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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
O Porquê Da Existência De Festivais Punk Na Europa
Paulo Bettencourt Lemos A INDUSTRIALIZAÇÃO DO MOVIMENTO PUNK Relatório de estágio em Comunicação e Jornalismo, orientado pelo Doutor Carlos Camponez, apresentado ao Departamento de Informação, Comunicação e Filosofia da Faculdade de Letras da Universidade de Coimbra Julho de 2014 1 Faculdade de Letras A INDUSTRIALIZAÇÃO DO MOVIMENTO PUNK Ficha Técnica: Tipo de trabalho Relatório de estágio Título A INDUSTRIALIZAÇÃO DO MOVIMENTO PUNK Autor Paulo Bettencourt Lemos Orientador Doutor Carlos Camponez Júri Presidente: Vogais: 1. 2. Identificação do Curso 2º Ciclo em Comunicação e Jornalismo Data da defesa Classificação 2 Resumo Embora o Punk tenha surgido em finais da década de 70 como uma contra-cultura revolucionária que se opôs aos valores sociais vigentes da sociedade inglesa, rapidamente a indústria absorveu este movimento social. A atual aceitação social da prévia rebeldia Punk deu-se através da sua comercialização, onde foi possível ao mainstream suavizar os seus aspetos mais agressivos popularizando assim agrupamentos musicais do género. A vulgarização do Punk ocorreu deste modo através da incorporação comercial da sua música e estética. Neste relatório de estágio reflete-se sobre o papel e a influência da indústria no Punk. Através de uma análise ao festival Mighty Sounds, compreenderemos como a comercialização desta tribo urbana tornou este fenómeno facilmente reconhecido a nível mundial e qual o impacto da indústria nos movimentos do underground, desconhecidos pelo grande público, e que se encontram fora dos mediatismos comerciais e noticiosos. Palavras-chave: Mighty Sounds, Punk, Música, Festivais de Verão, República Checa, Praga 3 Abstract Although Punk has emerged in the late 70s as a revolutionary counter-culture that opposed the prevailing social values of English society, the industry quickly absorbed this social movement. -
ANNUAL REPORT 2019 Revellers at New Year’S Eve 2018 – the Night Is Yours
AUSTRALIAN BROADCASTING CORPORATION ANNUAL REPORT 2019 Revellers at New Year’s Eve 2018 – The Night is Yours. Image: Jared Leibowtiz Cover: Dianne Appleby, Yawuru Cultural Leader, and her grandson Zeke 11 September 2019 The Hon Paul Fletcher MP Minister for Communications, Cyber Safety and the Arts Parliament House Canberra ACT 2600 Dear Minister The Board of the Australian Broadcasting Corporation is pleased to present its Annual Report for the year ended 30 June 2019. The report was prepared for section 46 of the Public Governance, Performance and Accountability Act 2013, in accordance with the requirements of that Act and the Australian Broadcasting Corporation Act 1983. It was approved by the Board on 11 September 2019 and provides a comprehensive review of the ABC’s performance and delivery in line with its Charter remit. The ABC continues to be the home and source of Australian stories, told across the nation and to the world. The Corporation’s commitment to innovation in both storytelling and broadcast delivery is stronger than ever, as the needs of its audiences rapidly evolve in line with technological change. Australians expect an independent, accessible public broadcasting service which produces quality drama, comedy and specialist content, entertaining and educational children’s programming, stories of local lives and issues, and news and current affairs coverage that holds power to account and contributes to a healthy democratic process. The ABC is proud to provide such a service. The ABC is truly Yours. Sincerely, Ita Buttrose AC OBE Chair Letter to the Minister iii ABC Radio Melbourne Drive presenter Raf Epstein. -
John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
Dutch Visitors K-6 Foundation
