Don't Be Stupid with Your Life
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The 200 Plays That Every Theatre Major Should Read
The 200 Plays That Every Theatre Major Should Read Aeschylus The Persians (472 BC) McCullers A Member of the Wedding The Orestia (458 BC) (1946) Prometheus Bound (456 BC) Miller Death of a Salesman (1949) Sophocles Antigone (442 BC) The Crucible (1953) Oedipus Rex (426 BC) A View From the Bridge (1955) Oedipus at Colonus (406 BC) The Price (1968) Euripdes Medea (431 BC) Ionesco The Bald Soprano (1950) Electra (417 BC) Rhinoceros (1960) The Trojan Women (415 BC) Inge Picnic (1953) The Bacchae (408 BC) Bus Stop (1955) Aristophanes The Birds (414 BC) Beckett Waiting for Godot (1953) Lysistrata (412 BC) Endgame (1957) The Frogs (405 BC) Osborne Look Back in Anger (1956) Plautus The Twin Menaechmi (195 BC) Frings Look Homeward Angel (1957) Terence The Brothers (160 BC) Pinter The Birthday Party (1958) Anonymous The Wakefield Creation The Homecoming (1965) (1350-1450) Hansberry A Raisin in the Sun (1959) Anonymous The Second Shepherd’s Play Weiss Marat/Sade (1959) (1350- 1450) Albee Zoo Story (1960 ) Anonymous Everyman (1500) Who’s Afraid of Virginia Woolf Machiavelli The Mandrake (1520) (1962) Udall Ralph Roister Doister Three Tall Women (1994) (1550-1553) Bolt A Man for All Seasons (1960) Stevenson Gammer Gurton’s Needle Orton What the Butler Saw (1969) (1552-1563) Marcus The Killing of Sister George Kyd The Spanish Tragedy (1586) (1965) Shakespeare Entire Collection of Plays Simon The Odd Couple (1965) Marlowe Dr. Faustus (1588) Brighton Beach Memoirs (1984 Jonson Volpone (1606) Biloxi Blues (1985) The Alchemist (1610) Broadway Bound (1986) -
Undergraduate Play Reading List
UND E R G R A DU A T E PL A Y R E A DIN G L ISTS ± MSU D EPT. O F T H E A T R E (Approved 2/2010) List I ± plays with which theatre major M E DI E V A L students should be familiar when they Everyman enter MSU Second 6KHSKHUGV¶ Play Hansberry, Lorraine A Raisin in the Sun R E N A ISSA N C E Ibsen, Henrik Calderón, Pedro $'ROO¶V+RXVH Life is a Dream Miller, Arthur de Vega, Lope Death of a Salesman Fuenteovejuna Shakespeare Goldoni, Carlo Macbeth The Servant of Two Masters Romeo & Juliet Marlowe, Christopher A Midsummer Night's Dream Dr. Faustus (1604) Hamlet Shakespeare Sophocles Julius Caesar Oedipus Rex The Merchant of Venice Wilder, Thorton Othello Our Town Williams, Tennessee R EST O R A T I O N & N E O-C L ASSI C A L The Glass Menagerie T H E A T R E Behn, Aphra The Rover List II ± Plays with which Theatre Major Congreve, Richard Students should be Familiar by The Way of the World G raduation Goldsmith, Oliver She Stoops to Conquer Moliere C L ASSI C A L T H E A T R E Tartuffe Aeschylus The Misanthrope Agamemnon Sheridan, Richard Aristophanes The Rivals Lysistrata Euripides NIN E T E E N T H C E N T UR Y Medea Ibsen, Henrik Seneca Hedda Gabler Thyestes Jarry, Alfred Sophocles Ubu Roi Antigone Strindberg, August Miss Julie NIN E T E E N T H C E N T UR Y (C O N T.) Sartre, Jean Shaw, George Bernard No Exit Pygmalion Major Barbara 20T H C E N T UR Y ± M ID C E N T UR Y 0UV:DUUHQ¶V3rofession Albee, Edward Stone, John Augustus The Zoo Story Metamora :KR¶V$IUDLGRI9LUJLQLD:RROI" Beckett, Samuel E A R L Y 20T H C E N T UR Y Waiting for Godot Glaspell, Susan Endgame The Verge Genet Jean The Verge Treadwell, Sophie The Maids Machinal Ionesco, Eugene Chekhov, Anton The Bald Soprano The Cherry Orchard Miller, Arthur Coward, Noel The Crucible Blithe Spirit All My Sons Feydeau, Georges Williams, Tennessee A Flea in her Ear A Streetcar Named Desire Synge, J.M. -
FEB 5 REV FINAL Chicago NEWSLETTER DRAFT 2
