Refugees Who Made a Difference
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MILOŠ FORMAN Peter Hames the Most Obvious Antecedents of The
standards of Loves of a Blonde, Olmi‟s work is much more obviously manipulative and might almost be described as self-indulgent. 4 Cinéma vérité is clearly a movement that influenced the Czechs. Besides the group, it left its mark on the early films of Schorm, Jireš, and Chytilová. In Jaroslav MILOŠ FORMAN Boček‟s view, the use of cinéma vérité techniques to come to grips with social reality Peter Hames provided an experience of authenticity that left deep traces on the members of the Czechoslovak “new wave.” It penetrated not The most obvious antecedents of the work of Forman, Passer, and Papoušek, who only into their experience as film makers but also into their minds. Contrary to the can be argued to have developed their own characteristic group style, were Italian members of the French “nouvelle vague,” they did not wrap themselves up in Neorealism and cinéma vérité. Their early films were concerned with the “recording” subjectivity and intimacy even later, but polarised the relation between the subjective or “exposing” of everyday reality rather than the expression of a personal vision. and the objective world, subdued the tension between the individual and society, Miloš Forman has said: “Many years ago people used to say „that‟s like in a film,‟ between man and history.2 meaning that it was incredible; later they said: „He filmed it marvellously,‟ meaning that someone hoodwinked the others, and now a third phrase is being used when It is not entirely clear what Boček means. It is certainly true that whatever the film-makers want spectators to believe what they see on the screen.” He clarified style adopted, nearly all the films of the Czechoslovak New Wave were concerned their program when he said that he was interested in “the life, problems, joys, and with both the individual and society. -
Contemporary Polish Cinema (Spring Term)
University of Pittsburgh Department of Slavic Languages and Literatures Polish 1450 - Contemporary Polish Cinema (Spring Term) Instructor: Jolanta Lapot (visiting from Lodz Film School of Poland, 1999-2000) Course Meets: W CL249 5:45-10:00 Office Hours: Th, Fr 11:00-2:00 Office:1417 Cathedral of Learning e-mail:[email protected]. Phone: 624-5707 General Course Description The course presents contemporary Polish cinema from 1945 to the present. Concepts will be studied in their historical, political, philosophical, and aesthetic perspective. We will examine the important national themes in modern Polish cinema, relating them to the history of Poland and Eastern Europe. The main trends (schools, movements) in Polish cinema will be examined such as the so-called PolishSchool and the Cinema of Moral Concern. The works of most important modern Polish film-makers will be examined, including the works of Andrzej Wajda, Andrzej Munk, Agnieszka Holland, Roman Polanski, Krzysztof Kieslowski, Wladyslaw Pasikowski, Leszek Wosiewicz, and Ryszard Bugajski. Films to be examined may be divided into three general groups 1. Films representing post-war history and, more specifically, films covering important social and political transformations, but made after the fact. These are sometimes called revisionist films in search of historical truth, previously distorted by political ideology. 2. Films dealing with World War II. We will look at different ways in which the war is treated by film-makers over the course of the post-war period. 3. The final group of films is chosen purely on the basis of artistic merit. The role of film as an art form will be examined during the different periods of the post-World-War-Two era. -
The Nobel Peace Prize
TITLE: Learning From Peace Makers OVERVIEW: Students examine The Dalai Lama as a Nobel Laureate and compare / contrast his contributions to the world with the contributions of other Nobel Laureates. SUBJECT AREA / GRADE LEVEL: Civics and Government 7 / 12 STATE CONTENT STANDARDS / BENCHMARKS: -Identify, research, and clarify an event, issue, problem or phenomenon of significance to society. -Gather, use, and evaluate researched information to support analysis and conclusions. OBJECTIVES: The student will demonstrate the ability to... -know and understand The Dalai Lama as an advocate for peace. -research and report the contributions of others who are recognized as advocates for peace, such as those attending the Peace Conference in Portland: Aldolfo Perez Esquivel, Robert Musil, William Schulz, Betty Williams, and Helen Caldicott. -compare and contrast the contributions of several Nobel Laureates with The Dalai Lama. MATERIALS: -Copies of biographical statements of The Dalai Lama. -List of Nobel Peace Prize winners. -Copy of The Dalai Lama's acceptance speech for the Nobel Peace Prize. -Bulletin board for display. PRESENTATION STEPS: 1) Students read one of the brief biographies of The Dalai Lama, including his Five Point Plan for Peace in Tibet, and his acceptance speech for receiving the Nobel Prize for Peace. 