MAGAZINE PIN OAK ISSUE 16: TERM 2, MAY 15, 2015 Foundation Day Dutch Visitors K-6 Contents 3 Headmaster’s Report 4 Big Issue 5 Films, Music, Books 6 K - 6 News 7 More K-6 MINDFULNESS 8 Feature Article Have you ever had a moment when all you can think about is how stressed you are about how you 10 Deputy Reports : Learning & Pastoral haven’t finished the assignment that is due this week or you are really worried because you think In the Spotlight that you failed the exam last week. Seriously! Chill! 11 You need to bring yourself back to the moment and MusicArtDrama think about what is going on right now! This is called 12 mindfulness. On the Branch John Teasdale invented the cognitive theory of 13 Mindfulness in 1991. To practice mindfulness we Gallery need to be aware of where we are, what we are 14 feeling and what is going on right now? To be mindful we need to notice when we are worrying 15 Calendar about the future or stressing about what has happened in the past and bring ourselves back to the 16 Sport moment we are in. After all we can’t change what’s already happened and the only way to influence the future is to achieve something in the present. Being Pin Oak Team in the moment can also benefit our relationships Student Editorial Team because we are more present to the people around Alexia Cheaib, Ruben Seaton, Evangeline us. We listen more effecively and engage more. To Larsen, Evelyn Bratchford, Ryan Tan, Kaarina get your mind back in the moment, become aware of Allen, Maddie Thomas, Heidi Bevan, Cate your senses. -
Reggae / Dancehall / Hip
forment le fondement de sa vision artistique. Il s'est produit avec des légendes du dancehall tels que Capleton, Kiprich, De Marco ou Antony B, sans oublier de mentionner de nombreux prix remportés comme le 1er prix du meilleur singjay de Genève en 2002, 1er prix du meilleur singjay de Suisse en 2006, et 1er prix de la meilleure chanson reggae européenne en 2009. Créateur et porte-parole de la jeunesse actuelle, Charly B est unique en son genre. Non seulement côté et reconnu, il est aussi l'esclave de sa muse, cette passion créatrice qui l'habite, et qui est à l'origine de ce son neuf. Ce chef-d’œuvre de la musique franco-jamaïcaine est sans doute l’album le plus abouti de sa carrière. Le flow de Charly B est dynamique et entrainant. Son timbre de voix bien particulier est addictif. On trouve différents tempos dans cet opus, allant du très lent et doux aux rapides et motivant CHARLY B – Forever (French Edition) pour les soirées endiablées. Charly B chante et parfois rape, toujours avec un bon message. Que ce www.iwelcom.tv/charlyb soit une musique pour club ou plus relaxante, l’album Forever propose toutes sortes de vibes. http://www.charlyb.com Sachant s'adapter à différents styles (reggae, dancehall, hip hop, fusion Afrique, Caraïbes) l'artiste http://www.charlybmusic.com + Myspace + Reverbnation + Sonicbids.com = /charlyb propose avec "FOREVER" 15 titres de qualité grâce auxquels il nous emmène dans son univers. Son Facebook + Twitter + Soundcloud.com = /charlybmusic inspiration y a été débordante, si l’on considère les différents flows, styles, rimes et lyrics choisis. -
Australian Events 2016 Major Events, Australia - from September 2016 to February 2017
AUSTRALIAN EVENTS 2016 MAJOR EVENTS, AUSTRALIA - FROM SEPTEMBER 2016 TO FEBRUARY 2017 Month Event Date More Info ADELAIDE, SOUTH AUSTRALIA January Australia Day 26 January, 2017 australiadayinthecity.com.au BRISBANE, QUEENSLAND September Brisbane Festival 3-24 September, 2016 brisbanefestival.com.au January Australia Day 26 January, 2017 qld.australiaday.org.au February Brisbane Comedy Festival 27 February – 23 March, 2016 brisbanepowerhouse.org/festivals/brisbane-comedy- festival-2016/ CANBERRA, AUSTRALIAN CAPITAL TERRITORY September Floriade 17 September – 16 October, floriadeaustralia.com 2016 January Australia Day 26 January, 2017 australiaday.org.au/act DARWIN, NORTHERN TERRITORY December New Year’s Eve Concert and 31 December, 2016 northernterritory.com/sitecore/atdw/regions/darwin- Fireworks and-surrounds/events/9002710 January Australia Day 26 January, 2017 nt.australiaday.org.au GOLD COAST, QUEENSLAND October Gold Coast 600 21-23 October, 2016 supercars.com/gold-coast January Australia Day 26 January, 2017 goldcoast.qld.gov.au/thegoldcoast/australia-day- celebrations-20389.html MACKAY, QUEENSLAND September Pioneer Valley Country Music 30 September – 2 October, 2016 mackayregion.com/events/event/100442-pioneer- Festival valley-country-music-festival January Australia Day 26 January, 2017 qld.australiaday.org.au MELBOURNE, VICTORIA September Royal Melbourne Show 17-27 September, 2016 royalshow.com.au Spring Racing Carnival 1 September, 2016 springracingcarnival.com.au October AFL Grand Final 1 October, 2016 afl.com.au November Melbourne -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D. -
Underground Power Records List 4 -2020.P[...]
