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{PDF} So Much Things to Say the Oral History of Bob Marley 1St Edition Ebook, Epub
SO MUCH THINGS TO SAY THE ORAL HISTORY OF BOB MARLEY 1ST EDITION PDF, EPUB, EBOOK Roger Steffens | 9780393058451 | | | | | So Much Things to Say The Oral History of Bob Marley 1st edition PDF Book Return to Book Page. Furthermore, while Bob's relationship with the Rastafarian community is touched on, Steffens doesn't seem particularly interested in delving very deeply into this aspect of the story and the book suffers as a result. Loading comments… Trouble loading? I live the style too, through the words of others like the Bill Graham biography. See details. His portrayal of both Bunny Wailer and Peter Tosh is well wrought with their distinct, uncompromising personalties well defined. Paperback , pages. Want to Read saving…. I would recommend this book for any Marley lover or scholar as it does contain quite a varied and interesting collection of voices. Linton Kwesi Johnson Introduction. Other bios provide documentation and the results of research; this one provides only opinions. Written in the so called words of Bobs friends and associates , the book did not come close to living up to my expectations. Books by Roger Steffens. Steffens gives the band members of the Wailers their just due as they move from the local recording studios of Kingston to worldwide prominence and the difficulties they experienced in adjusting to life outside the insular world of Jamaica. However, this didn't actually have any quotes from him, just from people who worked with him or knew him Mar 13, Brian White rated it liked it. I knew most of them. And if everyone seems to think Island Records head Chris Blackwell to be such a vampire of JA culture, wouldn't a word or two from him in his defense be appropriate? Highly Recommended. -
Lyrics and the Law : the Constitution of Law in Music
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2006 Lyrics and the law : the constitution of law in music. Aaron R. S., Lorenz University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Lorenz, Aaron R. S.,, "Lyrics and the law : the constitution of law in music." (2006). Doctoral Dissertations 1896 - February 2014. 2399. https://scholarworks.umass.edu/dissertations_1/2399 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. LYRICS AND THE LAW: THE CONSTITUTION OF LAW IN MUSIC A Dissertation Presented by AARON R.S. LORENZ Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY February 2006 Department of Political Science © Copyright by Aaron R.S. Lorenz 2006 All Rights Reserved LYRICS AND THE LAW: THE CONSTITUTION OF LAW IN MUSIC A Dissertation Presented by AARON R.S. LORENZ Approved as to style and content by: Sheldon Goldman, Member DEDICATION To Martin and Malcolm, Bob and Peter. ACKNOWLEDGMENTS This project has been a culmination of many years of guidance and assistance by friends, family, and colleagues. I owe great thanks to many academics in both the Political Science and Legal Studies fields. Graduate students in Political Science have helped me develop a deeper understanding of public law and made valuable comments on various parts of this work. -
The Birth and Growth of Ro
THE BIRTH AND GROWTH OF ROGER STEFFENS’ Reggae Archives Archives, story and photos by “Ras RoJah” Steffens Way back in the summer of 1973, an extraordinary and revealing article appeared in Rolling Stone by a gonzo journalist from Australia named Michael Thomas. Under the heading “The Wild Side of Paradise,” in vivid mad-cap prose, Thomas told a brief history of this new Jamaican music called “reggae,” and alerted American readers to its manifold mysteries and pleasures. I cut it out and put it in a manila folder -- and now, looking back -- I recognize it as the unwitting start of Roger Steffens’ Reggae Archives. I never set out to build a collection that would grow to fi ll six rooms of our home in Los Angeles, plus a basement storage space at a museum design fi rm in Pasadena, not to mention the dozens of cartons stored in our garage and bedroom closets. Need I say I am married to the world’s most patient wife? Without Mary’s active connivance, none of this would ever have happened, for she has taken virtually every step of the reggae trod at my side, meeting Bob Marley and Sunsplashing throughout the ‘80s and running tech for me in worldwide “Life of Bob Marley” multi-media presentations as far afi eld as the bottom of the Grand Canyon, Martinique and Guam, from Auckland to Alberta, Perth to Paris. I’ve always been a writer and a lecturer, two interests abetted by my training as an actor, so whenever a subject interests me, I begin to keep a fi le on it, in case someday I might like to write or speak about it. -
