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The Return of Vitalism: Canguilhem and French Biophilosophy in the 1960S
The Return of Vitalism: Canguilhem and French Biophilosophy in the 1960s Charles T. Wolfe Unit for History and Philosophy of Science University of Sydney [email protected] Abstract The eminent French biologist and historian of biology, François Jacob, once notoriously declared ―On n‘interroge plus la vie dans les laboratoires‖1: laboratory research no longer inquires into the notion of ‗Life‘. Nowadays, as David Hull puts it, ―both scientists and philosophers take ontological reduction for granted… Organisms are ‗nothing but‘ atoms, and that is that.‖2 In the mid-twentieth century, from the immediate post-war period to the late 1960s, French philosophers of science such as Georges Canguilhem, Raymond Ruyer and Gilbert Simondon returned to Jacob‘s statement with an odd kind of pathos: they were determined to reverse course. Not by imposing a different kind of research program in laboratories, but by an unusual combination of historical and philosophical inquiry into the foundations of the life sciences (particularly medicine, physiology and the cluster of activities that were termed ‗biology‘ in the early 1800s). Even in as straightforwardly scholarly a work as La formation du concept de réflexe aux XVIIe et XVIIIe siècles (1955), Canguilhem speaks oddly of ―defending vitalist biology,‖ and declares that Life cannot be grasped by logic (or at least, ―la vie déconcerte la logique‖). Was all this historical and philosophical work merely a reassertion of ‗mysterian‘, magical vitalism? In order to answer this question we need to achieve some perspective on Canguilhem‘s ‗vitalism‘, notably with respect to its philosophical influences such as Kurt Goldstein. -
Cum on Feel the Noize
Cultural Studies Review volume 20 number 2 September 2014 http://epress.lib.uts.edu.au/journals/index.php/csrj/index pp. 293–300 Justin Clemens 2014 book review Cum on Feel the Noize JUSTIN CLEMENS UNIVERSITY OF MELBOURNE Greg Hainge Noise Matters: Towards an Ontology of Noise Bloomsbury, New York, 2013 ISBN 978441160461 (hb) 9781441111487 (pb) RRP $110 (hb) $36.99 (pb) In late February 1973, Jim Lea and Noddy Holder’s anthem Cum on Feel the Noize entered the UK pop music charts at number one. Across various accounts of the song’s genesis the recurring theme is that it was an attempt to introduce into their recording the sound of the crowd responding to Slade’s sound in live performances. Put another way, the original sound emitter becomes a receiver in order to re-emit the emissions of the receiver back to their source. Although this kind of targeting, expropriation and reintegration of audience response has recently been corporatised as ‘crowd-sourcing’, that shouldn’t dull us to its appeal. The scrambling transformation of inputs and outputs also involves a self-conscious scrambling of the sensorium—you no longer simply hear but rather feel the noise. The noise-affect ISSN 1837-8692 Cultural Studies Review 2014. © 2014 Justin Clemens. This is an Open Access article distributed under the terms of the Creative Commons Attribution 4.0 Unported (CC BY 4.0) License (https://creativecommons.org/licenses/by/4.0/), allowing third parties to copy and redistribute the material in any medium or format and to remix, transform, and build upon the material for any purpose, even commercially, provided the original work is properly cited and states its license. -
Panel Proposal: the Necessity of Critique II Organizer: Darryl Cressman, Maastricht University
Panel Proposal: The Necessity of Critique II Organizer: Darryl Cressman, Maastricht University Functionalization and the World – Causality, Culture, and Planetary Technology Jochem Zweer University of Twente My contribution focusses on Feenberg’s recent rearticulation of his widely discussed instrumentalization theory, in which the pairing of primary and secondary instrumentalization is addressed in terms of causal and cultural functionalization. First, I show how this conceptualization of functionalization aligns with existing approaches in contemporary philosophy of technology and STS inasmuch as it departs from technological artefacts, but contrasts with such approaches inasmuch as it attends to how such artefacts reveal a world, which is to say a political world of formal biases, operational autonomy, and democratic potential. Secondly, in following Feenberg’s explicit association of philosophy of technology and environmental thought, I inquire after his understanding of the technological world as an outcome of social conditions. Via a phenomenological interpretation of the Anthropocene and associated planetary functionalization, I argue that Feenberg’s treatment of causal functionalization tends to reduce to cultural functionalization. While the resulting critical constructivist account of is both urgent and worthwhile in light of today’s ecological emergency, I suggest that it does not exhaust the implications of the advent of the Anthropocene. I therefore conclude by discussing causal functionalization in light of the analysis of causality that Heidegger develops in the Question concerning Technology, thereby drawing attention to the ontological conditioning of functionalization. I suggest that attending to such ontological conditioning must have a place in the critical constructivist project of uncovering the biases of contemporary functional rationality. -