This is the last List that will be sent to all emails on our previous email distributor - we will build up a new one. So all friends who order for sure will be on the new distributor. All others please send a short message and we will add you too for sure. The list will be also on our website and we will announce ever new one on facebook. Our own new releases will be on the next List (Xmas or January)! Das ist die letzte Liste die an den alten email Verteiler geschickt wird - wir bauen einen Neuen auf. Alle Besteller werden automatisch in den neuen aufgenommen. Alle Anderen die den Newsletter erhalten möchten senden bitte eine kurze Bestätigung, dass Sie künftig auch wieder in den Verteiler aufgenommen werden wollen. Die Liste wird auch auf unserer Webseite veröffentlicht und immer auf facebook angekündigt. Unsere eigenen neuen Releases werden auf der nächsten Liste erscheinen (um Weihnachten oder im Januar) ! CD ADORNED GRAVES – Being towards a River (NEW*EPIC/THRASH METAL*TOURNIQUET*DELIVERANCE) - 14 GER Private Press 2020 – Brandnew Oldschool 80’s Epic / Thrash Metal with elements of Epic Doom / Death Metal from Germany ! For Fans of Vengeance Rising, Tourniquet, Deliverance, Believer, Martyr / Betrayal or Metallica and Slayer, but also Black Sabbath + Trouble ! Melodic Old School Epic Doom N Thrash Death Metal Einschlägen, der Einfachheit halber als „Thrash Metal“. ALCATRAZZ - Born Innocent (NEW*MELODIC METAL*G.BONNET*RAINBOW*MSG*TNT) - 15 Silver Lining Music 2020 - Brandnew limited CD Digipak Fantastic Melodic Metal / Hard Rock with Original Line up Graham Bonnet, Keyboarder Jimmy Waldo and Bassplayer Gary Shea – now together with Guitar Hero Joe Stump and some fantastic guest musicians: Chris Impellitteri, Bob Kulick, Nozumu Wakai, Steve Vai, Dario Mollo, Don Van Stavern or Jeff Waters For Fans of RAINBOW, TNT, EUROPE, DOKKEN, MICHAEL SCHENKER ANGEL WITCH – Screamin’ ‘n’ Bleedin’ (NEW*LIM.500*NWOBHM CLASSIC 1985) – 18 € N.W.O.B.H.M. -
2019 "BET Awards" to Honor Grammy Award Winning and Oscar-Nominated Actress Mary J
2019 "BET Awards" To Honor Grammy Award Winning And Oscar-Nominated Actress Mary J. Blige With Prestigious Lifetime Achievement Award June 12, 2019 REGINA HALL WILL HOST THE 19TH ANNUAL AWARDS SHOW AIRING LIVE ON SUNDAY, JUNE 23 FROM MICROSOFT THEATER IN LOS ANGELES AT 8PM ET #BETAWARDS NEW YORK, June 12, 2019 /PRNewswire/ -- Today BET Networks announces Grammy Award-winning singer, songwriter, Oscar-nominated actress and philanthropist, Mary J. Blige will be honored with the prestigious Lifetime Achievement Award at the 19th annual "BET Awards." The 2019 "BET Awards" will air LIVE on Sunday, June 23 at 8pm ET from the Microsoft Theater in Los Angeles, CA on BET. With a career of landmark achievements including eight multi-platinum albums, nine Grammy Awards (plus a staggering 32 nominations), two Academy Award nominations, two Golden Globe nominations, and a SAG nomination, Mary J. Blige has remained a figure of inspiration, transformation and empowerment making her one of the defining voices of the contemporary music era and cemented herself as a global superstar. And in the ensuing years, the singer/songwriter has attracted an intensely loyal fan base—responsible for propelling worldwide sales of more than 50 million albums. She began moving people with her soulful voice at the age of 18 when she became Uptown Records youngest and first female artist. Over the years, Blige has helped redefine R&B in the contemporary music era with chart-topping hits like "Be Without You", "No More Drama" and "Family Affair." At the 2018 Academy Awards, Blige made history as the first double nominee across the acting and music categories for Best Song and Best Supporting Actress for her work on Mudbound. -
