Significant Events Fiscal 2011
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ANNUAL REPORT 2011 Table of Contents
INNOVATION IN ACTION ANNUAL REPORT 2011 TABLE OF CONTENTS 1 Financial Highlights 3 Message to Shareholders 6 Innovation in Action 8 Television in Action 10 Radio in Action 12 Community in Action 14 Management’s Discussion and Analysis 39 Management’s Responsibility for Financial Reporting 40 Independent Auditors’ Report 41 Consolidated Balance Sheets 42 Consolidated Statements of Income and Comprehensive Income 43 Consolidated Statements of Changes in Shareholders’ Equity 44 Consolidated Statements of Cash Flows 45 Notes to Consolidated Financial Statements 75 List of Assets 76 Directors 78 Officers 79 Corporate Information FINANCIAL HIGHLIGHTS REVENUES (1) SEGMENT PROFIT (1) (2) (in millions of Canadian dollars) (in millions of Canadian dollars) 825.2 285.4 767.5 722.1 249.2 256.0 09 10 11 09 10 11 FINANCIAL HIGHLIGHTS (in millions of Canadian dollars except per share amounts) 2011 2010 2009 Revenues(1) 825.2 767.5 722.1 Segment profit(1) (2) 285.4 256.0 249.2 Net income (loss) from continuing operations 141.3 119.7 (50.7) Net income (loss) from discontinued operations 5.0 7.0 (5.9) Basic earnings (loss) per share From continuing operations $1.73 $1.48 $(0.64) From discontinued operations $0.06 $0.09 $(0.07) $1.79 $1.57 $(0.71) Diluted earnings (loss) per share From continuing operations $1.72 $1.47 $(0.64) From discontinued operations $0.06 $0.09 $(0.07) $1.78 $1.56 $(0.71) Total assets 2,084.6 2,059.3 1,874.7 Long-term debt 600.8 691.9 651.8 Cash dividends declared per share Class A Voting $0.7300 $0.5950 $0.5950 Class B Non-Voting $0.7350 $0.6000 $0.6000 (1) Restated to exclude results from discontinued operations. -
Canadian Broadcasting in New Media
December 5, 2008 Via Epass Mr. Robert A. Morin Secretary General Canadian Radio-television and Telecommunications Commission Ottawa, Ontario K1A 0N2 Dear Mr. Morin: Re: Broadcasting Notice of Public Hearing CRTC 2008-11: Notice of consultation and hearing: Canadian broadcasting in new media 1. The Canadian Association of Broadcasters (CAB) - the national voice of Canada‟s private broadcasters, representing the vast majority of Canadian programming services, including private television and radio stations, networks and specialty, pay and pay-per-view television services - is pleased to submit these comments in response to the above-noted Notice of Public Hearing. 2. The CAB requests the opportunity to appear at the February 17, 2009 hearing. 3. In our July 11, 2008 response to Broadcasting Public Notice CRTC 2008-44, which launched this current proceeding, the CAB noted that, at the time PN 2008-44 was issued and on a number of occasions since, the Commission had publicly stated that its intent for the new media broadcasting proceeding was not to regulate the Internet generally or to apply traditional broadcasting-style regulation to Internet content. Accordingly, we stated our understanding that, based on the Commission‟s public statements, the intent of this proceeding is to explore means other than regulation of the Internet which the Commission might employ to contribute to the ability of Canadians to take advantage of the opportunities presented by the Internet for the creation, distribution and accessing of high-quality professional Canadian content. 4. The CAB submits that the manner by which the CRTC can best contribute to the above objective is to refrain entirely from attempting to exercise its broadcasting regulatory mandate on online content generally, as well as from imposing any new reporting or other regulatory obligations on traditional broadcasters with respect to their own online activities. -
CORUS ENTERTAINMENT INC. SIGNIFICANT EVENTS Fiscal 2010
