DOCSLIB.ORG

Show #1348 --- Week of 11/9/20-11/15/20

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Show #1348 --- Week of 11/9/20-11/15/20 Show #1348 --- Week of 11/9/20-11/15/20 HOUR ONE--SEGMENTS 1-3 SONG ARTIST LENGTH ALBUM LABEL________________ SEGMENT ONE: "Million Dollar Intro" - Ani DiFranco :55 in-studio n/a "Starting Over"-Chris Stapleton 4:00 single only Mercury "Corner"-Aloe Blacc 3:20 All Love Everything BMG "Let Me Love You Like A Woman"-Lana Del Rey 3:20 Chemtrails Over The Country Club Interscope "All Fall Down"-Travis 3:25 10 Songs BMG "What Can I Say"-Brandi Carlile (in-studio) 2:50 in-studio n/a ***MUSIC OUT AND INTO: ***NATIONAL SPONSOR BREAK*** Nettwerk Records/OSB/LSS - "All The Ways You Sing In The Dark" (:30) Outcue: " LukeSitalSingh.com." TOTAL TRACK TIME: 20:24 ***PLAY CUSTOMIZED STATION ID INTO: SEGMENT TWO: "I Should Go (solo)"-James Vincent McMorrow 2:30 single only RCA ***INTERVIEW & MUSIC: THIS IS THE KIT (at home in Paris) ("No Such Thing," "Off Off On") in-studio interview/performance n/a ***MUSIC OUT AND INTO: ***NATIONAL SPONSOR BREAK*** Leon Speakers/"The Leon Loft" (:30) Outcue: " at LeonSpeakers.com." The Ark/"COVID-19 Family Room Series" (:30) Outcue: " TheArk.org." TOTAL TRACK TIME: 19:37 SEGMENT THREE: "Silver Springs"-Matt Berninger (w/Gail Ann Dorsey) 3:45 Serpentine Prison Concord "One Minute You’re Here"-Bruce Springsteen 3:00 Letter To You Columbia "The Map"-War & Pierce 3:35 single only self-released "Break Me"-Langhorne Slim (in-studio) 2:10 in-studio n/a ***MUSIC OUT AND INTO: ***NATIONAL SPONSOR BREAK*** Nettwerk Records/"Ivan & Alyosha" (:30) Outcue: " IvanAndAlyosha.com." TOTAL TRACK TIME: 15:02 TOTAL TIME FOR HOUR ONE-55:03 acoustic café · p.o. box 7730 · ann arbor, mi 48107-7730 · 734/761-2043 · fax 734/761-4412 [email protected] ACOUSTIC CAFE, CONTINUED Page 2 Show #1348 --- Week of 11/9/20-11/15/20 HOUR TWO--SEGMENTS 4-6: SONG ARTIST LENGTH ALBUM LABEL________________ SEGMENT FOUR: "Between The Bars"-Marika Hackman 2:35 Covers Sub Pop "All Through The Night"-Tyler Ramsey 3:35 Found A Picture Of You Fantasy "Angel From Montgomery"-Wynonna 4:30 Recollections Anti- "My City Of Ruins"-Wesley Schultz 3:40 Vignettes Dualtone "Sunflower, Vol. 6"-Molly Tuttle (in-studio) 3:50 in-studio n/a ***MUSIC OUT AND INTO: ***NATIONAL SPONSOR BREAK*** Nettwerk Records/OSB/LSS - "All The Ways You Sing In The Dark" (:30) Outcue: " LukeSitalSingh.com." TOTAL TRACK TIME: 21:30 ***PLAY CUSTOMIZED STATION ID INTO: SEGMENT FIVE: "What’s Happening Brother"-Devon Gilfillian 2:40 What’s Going On Capitol "Love Interruption"-Jack White 2:35 Blunderbuss Third Man "Folks"-Thao & Mirah 2:50 Thao & Mirah Kill Rock Stars "Kindness Be Conceived"-Thao & The GDSD (in-studio) 3:20 in-studio n/a ***MUSIC OUT AND INTO: ***NATIONAL SPONSOR BREAK*** Leon Speakers/"The Leon Loft" (:30) Outcue: " at LeonSpeakers.com." The Ark/"COVID-19 Family Room Series" (:30) Outcue: " TheArk.org." TOTAL TRACK TIME: 14:40 SEGMENT SIX: "Down In Mississippi"-Bobby Rush 3:20 Rawer Than Raw Thirty Tigers ***INTERVIEW & MUSIC: THIS IS THE KIT (at home in Paris) ("This Is What you Did," "Coming To Get You") in-studio interview/performance n/a ***MUSIC OUT AND INTO: ***NATIONAL SPONSOR BREAK*** Nettwerk Records/"Ivan & Alyosha" (:30) Outcue: " IvanAndAlyosha.com." TOTAL TRACK TIME: 17:57 CLOSING: Theme: Closing Credits "Million Dollar Intro" - Ani DiFranco :54 TOTAL TIME FOR HOUR TWO-55:01 :30 PROMO: Promo for Show #1349 Week of 11/16/20 – 11/22/20 :15 PROMO: Promo for Show #1349 Week of 11/16/20 – 11/22/20 acoustic café · p.o. box 7730 · ann arbor, mi 48107-7730 · 734/761-2043 · fax 734/761-4412 [email protected] .
