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Broadcasting Jul 1
The Fifth Estate Broadcasting Jul 1 You'll find more women watching Good Company than all other programs combined: Company 'Monday - Friday 3 -4 PM 60% Women 18 -49 55% Total Women Nielsen, DMA, May, 1985 Subject to limitations of survey KSTP -TV Minneapoliso St. Paul [u nunc m' h5 TP t 5 c e! (612) 646 -5555, or your nearest Petry office Z119£ 1V ll3MXVW SO4ii 9016 ZZI W00b svs-lnv SS/ADN >IMP 49£71 ZI19£ It's hours past dinner and a young child hasn't been seen since he left the playground around noon. Because this nightmare is a very real problem .. When a child is missing, it is the most emotionally exhausting experience a family may ever face. To help parents take action if this tragedy should ever occur, WKJF -AM and WKJF -FM organized a program to provide the most precise child identification possible. These Fetzer radio stations contacted a local video movie dealer and the Cadillac area Jaycees to create video prints of each participating child as the youngster talked and moved. Afterwards, area law enforce- ment agencies were given the video tape for their permanent files. WKJF -AM/FM organized and publicized the program, the Jaycees donated man- power, and the video movie dealer donated the taping services-all absolutely free to the families. The child video print program enjoyed area -wide participation and is scheduled for an update. Providing records that give parents a fighting chance in the search for missing youngsters is all a part of the Fetzer tradition of total community involvement. -
Edward R. Murrow Awards
TW MAIN 10-06-08 A 13 TVWEEK 10/2/2008 5:49 PM Page 1 TELEVISIONWEEK October 6, 2008 13 INSIDE SPECIAL SECTION NewsproTHE STATE OF TV NEWS All About ABC The network’s news division will take home half the awards in national/syndie categories. Page 14 Engrossing Stories NBC News’ Bob Dotson gets fourth Murrow for stories that make viewers “late for the bus.” Page 14 Eyeing CBS’ Efforts CBS News, CBSnews.com are honored for excellence in real and virtual worlds. Page 16 ‘Sports Center’ a Winner for ESPN Saga of former tennis champ Andrea Jaeger offers perspective on her unique journey. Page 17 EDWARD R. Murrows Laud Excellence at Network, Local Levels MURROW By Debra Kaufman AWARDS Special to TelevisionWeek Honoring: The Radio-Television News Directors Association gathers Oct. 13 Survival Saga ESPN Deportes’ “Sobrevivientes” Excellence in at the Grand Hyatt Hotel in New York to present the 2008 Edward R. electronic tracks survivors of a rugby team’s plane crash in the Andes. Page 18 journalism Murrow Awards. Where: Grand In addition to recipients of the 38th Murrow Awards, winners Personal Touch Hyatt, New York of the RTNDA/Unity Awards—which acknowledge news organi- Seattle’s KOMO-TV takes large- When: Monday, market laurel for its “Problem Oct. 13 zations’ commitment to covering issues of diversity in their com- Solvers” franchise. Page 18 Presenters: munities—will be honored. Out of an initial pool of 3,459 entries, Lester Holt, Community Service Soledad O’Brien, 54 news organizations are being honored with 77 awards. In the small-market race, WJAR-TV Maggie “Everyone is proud of receiving an Edward R. -
Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
Buster Keaton Film Locations: a Silent Echoes Tour of Los Angeles
