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University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/1200 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. 20 'that whyche ys nedefoulle and nesesary': The Nature and Purpose of the Original Furnishings and Decoration of Hardwick Hall, Derbyshire Two Volumes (Volume One) Gillian White A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in the History of Art University of Warwick, Centre for the Study of the Renaissance March 2005 CONTENTS Volume One List of Tables and Illustrations page i Acknowledgements Declaration vii Abstract Chapter One: Introduction 1 Bess of Hardwick and Hardwick Hall 4 Existing Studies of Hardwick and the Scope for New Work 15 Chapter Two: The Social Architecture of Hardwick Hall 29 The Layout of Hardwick New Hall 31 The Layout of Hardwick Old Hall 34 The Social Organisation of Space at Hardwick 46 Chapter Three: The Furnishings of Hardwick Hall as Physical Objects 65 The 1601 Inventory and the Will of Bess of Hardwick 66 Wall-Hangings 80 Carpets 99 Beds 112 Furniture 136 Pictures 157 Conclusion 180 Chapter Four: The Furnishings and Decoration of Hardwick Hall as Iconographical Objects 182 The Assertion of Identity -
Renaissance Texts, Medieval Subjectivities: Vernacular Genealogies of English Petrarchism from Wyatt to Wroth
Renaissance Texts, Medieval Subjectivities: Vernacular Genealogies of English Petrarchism from Wyatt to Wroth by Danila A. Sokolov A thesis presented to the University of Waterloo in fulfillment of the thesis requirement for the degree of Doctor of Philosophy in English Waterloo, Ontario, Canada 2012 © Danila A. Sokolov 2012 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract This dissertation investigates the symbolic presence of medieval forms of textual selfhood in early modern English Petrarchan poetry. Seeking to problematize the notion of Petrarchism as a Ren- aissance discourse par excellence, as a radical departure from the medieval past marking the birth of the modern poetic voice, the thesis undertakes a systematic re-reading of a significant body of early modern English Petrarchan texts through the prism of late medieval English poetry. I argue that me- dieval poetic texts inscribe in the vernacular literary imaginary (i.e. a repository of discursive forms and identities available to early modern writers through antecedent and contemporaneous literary ut- terances) a network of recognizable and iterable discursive structures and associated subject posi- tions; and that various linguistic and ideological traces of these medieval discourses and selves can be discovered in early modern English Petrarchism. Methodologically, the dissertation’s engagement with poetic texts across the lines of periodization is at once genealogical and hermeneutic. The prin- cipal objective of the dissertation is to uncover a vernacular history behind the subjects of early mod- ern English Petrarchan poems and sonnet sequences. -
UC Santa Cruz UC Santa Cruz Electronic Theses and Dissertations
UC Santa Cruz UC Santa Cruz Electronic Theses and Dissertations Title The Protestant Reformation and the English Amatory Sonnet Sequence: Seeking Salvation in Love Poetry Permalink https://escholarship.org/uc/item/16m3x3z4 Author Shufran, Lauren Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA SANTA CRUZ THE PROTESTANT REFORMATION AND THE ENGLISH AMATORY SONNET SEQUENCE: SEEKING SALVATION IN LOVE POETRY A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in LITERATURE by Lauren Shufran June 2017 The Dissertation of Shufran is approved: ____________________________________ Professor Sean Keilen, chair ____________________________________ Professor Jen Waldron ____________________________________ Professor Carla Freccero _____________________________ Tyrus Miller Vice Provost and Dean of Graduate Studies Copyright © by Lauren Shufran 2017 TABLE OF CONTENTS Abstract iv Acknowledgements vi Introduction 1 Chapter 1: “Till I in hand her yet halfe trembling tooke”: Justification in Edmund Spenser’s Amoretti 18 Chapter 2: Thomas Watson’s Hekatompathia: Reformed Grace and the Reason-versus-Passion Topos 76 Chapter 