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Gilbert Simondon and the Philosophy of Information An Interview with Jean-Hugues Barthélémy Jean-Hugues Barthélémy Andrew Iliadis Journal of French and Francophone Philosophy - Revue de la philosophie française et de langue française, Vol XXIII, No 1 (2015) pp 102-112. Vol XXIII, No 1 (2015) ISSN 1936-6280 (print) ISSN 2155-1162 (online) DOI 10.5195/jffp.2015.679 www.jffp.org This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License. This journal is operated by the University Library System of the University of Pittsburgh as part of its D-Scribe Digital Publishing Program, and is co-sponsored by the UniversityJournal of Pittsburgh of French and Press Francophone Philosophy | Revue de la philosophie française et de langue française Vol XXIII, No 1 (2015) | www.jffp.org | DOI 10.5195/jffp.2015.679 Gilbert Simondon and the Philosophy of Information An Interview with Jean-Hugues Barthélémy Jean-Hugues Barthélémy Centre international des études simondoniennes Andrew Iliadis Purdue University Jean-Hugues Barthélémy is a French philosopher and a leading authority on the philosophy of Gilbert Simondon (1924-1989). Barthélémy is Director of the Centre international des études simondoniennes (CIDES – MSH Paris-Nord), Professor of philosophy, Doctor in epistemology of the University Paris VII – Denis Diderot, Editor and Director of Cahiers Simondon, and Research Associate at the University Paris Ouest – Nanterre La Défense. He is the author of Penser l’individuation. Simondon et la philosophie de la nature (Paris: L’Harmattan, 2005), Penser la connaissance et la technique après Simondon (Paris: L’Harmattan, 2005), Simondon ou l’encyclopédisme génétique (Paris: P.U.F., 2008), and Simondon (Paris: Les Belles Lettres, 2014 – translation forthcoming: Bloomsbury, 2016). -
On Cosmotechnics: for a Renewed Relation Between Technology And
Techné: Research in Philosophy and Technology ISSN: 1091-8264 21:2–3 (2017): 1–23 DOI: 10.5840/techne201711876 On Cosmotechnics: For a Renewed Relaton between Technology and Nature in the Anthropocene Yuk Hui Abstract: This article aims to bring forward a critical refection on a renewed relation between nature and technology in the Anthropocene, by contextualizing the question around the recent debates on the “ontological turn” in Anthropology, which attempts to go beyond the nature and culture dualism analysed as the crisis of modernity. The “politics of ontologies” associated with this movement in anthropology opens up the question of participation of non-humans. This article contrasts this anthropological attempt with the work of the philosopher Gilbert Simondon, who wants to overcome the antagonism between culture and technics. According to Simondon, this antago- nism results from the technological rupture of modernity at the end of the eighteenth century. This paper analyses the differences of the oppositions presenting their work: culture vs. nature, culture vs. technics, to show that a dialogue between anthropology of nature (illustrated through the work of Philippe Descola) and philosophy of tech- nology (illustrated through the work of Simondon) will be fruitful to conceptualize a renewed relation between nature and technology. One way to initiate such a conversa- tion as well as to think about the reconciliation between nature and technology, this article tries to show, is to develop the concept of cosmotechnics as the denominator of these two trends of thinking. Key words: ontological turn, Gilbert Simondon, Philippe Descola, cosmotechnics, modernity Introducton It is scarcely deniable that the Anthropocene, beyond its obvious signifcation as a new geological era, also represents a crisis that is the culmination of two- Yuk Hui, Institut für Kultur und Ästhetik Digitaler Medien, Leuphana University, Scharnhorststraße 1, 21335, Lüneburg, Germany; [email protected]. -
Simondon: Investigating the Pre-Organizational
Fichier auteur. Une version ultérieure est parue : Letiche Hugo & Moriceau Jean-Luc, 2017, "Simondon. Investigating the pre-organizational", Culture and Organization, Vol. 23, n°1, pp.1-13; Doi: 10.1080/14759551.2016.1240358. Simondon: Investigating the Pre-Organizational 1 2 Hugo Letiche & Jean-Luc Moriceau 1 The University of Leicester School of Business, Leicester UK; 2 Institut Mines-Télécom / Télécom Ecole de Management, France. Gilbert Simondon (1924-1989) was a radical process thinker; forms of relatedness and not objects were his focus. This is all the more remarkable as he was not a vitalist prioritizing Gaia or autopoesis. He based his thought on analyses of technology / technics and communication / cybernetics, and in both cases rejected the perspective of the machine or message as in-itself objectifiable. Life objects, machines and societies, according to Simondon, individuate; that is, they are self-evolving, self-generating, and self-differentiating in what he calls processes of ‘transduction’. Simondon, in fact, is more a thinker of transindividuation than of individuation. His is a theory of how the pre-individual leads to the transindividual, without the individual ever really playing much of a role. The motor of change and activity is 'transduction' – or a force of form taking that operates on the pre- individual level. Transduction is, thus, the life-force of Simondon’s becoming. It is the energy that propels action, change, event and occurrence. No one in particular is the subject of transduction; transduction is the pre-individual manifestation of an all-encompassing process of genesis. Simondon attends to the genesis of the person, society, information, collective, technology, organization, whatever. -