BUSTER KEATON FILM LOCATIONS: A SILENT ECHOES TOUR OF LOS ANGELES Copyright 2005 John Bengtson. All rights reserved. The following self-guided tour directions have been provided as a special bonus to John Bengtson’s “Touring Los Angeles Through the Films of Buster Keaton” presentation at the UCLA Film and Television Archive. (You can also download this document from the Archive’s website at www.cinema.ucla.edu.) New locations have been added here to the ones discussed in Bengtson’s acclaimed book, Silent Echoes: Discovering Early Hollywood Through the Films of Buster Keaton (www.SilentEchoes.net, Santa Monica Press: 800-784-9553). Happy navigating your way around town! Hollywood Tour The Hollywood tour begins, symbolically, at the corner of Hollywood and Vine (1). Here Keaton jumped onto a fire truck in The Cameraman. Proceed west down Hollywood Boulevard past Highland, to Mann’s (formerly Grauman’s) Chinese Theater. There, across the street between Highland and Orange, at 6904 Hollywood Blvd., is the former Mary Moll Building (2), which appeared briefly during the film-editing sequence from Sherlock Jr. Turn back east down Hollywood Blvd., and turn right (south) onto Cahuenga, stopping near the corner. The alley on the east side of Cahuenga (3) is the alley from Cops where Keaton grabs a passing car one- handed. Proceed south down Cahuenga a few yards until you reach the parking lot at 1622 Cahuenga (4), the lot where Brown Eyes was kept safe in Go West. This parking lot also appears in The Cameraman. Across the street from the parking lot (5) is the site of the former fire station that appears in Three Ages and The Cameraman. -
The National News Council's News Clippings, 1973 August- 1973 September (1973)
University of California, Hastings College of the Law UC Hastings Scholarship Repository Formation of the National News Council Judicial Ethics and the National News Council 8-1973 The aN tional News Council's News Clippings, 1973 August- 1973 September The aN tional News Council, Inc. Follow this and additional works at: http://repository.uchastings.edu/nnc Recommended Citation The aN tional News Council, Inc., The National News Council's News Clippings, 1973 August- 1973 September (1973). Available at: http://repository.uchastings.edu/nnc/168 This News Article is brought to you for free and open access by the Judicial Ethics and the National News Council at UC Hastings Scholarship Repository. It has been accepted for inclusion in Formation of the National News Council by an authorized administrator of UC Hastings Scholarship Repository. For more information, please contact [email protected]. THE NEW YORK TIMES, SUNDAY, SEPTEMBER 16, 197J 19 By lORN I. O'CONNOR TelevisIon NE of the more significant con are received. The letter concluded that tuted "a controversial Issue ext public In three ·centralized conduits? If the frontations currently taking place "in our view there is no~hing contro importance," networks do distort, however uninten Oin the television arena involves versial or debatable in the proposition Getting no response from the net tionally, who will force them to clarify? the case of Accuracy in Media, that nat aU pensions meet the expecta work that it considered acceptable, AIM In any journalism, given the pressure Inc., a nonprofit, self-appointed "watch tions' of employes or serve all persons took its case to the FCC, and last of deadlines, mistakes are inevitable. -
2021 Issue 1 to See the Pages Side-By-Side, Please Set Adobe Reader
2021 Issue 1 Composite #6 12/17/2020 at 3:02pm FOR PRINT To see the pages side-by-side, please set Adobe Reader “View/Page Display” Tab to “Two Page View” WINTER, 2021 Volume 21 Edition 1 We are all in this together. Cartoon by Elisabeth McNair © The New Yorker 2020 INSIDE PN INSIDE PN Cover ....................................................................................... 1 What’s Now! - Rashida Jones Named MSNBC President .... 12 Marilyn’s Page ........................................................................ 2 What’s Now! - SNL Costume Wizards ................................. 13 What’s Now! - The Butler Wedding ........................................ 3 What’s Now! - Tom Merritt’s Baseball Trivia Game ........... 