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Eerie Archives: Volume 16 Free
FREE EERIE ARCHIVES: VOLUME 16 PDF Bill DuBay,Louise Jones,Faculty of Classics James Warren | 294 pages | 12 Jun 2014 | DARK HORSE COMICS | 9781616554002 | English | Milwaukee, United States Eerie (Volume) - Comic Vine Gather up your wooden stakes, your blood-covered hatchets, and all the skeletons in the darkest depths of your closet, and prepare for a horrifying adventure into the darkest corners of comics history. This vein-chilling second volume showcases work by Eerie Archives: Volume 16 of the best artists to ever work in the comics medium, including Alex Toth, Gray Morrow, Reed Crandall, John Severin, and others. Grab your bleeding glasses and crack open this fourth big volume, collecting Creepy issues Creepy Archives Volume 5 continues the critically acclaimed series that throws back the dusty curtain on a treasure trove of amazing comics art and brilliantly blood-chilling stories. Dark Horse Comics continues to showcase its dedication to publishing the greatest comics of all time with the release of the sixth spooky volume Eerie Archives: Volume 16 our Creepy magazine archives. Creepy Archives Volume 7 collects a Eerie Archives: Volume 16 array of stories from the second great generation of artists and writers in Eerie Archives: Volume 16 history of the world's best illustrated horror magazine. As the s ended and the '70s began, the original, classic creative lineup for Creepy was eventually infused with a slew of new talent, with phenomenal new contributors like Richard Corben, Ken Kelly, and Nicola Cuti joining the ranks of established greats like Reed Crandall, Frank Frazetta, and Al Williamson. This volume of the Creepy Archives series collects more than two hundred pages of distinctive short horror comics in a gorgeous hardcover format. -
To Sunday 31St August 2003
The World Science Fiction Society Minutes of the Business Meeting at Torcon 3 th Friday 29 to Sunday 31st August 2003 Introduction………………………………………………………………….… 3 Preliminary Business Meeting, Friday……………………………………… 4 Main Business Meeting, Saturday…………………………………………… 11 Main Business Meeting, Sunday……………………………………………… 16 Preliminary Business Meeting Agenda, Friday………………………………. 21 Report of the WSFS Nitpicking and Flyspecking Committee 27 FOLLE Report 33 LA con III Financial Report 48 LoneStarCon II Financial Report 50 BucConeer Financial Report 51 Chicon 2000 Financial Report 52 The Millennium Philcon Financial Report 53 ConJosé Financial Report 54 Torcon 3 Financial Report 59 Noreascon 4 Financial Report 62 Interaction Financial Report 63 WSFS Business Meeting Procedures 65 Main Business Meeting Agenda, Saturday…………………………………...... 69 Report of the Mark Protection Committee 73 ConAdian Financial Report 77 Aussiecon Three Financial Report 78 Main Business Meeting Agenda, Sunday………………………….................... 79 Time Travel Worldcon Report………………………………………………… 81 Response to the Time Travel Worldcon Report, from the 1939 World Science Fiction Convention…………………………… 82 WSFS Constitution, with amendments ratified at Torcon 3……...……………. 83 Standing Rules ……………………………………………………………….. 96 Proposed Agenda for Noreascon 4, including Business Passed On from Torcon 3…….……………………………………… 100 Site Selection Report………………………………………………………… 106 Attendance List ………………………………………………………………. 109 Resolutions and Rulings of Continuing Effect………………………………… 111 Mark Protection Committee Members………………………………………… 121 Introduction All three meetings were held in the Ontario Room of the Fairmont Royal York Hotel. The head table officers were: Chair: Kevin Standlee Deputy Chair / P.O: Donald Eastlake III Secretary: Pat McMurray Timekeeper: Clint Budd Tech Support: William J Keaton, Glenn Glazer [Secretary: The debates in these minutes are not word for word accurate, but every attempt has been made to represent the sense of the arguments made. -
FILE 770:38 2 Editorial Rambling Science Fiction Writer Mack Reynolds Died of Cancer January 31, According to Rick Katze