3: At Wit’s End: Philip Sidney and the Postlapsarian Limits of Reason and Will 105 Chapter 4: “From despaire to new election”: Predestination and Astrological Determinism in Fulke Greville’s Caelica 165 Chapter 5: Mary Wroth’s “strang labourinth” as a Predestinarian Figure in Pamphilia to Amphilanthus 212 Chapter 6: Bondage of the Will / The Bondage of Will: Theological Traces in Shake-speares Sonnets 264 iii ABSTRACT THE PROTESTANT REFORMATION AND THE ENGLISH AMATORY SONNET SEQUENCE: SEEKING SALVATION IN LOVE POETRY Lauren Shufran When he described poetry as that which should “delight to move men to take goodnesse in hand,” Philip Sidney was articulating the widely held Renaissance belief that poetry’s principal function is edification. -
Thomas Watson, Christopher Marlowe, Richard Barnfield Tania Demetriou
2 The Non-Ovidian Elizabethan epyllion: Thomas Watson, Christopher Marlowe, Richard Barnfield Tania Demetriou ‘I like short poems, but I want them to be epic.’ Alice Oswald1 Prologue or preludium: Richard Barnfield’s Hellens Rape One of the most riotous mythological narrative poems of the Elizabethan 1590s is Richard Barnfield’s Hellens Rape (1594), an experiment in hexameter verse, alliteratively subtitled ‘A light Lanthorne for light Ladies’.2 The rape of Helen is narrated by Barnfield like never before: Adulterous Paris (then a Boy) kept sheepe as a shepheard On Ida Mountaine, unknown to the King for a Keeper Of sheep, on Ida Mountain, as a Boy, as a shepheard: Yet such sheep he kept, and was so seemelie a shepheard, Seemelie a Boy, so seemelie a youth, so seemelie a Younker, That on Ide was not such a Boy, such a youth, such a Younker. (sig. G3v) Miraculously, given this narrative pace, Paris manages to make himself known to King Priam, and persuade him that he ought to bring back his aunt ‘Hesyone’ from Greece. On his laddish outing across the Aegean, he is escorted by ‘Telamour’, ‘lust-bewitched Alexis’, and ‘eyefull … Argus’, companions who prove predictably keen on a detour to ‘Lacedaemon’, where they are hosted by Helen in Menelaus’s absence. This is how the disaster happens: 55 First they fell to the feast, and after fall to a Dauncing, And from a dance to a Trance, from a Trance they fell to a falling Either in others armes, and either in armes of another. … … Each one hies home to his own home Save Lord and Ladie: … … Well to their worke they goe, and bothe they jumble in one Bed: Worke so well they like, that they still like to be working: For Aurora mounts before he leaves to be mounting: And Astraea fades before she faints to be falling: (Helen a light Huswife, now a lightsome starre in Olympus.) (sig. -
Aristocratic Women at the Late Elizabethan Court: Politics, Patronage and Power
Aristocratic Women at the Late Elizabethan Court: Politics, Patronage and Power Joanne Lee Hocking School of Humanities, Department of History University of Adelaide November 2015 Table of Contents Abstract i Thesis declaration iii Acknowledgments iv List of Abbreviations v Chapter 1 Introduction 1 Chapter 2 The Political Context, 1580-1603 28 Chapter 3 The Politics of Female Agency: 54 Anne Dudley, Countess of Warwick Chapter 4 The Politics of Family and Faction: 132 Anne, Lady Bacon and Elizabeth, Lady Russell Chapter 5 The Politics of Favour: the Essex Women 195 Chapter 6 Conclusion 265 Appendices Appendix A – the Russell family 273 Appendix B – the Dudley family 274 Appendix C – the Cooke family 275 Appendix D – the Devereux family 276 Appendix E – Countess of Warwick’s 277 Patronage Network Appendix F –Countess of Warwick’s will 292 Bibliography 305 Abstract This thesis examines the power of aristocratic women in politics and patronage in the final years of the Elizabethan court (1580 to 1603). Substantial archival sources are analysed to evaluate the concepts of female political agency discussed in scholarly literature, including women’s roles in politics, within families, in networks and as part of the court patronage system. A case study methodology is used to examine the lives and careers of specific aristocratic women in three spheres of court politics – the politics of female agency, the politics of family and faction, and the politics of favour. The first case study looks at Elizabeth’s long-serving lady-in-waiting, Anne Dudley, Countess of Warwick, and demonstrates that female political agents harnessed multiple sources of agency to exercise power at court on behalf of dense patronage networks. -
