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Your Text Here 2019 General Meeting Dates
JANUARY 2019 VOLUME 6 ISSUE 1 EDITOR; ANGELA DONATO [email protected] Dear Lodge Brothers & Sisters, Thank you for sharing a wonderful 2018 with me. It went by so quickly. I am looking forward to the Lodges Installation of a New Board of Officers in March, after a smooth transition of Officers in April, we will take the Lodge through another exciting, productive year. I am sure the new Officers will add some great ideas and the seasoned officers will share their expertise and knowledge of OSDIA. Working together into the future is very important for the Lodge. Our Lodge will be supporting the OSDIA Winter Charity Ball in January. Future OSDIA charity events that take place throughout the year will be voted on By the Board and Membership attending the General Meetings. The Lodges membership is strong, our finances are in good order and most importantly we have strong Fraternal spirit. It is good to be winding down the final months of the 2018- 2019 term, in such a positive way. Best Wishes to everyone for a HAPPY NEW YEAR. See you at the General Meetings. AVANTI, PRESIDENT BOB Your text here 2019 General Meeting Dates ALL DATES ARE SUBJECT TO CHANGE DUE TO UNFORSEEN CIRCUMSTANCES JANUARY 7 FEBRUARY 4 MARCH 4 APRIL 1 MAY 6 JUNE 3 JULY 1 AUGUST 5 SEPTEMBER 9, 2nd Monday OCTOBER 7 NOVEMBER 4 DECEMBER 2 THE DECEMBER MEETING The many inventions by Italians ITALIAN PHRASES ON THE PLANE: Kindly refrain from smoking, Si prega di non fumare, How high are we flying? A quanti metri di quota siamo When do we land? Quando si atterra I feel sick Mi sento male Hows the weather in… Che tempo fa a Airport aeroporto Climb alzarsi Crew equipaggio Destination destinazione Duty free goods merci esenti da dogana Balcony Italian balcone Cameo Italian: cameo or cameo Graffiti Italian: graffito, pl. -
Silent Comedies and Cartoons
Funny Business Silent Comedies and Cartoons Tuesday, May 14, 2013 Grand Illusion Cinema The Sprocket Society Seattle, WA Alice Comedies Alice Rattled by Rats Released November 15, 1925 M.J. Winkler Productions Directed and written by Walt Disney. Animated by Ub Iwerks, Rollin Ham Hamilton, Thurston Harper, Hugh Harman, & Rudolf Ising. Produced by Margaret J. Winkler With Margie Gay as Alice. Music and effects soundtrack added by Raytone Productions, 1930 Left to protect Alice’s house, Julius the cat soon falls into a vat of home-brew liquor in the basement and drinks himself into oblivion. The rats, free to play, entertain themselves by dancing, playing phonograph records, cavorting with the player piano, and using the bathtub for a swimming pool. Soon the party gets completely out of control. (Why Alice was brewing alcohol in her basement remains an open question.) “Speaking of his studio in later years, Disney was fond of saying that ‘it all started with a little mouse’ – but in fact the foundation was laid in 1924 by a little girl.” – Merritt & Kaufman, Walt in Wonderland Young Walt Disney broke into the movie business in Kansas City, as an illustrator for a company that produced glass slides and advertising shorts for theaters. Along with his buddy Fred Harman, he struck out on his own, hoping to jump-start their new company with a partly-animated comical short called Laugh-O-Grams, produced for the influential local theater owner, Frank L. Newman. This was successful enough that they were able to secure funding to hire additional animators, including now- legendary pioneers Ubbe “Ub” Iwerks, Hugh Harman, Rudolph Ising, and Friz Freleng. -
Otto Messmer, the Twisted Tales of Felix the Cat, Felix the Cat (Video Game), Joe Oriolo, Baby Felix, Felix the Cat: the Movie, April Maze, Felix In