14 What’s Now! - Bill Wheatley: A Time for Trust .................. 4-5 Silent Microphones - Bill Melanson ...................................... 15 What’s Now! - Becoming an American Correspondent ....... 6-7 Silent Microphones - Ed Delgado..................................... 16-17 What’s Now! - Tom Brokaw’s Thoughts ................................... 8 Silent Microphones - Tim Gorry, Stu Wolther ...................... 18 What’s Now! - Al Roker Returns from Surgery ...................... 8 Silent Microphones - Walter C. Miller .................................. 19 What’s Now! - John Filippelli: YES Meets the Challenge ...... 9 Peacock History - Reuven Frank by Mike Chapman ............ 20 Peacock Profile - Lenny Stucker, Photographer ............... 10-11 Peacock History - Wide Wide World: Live from Havana ..... 21 What’s Now! - Mike Meehan Retires .................................... 12 Peacock History - The Heidi Chronicles .......................... 22-23 The Kicker: Rock Plaza Holiday Events Go Virtual ............ 24 Page 2 Winter 2021 Peacock Marilyn’s Page One year ago, I, along with the rest of the world, was heralding in the new decade, looking forward to 2020. How odd that all seems now, having been in lockdown and listening to daily reviews of the pandemic and its death toll creep everywhere in the world. -
Spite Marriage
Spite Marriage (1929) By John Bengtson, © 2004 Buster meets Dorothy in front of the east end of the Museum of Natural History at Exposition Park facing the Rose Garden. A vintage photo of the museum and Exposition Park. The cast and crew take a break filming the art museum scene in front of the Rose Garden in Exposition Park. Leila Hyams (seated , far left) appears in a fox hunting outfit, although she does not appear in the scene filmed here. She may have been dressed for a country club scene that was cut from the final film. To her right is Edward Earle, who plays Lionel Benmore. Director Ed Sedgwick is in the center. Between him and Buster is Ernie Orsetti, an outfielder for the St. Louis Cardinals who had returned from the World Series to work for Buster. Notice Norman MacNeil, the musician on the silent film set, with an accordion, behind Buster. 1 The hand placing the wedding ring in this shot is a hand double standing in for Buster. Buster lost the tip of his right index finger in a childhood accident, and his shortened finger is plainly visible in other shots. Buster used a hand double for a similar wedding ring shot in his earlier feature film Battling Butler. Hand doubles were often used to film insert shots in order to allow the stars to go home a bit early, but in this case it may have been an artistic decision. Lionel confronts Buster outside of the Hotel Carmel, located at 1451 Second Street in Santa Monica, on the corner of Broadway. -
The Wild Robot.Pdf
Begin Reading Table of Contents Copyright Page In accordance with the U.S. Copyright Act of 1976, the scanning, uploading, and electronic sharing of any part of this book without the permission of the publisher is unlawful piracy and theft of the author’s intellectual property. If you would like to use material from the book (other than for review purposes), prior written permission must be obtained by contacting the publisher at [email protected]. Thank you for your support of the author’s rights. To the robots of the future CHAPTER 1 THE OCEAN Our story begins on the ocean, with wind and rain and thunder and lightning and waves. A hurricane roared and raged through the night. And in the middle of the chaos, a cargo ship was sinking down down down to the ocean floor. The ship left hundreds of crates floating on the surface. But as the hurricane thrashed and swirled and knocked them around, the crates also began sinking