The Romanticism of Contemporary Theory: Institution, Aesthetics
THE ROMANTICISM OF CONTEMPORARY THEORY The Romanticism of Contemporary Theory Institution, Aesthetics, Nihilism Justin Clemens Studies in European Cultural Transition Volume Seventeen General Editors: Martin Stannard and Greg Walker ~~ ~~o~~~~n~~~up LONDON AND NEW YORK First published 2003 by Ashgate Publishing Published 2016 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN 711 Third Avenue, New York, NY 10017, USA Routledge is an imprint ofthe Taylor & Francis Group, an informa business Copyright © Justin Clemens 2003 The author has asserted his moral right under the Copyright, Designs and Patents Act, 1988, to be identified as the author of this work. All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. British Library Cataloguing in Publication Data Clemens, Justin The romanticism of contemporary theory : institution, aesthetics, nihilism. - (Studies in European cultural transition) 1. Romanticism 2. Theory (Philosophy) 3. Literature (Theory) I. Title 809 Library of Congress Cataloging-in-Publication Data Clemens, Justin The romanticism of contemporary theory : institution, aesthetics, nihilism/ Justin -
Literary Theory and Critical Thought, Lectures MT17 on The
Literary Theory and Critical Thought, Lectures MT17 On the following pages you find a presentation of the lecture-series on ‘Literary Theory and Critical Thought’. You also find a number of bibliographical references. Please note that these references are not the prescribed readings for ‘Paper 12: Literary Theory’ or for the graduate module ‘Key Questions in Critical Thought’. These two courses each have their own bibliographies. What is listed below is material we will be engaging with in the lectures. Texts (Weeks 1 and 2, Ian Maclachlan) The idea that in studying literature we’re involved with texts may seem like just about the most unilluminating ‘no-brainer’ imaginable. But in the latter part of the 20th century the resonances of a lexicon of textuality, writing and difference were bound up with a radical reconception of the literary work, its meaning, and its cultural role and value. This reconception may be summarised in terms of the movement from structuralism to post-structuralism and beyond, and these two lectures will offer an account of those intellectual developments, focusing on such figures as Roland Barthes, Julia Kristeva, Jacques Derrida and Jacques Rancière, and discussing notions of semiology, intertextuality, deconstruction, and différance. They will also explore the idea that Derrida’s famous proclamation ‘Il n’y a pas de hors-texte [There is no outside-text]’ in no way implies a schism between text and world, but rather heralds their ceaseless interweaving and, therefore, an essentially political dimension of the literary text, as we see, for example, in the later work of Barthes and in Rancière’s thinking of the politics of literature. -
Leadership in State Genesis: Creative Vicediction, Guardianship, and the Crystallization of Sovereign Authority
Leadership in State Genesis: Creative Vicediction, Guardianship, and the Crystallization of Sovereign Authority DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Tahseen Kazi Graduate Program in Comparative Studies The Ohio State University 2014 Dissertation Committee: Eugene Holland, Advisor Sonja Amadae Philip Armstrong Mathew Coleman Luis Lobo-Guerrero Copyrighted by Tahseen Kazi 2014 Abstract The complicity of leadership in the genesis of sovereign authority is neglected in contemporary political thought to the detriment of our understanding of both of these concepts. Dissatisfied with contemporary reliance on notions such as sovereign decision which ultimately imply primal repression as the sole source of all authority, my research takes the genesis of sovereignty as a problem to be solved rather than as an unalterable, natural occurrence to be presumed. Drawing on such diverse resources as Foucault’s concept of parrhesia, Weber’s concept of charisma, anthropological and mythological accounts of authority, Simondon’s theory of the genesis of the individual as crystallization, and primarily on Deleuzian philosophy, I offer an account of the genesis of the sovereign state as the result of the conjugation of two modes of leadership: leadership by guardianship and leadership by creative vicediction. Whereas leadership by guardianship in the Platonic tradition makes claim to judgment on the authority of customary founding myths, thereby severely limiting leadership’s transformative potential, leadership by creative vicediction, a ii concept I develop, trespasses on such myths to critically engage with their representation of the present circumstance, and presubjectively and affectively guides others toward another way of being. -
A Bibliography of Work on and by Alain Badiou in English Compiled by Paul Ashton
