vrindavanisarang MPA(IV) -- -- Accompaniment with dance

Wednesday MA(F) III III-a Practical- Raag Shudh Kalyan Todas MA(P) III I-v b Practical- Raag Bihag MPA(V) III I Practical- Raag Miyan ki Todi MPA(IV) III I Practical- Raag Vrindavanisarang

Thursday MA(P) III I-v b Practical- Raag Bihag with Todas MPA(IV) III I Practical- Raag Vrindavanisarang MPA(III) III Prac. Sec-a Practical- Raag Bihag MPA(V) -- Accompaniment with dance

Friday MPA (III) Practical Sec.A Practical- Raag Bihag with Todas MA (P) III Prac. I-v b Practical- Raag Bihag with Todas

Saturday MA(F) III Pract. III-a Practical- Raag Miyan ki Todi MPA(V) III Pract. I Practical- Raag Bilaskhani Todi MPA(III) Pract. Sec.A Practical- Raag Bihag with Todas

Dr. Saloni Kaushal

Days Class Paper Unit Topic of Theory/Practical Monday M.P.A I II I HENRY VAUGHAN" THE RETEAT M.P.A II II I MAHABHARTA M.P.A III II I IF YOU ARE WRONG ADMITIT Tuesday M.P.A I II I JOHN DRYDEN – SHADWELL M.P.A II II I MHAHBHARTA M.P.A III II I IF YOU ARE WRONG ADMITIT Wednesday M.P.A I II I ALEXANDER POPE – KNOW THEN M.P.A II II II THEYSELF M.P.A III II I BLOW BLOW THOU WINTER WIND STREAMLINING Thursday M.P.A I II I TRANSLATION FROM HINDI TO M.P.A II II II ENGLISH M.P.A III II I BLOW BLOW THOU WINTER WIND STREAMLINING Friday M.P.A I II II TRANSLATION FROM HINDI TO M.P.A II II II ENGLISH M.P.A III II II BLOW BLOW THOU WINTER WIND THE WESTERN INTELLECTUAL RUBBISH Saturday M.P.A I II II TRANSLATION FROM HINDI TO M.P.A II II II ENGLISH M.P.A III II I BLOW BLOW THOU WINTER WIND THE WESTERN INTELLECTUAL RUBBISH

Vibha

Days Class Paper Unit Topic of Theory/Practical Monday M.P.A I II I ehjkckbZ M.P.A II II I fnudj M.P.A III II I y[ehpUn Tuesday M.P.A I II I ehjkckbZ M.P.A II II I fnudj M.P.A III II I y[ehpUn Wednesday M.P.A I II I fcgkjh M.P.A II II II fo|kfuoklh feJ M.P.A III II I lk/kqjke Thursday M.P.A I II I fcgkjh M.P.A II II II fo|kfuokl feJ M.P.A III II I lk/kqjke Friday M.P.A I II II izlkn M.P.A II II II ve`rjk; M.P.A III II II czgekuUn ljLorh Saturday M.P.A I II II izlkn M.P.A II II II ve`rjk; M.P.A III II I czgekuUn ljLorh

SUDHA MEHLA

Day Class Paper Topic Monday MPA 1 st Practical Raag Asavari Roopak Taal Practice

MPA 4 th Practical Nuendo Software Practice

MPA 5 th Practical Window Movie Maker Practice Tuesday MPA 1 st Practical Raag Asavari Roopak Taal Practice

MPA 4 th Practical Nuendo Software Practice

MPA 5 th Practical Window Movie Maker Practice Wednesday MPA 1 st Theory Jeevani Pt. Ravi Shankar….. Revision

MPA 4 th Practical Nuendo Software Practice

MPA 5 th Practical Window Movie Maker Practice

MA (Pre.) Practical Raag Pooriya Kalyan Slow gat Thursday MPA 4 th Practical Nuendo Software Practice

Theory Relationship of Singar and Microphone

MPA 5 th Practical Window Movie Maker Practice Friday MPA 4 th Practical Nuendo Software Practice

MPA 5 th Practical Window Movie Maker Practice

MA (Pre.) Practical Raag Pooriya Kalyan Slow gat Saturday MPA 4th Practical Nuendo Software Practice