ODFSUJYV1ZKZ » Book » Articles On Felix The Cat, including: Otto Messmer, The Twisted Tales Of... Download PDF ARTICLES ON FELIX THE CAT, INCLUDING: OTTO MESSMER, THE TWISTED TALES OF FELIX THE CAT, FELIX THE CAT (VIDEO GAME), JOE ORIOLO, BABY FELIX, FELIX THE CAT: THE MOVIE, APRIL MAZE, FELIX IN To download Articles On Felix The Cat, including: Otto Messmer, The Twisted Tales Of Felix The Cat, Felix The Cat (video Game), Joe Oriolo, Baby Felix, Felix The Cat: The Movie, April Maze, Felix In PDF, please access the web link below and save the ebook or gain access to additional information that are have conjunction with ARTICLES ON FELIX THE CAT, INCLUDING: OTTO MESSMER, THE TWISTED TALES OF FELIX THE CAT, FELIX THE CAT (VIDEO GAME), JOE ORIOLO, BABY FELIX, FELIX THE CAT: THE MOVIE, APRIL MAZE, FELIX IN ebook. Read PDF Articles On Felix The Cat, including: Otto Messmer, The Twisted Tales Of Felix The Cat, Felix The Cat (video Game), Joe Oriolo, Baby Felix, Felix The Cat: The Movie, April Maze, Felix In Authored by Books, Hephaestus Released at 2016 Filesize: 6.52 MB Reviews Totally one of the better pdf I actually have at any time go through. It is loaded with knowledge and wisdom You can expect to like just how the author write this book. -- Mr. Grover K uphal PhD This type of publication is every thing and got me to looking forward and a lot more. I was able to comprehended every thing using this created e book. I discovered this publication from my i and dad advised this book to discover. -
AWNMAG5.05 Cover
Table of Contents AUGUST 2000 VOL.5 NO.5 5 Editor’s Notebook Go Web Young (Wo)Man, Go Web 7 Letters: [email protected] InternetCOMIC BOOKS Animation 8 Your Move… Jacquie Kubin looks at how and why packaged gaming companies are adding on-line elements to their business plans. 12 Alter-Net-ive Worlds How would the world of animation be different if instead of being a new tool the Web was an old one? Get ready for some pretty wild “classics.” Martin “Dr. Toon” Goodman takes us theorizing… 16 The Aesthetics of Internet Animation Think Web tools are restrictive creatively? Think again! Chris Lanier, creator of Wildbrain’s Romanov, explains why, in the vein of comics, they are actually a source of freedom. 2000 20 Is There Life Beyond Flash? Flash is the leading tool for Internet animation, but there are a few other options for production and augmentation. Here industry leaders reveal their secrets from high tech 3D software to good, old-fashioned talent. 23 Getting Started On-Line So you want to get into this Internet game? Two of AtomStudios’ animators, Kwesi Ako Kennedy and James Dalby, not only tell you how, but offer tips for success. ComputerADULT ANIMATION Animation 25 Vancouver’s Mainframe Entertainment Since their first 3D CGI television show, the groundbreaking Reboot, Mainframe Entertainment has been producing quality children’s television. Don Perro goes for a tour and finds they are working on more than television now. 29 Writing for CGI:A Talk With Ian Boothby UGUST Ian Boothby, co-writer of Casper’s Haunted Christmas, gives us some insight on the pitfalls and joys of writing for CGI. -
As Part of Its 100Th Anniversary Celebrations, Felix the Cat Collaborates with Suavecito Pomade
As part of its 100th anniversary celebrations, Felix the Cat collaborates with Suavecito Pomade London, UK, 28th March 2019: As part of its 100th anniversary celebration this year, the iconic Felix the Cat brand has entered into a collaboration with leading US hair pomade brand Suavecito, for a range of men’s grooming products, accessories and t-shirts. The deal was brokered by CPLG on behalf of Universal Brand Development, owner of Felix the Cat. The limited-edition capsule collection, which includes classic and firm pomades, a retractable comb and a toiletries bag that doubles as Felix’s Magic Bag of Tricks, is available to buy at the Suavecito store in Los Angeles, Tilly’s stores across the US, online at suavecito.com and through Suavecito’s global stockists. The launch has been supported with a lifestyle photo shoot, dedicated social media posts and videos, influencer outreach, point-of-sale displays and a launch event at the Suavecito HQ in Santa Ana, California. “It was a great honour for Suavecito to work on this Felix the Cat capsule, because of the significant impact this character has had on us and millions of people all over the world throughout the last century,” said Modesto Briseno, Purchasing Manager at Suavecito. “To help celebrate the 100th anniversary of Felix the Cat, we have created an exciting new line of grooming products and apparel that fans of both brands will enjoy. Happy Anniversary Felix!” Led by high-profile collaborations, including HUF Worldwide and Scotch & Soda, the Felix the Cat lifestyle brand continues to expand across EMEA and the U.S., with a number of new licensees brokered through CPLG. -
