Readers an Insight Into the Life of $23 a Child Taken Away from Everything They Know Into an Alien World Without Love

Total Page:16

File Type:pdf, Size:1020Kb

Readers an Insight Into the Life of $23 a Child Taken Away from Everything They Know Into an Alien World Without Love Rights Stuff Product Catalogue 2012/13 (02) 9280 0025 | antar.org.au/shop Welcome Greeting Cards ANTaR’s Rights Stuff program Sea of Hands works to generate economic, Photographs of 10 Sea of Hands displays from cultural and social benefits for around Australia. Aboriginal and Torres Strait Islander Over 300,000 Australians have signed their names on one peoples by offering a range of of 120,000 plastic hands that make up the Sea of Hands, to show their support for native title and reconciliation. The Sea vibrant and thoughtful products to of Hands has become a symbol of the People’s Movement for Australia and the world. Reconciliation. $13 – Pack of 10 blank cards In doing so, ANTaR actively promotes a more just and Elaine Russell equitable Australia. The sale of selected ANTaR 8 cards showcasing artwork from Elaine Russell’s book The Shack That Dad Built (see Kids’ Books) products cross-subsidises Elaine Russell is a Kamileroi painter and artist born in 1941 community enterprises and in Tingha, northern New South Wales. At about five years of Aboriginal and Torres Strait Islander age, Elaine moved with her family to La Perouse in Sydney. At this time there was a large Aboriginal community living on the businesses. shores of Botany Bay. The Shack that Dad Built is a recollection of childhood memories and experiences from this period of her Any profit generated through life, including the family’s subsequent move to Murrin Bridge Mission on the Lachlan River in central New South Wales. Like ANTaR’s Rights Stuff program is the numerous missions across the state, Murrin Bridge was controlled by the Aborigines Welfare Board. The Shack that directed to achieving justice, rights Dad Built offers a narrative of shared experience and important and respect for Australia’s First evidence of the impact of government policies on the lives of Aboriginal people in the 1940s and 1950s. Peoples. Elaine’s work has been displayed – and is held – by museums and galleries including the Art Gallery of NSW and the National Lesley Pepper Gallery of Australia. These cards are made by ANTaR in Economic Development conjunction with Elaine Russell. Program Manager $10 – Pack of 8 blank cards To purchase these and many other products, visit antar.org.au/shop Greeting cards showcasing the work of artists from Ninuku Arts. Ninuku Arts Ninuku Arts is a wholly Aboriginal owned Art Centre that supports artists from two communities - Pipalyatjara and Kalka. Both communities are located in the far north-western corner of South Australia, near the borders with Western Australia and the Northern Territory. The name of the Art Centre derives from ‘Ninuku Tjukurpa’ meaning Bilby Dreaming, which is the main Dreaming story for the country surrounding the Kalka Community. $13 – Pack of 10 blank cards (8 designs) $30 – Pack of 30 blank cards (8 designs) Greeting cards featuring Waltja Reusable Diary Covers Waltja The Waltja Tjutangku Palyapayi Aboriginal Association (Waltja), Alice Springs, grew from the Central Australian Family Resource Centre. The organisation’s objectives are to address issues of social and emotional wellbeing, substance abuse, child protection, violence, health and safety. The Waltja Diary Cover Project provides an opportunity for Aboriginal people in remote Central Australian Communities to earn additional income, thereby alleviating financial hardship. $13 – Pack of 10 blank cards (8 designs) $30 – Pack of 30 blank cards (8 designs) To purchase these and many other products, visit antar.org.au/shop Magabala Australian Indigenous Diary Stationery 2013 Features include artworks by Aboriginal and Torres Strait Islander artists from IAD Press Jukurrpa 2013 Calendar around Australia. Dates and information on historical events such as Showcasing 12 images of artwork by contemporary