MPA 5 th Practical Window Movie Maker Practice

Theory Relationship of Singar and Microphone…………Revision

Dr. Purushotam Kumar

Day Class Paper Unit Topic Monday MA (p) Practical 1st Raag Yaman Aalap and Drut gat with Toras MPA 4 th MPA 3 rd Theory Sec. C Popularization music in society

MPA 5 th Theory 4th Folk music of different states……….Revision P-1 MPA 2 nd Practical Sec A Raag Kedar, Aalap and introduction

Tuesday MPA 5 th Theory 4th Folk music of different states……….Revision P-1 MPA 3 rd Practical Sec A Raag Miyan Malhar Aalap and introduction

MA (F) Practical 1st Raag Megh Malhar Aalap and Drut gat with Toras

Wednesday MA (p) Practical 1st Raag Yaman Aalap and Drut gat with Toras MPA 4 th MPA 4 th Theory 5th A historical knowledge of the Musical instruments P-1 MPA 3 rd Practical Sec A Raag Miyan Malhar Aalap and introduction

Thursday MPA 1 st Practical Sec A Raag Hameer Aalap and introduction

MA (F) Practical Dhun Pahadi, aalap with Layakaries MPA 5 th MPA 4 th Theory 5th A historical knowledge of the Musical instruments P-1

MPA 2 nd Practical Sec A Raag Kedar, Aalap and introduction

Friday MPA 1 st Practical Sec A Raag Hameer Aalap and introduction

MA (F) Practical Dhun Pahadi, aalap with Layakaries MPA 5 th MPA 2 nd Practical Sec A Raag Kedar, Aalap and introduction

Saturday MPA 1 st Theory Sec B Vadkon ke gun dosh…………..Revision

MA (F) Practical 1st Raag Megh Malhar Aalap and Drut gat with Toras

MPA 2 nd Theory Sec B Swambhu Nad ………….. Revision

Dr. Ashu Gautam (Asst. Prof. Sitar)

DAYS CLASS UNIT SEC TOPIC

MON MPA v 4 SEC - A PRACTICE OF SOLO 13 BEATS . MPA II 1 SEC - A TUKDE IN JHAPTAAL. M.A.(F) THEKA IN EKTAAL TAAL WITH ‘’BHARAV’’.

TUE MPA V 4 SEC- A PRACTICE OF TUKDA 13 BEATS. MPA II 1 SEC- A PRACTICE OF TALI –KHALI IN HAND’’

WED MPA V 4 SEC- A PRACTICE OF TALI KHALI IN HAND. MPA II 1 LECTURE ABOUT LAYKARI MPA II 1 SEC- A PRACTICE OF PLAYING THEKA OF JHOOMRA TAAL.

THU MPA III 1 PRACT. PRACTICE OF JHOOMRA TAAL IN HAND . MPA V IV PRACT. PRCTICE OF ACCOMPANIMENT WITH VOCAL. MPA II 1 .PRACTICE OF DRUT TEENTAAL.

FRI MPA III THE INTRODUCTION OF FARRUKHABAAD GHARANA AND ITS . PLAING STYLE. MPA V THE A LECTURE ON DESI TAAL SYSTEM. MPA V THE. A LECTURE ON PARAN AND ITS TYPE. MPA V PRACT PRACTICE OF LAHRA ON HARMONIUM. M.A.(F) PLAYING OF THEKA IN VILAMBIT ROOPAK TAAL.

SAT MPA III PRACT TUKDA IN EKTAAL. MPA V THE. A LETURE ON DEFFRENT STYLE OF GHARANA. MPA V THE. PRACTICE OF LAYKARI IN WRIGHTING. MPA V PRACT PRCTICE OF DEFERENT GAT IN TEENTAAL.