Cosmos and History: The Journal of Natural and Social Philosophy, vol. 2, no. 1-2, 2006 A BIBLIOGRAPHY OF WORK ON AND BY ALAIN BADIOU IN ENGLISH Compiled by Paul Ashton This bibliography presents a complete list of the work on and by Badiou currently available (as of 1/10/2006) in English. The bibliography separates the works by Badiou (further broken into the sub-sections: Books, Collections of Essays, and Essays and Interviews), from the ‘Commentaries on Badiou’s Work’. WORKS BY ALAIN BADIOU BOOKS MP Manifesto for Philosophy, trans. Norman Madarasz, Albany, State University of New York Press, 1999. D Deleuze: The Clamor of Being, trans. Louise Burchill, Minneapolis, University of Minnesota Press, 2000. E Ethics: An Essay on the Understanding of Evil, trans. Peter Hallward, London, Verso, 2001. SP Saint Paul: The Foundation of Universalism, trans. Ray Brassier, Stanford, Stanford University Press, 2003. BE Being and Event, trans. Oliver Feltham, London, Continuum, 2005. M Metapolitics, trans. Jason Barker, London, Verso, 2005. HI Handbook of Inaesthetics, trans. Alberto Toscano, Stanford, Stanford University Press, 2005. TO BriefingsO n Existence: A Short Treatise on Transitory Ontology, trans. Norman Madarasz, Albany, State University of New York Press, 2006. TC The Century, trans. Alberto Toscano, London, Polity, 2007 (forthcoming). MAJOR WORKS NOT YET TRANSLATED TS Théorie du subjet, Paris, Seuil, 1982. LM Logiques des mondes: l’être et l’événement, 2, Paris, Seuil, 2006. (LOW) www.cosmosandhistory.org 313 314 COSMOS AND HISTORY COLLECTIONS OF Essays IT Infinite Thought: Truth and the Return to Philosophy, ed. and trans. Justin Clemens and Oliver Feltham, London, Continuum, 2003. -
Animate Biology: Data, Visualization, and Life's Moving Image Adam J. Nocek a Dissertation Submitted in Partial Fulfillment Of
Animate Biology: Data, Visualization, and Life’s Moving Image Adam J. Nocek A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2015 Reading Committee: Phillip Thurtle, Chair James Tweedie Robert Mitchell Program Authorized to Offer Degree: Comparative Literature ©Copyright 2015 Adam J. Nocek University of Washington Abstract Animate Biology: Data, Visualization, and Life’s Moving Image Adam J. Nocek Chair of the Supervisory Committee: Associate Professor Phillip Thurtle Animate Biology: Data, Visualization, and Life’s Moving Image examines how biologists are using 3D animation technologies developed by the entertainment industry (Pixar and DreamWorks) to visualize biological data sets. Over the course of four chapters, the project develops a concept of scientific aesthetics in order to counter the neoliberalization of these visualization practices. The first chapter, “Molecular Control,” shows how there is significant controversy among scientists regarding the scientific value of molecular animations, since it is unclear whether they faithfully depict biological data. Drawing on Lorraine Daston and Peter Galison’s scholarship on the history of scientific visualization, the dissertation intervenes in this debate by clarifying what the criteria are for determining the scientific value of images. The study demonstrates that representation, instead of objectivity, is the epistemic norm that determines the scientific value of images, and that the norm of representation is fully operative in 3D molecular animations. I argue that what is often missed in debates over scientific imaging is that representation has undergone many transformations in the history of scientific epistemology, and that it now obeys the logic of flexibility and competition that exemplifies neoliberal market values. -
Simondon Information
CHAPTER 2 SIMONDON INFORMATION Perhaps the next step to take would be to reject either an information constructivism (where information is a product of external forces that renders information an effect of these relations) as well as information realism (where information is presented as an objective truth about nature and thus positioned as its cause). In either of these formulations we are given a strict binary choice between declaring information as a prescriptive foundation or an end product of forces and relations. In more dangerous contexts, information constructivism can lead to an ideologization of information, and information realism may simply be a fog in which one can hide ideology. Information constructivism may never narrow the gulf between what information signifies and its analog in reality since, very much the issue in social constructivism, what the information refers to is locked in a mediation process that is a sign referring to––not reality––other signs in a simulacral network. Such dangers aside, curiously very little attention has been paid to the idea that transduction may function as an alternative to models of deduction and induction that currently dominate either generalized or unified theories of information. This chapter is an attempt to explore and expand upon Gilbert Simondon’s use of the word information in his philosophy with a view to emphasizing its importance in an operant ontology. As a model, Simondon information (hereafter SI) would reject either the formulation of information based on hylomorphic or substantialist accounts that assume a primacy of individuation prior to the operant process by which individuation manifests itself.