Central the 1965 ‘Freedom Ride’ and the National Apology Australian Aboriginal artists. Seasons according to Central Day are featured throughout the diary. Arrente people of Mparntwe (Alice Springs) Week to an opening National public holidays for Australia, United Kingdom, France, Hard Cover Germany and United States, Full moon, solstices and equinox (spiral bound) 220 mm x 170 mm $25 – 300 x300mm, shrink wrapped. Pages: 200pp (30–40 full colour IAD Press Jukurrpa 2013 Diary photographs/ reproductions). Day‐to‐a‐page (except weekends) 320 pp, $29.95 26 colour reproductions of Central Australian art from Desart affiliated art centres. Cover flaps back and front, including year at‐a‐glance chart. Two internal perforated card pull‐out bookmarks. Colour Aboriginal Australia Wall Map regional map, showing geographical origins of each artwork This map includes $23 – Soft Cover (spiral bound) Aboriginal and Torres $30 – Hard Cover (spiral bound, casebound) Strait Islander languages from around the country. Size unfolded: 841mm x 594mm. IAD Press Jukurrpa Journal $18 Featuring images and excerpts from the Eastern Arrente Creation story of the Seven Sisters. High gloss cover, front cover flap, key words in Arrente and English $15 Land Acknowledgement Plaque Enamel on aluminum with four corner screw holes. Size: 225 x 150mm. $35 – personal use $45 – organisations To purchase these and many other products, visit antar.org.au/shop Waltja Reusable Diary Covers Waltja The Waltja Diary Cover Project provides an opportunity for Aboriginal people in Central Australian Communities to earn additional income, thereby alleviating financial hardship. Under the project, individuals are able to earn income by painting diary covers for a set amount per cover, with remuneration paid in cash or in supermarket vouchers. By purchasing a diary cover, you can support an emergency relief fund that provides shelter, food, clothing, fuel and the opportunity to create immediate income for Aboriginal families and individuals. So far the fund has assisted over 800 Aboriginal people to overcome situations of financial stress while staying in Alice Springs. Waltja Tjutangku Palyapayi Aboriginal Association (Waltja), Alice Springs, grew from the Central Australian Family Resource Centre. The organisation’s objectives are to address issues of social and emotional wellbeing, substance abuse, child protection, violence, health and safety. The diary covers are made of swag canvas and machine stitched to give durability. As the diary covers are not a mass produced product, your diary cover will be randomly selected for you. We can assure you that each diary cover as well as being individual, is a well made, beautiful product signed by the artist that can be used for years to come. (Please see antar.org.au/shop for further reference). $88 – Large Diary Cover Size 460mmx330mm (unfolded) $55 – Small Diary Cover Size 340mmx240mm (unfolded) To purchase these and many other products, visit antar.org.au/shop Homewares Bima Wear Better World Arts Bima Wear is a fabric printmaking and clothing Better World Arts works with artists across the globe ensuring a fair distribution of profits. business based at Wurrumiyana (formerly Nguiu), on Bathurst Island in the Tiwi Islands. Cushion Covers Laquerware Hand Printed Fabrics feature traditional symbols, structures, family and environmental These rich textured cushion covers from Better World Arts These boxes are a joint venture between artists from representations that are central to Tiwi culture. are a cross cultural project involving Kashmiri artists and Kashmir and the Central Desert. Pillowcase Covers Aboriginal artists from South Australia. $60 – Each. 410 x 410mm. Inserts not included (A, B,C) $12 – Each (A, B,C, D) 510x 740mm A. Jilimara B. Sharon the Pig A B C A B $35 – Each. Inserts not included. C D Gaawaa Miyay (River Daughter) Gaawaa Miyay (River Daughter) was established by Lucy Simpson in 2009. Lucy is a Yuwaalaraay woman, born and based in Sydney who draws inspiration from family, culture and landscape. Gaawaa Miyay combines