Load more

Recommended publications
  • Meet Me in the Land of Hope and Dreams Influences of the Protest Song Tradition on the Recent Work of Bruce Springsteen (1995-2012)
    Ghent University Faculty of Arts and Philosophy Meet me in the Land of Hope and Dreams Influences of the protest song tradition on the recent work of Bruce Springsteen (1995-2012) Supervisor: Paper submitted in partial Dr. Debora Van Durme fulfilment of the requirements for the degree of “Master in de Taal- en Letterkunde: Nederlands- Engels” by Michiel Vaernewyck May 2014 Word of thanks The completion of this master dissertation would not have been possible without the help of several people that have accompanied me on this road. First of all, thank you to my loving parents for their support throughout the years. While my father encouraged me to listen to an obscure, dusty vinyl record called The River, he as well as my mother taught me the love for literature and music. Thanks for encouraging me to express myself through writing and my own music, which is a gift that money just cannot buy. Secondly, thanks to my great friends of the past few years at Ghent University, although they frequently – but not unfairly – questioned my profound passion for Bruce Springsteen. Also, thank you to my supervisor dr. Debora Van Durme who provided detailed and useful feedback to this dissertation and who had the faith to endorse this thesis topic. I hope faith will be rewarded. Last but not least, I want to thank everyone who proofread sections of this paper and I hope that they will also be inspired by what words and music can do. As always, much love to Helena, number one Croatian Bruce fan. Thanks to Phantom Dan and the Big Man, for inspiring me over and over again.
    [Show full text]
  • A Long Walk Home: the Role of Class and the Military in the Springsteen Catalogue Michael S
    A Long Walk Home: The Role of Class and the Military in the Springsteen Catalogue Michael S. Neiberg United States Army War College and Robert M. Citino National World War II Museum1 Abstract This article analyzes the themes of class and military service in the Springsteen canon. As a member of the baby boom generation who narrowly missed service in Vietnam, Springsteen’s reflection on these heretofore unappreciated themes should not be surprising. Springsteen’s emergence as a musician and American icon coincide with the end of conscription and the introduction of the All-Volunteer Force in 1973. He became an international superstar as Americans were debating the meaning of the post-Vietnam era and the patriotic resurgence of the Reagan era. Because of this context, Springsteen himself became involved in veterans issues and was a voice of protest against the 2003 Iraq War. In a well-known monologue from his Live 1975-85 box set (1986), Bruce Springsteen recalls arguing with his father Douglas about the younger Springsteen’s plans for his future. Whenever Bruce provided inadequate explanations for his life goals, Douglas responded that he could not wait for the Army to “make a man” out of his long-haired, seemingly aimless son. Springsteen 1 Copyright © Michael S. Neiberg and Robert M. Citino, 2016. Michael Neiberg would like to thank Derek Varble, with whom he saw Springsteen in concert in Denver in 2005, for his helpful comments on a draft of this article. Address correspondence to [email protected] or [email protected]. BOSS: The Biannual Online-Journal of Springsteen Studies 2.1 (2016) http://boss.mcgill.ca/ 42 NEIBERG AND CITINO describes his fear as he departed for an Army induction physical in 1968, at the height of domestic discord over the Vietnam War.
