Jerome Klinkowitz Papers Relating to Kurt Vonnegut
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A Discourse of Redemption in Three of Kurt Vonnegut's Novels
Tutton Parker 1 What’s in the Potato Barn: A Discourse of Redemption in Three of Kurt Vonnegut’s Novels A Thesis Submitted to The Faculty of the College of Arts and Science in Candidacy for the Degree of Master of Arts and English By Rebecca Tutton Parker April 2018 Tutton Parker 2 Liberty University College of Arts and Sciences Master of Arts in English Student Name: Rebecca Tutton Parker Thesis Chair Date First Reader Date Second Reader Date Tutton Parker 3 Table of Contents Chapter One: Introduction………………………………………………………………………...4 Chapter Two: Redemption in Slaughterhouse-Five and Bluebeard…………………………..…23 Chapter Three: Rabo Karabekian’s Path to Redemption in Breakfast of Champions…………...42 Chapter Four: How Rabo Karabekian Brings Redemption to Kurt Vonnegut…………………..54 Chapter Five: Conclusion………………………………………………………………………..72 Works Cited……………………………………………………………………………………..75 Tutton Parker 4 Chapter One: Introduction The Bluebeard folktale has been recorded since the seventeenth century with historical roots even further back in history. What is most commonly referred to as Bluebeard, however, started as a Mother Goose tale transcribed by Charles Perrault in 1697. The story is about a man with a blue beard who had many wives and told them not to go into a certain room of his castle (Hermansson ix). Inevitably when each wife was given the golden key to the room and a chance alone in the house, she would always open the door and find the dead bodies of past wives. She would then meet her own death at the hands of her husband. According to Casie Hermansson, the tale was very popular in the eighteenth and nineteenth centuries, which spurred many literary figures to adapt it, including James Boswell, Charles Dickens, Herman Melville, and Thomas Carlyle (x). -
It Is Easy to Interpret Kurt Vonnegut's Slaughterhouse-Five and Anthony
It is easy to interpret Kurt Vonnegut’s Slaughterhouse-Five and Anthony Burgess’ A Clockwork Orange as cynical and pessimistic novels. The profusion of graphic images involving death, gang violence, and war make it difficult to walk away from either text with a hopeful outlook for the future of mankind. Thus, many literary critics label Vonnegut and Burgess as fatalists who argue for an acceptance of deterministic forces that eventually cause humans harm and suffering. However, other critics, such as Liu Hong, Wayne McGinnis, Todd Davis, and Kenneth Womack, all contend that at the end of the day Vonnegut and Burgess offer an opinion of humanity that is hopeful and encouraging. To these critics, the authors ultimately argue that the individual has the ability to determine their own fate in a horrific and often hurtful world. The standard debate concerning these two revolutionary authors has thus been one between a message of either hope or disparagement. It is a debate that has long been discussed among literary critics and continues to be an ever-changing discussion. My contention is that both Vonnegut and Burgess each create a body of work that offers the reader hope, empowerment, and an optimistic outlook of a future that is better than their present, or rather the present setting of their characters. Thus, I agree with critics like McGinnis, who calls Slaughterhouse-Five Vonnegut’s “most hopeful novel to date” (McGinnis 121), or Davis and Womack, who find that A Clockwork Orange’s protagonist ultimately finds a hopeful and optimistic conclusion in embarking “…upon a lifetime of familial commitment and human renewal.” (Davis, Womack 34). -
The Cases of Venedikt Erofeev, Kurt Vonnegut, and Victor Pelevin
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Scholarship@Western Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-21-2012 12:00 AM Burying Dystopia: the Cases of Venedikt Erofeev, Kurt Vonnegut, and Victor Pelevin Natalya Domina The University of Western Ontario Supervisor Professor Calin-Andrei Mihailescu The University of Western Ontario Graduate Program in Comparative Literature A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Natalya Domina 2012 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Comparative Literature Commons Recommended Citation Domina, Natalya, "Burying Dystopia: the Cases of Venedikt Erofeev, Kurt Vonnegut, and Victor Pelevin" (2012). Electronic Thesis and Dissertation Repository. 834. https://ir.lib.uwo.ca/etd/834 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. BURYING DYSTOPIA: THE CASES OF VENEDIKT EROFEEV, KURT VONNEGUT, AND VICTOR PELEVIN (Spine Title: BURYING DYSTOPIA) (Thesis Format: Monograph) by Natalya Domina Graduate Program in Comparative Literature A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada Natalya Domina 2012 THE UNIVERSITY OF WESTERN ONTARIO THE UNIVERSITY OF WESTERN ONTARIO SCHOOL OF GRADUATE AND POSTDOCTORAL STUDIES CERTIFICATE OF EXAMINATION Supervisor Examiners ____________________________ ________________________________ Prof. -