t YE OLDE COLOPHON FILE 770 is edited by Mike Glyer, at 5828 Woodman Ave. #2, Van Nuys CA 91401. This newzine serving science fiction fandom is published less often than Charlie Brown recommends, and more often than Andrew Porter can keep count (see item else where this issue), but to be more specific, shows up about every six weeks. While F77O can be obtained for hot news, sizzling rumors (printable or not), arranged trades with clubzines and newzines, and expensive Inng-distance phone calls (not collect), subscriptions are most highly prized. Rates: 5/$3 (US) will get your issues sent first-class in North America, and printed matter overseas. $1 per issue covers air printed matter mailing overseas. Direct those expensive, long-distance calls to (213) 787-5061. I’m never home Tuesday nights, so don’t kill yourselves trying to reach me then. I do have a message machine, if it comes down to that... Want back issues? Send request for info. Thanks for production help last issue to: Anne Hansen, Fran Smith, Dean Bell, Debbie Ledesma.______________________ ______ ROUNDMGS mihe glyer ~ — ORIENTATION FOR NEW READERS : Why is this fanzine titled FILE 770? Late in ‘■"z 1977, when I was nerving up to start a fannish newzine to succeed KARASS, I found it difficult to find a title that had not been previously used. I looked through dictionaries, and the Thesaurus. I scanned Bruce Pelz’ voluminous fanzine index. I declined offers to revive titles like FANAC and STARSPINKLE. It became my contention that all the good sf story references usable as newzine titles had been taken. -
Comunicado De Novedadesnoviembre 2012
TM & © DC Comics COMUNICADO DE NOVEDADES NOVIEMBRE 2012 lA NOCHE de los búhos TM & © DC Comics lA NOCHE de los búhos Comienza... lA NOCHE de los búhos El Tribunal de los Búhos decidió abandonar las sombras del anonimato no solo para derrotar al Hombre Murciélago, sino también para reclamar un dominio sobre la ciudad que dicen merecer. Para ello, orquestaron un ataque a la Mansión Wayne, mientras un auténtico ejército de Garras se desplegaba por las calles BATMAN núm. 7 de Gotham, con la intención de terminar con la vida de hasta 40 individuos que, • Guion: Judd Winick, Gail Simone, Peter J. Tomasi con su liderazgo y personalidad, dan • Dibujo: Ardian Syaf, Lee Garbett, Marcus To, Andy Clarke forma a la ciudad. Una amenaza que • Edición original: Batwing núm. 9, Batgirl núm. 9, Batman and Robin núm. 9 USA - DC requerirá la intervención de los más Comics cercanos colaboradores del Caballero • Periodicidad: Mensual Oscuro. • Formato: Grapa, 64 págs. Color. 168x257 mm. • PVP: 4,50 € WWW.eccediciones.com 9 7 8 8 4 1 5 6 2 8 8 1 1 lA NOCHE de los búhos TM & © DC Comics lA NOCHE de los búhos El prólogo a la saga más aclamada lA NOCHE de los búhos El misterioso Saiko tiene como objetivo matar a Dick Grayson, a quien acusa de ser “el asesino más fiero de Gotham”. El villano ha liquidado ya a C.C. Haly, el dueño del circo que vio crecer a Dick antes de que se convirtiera en Robin y NIGHTWING núm. 2 donde sus padres murieron. Siguiendo una pista que le proporcionó Haly junto • Guion: Kyle Higgins a las escrituras del circo, Nightwing ha • Dibujo: Eddy Barrows, Eduardo Pansica, Geraldo Borges encontrado un antiguo y enigmático • Edición original: Nightwing núms. -
2020 LEXSEL Update Booklet FINAL
2020 SELECTED YEARLING SALE CATALOG CORRECTIONS & UPDATES FIRST SESSION Monday, October 5, 2020 Hip # 1 SLAY (American Ideal - Hunger Games) 1st Dam HUNGER GAMES PRIMROSE $32,423 2nd Dam WESTERN MONTANA TERRITORY $47,567 Third in leg Pennsylvania Stallion Ser. 08/11/2020 at Pocono Third in leg Pennsylvania Stallion Ser. 08/22/2020 at The Meadows 3rd Dam INCREDIBLE MARGIE Producers: ALLAMERICAN INDIGO (dam of AVOGADRO HANOVER $281,597), Iowa Hanover (dam of ELEGANT VIRGIN p,2,1:54.4) Hip # 2 ROBERTSIN (Muscle Hill - Sina) 1st Dam SINA BEAUTIFUL SIN $406,289 Beautiful Mrs A $7,594 2nd Dam THIRD REEF HIGGS BOSON $113,557 Hip # 3 CAPTAIN COOK (Captaintreacherous - Fresh Look) 1st Dam FRESH LOOK LOOK AND SEA $8,256 2nd Dam LIFETIME SUCCESS Producers: Lifetime Gal (grandam of BETTOR'S WISH p,4,1:47.3-$2,124,783) 3rd Dam THREE DIAMONDS