age old traditions of narrative and storytelling with contemporary prints and design to create the next generation of Aboriginal visual storytelling. Gaawaa Miyay Cushion covers Tjanpi Desert Weavers A. Gwibiirr (Bush Passionfruit) B. Dhinawan (Emu Feather) Tjanpi (meaning grass) $75 – Each. 400x400 mm. Inserts not included began as a series of basket-weaving workshops held on the Gaawaa Miyay Tea Towels Ngaanyatjarra Lands in Western Australia A. Guduu-Bidi (fishing) print (Green) by the Ngaanyatjarra B. Murrgumurrgu (Ibis) print (Yellow) Pitjantjatjara Yankunytjatjara (NPY) Women’s C. Guduu-Bidi (fishing) print (Soft Gray) Council in 1995. $35 – Each. 50cm x 70cm. Hand printed 100% Linen Woven baskets with feathers $65 Set of 3 $95 – Each To purchase these and many other products, visit antar.org.au/shop FASHION Gaawaa Miyay (River Daughter) ‘Freshwater country, my country is the source from which I draw pride, inspiration and story.’ Lucy Simpson Gaawaa Miyay Scarves 50 x 180cm (100% silk georgette) A. Moss B. Charcoal C. White $85 – Each Gaawaa Miyay Bangles Sets Each set includes 1 cloth + 2 stone bangles A. Light Green B. Beige C. Dark Green $65 – Set of 3 bangles Better World Arts produces and sources high quality art and handicrafts from artisans globally. All profits generated are distributed fairly between artists and producer. These products are a cross cultural project involving artists from the Anangu Pitjantjatjara Yankuntjatjara Lands, Central Australia and artisans in Peru. Silver Brooch $60 – Each Silver Pendant $48 – Each Sea of Hand Pins Kemarre Screen Printed Silk Scarf Kemarre Arts is a Canberra based Aboriginal owned Aboriginal flag colours and operated Arts business. $9 for 3 pins Silk Scarf – Rose Pink Emu Chicks Torres Strait Islander flag colours $12 for 4 pins $75 –Each To purchase these and many other products, visit antar.org.au/shop BOOKS KIDS BOOKS Mazin Grace Dylan Coleman E is for Echidna Bronwyn Bancroft Winner of the 2011 David Unaipon Award for Indigenous Writing. A beautiful book of Australian words for the very young. Dylan Coleman fictionalises her mother’s childhood at the Koonibba $14.95 – Suitable for our youngest ANTaR Lutheran Mission in South Australia in the 1940s and 50s.
Recommended publications
  • Into the Mainstream Guide to the Moving Image Recordings from the Production of Into the Mainstream by Ned Lander, 1988
    Descriptive Level Finding aid LANDER_N001 Collection title Into the Mainstream Guide to the moving image recordings from the production of Into the Mainstream by Ned Lander, 1988 Prepared 2015 by LW and IE, from audition sheets by JW Last updated November 19, 2015 ACCESS Availability of copies Digital viewing copies are available. Further information is available on the 'Ordering Collection Items' web page. Alternatively, contact the Access Unit by email to arrange an appointment to view the recordings or to order copies. Restrictions on viewing The collection is open for viewing on the AIATSIS premises. AIATSIS holds viewing copies and production materials. Contact AFI Distribution for copies and usage. Contact Ned Lander and Yothu Yindi for usage of production materials. Ned Lander has donated production materials from this film to AIATSIS as a Cultural Gift under the Taxation Incentives for the Arts Scheme. Restrictions on use The collection may only be copied or published with permission from AIATSIS. SCOPE AND CONTENT NOTE Date: 1988 Extent: 102 videocassettes (Betacam SP) (approximately 35 hrs.) : sd., col. (Moving Image 10 U-Matic tapes (Kodak EB950) (approximately 10 hrs.) : sd, col. components) 6 Betamax tapes (approximately 6 hrs.) : sd, col. 9 VHS tapes (approximately 9 hrs.) : sd, col. Production history Made as a one hour television documentary, 'Into the Mainstream' follows the Aboriginal band Yothu Yindi on its journey across America in 1988 with rock groups Midnight Oil and Graffiti Man (featuring John Trudell). Yothu Yindi is famed for drawing on the song-cycles of its Arnhem Land roots to create a mix of traditional Aboriginal music and rock and roll.
