Visitor Guide &

Visitor Guide & Map HIGHLIGHTS FOR SPRING/SUMMER 2019

CONTEMPORARY PLAINS INDIAN DOLLS FROM THE CHARLES AND VALERIE DIKER COLLECTION

19_VisitorGuide_SpringSummer2_CC.indd 1 4/25/19 3:20 PM WELCOME TO THE HEARD MUSEUM Les Paul “Goldtop” For 90 years, the Heard Museum has MUSEUM INFORMATION electric guitar, attracted visitors from around the globe who ADMISSION 1952 come to learn about the arts and cultures of the Native people of the Americas. We hope Heard Museum Members Free you enjoy this campus of Spanish Colonial Adults $18 INVENTING AN AMERICAN ICON architecture, with courtyards, water features Seniors (65+) $15 and sculpture gardens. The Heard Museum, Students with valid ID $7.50 which has more than 130,000 square feet Children ages 6-17 $7.50 of galleries, classrooms and performance Children age 5 and younger Free space, is known worldwide for its exhibitions American Indians with tribal ID Free and programs celebrating Native artists, and GUIDED TOURS for its Shop, which provides the opportunity Public tours are free with museum admission to purchase museum-quality, authentic Closing Soon! and offered daily at 12, 2 and 3 p.m., American Indian artworks. From earliest imagination beginning at the Information Desk just past to musical revolution, these the lobby. Additional Gallery tours are offered MUSEUM & SHOP HOURS on a varying schedule. Private group tours are are the instruments that also available; call 602.252.8840 to schedule 2301 N. Central Ave. electrified the world. a private tour. Phoenix, AZ 85004 Main: 602.252.8840 OUTREACH PROGRAMS Heard Hotline: 602.252.8848 Presenting sponsor Special programs are available to groups Shop: 602.252.8344 n 1.800.252.8344 of children and adults. Please call Monday to Saturday, 9:30 a.m. to 5 p.m. 602.252.8840 for more information. Sunday, 11 a.m. to 5 p.m. PHOTOGRAPHY/VIDEO Closed Easter Sunday, Independence Day, n No flash, video light, tripods or selfie Thanksgiving and Christmas. sticks are allowed in the galleries. No commercial photography.

n Copyright for many works of art in COVER: Rhonda Holy Bear, Cheyenne River Sioux/Lakota, b. 1959. Maternal Journey, 2010. Wood, gesso, paint, clay, cotton, wool, the museum rests with the artists. metal, glass microbeads, brain-tanned buckskin, rawhide, fur, hair, The Heard Museum does not assume feathers, 31 x 42 in. Collection of Charles and Valerie Diker. liability for violation of copyright law by Photo: Craig Smith, Heard Museum. a photographer (Title 17, United States Code). Photography may not be used for publication without written permission MIM.org | Open Daily 9 a.m.–5 p.m. from the museum and/or artists. 4725 E. Mayo Blvd., Phoenix, AZ @MIMphx

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A visit to a museum can be transformational. I remember going to both Heard Museum and Phoenix Art Museum as a school-age child. Riding that school bus, being encouraged by my teacher MEMBERS EXPERIENCE MORE to imagine what the art meant or represented while walking Leekya Deyuse (Zuni Pueblo), 1889-1966, silver and turquoise squash blossom necklace, 1939. through the halls, I would suddenly be transformed to another place or time. I would wonder long after the field trip about the Join today to receive special benefits Year-round Member Benefits Include: including complimentary access to all artwork, knowing that each student in my class interpreted the art exhibitions, including Grand Procession: ■ Invitations to members-only events differently. And how liberating it was to know that, while we each Contemporary Plains Indian Dolls from the ■ Priority entrance on every visit saw something different, there was not a right or wrong way to Charles and Valerie Diker Collection (see pg. interpret what we saw. Museums teach you to wonder, and wisdom 28), opening to Members on April 27. PLUS, ■ 10% discount in the café and shops is rooted in wonder. Members receive skip-the-line privileges and members-only pricing for most programs and ■ Subscription to the members-only It is an honor to publish for Phoenix Art Museum, Desert events, including the World Championship publication Earth Song Botanical Garden and Heard Museum, in addition to publishing for Hoop Dance Contest and the Heard Museum ■ the major performing arts in the Valley and Tucson. The cultural Guild Indian Fair & Market. Plus much more! enrichment we individually and collectively experience through It’s easy to join – sign up when you arrive or arts icons such as these makes us better citizens residing in a Looking to deepen your connection stop by the Admissions Desk to redeem your with the Heard? Join our Circles of better community. Enjoy your time here at the museum, and same-day admission tickets towards the cost Giving program (starting at $2,000) please be sure to wonder; you will be all the wiser for it! of a membership. Or, join online at by calling 602.251.0262 or emailing heard.org/membership. [email protected].

BOARD OF TRUSTEES

John Melamed, Chair Patricia K. Hibbeler, Secretary David M. Roche, Dickey Family James R. Huntwork, Vice Chair Leland W. Peterson, Treasurer Director and CEO 910 E. Osborn Road, Suite C. Phoenix, AZ 85014 TRUSTEES LIFE TRUSTEES 602-323-9701 Karen Abraham Gov. Stephen R. Lewis Kay Benedict Frederick A. Lynn Tony Astorga Marigold Linton Howard R. Berlin Dennis H. Lyon Arlene K. Ben-Horin John F. Lomax James T. Bialac Carol Ann Mackay Chief Financial Officer · Mark Kochman Mark B. Bonsall Janis Lyon Dr. George Blue Spruce, Jr. Clint J. Magnussen Gregory H. Boyce Robert Meyer Herbert J. Bool Robert L. Matthews Chief Operating Officer · Deidra Viberg John Coggins Scott Montgomery Robert B. Bulla Miriam J. McClennen Dr. Craig Cohen Susan H. Navran F. Wesley Clelland, III Mary Ellen McKee Senior Account Executives · Lisa Grannis Robert A. Cowie Scott H. O’Connor Norma Jean Coulter James Meenaghan Elizabeth Murfee William G. Ridenour Alice J. Dickey Dr. Wayne Lee Mitchell Marketing and Communications Jennifer Woods DeConcini Don Smith Robert J. Duffy Dr. Arthur L. Pelberg Manager / Account Executive · Judy Dworkin Sue Snyder Mary G. Hamilton Wick Pilcher Director of Business Operations Robyn Lambert John Graham Christy Vezolles Barbara Heard David E. Reese and Southern Arizona Sales · Linda “Mac” Perlich David A. Hansen David Wilshin Joel P. Hoxie William C. Schubert Carrie L. Hulburd Mary Hudak Sheryl L. Sculley Publisher and CEO Accounting and Administrative Cindy Blaisure Coordinator · Sharron Lewis Dr. Thomas M. Hudak Richard H. Silverman Richard L. Johnes John B. Stiteler For advertising inquiries, please send us a note at Edward F. Lowry John G. Stuart [email protected].

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19_VisitorGuide_SpringSummer_REVISED.indd 3 5/7/19 9:13 AM HOME NATIVE PEOPLE IN THE SOUTHWEST WE ARE HERE: ARIZONA'S FEDERALLY RECOGNIZED TRIBAL NATIONS Arizona is fortunate to have within its borders 22 sovereign tribal nations whose people have called this land HOME for thousands of years— long before there was a United States and long before there was an Arizona. After centuries of colonization, warfare, forced removal and dispossession, the federal government created reservations, consisting of a small portion of traditional tribal lands. Today, approximately 28 percent of Arizona land is tribal land. Within the HOME exhibition that encompasses the region of the Southwest, we have featured special artworks made by people from the 22 federally recognized tribal nations of Arizona. Many of those artworks were created within recent decades, underscoring the ringing statement, We Are Here!

Timothy Terry, Jr. (b. 1965) Akimel O’otham, Gila River Indian Community Calendar stick, 2004 Heard Museum Collection

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19_VisitorGuide_SpringSummer2_CC.indd 4 4/25/19 3:20 PM 19_VisitorGuide_SpringSummer2_CC.indd 5 4/25/19 3:20 PM HOME NATIVE PEOPLE IN THE SOUTHWEST WE ARE HERE: ARIZONA'S FEDERALLY RECOGNIZED TRIBAL NATIONS Arizona is fortunate to have within its borders 22 sovereign tribal nations whose people have called this land HOME for thousands of years— long before there was a United States and long before there was an Arizona. After centuries of colonization, warfare, forced removal and dispossession, the federal government created reservations, consisting of a small portion of traditional tribal lands. Today, approximately 28 percent of Arizona land is tribal land. Within the HOME exhibition that encompasses the region of the Southwest, we have featured special artworks made by people from the 22 federally recognized tribal nations of Arizona. Many of those artworks were created within recent decades, underscoring the ringing statement, We Are Here!

