-Schulwerk Percussion Instruments for Kinder garten, School, Therapy, and Family

2006/07 The beginning of Studio 49 actually goes back much further than Because of our experience making one might suspect from its founding year, 1949. In 1928 , and other barred instru- who will always remain an inseparable part of the history of our ments, in 1961 it was possible to esta- company, received an African instrument from a friend from blish a manufacturing department for Kamerun, a “Kaffir-”. This was built professional orchestral instruments from a small rectangular box and had such as , , concert twelve bars attached to the open side, xylophones, and concert tied together with string. Orff had under the name ROYAL PERCUSSION. found a model for his own work. Before the second War, the first instru- Continuing development, skilled crafts- ments built with his friend and harpsi- manship, high quality awareness, and chord maker Karl Maendler, became the use of modern production technology have always been the indispensable for teaching at the foundation in the production of your instrument. Many skilled Güntherschule in and for the development of Orff's craftsmen have been empoyed by our company for many years, Schulwerk. and are dedicated to the quality of our products. It has always been our aim to build musical instruments of lifelong value, In 1948 the Bavarian Broadcasting Company had aired several with timbre and workmanship to satisfy the highest musical stan- Schulwerk programs and started a deluge of questions about dards.

History where to get these “Orff instruments”. This is exactly what was History missing, especially since Karl Maendler had retired from building Since 1983 STUDIO 49, with markets around the world, has been instruments after the war. One of Orff’s students introduced led in the second generation by the founder’s son, Bernd Becker- Orff to Klaus Becker-Ehmck, a Ehmck. Close contacts to Orff-Schulwerk associations all over the young student, who founded world are today – nearly 60 years after the foundation – an STUDIO 49 a few months later. important component for the permanent development of our Klaus Becker-Ehmck then built a instruments. entirely from the ideas and wishes of Carl Orff, as well as a cradle-shaped xylo- phone for the premier of Carl Founding company Orff’s “Antigone”. plague from 1949 Historie Historie Historie Historie exclusively produced inGermany. percussion instrumentsare as well asmost ofourhand Rythym (MadeinCanada), exception ofMountain skin instruments,withthe manship. experienced crafts- quires skilledand long qualityre- in . Life- ments are made Your instru- All barred and listed onourwebsite. from 1949modelsonwards You canfindallspare parts years ofintensive use. ment, even after many to recondition your instru- service that willenableyou Therefore, we offer repair unparalled durability. manent tuning,aswell as you withperfect andper- years. Ouraimisto provide 49for nearly 60 STUDIO been thehallmarkof quality craftsmanship has demands ofthehighest Rising to thechallenges and quality andsound Your source for lifelong

www.studio49.dewww.studio49.de Suggestions for instrument groups specifically recom- mended for kindergarten, primary and secondary schools, therapy, and special needs are listed on our website www.studio49.de ÜbersichtÜbersicht OverviewOverview InhaltInhalt ContentsContents Barred Instruments Mallets for barred instruments – Cases – Barholders – Stands – Tables Accessories for barred instruments – Bass andcontrabass resonator bars – Soprano andalto resonator bars Resonator bars – Bowed psaltery – – Xylophones – Glockenspieles Series 2000 – Metallophones – Xylophones – Glockenspiels Series 1600 resonator– Bass bars – Metallophones – Xylophones Series 1000 Series 500 easycussion Compact Line Compact Skin Instruments Hand Percussion Accessory tables Holders for stands Stands Cowbells Concert Triangles Wood blocks Temple blocks , Bongos Tambours Additional Cajons -Bongo-Cajon Accessories for DjembesandAshikos andAshikos Drums &Co. – Malletsfor – Kettle drums – Rotarytimpani – Timpani Timpani Hand Percussion Important hints Important Mallets for handpercussion The multi-sound Jingle matrix Shakers Rhythmic ties Vibra Slaps Wooden agogos Guiros, guiro shakers Agogo Tubular woodblocks Woodblocks Sleigh bellwristlets Sleigh bellsprays, bellsprays Triangles Metal shakers Hanging cymbals – Orff-Schulwerk institutions – Workshops – Hintsfor literature – Maintenance ofinstruments Barred Instruments The sound quality your instrument produces is highly dependent also on the mallet you choose. For the barred instruments of the Series 500 Series 1000 Series 1600 Series 2000 mallets with specific attributes, such as size and hardness of the head, length and flexi- bility of the handle, are required. To help you choose the mallet that creates the best sound for your instrument, STUDIO 49 now inclu- des a mallet guide with each new instrument.

SX 2000 SXG 2000 SX 1600 SX 1000

S 5 S 50 S 5 CS 5 Soprano AX 2000 AXG 2000 AX 1600 AX 1000 Schlägel-Pass S 4 S 40 S 4 CS 44 Alto Mallet Guide

BX 2000 BXG 2000 BX 1600

S 3 S 3 S 33 Bass

SM 2000 SM 1600 SM 1000

S 50 S 55 CS 55 Soprano AM 2000 AM 1600 AM 1000

S 7 S 7 CS 7 Alto

BM 2000 BM 1600

S 3 S 33

Bass

SerieSerie 500500 SeriesSeries 500500 • • • • • • • • • • • c-. Barred instrumentsinalto range with Simple storage instandingposition durability Fabric-coated barseating for lasting Compact designwithintegrated handles Resonance box madeofsolid pine um, orspecialsteel Bars madeofbrightrosewood, alumini- barsandmallets Attached Easy-to-play widebars table ment to beplayed eitheronyour lapor Compact construction allows theinstru- sol-la-do oneach instrument Notation inc-d-e-g-a-canddo-re-mi- melodies accompaniment aswell asplaying simple Highly appropriate for musical which order no matter whichtones are played in Pentatonic scale allows harmonicsound measures 26x196cm AG 500 includes 2mallets PKS2 6 Bars(25x3mm) Alto measures 38x3410cm includes 2malletsPKS1 AM500 x6mm) 6 Bars(35 Alto metallophone AX500 measures 38x3411cm includes 2malletsPKS4 x16mm) 6 Bars(36 Alto xylophone