    [Show full text]
  • Anthropology of Indigenous Australia
    Anthropology of Indigenous Australia Class code ANTH-UA 9037 Instructor Details Petronella Vaarzon-Morel [email protected] 0428633216 (mobile) Office Hour: Tuesday 5-6pm Class Details Anthropology of Indigenous Australia Tuesdays, 2-5pm September 3 to December 10 Room 3.04 NYU Sydney Academic Centre Science House: 157 Gloucester Street, The Rocks Prerequisites None Class Description This course offers an introduction to some of the classical and current issues in the anthropology of Indigenous Australia. The role of anthropology in the representation and governance of Indigenous life is itself an important subject for anthropological inquiry, considering that Indigenous people of Australia have long been the objects of interest and imagination by outsiders for their cultural formulations of kinship, ritual, art, gender, and politics. These representations—in feature films about them (such as Rabbit-Proof Fence and Australia), New Age Literature (such as Mutant Message Down Under), or museum exhibitions (such as in the Museum of Sydney or the Australian Museum)—are now also in dialogue with Indigenous forms of cultural production, in genres as diverse as film, television, drama, dance, and archiving. The course will explore how Aboriginal people have struggled to reproduce themselves and their traditions on their own terms, asserting their right to forms of cultural autonomy and self-determination. Through the examination of ethnographic texts, historical accounts, films, live performances, and an autobiography, we will consider the ways in which Aboriginalities are being challenged and constructed in contemporary Australia. The course will consist of lectures interspersed with discussions, student presentations, and films/other media; we may also have guest presenters.
    [Show full text]
  • Stephen Page on Nyapanyapa
    — OUR land people stories, 2017 — WE ARE BANGARRA We are an Aboriginal and Torres Strait Islander organisation and one of Australia’s leading performing arts companies, widely acclaimed nationally and around the world for our powerful dancing, distinctive theatrical voice and utterly unique soundscapes, music and design. Led by Artistic Director Stephen Page, we are Bangarra’s annual program includes a national currently in our 28th year. Our dance technique tour of a world premiere work, performed in is forged from over 40,000 years of culture, Australia’s most iconic venues; a regional tour embodied with contemporary movement. The allowing audiences outside of capital cities company’s dancers are dynamic artists who the opportunity to experience Bangarra, and represent the pinnacle of Australian dance. Each an international tour to maintain our global has a proud Aboriginal and/or Torres Strait reputation for excellence. Islander background, from various locations across the country. Complementing this touring roster are education programs, workshops and special performances Our relationships with Aboriginal and Torres and projects, planting the seeds for the next Strait Islander communities are the heart generation of performers and storytellers. of Bangarra, with our repertoire created on Country and stories gathered from respected Authentic storytelling, outstanding technique community Elders. and deeply moving performances are Bangarra’s unique signature. It’s this inherent connection to our land and people that makes us unique and enjoyed by audiences from remote Australian regional centres to New York. A MESSAGE from Artistic Director Stephen Page & Executive Director Philippe Magid Thank you for joining us for Bangarra’s We’re incredibly proud of our role as cultural international season of OUR land people stories.
    [Show full text]
  • Commercial Driver's License (CDL) Manual
    Connecticut Commercial Driver License Manual Ned Lamont Sibongile Magubane Governor Commissioner State of Connecticut Department of Motor Vehicles 60 State Street Wethersfield, CT 06161 ct.gov/dmv R-295 Rev. 03/2020 This material is based upon work supported by the Federal Motor Carrier Safety Administration under Cooperative Agreement No. DTFH61-97-X-00017. Any opinions, findings, conclusions or recommendations expressed in this publication are those of the Author(s) and do not necessarily reflect the view of the Federal Motor Carrier Safety Administration. COPYRIGHT © 2005 AAMVA. All rights reserved This material has been created for and provided to State Driver License Agencies (SDLAs) by AAMVA for the purpose of educating Driver License applicants (Commercial or Non-Commercial). Permission to reproduce, use, distribute or sell this material has been granted to SDLAs only. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system without express written permission from the author / publisher. Any unauthorized reprint, use, distribution or sale of this material is prohibited. In January 2015, an RV pulled into a truck stop in Virginia. Observant professional truck driver Kevin Kimmel recognized suspicious activity around that RV, which had pulled back by the truck line, and decided something was off. Instead of turning a blind eye, he made a call that brought law enforcement out to the scene within a few minutes. After interviewing the occupants of the vehicle, they discovered that a young woman, 20 years old, had been kidnapped from Iowa two weeks prior.
