The Abortion Game: Writing a Consciously Political Narrative Nonfiction Work
The Abortion Game: Writing a Consciously Political Narrative Nonfiction Work A PhD research thesis (Creative Writing), with manuscript (creative component) and exegesis (analytical component), submitted for the College of Arts, Victoria University Jacinda Woodhead June 2015 Woodhead | PhD manuscript and exegesis i The Abortion Game: Writing a Consciously Political Narrative Nonfiction Work Abstract In this creative‐writing research project, I set out to create a narrative nonfiction manuscript that investigates the contemporary politics surrounding abortion. The fundamental question driving the creative manuscript was, ‘Why is abortion largely invisible in Australia?’ Abortion is the second‐most common therapeutic surgical procedure in Australia, yet the history, the politics and the practice of abortion remain hidden from view. This invisibility allows us to avoid grappling with and confronting the complicated issues abortion raises. Using techniques commonly associated with fiction writing, such as narrative arc, characterisation, dialogue and scenes, the 69,000‐word manuscript investigates the factors, tiers and characters involved with abortion in Australia. The narrative nonfiction manuscript should be read first. The manuscript is accompanied by a 31,500‐word exegesis analysing the production, lineage and ethical implications of consciously political narrative nonfiction, a term that refers to works that make deliberate political interventions. Similarly to Hartsock (2000), I argue that when writing a consciously political narrative nonfiction work, the writer does not objectify the world as something different or alien from the reader, and instead strives to render characters as complex human beings. The exegesis reviews theories of ethics, objectivity and narrative within a form that is fundamentally journalism, yet can never fit within this narrow definition as it is primarily about mapping the cultural other (Sanderson 2004).
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