2) Follow with a class discussion regarding the biography and / or the text of the acceptance speech. 3) Distribute and examine the list of Nobel Peace Prize winners. 4) Individually, or in cooperative groups, select one of the Nobel Laureates (give special consideration to those coming to the Portland Peace Conference). Research and prepare to report to the class who the person was and why he / she / they won the Nobel Prize. -
Date: 20 January 2016 Opposition: Exeter City
20 January2016 20 Date: 20 January 2016 Times Telegraph Echo Opposition: Exeter City Guardian Mirror Express & Echo Competition: FA Cup Independent Mail BBC Liverpool's third goal drew even more applause from the Kop. Benteke dribbled upfield, beating tackle after tackle, before checking back, turning and then angling Rising star Ojo sees off Exeter with wonder goal a pass through Exeter's defence to Teixeira, who placed the ball past Olejnik. Liverpool (4-1-4-1): S Mignolet 6 - C Randall 6 (sub: J Flanagan, 51min 6), T Ilori 6, J Liverpool Allen 10, OJO 74, Teixeira 82 3 Exeter City 0 Enrique 6, B Smith 7 - K Stewart 7 - J Ibe 8 (sub: P Chirivella, 79), J Allen 8 (sub: S Liverpool continue to drive down a dual carriageway towards Wembley. In the Ojo, 65 7), C Brannagan 7, J Teixeira 7 - C Benteke 6. Substitutes not used: A semi-finals of the Capital One Cup, they moved into the fourth round of the FA Bogdan, R Kent, J Sinclair, J Maguire. Cup with this ultimately comfortable replay defeat of Exeter City, from Sky Bet Exeter City (4-4-2): B Olejnik 6 - C Ribeiro 6, T Brown 6, J Moore-Taylor 6, C League Two. Liverpool dominated throughout and Jordon Ibe continued to Woodman 6 - A Nicholls 5, M Oakley 5 (sub: D Wheeler, 64 6), D Butterfield 5 enhance his reputation with some pacey, confident attacking, giving Craig (sub: W Hoskins, 46 6), A Davies 5 - C Morrison 4 (sub: T Nichols, 46 6), L Holmes Woodman, Exeter's left back, a difficult evening. -
Jiří Menzel Ostre Sledované Vlaky/ Closely Watched Trains 1966 93
October 16, 2007 (XV:8) Jií Menzel Ostre sledované vlaky/ Closely Watched Trains 1966 93 minutes Directed by Jií Menzel Written by Bohumil Hrabal (also novel), Jirí Menzel Produced by Zdenek Oves and Carlo Ponti Original Music by Jirí Sust Cinematography by Jaromír Sofr Film Editing by Jirina Lukesová Václav Neckár... Trainee Milos Hrma Josef Somr...Train dispatcher Hubicka Vlastimil Brodsk...Counselor Zednicek Vladimír Valenta...Stationmaster Max Alois Vachek...Novak Ferdinand Kruta... Masa's Uncle Noneman Jitka Bendová...Conducteress Masa Jitka Zelenohorská...Zdenka Nada Urbánková...Victoria Freie Libuse Havelková...Max's wife Kveta Fialová...The countess Pavla Marsálková...Mother Milada Jezková...Zdenka's mother Academy Award for Best Foreign Language Film JIÍ MENZEL (23 February 1938, Prague, Czechoslovakia) has directed 26 films and acted in many more. Some of the films he directed are Obsluhoval jsem anglického krále/ I Served the King of England (2006), Zebrácká opera/The Beggar’s Opera (1991), Konec starych casu/The End of Old Times (1989), Postriziny/Cutting it Short (1981), Promeny krajiny/Altered Landscapes (1974), Zlocin v dívcí skole/Crime at the Girls School (1965), and Domy z panelu/Prefabricated Houses (1960). from World Film Directors, Vol. II. Ed. John Wakeman. The H.W. Wilson Company NY 1988 Jií Menzel (February 12, 1938— ), Czech film and theatre director, scenarist, and actor, was born in Prague. He is the son of Josef Menzel, a journalist who became a children’s author and then turned to writing scripts for puppet -
Une Fraîcheur Et Une Originalité Toujours Intactes / Deep End De Jerzy Skolimowski]