CAT's CRADLE by Kurt Vonnegut
CAT'S CRADLE by Kurt Vonnegut Copyright 1963 by Kurt Vonnegut, Jr. Published by DELL PUBLISHING CO., INC., 1 Dag Hammarskjold Plaza, New York, N.Y. 10017 All rights reserved. ISBN: 0-440-11149-8 For Kenneth Littauer, a man of gallantry and taste. Nothing in this book is true. "Live by the foma* that makes you brave and kind and healthy and happy." --The Books of Bokonon. 1:5 *Harmless untruths contents 1. The Day the World Ended 2. Nice, Nice, Very Nice 3. Folly 4. A Tentative Tangling of Tendrils 5. Letter from a Pie-med 6. Bug Fights 7. The Illustrious Hoenikkers 8. Newt's Thing with Zinka 9. Vice-president in Charge of Volcanoes 10. Secret Agent X-9 11. Protein 12. End of the World Delight 13. The Jumping-off Place 14. When Automobiles Had Cut-glass Vases 15. Merry Christmas 16. Back to Kindergarten 17. The Girl Pool 18. The Most Valuable Commodity on Earth 19. No More Mud 20. Ice-nine 21. The Marines March On 22. Member of the Yellow Press 23. The Last Batch of Brownies 24. What a Wampeter Is 25. The Main Thing About Dr. Hoenikker 26. What God Is 27. Men from Mars 28. Mayonnaise 29. Gone, but Not Forgotten 30. Only Sleeping 31. Another Breed 32. Dynamite Money 33. An Ungrateful Man 34. Vin-dit 35. Hobby Shop 36. Meow 37. A Modem Major General 38. Barracuda Capital of the World 39. Fata Morgana 40. House of Hope and Mercy 41. A Karass Built for Two 42. -
Being in the Early Novels of Kurt Vonnegut
A MORAL BEING IN AN AESTHETIC WORLD: BEING IN THE EARLY NOVELS OF KURT VONNEGUT BY JAMES HUBBARD A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY GRADUATE SCHOOL OF ARTS AND SCIENCES in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS English May 2015 Winston-Salem, North Carolina Approved By: James Hans, Ph.D., Advisor Barry Maine, Ph.D., Chair Jefferson Holdridge, Ph.D. Table of Contents Table of Contents ii Abstract iii Chapter 1: Introduction 1 Chapter 2: Being Thrown 7 Chapter 3: Being as a Happening of Truth 27 Chapter 4: Projecting the Poetry of Being 47 References 53 Curriculum Vitae 54 ii Abstract In this this paper I will address notions of being in four of Kurt Vonnegut’s novels using Martin Heidegger’s aesthetic phenomenology. The four novels that this paper will address are Player Piano, Sirens of Titan, Slaughterhouse-Five, and Breakfast of Champions. Player Piano and Sirens of Titan are Vonnegut’s first two novels, and they approach being in terms of what Heidegger referred to as “throwness.” These initial inquiries into aspects of existence give way to a fully developed notion of being in Slaughterhouse-Five and Breakfast of Champions. These novels are full aware of themselves has happenings of truth containing something of their author’s own being. Through these happenings, Vonnegut is able to poetically project himself in a way that not only reveals his own being, but also serves as a mirror that can reveal the being of those reflected in it. iii Chapter 1: Introduction Kurt Vonnegut’s literary significance is due, at least in part, to the place that he has carved out for himself in popular culture. -
Portrayal of the American Culture Through Metafiction
DOI: 10.15503/jecs20132-9-15 Journal of Education Culture and Society No. 2_2013 9 Portrayal of the American Culture through Metafiction ABDOLRAZAGH BABAEI [email protected] Universiti Putra Malaysia AMIN TAADOLKHAH [email protected] Tehran Markaz Azad University, Iran Abstract Kurt Vonnegut’s position that artists should be treasured as alarm systems and as bio- logical agents of change comes most pertinent in his two great novels. The selected English novels of the past century – Cat’s Cradle (1963), Slaughterhouse Five (1969), and Breakfast of Champions (1973) – connect the world of ction to the harsh realities of the world via cre- ative meta ctional strategies, making literature an alarm coated with the comforting lies of storytelling. It is meta ction that enables Vonnegut to create different understandings of historical events by writing a kind of literature that combines facts and ction. De ned as a kind of narrative that “self-consciously and systematically draws attention to its status as artefact” meta ction stands against the duplicitous “suspension of disbelief” that is simply an imi- tation and interpretation of presumed realities. As a postmodern mode of writing it opts for an undisguised narration that undermines not only the author’s univocal control over ction but also challenges the established understanding of the ideas. Multidimensional di- splay of events and thoughts by Vonnegut works in direction of meta ction to give readers a self-conscious awareness of what they read. Hiroshima bombing in 1946 and the destruction of Dresden in Germany by allied forces in World War II are the subjects of the selected novels respectively. -