CORUS ENTERTAINMENT INC. SIGNIFICANT EVENTS Fiscal 2010 Year-End Results Consolidated revenues for the twelve months ended August 31, 2010 were $836.2 million, up 6% from $788.7 million last year. Consolidated segment profit was $264.1 million, up 5% from $251.2 million last year. Net income for the fiscal year was $126.7 million ($1.57 basic and $1.56 diluted), compared to a net loss of $56.6 million (loss of $0.71 basic and diluted) last year. Net income for the prior year includes a $172.5 million ($2.15 per basic share) after-tax broadcast license and goodwill impairment charge. August 31, 2010. Dividend Payment The Company paid a monthly dividend of $0.049585 and $0.05 to holders of its Class A and Class B Shares, respectively. August 31, 2010. Corus Ceases Operation of Corus Custom Networks The Company announced that it will cease operation of Corus Custom Networks (CCN). August 18, 2010. Corus Ceases Operation of AM 1220 The Company announced the closure of AM 1220 (CJUL-AM). Listeners in Stormont, Dundas and Glengarry will now have access to up-to-date local and regional information through its two FM stations, Variety 104.5 (CFLG-FM) and Rock 101.9 (CJSS-FM). August 11, 2010. Exploremusic Audio Content Available On Blackberry® Podcasts The Company’s ExploreMusic became one of the first podcasts on BlackBerry® Podcasts. The service allows BlackBerry® smartphone users to download and enjoy ExploreMusic’s audio content. July 30, 2010. Dividend Payment The Company paid a monthly dividend of $0.049585 and $0.05 to holders of its Class A and Class B Shares, respectively. -
Eminem the Complete Guide
Eminem The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Wed, 01 Feb 2012 13:41:34 UTC Contents Articles Overview 1 Eminem 1 Eminem discography 28 Eminem production discography 57 List of awards and nominations received by Eminem 70 Studio albums 87 Infinite 87 The Slim Shady LP 89 The Marshall Mathers LP 94 The Eminem Show 107 Encore 118 Relapse 127 Recovery 145 Compilation albums 162 Music from and Inspired by the Motion Picture 8 Mile 162 Curtain Call: The Hits 167 Eminem Presents: The Re-Up 174 Miscellaneous releases 180 The Slim Shady EP 180 Straight from the Lab 182 The Singles 184 Hell: The Sequel 188 Singles 197 "Just Don't Give a Fuck" 197 "My Name Is" 199 "Guilty Conscience" 203 "Nuttin' to Do" 207 "The Real Slim Shady" 209 "The Way I Am" 217 "Stan" 221 "Without Me" 228 "Cleanin' Out My Closet" 234 "Lose Yourself" 239 "Superman" 248 "Sing for the Moment" 250 "Business" 253 "Just Lose It" 256 "Encore" 261 "Like Toy Soldiers" 264 "Mockingbird" 268 "Ass Like That" 271 "When I'm Gone" 273 "Shake That" 277 "You Don't Know" 280 "Crack a Bottle" 283 "We Made You" 288 "3 a.m." 293 "Old Time's Sake" 297 "Beautiful" 299 "Hell Breaks Loose" 304 "Elevator" 306 "Not Afraid" 308 "Love the Way You Lie" 324 "No Love" 348 "Fast Lane" 356 "Lighters" 361 Collaborative songs 371 "Dead Wrong" 371 "Forgot About Dre" 373 "Renegade" 376 "One Day at a Time (Em's Version)" 377 "Welcome 2 Detroit" 379 "Smack That" 381 "Touchdown" 386 "Forever" 388 "Drop the World" -
Annual Report 2009
2009 ANNUAL REPORT K REVENUES SEGMENT PROFIT (in millions of Canadian dollars) (in millions of Canadian dollars) 768.7 787.2 788.7 252 .1 251.2 726.3 240.9 683 .1 214.1 195.3 05 06 07 08 09 05 06 07 08 09 FINANCIAL HIGHLIGHTS (in millions of Canadian dollars, except per share amounts) 2009 2008 2007 2006 2005 Revenues 788.7 787.2 768.7 726.3 683.1 Segment profi t (1) 251.2 252.1 240.9 214.1 195.3 Net income (loss) (56.6) 129.8 107.0 35.5 71.1 Earnings (loss) per share Basic $(0.71) $1.57 $1.27 $0.42 $0.83 Diluted $(0.71) $1.54 $1.23 $0.41 $0.83 Total assets 1,874.7 2,033.7 1,937.0 1,842.2 1,928.4 Total long-term debt 651.8 692.8 610.7 596.4 445.2 Cash dividends declared per share Class A Voting $0.59502 $0.570015 $0.501250 $0.22625 $0.0325 Class B Non-Voting $0.60000 $0.574995 $0.506655 $0.23250 $0.0375 (1) As defined in “Key Performance Indicators – Segment profit and segment profit margin” in management’s discussion and analysis. ACCOUNTABILITY. INITIATIVE. INNOVATION. KNOWLEDGE. TEAMWORK. THESE ARE OUR COMPANY’S CORE VALUES. THEY HAVE HELPED DELIVER STRONG 2009 RESULTS AND HAVE ALWAYS BEEN THE FOUNDATION OF OUR SUCCESS. AS WE CELEBRATE OUR 10TH ANNIVERSARY, THE JOURNEY FROM WHERE WE STARTED TO WHERE WE ARE TODAY HAS BEEN A REMARKABLE ACHIEVEMENT, AND OUR VALUES HAVE GUIDED US EVERY STEP OF THE WAY. -