Rastalogy in Tarrus Riley's “Love Created I”
Rastalogy in Tarrus Riley’s “Love Created I” Darren J. N. Middleton Texas Christian University f art is the engine that powers religion’s vehicle, then reggae music is the 740hp V12 underneath the hood of I the Rastafari. Not all reggae music advances this movement’s message, which may best be seen as an anticolonial theo-psychology of black somebodiness, but much reggae does, and this is because the Honorable Robert Nesta Marley OM, aka Tuff Gong, took the message as well as the medium and left the Rastafari’s track marks throughout the world.1 Scholars have been analyzing such impressions for years, certainly since the melanoma-ravaged Marley transitioned on May 11, 1981 at age 36. Marley was gone too soon.2 And although “such a man cannot be erased from the mind,” as Jamaican Prime Minister Edward Seaga said at Marley’s funeral, less sanguine critics left others thinking that Marley’s demise caused reggae music’s engine to cough, splutter, and then die.3 Commentators were somewhat justified in this initial assessment. In the two decades after Marley’s tragic death, for example, reggae music appeared to abandon its roots, taking on a more synthesized feel, leading to electronic subgenres such as 1 This is the basic thesis of Carolyn Cooper, editor, Global Reggae (Kingston, Jamaica: Canoe Press, 2012). In addition, see Kevin Macdonald’s recent biopic, Marley (Los Angeles, CA: Magonlia Home Entertainment, 2012). DVD. 2 See, for example, Noel Leo Erskine, From Garvey to Marley: Rastafari Theology (Gainesville, FL: University Press of Florida, 2004); Dean MacNeil, The Bible and Bob Marley: Half the Story Has Never Been Told (Eugene, OR: Cascade Books, 2013); and, Roger Steffens, So Much Things to Say: The Oral History of Bob Marley, with an introduction by Linton Kwesi Johnson (New York and London: W.W. -
Ramapo College of New Jersey Office of Communications and Public
Ramapo College of New Jersey Office of Communications and Public Relations September 29, 2014 Contact: Stephen J. Hudik E-mail: [email protected] Phone: 201.684.7845 ROGER STEFFENS, AUTHORITY ON MUSIC OF BOB MARLEY, TO SPEAK AT RAMAPO COLLEGE ON OCTOBER 6 (MAHWAH, NJ) Roger Steffens, world-renowned authority on all things Bob Marley, will speak at Ramapo College of New Jersey on October 6 at 11:30 a.m. in the Sharp Theater. The event is free and open to the public. Steffens will deliver a multimedia presentation, The Life of Bob Marley. The presentation has been called “the definitive history of the reggae king.” Marley, known as the foremost Jamaican reggae singer-songwriter, was a best-selling artist who infused his music with Rastafari spirituality. He died in 1981 at the age of 36. Steffens co-hosted Reggae Beat on KCRW for eight years and the internationally syndicated Reggae Beat International for five years. He was named the ‘Most Popular Reggae DJ in the World’ by Martin’s International Awards in Chicago. His ten-CD series, entitled The Complete Bob Marley & the Wailers 1967 to 1972, is a 220-track series with more than 100 rare Bob Marley & the Wailers recordings. The event is sponsored by The Schomburg Scholar Committee. For more information, contact Professor Aaron Lorenz at [email protected]. ##### Ranked by U.S. News & World Report as sixth in the Best Regional Universities North category for public institutions, Ramapo College of New Jersey is sometimes mistaken for a private college. This is, in part, due to its unique interdisciplinary academic structure, its size of approximately 6,000 students and its pastoral setting in the foothills of the Ramapo Mountains on the New Jersey/New York border. -