Breakfast of Champions: Or, Goodbye Blue Monday! by Kurt Vonnegut
Breakfast of Champions: or, Goodbye Blue Monday! by Kurt Vonnegut The author questions the condition of modern man in this novel depicting a science fiction writer's struggle to find peace and sanity in the world. Why you'll like it: Darkly humorous. Quirky. Unconventional. About the Author: Kurt Vonnegut is among the few grandmasters of 20th century American letters. He was born in Indianapolis, Indiana, on November 11, 1922. He died from head injuries sustained in a fall on April 11, 2007.(Publisher Provided) Questions for Discussion 1. What do you think about Vonnegut’s style? The drawings, page breaks and self-referential moments are a radical departure from the standard novel. Do they add to the story or detract from it? 2. One theme of Breakfast of Champions is humans as machines. How are people like machines? What are the possible results of such a worldview? Are there any positive aspects to seeing humans as machines? 3. How are machines themselves depicted? How do they make the characters’ lives better or worse? What do they represent? 4. In your opinion, is the narrator racist? Sexist? Homophobic? He points out the racist views of certain characters, recounts instances of violence against women, and shows derogatory views of transvestite and gay characters. How are African Americans depicted? Women? Are their concerns given weight in the context of the narrative? 5. How is advertising used in the story? There are many instances of written advertisements (including the names of the trucks in which Kilgore Trout rides to Midland City) and radio advertisements and the title itself is the slogan of a popular cereal. -
Vonnegut's Criticisms of Modern Society Candace Anne Strawn Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1972 Vonnegut's criticisms of modern society Candace Anne Strawn Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the American Literature Commons, and the Literature in English, North America Commons Recommended Citation Strawn, Candace Anne, "Vonnegut's criticisms of modern society" (1972). Retrospective Theses and Dissertations. 34. https://lib.dr.iastate.edu/rtd/34 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. ---~- ~--~-~- - Vonnegut's criticisms of modern society by Candace Anne Strawn A Thesis Submitted to the Graduate Faculty in Partial Fulfillment of The Requirements for the Degree of MASTER OF ARTS Major: English Iowa State University Ames, Iowa 1972 ii. TABLE OF CONTENTS Page I. SOME PERSPECTIVES OF MODERN SOCIETY 1 II. IRRATIONALITY OF HUMAN BEHAVIOR 19 III. DEHUMANIZATION OF THE INDIVIDUAL 29 IV. MAN'S INHUMANITY TO MAN 37 v. CONCLUSION 45 VI. A SELECTED BIBLIOGRAPHY 48 1 I. SOME PERSPECTIVES OF MODERN SOCIETY In his age-old effort to predict the future, man has tried many methods, including a careful study of past history. Although the act of predicting social events is largely theoretical--since it is necessarily a tentative process--numerous historians, sociologists, theologians, scientists, and artists persist in discovering trends or seeing patterns in the movement of history. -
Download Full Text In
European Proceedings of Social and Behavioural Sciences EpSBS www.europeanproceedings.com e-ISSN: 2357-1330 DOI: 10.15405/epsbs.2020.11.03.68 DCCD 2020 Dialogue of Cultures - Culture of Dialogue: from Conflicting to Understanding THE HOLY GRAIL AS A DIALOGUE OF STORIES IN THE NOVEL BY KURT VONNEGUT 'BLUEBEARD' Olga I. Nefedova (a)* *Corresponding author (a) Moscow City University, Institute of Foreign Languages, 5B Malyj Kazennyj pereulok, Moscow, Russia, [email protected] Abstract The article is devoted to analyzing a novel by Kurt Vonnegut “Bluebeard” in order to identify some of its allusions and references. The author claims that the text refers to the so-called Matter of Britain, specifically to the adventure of a knight in search of an unreachable sacred object, the Holy Grail. It helps the writer to explore the issues of determining a person’s identity and the purposes of art. The analysis has shown that the main opposition form versus idea reveals itself in the tensions between realism and abstract expressionism in art and between “soul” and “meat” of the main character Rabo Karabekian. The first conflict is tied to the succession of the Fisher King, the keeper of the grail, and his knight: a modernist artist Rabo is a knight for a realist illustrator Dan Gregory and a Fisher King to a popular writer Circe Berman close to social realist philosophy. The second one is connected with his broken communication with people in his life and his quest for belonging and identity. The resolution lies in balance reached through sharing stories about art objects and life experiences. -
