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Strategic Plan, a List of Important Kpis, a Line Budget, and a Timeline of the Project
Sierra Marling PRL 725 Come Together Campaign Table of Contents Executive Summary ................................................................................................................ 2 Transmittal Letter ................................................................................................................... 3 Background ........................................................................................................................... 4 Situation Analysis .................................................................................................................. 7 Stakeholders .......................................................................................................................... 8 SWOT Analysis ....................................................................................................................... 9 Plan ....................................................................................................................................... 12 Key Performance Indicators ................................................................................................... 17 Budget .................................................................................................................................. 20 Project Timeline (Gantt)......................................................................................................... 21 References ............................................................................................................................ -
A Mixed Methods Study of Internet Pornography, Masculinity
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Public Access Theses and Dissertations from the Education and Human Sciences, College of (CEHS) College of Education and Human Sciences Fall 10-26-2018 "I imagine the male isn't in the video and it is me:" A Mixed Methods Study of Internet Pornography, Masculinity, and Sexual Aggression in Emerging Adulthood Christina Richardson University of Nebraska-Lincoln, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/cehsdiss Part of the Counseling Psychology Commons, and the Gender and Sexuality Commons Richardson, Christina, ""I imagine the male isn't in the video and it is me:" A Mixed Methods Study of Internet Pornography, Masculinity, and Sexual Aggression in Emerging Adulthood" (2018). Public Access Theses and Dissertations from the College of Education and Human Sciences. 328. http://digitalcommons.unl.edu/cehsdiss/328 This Article is brought to you for free and open access by the Education and Human Sciences, College of (CEHS) at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Public Access Theses and Dissertations from the College of Education and Human Sciences by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. “I IMAGINE THE MALE ISN’T IN THE VIDEO AND IT IS ME:” A MIXED METHODS STUDY OF INTERNET PORNOGRAPHY, MASCULINITY, AND SEXUAL AGGRESSION IN EMERGING ADULTHOOD by Christina Richardson A DISSERTATION Presented to the Faculty of The Graduate College at the University of Nebraska-Lincoln In Partial Fulfillment of Requirements For the Degree of Doctor of Philosophy Major: Educational Psychology (Counseling Psychology) Under the Supervision of Professor M. -
United States District Court Southern District of Florida Miami Division
Case 1:15-cv-23888-JEM Document 1 Entered on FLSD Docket 10/16/2015 Page 1 of 25 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF FLORIDA MIAMI DIVISION HUSHHUSH ENTERTAINMENT, INC., a California ) corporation d/b/a Hush Hush Entertainment, Hushpass.com ) and Interracialpass.com, ) ) Case No. Plaintiff, ) v. ) ) MINDGEEK USA, INC., a Delaware corporation, ) d/b/a PORNHUBPREMIUM.COM MINDGEEK USA, ) INC., a Delaware corporation, individually and doing ) business as MINDGEEK USA INC., a Delaware ) corporation, individually and d/b/a ) PORNHUBPREMIUM.COM; MG FREESITES, LTD, ) a Delaware corporation, individually and d/b/a ) PORNHUBPREMIUM.COM; MG BILLING US, a ) Delaware corporation, individually and d/b/a ) PORNHUBPREMIUM.COM; MG BILLING EU, ) a Delaware corporation, individually and d/b/a ) PORNHUBPREMIUM.COM; MG BILLING IRELAND, ) a Delaware corporation, individually and d/b/a ) PORNHUBPREMIUM.COM; LICENSING IP ) INTERNATIONAL S.A.R.L , a foreign corporation ) [DEMAND FOR JURY TRIAL] d/b/a PORNHUBPREMIUM.COM; FERAS ANTOON, ) an individual; and DOES 1- 50, ) ) Defendants. ) ________________________________________________) COMPLAINT FOR COPYRIGHT INFRINGEMENT, DAMAGES, AND INJUNCTIVE RELIEF Plaintiff HUSHHUSH ENTERTAINMENT, INC., a California corporation d/b/a Hush Hush Entertainment, Hushpass.com and Interracialpass.com, by and through its attorneys of record, hereby allege as follows: 1 Case 1:15-cv-23888-JEM Document 1 Entered on FLSD Docket 10/16/2015 Page 2 of 25 NATURE OF THE CASE 1. This is an action for violation of Plaintiff, HUSHHUSH ENTERTAINMENT’S intellectual property rights. HUSHHUSH ENTERTAINMENT owns certain adult entertainment content which has been properly registered with the United States Copyright Office. -