    [Show full text]
  • Reconciliationnews Issue No 30 // September 2014
    ReconciliationNews ISSUE NO 30 // September 2014 Rebecca Richards, Rhodes Scholar Top marks for a Coota boy The culture of mathematics 2 ISSUE NO 30 // September 2014 CONTENTS CEO’s message 3 From student to teacher 4 Two cool for schools This is likely to be my final message in Reconciliation News as I will soon be stepping down as CEO of Reconciliation Australia. I have absolutely enjoyed working here for the past four years and 7 Lourdes Hill shares the spirit it has been a privilege to share that time with a Board and staff so committed to the work we do. 8 Rebecca Richards, When I first took up my role, I said how honoured I was to be heading up an organisation that Rhodes Scholar matched my own values, and that is just as true today as it was then. The pathway to recognition and reconciliation is now engaging more Australians than ever before 10 The magic of mentoring and I am proud to have been a part of our key achievements over the past few years. We are now more dynamic and disciplined, our policy and people processes are more reflective of a 12 Top marks for a Coota boy social business and our programs including Reconciliation Action Plans, National Reconciliation Week and the Indigenous Governance Awards have all increased their reach and impact. 15 Students hit the right note We have significantly increased our profile and engagement across all sectors of society— 16 Walking the talk on Kokoda government, corporate, schools, Aboriginal and Torres Strait Islander leaders and communities and non-Indigenous organisations.
    [Show full text]
  • Reconciliationnews Issue No 28 // December 2013
    ReconciliationNews ISSUE NO 28 // December 2013 Michael Hohnen and Mark Grose and their passion for Indigenous music Rachel Perkins discusses her love of filmmaking Alison Page, bringing people together through the Freshwater Saltwater Arts Alliance 2 ISSUE NO 28 // December 2013 CONTENTS 3 Black Diggers – CEO message the untold story 4 Rachel Perkins: in the frame How quickly this year has flown! All of a sudden we’re talking about Christmas, thinking about a welcome break 7 A tale of two talents by a beach somewhere and looking forward to all that fun 8 Coming home to and food with family and friends. Noongar country 10 Making music with Skinnyfish For most of us, taking a break will probably include music, movies and books, perhaps even a visit to a gallery or a festival. The arts enrich our lives every day and in much the same way 12 Riding the black cockatoo as sport encourages respect and admiration for athletic talent, the arts can provide a real appreciation and understanding of culture. 16 Saltwater Freshwater: bringing people together We’ve devoted this edition of Reconciliation News to the arts and I hope you’ll enjoy the various stories that together illustrate that reconciliation comes in many forms. 19 Bangarra turns 25! The thoughtful voice of film director Rachel Perkins whose work includes First Australians, Mabo and Redfern Now comes through clearly as she reveals her passion for filmmaking. Her quietly 19 Aboriginal artists shine powerful films have helped demystify our hidden history and have fostered better understanding between Aboriginal and Torres Strait Islander people and other Australians.
    [Show full text]
  • VIBE ACTIVITIES Issueyears 198 K-1
    Years K-1 Y E A R Name: K-1 VIBE ACTIVITIES IssueYears 198 K-1 Female Artist of the Year – Jessica Mauboy page 7 Shellie Morris DeGeneres Show. In April, she was ranked at number 16 on FEMALE ARTIST Contemporary folk musician Shellie Morris the Herald-Sun’s list of the ‘100 was raised in Sydney and began singing at a Greatest Australian Singers of All Time’. young age. As a young woman she moved Mauboy has been in the US working OF THE YEAR to Darwin to find her Indigenous family and on her upcoming third studio album, also found her musical legacy. That connection which is due for release in late 2013. and knowledge has helped her become a talented and popular singer/songwriter with musicals, Hollywood blockbusters and a voice that has been described as “soaring”. Casey Donovan collaborations with showbiz and musical At the age of 16, Casey Donovan became luminaries, such as Baz Luhrmann, Paul Kelly Shellie has played with artists such as Sinead and David Atkins. O’Connor, Gurrumul and Ricki-Lee Jones and the youngest ever winner of Australian featured as a singer with the Black Arm Band. Idol, and has since made her mark on Anu began her performing career as both the Australian music and theatre a dancer, but quickly moved on to singing Ngambala Wiji Li-Wunungu (Together We are scene. After releasing her debut EP, Eye back-up vocals for The Rainmakers and Strong) is Shellie’s latest release; recorded 2 Eye, Casey was encouraged to try her eventually releasing her own solo material, with family members from her grandmother’s hand at theatre where she received which has produced platinum- and country in Borroloola, the album is sung critical acclaim for her roles in the 2010 gold-selling albums and singles, including entirely in several Indigenous languages.