It began with a phone call. “I live in Chicago. How can I help?” With these words, The Chicago Chapter of THE SURVIVOR MITZVAH PROJECT was born! Jill Cahr, who made that phone call to SMP’s Founder, Zane Buzby, joined forces with Rochelle Baker as Co-Chairs of the Chicago Chapter, organizing a dedicated, enthusiastic committee, and volunteers and generous sponsors in Chicago. Collaborating with Zane, Fran Simon (SMP Project Director) and Liz Karpukh, (SMP Holocaust Archive Director), in Los Angeles, a moving and thought-provoking program, IN THEIR OWN WORDS, premiered in Chicago to great success! Donating their time and exceptional talents, award-winning actors from television, film, and Chicago’s famed Steppenwolf Theatre Company brought the words of the survivors to life with readings of letters and Holocaust testimony from SMP’s Educational Archive. Zane Buzby presented the story of The Survivor Mitzvah Project, from its genesis to its extraordinary ongoing efforts to bring emergency aid to the last survivors of the Shoah. The actors’ riveting performances, augmented by film and photographs of the survivors whose stories were told, created an emotional and moving event, which brought the audience to their feet. The evening was inspirational, compelling the Chicago audience to help. Funds raised were immediately sent overseas to bring emergency aid to survivors facing a brutal winter alone. Start a Chapter of The Survivor Mitzvah Project in your area! Raise awareness! Sponsor an event or a fundraiser! For information call Fran Simon, Project Director, at 213-622-5050, or email [email protected] Your continued support of the elderly Holocaust survivors in Eastern Europe literally means “life” to them. -
P~~GRA~V Regional Campus, US C
APR. 30-MAY 1, MAY 6-9: ANDERSON: Bye, Bye, APR. 24: GEORGETOWN: Martha M oore, soprano (Univ. MAY 7 & B: CHARLESTON: " An Evening of Ballet" ; APR. 14: CAMDEN : An nual Camden Art Assoc. Spring Birdie, A nderson Community Theatre, G. Sam San Cincinnati Co nservato ry o f Music faculty) w ith j erry the Charleston Civic Ba llet ; Municipal Aud., 8:30. Sidewalk A rt Show, with new features, crafts and filippo, Resident Dir. Nightly at 8:30 except May 2 & 9 Helton, tenor and j ess Casey, p iano (W inthrop College May 16: BEAUFORT: " Samson" ; Byrne M iller Dance sculpture, along Bethesda Presbyterian Church f ence. (2:30 matinees). School of Music faculty); Geo rgetown Musical Arts Theatre, 5 P.M. APR. 17-18: CHARLESTON: Annual Charleston A rtist APR. 30: NEWBERRY: Cinderella; the Children's Theatre Club Concert Series; Georgetown Library Aud., 8 P.M . MAY 22: COLUMBIA: 30th An nual Carolina Ballet; Guild Clothesline Exhi bi t; the Gibbes Gallery garden. of Greenwood Community Theatre, Aileen lau, Dir., at APR. 24: SPARTANBURG: W offord Co llege Band Co n Cottingham Theatre, Columbia College, 2:30. APR. 18: GREENVILLE: " Psychology in Art," Howard Newberry H igh School. cert; Leonard A ud., Wofford, B (free). MAY 25: GREENVILLE: " The Unicorn" (M enotti), w ith Orenstein, Furman Univ.; Greenville County Museum APRIL, TO BE SCHEDULED: members of Greenville Civic Ballet assisting the Green of A rt, 3 P.M. CAMDEN: The Odd Couple or PIAu Suite; Camden APR. 25: AIKEN: Adib Fazah, baritone ville Civic Chorale; McAlist er Aud., Furman, 8:15. -
William and Mary Theatre Main Stage Productions