into the depths. One after another, they were swallowed up by the waves, until only five crates remained. By morning the hurricane was gone. There were no clouds, no ships, no land in sight. There was only calm water and clear skies and those five crates lazily bobbing along an ocean current. Days passed. And then a smudge of green appeared on the horizon. As the crates drifted closer, the soft green shapes slowly sharpened into the hard edges of a wild, rocky island. The first crate rode to shore on a tumbling, rumbling wave and then crashed against the rocks with such force that the whole thing burst apart. -
Alan Silvestri
ALAN SILVESTRI AWARDS/NOMINATIONS EMMY NOMINATION (2014) COSMOS: A SPACETIME ODYSSEY Outstanding Music Composition for a Series / Original Dramatic Score and Outstanding Original Main Title Music WORLD SOUNDTRACK NOMINATION (2008) “A Hero Comes Home” from BEOWULF Best Original Song Written for Film* INTERNATIONAL FILM MUSIC CRITICS BEOWULF ASSOCIATION NOMINATION (2007) Best Original Score-Animated Feature GRAMMY AWARD (20 05) “Believe” from THE POLAR EXPRESS Best Song Written for a Motion Picture* ACADEMY AWARD NOMINATION (2005) “Believe” from THE POLAR EXPRESS Best Original Song* GOLDEN GLOBE NOMINATION (2005) “Believe” from THE POLAR EXPRESS Best Original Song* BRO ADCAST FILM CRITICS CHOICE “Believe” from THE POLAR EXPRESS NOMINATION (2004) Best Song* GRAMMY AWARD (2001) End Credits from CAST AWAY Best Instrumental Composition ACADEMY AWARD NOMINATION (1994) FORREST GUMP Best Original Score GRAMMY AWARD NOMINA TION (1994) “Feather” from FORREST GUMP Best Instrumental Performance GOLDEN GLOBE NOMINATION (1994) FORREST GUMP Best Original Score CABLE ACE AWARD (1990) TALES FROM THE CRYPT: ALL THROUGH Best Original Score THE HOUSE GRAMMY AWARD NOMINATION (1989) Suite from WHO FRAMED ROGER RABBIT? Best Instrumental Composition GRAMMY AWARD NOMINATION (1988) WHO FRAMED ROGER RABBIT? Best Album of Original Score Written for a Motion Picture GRAMMY AWARD NOMINATION (1985) BA CK TO THE FUTURE Best Instrumental Composition 1 The Gorfaine/Schwartz Agency (818) 260-8500 ALAN SILVESTRI GRAMMY AWARD NOMINATION (1985) BACK TO THE FUTURE Best Album of Original Score Written for a Motion Picture *shared nomination/award MOTION PICTURES RUN ALL NIGHT Roy Lee / Michael Tadross / Brooklyn Weaver, prods. Warner Brothers Jaume Collet-Serra, dir. RED 2 Lorenzo di Bonaventura / Mark Vahradian, prods. -
THE HISTORY of WISCONSIN Baseball
CONTENTS GENERAL INFORMATION Dugout Club . ..... .. .. .. ... .. ... 36 Facili ti es . ... ... .. ... ... .. .. .. 35 Qu ick Facts/Staff Di rectory . ... .. ... ...... 4 University of Wisconsin . .. .... .. .. .. ... .. IFC-IBC UW ATHLETIC DEPARTMENT AND COACHING STAFF Academic Staff ... ... .. ... .. ... .... 7 Assista nt Coaches/ Support Staff . ... .. .. .... .. 9 Athletic Di rector A.L. 'Ade' Sponberg . .. .. • . .. ..... 5 Athletic Staff Profil es . ... .. ..... .. ... ... .. 5-6 Head Coach Steve Land .. .. ... .. ...... .. 8 1989 WISCONSIN BASEBALL Conference Opponents . 29 Numerical/Alphabetical Rosters . .. ... ... .. .. 18 Player Profiles . .. .. .. .. ... .. 10-17 Pronunciation Guide .. .. .. ... ... .. .. .. .. 18 Schedule . .. .... .. .. .. 19 Season Preview . .. .. .. .. .. .. .. .... 2-3 1989 Wisconsin Badgers . BC 1988 REVIEW Big Ten Conference Review . .. .. .. .. .. .. 22 UW Big Ten Statistics/Overall Statistics . .. .... .. .. 21 UW Game-By-Game Results ... .. .. ... .. .. 20 BADGER BASEBALL HISTORY Badgers In The Pros .. ... .. ...... .. .. .. .. 27 Batting Leade rs Year-by-Year . .. ... .. ... .. 24-25 Career Records . .. ... .... ..... .. ... ... 24 History Of Wisconsin Baseball . .. ... ... 30 Honors To Badgers . .. ... .. .. .. .... ... .. .. ... 34 Pitching Leaders Year-by-Year . .. ... ..... .. 26 Season Records . 23 Single Game Records ... .. ..... .. .. .. 23 Team Totals Year-by-Year . ..... .. .... .. .. .. 26 The Last Time . 26 "W" Award-winne rs (1937-1988) . .. .. .. .. ..... .. 32-33 Wisconsin All-Time -