Timothy Terry, Jr. (b. 1965) Akimel O’otham, Gila River Indian Community Calendar stick, 2004 Heard Museum Collection

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PUEBLO OF ZUNI

Federally Recognized: 1877 Traditional homelands of the A:shiwi (Zuni) stretch from the Grand Canyon to the Rio Grande in central New Mexico. For the past 300 years, many of the A:shiwi have lived in the Pueblo of Zuni in New Mexico. The A:shiwi have worked successfully since the 1960s to secure sacred ceremonial lands, including land located in Apache County in eastern Arizona. The A:shiwi A:wan Museum and Heritage Center presents both two- and three-dimensional arts and defines itself as an “ecomuseum” in harmony with Zuni’s environmental values. A:shiwi ceramics and jewelry often express artists’ thoughts of rain and animals associated with water. A:shiwi jewelers are known for their excellent lapidary Josephine Nahohai (1912-2001), work. To learn more, visit http://www.ashiwi.org/ Milford Nahohai (b. 1953), Randy Nahohai (1958-2015) Pueblo of Zuni Jar, 1983 Heard Museum Collection

THE HOPI TRIBE

Federally Recognized: 1882 The Hopi have lived continuously in northern Arizona since 500 C.E. They are one of the oldest living cultures in documented history; the village of Old Orayvi is the oldest continuously inhabited village in North America. Today, Hopi tribal lands encompass 2,410 square miles in northeastern Arizona, with 12 villages located on three mesas. Each village is an autonomous government, but the Hopi Tribal Council makes laws for the tribe and sets policies to oversee tribal business. The tribal lands are located entirely within the Navajo Nation. Of the many ancient cultural arts of the Hopi people—basketry, ceramics, weaving and carving—silver Morris Robinson (1900-1987) jewelry is a 20th-century development. To learn more, visit Hopi Tribe Necklace, 1950s https://www.hopi-nsn.gov/ Gift of Mareen Allen Nichols

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THE NAVAJO NATION

Federally Recognized: 1868

The Diné (Navajo) are the largest tribal nation in the United States in land area. With 275,000 enrolled members and lands in New Mexico and Utah, in addition to Arizona, Diné Bikéyah (Navajoland) is larger than 10 of the 50 U.S. states. For more than three centuries, the Diné have lived within their four sacred mountains. In 1863, more than 10,000 Diné were forced to march from their land on the Long Walk to imprisonment by the U.S. government at Bosque Redondo in New Mexico. In 1868, a treaty with the federal government allowed the survivors to return to a much-reduced portion of their land, however still within the four sacred mountains. Among Navajo arts, textiles are best known. Navajo textiles Lillie Touchin (b. 1952) have changed over centuries, but whether created as Navajo Nation garments or artworks, they continue to represent the finest Storm Pattern textile, 1986 of textile creations. Visitors to the Navajo Nation can learn Santa Fe Collection of Navajo Rugs donated by Dr. Charles and Linda more about Diné history at several museums including the Rimmer Navajo Nation Museum in Window Rock, Arizona; the Ned A. Hatathli Cultural Center at Dine College, Tsalie, Arizona; The Navajo Code Talkers Museum and the Navajo Interactive Museum both in Tuba City, Arizona. To learn more on the web, visit http://www.navajo-nsn.gov/

KAIBAB BAND OF PAIUTE INDIANS

Federally Recognized: 1934

With lands located about 50 miles north of the Grand Canyon along the Arizona/Utah border and tribal headquarters in Fredonia, the Kaibab-Paiute number approximately 250 enrolled members. Pipe Spring National Monument is located entirely within the tribe’s nearly 188 square miles. Tourism, agriculture and livestock are important to the tribe’s economy. Paiute weavers excelled at creating many functional baskets suited to their traditional lifeways and seasonal moves. To learn more, visit http://www.kaibabpaiute-nsn.gov/

Kaibab Band of Paiute Indians Water bottle, c. 1900 11.5 x 11 x 9.5 inches Fred Harvey Fine Arts Collection at the Heard Museum

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SAN JUAN PAIUTE COCOPAH INDIAN TRIBE

Federally Recognized: 1990 Federally Recognized: 1917

The most recently recognized tribe, with approximately The Kwapa are known as the River People for the location of 300 members, the San Juan Southern Paiute people are their traditional homelands along the lower Colorado River currently without a land base, being located entirely on and its delta. They are part of the Yuman language family, land of the Navajo Nation. Tribal members primarily live which includes the Yavapai, Havasupai, Hualapai, Maricopa, in the communities of Willow Springs (near Tuba City) Quechan, Mojave, Kumeyaay, Ipai and Pai Pai tribes. When and Navajo Mountain. The tribe’s offices are in Tuba City. steamboat traffic was active, prior to the arrival of the Basketry created by San Juan Southern Paiute weavers railroad, Kwapa men were valued as river pilots. includes designs of use to the Navajo for ceremonies, as The 6,500 acres of tribal lands are located 13 miles south of well as designs that interest today’s basket collectors. Yuma, Arizona, consisting of three non-contiguous parcels: The San Juan Paiute site at https://www.sanjuanpaiute- the North, West and East reservations. The tribe has slightly more than 1,000 enrolled members. Visitor attractions nsn.gov/ is currently under construction. include the Cocopah Museum and Cultural Center, built in Rose Ann Whiskers (b. 1952) 1996 and sited in a 1.5-acre park. Museum guests can view San Juan Southern Paiute Tribe Suzie Heller Davis the Cocopah warriors’ display, traditional clothing and Cocopah Indian Tribe Basket, c. 1995 modern-day arts, including beadwork. To learn more, visit Gift of Sandy Stein Necklace, 1992 Gift of the Artist http://www.cocopah.com/

QUECHAN TRIBE COLORADO RIVER INDIAN TRIBES Federally Recognized: 1884 Federally Recognized: 1865 The lands of the Fort Yuma Quechan Reservation lie along both sides of the Colorado River, bordering California and The Colorado River Indian Tribes (CRIT) land is located Baja California, Mexico. In 2013, the Quechan (Kwatsáan) near Parker, Arizona, along both sides of the Colorado tribe had a population of 3,200. Agriculture is an important River. When the reservation was established, the Mohave part of the tribe’s economy. The reservation is bisected by (spelling preference) and Chemehuevi peoples lived there. Interstate 8, and its location makes it a popular destination In 1945, land was set aside for Hopi and Navajo people who for winter visitors with the Quechan Casino Resort and wished to settle there because of work on the Grand Canal, Paradise Casino in Yuma, five trailer and RV parks, and the part of the Central Arizona Project. Agriculture remains an Fort Yuma Quechan Museum. For all of the Yuman peoples, important part of the community’s economy. The ‘Ahakav special gatherings featuring Bird Song singers and dancers Tribal Preserve, established in 1995, offers opportunities for are important traditions. To learn more, visit recreation and learning about sustainability of the Lower https://www.quechantribe.com Colorado River basin. Annie Fields was among the Mohave potters whose figurative work told of traditional lifeways

Annie Fields (1884-1971) and stories. To learn more, visit http://www.crit-nsn.gov/

Amelia Escalante Caster Anona Hills Qualupe Judith Piretta Mohave, Colorado River Indian Tribes Fort Yuma Quechan Indian Tribe Fort Yuma Quechan Indian Tribe Fort Yuma Quechan Indian Tribe Frog, 1960-1970 Dress, 1974 Belt, 1974 Necklace, 1974 Gift of Mrs. Nora Kreps Loerpabel Heard Museum Collection Heard Museum Collection Heard Museum Collection

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SAN JUAN PAIUTE COCOPAH INDIAN TRIBE

Federally Recognized: 1990 Federally Recognized: 1917

Annie Fields (1884-1971) and stories. To learn more, visit http://www.crit-nsn.gov/

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FORT MOJAVE INDIAN TRIBE

Federally Recognized: 1910

Based in Needles, California, the Pipa Aha Macav (People by the River) consist of more than 1,100 members living on 52 square miles of land in Arizona, Nevada and California. Their traditional lands are along the Colorado River, where they were farming when the Spanish first encountered them. The name of their reservation derives from the military outpost established in 1859, as the people protected their lands from colonizers traveling west on the California Trail. Agriculture and tourism are important contributors to the tribe’s economy. Mojave ceramic figurines often show the traditional tattooing and willow- Fort Mojave Indian Tribe bark skirt of Mojave women and children. To learn more, Girl’s skirt, mid-1800s visit http://mojaveindiantribe.com/ Gift of Ms. Ruth Thomas PERMORMING ARTS & CREATIVE DESIGN PROGRAMS EMPHASES FORT MCDOWELL YAVAPAI NATION