Redalyc.Henry Constable's Sonnets to Arbella Stuart
SEDERI Yearbook ISSN: 1135-7789 [email protected] Spanish and Portuguese Society for English Renaissance Studies España Pérez Jáuregui, Ma Jesús Henry Constable’s sonnets to Arbella Stuart SEDERI Yearbook, núm. 19, 2009, pp. 189-202 Spanish and Portuguese Society for English Renaissance Studies Valladolid, España Available in: http://www.redalyc.org/articulo.oa?id=333527606009 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative Henry Constable’s sonnets to Arbella Stuart Mª Jesús Pérez Jáuregui University of Sevilla ABSTRACT Although the Elizabethan poet and courtier Henry Constable is best known for his sonnet-sequence Diana (1592), he also wrote a series of sonnets addressed to noble personages that appear only in one manuscript (Victoria and Albert Museum, MS Dyce 44). Three of these lyrics are dedicated to Lady Arbella Stuart – cousin-german to James VI of Scotland–, who was considered a candidate to Elizabeth’s succession for a long time. Two of the sonnets were probably written on the occasion of Constable and Arbella’s meeting at court in 1588, and praise the thirteen-year old lady for her numerous virtues; the other one seems to have been written later on, as a conclusion to the whole book, implying that Constable at a certain moment presented it to Arbella in search for patronage and political protection. At a time when the succession seemed imminent, Constable’s allegiance to the Earl of Essex, who befriended Arbella and yet sent messages to James to assure him of his circle’s support, raises the question of the true motivation of these sonnets. -
The De Vere Society Newsletter January 2021 Newsletter 02Apro the DE VERE0 SOCIETY
The de Vere Society newsletter January 2021 newsletter 02Apro THE DE VERE0 SOCIETY ‘Report me and my cause aright To the unsatisfied.’ Hamlet, V. ii. Vol. 28, No. 1, January 2021 Page Oxfordian News: Notices and recent events 03 Band of Brothers: Edward de Vere and his Literary Circle in the 1580s 04 DVS Autumn Conference Webinar 2020: Introduction by Charles Beauclerk Presentations: Kevin Gilvary, Ian Johnson, Eddi Jolly and Alexander Waugh Speaking and singing interludes: Richard Clifford, Sir Derek Jacobi, Annabel Leventon, Charlie Limm and Frankie Paradiso. Mystery guest: Ron Destro Bridget de Vere’s Second Marriage to Sir Hugh Pollard by Jan Cole 15 A historical investigation that links Oxford’s daughter to Stratford, with an introduction by Alexander Waugh James Shapiro’s Contested Will: Who Wrote Shakespeare? 25 Review by April Drusiana with an editorial prologue by Jan Scheffer: Shapiro contradicts his own arguments Reviews: Renaissance Man: The World of Thomas Watson by Ian Johnson; 46 The Shakespeare Masterclasses by Ron Destro; Behind the Name Shakespeare: Power, Lust, Scorn & Scandal documentary film by Robin Phillips DVS Events: Forthcoming events and diary dates 51 Newsletter contributions welcome Contributors’ views are not necessarily those of the Society or of the Committee. Editor: Amanda Hinds. The next issue is planned for April 2021. If you would like to contribute a comment, letter or article, please contact the Editor or submit a Word document either to: [email protected] or by post to: The DVS, PO Box 1904, Southampton SO15 9LQ, UK. The DVS Newsletter is printed and distributed by Sarsen Press, Winchester, UK www.deveresociety.co.uk 1 FB | Twitter: @deveresocietyuk The de Vere Society newsletter January 2021 newsletter 02Apro THE DE VERE SOCIETY 0 PATRON: SIR DEREK JACOBI CBE | FOUNDER: CHARLES BEAUCLERK We welcome everyone who appreciates the works of Shakespeare and anyone who is interested in the Shakespeare Authorship Question. -
Vol. IX, No. 1 (1948, Spring)