Appendix A: 1976 Clown College and 1977 Blue Unit Route
A p p e n d i x A : 1 9 7 6 C l o w n College and 1977 Blue Unit Route There’s nothing so dangerous as sitting still. You’ve only got one life, one youth, and you can let it slip through your fingers; nothing easier. Willa Cather, The Bohemian Girl CHAPTER 1 • ROMANCE OF THE RED NOSE Clown College, Ringling Arena, Venice, Sep.–Nov. 1976 CHAPTER 2 • BOWL OF CHERRIES Rehearsals and first performances, Ringling Arena, Venice, Jan. 10–Feb. 2 CHAPTER 3 • RUBBER NOSE MEETS THE ROAD Lakeland Civic Center, Feb. 4–6 Atlanta Omni, Feb. 9–20 Savannah Civic Center, Feb. 22–23 Asheville Civic Center, Feb. 25–27 Raleigh, Dorton Arena, Mar. 1–6 Fayetteville, Cumberland County Memorial Arena, Mar. 8–9 Columbia, Carolina Coliseum, Mar. 11–13 Charlotte Coliseum, Mar. 15–20 CHAPTER 4 • THE SHOW BUSINESS Knoxville, Civic Coliseum, Mar. 22–27 Cincinnati, Riverfront Coliseum, Mar. 30–Apr. 3 168 Appendix A Washington, DC, Armory, Apr. 6–17 Largo, Capital Centre, Apr. 20-May 1 CHAPTER 5 • LOVE ‘EM & LEAVE ‘EM Binghamton, Broome County Veterans Memorial Arena, May 4–8 Hartford, Civic Center, May 10–15 Portland, Cumberland County Civic Center, May 17–22 CHAPTER 6 • GOOD OL’ DAYS? Troy, RPI Field House, May 25–30 Providence Civic Center, June 1–5 Niagara Falls, International Convention Center, June 8–12 Wheeling Civic Center, June 15–19 Charleston Civic Center, June 21–22 Memphis, Mid-South Coliseum, June 24–26 CHAPTER 7 • RODEO ROUTE Little Rock, T.H. Barton Coliseum, June 28–29 Huntsville, von Braun Civic Center, July 1–4 Dallas, Convention Center, July 6–11 New Orleans, Superdome, July 14–17 Houston, Summit, July 20–31 Abilene, Taylor County Expo Center, August 2–3 Lubbock, Civic Center, August 5–7 CHAPTER 8 • SPIRIT OF ST. -
2015 New York Journalism Hall of Fame
THE DEADLINE CLUB New York City Chapter, Society of Professional 2015 Journalists NEW YORK JOURNALISM HALL OF FAME SARDI’S RESTAURANT, 234 WEST 44TH ST., MANHATTAN Thursday, Nov. 19, 2015 11:30 a.m. reception Noon luncheon 1 p.m. ceremony PROGRAM WELCOME J. Alex Tarquinio MENU Deadline Club Chairwoman REMARKS APPETIZER Peter Szekely Deadline Club President Sweet Corn Soup with Crab and Avocado Paul Fletcher ENTREE Society of Professional Journalists President Sauteed Black Angus Sirloin Steak with Parmesan Whipped Potatoes, Betsy Ashton Porcini Parsley Custard and Classic Bordelaise Sauce, Deadline Club Past President Seasonal Vegetables THE HONOREES MAX FRANKEL DESSERT The New York Times Molten Chocolate Cake JUAN GONZÁLEZ with Pistachio Ice Cream The New York Daily News CHARLIE ROSE CBS and PBS LESLEY STAHL CBS’s “60 Minutes” PAUL E. STEIGER ProPublica and The Wall Street Journal RICHARD B. STOLLEY Time Inc. FOLLOW THE CONVERSATION ON TWITTER WITH THE HASHTAG #deadlineclub. PROGRAM WELCOME J. Alex Tarquinio MENU Deadline Club Chairwoman REMARKS APPETIZER Peter Szekely Deadline Club President Sweet Corn Soup with Crab and Avocado Paul Fletcher ENTREE Society of Professional Journalists President Sauteed Black Angus Sirloin Steak with Parmesan Whipped Potatoes, Betsy Ashton Porcini Parsley Custard and Classic Bordelaise Sauce, Deadline Club Past President Seasonal Vegetables THE HONOREES MAX FRANKEL DESSERT The New York Times Molten Chocolate Cake JUAN GONZÁLEZ with Pistachio Ice Cream The New York Daily News CHARLIE ROSE CBS and PBS LESLEY STAHL CBS’s “60 Minutes” PAUL E. STEIGER ProPublica and The Wall Street Journal RICHARD B. STOLLEY Time Inc. FOLLOW THE CONVERSATION ON TWITTER WITH THE HASHTAG #deadlineclub.