AM 500

AX 500

Series 500

Series 500

Serie 500

AG 500 Serie 500 SerieSerie 10001000 SeriesSeries 10001000 Compact Line Compact • • • • • • position. played ontablesfrom orstanding asitting unique designallows theinstrumentsto be no range andsixinthe alto. Inaddition,the resonance chambersare builtinthesopra- To ensure balanced sound quality, three especially appropriate for school settings. These qualities make these instruments portation easy andsaves storage space. home use. Thecompact stylemakes trans- schools, kindergarten andpreschools, orfor requisites for musiceducation innursery These instruments offer theideal pre- Harmonic tone inacompact style durability Fabric-coated barseating for lasting Compact stylewithintegrated handles harmonic sound quality Multiple resonance chambersfor solid pine Patented resonance box made of Includes f aluminium Bars madeofbrightRosewood or # and b b bars SM 1000 H-AX 1000 H-SM 1000 AX 1000 No. g#2 d#2, with c#1,d#1,g#1,c#2, Chromatic resonance box 16 Bars30x6mm,2malletsCS7 Alto metallophone, c#3,d#3,g#3 g#2, d#2, with c#2, Chromatic resonance box 16 Bars30x6mm,2malletsCS55 Soprano metallophone, g#2 d#2, with c#1,d#1,g#1,c#2, Chromatic resonance box 16 Bars32 x18mm,2malletsCS44 Alto xylophone, c#3,d#3,g#3 g#2, d#2, with c#2, Chromatic resonance box 16 Bars32 x18mm,2malletsCS5 Soprano xylophone, eomne alt S33 Tone Recommended mallets Rosewood, harmonicallytuned bright Bars madeof Individual barsno1–13 12345678910111213 #dd #gg b a g# g f# f e d# d c# c c1 –a2 c1 –a2 c2 –a3 c2 –a3 wood quality. single resonator barsinbest Rosew bright bars withmadeof Overtone-tuned resonator Bass resonator bars ood. Tuned H-AM 1000 H-SM 1000 H-AX 1000 H-SX 1000 AM 1000 SM 1000 AX 1000 KB/CBX SX 1000 b bc 1

SerieSerie 10001000 SeriesSeries 10001000 SerieSerie 16001600 SeriesSeries 16001600 Accessories for barred instruments under You will findstandsandtables mobile instrumentstands. also serve for assupports the transportation. Thehandles as well ashandlesfor simple made of12mmvarnished pine, larly stableresonance box the Series1600have aparticu- phones andmetallophonesin (patented design).Allxylo- size isdrastically reduced ments, thebass resonance box pared to conventional instru- extremely compact. Com- ments inthebass range are rich, strong sound. Theinstru- produce amplevolume and alto andbass ranges always resonance chambersinthe bars combined withcomplex fulfill every need.Highquality lessons, these instruments models. For professional and double-row (chromatic) to thebass range, insingle expansion. all possibilities oflater for theprice conscious offers The sonorous entrymodel 1600 1600 . From thesoprano 16 bars20x2mm, 2malletsPKS3 Tower, c#3,d#3,g#3 g#2, d#2, with c#2, Chromatic resonance box 16 bars20x2mm,malletsPKS 3 Alto glockenspiel, 18 bars20x2mm,malletsGS Soprano glockenspiel, 13 bars20x2mm,malletsGS Soprano glockenspiel, • • • • • Glockenspiels Fabric-coated barseating for lastingdurability Multiple resonance chambers for richsound quality Resonance box madeof solid beech Includes f Bars madeofspecialsteel # c2 –a3 and b b c2 –a3 bars chromatic c3–f4 c3 –f4 H-GA GAd GSd GSc GT bars from falling out. barseating prevents the The STUDIO 49 GSC GT GSD H-GA notation. for teaching musical an excellent tool The belltower is GAD

SerieSerie 16001600 SeriesSeries 16001600 SerieSerie 16001600 SeriesSeries 16001600 with c#, d#, g#,c#1,d#1,g#1 Chromatic resonance box (6 bars 36x20mm,10bars32 x18mm) 16 bars,2mallets S33 with harmonicovertone tuning Bass xylophone, g#2 d#2, with c#1,d#1,g#1,c#2, Chromatic resonance box 16 bars32 x18mm,2malletsS4 Alto xylophone, c#3,d#3,g#3 g#2, d#2, with c#2, Chromatic resonance box 16 bars32 x18mm,2malletsS5 Soprano xylophone, Xylophones • • • • • • • • Xylophones andMetallophones transportation andstorage Compact styleinthebasses for easy Fabric-coated barseating for lastingdurability Handles for easy transportation ty Multiple resonance chambersfor arichsound quali- Resonance box madeof12mmsolid pine Flexible pins f Includes Bars madeofbrightRosewood oraluminium # and b c –a1 c1 –a2 b bars c2 –a3 H-AX 1600 H-BX 1600 H-SX 1600 AX 1600 BX 1600 SX 1600 H-AX 1600 AX 1600 BM 1600 H-SM 1600 SM 1600 BX 1600 with c#, d#, g#,c#1,d#1,g#1 Chromatic resonance box (6 bars 36x10mm,bars32 x8mm) 16 bars,2mallets S33 with harmonicovertone tuning Bass metallophone, g#2 d#2, with c#1,d#1,g#1,c#2, Chromatic resonance box 16 bars30x6mm,2malletsS7 Alto metallophone, c#3,d#3,g#3 g#2, d#2, with c#2, Chromatic resonance box 16 bars30x6mm,2malletsS4 Soprano metallophone, Metallophones compared to traditional models. Series 1600bass size(patented design) BX 1600 c –a1 c1 –a2 c2 –a3 H-AM 1600 H-BM 1600 H-SM 1600 AM 1600 BM 1600 SM 1600