March 26, 2011
Hometown music worth rooting for BY SANDRA SPEROUNES, EDMONTONJOURNAL.COMMARCH 26, 2011 EDMONTON - With apologies to Roald Dahl, this Danny is no champion of the world, but Edmonton’s Danny Fournier is one of the biggest promoters of the local music scene. The musician, gig booker, and label owner is also the founder of the first Edmonton Music Awards, a two-night celebration of local talent at The Haven Social Club. Singer-songwriter Jeff Morris is the front-runner with six nominations, including best solo artist and best album for Original Songs On A Borrowed Guitar, followed by pop songstress Cara Albo with five. Tickets to both shows tonight and Monday are sold out — the venue can only host 150 people — but fans can watch a live stream of Monday’s ceremonies, starting at 7 p.m., on The Journal’s website. Performers for the second night include two of the nominees for best roots/folk artist, Wool on Wolves and The Provincial Archive. Fournier says the goal of the EMAs isn’t only to reward excellence, but to let more people know about the city’s music scene. “There’s a handful of nominees I had never even heard of before, that I had no idea were in Edmonton,” he says. “I had never heard of Jeff Morris, but through this, I got introduced to a new artist and that’s exciting.” Three awards will be announced at tonight’s festivities — people’s choice, artist to watch, and best live performance, all decided by 1,745 online votes from fans. -
Cultural Policy in the Digital Age: the Emergence of Fans As Political Agents in Copyright Discourse
Cultural Policy in the Digital Age: The Emergence of Fans as Political Agents in Copyright Discourse Presented by Devin Beauregard M.A. Candidate - 3731527 Thesis submitted to the Faculty of Graduate and Postdoctoral Studies In partial fulfillment of the requirements For the MA in Public Administration Master’s of Arts Faculty of Public Administration The University of Ottawa ©Devin Beauregard, Ottawa, Canada, 2011 Beauregard ii Table of Contents Abstract: ...................................................................................................................................................... iv Acknowledgement: ....................................................................................................................................... v Chapter 1: Research Problem .................................................................................................................... 8 Intellectual Property in the Digital World ....................................................................................... 11 The Ambivalent Fans ....................................................................................................................... 16 Commodifying Social Practices ...................................................................................................... 18 General Research Question.............................................................................................................. 24 Chapter 2: Review of the Literature ....................................................................................................... -
Ron Wood © Felix Aeppli 08-2018 / 06-2020
Gimme Some Neck Ron Wood © Felix Aeppli 08-2018 / 06-2020 7001 June 1, 1947 Born in Hillingdon, Middlesex: Ronald David Wood. 7001A Late 1963 and early 1964 Yiewsley, Middlesex: RHYTHM AND BLUES BOHEMIANS (not recorded) RW, Tony Munroe: guitar; Robin Scrimshaw: vocals; Kim Gardner: bass; Bob Langham: drums; - When Ali McKenzie replaced singer Robin Scrimshaw in early 1964, the band changed their name to THE THUNDERBIRDS, soon to be shortened to THE BIRDS in order to avoid confusion with Chris Farlowe’s backing band. 7001B Early March, 1964 Live at the Crawdaddy Club, Station Hotel, Richmond, Surrey: THE YARDBIRDS (not recorded) RW (replacing Keith Relf for one gig): harmonica; Eric Clapton: guitar, vocals; Chris Dreja: guitar; Paul Samwell-Smith: bass, vocals; Jim McCarty: drums, back-up vocals. 