Revenge Porn and Freedom of Expression: Legislative Pushback to an Online Weapon of Emotional and Reputational Destruction
Fordham Intellectual Property, Media and Entertainment Law Journal Volume 24 Volume XXIV Number 3 Volume XXIV Book 3 Article 2 2014 Revenge Porn and Freedom of Expression: Legislative Pushback to an Online Weapon of Emotional and Reputational Destruction Clay Calvert University of Florida, Gainesville, [email protected] Follow this and additional works at: https://ir.lawnet.fordham.edu/iplj Part of the Intellectual Property Law Commons Recommended Citation Clay Calvert, Revenge Porn and Freedom of Expression: Legislative Pushback to an Online Weapon of Emotional and Reputational Destruction, 24 Fordham Intell. Prop. Media & Ent. L.J. 673 (2015). Available at: https://ir.lawnet.fordham.edu/iplj/vol24/iss3/2 This Article is brought to you for free and open access by FLASH: The Fordham Law Archive of Scholarship and History. It has been accepted for inclusion in Fordham Intellectual Property, Media and Entertainment Law Journal by an authorized editor of FLASH: The Fordham Law Archive of Scholarship and History. For more information, please contact [email protected]. Revenge Porn and Freedom of Expression: Legislative Pushback to an Online Weapon of Emotional and Reputational Destruction Cover Page Footnote Professor & Brechner Eminent Scholar in Mass Communication and Director of the Marion B. Brechner First Amendment Project at the University of Florida, Gainesville, Fla. B.A., 1987, Communication, Stanford University; J.D. (Order of the Coif), 1991, McGeorge School of Law, University of the Pacific; Ph.D., 1996, Communication, Stanford University. Member, State Bar of California. The author thanks Joanna Bomfim, Emma Morehart, Sarah Papadelias and Linda Riedemann of the University of Florida for their excellent help with this article. -
The Myth of Obsolete Obscenity (20160511) (Do Not Delete) 5/11/2016 1:33 PM
Kinsley, The Myth of Obsolete Obscenity (20160511) (Do Not Delete) 5/11/2016 1:33 PM THE MYTH OF OBSOLETE OBSCENITY JENNIFER M. KINSLEY* INTRODUCTION ................................................................................. 609 I. BACKGROUND................................................................................ 610 A. Federal Obscenity Laws ................................................... 610 1. Miller v. California..................................................... 611 2. Smith v. California ..................................................... 612 3. Pope v. Illinois ............................................................ 612 B. State Obscenity Laws and Local Ordinances ................... 612 C. Current Scholarship on Obscenity Prosecutions .............. 614 II. OBSCENITY PROSECUTIONS FROM 2000 TO PRESENT .................... 615 A. Federal Prosecutions ....................................................... 615 1. The Bush Administration Prosecutions: Cases Initiated and Concluded from 2003 to 2008 ............. 617 a. Extreme Associates ............................................... 617 b. The Ragsdales ....................................................... 618 c. Patrick J. O’Malley ............................................... 618 d. Jeffrey Kilbride and James Schaffer ..................... 619 e. Karen Fletcher ....................................................... 620 f. Adult DVD Empire................................................ 621 g. The Harb Cousins ................................................ -
Satyriasis: the Pornographic Afterlife of Vaslav Nijinsky
UCLA Thinking Gender Papers Title Satyriasis: The Pornographic Afterlife of Vaslav Nijinsky Permalink https://escholarship.org/uc/item/2xx4f4vc Author Horowitz, Katie R. Publication Date 2008-02-01 eScholarship.org Powered by the California Digital Library University of California Katie Horowitz Thinking Gender 2008 The Pornographic Afterlife of Vaslav Nijinsky On May 29, 1912, the world’s first male ballet star launched an assault on the proprieties of Paris’ cultural elite. For three years, Vaslav Nijinsky had garnered international acclaim for his unparalleled virtuosity and emotive performances. He had also earned a degree of “lilac-hued notoriety”1 for a rather public affair with his director, Serge Diaghilev. But on this late spring evening, Nijinsky’s queer eroticism began to outstrip his technical prowess in the public imaginary. For on this night, he abandoned the pirouettes and grand jetés for which he was famed and feigned masturbation on the stage of the Théâtre du Châtelet. Inspired by Mallarmé’s poem of the same name, Nijinsky’s daring choreographic debut, Afternoon of a Faun featured a forest-dwelling satyr entranced by a passing nymph. Ineluctably drawn to the disrobing Nymph, he attempts to seduce her, but she escapes, leaving behind only a scarf, which he spirits away to his lair. In the final moments of the dance, the Faun thrusts himself suggestively upon the abandoned token. Despite the scandal of Nijinsky’s simulated autoeroticism, the premiere of Afternoon of a Faun was and is widely recognized as the first modern ballet and as such created a new paradigm for viewing bodies in motion. -