Tony Chin Earl Zero Derrick Lara Papa Michigan Johnny Dread Anthony John Fully Fulwood Mellow Movement Iriemag.Com
DEC 2015 CA 01.04 T R A X ROOTS / ROCK / REGGAE / RESPECT featuring HOUSE OF SHEM ARMY RAS D Z-MAN TONY CHIN EARL ZERO DERRICK LARA PAPA MICHIGAN JOHNNY DREAD ANTHONY JOHN FULLY FULWOOD MELLOW MOVEMENT IRIEMAG.COM CA ISSUE #01.04 / DECEMBER 2015 “ If you haven’t confidence in self, you are twice defeated in the race of life. With confidence, you have won even before you have started.” - Marcus Garvey Nicholas ‘Nico’ Da Silva Founder/Publisher & Editor in Chief IRIEMAG.COM MERCH. The Official ‘Rockers’ Tee from Irie Magazine Available in T-Shirts & Hoodies for Men/Women Two styles to choose from: Jamaica or Ethiopia IRIEMAG.COM House of Shem Derrick Lara Papa Michigan Ras D New Zealand Jamaica Jamaica Jamaica Army Fully Fulwood Tony Chin Johnny Dread U.S. Virgin Islands Jamaica Jamaica United States Earl Zero Anthony John Mellow Movement Z-Man United States Jamaica United States United States NZL HOUSE OF SHEM IRIEMAG.COM REGGAE HOUSE OF SHEM House Of Shem is an Aotearoa (New Zealand) based harmony trio comprised of Carl Perkins and his FOLLOW two sons, Te Omeka Perkins and Isaiah Perkins, who are each multi-instrumentalist and producers. House of Shem Formed 2005 in the rural area of Whanganui, the band embodies elements of roots reggae, pacific reggae and traditional maori music with relatable song-writing that connects powerfully with not only New Zealand and Australia audiences, but reggae listeners globally attracting fans from all Featured Album areas of the world. Since bursting onto the music scene with their debut album ‘Keep Rising’ in 2008, House of Shem has released three very successful Albums and built a rapidly growing loyal fan base. -
Speaker: Dr. Baz Dreisinger of John Jay College of Criminal Justice, City University of New York
Speaker: Dr. Baz Dreisinger of John Jay College of Criminal Justice, City University of New York Seminar Title: What Do Global Solutions to Mass Incarceration Look Like? An Introduction to the Incarceration Nations Network Abstract: There are some 10.35 million people worldwide are currently behind bars. This number is steadily increasing: Between 2008 and 2011, the prison population grew in 78 percent of all countries and between 2000 and 2016 it showed an increase of almost 20 percent. More than 3.2 of these 10.35 million people behind bars have not been convicted of anything—they are potentially innocent people awaiting trial. One in five of these 10.35 million is incarcerated for drug-related offenses, 83 percent of this number for simple drug possession. As a whole, people from minority groups and Indigenous communities are caught up in criminal justice systems at dramatically disproportionate levels. This is not only a global human rights crisis. It is also a profound global threat to peace and community safety. Join Dr. Baz Dreisinger of John Jay College of Criminal Justice, City University of New York, for a conversation about her Incarceration Nations Network and learn how countries around the world-- from Ghana and Italy to Costa Rica and Norway--are taking on this crisis of mass incarceration in exciting, innovative ways. Bio: Dr. Baz Dreisinger is: professor, journalist, justice worker, film and radio producer, cultural critic and activist. A professor of English at John Jay College of Criminal Justice in New York City, she is the founder of the Prison-to-College Pipeline program, which offers college courses and reentry planning to incarcerated men throughout New York State, and broadly works to increase access to higher education for incarcerated and formerly incarcerated individuals. -
Caribbean Connection Newsletter Page 2
