Conspectus Borealis Volume 4 | Issue 1 Article 5 11-3-2018 In Another Person’s Skin: Adaptations of To Kill a Mockingbird and the Characterization of Scout Finch Eric A. Pitz Northern Michigan University,
[email protected] Follow this and additional works at: https://commons.nmu.edu/conspectus_borealis Part of the American Film Studies Commons, American Literature Commons, Dramatic Literature, Criticism and Theory Commons, Literature in English, North America Commons, Other Film and Media Studies Commons, Performance Studies Commons, and the Visual Studies Commons Recommended Citation Pitz, Eric A. (2018) "In Another Person’s Skin: Adaptations of To Kill a Mockingbird and the Characterization of Scout Finch," Conspectus Borealis: Vol. 4 : Iss. 1 , Article 5. Available at: https://commons.nmu.edu/conspectus_borealis/vol4/iss1/5 This Article is brought to you for free and open access by the Journals and Peer-Reviewed Series at NMU Commons. It has been accepted for inclusion in Conspectus Borealis by an authorized administrator of NMU Commons. For more information, please contact Kevin McDonough. In Another Person’s Skin Adaptations of To Kill a Mockingbird and the Characterization of Scout Finch The history of racism and intolerance in America permeates its literary canon, with works such as Harriet Beecher Stowe’s Uncle Tom’s Cabin (1852), Mark Twain’s The Adventures of Huckleberry Finn (1884), and Ralph Ellison’s Invisible Man (1952), functioning as seminal pieces that not only engage with that history, but also capture white attitudes towards black people at each time of publication. In one of the most celebrated works within the canon, To Kill a Mockingbird (1960), Harper Lee constructs a character whose feistiness, youthful innocence, and tomboyish charm helps her readers understand the injustices towards black people in the southern United States, as well as what it means to grow up more generally.