SerieSerie 16001600 SeriesSeries 16001600 2000 2000 Glockenspiels Highest quality sound and craftsmanship AGc The instruments of the premium Series 2000 satisfy the highest musi- • Interchangeable nickel-plated bars made from cal standards and are excellent for use in music and grade schools. All special steel instruments, with exception of the glockenspiels, have resonance boxes • Includes f# and bb bars of solid wood and handles for easy transportation. The handles also • Resonance box of solid pine serve as suports for the stands. Adjusting the instruments on the stands • Resonator chambers in alto range for is easy with the turn of a screw, for a quick change of instruments and brilliant and rich sound uninterrupted instruction. For maximum volume, the alto and bass instruments include several proportioned resonance chambers and sound-reinforcing lips on the dividers. Only hand-selected and expertly cured Jacaranda Rosewood is used in the legendary Series 2000. Soprano glockenspiel, c3 – a4 16 bars 20 x 3 mm, 2 mallets S 1 SGd As an alternative to Jacaranda Rosewood bars, Grillodur bars, made of a highly refined fiberglass material, are avai- Chromatic resonance box Series 2000

Series 2000 lable, which hold the pitch through strong changes of with c#3, d#3, g#3, c#4, d#4, g#4 H-SG temperature and humidity. Grillodur bars have outstan- ding sound and are appropriate for making music in out- Alto glockenspiel, c2 – a3 door settings. 16 bars 20 x 3 mm, 2 mallets S 2 AGd

The Series 2000 Metallophone bars consist of special Chromatic resonance box profiled, high-quality aluminum. This contributes to the with c#2, d#2, g#2, c#3, d#3, g#3 H-AG exceptionally balanced and warm sound. Note: When ordering SGc or AGc, the diatonic Series 2000 Glockenspiel bars have special alloyed and resonance box is connected to the chromatic add-on. processed steel that creates clear, powerful, sustaining sound. The STUDIO 49 bar seating prevents the interchan- Soprano glockenspiel, chromatic c3 – a4 geable bars from falling out. 22 bars 20 x 3 mm, 2 mallets S 1 SGc SGd Serie 2000 Serie 2000 You will find stands and tables for barred instruments under Alto glockenspiel, chromatic c2 – a3 Accessories. 22 bars 20 x 3 mm mallets S 2 AGc KGS

KGS, g2 – c5 bars 30 x 8 mm, Bells includes 2 mallets S 26 measures 82 x 43 x 9 cm The ideal traveling instrument with a professio- nal range of 21/2 octaves, from g2 – c5. The bars Note: are made of a special steel alloy 30 x 8 mm and Additional models of Orches- have a clear, pure character. Includes one pair tra Bells are shown in our of mallets S 26. ROYAL PERCUSSION catalog.

H-SG Series 2000 Series 2000

AGd Serie 2000 Serie 2000 Flexible pins H-BXG 2000

Integrated handles BX 2000

Multiple resonance chambers for high sound quality Series 2000 Series 2000

H-AX 2000

H-SXG 2000 AX 2000 Serie 2000 Serie 2000 SXG 2000 Xylophones with Rosewood bars Xylophones with Rosewood or Grillodur bars Soprano xylophone, c2 – a3 16 bars 32 x 18 mm, 2 mallets S 5 SX 2000 # b • Includes f and b bars Chromatic resonance box • Harmonious overtone tuning in alto and bass ran- with c#2, d#2, g#2, c#3, d#3, g#3 H-SX 2000 ges • Flexible pins Alto xylophone, c1 – a2 • Resonance box made of 12 mm solid pine with harmonic overtone tuning • Multiple resonance chambers for excellent 16 bars 32 x 18 mm, 2 mallets S 40 AX 2000 sound quality Chromatic resonance box • Attached handles for carrying ease with c#1, d#1, g#1, c#2, d#2, g#2 H-AX 2000 • Fabric-coated bar seating for lasting durability Bass xylophone, c – a1 Bars made of Grillodur, a highly refined fiberglass with harmonic overtone tuning material, offers the advantage of extremely high- 16 bars 45 x 20 mm, 2 mallets S 3 BX 2000 impact strength as well as resistance against any changes in humidity. This guarantees consistent, Chromatic resonance box permanent pitch in areas with changing climates. with c#, d#, g#, c#1, d#1, g#1 H-BX 2000 Instruments with Grillodur bars are an excellent choice for making music in outdoor settings. Xylophones with Grillodur bars Series 2000

Soprano xylophone, c2 – a3 Series 2000 16 bars 32 x 14 mm, 2 mallets S 50 SXG 2000 Bowed Psaltery Chromatic resonance box Quality craftsmanship, solid maple with c#2, d#2, g#2, c#3, d#3, g#3 H-SXG 2000 back and sides, fine spruce top. Includs bow, rosin, and tuning key for Alto xylophone, c1 – a2 precise tuning. Instructions for play- with harmonic overtone tuning ing, use, and maintenance are inclu- 16 bars 32 x 14 mm, 2 mallets S 40 AXG 2000 ded with each instrument. Chromatic resonance box with c#1, d#1, g#1, c#2, d#2, g#2 H-AXG 2000

Bass xylophone, c – a1 Alto bowed psaltery with harmonic overtone tuning Serie 2000

chromatic, 25 strings f1 – g3 ASp 16 bars 45 x 17 mm, 2 mallets S 3 BXG 2000 Serie 2000 Bag for alto psaltery T-ASp Chromatic resonance box with c#, d#, g#, c#1, d#1, g#1 H-BXG 2000 Metallophones H-BM 2000 • High quality, profiled aluminium bars • Includes f# and bb bars • Harmonious overtone-tuning in alto and bass ranges BM 2000 • Flexible pins • Resonance box made of 12 mm solid pine • Multiple resonance chambers for excellent sound quality • Attached handles for carrying ease • Fabric-coated bar seating for lasting durability

H-AM 2000

AM 2000 Series 2000 Series 2000

Soprano metallophone, c2 – a3 16 bars 32 x 8 mm, 2 mallets S 50 SM 2000 SM 2000 Chromatic resonance box with c#2, d#2, g#2, c#3, d#3, g#3 H-SM 2000

Alto metallophone, c1 – a2 Bass metallophone, c – a1 with harmonic overtone tuning with harmonic overtone tuning

Serie 2000 16 bars 32 x 8 mm, 2 mallets S 7 AM 2000 16 bars 45 x 12 mm, 2 mallets S 3 BM 2000 Serie 2000 Chromatic resonance box Chromatic resonance box with c#1, d#1, g#1, c#2, d#2, g#2 H-AM 2000 with c#, d#, g#, c#1, d#1, g#1 H-BM 2000 Accessories for ST

