Alessandra Sorrentino Character Animator – Storyboard Artist - Illustrator
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Sara Daddy Writer, Children's, Preschool, 6+ Years, Animation, Live Action, Head Writer, Series Developer, Showrunner Agent: Jean Kitson - [email protected]
Sara Daddy Writer, Children's, Preschool, 6+ years, Animation, Live Action, Head Writer, Series Developer, Showrunner Agent: Jean Kitson - [email protected] Sara is a Head Writer/Screenwriter/Development Producer with over 16 years’ experience in children’s television, working for 8 years in the BBC’s children’s department, covering both CBeebies and CBBC, and for the past 8 years as a freelance scriptwriter and developer working for a range of companies including Nickelodeon, Disney Jnr, Sprout, Netflix, The Jim Henson Company, Sesame Workshop, Penguin, Sixteen South and Cartoon Saloon. Sara has a proven track record in the development of children’s programmes, including Broadcast Award winner and BAFTA-nominated Lily’s Driftwood Bay and RTS and Kidscreen-winner, Puffin Rock. She was nominated for a Manimation Industry Excellence Award: Writing for Animation and Best Writing in a Pre-school Programme award at Dingle Animation Festival for Puffin Rock. Sara was Head Writer on ‘Claude‘ which won the Royal Television Society NI Award for Best Children’s / Animated Series, and was nominated for three awards at the Irish Animation Awards 2019 and for Best Preschool Show at the Broadcast Awards 2019. Work Current Sol Paper Owl / S4C / BBC 22′ animated special, with funding from the first YACF fund award, launched simultaneously on CITV, CITV’s VOD ITV Hub, Channel 4’s VOD service All 4, and Channel 5’s VOD My 5 on 21st December 2020. Watch it in Irish, Welsh or Scots Gaelic with English subtitles on All 4 here. Winner: Children’s Award at the Sandford St Martin Awards for excellence in religious and ethics programmes, 2021 Untitled Maramedia Lead Writer, writing 8 episodes of exciting new live-action / animated property Puffin Rock (Feature) Dog Ears Ltd / Cartoon Saloon Animated feature film in production, based on the Emmy- nominated series. -
The Significance of Anime As a Novel Animation Form, Referencing Selected Works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii
The significance of anime as a novel animation form, referencing selected works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii Ywain Tomos submitted for the degree of Doctor of Philosophy Aberystwyth University Department of Theatre, Film and Television Studies, September 2013 DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 1 This dissertation is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged explicit references. A bibliography is appended. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 2 I hereby give consent for my dissertation, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed………………………………………………………(candidate) Date …………………………………………………. 2 Acknowledgements I would to take this opportunity to sincerely thank my supervisors, Elin Haf Gruffydd Jones and Dr Dafydd Sills-Jones for all their help and support during this research study. Thanks are also due to my colleagues in the Department of Theatre, Film and Television Studies, Aberystwyth University for their friendship during my time at Aberystwyth. I would also like to thank Prof Josephine Berndt and Dr Sheuo Gan, Kyoto Seiko University, Kyoto for their valuable insights during my visit in 2011. In addition, I would like to express my thanks to the Coleg Cenedlaethol for the scholarship and the opportunity to develop research skills in the Welsh language. Finally I would like to thank my wife Tomoko for her support, patience and tolerance over the last four years – diolch o’r galon Tomoko, ありがとう 智子. -
The Uses of Animation 1