Deepfakes, Gender, and the Challenges of AI-Altered Video
Open Information Science 2019; 3: 32–46 Research Article Travis L. Wagner*, Ashley Blewer “The Word Real Is No Longer Real”: Deepfakes, Gender, and the Challenges of AI-Altered Video https://doi.org/10.1515/opis-2019-0003 Received November 14, 2018; accepted February 6, 2019 Abstract: It is near-impossible for casual consumers of images to authenticate digitally-altered images without a keen understanding of how to "read" the digital image. As Photoshop did for photographic alteration, so to have advances in artificial intelligence and computer graphics made seamless video alteration seem real to the untrained eye. The colloquialism used to describe these videos are “deepfakes”: a portmanteau of deep learning AI and faked imagery. The implications for these videos serving as authentic representations matters, especially in rhetorics around “fake news.” Yet, this alteration software, one deployable both through high-end editing software and free mobile apps, remains critically under examined. One troubling example of deepfakes is the superimposing of women’s faces into pornographic videos. The implication here is a reification of women’s bodies as a thing to be visually consumed, here circumventing consent. This use is confounding considering the very bodies used to perfect deepfakes were men. This paper explores how the emergence and distribution of deepfakes continues to enforce gendered disparities within visual information. This paper, however, rejects the inevitability of deepfakes arguing that feminist oriented approaches to artificial intelligence building and a critical approaches to visual information literacy can stifle the distribution of violently sexist deepfakes. Keywords: gender, artificial intelligence, Information Literacy, media studies, programming 1 Introduction The challenges of verifying authentic imagery of famous individuals is hardly a new phenomenon. -
Pleasure, Pain and Pornography: a Gendered Analysis of the Influence of Contemporary Pornography on the Lives of New Zealand Emerging Adults
Pleasure, pain and pornography: A gendered analysis of the influence of contemporary pornography on the lives of New Zealand emerging adults By Samantha Maree Keene A thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy in Criminology Social and Cultural Studies Victoria University of Wellington 2019 i ii Abstract Historically, concerns have been raised about violence in pornography and the influence that such portrayals may have on levels of violence against women and children. Today, pornography is pervasively available on the internet and viewed by both men and women in ever-increasing numbers. In New Zealand, violence against women and children remains at alarmingly high levels, and concerns about pornography’s influence on gendered violence are a common refrain. Research remains inconclusive about the impacts of pornography on viewers’ sexual scripts, behaviours and attitudes, yet the voices of those most affected by pornography – viewers and their partners – are often omitted from pornography studies. Few New Zealand studies employ a gendered analysis of men’s and women’s experiences with pornography. To provide research specific to New Zealand about these experiences, this thesis explores the reported influences of mainstream pornography on the lives of a self-selecting sample of (primarily) heterosexual New Zealanders between the ages of 18 and 30. It adopts a uniquely gendered analysis and critically interrogates both men’s and women’s experiences with pornography in the digital age. The findings of this research suggest that pornography research necessitates a gendered appraisal both in terms of how pornography is experienced individually, but also within intimate relationships. -
Porn-Presentation.Pdf
PORN FROM WARHOL TO X-TUBE Coffeetable Book Dr. Kevin Clarke Porn from Warhol to X-Tube The history of gay porn with hundreds of color-plates and fascinating facts. The history of porn is damn exciting. It has come a long way from the discrete beginnings in the early sixties to pay per minute porn which we can see direct- ly on our screen at home. This anthology leads us through the decades. It only shows us how the industry developed but also how the porn stars themselves have changed. From Pop Art to homemade 3 minute porn videos that we upload on x-tube, from dark cinemas to glamorous galas, the world is porn! 260 full-color pages, hardback with dust-jacket. PORN AS POP ART It wasn’t till the mid-sixties that porn truly started to happen and be noti- ced as a general cultural phenomenon. The Vietnam War had broken out in 1964 and caused some serious social turmoil out of which a countercul- ture emerged, not just in the US but the whole world over. It was a coun- terculture that was to radically challenge the old order of things and throw many of its time honored moral values overboard. Bildunterschrift, Ugiam irit nos dolor summy nostiscil ullut vullaor sum zzriusc i Bildunterschrift, Ugiam irit nos dolor summy nostiscil ullut vullaor sum zzriusc i Liquatuer ing eraestin ut amet vullum in hent luptat. Nim iusto odolore modolor periust iscilis sequat. “The popularity of rock music, the increased Put accum dolore venim volore mincili quissi use of marijuana, LSD, and other drugs ecte velis adit, venit wisi. -