7001C June, 1964 Demo recordings, Tony Pike Sound Studio, Putney, London: THE BIRDS, SAY THOSE MAGIC WORDS (Beat Rec. BLP-3 [UK], late Summer, 1997); THE COLLECTORS’ GUIDE TO RARE BRITISH BIRDS (Deram 564139-2, CD [UK], Aug. 1, 1999): 1. You Don’t Love Me [Demo] (McDaniel), 2. You’re On My Mind [Demo] (Wood) Line-up: same as next. Summer, 1964, onwards THE BIRDS, BRITISH BALLROOM & CLUB DATES 7002 Early November, 1964 Decca Studios, London: THE BIRDS, Single (Decca F 12031 [UK], Nov. 20, 1964); THESE BIRDS ARE DANGEROUS (Edsel Rec. NEST901;12" EP [UK], 1985); SAY THOSE MAGIC WORDS (Beat Rec. BLP-3 [UK], late Summer, 1997); THE COLLECTORS’ GUIDE TO RARE BRITISH BIRDS (Deram 564139-2, CD [UK], July, 1999); RONNIE WOOD, ANTHOLOGY: THE ESSENTIAL CROSSEXION (EMI 3 11735 2, CD [UK], June 26, 2006): 1. -
Corus Entertainment Announces Fiscal 2009 Fourth Quarter and Year‐End Results
FOR IMMEDIATE RELEASE CORUS ENTERTAINMENT ANNOUNCES FISCAL 2009 FOURTH QUARTER AND YEAR‐END RESULTS • Consolidated segment profit increases 22% in the fourth quarter • Consolidated revenues and segment profit hold flat for the year • Strong free cash flow for the quarter and the year (October 22, 2009 – Toronto, Canada) Corus Entertainment Inc. (TSX: CJR.B; NYSE: CJR) announced its fourth quarter and year‐end financial results today. “In a very tough economy Corus was able to match last year’s record revenues and segment profit through the launch of strategic new services and cost reduction initiatives,” said John Cassaday, President and CEO, Corus Entertainment. “We are confident that this combined focus on innovation and cost constraint positions us well for an expected improvement in the Canadian economy.” Financial Highlights (unaudited) Three months ended Twelve months ended (in thousands of Canadian dollars except per August 31, August 31, share amounts) 2009 2008 2009 2008 Revenues Radio 59,941 68,482 258,912 286,449 Television 135,488 117,349 530,014 500,966 Eliminations (208) (57) (208) (259) 195,221 185,774 788,718 787,156 Segment profit Radio 15,145 15,059 60,338 75,504 Television 46,712 38,396 209,145 199,605 Corporate (4,434) (6,220) (18,293) (22,979) 57,423 47,235 251,190 252,130 Net income (loss) 18,733 17,406 (56,635) 129,835 Earnings (loss) per share Basic $0.23 $0.21 $(0.71) $1.57 Diluted $0.23 $0.21 $(0.71) $1.54 Consolidated Results Consolidated revenues for the three months ended August 31, 2009 were $195.2 million, up 5% from $185.8 million last year. -
CORUS ENTERTAINMENT INC. SIGNIFICANT EVENTS Fiscal 2009
CORUS ENTERTAINMENT INC. SIGNIFICANT EVENTS Fiscal 2009 Year-End Results Consolidated revenues for the year ended August 31, 2009, were $788.7 million, up slightly from $787.2 million last year. Consolidated segment profit was $251.2 million, essentially unchanged from $252.1 million last year. The Company also delivered free cash flow of $93.4 million, exceeding its free cash flow guidance of between $70 million and $90 million. Despite these strong results during the global economic crisis, the Company recorded a net loss for the year of $56.6 million ($0.71 basic and diluted loss per share), compared to net income of $129.8 million ($1.57 basic and $1.54 diluted earnings per share) last year. This net loss included a $175 million broadcast license and goodwill impairment charge recorded against the Company’s Radio assets in the third quarter of 2009. August 31, 2009. Dividend Payment The Company paid a monthly dividend of $0.049585 and $0.05 to holders of its Class A and Class B Shares respectively. July 31, 2009. Dividend Payment The Company paid a monthly dividend of $0.049585 and $0.05 to holders of its Class A and Class B Shares respectively. July 15, 2009. Broadcast License and Goodwill Impairment The Company announced its results for the three and nine months ended May 31, 2009. Included in the results was a broadcast license and goodwill impairment charge of $175 million related to the Radio division. July 14, 2009. Corus Entertainment Acquires SexTV and Drive-In Classics The Company announced that it had reached an agreement to purchase the specialty television services Drive-In Classics and SexTV from CTVglobemedia.