Funny Stuff: Silent Comedies and Cartoons
Funny Stuff Silent Comedies and Cartoons Saturday, July 16, 2011 Grand Ilusion Cinema The Sprocket Society Seattle, WA About Two-Reeler Comedies In the 20 years before 1914, shorts were the show. And even decades after the feature film came along, shorts were a standard – and expected – part of every movie screening. At first movies were limited to the very short lengths of film that would fit in the camera, less than 1 or 2 minutes. Folks quickly figured out you could glue different shots together, and that you could then string those along to tell a longer story. But it would be some years before movies became more than a series of theatrically-staged tableaux and slice-of-life “actualities,” all filmed proscenium style. In the earliest days, exhibitors bought film prints outright and would craft programs from them. They’d often go on the road, touring their movie shows with accompanying lectures and music. There were even traveling tent shows. Soon the vaudeville houses also started showing shorts, which fit perfectly into their variety programming format. By 1905, the Nickelodeon era was in full swing in the US, made possible by moving to a rental distribution model instead of outright sales. Thousands of storefront screening rooms proliferated like mayflies all over the country, and in some cities they lined both sides of whole blocks. Your nickel got you about 30 minutes of mixed reels, with a new show usually every day. Folks would often go from one theater to another, right down the row. The profit was made in the high turnover, and audiences loved it. -
MAGAZINE Vol
July 1996 MAGAZINE Vol. 1, No. 4 ANIMATION WORLD MAGAZINE July 1996 The Great Adventures of Izzy — An Olympic Hero for Kids by Frankie Kowalski 35 A look at the making of the first TV special based on an Olympic games mascot. “So,What Was It Like?” The Other Side Of Animation's Golden Age” by Tom Sito 37 Tom Sito attempts to puncture some of the illusions about what it was like to work in Hollywood's Golden Age of Animation of the 1930s and 40s, showing it may not have been as wild and wacky as some may have thought. When The Bunny Speaks, I Listen by Howard Beckerman 42 Animator Howard Beckerman explains why, "Cartoon characters are the only personalities you can trust." No Matter What,Garfield Speaks Your Language by Pam Schechter 46 Attorney Pam Schechter explores the ways cartoon characters are exploited and the type of money that's involved. Festival Reviews and Perspectives: Cardiff 96 by Bob Swain 49 Zagreb 96 by Maureen Furniss 53 Film Reviews: The Hunchback of Notre Dame by William Moritz 57 Desert Island Series... The Olympiad of Animation compiled by Frankie Kowalski 61 Picks from Olympiad animators Melinda Littlejohn, Raul Garcia, July 1996 George Schwizgebel and Jonathan Amitay. News Tom Sito on Virgil Ross + News 63 Preview of Coming Attractions 67 © Animation World Network 1996. All rights reserved. No part of the periodical may be reproduced without the consent of Animation World Network. Cover: The Spirit of the Olympics by Jonathan Amitay 3 ANIMATION WORLD MAGAZINE July 1996 The Great Adventures of Izzy — An Film Roman’s version of Izzy. -
Winston Sharples Music Manuscripts