WILLIAM AND MARY THEATRE MAIN STAGE PRODUCTIONS 1926-1927 1934-1935 1941-1942 The Goose Hangs High The Ghosts of Windsor Park Gas Light Arms and the Man Family Portrait 1927-1928 The Romantic Age The School for Husbands You and I The Jealous Wife Hedda Gabler Outward Bound 1935-1936 1942-1943 1928-1929 The Unattainable Thunder Rock The Enemy The Lying Valet The Male Animal The Taming of the Shrew The Cradle Song *Bach to Methuselah, Part I Candida Twelfth Night *Man of Destiny Squaring the Circle 1929-1930 1936-1937 The Mollusc Squaring the Circle 1943-1944 Anna Christie Death Takes a Holiday Papa is All Twelfth Night The Gondoliers The Patriots The Royal Family A Trip to Scarborough Tartuffe Noah Candida 1930-1931 Vergilian Pageant 1937-1938 1944-1945 The Importance of Being Earnest The Night of January Sixteenth Quality Street Just Suppose First Lady Juno and the Paycock The Merchant of Venice The Mikado Volpone Enter Madame Liliom Private Lives 1931-1932 1938-1939 1945-1946 Sun-Up Post Road Pygmalion Berkeley Square RUR Murder in the Cathedral John Ferguson The Pirates of Penzance Ladies in Retirement As You Like It Dear Brutus Too Many Husbands 1932-1933 1939-1940 1946-1947 Outward Bound The Inspector General Arsenic and Old Lace Holiday Kind Lady Arms and the Man The Recruiting Officer Our Town The Comedy of Errors Much Ado About Nothing Hay Fever Joan of Lorraine 1933-1934 1940-1941 1947-1948 Quality Street You Can’t Take It with You The Skin of Our Teeth Hotel Universe Night Must Fall Blithe Spirit The Swan Mary of Scotland MacBeth -
The Seagull Anton Chekhov Adapted by Simon Stephens
THE SEAGULL ANTON CHEKHOV ADAPTED BY SIMON STEPHENS major sponsor & community access partner WELCOME TO THE SEAGULL The artists and staff of Soulpepper and the Young Centre for the Performing Arts acknowledge the original caretakers and storytellers of this land – the Haudenosaunee Confederacy, and Wendat First Nation, and The Mississaugas of the Credit First Nation who are part of the Anishinaabe Nation. We commit to honouring and celebrating their past, present and future. “All around the world and throughout history, humans have acted out the stories that are significant to them, the stories that are central to their sense of who they are, the stories that have defined their communities, and shaped their societies. When we talk about classical theatre we want to explore what that means from the many perspectives of this city. This is a celebration of our global canon.” – Weyni Mengesha, Soulpepper’s Artistic Director photo by Emma Mcintyre Partners & Supporters James O’Sullivan & Lucie Valée Karrin Powys-Lybbe & Chris von Boetticher Sylvia Soyka Kathleen & Bill Troost 2 CAST & CREATIVE TEAM Cast Ghazal Azarbad Stuart Hughes Gregory Prest Marcia Hugo Boris Oliver Dennis Alex McCooeye Paolo Santalucia Peter Sorin Simeon Konstantin Raquel Duffy Kristen Thomson Sugith Varughese Pauline Irina Leo Hailey Gillis Dan Mousseau Nina Jacob Creative Team Daniel Brooks Matt Rideout Maricris Rivera Director Lead Audio Engineer Producing Assistant Anton Chekhov Weyni Mengesha Megan Woods Playwright Artistic Director Associate Production Manager Thomas Ryder Payne Emma Stenning Corey MacVicar Sound Designer Executive Director Associate Technical Director Frank Cox-O’Connell Tania Senewiratne Nik Murillo Associate Director Executive Producer Marketer Gregory Sinclair Mimi Warshaw Audio Producer Producer Thank You To Michelle Monteith, Daren A. -
Jerry Garcia Song Book – Ver
JERRY GARCIA SONG BOOK – VER. 9 1. After Midnight 46. Chimes of Freedom 92. Freight Train 137. It Must Have Been The 2. Aiko-Aiko 47. blank page 93. Friend of the Devil Roses 3. Alabama Getaway 48. China Cat Sunflower 94. Georgia on My Mind 138. It Takes a lot to Laugh, It 4. All Along the 49. I Know You Rider 95. Get Back Takes a Train to Cry Watchtower 50. China Doll 96. Get Out of My Life 139. It's a Long, Long Way to 5. Alligator 51. Cold Rain and Snow 97. Gimme Some Lovin' the Top of the World 6. Althea 52. Comes A Time 98. Gloria 140. It's All Over Now 7. Amazing Grace 53. Corina 99. Goin' Down the Road 141. It's All Over Now Baby 8. And It Stoned Me 54. Cosmic Charlie Feelin' Bad Blue 9. Arkansas Traveler 55. Crazy Fingers 100. Golden Road 142. It's No Use 10. Around and Around 56. Crazy Love 101. Gomorrah 143. It's Too Late 11. Attics of My Life 57. Cumberland Blues 102. Gone Home 144. I've Been All Around This 12. Baba O’Riley --> 58. Dancing in the Streets 103. Good Lovin' World Tomorrow Never Knows 59. Dark Hollow 104. Good Morning Little 145. Jack-A-Roe 13. Ballad of a Thin Man 60. Dark Star Schoolgirl 146. Jack Straw 14. Beat it on Down The Line 61. Dawg’s Waltz 105. Good Time Blues 147. Jenny Jenkins 15. Believe It Or Not 62. Day Job 106. -