Kurt Vonnegut, Novelist Who Caught the Imagination More Article of His Age, Is Dead at 84 Ticketwa
LIKE RABBITS Welcome to TimesPeople TimesPeople Lets You Share and Discover the Bes Get Started HOME PAGE MY TIMES TODAY'S PAPER VIDEO MOST POPULAR TIMES TOPICS Books WORLD U.S. N.Y. / REGION BUSINESS TECHNOLOGY SCIENCE HEALTH SPORTS OPINION ARTS STYL ART & DESIGN BOOKS Sunday Book Review Best Sellers First Chapters DANCE MOVIES MUSIC Kurt Vonnegut, Novelist Who Caught the Imagination More Article of His Age, Is Dead at 84 TicketWa By DINITIA SMITH Sig Published: April 12, 2007 adv SIGN IN TO den RECOMMEND Corrections Appended Cha E-MAIL Kurt Vonnegut, whose dark comic talent and urgent moral vision in SEND TO PHONE novels like “Slaughterhouse-Five,” “Cat’s Cradle” and “God Bless You, PRINT Mr. Rosewater” caught the temper of his times and the imagination of REPRINTS a generation, died last night in Manhattan. He was 84 and had homes in Manhattan and in Sagaponack on Long Island. SHARE Enlarge This Image His death was reported by his wife, the author and photographer Jill Krementz, who said he had been hospitalized after suffering irreversible brain injuries as a result of a fall several weeks ago. Mr. Vonnegut wrote plays, essays and short fiction. But it was his novels that became classics of the American MOST POPUL counterculture, making him a literary idol, particularly to E-MAILED students in the 1960s and ’70s. Dog-eared paperback copies of his books could be found in the back pockets of blue jeans and in dorm rooms on campuses throughout the 1 of 9 © 2009 John Zimmerman. All rights reserved. 7/9/2009 10:56 PM LIKE RABBITS United States. -
Context and Neglect: Kurt Vonnegut and the Middleclass Magazine
Context and Neglect: Kurt Vonnegut and the Middleclass Magazine The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:37945101 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Context and Neglect: Kurt Vonnegut and the Middleclass Magazine. Lori Philbin A Thesis in the Field of English for the Degree of Master of Liberal Arts in Extension Studies Harvard University May 2018 Copyright 2018 Lori Philbin Abstract The scholarship focusing on the work of Kurt Vonnegut, Jr. has largely centered on his novels. Most studies have neglected Vonnegut’s start in the popular magazine market writing short stories. A few notable scholars have focused on the stories: Jerome Klinkowitz, Peter J. Reed, Jeff Karon, James Thorson, and Steve Gronert Ellerhoff. Even with the work of such scholars, there have been few studies that consider the context of Vonnegut’s earliest stories and how the influence of the middleclass magazine market not only shaped Vonnegut’s career but had continued impact on his later novels. This study explores Vonnegut’s first eight stories: “Report on the Barnhouse Effect,” “Thanasphere,” “EPICAC,” “All the King’s Horses,” “Mnemonics,” “The Euphio Question,” “The Foster Portfolio,” and “More Stately Mansions.” The stories are considered within the context of their first publication venue, the magazine Collier’s, and how that context shows connections between the stories and his novels such as Player Piano, Cat’s Cradle, and Slaughterhouse-Five. -
Reading Kurt Vonnegut's Breakfast of Champions with an Eye to Walt Whitman
RSA Journal 13 21 ROBERTO SERRAI Landscapes of Destruction: Reading Kurt Vonnegut's Breakfast of Champions with an Eye to Walt Whitman In heart, I am an American artist, and I have no guilt... Patti Smith, Babel (1978) Breakfast of Champions, first published in 1973, is probably one of Kurt Vonnegut's most destructive, pessimistic and nihilistic works. Even if we chose to label it a comedy, or a farce, its humor would still be of a very black qual ity.1 Thus, maybe, the book would be more accurately described as a satire verging on tragedy. Vonnegut was not new to the theme of destruction; where the earlier novel Cats Cradle (1963) is a long allegory on power and author ity which ends in catastrophe, Mother Night (1961) and Slaughterhouse-Five (1969) unfold as chronicles of private vicissitudes set against the tragic back drop of a major historical event, World War II. Along with a deep reflection on identity, ambiguity, and the thorny issue of distinguishing innocence from guilt, both share an outright condemnation of war's useless folly and of all the mystifications often concocted to disguise it. In the latter work, remarkably, the horror of the chosen exemplum — the allied firebombing of the German city of Dresden, which in three days (2/13-15/1945) killed more than 135.000 harmless civilians — is so immense to prove basically impossible to represent. Billy Pilgrim, the young American POW most of the book focuses on, takes shelter in a deep underground meat locker "hollowed in living rock" (S5 209) and so is only able to witness the bomb runs' aftermath, the morning when Dresden suddenly "was like the moon" (S5 229).