Connolly .Indd
Matt Connolly Solidification and Flux on the “Gay White Way”: Gay Porn Theaters in Post-Stonewall New York City Abstract This paper traces the exhibition strategies of two gay porn theaters in New York City from 1969-1973: the 55th Street Playhouse and the Eros I. It draws upon contemporaneous advertising and trade press to reconstruct these histories, and does so in the pursuit of two interconnected goals. First, by analyzing two venues whose exhibition protocols shifted over the course of this time period, this paper seeks a more nuanced understanding of how gay porn theaters established, maintained, and augmented their market identities. Second, it attempts to use these shifts to consider more broadly what role exhibition practices played in the shaping of gay men’s experiences within the porn theater itself – a key site of spectatorial, erotic, and social engagement. The 1970s saw the proliferation of theaters in major my conclusions in some ways, but that will also urban centers specializing in the exhibition of gay provide the opportunity to investigate exhibition pornography.1 Buoyed by both seismic shifts in spaces within a city that is central to histories of both LGBT visibility in the wake of the 1969 Stonewall LGBT culture and pornographic exhibition.3 I will riots and larger trends in industry, law, and culture track two Manhattan theaters across this time period that increasingly brought pornography of all stripes to observe what films they screened and how they into the mainstream, these theaters provided a public advertised their releases: the 55th Street Playhouse venue for audiences of primarily gay men to view gay and the Eros I. -
Consultation Responses Page 15
1 Contents: Section 1 Executive Summary Page 3 Section 2 Next Steps Page 9 2.1 Bring Forward Legislation 2.1.1 Applications (apps) Page 11 2.1.2 The regulator Page 11 2.2 Continue to work with payments and Page 12 ancillary services 2.3 Maintain ongoing engagement Page 13 2.4 Broader work, including raising awareness Page 14 and resilience Section 3 Summary of consultation responses Page 15 3.1 Overview Page 15 3.2 Who responded? Page 15 3.3 How did people respond? Page 16 Section 4 Key Stakeholder responses Page 22 4.1 Charities and support / advice groups Page 22 4.2 The British Board of Film Classification (BBFC) and Ofcom Page 24 4.3 Payment companies and advertisers Page 25 4.4 Law Enforcement Page 25 4.5 Pornography providers Page 25 4.6 Church groups and religious organisations Page 27 4.7 Internet service providers (ISPs) Page 28 4.8 Mobile Network Operators (MNOs) Page 29 Annex A Organisations which responded to the Page 30 consultation Annex B Questions in the consultation Page 33 Annex C Summary of graphs Page 37 2 1. Executive Summary The manifesto commitment: ‘We will stop children's exposure to harmful sexualised content online, by requiring age verification for access to all sites containing pornographic material’ As was set out in our consultation, the Government’s preferred approach to delivering this commitment is to establish a new law, requiring age verification (AV) controls for online pornography this was the manifesto commitment, and following consideration of the consultation responses, remains the Government’s intention. -
71-1043 ~ M ) O M in the PEOPLE of the STATE ) Ro of NEW YORK, ) ) Respondent
V In the / Supreme Court of tfje ®mtei) States ST C3 SAUL HELLER, ) ■PSJ ) x' .i . r • Petitioner, ) ) T'JO v. ) No. 71-1043 ~ m ) o m in THE PEOPLE OF THE STATE ) ro OF NEW YORK, ) ) Respondent. ) Washington, D. C. November l4, 197? Pages 1 thru 55 / f 8 ‘ f >> °Oo- r r/?7l • s; Duplication or copying of this transcript by photographic, electrostatic or other facsimile means is prohibited under the order form agreement. HOOVER REPORTING COMPANY, INC. Official Reporters Washington, D. C. 5 46-6666 IN TITE SUPREME COURT OP THE UNITED STATES x SAUL HELLER, Petitioner v. No. 71-1043 THE PEOPLE OF THE STATE OF NEW YORK, Respondent. ~ ~ x Washington, D. C. Tuesday, November 14, 1972 The above-entitled matter came on for argument at 1:01 o5 clock p.m. BEFORE: WARREN E. BURGER, Chief Justice of the United States WILLIAM O. DOUGLAS, Associate Justice WILLIAM J. BRENNAN, JR., Associate Justice POTTER STEWART, Associate Justice BYRON R. WHITE, Associate Justice THURGOOD MARSHALL, Associate Justice HARRY A. BLACKMUN, Associate -Justice LEWIS F. POWELL, JR., Associate Justice WILLIAM IT. REFNQUIST, Associate Justice APPEARANCES: IRVING ANOLIK, ESO., 225 Broadway, New York, New York 10007, for the Petitioner. LEWIS R. FRIEDMAN, Assistant District Attorney, 155 Leonard Street, New York, New York-10013, for the Respondent. ORAL ARGUMENT OFs PAGE Irving Anolik, Esq» , For the Petitioner, 3 Lewis Ro Friedman, Esq., For the Respondent. 29 E ?■ 9. 9. E E D I N G s MR. CHIEF JUSTICE BURGER: We will hear arguments next in No. 71-1043, Heller against New York.