Winston Sharples Music Manuscripts Guides to Special Collections in the Music Division of the Library of Congress Music Division, Library of Congress Washington, D.C. 2012 Contact information: http://hdl.loc.gov/loc.music/perform.contact Catalog Record: https://lccn.loc.gov/2012562131 Additional search options available at: https://hdl.loc.gov/loc.music/eadmus.mu012006 Processed by the Music Division of the Library of Congress Finding aid encoded by Library of Congress Music Division, 2012 Revised 2016 November Collection Summary Title: Winston Sharples Music Manuscripts Span Dates: 1943-1968 Call No.: ML31.S45 Creator: Sharples, Winston, 1909-1978 Extent: 2,400 items Extent: 36 containers Extent: 14 linear feet Language: Collection material in English Location: Music Division, Library of Congress, Washington, D.C. LC Catalog record: https://lccn.loc.gov/2012562131 Summary: Winston Sharples was an American composer best known for his work with animated short films, such as Casper, the Friendly Ghost, Popeye the Sailor, and Jeepers and Creepers. The collection consists of manuscript particells (piano scores with dialogue and cues), scores, parts, and lyric sheets related to his professional engagements. Selected Search Terms The following terms have been used to index the description of this collection in the LC Catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically. People Oriolo, Joe. Seeger, Hal. Sharples, Winston, 1909-1978--Manuscripts. Sharples, Winston, 1909-1978. Sharples, Winston, 1909-1978. Sharples, Winston, 1909-1978. Works. Selections. Organizations Famous Studios (Firm) Subjects Animated film music--Lead sheets. Animated film music--Scores and parts. -
Don Oriolo Is Well Known Across the Entertainment Spectrum, Having Been a fixture in the Art, Music, Television and film Industries for Decades
Don Oriolo is well known across the entertainment spectrum, having been a fixture in the art, music, television and film industries for decades. Oriolo is also widely admired for his charitable and philanthropic endeavors. Oriolo took over the Felix the Cat franchise when his father Joe Oriolo, co-creator of the modern day Felix cartoon character, passed away in 1985. Don successfully took the iconic cartoon character into the turn of the century, implementing numerous licensing, merchandising, and marketing strategies, thusly bringing the lovable cartoon cat to a global market. Oriolo quickly spread the franchise to a number of mediums, including movies, television series, and even video games. The goal, of course, was to get Felix out to a new and broader audience and to share the beloved cartoon character of Don’s youth with new generations around the world. Simply put, Felix the Cat has been Oriolo’s “creative muse” since he was a child, and he just couldn’t help but propel that happy-go-lucky charm into as many markets as possible in hopes that it would spread the same joy to new and old fans alike. Oriolo is a prolific painter, cartoonist, and writer. His artwork in every medium can be found in galleries all around the world, and he was named Artist of the Year in 2015 by Fine Art Magazine. His third painting book, Another Book of Felix the Cat Paintings, was released via a book signing on November 22, 2015 at Macy’s in New York City and reached #5 on Amazon's bestseller list. -
Felix the Catalyst: an Antipodean Who Animated Modernism
Felix the Catalyst: An Antipodean Who Animated Modernism ANITA CALLAWAY UNIVERSITY OF SYDNEY The cartoon character Felix the Cat was a global celebrity, starring in more than 180 animated films (Gerstein) in the decade before the debut of Disney’s Mickey Mouse. According to American animator John Canemaker, Felix is ‘the world’s most famous cat,’ yet to Australians he is the quintessential Aussie larrikin. Although Felix’s New York birthplace situates him at the very heart of global modernity and justifies his absorption into the mainstream history of animation, his Australian ancestry invites speculation that his metamorphic and subversive antics—behaviours otherwise described by Patricia Vettel Tom (65) as characteristic of de Certeau’s archetypal trickster—were of antipodean origin instead. If Felix might be considered either metropolitan or provincial depending on the observer’s point of view, does he ‘belong in a local, a national, or a transnational context?’ (Dixon, ‘National Literatures’ 2). Another puzzle: where does Felix belong in the context of modernism/modernity? From his genesis in a small animation studio in New York, Felix the Cat quickly became a worldwide phenomenon, remaining so throughout the 1920s, and is today firmly locked into the conventional account of twentieth-century popular culture. New York was, of course, home to the fledgling pre- Hollywood film industry and key to the rapid spread of visual modernity, yet it was also a hub of high-art modernism. As a star of the silent screen, and as a work of art whose -
