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Alvin Ailey Dance Foundation The Joyce Theater Presents , Alvin Aile~ American Dance Theater at BAM The Joyce Theater presents Alvin Ailey American Dance Theater at BAM Approximate BAM Howard Gilman Opera House running time: June 3-8 at 7:30pm two hours, June 7 at 2pm; June 8 at 3pm including two intermissions JUDITH JAMISON Artistic Director Masazumi Chaya Associate Artistic Director Classic Ailey (Program A)-June 3, 6, 8 Choreography by Alvin Ailey Night Creature Pas de Duke Masekela Langage Revelations Best Of (Program B)-June 4, 5, 7 The Golden Section, choreography by Twyla Tharp Unfold, choreography by Robert Battle The Groove To Nobody's Business, choreography by Camille A. Brown Revelations , choreography by Alvin Ailey Major support provided by • Altria Leadership support for The Joyce Theater has been received from the LuEsther T Mertz Charitable Trust. Major support for this presentation was provided by Altria Group, Inc. , the 2007-2008 season sponsor of The Joyce Theater. BAM 2008 Spring Season is sponsored by Bloomberg. Additional support for this presentation was provided, in part, by public funds from the New York City Department of Cultural Affairs, The Harkness Foundation for Dance, and The SHS Foundation. Opening night reception support is provided by The Honorable Letitia James, New York City Council, Calyon Credit Agricole CIB, and The Evelyn Sharp Foundation. Opening night reception features cocktails by JOHNNIE WALKER and floral decor by Fleurs Bella. Presentations of The Joyce are made possible with public funds from the National Endowment for the Arts, which believes that a great nation deserves great art; and the New York State Council on the Arts, a state agency. Major support for The Joyce has been received from Carnegie Corporation of New York, First Republic Bank, JPMorgan Chase Foundation, The Andrew W Mellon Foundation, Rockefeller Brothers Fund, The Fan Fox and Leslie R. Samuels Foundation, The Peter Jay Sharp Foundation, The Shubert Foundation and The Starr Foundation. y c • PRESENTS ALVIN AILEY AMERICAN DANCE THEATER JUDITH JAMISON Artistic Director Masazumi Chaya Associate Artistic Director Company Members Guillermo Asca, Olivia Bowman, Kirven J. Boyd, Hope Boykin, Clifton Brown, Courtney Brene Corbin, Rosalyn Deshauteurs, Khilea Douglass, Antonio Douthit, Vernard J. Gilmore, Alicia J. Graf, Abdur-Rahim Jackson , Chris Jackson, Gwynenn Taylor Jones, Willy Laury, Yannick Lebrun , Malik Le Nost, Roxanne Lyst, Amos J. Machanic, Jr., Rachael McLaren, Briana Reed, Jamar Roberts, Renee Robinson, Matthew Rushing, Glenn Allen Sims, Linda Celeste Sims, Yusha-Marie Sorzano, Constance Stamatiou, Tina Monica Williams, Marcus Jarrell Willis Executive Director Sharon Gersten Luckman Major funding is provided by the New York State Councif on the Arts, a State agency, the New York City Department of Cultural Affairs, the National Endowment for the Arts, JPMorgan Chase, Altria Group, Inc. , Citi, American Express, Prudential Financial, Inc. , Diageo, Time Warner, Inc. , Bloomberg, The Shubert Foundation, and MetUte Foundation American Airlines is the official airline of the Alvin Aifey American Dance Theater. ALL ABOUT AILEY CELEBRATING 50 YEARS This year Alvin Ailey American Dance Theater (AAADT), America's cultural ambassador to the world, marks its 50th anniversary of bringing African-American cultural expression and the American modern dance tradition to the world's stages. In 1958, Alvin Ailey led a group of young black modern dancers in a performance in New York City that changed forever the perception of American dance. Since then, the Ai ley company has gone on to perform for an estimated 21 million people on six continents, including two historic residencies in South Africa and the first performances ever by a modern dance company at the legendary Mariinsky Theatre in Russia. Born in Rogers, Texas on January 5, 1931, Alvin Ailey was first introduced to dance by performances of the Katherine Dunham Dance Company and the Ballet Russe de Monte Carlo. His formal dance training began when his friend Carmen de Lavallade encouraged him to join her in classes taught by modern dance pioneer Lester Horton. When Mr. Ailey began creating dance, he drew upon his "blood memories" of Texas, the blues, spirituals, and gospel music for inspiration, resulting in the creation of his most popular and critically acclaimed work-Revelations. Since its premiere in 1960, Mr. Ailey's masterpiece has been seen by more people around the world than any other dance piece. Although he created 79 ballets in his lifetime, Alvin Ailey maintained that his company was not exclusively a repository for his own work. Today, the Company continues Mr. Ailey's mission by presenting important works from the past and commissioning new ones to add to an ever-evolving repertoire that now encompasses over 200 works by more than 70 choreographers . Before his untimely death in 1989, Mr. Ailey chose Judith Jamison to become Artistic Director 50 of Alvin Ailey American Dance Theater. As the Company