DR.GYAN SAGAR SINGH

Day Classes Paper Unit Topic Monda M.P.A-III Practical I Revision of vilambit theka of jhumara taal. y M.P.A-V III B Revision of kayada in 9 Beats. M.P.A-I Theory B Comparison of Bhatkhande & paluskar taal system. M.P.A.-V V - Crop the recording. Tuesd M.P.A-III Theory Sec Contribution of ustd Aafaq hussain khan in ay B(c) music. M.P.A-V III B Revision of Bant in in 9 beats. M.P.A-I Practical B Palta of kayda in Rupak taal. M.P.A-V I B(b) Development of north Indian taal system. M.P.A-V V - Introduction of c.d. writer. Wedn M.P.A-V III B Rela in 9 beat. esday M.P.A-III Practical H Tukara in Ek taal revision. M.P.A-V I B(b) Gati bhed in karnatak taal system. M.P.A-V V - Use of head phones in listning. Thurs M.P.A-V III B Rivison of Uthan in 9 beats. day M.P.A-III Practical (i) Vilambit theka of EK taal in 24 beats Friday M.P.A-V IV B Revision of uthan in Teen taal. M.P.A-I Practical B Palta of kayada in rupak taal. Saturd M.P.A-V IV b Palta of kayada in teental. ay M.A.Prev. Hobby - Demonstration of Dadara taal. class

Dr. Vivek kumar Jain

Days Classes Paper Unit Topic of Theory/Practical Monday M.P.A Vth I A Practical -Playing fard in teentaal. M.P.AVth II A Theory lecture Gat & its type. M.P.A –I I A Practical Playing uthan in teentaal. Tuesday M.P.A Vth I A Practical Playing kayda in 17 beats Tal. Wednesday M.P.A. Vth II A Theory Lecture on marg taal paddhati. M.P.A. Ist I A Practical Playing tihai in teen tal . Thursday M.P.A. Vth II I B Practic al -Playing Tukra in teen ta al. M.P.A. IInd II B Practical playing kayda in ektaal. M.P.A. Ist I A Theory – lecture on kayada pashkar. Friday M.P.A. Vth II C Practical Playing kamali chakkardar in Teen Tal. M.P.A. IInd I A Practical Playing Tukara in EK Taal. Saturday M.P.A. Vth II I D Pra ctical Playing Farmaishi paran in Teentaal. M.P.A. II I B Lecture on suddha & vikrit swar. M.P.A. Ist I A Playing sooltal dogun,,tigun, chaugun.

Dr. Seema Johri

Days Classes Paper Unit Topic of Theory/Practical

Monday MA (P) IIIrd 1 Practice of Raga Begeshwari Dhrupad Laykaries

MA (F) IIInd 1 Practice of Raga Miyan ki Malhar Dhrupad Laykaries

M.Phil Opt. 1 Practice of Raga Sur Malhar

Tuesday MA(P) IInd 2 Revisition Of Talas

MA(P) IIIrd 1 Practice of Raga Begeshwari Practical Dhrupad Laykaries

MA(F) IIIrd 1 Practice of Raga Miyan ki Malhar Dhrupad Laykaries

Wednesday MA(P) IIIrd 1 Practice of Raga Rageswari

MA(P) IInd 2 Test of Talas Theory

MA(F) Vth 1 Practice of Raga Puria Dhanashri

Thursday MA(P) IIIrd 1 Practice of Raga Rageswari MA(F) IInd 1 Theory Revision of Topic Unit-1

M.Phil Opt. 1 Practice of Raga Sur Malhar

Friday MA(P) Vth 1

Practice of Raga Kafi MA(F) Vth 1 Practice of Raga Puria Dhanashri & Megh Malhar M.Phil Opt. 1 Practice of Raga Bhatiar Saturday MA(F) IIIrd 1 Practice of Raga Megh Malhar MA(F) IInd 1 Theory Revision of Topic Unit-1

Dr. Aarti Sheokand

Days Classes Paper Unit Topic of Theory/Practical

Monday MPA(1st) IIIrd Sec. A(b) Practical of Rag Allaiya Bilwal

Tuesday MPA(1 st ) IIIrd Sec. A(b) Practical of Rag Allaiya Bilwal

MPA(4 th ) IInd 5th Teaching of Music in Sangeet Vidyalas MPA(5 th ) Ist 5th A Study of Total Tilwara