Producers: Sign Of Life (grandam of TRUE TO MACH $302,597, MCLUCKY $235,395, PRODIGAL $142,905, MECHANICAL ART $102,646, ADIOS MAN $102,545, *FOUR P MONZA p,1:59.4h, WUNDER SHADOW p,3,1:58h), Trilogy Lobell (grandam of MILKY WAY RAE $266,544, AMERICANATION $167,180, *TECHTOPIA HANOVER p,3,1:55f) Hip # 4 MIXED DRINK - WITHDRAWN Hip # 5 BOMB HUGGER (Chapter Seven - Stylemaker) 2nd Dam PERSONAL STYLE PATRIARCH HANOVER 5 wins $235,266 Winner Keystone Classic 09/18/2020 Third in Final Pennsylvania Sires S. 09/06/2020 at Philadelphia Third in leg Pennsylvania Sires S. 08/31/2020 at The Meadows CLASSY GUY $97,495 PIPER HANOVER BT1:54.1 $16,050 Third in leg Kentucky Sires S. -
{PDF EPUB} Thrill Book! 50'S Horror and SF Comics by Alex Toth
Read Ebook {PDF EPUB} Thrill Book! 50's Horror and S.F. Comics by Alex Toth Dick Briefer's Frankenstein: The Chilling Archives of Horror Comics HC (2010 IDW) comic books. This item is not in stock. If you use the "Add to want list" tab to add this issue to your want list, we will email you when it becomes available. The Chilling Archives of Horror Comics: Book 1 - 1st printing. The first volume in Yoe Book's thrilling new series, "The Masters of Horror Comic Book Library," fittingly features the first and foremost maniacal monster of all time. Frankenstein! Dick Briefer is one of the seminal artists who worked with Will Eisner on some of the very first comic books. If you like the comic-book weirdness of cartoonists Fletcher Hanks, Basil Wolverton, and Boody Rogers, you're sure to thrill over Dick Briefer's creation of Frankenstein. The large-format book lovingly reproduces a monstrous number of stories from the original 1940s and '50s comic books. The stories are fascinatingly supplemented by an insightful introduction with rare photos of the artist, original art, letters from Dick Briefer, drawings by Alex Toth inspired by Briefer's Frankenstein-and much more! Hardcover, 112 pages, full color. Cover price $21.99. This item is not in stock. If you use the "Add to want list" tab to add this issue to your want list, we will email you when it becomes available. The Chilling Archives of Horror Comics: Book 1 - 2nd or later printings. The first volume in Yoe Book's thrilling new series, "The Masters of Horror Comic Book Library," fittingly features the first and foremost maniacal monster of all time. -
The Flintstones (1960-1966), About a “Modern Stone-Age Family,” Was The
Columbia Pictures) to develop a prime-time animated series. They worked out the concept of parodying current situation comedies, especially The Honeymooners and Father Knows Best, with the twist of setting them in a different historical era. Cartoonists Dan Gordon and Bill Benedict had the idea to use a Stone Age setting (although the Fleischer Studios pro- duced a similar series of Stone Age Cartoons back in 1940). The concept was bought by ABC, and premiered Sept. 30, 1960. Voiced by Alan Reed, Jr. (Fred Flintstone), Mel Blanc (Barney Rubble), Jean VanderPyl (Wilma Flintstone) and veteran actress Bea Benaderet (Betty Rubble), The Flintstones finished the season in the Nielsen ratings’ top 20, and won a number of industry awards, including the Golden Globe, and an [email protected] Emmy nomination for best comedy series of 1960-61. A clear appeal of the series lays in its parody of sitcom for- mula plots, and there are elements of satire in the way modern consumer conveniences are turned into sight gags. One of the show’s favorite gags was to have cameos by Stone Age versions of modern celebrities (Ann Margrock, Stony Curtis, etc.). The most popular gimmick was Wilma’s pregnancy, ending with the February 1963 “birth” of their little girl, Pebbles. The next season the Rubbles adopted Bamm-Bamm, a little boy of incredible strength and a one- word vocabulary. By the fifth and sixth seasons, the show began to use more storylines aimed at kids, with new neighbors the Grue- somes (a spin on The Munsters and The Addams Family), and magical space alien The Great Gazoo (Harvey Korman). -
Forecast Log