    [Show full text]
  • Finding Grace in the Concert Hall: Community and Meaning Among Springsteen Fans
    FINDING GRACE IN THE CONCERT HALL: COMMUNITY AND MEANING AMONG SPRINGSTEEN FANS By LINDA RANDALL A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY On Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Department of Religion December 2008 Winston Salem, North Carolina Approved By: Lynn Neal, PhD. Advisor _____________________________ Examining Committee: Jeanne Simonelli, Ph.D. Chair _____________________________ LeRhonda S. Manigault, Ph.D _____________________________ ii Acknowledgements First and foremost, my thanks go out to Drs. Neal and Simonelli for encouraging me to follow my passion and my heart. Dr. Neal helped me realize a framework within which I could explore my interests, and Dr. Simonelli kept my spirits alive so I could nurse the project along. My concert-going partner in crime, cruisin’tobruce, also deserves my gratitude, sharing expenses and experiences with me all over the eastern seaboard as well as some mid-America excursions. She tolerated me well, right up until the last time I forgot the tickets. I also must recognize the persistent assistance I received from my pal and companion Zero, my Maine Coon cat, who spent hours hanging over my keyboard as I typed. I attribute all typos and errors to his help, and thank him for the opportunity to lay the blame at his paws. And lastly, my thanks and gratitude goes out to Mr. Bruce Frederick Springsteen, a man of heart and of conscience who constantly keeps me honest and aware that “it ain’t no sin to be glad you’re alive (Badlands).”
    [Show full text]
  • Karaoke Book
    10 YEARS 3 DOORS DOWN 3OH!3 Beautiful Be Like That Follow Me Down (Duet w. Neon Hitch) Wasteland Behind Those Eyes My First Kiss (Solo w. Ke$ha) 10,000 MANIACS Better Life StarStrukk (Solo & Duet w. Katy Perry) Because The Night Citizen Soldier 3RD STRIKE Candy Everybody Wants Dangerous Game No Light These Are Days Duck & Run Redemption Trouble Me Every Time You Go 3RD TYME OUT 100 PROOF AGED IN SOUL Going Down In Flames Raining In LA Somebody's Been Sleeping Here By Me 3T 10CC Here Without You Anything Donna It's Not My Time Tease Me Dreadlock Holiday Kryptonite Why (w. Michael Jackson) I'm Mandy Fly Me Landing In London (w. Bob Seger) 4 NON BLONDES I'm Not In Love Let Me Be Myself What's Up Rubber Bullets Let Me Go What's Up (Acoustative) Things We Do For Love Life Of My Own 4 PM Wall Street Shuffle Live For Today Sukiyaki 110 DEGREES IN THE SHADE Loser 4 RUNNER Is It Really Me Road I'm On Cain's Blood 112 Smack Ripples Come See Me So I Need You That Was Him Cupid Ticket To Heaven 42ND STREET Dance With Me Train 42nd Street 4HIM It's Over Now When I'm Gone Basics Of Life Only You (w. Puff Daddy, Ma$e, Notorious When You're Young B.I.G.) 3 OF HEARTS For Future Generations Peaches & Cream Arizona Rain Measure Of A Man U Already Know Love Is Enough Sacred Hideaway 12 GAUGE 30 SECONDS TO MARS Where There Is Faith Dunkie Butt Closer To The Edge Who You Are 12 STONES Kill 5 SECONDS OF SUMMER Crash Rescue Me Amnesia Far Away 311 Don't Stop Way I Feel All Mixed Up Easier 1910 FRUITGUM CO.