    [Show full text]
  • Reconciliation-Week-Booklist
    Reconciliation Week Resources on Reconciliation: Books to read, videos and music for Monash staff and students, mainly available through Search TITLE Behrendt, Larissa. Home. St Lucia, Qld: University of Queensland Press, 2004. – Online and PRINT Behrendt, Larissa. Resolving Indigenous Disputes: Land Conflict and Beyond. Leichhardt, NSW: The Federation Press, 2008. - PRINT Birch, Tony, Broken Teeth - PRINT Elder, Bruce. Blood on the Wattle: Massacres and Maltreatment of Aboriginal Australians since 1788. Frenchs Forest, NSW: New Holland, 3rd ed. 2003 - PRINT Frankland, Richard. Digger J Jones. Linfield NSW: Scholastic Press, 2007. - PRINT Frankland, Richard. Walking into Bigness. Strawberry Hills, NSW: Currency Press, 2017. - PRINT Gillespie, Neil. Reflections: 40 Years on from the 1967 Referendum. Adelaide: Aboriginal Legal Rights Movement, 2007 – PRINT Howarth, Kate. Ten Hail Marys: A Memoir. St Lucia, Qld: University of Queensland Press, 2010 - PRINT Langton, Marcia, Welcome to country : a travel guide to Indigenous Australia, (2018) – PRINT Moreton-Robinson, Aileen. Talkin’ up to the White Woman: Aboriginal Women and Feminism. St Lucia, Qld: University of Queensland Press, 2000 – PRINT Moreton-Robinson, Aileen. Sovereign Subjects: Indigenous Sovereignty Matters ,Crows Nest, N.S.W.: Allen & Unwin, 2007- PRINT Moreton-Robinson, Aileen. The White Possessive: Property, Power and Indigenous Sovereignty. Minneapolis: University of Minnesota Press, 2015 - ONLINE Ogden, John, Saltwater people of the Fatal Shore (2012) - PRINT Pascoe, Bruce. Dark Emu: Black Seeds, Agriculture or Accident? Broome, WA: Magabala Books, 2014 PRINT and ONLINE Pascoe, Bruce. Convincing Ground: Learning to Fall in Love with your Country. Canberra ACT: Aboriginal Studies Press, 2007 PRINT & ONLINE Russell, Lynette. Savage Imaginings: Historical and Contemporary Constructions of Australian Aboriginalities.
    [Show full text]
  • BY THORNTON WILDER DIRECTED by LEE LEWIS Jimi Bani, Colin Smith Welcome to 2021
    our town BY THORNTON WILDER DIRECTED BY LEE LEWIS Jimi Bani, Colin Smith Welcome to 2021. It is so exciting to be back embarking on a season of theatre, with some much-loved plays and others unknown. Amanda Jolly Executive Director And what better work massive. Like reaching out to return with than this to a neighbour. Taking a great American classic moment for a colleague — directed by our own who’s struggling. Calling Artistic Director, Lee Lewis a distant friend. And and featuring a cast of 16 above all, spending time outstanding Queensland with family. We craved actors. You’ll find some togetherness, and meaning, familiar faces and discover and hope. some rising stars of Our Town celebrates all tomorrow — a village of of this and more. With its artists. simplicity and heart, it When the coronavirus reminds us of the power of pandemic forced us all theatre and how much we indoors last year, we have all been missing this eventually came to realise shared experience. Enjoy. what has been most — Best wishes, important all along. It turned Amanda out to be the little things, the things we had been too busy for, the things so tiny that they’re actually Queensland Theatre would like to acknowledge the Jagera and Turrbal people who are the Traditional Custodians of this land. We pay our respects to their Elders both past and present, and to all Aboriginal and Torres Strait Islander peoples. QUEENSLAND THEATRE IS ASSISTED BY THE AUSTRALIAN GOVERNMENT THROUGH THE AUSTRALIA COUNCIL, ITS ARTS FUNDING AND ADVISORY BODY.