Forecast Log http://www.old-time.com/otrlogs2/forecast_mg.html FORECAST Is There a Sponsor in the House? Written by Martin Grams, Jr. The trial-and-error system being an old if frequently painful institution in the show business (else all stage plays would be hits, and all radio programs would have an Amos and Andy average in the Crossley ratings), the Columbia Broadcasting System’s Forecast series shrewdly dramatized the fact that there is no such phenomenon as a sure thing. For two particular seasons, the CBS people enlivened summer’s somewhat lethargic air waves with a schedule of experimental entertainments which, to tell the truth, aren’t experimental in the exact sense of the word, but have nevertheless a refreshing air about them, if only for the ideas they represented. The idea is that neither CBS nor anyone else knew, until they were produced, whether the programs were any good or not, though they were of course, hoping for the best. And, very sensibly, they made a game of it. Whereas the listener during the busy season was told to take what he got and, if possible, like it, Forecast invited criticism. Listening to the various episodes, one could not help but applaud for Marlene Dietrich in "The Thousand and One Nights," and convulsed with laughter as they listened to the amorous antics of "Mischa the Magnificent." (Mischa Auer, that is.) Whatever it was that made people bet on horse races or write letters to the editor, they could file an honest opinion about the programs and then sat back to await the verdict. -
Janny Wurts ______Supporting Membership(S) at US$35 Each = US$______
Address Correction Requested Address CorrectionRequested Convention 2004 2004 Convention World Fantasy Tempe, AZ 85285-6665Tempe, USA C/O LepreconInc. P.O. Box26665 The 30th Annual World Fantasy Convention October 28-31, 2004 Tempe Mission Palms Hotel Tempe, Arizona USA Progress Report #2 P 12 P 1 Leprecon Inc. presents World Fantasy Con 2004 Registration Form NAME(S) _____________________________________________________________ The 30th Annual ADDRESS ____________________________________________________________ World Fantasy Convention CITY _________________________________________________________________ October 28-31, 2004 STATE/PROVINCE _____________________________________________________ Tempe Mission Palms Hotel ZIP/POSTAL CODE _____________________________________________________ Tempe, Arizona USA COUNTRY ____________________________________________________________ EMAIL _______________________________________________________________ Author Guest of Honour PHONE _______________________________________________________________ Gwyneth Jones FAX __________________________________________________________________ Artist Guest of Honor PROFESSION (Writer, Artist, Editor, Fan, etc.) ______________________________________________________________________ Janny Wurts _______ Supporting Membership(s) at US$35 each = US$_________ Editor Guest of Honor _______ Attending Membership(s) at US$_______ each = US$_________ Ellen Datlow _______ Banquet Tickets at US$53 each = US$ _________ Total US$___________ Publisher Guest of Honor _______ Check: -
Sandman, Aesthetics and Canonisation Today I Want To
Sandman, Aesthetics and Canonisation Today I want to examine the ways in which Neil Gaiman’s Sandman has used narrative, format and aesthetic to move ever closer to the notion of the literary text. Particularly going to consider how it exploits the author function and enacts the struggle for cultural worth that comics seem consistently engaged in. Sandman is an epic series rewriting a golden-age superhero into an immortal deity. It is best remembered for its mythological content and literary references, and these elements have allowed it to claim its place as a canonised graphic novel (despite not actually being a singular GN but a maxi-series across multiple trade paperbacks!). Neil Gaiman’s authorship and authority dominate the text and epitomise Michel Foucault’s author function. But Sandman also draws heavily on mixed media and artistic variation and these aspects are less often discussed. Far from supporting a singular