Defining Music As an Emotional Catalyst Through a Sociological Study of Emotions, Gender and Culture
Western Michigan University ScholarWorks at WMU Dissertations Graduate College 12-2011 All I Am: Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture Adrienne M. Trier-Bieniek Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Part of the Musicology Commons, Music Therapy Commons, and the Sociology Commons Recommended Citation Trier-Bieniek, Adrienne M., "All I Am: Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture" (2011). Dissertations. 328. https://scholarworks.wmich.edu/dissertations/328 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. "ALL I AM": DEFINING MUSIC AS AN EMOTIONAL CATALYST THROUGH A SOCIOLOGICAL STUDY OF EMOTIONS, GENDER AND CULTURE. by Adrienne M. Trier-Bieniek A Dissertation Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Doctor of Philosophy Department of Sociology Advisor: Angela M. Moe, Ph.D. Western Michigan University Kalamazoo, Michigan April 2011 "ALL I AM": DEFINING MUSIC AS AN EMOTIONAL CATALYST THROUGH A SOCIOLOGICAL STUDY OF EMOTIONS, GENDER AND CULTURE Adrienne M. Trier-Bieniek, Ph.D. Western Michigan University, 2011 This dissertation, '"All I Am': Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture", is based in the sociology of emotions, gender and culture and guided by symbolic interactionist and feminist standpoint theory. -
Interview with Amaranthe
Metal Symphony http://www.metalsymphony.com Interview with Amaranthe Interview with Jake E.Lee about "Amaranthe" promo, their last shows and much more... M.S: Hi, thank you for answering our questions. How are you? Jake: Thank you! All fine here. Right now we're in the tour bus towards Finland. Gonna do our first four headline shows there this week which I'm really looking forward to. M.S: What are your impressions about the Spanish audience after your concerts in here with Hammerfall? How was the tour? Jake: It's always a pleasure to come back to Spain. The crowd is energetic and you always feel welcome. The tour in general was fantastic. We met some troubles along the way, like a broken bus which forced us to cancel one show in Buckarest and some other minor setbacks, but besides that we had a blast and we had a great time with all of the bands on the tour. M.S: Can you tell us more about why Andy wasn't able to make it for some part of the European Tour? Jake: He just had to go home to take care of some personal business. Nothing stranger than that. We called in Richard from The Unguided and he did a tremendous job!! M.S: One could say that with everything you've achieved, you confirm your status as a big band... festivals, big tours, tons of views of your vids on youtube, and all these done with a style different from the one of your previous bands, can you tell us how do you see this "Amaranthe's revolution"? Jake: It's a big privilege to finally be able to live out the dreams you've had since you grew up with pictures of big bands on your wall.