programs. Lindsay a Caribbean American who loves Caribbean Inside this Newsletter music, created is first radio series What People Are called Caribbean Culture, the three- 1 Acknowledgements: hour program hosted by Lindsay is what people are saying? Saying About Us still on the air broadcasting on WTCC-90.7 FM, throughout Western about Caribbean Connection. am writing to acknowledge I Massachusetts and Connecticut. Caribbean Connection and to 2 Watch & Win Contest: congratulate you, on your efforts to The program is also available on the Details on how to win a free take the Caribbean into the homes of world wide web. Now reggae music vacation to the Caribbean by thousands across the United States fans around the world can listen by watching Caribbean Connection. in such an exciting and meaningful logging on at www.wtccfm,org. way. Lindsay then created his first 3 Remembering Marcus Garvey: Olivia Babsy Grange, television series called Caribbean Go behind the scenes with Office of the Prime Minister, Jamaica. Connection and began a massive Caribbean Connection for an in- marketing campaign promoting depth interview with Marcus Caribbean music and culture, the Garvey Jr. I think the concept of your program is an Caribbean Tourism industry excellent one, not only for the reasons immediately became his main you’ve indicated, but also because it supporter and sponsor, all programs helps people to better understand the are filmed live on location on each Cultural Television people of the Caribbean. Caribbean Island, as Lindsay brings As our broadcast journey contines the beauty of the Caribbean to Patti L. -
Entertainment News
ENTERTAINMENT NEWS It’s Not What You Can Do For ReggaeXclusive...It’s What ReggaeXclusive Can Do For You! “'EVERYTHING REGGAE - WHETHER NATIONALLY OR INTERNATIONALLY” CULTURAL NEWS, VIEWS, REVIEWS, INTERVIEWS VOL. 4 ISS. 4 DEC. 2006 FREE? WOW! For An Online Version Of Our Magazine Check: WWW.REGGAEXCLUSIVE.COM EMAIL: [email protected] Web: www.caribbeanmusic.ca/reggaex H.O.C MERCHANDISE & MUSIC - CD 416-653-8327 PROMO PROMO PROMO PROMO PROMO reggaeXclusive -- Web Site: www.reggaexclusive.com --- Phone: 416-287-1335 -- Email: [email protected] Pg - 2 GIVE A COPY OF “PRINCE EVERALD & FRIENDS VOL 2” FOR CHRISTMAS & ALWAYS! A GREAT MUSICAL GIFT IDEA reggaeXclusive -- Web Site: www.reggaexclusive.com --- Phone: 416-287-1335 -- Email: [email protected] Pg - 3 What’s Inside ReggaeXclusive’s 16th Issue pg 4 Artist Watch - Linking Up With Ryan pg 5 JuLion’s Views - D.B. Hawkes pg 6 ReggaeX News - Strictly Roots Doing It Naturally; Eagle Force Entertainment Inc. & MBLM Transports Inc. Food Drive; Student Of The Month; Auditions For All Female Band pg 7 Kay Morris in Africa; Empress Eternal Sound pg 8 Meshach J.Z. Collins Salute - Gone But Not Forgotten Publisher: Contributing Writers: pg 9 Michael Thompson reggaeXclusive Iyamtheiah (England) pg 10 Reggae Sunsplash in Review; Hard To See Celebrations Publications and Book Launch 416-287-1335 Layout & Design: pg 11 Sound Spotlight: Suppa Natty Sound; Pop-Up: Lazah Current All rights reserved. Paul Murton from No part of this publication pg 12 Producer/Engineer Spotlight: Django of Slamm Studio; may be reproduced or transmitted dbsduplication.com Review: Sizzla Still Blazing The Fire in any form without prior permission pg 13 Hard To See Cont’d; Beenie Man - King Of The Dancehall; from the Publisher. -
Picture As Pdf
1 Cultural Daily Independent Voices, New Perspectives Roger Steffens, Reggae Encyclopedist and “Family Acid” Photographer Eric Trules · Tuesday, August 18th, 2015 If you know anything about the world of reggae music, you know the name, Roger Steffens, the man who began the first radio broadcast of the “Reggae Beat” on KCRW (along with Hank Holmes) on Oct. 7, 1979. It was the only reggae show in Los Angeles at the time, and it went on to set annual fundraising records for the radio station, LA’s local NPR affiliate, still going strong. Eventually “Reggae Beat” was syndicated to 130 stations worldwide. Steffens first guest on the show was Bob Marley, and Steffens spent two weeks on the road with Marley in 1979 on the original “Survival” tour. Since then, Steffens has written six books about Marley and the history of reggae, and he has lectured internationally for the past 31 years on “The Life of Bob Marley,” in a multi-media presentation that has been seen everywhere from the bottom of the Grand Canyon, to the Smithsonian and the outback of Australia. I saw the show twice, once at Steffens reggae exhibition installed on the Queen Mary in Long Beach, a second time, more recently, at USC’ s School of Cinematic Arts. Roger spoke while his wife, Mary, ran the slides and videos. Steffens world-famous Reggae Archives are housed in a labyrinthine maze below the first floor of his home in Echo Park, filling the entire lower level of seven rooms from floor to ceiling. “We’ve had to move twice just to house the collection,” he told me. -