    [Show full text]
  • Canciones Gira
    LAS CANCIONES DE LA GIRA 'WRECKING BALL' Land of Hope and Dreams My Love Will Not Let You Down Out in the Street American Land Long Tall Sally Loose Ends Wrecking Ball Death to My Hometown Atlantic City The River Born in the U.S.A. Cover Me Darlington County Working on the Highway Downbound Train I'm On Fire No Surrender Bobby Jean I'm Goin' Down Glory Days Dancing in the Dark My Hometown Shackled and Drawn Waitin' on a Sunny Day The Rising Badlands Hungry Heart This Hard Land Lost in the Flood Save my love This Land Is Your Land We Are Alive Born to Run Tenth Avenue Freeze‐Out Twist And Shout Shout Bamalama Thunder Road Just like fire would Hungry Heart We Take care of our Own My city of Ruins Because the Night The Ghost of Tom Joad WE are alive Promise Land. Spirit of the Night Incident on 57th Street Open all night Racing in the Street Who'll Stop the Rain Growing Up For you I wish you were Blind Leap of Faith Better Days Factory Streets of Fire Radio Nowhere From Small Things, Big Things One Day Come Pink Cadillac Brilliant Disguise Queen of The Supermarket. I'll Work for your Love Aint good enaught for you Wages of Sin Murder incorporated Cadillach Ranch Raise your Hand Light of Day Prove it all Night Adam Raised Cain High Hopes Pay me my Money Down Seven Nights of Rock Devil &Dust Last to Die The Ties that Bind Darkness on the Edge of Town Does this Bus Stop at 82 th Street? Lonesome Day Jungleland The River Something int the Night Seeds.
    [Show full text]
  • Time Bruce's Chords
    4th Of July, Asbury Park (Sandy) C F C F C Guitar 1: ------|--8-8<5------|---------------|-------------|---------------| -5----|--------8<6--|-5-/-8—6-------|-------------|---------------| ------|-------------|---------7-----|-5-----------|---------------| ------|-------------|---------------|---7-5-5-----|---------------| ------|-------------|---------------|---------7-5vvvv-------------| ------|-------------|---------------|-------------|-------------8-| Guitar 2: All ---5--|-8-----------|-18<15---------|-------------|-15-12-12-10-8-| ------|-------------|-------13-12---|-------------|-15-13-13-10-8-| ------|-------------|-------------13<15-----------|---------------| ------|-------------|---------------|-------------|---------------| ------|-------------|---------------|-------------|---------------| ------|-------------|---------------|-------------|---------------| F C F C Guitar 1: |--------|----------------|---------|-------| |--------|----------------|---------|-------| |--------|----------------|---------|-------| |--------|----------------|---------|-------| |--------|----------------|---------|-------| |-5vvv\3-|--------------3-|-3/5-8-10/8------| Time Guitar 2: |--------|----------------|---------|-------| |--------|----------------|---------|-------| |-7\5----|-17\15<13-15-17-|---------|-------| |-----7--|----------------|---------|-------| |--------|----------------|---------|-------| |--------|----------------|---------|-------| Sandy C F C Sandy the fireworks are hailin' over Little Eden tonight Am Gsus G Forcin' a light
    [Show full text]
  • Easy Guitar Songbook
    EASY GUITAR SONGBOOK Produced by Alfred Music Publishing Co., Inc. P.O. Box 10003 Van Nuys, CA 91410-0003 alfred.com Printed in USA. No part of this book shall be reproduced, arranged, adapted, recorded, publicly performed, stored in a retrieval system, or transmitted by any means without written permission from the publisher. In order to comply with copyright laws, please apply for such written permission and/or license by contacting the publisher at alfred.com/permissions. ISBN-10: 0-7390-9399-1 ISBN-13: 978-0-7390-9399-3 Photos: Danny Clinch CONTENTS Title Release Page 4th of July, Asbury Park (Sandy) . The Wild, the Innocent & the E Street Shuffle . .8 Atlantic City . Nebraska . .12 Badlands . Darkness on the Edge of Town . .3 Better Days . Lucky Town . .16 Blinded by the Light . Greetings from Asbury Park, N .J . .19 Born in the U .S .A . Born in the U .S .A . .24 Born to Run . Born to Run . .26 Brilliant Disguise . Tunnel of Love . .32 Dancing in the Dark . Born in the U .S .A . .35 Glory Days . Born in the U .S .A . .64 Human Touch . Human Touch . .38 Hungry Heart . The River . .44 Lucky Town . Lucky Town . .46 My City of Ruins . The Rising . .50 My Hometown . Born in the U .S .A . .53 Pink Cadillac . B-side of “Dancing in the Dark” single . .56 Prove It All Night . Darkness on the Edge of Town . .60 The Rising . The Rising . .75 The River . The River . .78 Secret Garden . Greatest Hits . .67 Streets of Philadelphia . Philadelphia soundtrack . .70 Tenth Avenue Freeze-Out .