Table, made of pine, about 69 x 30 cm table height, adjustable from 46 – 76 cm ST

Stand, adjustable height about 50 – 80 cm for diatonic xylophones and metallophones in soprano and alto range SD SD Mobile stand, adjustable height about 55 – 85 cm smooth movement with rubber-coated wheels for all diatonic xylophones and metallophones FSD

Mobile stand, adjustable height about 55 – 85 cm smooth movement with rubber-coated wheels for all chromatic xylophones and metallophones FSC

Bar holder for storage of extra bars and mallets. Simple design, easy-to-attach screws. FSD for bass instruments Ko/B Accessories Accessories for soprano or alto instruments Ko/SA FSC Wooden case made of high-quality pine for glockenspiel models SGd or AGd measures 40 x 22 x 9 cm K 1

Wooden case made of high-quality pine

for glockenspiel models SGc or SGd + H-SG Zubehör as well as model AGc or AGd + H-AG Zubehör measures 40 x 38 x 10 cm K 3 RESONATOR BARS

STUDIO 49 resonator bars are well- suited for a variety of uses and offer limitless possibilities in any setting. They are widely used for music edu- cation in kindergarten, elementary, primary, and special-needs schools, as well as pedagogical settings, instituti- ons, and in . Choose from Rosewood and Grillodur bars from soprano to bass range. Grillodur is a reliable high-quality synthethic material which has the tonal charac- teristics of a xylophone bar. This offers additonal technical advantages, such as tone stability and humidity resistance, thus guaranteeing constant pitch in changing climates. Instru- ments with Grillodur bars are also well suited for outdoor play. Tone measures 58x566,5cm for SetKBN3dorc measures 56x42 x7cm for SetKBN1dorc Case for resonator bells c2–a3,22bars tonal range includes 1malletfor each bar Individual resonator bell sets, chromatic includes f Individual resonator bellsets, diatonic KBN KBN KBN Individual resonator bells • • • • • with note names Individual Resonator Bells Note: No. oa ag c2–a3,16bars tonal range and 1malletfor each bar Includes malletPKS1,2or3 Aluminium bars30x4mm Practical shape impact-resistant plasticmaterial Tuned tone chambersmadeof Chromatic range c1–a3 1c11d1e 1f1g # 1b1b 2c2d # 2f # 2g2a bb 3c3d # 3f # 3g3a3 g#3 g3 f#3 f3 e3 d#3 d3 c#3 c3 bb2b2 a2 g#2 g2 f#2 f2 e2 d#2 d2 c#2 c2 b1 bb1 a1 g#1 g1 f#1 f1 01 e1 11 d#1 211234567891 c#1d1 31c1 41 51 61 71 81 92 02 12 22 32 42 52 62 72 82 93 03 13 23 33 4 o 5–3 includingmalletPKS3 25–34 No. includingmalletPKS2 includingmalletPKS1 13–24 No. 1–12 No. All resonator bellssound anoctave higher thanshown here! # and b c1 –c3,25bars c1 –c3,19bars b bars KBN 3d KBN 1d KBN 3c KBN 1c BK 3 BK 1 KBN PKS 1 PKS 3 PKS 2

KlangbausteineKlangbausteine ResonatorResonator BellsBells KlangbausteineKlangbausteine ResonatorResonator BarsBars eomne altS40 Recommended mallet Tone Tone Grillodur 18mm x Jacaranda Rosewood bars32 Individual barsno.1–12 • • • Alto andSoprano Resonator Bars esrs6 5x12 cm x 45 x measures 60 each holdsonechromatic octave S50 for resonator bars Case No. Recommended mallet Grillodur 18mm x Jacaranda Rosewood bars32 Individual barsno.13–22 No. KB/AXG Harmonious overtone tuning Practical shape Tuned resonance chambersinbestmaple 31 51 71 92 122 21 20 19 a2 18 g#2 17 g2 f#2 16 f2 15 e2 d#2 14 d2 13 c#2 c2 b1 bb1 a1 g#1 g1 f#1 f1 e1 d#1 d1 123456789101112 c#1 c1 bars 32 x 14 mm 14 x bars 32 as3 14mm x bars 32 with with KB/AXG KB/AX BK 13 KB/SXG KB/SX S 40 KB/AX KB/KBX Contrabass Resonator Bars • Accoustically accurate resonance chambers made of 12 mm solid pine with integrated handles • Rosewood bars 90 x 20 mm to 60 x 20 mm • Harmonious overtone tuning Recommended mallet S 60

No. KB/KBX 1C 2C# 3D 4D# 5E 6F 7F# Resonator Bars

8G Resonator Bars 9G# 10 A 11 Bb 12 B

KB/BX Bass Resonator Bars • Tuned resonance chambers in best wood quality KB/BXG KB/BM • Harmonious overtone tuning

Rosewood 45 x 20 mm KB/BX Klangbausteine Grillodur 45 x 17 mm KB/BXG Klangbausteine Aluminium 45 x 12 mm KB/BM Tone c c# d d# e f f# g g# a bb b c1 c#1 d1 d#1 e1 f1 f#1 g1 g#1 a1 Recommended mallet S 3 No. 1 2 3 4 5 6 7 8 9 10111213141516171819202122 Mallets

The sound quality your instrument produces is highly dependent also on the mallet you choose. In general, soft mallets produce more funda- mental pitch and less overtone; hard mallets produce less funda- mental pitch and more overtone. Large bars require proportionately large mallet heads.

To assist you in helping you choose the mallets which produce the best sound for your instruments, STUDIO 49 now includes its new mallet guide with each new instru- ment, making it quick and easy for you and your students to create optimum sound.