Distribution Proposal
Distribution Proposal Contents Executive Summary 3 Film Treatment 5 Featured Interviews 9 Target Markets 11 Industry Analysis 13 Marketing Plan 15 Production Team 17 Appendices 20 Appendix I: Production Budget 21 Appendix II: Licensing Budget 23 Appendix III: Music Cue Sheet 24 Appendix IV: Documentary Top 30 25 Appendix V: Full Credit List 26 Contact Infinite Mind Media Roger Landon Hall Phone: 415_269_4609 E-mail: [email protected] Investment opportunity Executive Holding on to Jah will greatly appeal to reggae fans and Jamaican enthusiasts all over the world, and tap into the vast audience of the Caribbean diaspora, festival Summary goers and educational institutions. The identified markets offer great profit opportunities in the global Holding on to Jah is the definitive feature marketplace, and we are currently seeking distribution documentary about the history of the partners who would like to participate in this promising Rastafarian movement and Reggae music film project. in Jamaica. Told by world renowned The American production companies Infinite Mind Reggae artists, the film chronicles the roots Media (Roger Landon Hall) and Groundation Films of Rasta and Reggae from the colonial (Harrison Stafford) still need to secure investment of period to the present day, including the $120,000 for the licensing of the music, images and critical roles played by Marcus Garvey and motion pictures used in Holding on to Jah. In total, a His Imperial Majesty Haile Selassie. collection of 34 songs, 125 still images and 10 film clips have been selected to feature in the documentary. Our Holding on to Jah offers viewers a unique music cue list contains a diverse array of famous reggae journey to the heart of the Rasta movement classics and is budgeted at $58,000. -
Art and Writing Come Together to Shed Spotlight on Prison Reform
PRESS CONTACT: Cari Feiler Bender, Relief Communications, LLC 610-416-1216 or [email protected] MURAL ARTS PHILADELPHIA ANNOUNCES VOICES Art and Writing Come Together to Shed Spotlight on Prison Reform Tweet this: Voices of incarcerated/formerly incarcerated to be heard in new @muralarts project w @jesse_krimes @hankwthomas @bazdreisinger muralarts.org PHILADELPHIA – November 17, 2016 –Mural Arts Philadelphia announces a new project in its Restorative Justice program, Voices, created by lead artists Hank Willis Thomas and Jesse Krimes, and writer and professor Dr. Baz Dreisinger. The project gives voice to the voiceless individuals who are affected by mass incarceration. Voices provides a platform for people in the criminal justice system to reflect on and engage in a city-wide dialogue about practices and policies that impact their lives and the lives of those around them. Over the next seven months, Mural Arts will conduct activist- oriented events and discussions; curate a pop-up exhibit, Writings on the Wall, hosted by docents who were formerly incarcerated; and create a culminating mural, calling attention to and mobilizing people around issues within the criminal justice system. Dreisinger, writer and professor at John Jay College of Criminal Justice, and the two nationally-recognized artists, Thomas and Krimes, will exhibit artwork that builds upon on themes expressed through workshops with incarcerated and formerly-incarcerated men and women. Voices will kick off on Wednesday, November 30, with a livestream event inside Pennsylvania State Correctional Institute at Graterford from 1:30 – 3:30 p.m. [NEED LINK TO LIVESTREAM HERE] The November 30 kickoff event will feature voices of incarcerated individuals, live readings from Dr.