Tch Summer 2020 Catalog
Enroll at www. culturehouse. com TCH SUMMER 2020 CATALOG ART CLASSES …………………………………………………………………….P. 1 ART CAMPS …………………………………………………………………….P.2-4 DANCE CLASSES………………………………………………………………...P. 5 DANCE CAMPS & INTENSIVES……………………………………..…..P.5-6 MUSIC WORKSHOPS………………………………………………………..P.6-7 THEATRE CLASSES………………………………………………………….....P. 7 THEATRE CAMPS & INTENSIVES…………………………………....P.7-10 IMPORTANT SUMMER CAMP INFORMATION……………...P.11-12 TWO WEEK INTENSIVE INFORMATION…………………….....P.13-14 SUMMER CAMP TUITION POLICIES…………………………………..P.15 SUMMER ART CLASSES Open Studio (2D/3D art) Tuesday: 4:30 pm-6:30 pm Ages: 7+ @ 4:30, Ages: 12+ @ 5:30 SUMMER ART CAMPS June 1-June 5 Half Day: Crafter’s Paradise Ages: 9-18, Monday –Friday: 9:30 a.m.-12:00 p.m. Cost: $125 (includes camp t-shirt) In this camp, students will experiment with different materials to create 3D works of art. We will learn how to make wearables, objects and characters out of perler beads, Sculpy, paper-mache, found objects and fabric. Students will learn how to take a 2D design and make it 3D. Great for students who like to work with their hands! Half Day: Paint-o-rama! Ages: 9-18, Monday –Friday: 1:00 p.m.-3:30 p.m. Cost: $125 (includes camp t-shirt) Get ready to have the time of your life! Paint-o-rama is all about the possibilities of painting, all the ways you can make a mark with paintbrushes, palette knives, recyclables and paint to make a unique work of art! You’ll learn to splash, pour, splatter, stretch, chunk and squiggle paint, becoming a mad scientist of an artwork of your own making! Come prepared to get messy and silly with acrylic, watercolor, ink and more! ________________________________________________________________________________________________ June 8-June 12 Half Day: Art Explorer for Littles Ages: 5-8, Monday –Friday: 9:30 a.m.-11:00 a.m. -
Drama Recommended Monologues
Bachelor of Creative Arts (Drama) Recommended Monologues 1 AUDITION PIECES – FEMALE THREE SISTERS by Anton Chekhov IRINA: Tell me, why is it I’m so happy today? Just as if I were sailing along in a boat with big white sails, and above me the wide, blue sky and in the sky great white birds floating around? You know, when I woke up this morning, and after I’d got up and washed, I suddenly felt as if everything in the world had become clear to me, and I knew the way I ought to live. I know it all now, my dear Ivan Romanych. Man must work by the sweat of his brow whatever his class, and that should make up the whole meaning and purpose of his life and happiness and contentment. Oh, how good it must be to be a workman, getting up with the sun and breaking stones by the roadside – or a shepherd – or a school-master teaching the children – or an engine-driver on the railway. Good Heavens! It’s better to be a mere ox or horse, and work, than the sort of young woman who wakes up at twelve, and drinks her coffee in bed, and then takes two hours dressing…How dreadful! You know how you long for a cool drink in hot weather? Well, that’s the way I long for work. And if I don’t get up early from now on and really work, you can refuse to be friends with me any more, Ivan Romanych. 2 HONOUR BY JOANNA MURRAY-SMITH SOPHIE: I wish—I wish I was more… Like you. -