_,,- llPR l 1194S ·S THE SHAKESPEARE FELLOWSIDP UNIV£RSITY C WASHINGTOl\ 11'Aers r / !i The Shakespeare Fellowship was founded in London in 1922 ,under the presidency of Sir George Greenwood. VOL. x& SPRING, 1948 NO l Rarest Contemporary Description of "Shakespeare" Proves Poet to Have Been a· Nobleman Vivid Word-Portrait by Thomas Edwards, Long Declared "Unidentifiable" by the Stratford Experts, Yields Its Secrets Under X0 Ray of Oxford Documentation By CHARLES WISNER BARRELL ONE OF THE RAREST BOOKS ever printed in the Rosamond; and laments the fact that Amintas · English langu~e contains a heretofore unidentified (Thomas Watson) and Leander (Christopher Mar description of the poet-playwright Earl of Oxford lowe) are "gone"-both of these poets having died as a dominating creative spirit of the Shake- by June 1, 1593. Edwards then continues his spearean Age. · "Envoy" with what are probably the earliest refer This is Cephalus and Procris (and) Narcissus ences extant to Venus and Adonis, as that poem by Thomas Edwards. In addition to a fragment was licensed for publication on April 18, 1593, comprising the. title-page and a small part of the only six months before the Edwards' manuscript opening poem, only one complete copy is known. was officially approved. What makes this Shake It was discovered in 1878 in the library of Peter ~pearean commentary of paramount interest, how bQrough Cathedral, and was reprinted for the Rox ever, is the fact that Edwards adds to his apprecia burghe Club in 1882 with editorial comments by tion of 11 en.us and Adonis a remarkable pen-por W. -
Teach035 Prisonerperilousplot T
The Prisoner’s Perilous Plot Time Explorers has been created for schools by Historic Royal Palaces to inspire learning about history, both at our palaces and in the classroom. Combining immersive storytelling with digital technology and hands-on workshops, we offer learning experiences that enthuse children, nurture imagination and develop skills of historical enquiry, problem-solving and teamwork. Digital missions are interactive story adventures designed to encourage your pupils to explore the rich and dramatic histories of our palaces. This Teacher’s Toolkit has been produced to support you and your pupils to successfully complete ‘The Prisoner’s Perilous Plot’ mission. It is designed to be a flexible resource for teachers of pupils aged 7-11 years old and has been mapped to the aims of the new National Curriculum. This toolkit provides you with ideas and resources to extend your pupils’ learning before and after their visit. We hope it acts as a useful stimulus and support to help ignite your pupils’ passion for learning about history. Your mission... It is 1611, and Arbella Seymour desperately needs your help. Her husband William is imprisoned in the Tower of London. Arbella is determined to help him escape – but she’s under house arrest herself, so she needs the Time Explorers to help sneak William out of the Tower to freedom! In order for the plot to work, Arbella and the Time Explorers must gather information about other prisoners and possible routes out of the Tower, so they can make a foolproof plan for escape. Time Explorers – Teacher’s Toolkit Classroom Challenges The Prisoner’s Perilous Plot Classroom challenges Classroom challenges This toolkit provides a series of classroom challenges for key subject areas. -
A Companion to the Cavendishes
A COMPANION TO THE CAVENDISHES Companions Arc Humanities’ Reference Works bring together the best of international research in authoritative edited collections that have enduring beneit to scholars and students alike. Topics are carefully selected to stand the test of time and, in the best cases, these works are consulted for decades. The program includes historical, textual, and material source books, readers for students that collate and curate required essays for courses, and our Companions program. Arc’s Companions program includes curated volumes that have a global perspective and that earn their shelf space by their authoritative and comprehensive content, up-to- date information, accessibility, and relevance. As well as providing an overview of the topics, contributing authors are encouraged to challenge the status quo and recognize con- tentious issues and cutting- edge concerns. The