The Uses of Animation 1 1 The Uses of Animation ANIMATION Animation is the process of making the illusion of motion and change by means of the rapid display of a sequence of static images that minimally differ from each other. The illusion—as in motion pictures in general—is thought to rely on the phi phenomenon. Animators are artists who specialize in the creation of animation. Animation can be recorded with either analogue media, a flip book, motion picture film, video tape,digital media, including formats with animated GIF, Flash animation and digital video. To display animation, a digital camera, computer, or projector are used along with new technologies that are produced. Animation creation methods include the traditional animation creation method and those involving stop motion animation of two and three-dimensional objects, paper cutouts, puppets and clay figures. Images are displayed in a rapid succession, usually 24, 25, 30, or 60 frames per second. THE MOST COMMON USES OF ANIMATION Cartoons The most common use of animation, and perhaps the origin of it, is cartoons. Cartoons appear all the time on television and the cinema and can be used for entertainment, advertising, 2 Aspects of Animation: Steps to Learn Animated Cartoons presentations and many more applications that are only limited by the imagination of the designer. The most important factor about making cartoons on a computer is reusability and flexibility. The system that will actually do the animation needs to be such that all the actions that are going to be performed can be repeated easily, without much fuss from the side of the animator. -
The Secret of Kells in 2010 and for Song of the Sea in 2015
The EDUCATIONAL KIT Secret of Kells Tomm Moore, Nora Twomey CONTENT p.3 GENERAL INFORMATION p.4 Synopsis p.5 FILM ANALYSIS p.5 p.6 Film context Expressive means p.6 p.8 Historical context Recognition Image 1 p.10 CLASSROOM ACTIVITIES p.10 p.13 p.15 Starter activity Animated colours The “real” face of and shapes the Vikings p.11 The hero’s journey p.14 Filmic means and director’s choices 2 GENERAL INFORMATION TOMM MOORE (1977, IRELAND) NORA TWOMEY (1971, IRELAND). The film, which is set in the early ninth-century monastic settlement of Kells, is based on a concept which Moore had been exploring a decade earlier while a student of animation at Ballyfermot Senior College in Dublin in 1999. With his co-director Nora Twomey, Moore and the Cartoon Saloon studio have achieved international acclaim for their work, including nominations in the Best Animated Feature Film category at the Oscars for The Secret of Kells in 2010 and for Song of the Sea in 2015. More recently, Twomey’s The Breadwinner (2017), which is set in Afghanistan and stylistically encompasses a more naturalistic and real- world look, also received an Academy nomination for Best Animated Feature in 2018. Moore is currently co-directing a third animated feature, Wolfwalkers, a mythic tale set in Kilkenny that is inspired by local history and legends and is due for release in late 2020. Image 2 Image 3 Twomey is currently directing the 2D American-Irish animation film My Father’s dragon, due for release in 2021. -
Jobs and Education
Vol. 3 Issue 3 JuneJune1998 1998 J OBS AND E DUCATION ¥ Animation on the Internet ¥ Glenn VilppuÕs Life Drawing ¥ CanadaÕs Golden Age? ¥ Below the Radar WHO IS JARED? Plus: Jerry BeckÕs Essential Library, ASIFA and Festivals TABLE OF CONTENTS JUNE 1998 VOL.3 NO.3 4 Editor’s Notebook It’s the drawing stupid! 6 Letters: [email protected] 7 Dig This! 1001 Nights: An Animation Symphony EDUCATION & TRAINING 8 The Essential Animation Reference Library Animation historian Jerry Beck describes the ideal library of “essential” books on animation. 10 Whose Golden Age?: Canadian Animation In The 1990s Art vs. industry and the future of the independent filmmaker: Chris Robinson investigates this tricky bal- ance in the current Canadian animation climate. 15 Here’s A How de do Diary: March The first installment of Barry Purves’ production diary as he chronicles producing a series of animated shorts for Channel 4. An Animation World Magazine exclusive. 20 Survey: It Takes Three to Tango Through a series of pointed questions we take a look at the relationship between educators, industry representatives and students. School profiles are included. 1998 33 What’s In Your LunchBox? Kellie-Bea Rainey tests out Animation Toolworks’ Video LunchBox, an innovative frame-grabbing tool for animators, students, seven year-olds and potato farmers alike! INTERNETINTERNET ANIMATIONANIMATION 38 Who The Heck is Jared? Well, do you know? Wendy Jackson introduces us to this very funny little yellow fellow. 39 Below The Digital Radar Kit Laybourne muses about the evolution of independent animation and looks “below the radar” for the growth of new emerging domains of digital animation. -