Dossier Pédagogique
11e FESTIVAL INTERNATIONAL DU FILM DE LA ROCHE-SUR-YON DOSSIER PÉDAGOGIQUE NIVEAU D’EXPLOITATION À PARTIR DE LA MOYENNE SECTION Note d’intention de Suzy LeVoid La création Planète Félix La musique s’inscrit sur une sélection de cinq courts-métrages de Félix Le Chat. Le dessin- Ce sont les rencontres qui m’amènent à la création de ce spectacle. La succession de rencontres animé d’origine peut s’affranchir des mots, tant l’animation est remarquable d’inventivité et humaines et artistiques qui nourrissent de nouvelles envies, permettent d’emprunter de réussi à dépeindre des histoires en quelques coups de crayons. Les aventures allient humour nouveaux chemins. L’urgence à faire de la musique m’a conduite à me produire sur scène et et poésie, s’appuyant sur un surréalisme gorgé de créativité, donnant à voir un univers où jouer seule. Et dans cette solitude, le dévoilement peut s’accomplir, la musique se fait juste et l’imagination n’a pas de limites. intime. Ainsi, nous choisissons de pas y ajouter de textes ou de paroles, les voix resteront instrumentales. Nous encourageons le spectateur à se plonger dans l’histoire pour en saisir le sens. Mais avec de nouvelles perspectives, mon envie se développe et elle prend d’autres formes. La sélection d’épisodes choisie “Switches Witches”, “Eskimotive”, “April Maze”, “Forty Winks” C’est à l’occasion de deux concerts en solo que je rencontre le musicien Olivier Mellano, et plus et “Astronomeous” navigue entre des courts-métrages aux péripéties du quotidien (une météo tard la chorégraphe et interprète Marie-Laure Caradec.Une énergie commune, un mouvement capricieuse à l’arrivée du printemps, des farces d’Halloween, une insomnie...) et de grands évident : tous deux m’invitent à participer à leur projet respectif : MellaNoisEscape, trio voyages sur terre.. -
Prime Time Animation: Television Animation and American Culture
Prime Time Animation Television animation and American culture Edited by Carol A. Stabile and Mark Harrison PRIME TIME ANIMATION In September 1960 a television show emerged from the mists of prehistoric time to take its place as the mother of all animated sitcoms. The Flintstones spawned dozens of imitations, just as, two decades later, The Simpsons sparked a renaissance of prime time animation. The essays in this volume critically survey the landscape of television animation, from Bedrock to Springfield and beyond. The contributors explore a series of key issues and questions, including: How do we explain the animation explosion of the 1960s? Why did it take nearly twenty years following the cancellation of The Flintstones for animation to find its feet again as prime time fare? In addressing these questions, as well as many others, the essays in the first section examine the relation between earlier, made-for-cinema animated production (such as the Warner Looney Toons shorts) and television-based animation; the role of animation in the economies of broadcast and cable television; and the links between animation production and brand image. Contributors also examine specific programs like The Powerpuff Girls, Daria, The Simpsons, The Ren and Stimpy Show and South Park from the perspective of fans, exploring fan cybercommunities, investi- gating how ideas of ‘class’ and ‘taste’ apply to recent TV animation, and addressing themes such as irony, alienation, and representations of the family. Carol A. Stabile is associate professor of communication and director of the Women’s Studies Program at the University of Pittsburgh. She is the author of Feminism and the Technological Fix (1994), editor of Turning the Century: Essays in Media and Cultural Studies (2000), and is currently working on a book on media coverage of crime from the 1830s to the present.