Companions acknowledge diversity and inclusivity and open students up to the idea that research is evolving, debatable, and contested and not always deinitive. FOR PRIVATE AND NON-COMMERCIAL USE ONLY A COMPANION TO THE CAVENDISHES Edited by LISA HOPKINS and TOM RUTTER For Chris and Sam, and for Sophie, Caedmon, and Aphra British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library. © 2020, Arc Humanities Press, Leeds The authors assert their moral right to be identiied as the authors of this work. Permission to use brief excerpts from this work in scholarly and educational works is hereby granted pro- vided that the source is acknowledged. Any use of material in this work that is an exception or limitation covered by Article 5 of the European Union’s Copyright Directive (2001/29/ EC) or would be determined to be “fair use” under Section 107 of the US Copyright Act September 2010 Page 2 or that satisies the conditions speciied in Section 108 of the US Copyright Act (17 USC §108, as revised by PL 94– 553) does not require the Publisher’s permission. -
The Duchess' Privy Chamber
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by bepress Legal Repository The Duchess’ Privy Chamber: Early Modern Marriage and the Eviction of Women from the Public Sphere in The Duchess of Malfi 1 Carla Spivack In December of 1603, several months after the coronation of James the Sixth of Scotland as Jam es the First of England, John Harington, a failed courtier from Elizabeth’s reign - her godson, in fact - was summoned, as others, to the new monarch’s “closet” - the innermost and most private of the many royal chambers - for an introduction. For Haringt on, it was an opportunity to greet the new king and set the stage for improving his fortunes under the new regime. After waiting an hour, he was led to a small chamber where pens and paper were laid out, and the King quickly appeared. James asked whether Harington were related to a courtier of the same name whom James had recently made a baron, and inquired about Harington’s education, bringing to Harington’s mind his “examiner at Cambridge aforetyme.” The king posed the philosophical question of “what pure witte [white] was made of” and “whom it best became.” Finally, James turned to one of his favorite subjects at the time, witchcraft, and asked Harington why “the devil did worke more with anciente women than with others.” In response, Harington risked a “scurvey jeste,” and suggested that it was because, as scripture tells us, “the devil walketh in dry places.” Presumably after a chuckle, the King went on to other matters and concluded by promising to further aid the “understanding” of his courtier if he could.2 This vignette, I believe, reveals that a profound shift in gender relations and the role of women in public life took place at the time of the Jacobean succession. -
THE CUHTÆI^ÜHAHY STATUS AHD FUNCTION of the Elizabethail SONNET Johanna Marjorie Procter Thesis Submitted for the Degree of Ma
THE CUHTÆI^ÜHAHY STATUS AHD FUNCTION OF THE ELIZABETHAil SONNET by Johanna Marjorie Procter Thesis submitted for the degree of Master of Arts of London University May 1966 Bedford College, London ProQuest Number: 10097293 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10097293 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 2 . ABSTRACT This study attempts to present Elizabethan views upon the sonnet, both as a literary form and as a poem of society, and following from this, the uses to which it was adapted. Chapter One examines contemporary definitions of the "sonnet", to determine the breadth of meaning which the term had for the Elizabethans, and to establish the literary and social over-tones important to the following chapters. Chapters Two to Four discuss the literary aspects of the quatorzain. They describe the influence of Renaissance critical theory upon the Elizabethan attitudes to the stanza, and seek to show that the enthusiasm for and later revulsion against the poem resulted firstly from the importance of Petrarchanism in establishing a modern vernacular literature, and secondly from the consequent rejection of this when the task was completed.