Creating New Animated TV Series for Girls Aged 6-12 in Britain
Creating New Animated TV Series for Girls Aged 6-12 in Britain Lindsay Watson This article focuses on the development and marketing of animated female lead charac- ters on television for an audience of girls aged 6-12 in Britain. Using strategic marketing theory it asks the questions: “What do girls want (to see on screen)?” “How do they get it?” and “How do we (the animation industry) sell it?” The paper reviews 87 starring fe- male lead characters worldwide and finds that most are: 2D in design, feature characters with American accents, have a cast of either group or independent characters and are of either a ‘dramatic’ or ‘dramatic/comedic’ genre. The article concludes that the types of television shows girls are watching could be improved to better meet their needs. It encourages content creators to be brave and test new ideas and offers practical tips to executives, producers and commissioners on development and positioning of new ani- mated television series that will engage their audiences. Personal Preface As an animation producer, academic, and campaigner for indie animation and women’s rights I decided in 2013 that I wanted to answer the question: Why aren’t there more animated female characters on British children’s TV? That year also happened to be the year I launched Animated Women UK – since then a lot has changed! The 1980s was a great time for empowered animated female leads in TV series as merchandisers recognised audience buying power (Perea, 2014). This didn’t translate to the big screen as from 1995 to 2012 most of Pixar’s films featured male leads. -
Recommend Me a Movie on Netflix
Recommend Me A Movie On Netflix Sinkable and unblushing Carlin syphilized her proteolysis oba stylise and induing glamorously. Virge often brabble churlishly when glottic Teddy ironizes dependably and prefigures her shroffs. Disrespectful Gay symbolled some Montague after time-honoured Matthew separate piercingly. TV to find something clean that leaves you feeling inspired and entertained. What really resonates are forgettable comedies and try making them off attacks from me up like this glittering satire about a writer and then recommend me on a netflix movie! Make a married to. Aldous Snow, she had already become a recognizable face in American cinema. Sonic and using his immense powers for world domination. Clips are turning it on surfing, on a movie in its audience to. Or by his son embark on a movie on netflix recommend me of the actor, and outer boroughs, leslie odom jr. Where was the common cut off point for users? Urville Martin, and showing how wealth, gives the film its intended temperature and gravity so that Boseman and the rest of her band members can zip around like fireflies ambling in the summer heat. Do you want to play a game? Designing transparency into a recommendation interface can be advantageous in a few key ways. The Huffington Post, shitposts, the villain is Hannibal Lector! Matt Damon also stars as a detestable Texas ranger who tags along for the ride. She plays a woman battling depression who after being robbed finds purpose in her life. Netflix, created with unused footage from the previous film. Selena Gomez, where they were the two cool kids in their pretty square school, and what issues it could solve. -
THE ANIMATED TRAMP Charlie Chaplin's Influence on American
THE ANIMATED TRAMP Charlie Chaplin’s Influence on American Animation By Nancy Beiman SLIDE 1: Joe Grant trading card of Chaplin and Mickey Mouse Charles Chaplin became an international star concurrently with the birth and development of the animated cartoon. His influence on the animation medium was immense and continues to this day. I will discuss how American character animators, past and present, have been inspired by Chaplin’s work. HISTORICAL BACKGROUND (SLIDE 2) Jeffrey Vance described Chaplin as “the pioneer subject of today’s modern multimedia marketing and merchandising tactics”, 1 “(SLIDE 3). Charlie Chaplin” comic strips began in 1915 and it was a short step from comic strips to animation. (SLIDE 4) One of two animated Chaplin series was produced by Otto Messmer and Pat Sullivan Studios in 1918-19. 