author function, Sandman’s visual style is multiple and varied. But despite this, in paratexts the artistic contributions are frequently subsumed into Gaiman’s authorship. However, a closer reading demonstrates that in fact this artistic variety destabilises clear-cut authorship and enacts the particular status struggles of comics as a collaborative medium struggling against the graphic novel branding. SLIDE: literary pix Sandman was launched in 1989 and became the flagship title for DC’s new Vertigo imprint. Vertigo’s publications contributed heavily to the mainstream cultural revaluation of comics as graphic novels, and critics such as Candace West have argued that Sandman in particular was instrumental here due to the attention the series received from mainstream media such as Rolling Stone magazine. -
Table of Contents MAIN STORIES American Science Fiction, 1960-1990, Ursula K
Table of Contents MAIN STORIES American Science Fiction, 1960-1990, Ursula K. ConFrancisco Report........................................... 5 Le Guin & Brian Attebery, eds.; Chimera, Mary 1993 Hugo Awards W inners................................5 Rosenblum; Core, Paul Preuss; A Tupolev Too Nebula Awards Weekend 1994 ............................6 Far, Brian Aldiss; SHORT TAKES: Argyll: A The Preiss/Bester Connection.............................6 Memoir, Theodore Sturgeon; The Rediscovery THE NEWSPAPER OF THE SCIENCE FICTION FIELD Delany Back in P rint............................................ 6 of Man: The Complete Short Science Fiction of HWA Changes......................................................6 Cordwainer Smith, Cordwainer Smith. (ISSN-0047-4959) 1992 Chesley Awards W inners............................6 Reviews by Russell Letson:................................21 EDITOR & PUBLISHER Bidding War for Paramount.................................7 The Mind Pool, Charles Sheffield; More Than Charles N. Brown Battle of the Fantasy Encyclopedias................... 7 Fire, Philip Jose Farmer; The Sea’s Furthest ASSOCIATE EDITOR Fantasy Shop Helps AIDS F u n d ......................... 9 End, Damien Broderick. SPECIAL FEATURES Reviews by Faren M iller................................... 23 Faren C. Miller Complete Hugo Voting.......................................36 Green Mars, Kim Stanley Robinson; Brother ASSISTANT EDITORS 1993 Hugo Awards Ceremony........................... 38 Termite, Patricia Anthony; Lasher, Anne Rice; A Marianne -
File 770 #132
September 1999 1 2 File 770:132 The Last Diagnostician: I met James White at Intersection James White in 1995. We shared hot dogs in the SECC food court and talked 1928-1999 about what he might do as next year's Worldcon guest of honor. Tor Books was taking over publishing his Sector General series. They issued The Galactic Gourmet to coincide with We all look up to James here, and not just L.A.con III. Final Diagnosis and Mind Changer followed, and because he is about 6 1/2 feet tall. -- Walt Willis Double Contact is in the pipeline. All were edited by Teresa Nielsen Hayden, who did a wonderful interview of James James White died August 23 in Norn Iron, the day after during our Friday night GoH programming. suffering a stroke. His son, Martin, told Geri Sullivan that so far The committee fell completely under his charm. Gary Louie as he knew it was over very quickly. White was 71. spent countless hours compiling a “concordance” of terms and Looking around the obituaries and medical reports in this ideas from White’s science fiction (as yet unfinished). Fans issue makes me believe there must be an epidemic rampaging invented strange “alien food” to display and serve at a book among the nicest and sweetest people in fandom. And if charm, launch party in the Fan Lounge. Bruce Pelz issued t-shirts for a rich sense of humor and a gracious interest in everyone they “The White Company.” He also had about 15 “Diagnostician” met were the chief traits of the victims, none were more at risk badge ribbons printed, given to James to present to fans he than three Irish fans who made SLANT among the finest found especially helpful.