SX 2000 SXG 2000 SX 1600 SX 1000

S 5 S 50 S 5 CS 5 Soprano AX 2000 AXG 2000 AX 1600 AX 1000 Schlägel-Pass S 4 S 40 S 4 CS 44 Alto Mallet Guide

BX 2000 BXG 2000 BX 1600 Xylophone

S 3 S 3 S 33 Bass

SM 2000 SM 1600 SM 1000

S 50 S 55 CS 55 Soprano AM 2000 AM 1600 AM 1000

S 7 S 7 CS 7 Alto

BM 2000 BM 1600

S 3 S 33

Bass Metallophone S 3 length pieces S 40 series tonal range S 50 model with Mallets for xylophones CS 44 S 4 Grillodur S 50 as20 30cm 30cm 2 2 2000 25 cm 2000 2 bass 2000 alto soprano S 5 S 40 CS 5 bars S2 S 33 PKS 3 S 1 S 3 GS S 3 S 33 S 40 length S 4 pieces CS 44 S 5 series CS 5 tonal range model with Rosewood bars Mallets for xylophones S 2 PKS 3 length S 1 pieces series tonal range GS model Mallets for glockenspiels as10 30cm 30cm 2 33 2 25cm 30cm 2 2 1600 cm 2 25cm 2000 1600/2000 25cm bass 2000 2 1000 bass 2 alto alto 1600/2000 alto 1000 soprano soprano lo20 30cm 30cm 2 1 2000 25cm 25cm 1600 2 2 alto 2000 alto 1600 soprano soprano

SchlägelSchlägel MalletsMallets SchlägelSchlägel MalletsMallets S 60 S 3 S 33 S 40 length S 50 pieces PKS 1 PKS 2 series PKS 3 tonal range model resonator bellsandbars Mallets for S 3 S 33 S 7 length CS 7 pieces S 50 S 55 series CS 55 tonal range model Mallets for metallophones as20 30cm 30cm 2 30cm 35 2 cm 2 1 30cm 30cm 2000 25cm 2 1 1000 25cm 2000 1 contrabass 2000 1 bass bass 2000 KBN alto KBN soprano KBN c1 –b1 c2 –b2 c3 –a3 30cm 2 25cm 33 30cm 2 2 30cm 2 25cm 1600 cm 2 25cm 1600/2000 2 1000 bass 2000 2 bass alto 2000 alto 1600 soprano 1000 soprano soprano S 60 CS 55 S 40 S 55 PKS 1 S 50 PKS 2 CS 7 PKS 3 S 7 S 3 S 33 SKIN INSTRUMENTS Available with real calfskin or goat- skin, or optional plastic heads in most cases. Natural skins have a warmer timbre than the somewhat dry sound of plastic heads. Plastic, however, has the advantage of constant pitch. It does not react hygroscopically and does not need to be retuned after changes in temperature or humidity.

Richness and purity of the beat depends on the precise all-around tuning of the drumskin. In tambours, tambourines, and in simple screw timpani, the required pitch must be obtained by adjusting all the tension screws (always across from each other). The rotary timpani, models DP as well as the kettle drums, models KP, have a central, very precise rotary tuning mechanism, which enables fast and simple tuning by turning the timpani shell. There is no need to adjust any screws, which are used only to balance or correct skin tension from time to time. Note: The skin of Djembes, Ashikos, Congas, Bongos, as well as tambourines and timpani should be loosened after each playing. PaukenPauken Timpani Timpani DP 450 • • • • Rotary Timpani im oa ag aua knplastichead natural skin tonal range 30 cm,12 Diam. 35 cm,14 40 cm,16 45 cm,18 laminated hardwood Body madeoffirmly Natural orplasticskinavailable Central tuningmechanism Adjustable legs ’ ’ ’ ’ ’ ’ ’ ’ a –f1 f –d1 c –a d –h P30DP300/P DP 300 P30DP 350/P DP 350 P40DP 450/P DP 400/P DP 450 DP 400 • • • • Timpani plastic head available Natural skinor laminated hardwood Body madeoffirmly Adjustable legs Tunable skins DP 350 for timpaniwith10 Timpani mallets for timpaniwith16 especially for kettle drums suitable for alltimpani im oa ag aua knplastichead natural skin tonal range 30 cm,12 Diam. 5c,14 35 cm, 40 cm,16 5c,18 45 cm, (per pair) ’ ’ ’ ’ – 20 – 14 ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ a –e1 f –c1 c –g d –a diam. diam. P 400/P 0 P300/P P 300 5 P350/P P 350 5 P450/P P400/P P 450 P 400 PS 1 PS 2 P 300/P PS 3 PS 4 KP 50 KP 70 • • • • Kettle Drums im tonal range 40 cm,16 Diam. 50 cm,20 60 cm,24 70 cm,28 or plastichead available Timpani shellwithnatural skin Tripod legs Central tuningmechanism Body madeofaluminum ’ ’ ’ ’ ’ ’ ’ ’ c –a A– f# G –e E– c KP 40 KP 50 KP 60 KP 70 KP 60 KP 40

PaukenPauken Timpani Timpani DjembesDjembes • • • Djembes madeofpine sound, especiallyinthelow end. moderate to longsustaining pine produce warm tone and Djembes madeoflightweight long, clear sustainingsound. end, even at low volumes witha shells have powerful adark, low and mahoganyshells.Mahogany The Djembesare available inpine alike. asts, andprofessional musicians from beginnersto enthusi- perfect Djembefor allplayers tile, andeasy to tune.Thisisthe Djembes are lightweight, versa- crackling highs.MountainRythym amazing low bass tones and is apowerful drumthat offers The Djembe,indigenous to Africa, Djembes system Patented “Simple Twist” tuning available Prefabricated replacement heads 36cm 10 33, diameter: 30, 25, diameter: Selected goatskin egt 0 6 9 72cm 69, 66, 50, height: ’ ’ ,12 ’ ’ ,13 ’ ’ ,14 ’ ’ DJ 13K DJ 10K DJ 12K DJ 14K a needto battle with the its life. There isnolonger is notinuse –prolonging the head whenthedrum to loosen thetension on tuned, butalso allows you easier to keep your drum system notonlymakes it “Simple Twist” tuning has never beeneasier. The drum to adesired tone tuning system, tuningyour patented “SimpleTwist” With MountainRythym’s Simple Twist ment. with each instru- tool isincluded a specialtuning For highest tension tuning Simple ment. included witheach instru- for the“SimpleTwist” are instruments. Instructions and sound ofpercussion the tuning,maintenance, design hasrevolutionized drumhead. Thissimple one knotto change a only necessary to remove Twist” tuningsystem, itis heads. With the“Simple and spendhoursreplacing complicated Maliweave • • • Djembes madeofMahogany system Patented “Simple Twist” tuning available Prefabricated replacement heads 36cm 10 33, diameter: 30, 25, diameter: Selected goatskin egt 0 6 9 72cm 69, 66, 50, height: ’ ’ ,12 ’ ’ ,13 ’ ’ ,14 ’ ’ DJ 14M DJ 12M DJ 10M DJ 13M