Document generated on 09/27/2021 11:40 p.m. 24 images Une fraîcheur et une originalité toujours intactes Deep End de Jerzy Skolimowski Marcel Jean Festival du nouveau cinéma 2011 Number 154, October–November 2011 URI: https://id.erudit.org/iderudit/65111ac See table of contents Publisher(s) 24/30 I/S ISSN 0707-9389 (print) 1923-5097 (digital) Explore this journal Cite this review Jean, M. (2011). Review of [Une fraîcheur et une originalité toujours intactes / Deep End de Jerzy Skolimowski]. 24 images, (154), 46–46. Tous droits réservés © 24/30 I/S, 2011 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ DVD Deep End de Jerzy Skolimowski Une fraîcheUr et Une originalité toUjoUrs intactes par Marcel Jean « Mais je pourrais mourir ce soir… »1 QUI AURAIT DIT QU’UN FILM TOURNÉ PRINCIPALEMENT EN ALLEMAGNE ET RÉALISÉ PAR UN Polonais parlant l’anglais comme une vache espagnole allait devenir l’un des classiques du cinéma britannique ? C’est pourtant ce qui est arrivé avec Deep End de Jerzy Skolimowski, d’après un scénario original de Skolimowski, Boleslaw Sulik et Jerzy Gruza (tous trois Polonais), produit par un Allemand et tourné avec une équipe technique allemande. -
2019-20 Impeccable Premier League Soccer Checklist Hobby
2019-20 Impeccable Premier League Soccer Checklist Hobby Autographs=Yellow; Green=Silver/Gold Bars; Relic=Orange; White=Base/Metal Inserts Player Set Card # Team Print Run Callum Wilson Gold Bar - Premier League Logo 13 AFC Bournemouth 3 Harry Wilson Silver Bar - Premier League Logo 8 AFC Bournemouth 25 Joshua King Silver Bar - Premier League Logo 7 AFC Bournemouth 25 Lewis Cook Auto - Jersey Number 2 AFC Bournemouth 16 Lewis Cook Auto - Rookie Metal Signatures 9 AFC Bournemouth 25 Lewis Cook Auto - Stats 14 AFC Bournemouth 4 Lewis Cook Auto Relic - Extravagance Patch + Parallels 5 AFC Bournemouth 140 Lewis Cook Relic - Dual Materials + Parallels 10 AFC Bournemouth 130 Lewis Cook Silver Bar - Premier League Logo 6 AFC Bournemouth 25 Lloyd Kelly Auto - Jersey Number 14 AFC Bournemouth 26 Lloyd Kelly Auto - Rookie + Parallels 1 AFC Bournemouth 140 Lloyd Kelly Auto - Rookie Metal Signatures 1 AFC Bournemouth 25 Ryan Fraser Silver Bar - Premier League Logo 5 AFC Bournemouth 25 Aaron Ramsdale Metal - Rookie Metal 1 AFC Bournemouth 50 Callum Wilson Base + Parallels 9 AFC Bournemouth 130 Callum Wilson Metal - Stainless Stars 2 AFC Bournemouth 50 Diego Rico Base + Parallels 5 AFC Bournemouth 130 Harry Wilson Base + Parallels 7 AFC Bournemouth 130 Jefferson Lerma Base + Parallels 1 AFC Bournemouth 130 Joshua King Base + Parallels 2 AFC Bournemouth 130 Nathan Ake Base + Parallels 3 AFC Bournemouth 130 Nathan Ake Metal - Stainless Stars 1 AFC Bournemouth 50 Philip Billing Base + Parallels 8 AFC Bournemouth 130 Ryan Fraser Base + Parallels 4 AFC -
Albert Schweitzer: a Man Between Two Cultures
, .' UNIVERSITY OF HAWAI'I LIBRARY ALBERT SCHWEITZER: A MAN BETWEEN TWO CULTURES A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN LANGUAGES AND LITERATURES OF • EUROPE AND THE AMERICAS (GERMAN) MAY 2007 By Marie-Therese, Lawen Thesis Committee: Niklaus Schweizer Maryann Overstreet David Stampe We certify that we have read this thesis and that, in our opinion, it is satisfactory in scope and quality as a thesis for the degree of Master of Arts in Languages and Literatures of Europe and the Americas (German). THESIS COMMITIEE --~ \ Ii \ n\.llm~~~il\I~lmll:i~~~10 004226205 ~. , L U::;~F H~' _'\ CB5 .H3 II no. 3Y 35 -- ,. Copyright 2007 by Marie-Therese Lawen 1II "..-. ACKNOWLEDGMENTS T I would like to express my deepest gratitude to a great number of people, without whose assistance, advice, and friendship this thesis w0l!'d not have been completed: Prof. Niklaus Schweizer has been an invaluable mentor and his constant support have contributed to the completion of this work; Prof. Maryann Overstreet made important suggestions about the form of the text and gave constructive criticism; Prof. David Stampe read the manuscript at different stages of its development and provided corrective feedback. 'My sincere gratitude to Prof. Jean-Paul Sorg for the the most interesting • conversations and the warmest welcome each time I visited him in Strasbourg. His advice and encouragement were highly appreciated. Further, I am deeply grateful for the help and advice of all who were of assistance along the way: Miriam Rappolt lent her editorial talents to finalize the text; Lynne Johnson made helpful suggestions about the chapter on Bach; John Holzman suggested beneficial clarifications. -
Fernandinho Seals City Win