Federally Recognized: 1884

The Kwevikopaya band of the Southeastern Yavapai were ADVERTISING EDUCATION allocated a small portion of their original lands in the DANCE GRAPHIC DESIGN Mazatzal-Four Peaks and Superstition Mountain region. The nation is located 23 miles northeast of Phoenix, with DIGITAL DESIGN MUSIC nearby communities of Rio Verde, Fountain Hills, Mesa and Scottsdale. A museum and many visitor attractions FILM THEATRE & DRAMA are described on its web site. With 960 members, the Fort McDowell Yavapai Nation has led in several areas that have affected Native people far beyond their group, including securing voting rights for American Indian people of Arizona and bringing about the state compact for tribal gaming. It is the birthplace of Dr. Carlos Montezuma (1865- Josephine Harrison (1911-1978) 1923), a graduate of Northwestern University’s Chicago Fort McDowell Yavapai Nation Medical College, who was one of the first known advocates Basket, 1971 of human rights for Native Americans. The nation’s history Heard Museum Collection is presented at The Fort McDowell Yavapai Nation Cultural Center and Museum. To learn more, visit https://www.fmyn.org/

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YAVAPAI-PRESCOTT INDIAN TRIBE HAVASUPAI TRIBE

Federally Recognized: 1935 Federally Recognized: 1880

Members of the Yavapai-Prescott IndianTribe call Although approximately 700 of the Havsuw ’Baaja, themselves A’bahja, which means “the people.” The lands People of the Blue Green Waters, live primarily within the of the Yavapai-Prescott Tribe are located adjacent to the Grand Canyon, their homelands were once both within city of Prescott on 1,425 acres, a small portion of the tribal and outside of the Canyon. In 1919, the establishment lands they once called home. In 1935, led by the efforts of Grand Canyon National Park left the tribe with 518 of Sam Jimulla and his wife Viola, the initial reservation acres in the southwest corner of the Canyon. In 1975, was established on 75 acres of land located near an old when the Grand Canyon National Park Enlargement Act military reserve. Each family received two cows as a became law, it returned to the Havasupai people more potential source of extra income. Many people became than 185,000 acres, including some of their former lands cattle ranchers. Following the death of Sam Jimulla in on the plateau outside of the Canyon. This return of the 1940, Viola Jimula became the tribe’s leader and was the land was the most ever returned to a tribe by the U.S. first woman chief among North American Indians. The government. The tribe’s primary industry is tourism, with tribe, which numbers fewer than 200 members, operates visitors from around the world trekking down into the Viola Jimula (1878-1966) a hotel, a shopping center and two casinos. As one of Herbert Crook Canyon and Supai Village, the headquarters of the tribe. Yavapai-Prescott Indian Tribe three tribal nations of the Yavapai, this tribe celebrates the Havasupai Tribe To learn more, visit http://theofficialhavasupaitribe.com/ Basket, 1970s Basket, 1972 Heard Museum Collection impressive baskets it is known for by featuring one on its flag. To learn more, visit http://www.ypit.com/

HUALAPAI TRIBE

Federally Recognized: 1883 YAVAPAI-APACHE NATION The Hwal`bay, People of the Tall Pines, live on nearly Federally Recognized: 1934 1 million acres along the Colorado River and the Grand Canyon. Along with the Havasupai, Hopi and Two distinct tribes, the Dilzhe’e Apache and the Paiute, the Hualapai are the “Keepers of the Canyon.” Wipukupaya Yavapai, compose the Yavapai-Apache With approximately 2,300 tribal members and the Nation in the Verde Valley. Of the 2,440 enrolled members, capital at Peach Springs, the tribe offers visitors many 750 live in five communities: Tunlii, Middle Verde, Rimrock, opportunities to experience the Grand Canyon, including Camp Verde and Clarkdale. Although the Yavapai-Apache river rafting and the cantilevered glass Skywalk, which Nation is a single political entity, respect for the dual heritage of its members is recognized as an important extends over the Canyon at 4,000 feet above the legacy to pass on to future generations. Despite the Colorado River. Tourism, cattle ranching and cultural arts different backgrounds, the importance of the cultural art are the primary enterprises of the tribe. As with other Pai of basketry is shared by both tribes. Tribal enterprises tribes, basketry is the leading cultural art. To learn more, include Cliff Castle Casino, established in 1995. To learn Emma Matuthanya visit http://hualapai-nsn.gov/ Hualapai Tribe more, visit http://www.yavapai-apache.org/ Basket, 1900-1925 Given in memory of James C. Soelle Yavapai-Apache Nation and Lillian R. Soelle Basket, early 1900s Heard Museum Collection

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YAVAPAI-PRESCOTT INDIAN TRIBE HAVASUPAI TRIBE

Federally Recognized: 1935 Federally Recognized: 1880

HUALAPAI TRIBE

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WHITE MOUNTAIN APACHE TRIBE

Federally Recognized: 1891

The White Mountains were part of the original homelands of the White Mountain Apache, the Ndee. Following the warfare that ensued as Anglo settlers invaded their homelands, the Apache were sent to the San Carlos Reservation. Originally established by Executive Order as the Fort Apache Reservation, it is now the White Mountain Apache Reservation. Today, with a population of 13,500, the reservation is larger than the state of Delaware. Land elevation varies from 11,000 feet in the mountains to 3,000 feet in the Salt River Canyon. Sunrise Ski Park is one of the recreational opportunities offered by the tribe. In 1969, the tribe established Nohwike’ Bágowa (House of Our Footprints), the Apache Cultural Center and Museum, featuring both the history and arts of the White Mountain Apache. To learn more, visit http://www.wmat.nsn.us/

Mary Garland Riley White Mountain Apache Tribe Camp Dress, 2000 Gift of Marilyn Holroyd in memory of Winnie Davis Holroyd

GILA RIVER INDIAN COMMUNITY

Federally Recognized: 1859

The earliest federally recognized tribal community in Arizona, established by an act of Congress, is composed of two distinct tribes: the Akimel O’otham and the Pee-Posh (Maricopa). The O’otham are descendants of the ancestral Huhugam, while the Pee-Posh are a Yuman band who migrated historically from the Colorado River area. Each group honors its own heritage, but both are governed by a single council. The reservation is located south of Phoenix, Tempe and Chandler. Beginning in the 1870s and continuing for decades, the water that had made farming possible for these people was diverted by non-Indian farmers. In recent years, important water settlement cases are restoring to GRIC the possibility of developing agriculture. Visitors can enjoy numerous resort and entertainment opportunities, and the Barbara Johnson (1923-1997) Huhugam Heritage Museum. As with other O’odham groups, Pee-Posh, Gila River Indian Community exceptional basketry is an enduring cultural art form that still is Vase, 1984 honored today. To learn more, visit http://www.gilariver.org/ Heard Museum Collection

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Under the Indian Arts and Crafts Act, it is unlawful to offer or display for sale or sell any art or craft product, in a manner that falsely suggests it is Indian produced, an Indian product, or the product of a particular Indian or Indian tribe or Indian arts and crafts organization. Take Home a Treasure from Indian Country-Buy works produced by members of federally recognized tribes.

For a free brochure on the U.S. Department of the Interior Indian Arts and Crafts Indian Arts and Crafts Board Act, including how to file Toll Free: 1-888-ART-FAKE or 1-888-278-3253 a complaint, contact: Email: [email protected] | Web: www.doi.gov/iacb

TONTO APACHE TRIBE AK-CHIN INDIAN COMMUNITY

Federally Recognized: 1972 Federally Recognized: 1912

With headquarters in Payson, the 110 enrolled members “Ak-Chin” in the O’odham language means “Place where the of this tribe are descendants of the Dilzhe’e Apache band wash loses itself in the sand or ground.” The name refers to that historically lived in the Payson area. They were taken the seasonal washes that flow down from the mountains, making farming possible. With approximately 1,000 enrolled from their homelands and began a 25-year exile that members, Ak-Chin is located 58 miles south of Phoenix, with ended with people gradually returning to the Payson area its tribal headquarters in the town of Maricopa. Farming is from the San Carlos Apache Reservation, only to learn important to Ak-Chin; the Ak-Chin Water Settlement Act that much of their land had been taken by settlers. At 85 of 1984 made it possible for the tribe to cultivate what has acres, their reservation area is the smallest of Arizona’s grown to 16,000 acres by the Ak-Chin Farms Enterprise. 3RD PARTY ADVERTISING tribes and among the most recent to be federally 3RD PARTY ADVERTISING Farming and Harrah’s Ak-Chin Casino and Conference Center recognized. With a small land base, the Mazatzal Casino are the primary businesses of the Community, making the Ak-Chin Indian tribe independent of the federal government for financial Community, O’odham Tonto Apache Tribe and Resort is an important part of the tribe’s economy. To Martynia bundle, c. 1980 assistance. The Ak-Chin Him Dak Eco Museum is the first of its Basket, early 1900s learn more visit http://itcaonline.com/?page_id=1183 Heard Museum Collection kind in the United States. For more visit Gift of Miss Marion R. Plummer and Mr. and Mrs. Stanley W. Plummer http://www.ak-chin.nsn.us/.