DjembesDjembes AshikosAshikos • • • • • ronments. great sound for alldrummingenvi- projection andbeautiful tone –a will surprise you withtheirsheer and overall volume. These drums to maximize thedrumshighs,lows, sizes have beenspeciallydesigned fecting theashiko line.Allthree Rythym hasspentmanyyears per- which originated inAfrica. Mountain The Ashiko isacone-shaped drum Ashikos egt 3 6 69, cm 56, 43, height: system Patented “SimpleTwist” tuning available Prefabricated replacement heads 30cm 8 diameter: 25, 20, diameter: Selected goatskin stains Available innatural orcherry pine Shells madeoflightweight ’ ’ ,10 ’ ’ ,12 ’ ’ AS 8K AS 8C AS 10C AS 10K AS 12C AS 12K a needto battle with the its life. There isnolonger is notinuse –prolonging the head whenthedrum to loosen thetension on tuned, butalso allows you easier to keep your drum system notonlymakes it “Simple Twist” tuning has never beeneasier. The drum to adesired tone tuning system, tuningyour patented “SimpleTwist” With MountainRythym’s Simple Twist tuning Simple ment. with each instru- tool isincluded a specialtuning For highest tension ment. included witheach instru- for the“SimpleTwist” are instruments. Instructions and sound ofpercussion the tuning,maintenance, design hasrevolutionized drumhead. Thissimple one knotto change a only necessary to remove Twist” tuningsystem, itis heads. Withthe“Simple and spendhoursreplacing complicated Maliweave • • • • Djembe bags Carrying handleandpocket Padded backpackstraps Strongly paddedtop andbottom Durable nylonconstruction twist pegs are available heads aswell asadditional Prefabricated replacement up to 14 DSBAG 4 up to 13 DSBAG 3 8 DSBAG 2 In sizes ’ ’ to 10 to ’ ’ ’ ’ ’ ’ Instrument notincluded withDJ/St • • • Ashiko Stands for Djembeor Suitable for allsizes angle Adjustable heightand legs Stable standwithfirm DJ/St

ZubehörZubehör AccessoriesAccessories DjembeDjembe –– BongoBongo –– CajonsCajons BOC DC 10C DC 8C DC 12C Withmahoganyheads, • Djembe Cajonsmadeofpine necessary. instruments –nomore tuning you lay your handsonthese easily played from themoment bass, slap tive sound. All3basic tones, the tops provide anexciting alterna- been designed.TheMahogany unique lineofDjembeCajonshas and therichsounds ofAfrica,a drum cajonensembles ofCuba Inspired by thetraditional three Looking for afresh new sound? Bongo Djembe With mahoganyheads, • Bongo Cajonsmadeofpine imtr 0 5 30cm 8 diameter: 25, 20, diameter: available incherry finish imtr 7 diameter: 18and 20cm diameter: available incherryfinish 66cm 51, 40, height: and the Cajon ’ ’ ’ ’ ,10 and 8 Cajon ’ open tone ’ ,12 ’ ’ ’ ’ are Measures 30x3147 cm • Changeable front • MadeofBalticBirch CJN03 • Cajon alaPeru Measures 30x47 cm • Changeable front • Eachtwo strings tuneable • Witha6-string snare • MadeofBaltic Birch • Cajon Espan from outside o CJNS06 ˜ol Carrying handle and pocket • Padded backpack straps • Strongly padded • CJBAG Durable nylon construction • Bag for Cajon needs. ferent playing stylesandmusical amount of ing theplayer to customize the either cajoncanbeadjusted, allow- are Thetop omitted. corners of the difference beingthe“snares” standards astheSpanishversion, cajon isbuiltto high thesame box. Thestandard Peruvian style ciently tunedfrom outsidethe the snare canbeeasily andeffi- this stylebox. For convenience, “buzz” le “snare” system to facilitate the style cajonincorporates atuneab- most popularstyles.TheSpanish- Mountain Rythyminthetwo America, willbeoffered from The Cajon,originallyfrom Latin Cajons which ischaracteristic of “snap” desired for dif-

CajonsCajons TrommelnTrommeln DrumsDrums Drums Various Two tuneable heads • Laminated hardwood shell • lastic head, diam.25cm,10 natural skin,diam.25 cm,10 Original African • Djembe AF767 diam. 20cm,8 about 32 cmhigh, ’ ’ ’ ’ DT 25 DT DT 25/P DT eomne altGTS Recommended mallet GT50/P feet Attached • Two tuneable plasticheads, • Laminated hardwood shell • ’ ’ diam. 50cm,20 ’ ’ • Includes 1mallet Includes • ZT 6 Made offinesolid wood • Slit Drum Measures 35x1816cm with widetongues S 99 HSR 14 Tambourines RT 400 These are available with real calfskin or goatskin, or optional plastic head (in most cases). Natural skins have a warmer timbre than the somewhat dry sound of plastic heads. These however, have the advan- HSR 7 tage of constant pitch. They do not react hygroscopically and need not be retuned after changes in temperature or humidity. RT 400/P • Hand drum, with laminated Tambours hardwood shell • Tuneable heads Tambours • Available with natural skin or plastic head RT 350 Tambours diam. natural skin plastic head RST 250/10 25 cm, 10’’ RT 250 RT 250/P 30 cm, 12’’ RT 300 RT 300/P 35 cm, 14’’ RT 350 RT 350/P 40 cm, 16’’ RT 400 RT 400/P Jingle Rings Laminated hardwood shell 25 cm (10’’), 7 pair of jingles HSR 7 25 cm (10’’), 14 pair of jingles HSR 14 RST 300/8 Tambourine Nailed head, comfortable grip 25 cm (10’’), 10 pairs of jingles RST 250/10 RT 300/P RST 250/6P Tambourines diam. jingles natural skin plastic head 25 cm, 10’’ 4 pairs RST 250/4 RST 250/4P 25 cm, 10’’ 6 pairs RST 250/6 RST 250/6P Rahmentrommeln Large, high quality, 30 cm, 12’’ 8 pairs RST 300/8 RST 300/8P Rahmentrommeln hammered jingles made of 30 cm, 12’’ 12 pairs – RST 300/12P RT 250 German silver CongasCongas –– BongosBongos angle height and adjustable Study stand, BO 1/St Laminated hardwood shells • BO1N Bongos Tuneable natural skins • Rounded tension rings for • comfortable playing Straight tension arms • for easy handling Heavy-duty tension rods • Durable three-bolt sideplates • Natural calfskinheads – • SiamOakshells, • Professinal Congas Includesindividualstand, • 5/16 a uniquefeature about 72cmhigh adjustable inheight ’ ’ PCO 12.5 PCO 10.0 Available sizes PCO 11.0 PCO 11.8 (about 8mm) Tumba 12 Requinto 10 Quinto 11 11 Additional • Tuneable • BO 2 Shellsmadeof • Bongos refinished natural skins Wood/Asia White 3 ’ / ’ 1 / 4 ’ 2 ’ ’ ’ ’ ’ BO 2/St adjustable height Stand, Congas • Shells made of White Wood/ Asia, about 74 cm high • Selected, tuneable water buffalo heads • Includes individual stand, adjustable height