    [Show full text]
  • Bruce Springsteen As Post-Christian Pastor
    Bruce Springsteen as Post-Christian Pastor Lee Beach McMaster Divinity College Abstract This article explores how Bruce Springsteen embodies a North American/Western European twenty-first century religious sensibility that encompasses a secular outlook but is colored by the Christian tradition and is informed by biblical language, images, and ideals. Because Springsteen is able to give voice to an orientation to the world that resonates with the experiences, aspirations, and religious understanding of those who have grown up in the same world as him, Springsteen has become a pastoral/priestly figure to the extensive community that identifies with his work. The poet’s job is to know the soul.1 —Bruce Springsteen The pastor’s job is to care for the soul.2 —Eugene Peterson The venture of trying to know the soul has been a driving force behind the songwriting of Bruce Springsteen for a long time. Of course, the word “soul” is nebulous and notoriously hard to define. But at its core it connotes the deep place of human existence, the spiritual (another nebulous term) side of life. For many, it carries an inescapable religious implication. No matter how one understands the term, there is little doubt that Springsteen’s music Copyright © Lee Beach, 2018. Address correspondence to [email protected]. 1 Bruce Springsteen interview with Will Percy in Springsteen on Springsteen: Interviews, Speeches and Encounters, ed. Jeff Burger (Chicago: Chicago Review Press, 2013), 251. 2 Adapted from Eugene Peterson, The Contemplative Pastor: Returning to the Art of Spiritual Direction (Grand Rapids: Eerdmans, 1989), 57. BOSS: The Biannual Online-Journal of Springsteen Studies 3 (2018) SPRINGSTEEEN AS PASTOR 61 goes to that deep place for many of his fans, even those who would not consider themselves religious and even for those who may not think of themselves as fans but who have been touched by his music at a particular moment in their life.
    [Show full text]
  • Springsteen and Me: Two Stories from St. Rose of Lima
    Springsteen and Me: Two Stories from St. Rose of Lima By Daphne Lombardi My family and I moved from South River to Freehold, New Jersey, when I was four years old. They immediately enrolled me in St. Rose of Lima, where I would spend the next ten years receiving an education that combined academic excellence with the traditions and values of Catholic faith. As a second grader, I was nervously preparing for my First Confession. My parents pointed to the chair in the St. Rose of Lima Church where I would sit and confess to the priest. Noticing I was hesitant and somewhat fearful of taking this seat, my teacher quickly approached and whispered quietly in my ear. She told me that a famous musician once sat in that same seat and gave his First Confession. His name was Bruce Springsteen, and he used to live in the house just behind the school parking lot. At this age I had no idea who Bruce Springsteen was, but because I was told he was famous I chose to sit next to the priest and begin to recite my confession. The Catholic New Jersey experience weaves itself into our lives in many different ways. We see it in our Catholic schools and universities, such as St. Rose of Lima School and Seton Hall University. We experience it as we attend mass every Sunday at our beautiful local churches. We read about it in books and view it in its most beautiful form in artwork displayed in a multitude of settings. Locally, here in Freehold, the music of one of our own continues to influence the lives of New Jerseyans as well as others all over the world.