    [Show full text]
  • Black Cockatoo Dance Company: Indigenous Aboriginal Song and Dance
    Asia Society and the Australian Consulate-General Present Black Cockatoo Dance Company: Indigenous Aboriginal Song and Dance Friday, May 16, 8:00 P.M. Asia Society 725 Park Avenue at 70th Street New York City The performance will last approximately 50 minutes with no intermission, and will be followed by an artist Q&A Black Cockatoo Dance Company: Indigenous Aboriginal Song and Dance Program Contemporary Ochre - In this piece, the performers prepare for the dance by painting their body with clay (ochre), a traditional decoration. Music: Ochres by Kirk Page. Blessing of the space - didgeridoo solo Mainland Aboriginal Jalima - A song that welcomes the audience and also the spirits of our ancestors to the performance space. Ugudanji - A totem dance in which the performers imitate the movements of the kangaroo travelling across the country and finding a place to stay. Ngampi – A totem dance in which the performers imitate the movements of the emu as it searches for food. Aica – A dance depicting people hunting and gathering long cone shells in the mud amongst the man- groves in the rainforest. Giditchma – A totem dance in which the performers imitate the movements of the kitehawk as it hunts for food. Injarda – In this dance the dancers act out covering themselves with mud to protect themselves from mosquitos while looking for food in the swamp or mangroves and using leaves to swat the mosquitos away. Gidjigum – A dance telling the story of men looking for a bush honey tree to feed their people. Minayakaka – A totem dance in which the performers imitate the movements of a sea eagle searching and hunting for fish.
    [Show full text]
  • Series 2, Episode 4
    SERIES 2, EPISODE 4 © ATOM 2013 A STUDY GUIDE BY KATY MARRINER http://www.metromagazine.com.au ISBN: 978-1-74295-383-0 http://www.theeducationshop.com.au Redfern Now Series 2 portrays contemporary inner city Indigenous life in and around the suburb of Redfern in Sydney, New South Wales. The series offers compelling stories of ordinary people dealing with the ups and downs that life brings. Redfern Now is a drama series written, directed and produced by Indigenous Australians. The series was developed in collaboration with UK screenwriter Jimmy McGovern and is produced by Blackfella Films’ Darren Dale and Miranda Dear, and presented by ABC TV and Screen Australia in association with Screen NSW. Now has relevance to units of work in CURRICULUM Aboriginal and Torres Strait Islander LINKS Studies, Australian History, Cultural Studies, English, Health and Human Redfern Now is suitable for second- Development, Literature, Media, ary students in Years 9–12. The Religion and Society, and Sociology. series offers stories of Aboriginal and Torres Strait Islander peoples told by Teachers are advised to direct stu- Aboriginal and Torres Strait Islander dents to complete activities that are peoples, allowing students to develop subject-relevant and age-appropriate. an awareness and appreciation of Indigenous storytelling and to see the issues affecting Aboriginal and Torres BLACKFELLA Strait Islanders from their perspective. FILMS Given its insight into the present expe- For twenty years, Blackfella Films has riences of Aboriginal and Torres Strait created innovative and high-quality Islander peoples, the series provides content across documentary and nar- opportunities for students to engage rative in both short and feature formats in discussions about Aboriginal and for theatrical, television and online plat- Torres Strait Islander identity and be- forms.
    [Show full text]
  • CORANDERRK ILBIJERRI Theatre Company and Belvoir Teacher Resources 2017
    CORANDERRK ILBIJERRI Theatre Company and Belvoir Teacher Resources 2017 Ideal for Years 9/10 and VCE This resource has been created by ILBIJERRI Theatre Company with Curriculum Links and Year 9 and 10 material created by Meg Upton. Page | 1 TABLE OF CONTENTS ABOUT THIS RESOURCE......................................................................................................................... 3 ABOUT REGIONAL ARTS VICTORIA ........................................................................................................ 4 CURRICULUM LINKS .............................................................................................................................. 5 INTRODUCTION TO THE PROGRAM ....................................................................................................... 6 PRODUCTION CREDITS .......................................................................................................................... 7 BIOGRAPHIES ......................................................................................................................................... 7 SUPPORT MATERIAL ........................................................................................................................... 15 YEARS 9 AND 10: PERFORMANCE ACTIVITIES .................................................................................. 19 YEAR 9 AND 10 - POST PERFORMANCE ACTIVITIES ......................................................................... 19 FURTHER LEARNING ACTIVITIES AND RESEARCH ...........................................................................
    [Show full text]