COS 26 10’’ Quinto

COS 30 11’’ Conga HandHand PercussionPercussion blocks includingholders for set of5temple TBL/St Instruments notincludedwithTBL/St Stand Includes 1mallet tuned inintervals by Studio49 original Korean, subsequently TBL Set of5temple blocks KTI 1 Includes 1striker TSK specially alloyed steel withstrap Highly resonant, manufactured of Concert Triangles TSK KTI 4 KTI 3 KTI 2 striker for Concert Triangle KTI 0c (4 10 cm 5c (10 25 cm 0c (8 20 cm (6 15 cm ’ ’ ’ ’) ’) ’) ’ ’) im 0m ( diam. 10mm , im 0m ( diam.10mm , im 2m ( diam.12mm , im 2m ( diam.12mm , / / 1 1 3 / 3 / 2 2 8 8 ’ ’ ’ ’) ’) ’ ’) ’) CB4 Cow Bells CB6 WB18 WB16 WB14 powerful, sustainedtones from crackling highsto deep, short in 3sizes(without mallet) Woodblocks about 11cm,4 about 16cm,6 small medium large of maple/hardwood / 1 / 1 2 4 ’ ’ ’ ’ ntuet o nlddwt UT4 Instruments notincludedwithRUST Sab Sab Ha/CB Ha/WB Ha/KTI Necessary holders Woodblocks, andCow Bells for Concert Triangle, RUST 4 Accessory table for CB for woodblock WB for triangleKTI Universal stand

HandHand PercussionPercussion HandHand Percussion Percussion the stand) upthecymbalsetting on (remove leather strap when Folding standfor , B/St MS Metal Shaker C 12 with leather strap, perpair Cymbals C 25 C 20 C 15 im 2c,5 cm, diam. 12 im 5c,10 diam. 25cm, im 0c,8 diam. 20cm, 6 cm, diam. 15 made ofsilver-bronze ’ ’ ’ ’ ’ ’ ’ ’ B 30 especially sonourus, withleather strap Hanging cymbals, B 35 B 40 im 0c,12 diam. 30cm, im 5c,14 diam. 35cm, im 0c,16 diam. 40cm, hammered model, ’ ’ ’ ’ ’ ’ T 10 1 striker (TS) with strap, includes of specialsteel alloy Triangles T 25 T 20 T 15 0c,4 10 cm, 5c,10 25 cm, 8 20 cm, 6 cm, 15 ’ ’ ’ ’ ’ ’ ’ ’ diam. about 17cmlong, Ca , 3 / 8 ’ ’ German silver jingles with 4pairsofhammered SR with wooden handle 10 sleighbellsonleather strap SK Jingle rattle ofTonkin cane Sleighbell spray, of smalljingles of aluminumwith9pairs MSR Jingle ringmade diam. 5cm, 2 with elasticstraps, 1pair, C 5 Finger cymbals ’ ’ about 18cmlong handle, madeofpearwood KS 1 Castanet with with wooden handle sized bellsonleather strap GK Bell spray, 5different SBv adjustable tension on wooden frame, made ofpearwood KBr Two castanets SBg about 26cmlong made ofpearwood withhandle, KS 2 Double castanet SBv SBg on linedleather band Five sleighbells Sleighbell wristlets, with elastic with leather ties original Spanishmodel Kg Castanet, Rosewood,

HandHand PercussionPercussion HandHand Percussion Percussion includes 1mallet about 29cmlong,diam.6 double note, speciallylarge version, HRT/G Tubular Woodblock xxx 18 cm,Ø.....cm made ofselected rosewood Double-tone claves includes 1malletPKS3 double note, HRT Tubular Woodblock AB Agogo Bells includes 1malletPKS3 different notes of rosewood withtwo HT 2 Woodblock 18 S S21 8c og im 18mm 18 cmlong,diam. Claves madeofselected rosewood, 21 cmlong,diam.23mm Claves madeofselected rosewood, CL 21 cmlong,diam.25mm Claves madeofhardwood, includes 1mallet WA Wooden Agogo about 41cmlong refinished by Studio49 Originally from Mexico, Gu Guiro withscraper scraper, about15cmlong GuS Guiro-Shaker with VS1 VS2 includes 1scraper, about40cmlong sound effects, madeofstainless steel, RKr Rhythm Tiefor various S1 VS 2 VS with buzzingsound Special effect instruments Vibra Slaps deep, rattling sounds high, sharpsounds