    [Show full text]
  • Springsteen's Oppressed Working Class Kaylee Bumpus [email protected]
    Arcadia University ScholarWorks@Arcadia Faculty Curated Undergraduate Works Undergraduate Research Fall 2017 Springsteen's Oppressed Working Class Kaylee Bumpus [email protected] Arcadia University has made this article openly available. Please share how this access benefits ouy . Your story matters. Thank you. Follow this and additional works at: https://scholarworks.arcadia.edu/undergrad_works Part of the American Popular Culture Commons, and the Music Commons Recommended Citation Bumpus, Kaylee, "Springsteen's Oppressed Working Class" (2017). Faculty Curated Undergraduate Works. 50. https://scholarworks.arcadia.edu/undergrad_works/50 This Article is brought to you for free and open access by the Undergraduate Research at ScholarWorks@Arcadia. It has been accepted for inclusion in Faculty Curated Undergraduate Works by an authorized administrator of ScholarWorks@Arcadia. For more information, please contact [email protected]. SPRINGSTEEN’S OPPRESSED WORKING CLASS Springsteen’s Oppressed Working Class Kaylee Bumpus December 7th, 2017 US285.1: Bruce Springsteen and the American Dream Dr. Jeanne Buckley SPRINGSTEEN’S OPPRESSED WORKING CLASS 1 Abstract Bruce Springsteen’s exploration through the lives of oppressed working class people has been a prevalent theme throughout the four decades of his musicianship. This paper will discuss the motivations, methods, and impact of the blue collar characters that Springsteen writes about in his songs. The characters from specific songs will be analyzed and placed into one of three categories: law-abiding working class citizens, dreamers attempting to flee desolation, or sympathetic criminals. Specific examples will be used from some of Bruce Springsteen’s more well-known songs, such as “Thunder Road”, “Born to Run”, “The River”, and “Born in the U.S.A.”, and other songs will also be investigated.
    [Show full text]
  • The Wayfarer: Visions of the Urban in the Songs of Bruce Springsteen
    UvA-DARE (Digital Academic Repository) The Wayfarer: Visions of the urban in the songs of Bruce Springsteen Kloosterman, R.C. DOI 10.1016/j.ccs.2020.100340 Publication date 2020 Document Version Final published version Published in City, Culture and Society License CC BY-NC-ND Link to publication Citation for published version (APA): Kloosterman, R. C. (2020). The Wayfarer: Visions of the urban in the songs of Bruce Springsteen. City, Culture and Society, 21, [100340]. https://doi.org/10.1016/j.ccs.2020.100340 General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:27 Sep 2021 City, Culture and Society 21 (2020) 100340 Contents lists available at ScienceDirect City, Culture and Society journal homepage: www.elsevier.com/locate/ccs ⋆ The Wayfarer: Visions of the urban in the songs of Bruce Springsteen Robert C.
    [Show full text]
  • Volume 2 • Number 1 • 2016 Published by Mcgill University
    Volume 2 • Number 1 • 2016 Published by McGill University Volume 2 • Number 1 • 2016 Managing Editor: Jonathan D. Cohen Editors: Roxanne Harde Irwin Streight Editorial Board: Eric Alterman Jim Cullen Steven Fein Bryan Garman Stephen Hazan Arnoff Donna Luff Lorraine Mangione Lauren Onkey June Skinner Sawyers Bryant Simon Jerry Zolten Mission Statement BOSS: The Biannual Online-Journal of Springsteen Studies aims to publish scholarly, peer- reviewed essays pertaining to Bruce Springsteen. This open-access journal seeks to encourage consideration of Springsteen’s body of work primarily through the political, economic, and socio-cultural factors that have influenced his music and shaped its reception. BOSS welcomes broad interdisciplinary and cross-disciplinary approaches to Springsteen’s songwriting and performance. The journal aims to secure a place for Springsteen Studies in the contemporary academy. Submission Guidelines The editors of BOSS welcome submissions of articles that are rigorously researched and provide original, analytical approaches to Springsteen’s songwriting, performance, and fan community. Inter- and cross-disciplinary works, as well as studies that conform to specific disciplinary perspectives, are welcome. Suggested length of submission is between 15 and 25 pages. Contact To access BOSS, please visit http://boss.mcgill.ca/ Please address all queries and submissions to Jonathan D. Cohen (Managing Editor) at [email protected] or to Corcoran Department of History, University of Virginia C/O Jonathan Cohen Nau Hall - South Lawn Charlottesville, VA 22904 Cover Image By Antonio Rossi. Used with kind permission from Shore Fire Media (http://shorefire.com/). BOSS: The Biannual Online-Journal of Springsteen Studies 2.1 (2016) Contents Introduction to BOSS The Editors 5 Contributors 8 Articles “Outlaw Pete”: Bruce Springsteen and the Dream-Work of Cosmic American Music Peter J.
    [Show full text]