looks toward the next 50 years and beyond, Jamison's own remarkable vision lights the way for this celebration. Beauty, spirit, hope YEARS CUlTUlAl and passion know no bounds. That is the power of Ailey. AMIASSADOIt Classic Ailey-Program A NIGHT CREATURE from "Ailey Celebrates Ellington" (1974) Choreography by Alvin Ailey Music by Duke Ellington ("Night Creature")* Original Costumes by Jane Greenwood Costume Designs Recreated by Barbara Forbes Lighting by Chenault Spence "Night creatures, unlike stars, do not come OUT at night-they come ON, each thinking that before the night is out he or she will be the star." -Duke Ellington MOVEMENT 1 June 3 & 8, 7:30pm: Alicia J. Graf, Vernard J. Gilmore & Company June 6: Renee Robinson , Guillermo Asca & Company June 8, 3pm: Olivia Bowman , Guillermo Asca & Company MOVEMENT 2 June 3 & 8, 7:30pm: Alicia J. Graf, Jamar Roberts June 6: Renee Robinson , Amos J. Machanic, Jr. June 8, 3pm: Olivia Bowman , Amos J. Machanic, Jr. Khilea Douglass , Roxanne Lyst , Courtney Brene Corbin , Yusha -Marie Sorzano, Constance Stamatiou , Hope Boykin Kirven J. Boyd , Willy Laury , Chris Jackson , Anton io Douthit, Malik Le Nost, Marcus Jarrell Willis MOVEMENT 3 June 3 & 8, 7:30pm: Alicia J. Graf, Vernard J. Gilmore & Company June 6: Renee Robinson , Guillermo Asca & Company June 8, 3pm : Olivia Bowman , Guillermo Asca & Company This production was made possible, in part, by a grant from The Ford Foundation and with public funds from the National Endowment for the Arts. Born in Washington, DC in 1899, American composer, pianist and jazz-band leader Duke Ellington was one of the most influential figures in the history of music. In the early 1930s his band became renowned at the legendary Cotton Club in Harlem. Later the band toured nationally and internationally. The "Duke" wrote over 900 compositions before his death in 1974; among his classics are "Mood Indigo," "Solitude," "Caravan," "Sophisticated Lady," and "Black, Brown, and Beige. " Fabric Dyeing of costumes by Elissa Tatigiki s Iberti *Used by arrangement with G. Schirmer, Inc., publisher and copyright owner. -PAUSE- PAS DE DUKE (1976) Choreography by Alvin Ailey Restaged by Masazumi Chaya Music by Duke Ellington Costumes by Rouben Ter-Arutunian Lighting by Chenault Spence Classic Ailey-Program A June 3 & 8, 7:30pm: Linda Celeste Sims , Clifton Brown June 6: Linda Celeste Sims , Matthew Rushing June 8, 3pm: Alicia J. Grat, Antonio Douthit This original Ailey production was made possible, in part, with public funds from the National Endowment for the Arts and the New York State Council on the Arts, a State agency, and by a grant from the Ford Foundation. Generous support for this production was received from Laren and Jesse Brill. Pas de Duke was originally created for "Ailey Celebrates Ellington ," the Ailey Company's contribution to the nation's bicentennial , that was performed at the New York State Theater in August, 1976. Pas de Duke was Alvin Ailey's modern dance translation of a classical pas de deux honoring two of the most renowned dancers in the world, Judith Jamison and Mikhail Baryshnikov. "Such Sweet Thunder" (1957) "Sonnet for Caesar" (1957) "Sonnet to Hank Cinq" (1957) "Clothed Woman" (1948) "Old Man's Blues" (1930) Used with the permission of Tempo Music, Inc., Mercer Ellington Publishing and G. Schirmer Inc. -INTERMISSION- MASEKELA LANGAGE (1969) "Looks Like It's Safer To Be In Jail ... " Choreography by Alvin Ailey Restaged by Masazumi Chaya Costumes by A. Christina Giannini Lighting by Chenault Spence Five dances with prologue and epilogue based on the music of South African trumpeter Hugh Masekela. Prologue-Sobukwe The Company Fuzz June 3 & 8, 7:30pm: Renee Robinson , Rosalyn Deshauteurs, Hope Boykin , Yusha-Marie Sorzano , Clifton Brown , Vernard J. Gilmore, Amos J. Machanic, Jr. , Guillermo Asca June 6: Briana Reed , Tina Monica Williams , Khilea Douglass , Olivia Bowman , Glenn Allen Sims , Chris Jackson , Malik Le Nost, Antonio Douthit June 8, 3pm: Alicia J. Grat, Tina Monica Williams, Khilea Douglass , Olivia Bowman , Jamar Roberts , Chris Jackson, Malik Le Nost, Willy Laury Morolo June 3 & 8, 7:30pm: Linda Celeste Sims , Guillermo Asca , Amos J. Machanic, Jr., Vernard J. Gilmore June 6: Courtney Brene Corbin , Antonio Douthit, Malik Le Nost, Chris Jackson June 8, 3pm: Constance Stamatiou, Willy Laury, Malik Le Nost, Chris Jackson Classic Ailey-Program A Babajula Bonke June 3 & 8, 7:30pm: Clifton Brown & Company June 6: Glenn Allen Sims & Company June 8, 3pm: Jamar Roberts & Company Bo Masekela June 3 & 8, 7:30pm: Renee Robinson June 6: Briana Reed June 8, 3pm: Alicia J. Graf U-Dui June 3 & 8, 7:30pm: Yusha-Marie Sorzano & Company June 6 & 8, 3pm: Olivia Bowman & Company Mace and Grenades June 3 & 8, 7:30pm: Matthew Rushing & Company June 6: Abdu r-Rahim Jackson & Company June 8, 3pm: Kirven J. Boyd & Company Epilogue-Sobukwe The Company Masekela Langage was originally commissioned by Connecticut College American Dance Festival. Additional funds were provided by The Ford Foundation.
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