Rockets win, Neymar, Messi Raptors fall guide Barca to crucial win SUNDAY, APRIL 26, 2015 17 18 West Brom dent Liverpool’s Champions League challenge Page 19 MANCHESTER: Aston Villa’s Dutch midfielder Leandro Bacuna (right) jumps for a header with Manchester City’s Brazilian midfielder Fernando during the English Premier League football match. —AFP Fernandinho seals City win with a Charles N’Zogbia corner. Guzan succeeded only in mis-hitting a Villa responded impressively to a nervy start The City left-back curled a brilliant shot, But with normal time running out, square pass across the face of goal directly with Christian Benteke heading over from a through a gap in the wall left by Leandro Man City 3 Aleksandar Kolarov’s left-wing corner to Aguero, who was left with the routine Jack Grealish cross and the Belgium striker Bacuna and Kieran Richardson, and past passed through a crowded Villa area and task of tapping the ball into an open goal then being denied by the legs of Joe Hart Guzan’s desperate dive. reached the unmarked Fernandinho, who from six yards. after latching onto Vlaar’s deflected shot. Villa’s response was swift and impressive, took a controlling touch before scoring with It was hardly a start in keeping with the Toure, whose future at the Etihad has however, as they reduced arrears from a Aston Villa 2 an acrobatic half-volley. Sergio Aguero, with recent form shown by Villa under manager been the subject of much speculation dur- Grealish free-kick just two minutes later. his 21st league goal of the season, and Tim -
Stony Brook University
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... Communism with Its Clothes Off: Eastern European Film Comedy and the Grotesque A Dissertation Presented by Lilla T!ke to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Comparative Literature Stony Brook University May 2010 Copyright by Lilla T!ke 2010 Stony Brook University The Graduate School Lilla T!ke We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. E. Ann Kaplan, Distinguished Professor, English and Comparative Literary and Cultural Studies, Dissertation Director Krin Gabbard, Professor, Comparative Literary and Cultural Studies, Chairperson of Defense Robert Harvey, Professor, Comparative Literary and Cultural Studies and European Languages Sandy Petrey, Professor, Comparative Literary and Cultural Studies and European Languages Katie Trumpener, Professor, Comparative Literature and English, Yale University Outside Reader This dissertation is accepted by the Graduate School Lawrence Martin Dean of the Graduate School ii Abstract of the Dissertation Communism with Its Clothes Off: Eastern European Film Comedy and the Grotesque by Lilla T!ke Doctor of Philosophy in Comparative Literature Stony Brook University 2010 The dissertation examines the legacies of grotesque comedy in the cinemas of Eastern Europe. The absolute non-seriousness that characterized grotesque realism became a successful and relatively safe way to talk about the absurdities and the failures of the communist system. This modality, however, was not exclusive to the communist era but stretched back to the Austro-Hungarian era and forward into the Postcommunist times. -
Intermediary Transactions 2019-20 1.9MB
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Poland Daily: Economy, Work, Consumption and Social Class in Polish Cinema | Pol-Int
Pol-Int MONOGRAPH Poland Daily: Economy, Work, Consumption and Social Class in Polish Cinema Published: 04.07.2019 Reviewed by M.A. Jon Baldwin Edited by Dr. Andrzej Klimczuk Anna Labentz Ewa Mazierska's book brings together film, identity, economy and class in the entirety of Polish cinema. The role of Polish film in constructing an externally recognised patriotic national identity, often against internal reflection and social reform, is clearly emphasised: "The most critically acclaimed Polish films show Poles fighting against external enemies, rather than dealing with everyday problems and enjoying the small pleasures in life" (p. 3). The book, then, shows how Polish cinema has carried macro-ideologies through its history and marginalised the micro-everyday: indeed, following Ben Highmore, downplaying the everyday risks by neglecting the dominated for the sake of listening to the dominating elites. Mazierska, who has published extensively on European cinema, as well as monographs on Roman Polański and Jerzy Skolimowski, writes of her work that "this project has much to do with listening to voices from below, or finding out why they are silenced or represented in one way rather than another" (p. 4). Mazierska utilises a concise (occasionally restrictive) Marxist approach: "I want to find out where, to use Marxist categories, there is a fit between the base and superstructure" (p. 25). She reverses the 'retreat from class' analysis of national cinema, a retreat caused in part by the disappointment with the defeat of the western working class in the struggle with capital. She also reverses the paucity of Polish film studies: "we barely see any studies analysing how the state of the country's economy and, especially, its transformation, affected representations, except for some general remarks" (p.