HandHand PercussionPercussion HandHand Percussion Percussion 15 cm,6 diam. about African original, Shekere, AF 641 ’ ’ about 26 cmlong additional refinished, Mexican original, Ma26 Maracas about 21cmlong additional refinished, Mexican original, Ma21 Maracas diam. 7cm about 15cmhigh, African original, Caxixi small, AF 642 SH 3 different sounds with three Shaker Set dark sound with brightand each 10cmlong, with two Shakers SH 2 Shaker Set about 40cmlong additional refinished, Mexican original, SRr Shaker because the allows precise playing ofrhythms, struction andcompact design lities insound. Thespecialcon- and openscompletely new possibi- shaker withthose ofatambourine combines thecharacteristics ofa This new instrument(patented) The multi-sound tambourine Jingle Matrix 8 mmpin. jingles also fitaregular hi-hat with The modelswith8and12pairsof are also possible. and comined versions. Oneshots play intambourineorshaker style Jingle Matrix allows FS M8 JM BS K 6 DKS TS TSK S99 3 PKS S99 3 PKS TSK TS 6 DKS BS use pieces FS model Mallets for HandPercussion M4 JM for slitdrum ZT6 for allwoodblocks for Concert Triangle (models KTI) 1 for triangle 1 for woodblocks (wooden+plastic head) 1 for tamboursandhangingcymbals 1 for tamboursandhangingcymbals 1 1 1 M12 JM

HandHand PercussionPercussion PflegehinweiseMaintenance ErsatzteileImage Tension-Arms Instruments require proper care and storage. Extreme changes in tempe- The threads of both the tension screws and the tension arms of skin rature, humidity, and direct sunlight can cause damage to your instrument. instruments should be lubricated with a fine oil. This will guarantee an easy, yet sensitive tuning of your instrument. General Care All lacquered wood and metal parts can be cleaned with a normal Spare parts silicone-free furniture polish. Nickel or chrome surfaces such as stand legs Despite careful maintenance, some instrument parts are subject to and cymbals are best protected with resin-free refined oil or chrome natural wear, especially parts made of rubber or similar materials. These polish. should be replaced from time to time to maintain the full scope and tonal qualities of your instruments. Xylophones When exposed to strong sunlight or moisture, the pitch of wooden On our home page, www.studio49.de, under Repair Information System xylophone bars can become altered. When needed, Studio 49 can retune you will find the corresponding spare parts for all generations of your instrument within a reasonable time. The pitch can also change when instruments manufactured since the establishment of our company in using mallets with heads that are too hard for that particular instrument. 1949, including replacement bars for all barred instrument series. Please see our mallet guide included with all new barred instruments. Xylophones with Grillodur bars, a highly refined fibreglass material, do LiteraturhinweiseDear Music Lovers, not lose their pitch regardless of temperature or humidity changes. We are often asked for suggestions for appropriate musical literature. To help you find such pieces, we have put together a list in an internet

Hints Glockenspiels and Metallophones database. It allows you to search using different criteria, such as degree of Hints These bars don't change their pitch, however, nickel-plated glockenspiel difficulty, author, content, etc. You can arrange and print the titles bars are inclined to corrode in extreme climates, especially when stored quickly, as desired. in humid conditions. Therefore, the bars should be lightly oiled, using a refined oil, from time to time in order to keep their natural shine and This is a partial list of available titles and does not include a detailed prevent corrosion. description of each. The degree of difficulty is included as a Tambours and Tambourines rough guide. The tension on tambours and tambourines should be eased after they are played. All tension screws should be We hope that our new Internet loosened by approximately ? turn. This will conserve both Information Service is helpful. To the skin and frame. use the database, please visit www.studio49.de and click on Rotary and Kettle Drums Orff Literature.

Hinweise Hinweise The bodies of rotary and kettle drums should be turned so the instrument Hinweise Hinweise is in the middle tone area and the tension arms of the head are as hori- We wish you much enjoyment in zontal as possible. your music making. www.orff.de Gesellschaften findenSieunter Weitere Orff-Schulwerk Orff-Schulwerkgesellschaft • Gesellschaft • Orff-Schulwerkgesellschaft • sindeinTreffpunkt füralle,diein • fördern denfachlichen Austausch • informieren Fragen überaktuelle • Orff-Schulwerk Gesellschaften Wichtige Institutionenrund umdasOrff-Schulwerk [email protected] [email protected] Österreich „Förderer desOrff-Schulwerks“, [email protected] Deutschland suchen bzw. kompetente Hilfestellung musikpädagogisch interessiert sind Bereichen arbeiten und zugleich Erwachsenen inunterschiedlichen Kindern, Jugendlichen oder Beruf und/oder Ausbildungmit und bieten Fortbildungsseminare an Bewegungserziehung der Elementaren Musik- und unter derRubriksitemap e.V. Schweiz www.moz.ac.at Hospitationswochen imFrühjahrundHerbst • Symposien undTagungen • Internationale Sommerkurse • verschiedene Studiengänge • dientderLehre undForschung imBereich • Orff-Institut www.orff.de hat denkünstlerischen Nachlass zuerhalten • wurde testamentarisch von verfügt CarlOrff • Orff-Stiftung www.orff-zentrum.de Herausgabe von Publikationen undDurchführung • undarchiviert sammelt dasMaterial von und • dientderwissenschaftlichen Erforschung von • betreut denNachlass von CarlOrff • untersteht demBayerischen Staatsministerium • Orff-Zentrum www.orff-forum.at sorgt durch Publikationen undVeranstaltungen für • istinternationaler Ansprechpartner mitKontakten • Orff-Schulwerk Forum Musik- undTanzerziehung verbreiten sowie sein geistiges Erbezuwahren undzu von Veranstaltungen über CarlOrff Leben undWerk desKomponisten internationale Verbreitung des Orff-Schulwerks Salzburg zum Orff-Institut, oder oder [email protected] oder [email protected] oder [email protected] [email protected] Gesellschaft Deutschland e.V. ORFF-SCHULWERK MUSIK +TANZ + ERZIEHUNG Workshops inDeutschland www.igmf.org Fortbildung e.V. Musikpädagogische Gesellschaft für Internationale www.orff.de 53 29 54 49(89) 8 +00 [email protected] Fax: 51 28 54 49(89) 8 +00 Phone: 82166 Gräfelfing Scharnitzer Straße 1

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