SAN CARLOS APACHE TRIBE SALT RIVER PIMA-MARICOPA INDIAN COMMUNITY Federally Recognized: 1871 Federally Recognized: 1879 The San Carlos Apache Tribe is one of four Ndee (Apache) groups in Arizona having 1,834,781 acres in Gila, Graham, Once residents of the Gila River Indian Community, some of and Pinal counties in southeastern Arizona. Historically, the Onk Akimel O’odham (Pima) and the Xalychidom Piipaash several bands of Apache and Yavapai were taken from (Maricopa) moved to the Salt River area in search of water when non-Native farming interests diverted the water that had their traditional homelands in Arizona and New Mexico and sustained their lives. Today’s Community of 9,500 enrolled forced to reside at San Carlos. Today, more than 12,200 are members adjoins the towns of Scottsdale, Tempe, Fountain Hills enrolled members of the tribe, residing on lands with alpine and Mesa. Of its 52,600 acres, 19,000 acres are maintained as a meadows and forests. Cattle ranching is important to the nature preserve. Talking Stick Resort, Talking Stick Golf Course tribe’s economy. Visitors to San Carlos can learn more about and Casino Arizona are some of the visitor amenities offered by the tribe by visiting the San Carlos Apache Cultural Center, the Community. Salt River Fields at Talking Stick is the spring established in 1995 in Peridot, Arizona or on the web at training home for the MLB Arizona Diamondbacks and the Timothy Ward (b. 1985) Colorado Rockies. Visitors can learn more about the Community San Carlos Apache Tribe http://itcaonline.com/?page_id=1177 or Salt River Pima-Maricopa Indian by visiting the Huhugam Ki Museum or on the web at Buckskin cap, 2002 http://www.sancarlosapache.com/ Community https://www.srpmic-nsn.gov/ Gift of Andy Eisenberg Burden basket, c. 1890 Gift of Mr. and Mrs. Glenn E. Quick Sr.

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TONTO APACHE TRIBE AK-CHIN INDIAN COMMUNITY

Federally Recognized: 1972 Federally Recognized: 1912

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19_VisitorGuide_SpringSummer2_CC.indd 22 4/25/19 3:20 PM 19_VisitorGuide_SpringSummer2_CC.indd 19 4/25/19 3:20 PM JacobsonJacobsonJacobson GalleryGalleryGallery

FreemanFreemanFreeman GalleryGalleryGallery

SouthSouthSouth NicholsNicholsNichols Sculpture Sculpture Sculpture PablitaPablitaPablita CourtyardCourtyardCourtyard GardenGardenGarden VelardeVelardeVelarde StudioStudioStudio

SandraSandra SandraDay Day Day O’ConnorO’ConnorO’Connor HarnettHarnettHarnett GalleryGalleryGallery TheaterTheaterTheater

VirginiaVirginiaVirginia G. Piper G. G. CharitablePiper Piper Charitable Charitable Trust Trust Trust GrandGrand GalleryGrand Gallery Gallery Lyon FamilyLyonLyon Family Family HOME:HOME:HOME: CrossroadsCrossroadsCrossroads KitchellKitchellKitchell NativeNative PeopleNative People Peoplein in in Art FenceArtArt Fence Fence GalleryGalleryGallery GalleryGalleryGallery the Southwestthethe Southwest Southwest

GroundGroundGroundFloorFloorFloor

➤ ➤ ➤ AdmissionsAdmissionsAdmissions Match the numbers to the galleries on the fold-out page GROUNDGROUNDGROUND FLOOR FLOORFLOOR SECONDSECONDSECOND FLOOR FLOORFLOOR LobbyLobbyLobby OUTSIDEOUTSIDEOUTSIDE CAMPUS CAMPUSCAMPUS LovenaLovenaLovena Ohl Ohl Ohl GalleryGalleryGallery BETTY AND SAMUEL KITCHELL GALLERY MUSEUMMUSEUMMUSEUM Meet here for guided tours. ENTRANCEENTRANCEENTRANCE To ShopToTo Shop Shop To ToTo Books Books Books MUSEUMMUSEUMMUSEUM MonteMonteMonte 4 ENTRANCE44ENTRANCEENTRANCE VistaVistaVista Pritzlaff PritzlaffPritzlaff CourtyardCourtyardCourtyard HOME: NATIVE PEOPLE IN THE SOUTHWEST (ongoing) ★ CoffeeCoffeeCoffee3 33 ★ Jacobson★★ JacobsonJacobson Gallery Gallery Gallery 4 44 NICHOLS SCULPTURE GARDEN ★ Jacobson★★Jacobson Jacobson Cafe Cafe2 Cafe 2 2 1 1 1 GalleryGalleryGallery Jack SteeleJackJack Steele ParkerSteele Parker GalleryParker Gallery Gallery Shop Shop Shop The Third Dimension: Sculptural Stories in Stone and Bronze (ongoing) 10 1010 5 55 FreemanFreemanFreeman 12 1212 BalconyBalconyBalcony VeteransVeteransVeterans