Idioms-And-Expressions.Pdf
Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context. -
Tour De France, 1986
SLAYING THE BADGER GREG LEMOND, BERNARD HINAULT AND THE GREATEST TOUR DE FRANCE RICHARD MOORE Copyright © 2012 by Richard Moore All rights reserved. Printed in the United States of America. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic or photocopy or otherwise, without the prior written permission of the publisher except in the case of brief quotations within critical articles and reviews. 3002 Sterling Circle, Suite 100 Boulder, Colorado 80301-2338 USA (303) 440-0601 · Fax (303) 444-6788 · E-mail [email protected] Distributed in the United States and Canada by Ingram Publisher Services Library of Congress Cataloging-in-Publication Data Moore, Richard. Slaying the badger: Greg Lemond, Bernard Hinault, and the greatest Tour de France / Richard Moore. p. cm. ISBN 978-1-934030-87-5 (pbk.) 1. Tour de France (Bicycle race) (1986) 2. LeMond, Greg. 3. Hinault, Bernard, 1954– 4. Cyclists—France—Biography. 5. Cyclists—United States—Biography. 6. Sports rivalries. I. Title.= GV1049.2.T68M66 2012 796.620944—dc23 2012000701 For information on purchasing VeloPress books, please call (800) 811-4210 ext. 2138 or visit www.velopress.com. Cover design by Landers Miller Design, LLC Interior design and composition by Anita Koury Cover photograph by AP Photo/Lionel Cironneau Interior photographs by Offside Sports Photography except first insert, page 2 (top): Corbis Images UK; page 5 (top): Shelley Verses; second insert, page 2 (bottom): Graham Watson; page 8 (top right): Pascal Pavani/AFP/Getty Images; page 8 (bottom): James Startt Text set in Minion. -
Little Theatre Society of Indiana
LITTLE THEATRE SOCIETY OF INDIANA 1915-16 1919-20 1921-22 Polyxena Bernice Release A Killing Triangle Eugenically Speaking The Dragon The Glittering Gate Three Pills in a Bottle The Spring The Scheming Lieutenant Trespass A Nativity Play Dad The Angel Intrudes The Constant Lover A Christmas Miracle Play Trespass (2nd Production) Androcles & the Lion The Pretty Sabine Women The Shepherd in the Distance The Forest Ring Overtones The Star of Bethlehem Beyond the Horizon The Broken God Dierdre of the Sorrows Everyman Dad (2nd Production) The Jackdaw The Betrothal Cake At Steinberg’s Bushido Disarmament How He Lied to Her Husband A Woman’s Honor The Casino Gardens The Game of Chess Unspoken Children of the Moon The Kisses of Marjorie Moonshine Belinda Dawn Phoebe Louise Not According to Hoyle The Dark Lady of the Sonnets The Bank Robbery Mansions A Scrambled Romance Chicane The Dryad & the Deacon (silent film) The Groove Underneath A Shakespeare Revel Stingy 1922-23 Rococo The Trysting Place 1916-17 The Price of Coal A Civil War Pageant 1920-21 The Turtle Dove Night with Indiana Authors The Proposal Brothers Polly of Pogue’s Run In Hospital Two Dollars, Please! Laughing Gas Behind a Watteau Picture The Marriage Gown The Lost Silk Hat The Home of the Free Dad (3rd Production) The Farce of Pierre Patelin The Blind Sycamore Shadders Duty The Medicine Show Nocturne The Maker of Dreams Aria Da Capo Treason The Importance of Being Mary Broome Where Do We Go From Here? Earnest The Star of Bethlehem (2nd The Wish Fellow Lithuania Production) Father and the Boys Supressed Desires The Mollusc My Lady Make-Believe Cathleen Ni’Hoolihan Mary’s Lamb A Shakespeare Revel (2nd Spreading the News The Emperor Jones Production) The Rising of the Moon The Beauty Editor Sham 1923-24 1917-18 The Confession March Hares (No records survive) The Lotion of Love The Bountiful Lady The Wren 1918-19 The Doctor of Lonesome Folk A Pageant of Sunshine Why Marry? and Shadow Hidden Spirits The Murderer (a.k.a.