Wednesday MPA(1st) IIIrd Sec. A(b) Practice of Raga Kafi

MPA(5 th ) IInd 5th Knowledge of Harmony

Thursday MPA(2 nd ) IIIrd Sec.A(b) Practice of Raga Bhairav

MPA(5th) Ist 5th A study of Taal Tivra

Friday MPA(2 nd ) IIIrd Sec. A(b) Detail description of Rag Chhayanat

MPA(4 th ) Ist 1 Revision of comparative study

MPA(5 th ) Ist 5th Revision of Taal

Saturday MPA(2 nd ) IIIrd Sec.A(b) Practice of Rag Chhayanat

MPA(4 th ) Ist 1 Theoretical study of Rag

Bhairav and Kafi

MPA(5th) IInd 5th Revision of Taals

Dr. Shalu Rani

Days Classes Paper Unit Topic/ Practice of (Bhavepaksh) All Syllabus (Cont.) I II A Chakkardar Paran II II A Simple Paran Monday III II A Shiv Paran IV II D Relationship between performance & accompanying Artist V IV A Chakkardar Toda I I E Taal Parichay of Dadra & Kehrwa II II A Practice of simple paran Tuesday III II A Practice of Shiv Paran IV III - Thumri in Abhinaya Paksh V I D Study of Folk Dance of India-Bihu I II A Practice of Chakkardar Paran II I E Notation of the following-Arh-3/2, Kuarh 5/4 Wednesday II II A Practice of Shiv Paran IV III - Practice of Thumri in Abhinaya Paksha V IV D Study of Garba Folk dance III I E Introduction of Chautaal & Raas Taal. IV III - Practice of Thumri in Abhinaya Paksha V - Composition of Kathak Nriya in Teentaal Thursday II D Relation between performance & accompanying artist. V IV A Practice of Chakkardar Toda I D Study of Bihu Folk Dance IV III - Practice of Stage performance V - Composition of Kathak Nritya in Teentaal Friday II D Selection and role of accompanying artist V II A Anaghat Tukda. I D Study of Lavani Folk Dance. IV III - Practice of stage performance. V - Composition of Kathak Nritya. Saturday II D Selection and role of accompanying artist V IV A Practice of Chakkardar Toda I D Study of Lavni Folk Dance

Miss. Amarjeet Kaur

Day Classes Paper Unit Topic - Revision (Bhavepaksh) Monday M.P.A-IV Practical IV A ShikharTaal (17 Matra) in Tatkar & Thaat Continuous M.P.A-V Practical III- B Ektaal (12Matra) in Tatkar- Thaat Continuous. Tuesday M.P.A-IV Practical IV A ShikharTaal (17 Matra) Contnious.... M.P.A-V Practical III- B Ektaal (12Matra) Continuous. M.P.A-I Practical- II B Jhaptaal in Tatkar & that Continuous. Wednesday M.P.A-IV Practical IV- A ShikharTaal (17 Matra) in Tatkar, Thaat & Tihai Continuous. M.P.A-V Practical III- B Ektaal (12 Matra) in Tatkar, Thaat & tihai. Theory- II A Total Impact of the Performance Continuous. Thursday M.P.A-I Practical- II B Jhaptaal (10 Matra) in Tatkar & Thaat Continuous. M.P.A-II Practical-II B Teentaal (16 Matra) in Tatkar & Thaat Continuous. M.P.A-VI Practical IV- A ShikharTaal (17 Matra) in Tatkar, Thaat & Aamad Viva Continuous. Theory- I A Role of Lord Shiva (Natraja) in Dance Continuous. M.P.A-V Practical-III B Ektaal (12 Matra) in Tatkar- Thaat, Aamad & Tihai Continuous. Theory- II A(a) Total Impact of the Performance. Friday M.P.A-I Practical- II B Jhaptaal (10Matra) in Tatkar, Thaat & Tihai Continuous. M.P.A-II Practical-II B Teentaal (16Matra) in Tatkar- (Thah, Dugun with Chaugan Layakaries) &Tihai. M.P.A-III Practical-II A Ashtmangal (11 Matra) in Tatkar- (Thah, DugunLayakaries) & Tihai. M.P.A-IV Practical-III Ektaal (12 Matra) in Tatkar, That & Aamad. Theory- I B Role of Lord Shiva (Natraja) in Dance Continuous. M.P.A-V Theory- II A(a) Total Impact of the Performance Continuous.. Saturday M.P.A-I Theory-I C(B) Survey and assential characteristics of BharatNatyam. M.P.A-II Theory- I C Study of NayakBheda. M.P.A-III Practical- II A Ashtmangal (11Matra) in Tatkar- (Thah, Dugun withChauganLayakaries). M.P.A-IV Theory-I A TandavaNritya of natraajShiva Continuous. M.P.A-V Theory- V II Project Work-II Composition of kathak Dance in Teentaal.

Mr. Santosh Kumar