GalleryGalleryGallery MemorialMemorialMemorial Central Avenue Central Avenue Central Avenue East GalleryEastEast Gallery Gallery ★ ★★ SouthSouthSouth 11 1111 EDWARD JACOBSON GALLERY (LOWER AND UPPER GALLERIES) ★ 3 33 BoardingBoardingBoarding SouthSouthSouth NicholsNicholsNichols Sculpture Sculpture Sculpture CourtyardCourtyardCourtyard PablitaPablitaPablita SchoolSchoolSchool SteeleSteeleSteele Josef Albers in Mexico (on view through May 27, 2019) CourtyardCourtyardCourtyard GardenGardenGarden BalconyBalconyBalcony Freeport-McMoRanFreeport-McMoRanFreeport-McMoRan Libby LibbyLibby VelardeVelardeVelarde ExhibitExhibitExhibit AuditoriumAuditoriumAuditorium Plaza PlazaPlaza AmphitheaterAmphitheaterAmphitheater StudioStudioStudio Light Rail Light Rail Light Rail JOEL AND LILA HARNETT THEATER (two rotating videos daily) 5 55 SandraSandra SandraDay Day Day O’ConnorO’ConnorO’Connor HarnettHarnettHarnett DorranceDorranceDorrance EducationEducationEducation GalleryGalleryGallery8 88 TheaterTheaterTheater ThunderbirdThunderbirdThunderbird Center CenterCenter LOVENA OHL GALLERY Children’sChildren’s Children’s Nina MasonNinaNina Mason MasonPulliam Pulliam Pulliam CourtyardCourtyardCourtyard Currently undergoing rennovations ★ ★★ CrosswalkCrosswalkCrosswalk VirginiaVirginiaVirginia G. Piper G. G. CharitablePiper Piper Charitable Charitable Trust Trust Trust 7 77 ★ ★★ MuseumMuseum MuseumGrounds Grounds GroundsEntrance Entrance Entrance Encanto Blvd.EncantoEncanto Blvd. Blvd. GrandGrand GalleryGrand Gallery Gallery Lyon FamilyLyonLyon Family Family HOME:HOME:HOME: CrossroadsCrossroadsCrossroads KitchellKitchellKitchell NativeNative PeopleNative People Peoplein in in Art FenceArtArt Fence Fence DENNIS H. LYON FAMILY CROSSROADS GALLERY GalleryGalleryGallery GalleryGalleryGallery the Southwestthethe Southwest Southwest Billie JaneBillieBillie Baguley Jane Jane Baguley Baguley Key KeyKey 9 99 1 11 LibraryLibrary Libraryand Archives and and Archives Archives GroundGroundGroundFloorFloor Floor 2 22 SANDRA DAY O'CONNOR GALLERY WalkwaysWalkwaysWalkways MuseumMuseumMuseum Entrance Entrance EntranceShop ShopShop Library EntranceLibraryLibrary Entrance Entrance 13 1313 Grand Procession: Contemporary Plains Indian Dolls from the Charles and Valerie Light Rail Light Rail Light Rail Diker Collection (opening April 28, 2019) Berlin BerlinMezzanineBerlin Mezzanine Mezzanine ParkingParkingParking Places Places Places RestroomsRestroomsRestrooms ParkingParkingParking 6 66 AdmissionsAdmissionsAdmissions LobbyLobbyLobby SecondSecondSecond Floor Floor Floor ATM ATMATM LovenaLovenaLovena Ohl Ohl Ohl CoffeeCoffeeCoffee $ $$ VIRGINIA G. PIPER CHARITABLE TRUST GRAND GALLERY ★ GalleryGalleryGallery MUSEUMMUSEUMMUSEUM SHOP SHOP SHOP COFFEECOFFEECOFFEE CANTINA CANTINA CANTINA MUSEUMMUSEUMMUSEUM Color Riot! How Color Changed Navajo Textiles (on view through September 2019) ENTRANCEENTRANCEENTRANCE To ShopToTo Shop Shop Mon-Sat,Mon-Sat,Mon-Sat, 9:30 9:30 9:30a.m. a.m. a.m. to 5 to top.m. 5 5 p.m. p.m. Mon-Sat,Mon-Sat,Mon-Sat, 9 a.m. 9 9 a.m. a.m. to 5 to top.m. 5 5 p.m. p.m. Sun,Sun,Sun, 11 a.m.11 11 a.m. a.m. to 5 to top.m. 5 5 p.m. p.m. Sun,Sun,Sun, 11 a.m.11 11 a.m. a.m. to 5 to top.m. 5 5 p.m. p.m. FeaturingFeaturingFeaturing outstanding outstanding outstanding selections selections selections DropDrDr intoopop into theinto theCantina the Cantina Cantina for for for FREEMAN GALLERY of authenticofof authentic authentic American American American Indian Indian Indian gourmetgogourmeturmet coffee, coffee, coffee, snacks, snacks, snacks, and and and It's Your Turn, Hands-on Activities KeyKeyKey JacobsonJacobsonJacobson Gallery Gallery Gallery artwork,artwork,artwork, gifts gifts giftsand and books.and books. books. Shop Shop Shop grab-and-gogrgrab-and-goab-and-go food food food and and drinks.and drinks. drinks. onlineonlineonline at HeardShop.com. at at HeardShop.com. HeardShop.com. JACK STEELE PARKER GALLERY (UPPER LEVEL SOUTH) Jack SteeleJackJack Steele ParkerSteele Parker GalleryParker Gallery Gallery BOOKSBOOKSBOOKS & MORE & & MORE MORE GroundGroundGround Floor Floor GalleriesFloor Galleries Galleries LibraryLibraryLibrary InformationInformationInformation ElevatorElevatorElevator ADA ADAAccessibleADA Accessible Accessible Elevator Elevator Elevator Around the World: The Heard Museum Collection (ongoing) 4 44 BalconyBalconyBalcony COURTYARDCOURTYARDCOURTYARD CAFÉ CAFÉ CAFÉ Mon-Sat,Mon-Sat,Mon-Sat, 9:30 9:30 9:30a.m. a.m. a.m. to 5 to top.m. 5 5 p.m. p.m. Sun,Sun,Sun, 11 a.m.11 11 a.m. a.m. to 5 to top.m. 5 5 p.m. p.m. East GalleryEastEast Gallery Gallery Daily,Daily,Daily, 11 a.m.11 11 a.m. a.m. to 3 to top.m. 3 3 p.m. p.m. SouthSouthSouth SecondSecondSecond Floor Floor GalleriesFloorBoarding Galleries GalleriesBoardingBoarding Non-PublicNon-PublicNon-Public RestroomsRestroomsRestrooms RampRampRamp CourtyardCourtyardCourtyard BrowseBrowseBrowse through through through our our largeour large large EAST GALLERY (UPPER LEVEL SOUTH) ★ SchoolSchoolSchool StopStop Stopin for in in deliciousfor for delicious delicious lunch lunch lunch BalconyBalconyBalcony Away from Home: American Indian Boarding School Stories (ongoing) ExhibitExhibitExhibit offeringsofferingsofferings and and dessertsand desserts desserts featuring featuring featuring selectionselectionselection of books of of books books and and souvenirs.and souvenirs. souvenirs. Split LevelSplitSplit Level GalleryLevel Gallery Gallery StairsStairsStairs fresh,fresh,fresh, local local localand and Indigenousand Indigenous Indigenous COLLECTOR'SCOCOLLECTOR'SLLECTOR'S ROOM ROOM ROOM BILLIE JANE BAGULEY LIBRARY AND ARCHIVES ingredientsingredientsingredients and and foods.and foods. foods. 5 55Mon-Sat,Mon-Sat,Mon-Sat, 9:30 9:30 9:30a.m. a.m. a.m. to 5 to top.m. 5 5 p.m. p.m. Monday to Friday, 10 a.m. to 4:45 p.m. Sun,Sun,Sun, 11 a.m.11 11 a.m. a.m. to 5 to top.m. 5 5 p.m. p.m.

Nina MasonNinaNina Mason MasonPulliam Pulliam Pulliam A buyer'sAA buyer's buyer's gallery gallery gallery with with witha selection a a selection selection CrosswalkCrosswalkCrosswalk of worksofof works works by master by by master master artists. artists. artists. ★ Must-see galleries if your visit is limited in time. GETGETGET SOCIAL: SOCIAL:SOCIAL: #HEARDMUSEUM #HEARDMUSEUM#HEARDMUSEUM @HEARDMUSEUM @HEARDMUSEUM@HEARDMUSEUM

20 | HEARD MUSEUM SPRING/SUMMER 2019 VISITOR GUIDE HEARDHEARDHEARD MUSEUM MUSEUM MUSEUM SPRING/SUMMER SPRING/SUMMER SPRING/SUMMER 2019 2019VISITOR 2019 VISITOR VISITOR GUIDE GUIDE GUIDE | 21 | | 21 21 Billie JaneBillieBillie Baguley Jane Jane Baguley Baguley LibraryLibrary Libraryand Archives and and Archives Archives 19_VisitorGuide_SpringSummer2_CC.indd 20 4/25/19 3:20 PM19_VisitorGuide_SpringSummer2_CC.indd19_VisitorGuide_SpringSummer2_CC.indd19_VisitorGuide_SpringSummer2_CC.indd 21 21 21 4/25/194/25/194/25/19 3:20 PM 3:20 3:20 PM PM

Library EntranceLibraryLibrary Entrance Entrance

Berlin BerlinMezzanineBerlin Mezzanine Mezzanine SecondSecondSecond Floor Floor Floor 3RD PARTY ADVERTISING

HOW COLOR CHANGED NAVAJO TEXTILES

THROUGH SEPTEMBER 29, 2019

VIRGINIA G. PIPER CHARITABLE TRUST GRAND GALLERY

SUPPORTED BY THE KEMPER AND ETHEL MARLEY FOUNDATION HOME

TOHONO O’ODHAM NATION

Federally Recognized: 1874, Gila Bend: 1886

Tohono O’odham lands comprise four non-contiguous segments in southern Arizona, the largest encompassing 4,219 square miles. Combined, the tribal land area is slightly smaller than the state of Connecticut. O’odham families live on traditional lands on both sides of the international border, striving to maintain family connections and ceremonies despite travel restrictions. Discussing border crossing, some O’odham have pointed out, “The border crossed us.” O’odham basketry artists display not only a mastery of their art form, but also their intimate knowledge of the desert and how to gather and process basketry materials. Artists in basketry and painting celebrate the summer saguaro fruit harvest and the O’odham rain Terrol Dew Johnson (b. 1971) ceremony. The Tohono O’odham Nation Cultural Center Tohono O’odham Nation Basket, 2001 & Museum is located in Topawa, Arizona, and works to Heard Museum Collection promote understanding and respect of the O’odham himdag, or way of life. To learn more visit http://www.tonation-nsn.gov/

PASCUA YAQUI TRIBE

Federally Recognized: 1978

The Yoemem (Yaqui people) live in two countries: along the Yaqui River in Sonora, Mexico, and in the United States, particularly Arizona. Movement into Arizona was the result of the Mexican government’s military campaign in the late 1800s to forcibly remove the Yoemem from Sonora. Thousands of people were deported to plantations on the Yucatán peninsula, while many fled to the United States. Today, more than 18,000 Explore the sometimes mysterious, live in the United States and more than 30,000 live in Sonora. always transcendent world of Agnes Pelton. Although their reservation was formally established by the U.S. Congress in 1964, the tribe did not receive federal recognition ON VIEW NOW THROUGH SEPTEMBER 8 until 1978. The Yoemem are located in seven communities: New Pascua, 15 miles southwest of Tucson, where the tribal PHXART.ORG government is based; Old Pascua and Barrio Libre, also in CENTRAL + MCDOWELL Tucson; Yoem Pueblo in Marana; Guadalupe, bordering Tempe; @PHXART Beatrice Maldonado (b. 1957) and Penjamo, located in south Scottsdale. A part of Yaqui belief Pascua Yaqui Tribe includes a spiritual flower world, and flower designs adorn Painted gourd traditional art and women’s clothing. To learn more, visit Agnes Pelton: Desert Transcendentalist is organized by Phoenix Art Museum. It is made possible through the generosity of The Andy Warhol Foundation Heard Museum Collection for the Visual Arts and is supported in part by an award from the National Endowment for the Arts. image credit: Agnes Pelton, Day, 1935. Oil on canvas. http://www.pascuayaqui-nsn.gov/ Collection of Phoenix Art Museum, Gift of The Melody S. Robidoux Foundation.