2 Immediately after completing the Chaplin cartoons, (SLIDE 5) Otto Messmer created Felix the Cat who was, by 1925, the most popular animated character in America. Messmer, by his own admission, based Felix’s timing and distinctive pantomime acting on Chaplin’s. 3 But no other animators of the time followed Messmer’s lead. (SLIDE 6) Animator Shamus Culhane wrote that “Right through the transition from silent films to sound cartoons none of the producers of animation paid the slightest attention to… improvements in the quality of live action comedy. Trapped by the belief that animated cartoons should be a kind of moving comic strip, all the producers, (including Walt Disney) continued to turn out films that consisted of a loose story line that supported a group of slapstick gags which were often only vaguely related to the plot….The most astonishing thing is that Walt Disney took so long to decide to break the narrow confines of slapstick, because for several decades Chaplin, Lloyd and Keaton had demonstrated the superiority of good pantomime.” 4 1 Jeffrey Vance, CHAPLIN: GENIUS OF THE CINEMA, p. -
European Animation Awards to Launch in 2017 | Variety
European Animation Awards To Launch In 2017 | Variety http://variety.com/2016/film/global/european-animation-awards-peter-... JUNE 27, 2016 | 03:54AM PT PHOTOS: AMBER EMILY / KEN MCKAY/ITV/REX/SHUTTERSTOCK Brexit notwithstanding, Europe looks set to have a new prize event, the European Animation Awards (EAA), which are inspired by America’s Annie Awards and backed by many of the preeminent figures in Europe’s animation industry. The new plaudits come after a period of “massive growth” of Europe’s animation industry, which merits broader kudos recognition, said Jean-Paul Commin, EAA secretary general, who added that the United Kingdom “is and will remain, despite Brexit, an active player in our project.” “There has been a huge improvement not only in the quantity but quality of animation in Europe. We have some of the best animation schools and European animated features are travelling better,” he said. The first European Animation Awards gala ceremony will take place in 2017. Peter Lord, creative director of Aardman Animations and producer of many of Europe’s 1 sur 3 21/11/2016 18:09 European Animation Awards To Launch In 2017 | Variety http://variety.com/2016/film/global/european-animation-awards-peter-... most-watched animated movies – such as the stop-motion “Chicken Run” and “Wallace and Gromit: The Curse of the Were-Rabbit” – has been named president of the EAAs. Vice-presidents are Dane Marie Bro, based out of Copenhagen’s Danske TegneFilm (“The Boy Who Wanted To Be a Bear”); France’s Didier Brunner, the dean of Europe’s 2D animation (“The Triplets of Belleville,” the “Kirikou” franchise) who originated the idea of the EAA; and Ireland’s Paul Young, at Cartoon Saloon, producer of “The Secret of Kells,” “Song of the Sea” and now “The Breadwinner,” whose co-producers include New York’s Gkids and Angeline Jolie-Pitt. -
IFB Locations Brochure 2017
1 Irish Film Board — Bord Scannán na hÉireann/the Irish Film Board (IFB) is the national development agency for the Irish film, television and animation industry, supporting and developing talent, creativity and enterprise. It provides development, production and distribution funding for writers, directors and production companies across these sectors. The IFB supports Ireland as a dynamic and world-class location for international production by promoting Irish tax incentives, our excellent skilled crew base, and our well-established studio and technical infrastructure. The IFB also supports the development of skills and training in live-action, animation, VFX and interactive content through Screen Training Ireland. Contents — ‘Dublin and its surrounds were the perfect location for our London-set Dickensian period piece. The range of settings, architecture and the ease of access to locations was in my experience unparalleled.’ Introduction 06 Bharat Nulluri, Director Ireland’s Tax Credit 10 The Man Who Invented Christmas Ireland and International Co-Production 14 The Irish Producer 16 Location, Location, Location 20 Film Studios 24 Post Production 28 VFX 30 Animation 34 IFB Location Services 36 Funding Sources 38 Other Financial Incentives 39 Support Networks, Guilds and Associations 42 King’s Inns, Henrietta Street, Dublin 02 03 Grand Canal Dock, Dublin 04 05 Introduction — ‘Ireland has become an important part of Star Wars history.’ Candice Campos, Vice President, Physical Production, Lucasfilm Ireland has a long-standing, World-class film is produced in diverse and exceptionally rich Ireland year after year. Recent culture of bringing stories completed projects include to the screen. It has long Rian Johnson’s Star Wars: been associated with great Episode VIII–The Last Jedi, filmmaking, from the feisty, Farhad Safinia’sThe Professor passionate romance played and the Madman and Nora by John Wayne and Maureen Twomey’s animated feature O’Hara in John Ford’s much- film,The Breadwinner. -
List Article – Top 3 Best Adult Animated Series on Television For
List Article – Top 3 Best Adult Animated Series On Television For a few decades, cartoons were only for children. Either they were filled with kid-friendly story lines or they were “PC” enough that everyone could enjoy them. What a terrible world... Luckily, something fantastic occurred in the late 80’s: adult animation went mainstream. All of a sudden, it was cool to be in college and watching cartoons. Sometimes the shows were good, other times they were odd and still others were just plain terrible. After 25 years, tons of shows have come and gone, with only a few standing out as the best of the best. Here are my top 3 adult animated series of all time: 3) Family Guy By the late 1990’s when we thought we had seen in all, Seth MacFarlane arrived. After a few years of animating children’s cartoons, Seth brought to the table one of the raunchiest, most terrible and insulting programs we had ever seen. Family Guy is the 3rd best adult cartoon in history. Another record-breaking series from Fox, the show centers on the Griffin family from Rhode Island. Peter (the idiot), Lois (the sane one), Chris (the Peter-in-training), Meg (the ugly one) and baby Stewie (the evil one), along with the family dog, Brian (the pretentious one) spend their days living lives of greed, lust, violence and every other major sin known to man. Every episode is filled with hilarious moments, mainly from the flashback cutaways, which have now become a standard in all animation. -
SIGGRAPH Asia 2020'S Computer Animation Festival – Panel And
SIGGRAPH Asia 2020’s Computer Animation Festival – Panel and Production Talks The Making of Pixar’s Wind Jesus Martinez, Animation Manager, Pixar Animation Studios Edwin Chang, Shot Supervisor / SparkShorts Director, Wind, Pixar Animation Studios Beth Albright, Character Shading and Groom Lead, Pixar Animation Studios Join writer and director Edwin Chang, producer Jesús Martínez and supervising technical director Beth Albright as they explore the making of their heartfelt CG animated short film, Wind. Made as part of Pixar’s SparkShorts program, Wind is set in a world of magical realism where a grandmother and her grandson are trapped deep down an endless chasm, scavenging debris that surrounds them to realize their dream of escaping to a better life. A screening of the film will be followed by a “Making Of” presentation and a Q&A. Producing Over the Moon Gennie Rim, Executive Producer, Glen Keane Productions Peilin Chou, Animation Film Producer, Netflix Producers Peilin Chou and Gennie Rim discuss the development and production of the recently premiered Netflix and Pearl Studios animated musical adventure, Over the Moon, directed by the legendary Oscar winner Glen Keane, and co-directed by Oscar winner John Kahrs. In the film, a bright young girl fueled with determination and a passion for science, Fei Fei, builds a rocket ship to the moon to prove the existence of the legendary Chinese Moon Goddess, Chang’e. After an impossible journey, she ends up in a whimsical land of fantastical creatures. Directed by Keane, animated at Sony Pictures Imageworks and produced by Rim and Chou for Shanghai-based Pearl Studios, Over the Moon is a musical adventure about moving forward, embracing the unexpected, and believing the impossible is possible.