28 | HEARD MUSEUM SPRING/SUMMER 2019 VISITOR GUIDE

19_VisitorGuide_SpringSummer_REVISED.indd 24 5/7/19 9:15 AM MC_ADV_Agnes_0419_OnMedia_HeardFP.indd 1 3/28/19 10:55 AM Because everyone should have ACCESS TO THE ARTS

For hundreds of thousands of students and families in Arizona, the opportunity to experience the arts is beyond their reach.

Through Act One Field Trips for students from Title 1 schools and the Act One Culture Pass available at libraries, Act One and our arts partners provide free opportunities for more than 35,000 students and 500,000 families to experience FROM the transformative power of the arts every year. AWAY HOME AMERICAN INDIAN BOARDING SCHOOL STORIES

This is the updated installation of the long-running Remembering Our Indian School Days: The Boarding School Experience. Located in the East Gallery on the 2nd floor.

Students posing at entrance to Chemawa Indian PRESENTED BY Training School, near Salem, Oregon, c. 1885 Credit: Join us to support access to the arts for all! Harvey W. Scott Memorial Library, Pacific University Archives 1583; Heard reference: RC125(9):2.2.1 www.act1az.org | 602.343.6239

19_VisitorGuide_SpringSummer_REVISED.indd 27 5/7/19 9:15 AM

ON Media 2018-19 ad #1 | 07.11.18 EXHIBITIONS CHANGING CHANGING EXHIBITIONS GROUP TOURS MEXICO IN ALBERS JOSEF JOSEF ALBERS IN MEXICO Holy Bear, Okuma and the three Growing Thunder family members embellish each 2019 27, MAY THROUGH VIEW ON ON VIEW THROUGH MAY 27, 2019 doll with tiny micro-beads in intricate Josef present to proud is Museum Heard The The Heard Museum is proud to present Josef detail. The 23 dolls included in the R. Solomon the by organized , Mexico in Albers Albers in Mexico, organized by the Solomon R. exhibition represent the largest private curated York, New in Museum Guggenheim Guggenheim Museum in New York, curated collection of its kind. is Mexico in Albers Josef Hinkson. Lauren by by Lauren Hinkson. Josef Albers in Mexico is influence the elucidates which exhibition an an exhibition which elucidates the influence STILL LIFE NO. 3: Albers of work the between connectivity and and connectivity between the work of Albers RAVEN CHACON PERSONALIZED GROUP TOURS abstracted the and 1888-1976), (German, (German, 1888-1976), and the abstracted OPENING JULY 5, 2019 art, pre-Columbian of vocabulary geometric geometric vocabulary of pre-Columbian art, LET US ASSIST IN DESIGNING A Still Life no. 3 is an immersive installation culture. material and architecture, architecture, and material culture. SPECIAL TOUR EXPERIENCE FOR color of number unprecedented an when when an unprecedented number of color by Diné artist Raven Chacon. Chacon, YOUR GROUP weavers. Navajo to available were options seen rarely are exhibition the in Included Included in the exhibition are rarely seen options were available to Navajo weavers. b. 1979, is a composer, performer and Marley Ethel and Kemper the by Supported like works seminal Albers, by paintings early early paintings by Albers, seminal works like Supported by the Kemper and Ethel Marley installation artist from Fort Defiance, ■ Groups of 10 or more tour with a Gallery Grand the of Patrons and Foundation Variant/Adobe and Square the to Homage Homage to the Square and Variant/Adobe Foundation and Patrons of the Grand Gallery Navajo Nation, based between und F Exhibition Exhibition Fund private guide. rich of selection a and paper, on works series, series, works on paper, and a selection of rich Albuquerque and Toronto. many work, photocollage and photographic photographic and photocollage work, many Choose from five different gallery tour PROCESSION: GRAND GRAND PROCESSION: In Still Life No. 3, which is comprised of ■ view. on been before never have which of of which have never before been on view. PLAINS CONTEMPORARY CONTEMPORARY PLAINS sound, speakers, text and colorful timed options. THE FROM DOLLS INDIAN oundation F Halle Bruce and Diane the by Presented Presented by the Diane and Bruce Halle Foundation INDIAN DOLLS FROM THE lighting, the artist creates ambiguity in Participants receive special discounts Foundation Ullman M. Virginia the and and the Virginia M. Ullman Foundation ■ DIKER VALERIE AND CHARLES CHARLES AND VALERIE DIKER the gallery space and narrative of the Diné on Museum memberships. COLOR HOW RIOT! COLOR COLOR RIOT! HOW COLOR emergence story. The work retells the COLLECTION COLLECTION ■ Include time in the itinerary for TEXTILES NAVAJO CHANGED CHANGED NAVAJO TEXTILES Diné Bahane, the Navajo story of creation 2019 28, APRIL OPENING OPENING APRIL 28, 2019 and emergence into the current world. participants to browse the extensive Plains Contemporary Procession: Grand 2019 SEPTEMBER, THROUGH VIEW ON ON VIEW THROUGH SEPTEMBER, 2019 Grand Procession: Contemporary Plains The voice of a Diné woman is amplified collections of Native American art in Valerie and Charles the from Dolls Indian to alert been always have weavers Navajo Navajo weavers have always been alert to Indian Dolls from the Charles and Valerie through the speakers - the speakers are the Heard Museum Shop and Books & exceptional an celebrates Collection Diker recognizing while ideas color and design new new design and color ideas while recognizing Diker Collection celebrates an exceptional set up on a delay, causing parts of the More boutique Book Store. soft as known also dolls, of collection Following forces. market of influence the the influence of market forces. Following collection of dolls, also known as soft story to overlap, creating a non-linear Groups can enhance their experience (Luiseño Okuma Jamie by created sculptures, the in impriosnment their of days dark the the dark days of their impriosnment in the sculptures, created by Jamie Okuma (Luiseño equation to the narrative, illuminating ■ Bear Holy Rhonda Shoshone-Bannock), and relocation and (1863-1868) Rendondo Bosque Bosque Rendondo (1863-1868) and relocation and Shoshone-Bannock), Rhonda Holy Bear past, present and future all in one singular by including luncheon at the acclaimed three and Lakota) and Sioux River (Cheyenne to had weavers Navajo reserveration, a to to a reserveration, Navajo weavers had to (Cheyenne River Sioux and Lakota) and three moment. Courtyard Café. family Thunder Growing of generations given were and flocks sheep their rebuild rebuild their sheep flocks and were given generations of Growing Thunder family Juanita Thunder, Growing Joyce members; through dyes and yarns commercial to access access to commercial yarns and dyes through members; Joyce Growing Thunder, Juanita Jessica and Fogarty Thunder Growing This traders. and allotments government government allotments and traders. This Growing Thunder Fogarty and Jessica RESERVE YOUR PRIVATE Sioux). and (Assiniboine Thunder Growing textiles Navajo features exhibition original original exhibition features Navajo textiles Growing Thunder (Assiniboine and Sioux). TOP: 30-foot glass and clay art fence by Tony Jojola GROUP TOUR TODAY (Isleta) and Rosemary Lonewolf (Santa Clara/Tewa). to reference figurative a provide dolls The time a century, 19th late the in created created in the late 19th century, a time The dolls provide a figurative reference to phone: 602.252.8840 Plains Great the from peoples Indigenous Indigenous peoples from the Great Plains ABOVE LEFT: Color Riot! exhibition in the Virginia G. email: [email protected] those in lived who regions Basin Great and and Great Basin regions who lived in those Piper Charitable Trust Grand Gallery. century. nineteenth late the during areas areas during the late nineteenth century.

GUIDE VISITOR 2019 SPRING/SUMMER MUSEUM HEARD | 32 32 | HEARD MUSEUM SPRING/SUMMER 2019 VISITOR GUIDE HEARD MUSEUM SPRING/SUMMER 2019 VISITOR GUIDE | 33

AM 9:15 5/7/19 28 19_VisitorGuide_SpringSummer_REVISED.indd 19_VisitorGuide_SpringSummer_REVISED.indd 28 5/7/19 9:15 AM 19_VisitorGuide_SpringSummer_REVISED.indd 29 5/7/19 9:15 AM CHANGING EXHIBITIONS GROUP TOURS JOSEF ALBERS IN MEXICO Holy Bear, Okuma and the three Growing Thunder family members embellish each ON VIEW THROUGH MAY 27, 2019 doll with tiny micro-beads in intricate The Heard Museum is proud to present Josef detail. The 23 dolls included in the Albers in Mexico, organized by the Solomon R. exhibition represent the largest private Guggenheim Museum in New York, curated collection of its kind. by Lauren Hinkson. Josef Albers in Mexico is an exhibition which elucidates the influence STILL LIFE NO. 3: and connectivity between the work of Albers RAVEN CHACON PERSONALIZED GROUP TOURS (German, 1888-1976), and the abstracted OPENING JULY 5, 2019 geometric vocabulary of pre-Columbian art, LET US ASSIST IN DESIGNING A Still Life no. 3 is an immersive installation architecture, and material culture. SPECIAL TOUR EXPERIENCE FOR when an unprecedented number of color by Diné artist Raven Chacon. Chacon, YOUR GROUP Included in the exhibition are rarely seen options were available to Navajo weavers. b. 1979, is a composer, performer and early paintings by Albers, seminal works like Supported by the Kemper and Ethel Marley installation artist from Fort Defiance, ■ Groups of 10 or more tour with a Homage to the Square and Variant/Adobe Foundation and Patrons of the Grand Gallery Navajo Nation, based between Exhibition Fund private guide. series, works on paper, and a selection of rich Albuquerque and Toronto. photographic and photocollage work, many Choose from five different gallery tour GRAND PROCESSION: In Still Life No. 3, which is comprised of ■ of which have never before been on view. CONTEMPORARY PLAINS sound, speakers, text and colorful timed options. Presented by the Diane and Bruce Halle Foundation INDIAN DOLLS FROM THE lighting, the artist creates ambiguity in Participants receive special discounts and the Virginia M. Ullman Foundation ■ CHARLES AND VALERIE DIKER the gallery space and narrative of the Diné on Museum memberships. COLOR RIOT! HOW COLOR emergence story. The work retells the COLLECTION ■ Include time in the itinerary for CHANGED NAVAJO TEXTILES Diné Bahane, the Navajo story of creation OPENING APRIL 28, 2019 and emergence into the current world. participants to browse the extensive ON VIEW THROUGH SEPTEMBER, 2019 Grand Procession: Contemporary Plains The voice of a Diné woman is amplified collections of Native American art in Navajo weavers have always been alert to Indian Dolls from the Charles and Valerie through the speakers - the speakers are the Heard Museum Shop and Books & new design and color ideas while recognizing Diker Collection celebrates an exceptional set up on a delay, causing parts of the More boutique Book Store. the influence of market forces. Following collection of dolls, also known as soft story to overlap, creating a non-linear Groups can enhance their experience the dark days of their impriosnment in the sculptures, created by Jamie Okuma (Luiseño equation to the narrative, illuminating ■ Bosque Rendondo (1863-1868) and relocation and Shoshone-Bannock), Rhonda Holy Bear past, present and future all in one singular by including luncheon at the acclaimed to a reserveration, Navajo weavers had to (Cheyenne River Sioux and Lakota) and three moment. Courtyard Café. rebuild their sheep flocks and were given generations of Growing Thunder family access to commercial yarns and dyes through members; Joyce Growing Thunder, Juanita government allotments and traders. This Growing Thunder Fogarty and Jessica RESERVE YOUR PRIVATE original exhibition features Navajo textiles Growing Thunder (Assiniboine and Sioux). TOP: 30-foot glass and clay art fence by Tony Jojola GROUP TOUR TODAY (Isleta) and Rosemary Lonewolf (Santa Clara/Tewa). created in the late 19th century, a time The dolls provide a figurative reference to phone: 602.252.8840 Indigenous peoples from the Great Plains ABOVE LEFT: Color Riot! exhibition in the Virginia G. email: [email protected] and Great Basin regions who lived in those Piper Charitable Trust Grand Gallery. areas during the late nineteenth century.

32 | HEARD MUSEUM SPRING/SUMMER 2019 VISITOR GUIDE HEARD MUSEUM SPRING/SUMMER 2019 VISITOR GUIDE | 33

19_VisitorGuide_SpringSummer_REVISED.indd 28 5/7/19 9:15 AM 19_VisitorGuide_SpringSummer_REVISED.indd 29 5/7/19 9:15 AM ON Media is a resource for great the record performances on and off stage

To protect the sensitive WORLD-CLASS SHOP & BOOKSTORE nature of the site, which contains archaeological HEARD MUSEUM SHOP showcasing a carefully selected group artifacts, SRP developed of works by the top names and most The Heard Museum Shop has grown from a modified approach to influential artists in Native art. its humble 1958 beginnings to become lining the canal. one of the nation’s finest purveyors of BOOKS & MORE American Indian art. The majority of pieces Books & More, our boutique bookstore, in the extensive inventory are purchased offers one of the Southwest’s best selections directly from hundreds of artists. Only the of books by and about American Indians finest in authentic American Indian jewelry, and the region. Also on hand are gifts like pottery, paintings, sculpture, katsina dolls T-shirts, hats, children’s toys and packaged and weavings are selected for sale. items for yourself or friends and family. PHOTO BY MICHAEL MCNAMARA

THE COLLECTOR'S ROOM SHOP, COLLECTOR'S ROOM, There are artists in every field who BOOKS & MORE HOURS exemplify the best of the best and who Monday to Saturday, 9:30 a.m. to 5 p.m. SRP HELPS PROTECT HISTORY have proven seminal in influencing future Sunday, 11 a.m. to 5 p.m. - generations of artists and art styles. The WITH INNOVATIVE CANAL LINING AGREEMENT Collector's Room, located within the Call 602.252.8344. Heard Museum Shop, is a gallery space PRESERVING A HISTORICALLY old dirt canal as much as possible, SRP used SIGNIFICANT SITE IN EARLY 2019, SRP a mixture of cement, sand and water with LINED THE FINAL SEGMENT OF THE a modified application process that didn’t GRAND CANAL LOCATED BEHIND require excavation. Instead of disturbing the THE PUEBLO GRANDE MUSEUM. THIS earth, crews hand-drilled holes into the edge PROJECT COMPLETES AN EFFORT THAT of the existing, concrete canal bottom. They BEGAN IN THE 1950S TO LINE THE 131 - then used steel rebar and wire to connect it MILE SRP CANAL SYSTEM. to the canal bank, providing a surface that could be sprayed with lining. These efforts Even though the canal isn’t prehistoric, it help preserve the site and prevent erosion, sits near a prehistoric settlement and flows protecting artifacts under the banks or deep DINING AT THE HEARD in an area called the Park of Four Waters. within it. This area marks the connection between The Heard Museum is proud to feature THE COURTYARD CAFÉ remnants of Hohokam canals, which were Learn more about SRP’s environmental and likely constructed between A.D. 750 and community efforts at srpcares.com. fine Southwest-inspired cuisine at the Open daily, 11 a.m. to 3 p.m. A.D. 900 AD; the Valley’s first modern Courtyard Café. Enjoy freshly prepared Call 602.251.0204 for reservations. salads, sandwiches and entrées, many of canal, Swilling’s Ditch, built in 1867; and the which feature American Indian and locally COFFEE CANTINA Grand Canal. sourced all-natural ingredients. The Coffee Monday to Saturday, 9 a.m. to 5 p.m. SRP worked with the City of Phoenix — Cantina is also available for your dining Sunday, 11 a.m. to 5 p.m. which is constructing a multiuse path in needs, featuring specialty coffees, sweet the area — to reach an agreement with treats and grab-and-go snacks. Pueblo Grande to allow the canal to be lined. Preserving the look and feel of an

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HOME: NATIVE PEOPLE PABLITA VELARDE’S STUDIO THE THIRD DIMENSION: AMERICAN INDIAN VETERANS IN THE SOUTHWEST One of the leading painters of the 20th SCULPTURAL STORIES NATIONAL MEMORIAL HOME GALLERY century, Pablita Velarde/Tse Tsan “Golden IN STONE AND BRONZE Service and sacrifice spanning more than Dawn” (Santa Clara Pueblo, 1918-2006) was three centuries is honored in the first and Learn about the Native peoples of the NICHOLS SCULPTURE GARDEN a pioneer as a woman artist when painting only known national memorial to American Southwest and hear them tell their stories Some of the most exciting and moving was a male art form. Her painting began in a Indian veterans of many conflicts. The in their own words in the Heard Museum’s American Indian fine art of the 20th and 21st traditional manner but evolved through many memorial, located outside the Berlin Gallery, signature exhibition. In addition to cultural centuries has been created by sculptors. The original styles and media. She cared deeply contains panels describing the devotion of objects, the exhibition showcases the Heard Museum is fortunate recently to have about depicting traditional lifeways that she American Indian soldiers to their country, and traditions of Native peoples of the past and been given works by leading American Indian feared would be lost and used her art to includes several heroic sculptures. present and examines their definition of sculptors such as Allan Houser and John tell the stories of those lifeways. Over the home. Don’t miss the Navajo hogan (pictured Hoover. Gifts also include sculpture by the decades she was an effective spokesperson below), the Pueblo horno or the 400 katsina next generation of accomplished sculptors discussing her art and the larger issues of dolls on display! inspired by these pioneers, such as Doug the Native art world. This exhibit contains an Hyde and Bob Haozous, Houser’s son. Some accurate recreation with original objects from AWAY FROM HOME: AMERICAN of these sculptures were recently conserved Velarde’s working studio, giving insight to the INDIAN BOARDING SCHOOL thanks to a grant from the 2015 Bank of public of this extraordinary artist’s process. STORIES America Art Conservation Project. EAST GALLERY AROUND THE WORLD: This is the updated installation of the long- THE HEARD MUSEUM running Remembering Our Indian School COLLECTION Days: The Boarding School Experience exhibition at the Heard Museum. Since its JACK STEELE PARKER GALLERY original opening in 2000, it has become Explore the cultural traditions of Native the Heard Museum’s most thematically peoples from around the world in this powerful exhibition. Over the past two exhibition of artwork from North and South decades, interest in American Indian America, Africa and Oceania. Much of the boarding schools and scholarship about work on display is from the original collection the subject has increased. It is a story that of museum founders Dwight and Maie Heard. must continue to be shared and one that is central to remembering the nation’s past and understanding its present.

Supported by the National Endowment for the ABOVE: Grand Canyon, 2016 RIGHT: Unconquered II, 1994 Humanities, with additional support from The Tony Abeyta Allan Houser (Haozous) Rockefeller Foundation, The Arizona Republic, Navajo, b. 1965 Chiricahua Apache, 1914-1994 Bank of America, Intel Corporation, Mr. & Mrs. Acrylic on linen, 60 x 158 inches. Gift of Kathleen L. Bronze, Artist’s Copy William Freeman, Mr. & Mrs. Fred Lynn and the and William G. Howard On loan from the collection of Tia Roger S. Firestone Foundation.

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19_VisitorGuide_SpringSummer2_CC.indd 32 4/25/19 3:20 PM 19_VisitorGuide_SpringSummer2_CC.indd 33 4/25/19 3:20 PM We are educating tomorrow’s artists

Students will dance, design, and perform while engaging in the acclaimed BASIS Curriculum, EVENTS & PROGRAMS exclusively at BASIS Phoenix Central. MUSEUM YOGA EVENTS AT-A-GLANCE 2ND AND 4TH SATURDAY OF MAY The core curriculum is enriched with robust EACH MONTH Fri. 3 First Friday Fine Arts classes creating a rigorous 9:30 TO 10:30 A.M. Tues. 7 Teacher Appreciation Day Join Rooted Community Yoga Project on the Sat. 11 Second Saturday: Books, Beats academic program and a rich second and fourth Saturdays of the month & Bites fine arts experience. for guided yoga practice. Each week, the yoga session will take place in a new surprise Weds. 15 B.Y.O.L. Lectures: Zarco Guerrero location on the Heard campus. All levels Thurs. 23 B.Y.O.L. Lectures: Michael Smith welcome. $10 per person; free for museum members (includes museum admission). JUNE Space is limited; register online at heard.org. Fri. 7 First Friday (Medical disclaimer: participants attend at Sun. 23 Summer Sundays: Gabriela Muñoz, their own risk.) Arizona Commission of the Arts SUMMER SUNDAYS JULY Escape the heat and join us for our annual Thur. 4 Museum closed for Learn more and sign up for a summer series! This season we are focusing Independence Day on printmaking artist demonstrations every tour at BASISphoenixcentral.org Fri. 5 First Friday fourth Sunday of the of the month. A different printmaker will be featured in the Crossroads Sun. 28 Summer Sundays: Jacob Meders Gallery. Bring the family and make a take- AUGUST home print. Fri. 2 First Friday Admission to the museum’s galleries is free Sun. 25 Summer Sundays: Sam Gomez, all day, so gather the whole family and come Sagrado Gallery to the Heard Museum for entertainment for all ages. Presented by the Flinn Foundation

DATES ARE SUBJECT TO CHANGE. Serving grades K–5 PLEASE VISIT HEARD.ORG FOR DETAILS AND UP-TO-DATE INFORMATION OR CALL 602.252.8840. Find a BASIS Charter School near you at EnrollBASIS.com !

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19_VisitorGuide_SpringSummer_REVISED.indd 37 5/7/19 9:15 AM On the first Friday evenings of the month from 6-10 p.m., the Heard will bring music, demonstrations, food and drink to the museum to share the cultural pulse of Phoenix and the Southwest today. Free and open to the public.

GET CRAFTY AND SEE JOSEF ALBERS IN MEXICO, ON ITS LAST FIRST FRIDAY MAY 3RD Come create with Cut and Paste Phoenix, the Crafty Chica Kathy Cano-Murillo will also being doing fun take home activity. ALWAYS ENCHANTING Plus listen to Rastafarmers, a Chicano- Reggae Infused band fill Crossroads From the seductive Release pool party to award-winning Gallery with music. restaurants, there’s no other experience like Talking Stick KEEP CALM AND HAVE PRIDE Resort. The passion and energy of Scottsdale’s premier JUNE 7TH Celebrate National LGBTQ Pride Month entertainment destination flows year-round. Whatever with our partner organization Native you desire, there’s a reason to come Play in Style.™ PFLAG (https://www.nativepflag.org/) for music and a film screening of Sweetheart Dancers at 7 p.m. The director and producer Ben-Alex Dupris, and the stars of the film Adrian Mathis, and Sean Snyder will do a Q & A after the screening. SCOTTSDALE | 480.850.7777 | TALKINGSTICKRESORT.COM SOUND & LIGHT Locally owned and caringly operated by the Salt River Pima-Maricopa Indian Community. JULY 5TH Come join us for the opening of Raven Sponsored by the Flinn Foundation and SRP Chacon's immersive art installation, Still Life No. 3, with live music and artist demonstrations.

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JOB #: 19578-8_TSR_2019Brand_Ad_5-375x8-375 · Client: Talking Stick Resort · Agency: RIESTER Trim: 5.375" x 8.375" · Bleed: 5.25" x 8.625" · Live: 4.75" x 7.75" · Color: CMYK · Pub: On Media Heard and Desert Botanical Garden Guides Insertion Date: ??/??/19 · Due Date: 04/01/19 · Contact: Bill Robbins · [email protected] HEARD MUSEUM SHOP

CALVIN TONEY (NAVAJO) GERMANTOWN RUG, (36” X 56”) $4,200

AUTHENTICITY GUARANTEED SINCE 1958 2301 N. CENTRAL AVE. PHOENIX, AZ 85004 602.252.8344 HEARDSHOP.COM

DON’T MISS COLOR RIOT! HOW COLOR CHANGED NAVAJO TEXTILES IN THE MUSEUM’S VIRGINIA G. PIPER CHARITABLE TRUST GRAND GALLERY

(SEE PAGE 28)

MUSEUM’S VIRGINIA G. PIPER CHARITABLE TRUST GRAND GALLERY

COLOR RIOT! HOW COLOR CHANGED NAVAJO TEXTILES DON’T MISS IN THE

2301 N. CENTRAL AVE. PHOENIX, AZ 85004 602.252.8344 HEARDSHOP.COM

AUTHENTICITY GUARANTEED SINCE 1958

CALVIN TONEY (NAVAJO) GERMANTOWN RUG, (36” X 56”) $4,200 HEARD MUSEUM SHOP