Csi: Miami Turns up the Heat and Keeps Viewers Sweating for More
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Redefining the Witness: Csiand Law & Orderas Narratives of Surveillance
Redefining the Witness: CSI and Law & Order as Narratives of Surveillance By: Sanam Navid A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Communication Sanam Navid © 2007. All Rights Reserved. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Library and Bibliotheque et Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-33753-0 Our file Notre reference ISBN: 978-0-494-33753-0 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce,Canada de reproduire, publier, archiver, publish, archive, preserve, conserve,sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet,distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform,et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation. -
CSI: Miami Patrick West
Deakin Research Online This is the published version: West, Patrick. 2009, The city of our times : space, identity, and the body in CSI : Miami, in The CSI effect : television, crime, and governance, Lexington Books, Lanham, Md., pp.111- 131. Available from Deakin Research Online: http://hdl.handle.net/10536/DRO/DU:30020072 Reproduced with the kind permission of the copyright owner. Copyright : 2009, Lexington Books Chapter Six The City of Our Times: Space, Identity, and the Body in CSI: Miami Patrick West This' chapter foregrounds televisual representations of the city of Miami in CSI: Miami to, develop, a broader argument about the combined impact of globalization and virtualization on twenty-first century cities and their in habitants. I argue thatsome of the contemporary characteristics of Miami as ,a city are reflect~d in CSI: Mia~i and that, more'than this, the show offers television viewers, a sneak, preview of tomorrow's Miami. While my argu ment is not equally valid for all cities, I claim that Miami is at the forefront of an international urban development trend that will influence the futures of " . many cities. CSI: Miami reflects a break from past experiences of urbanism through its focus on the virtuality of Miami. It suggests' new modes of virtual identity in its diegesis and effects, while the show's dissemination along the television trade routes of global flow emphasizes the postmodem nexus be tween virtualization and· globalization. The convergence of globalization and virtualization concerns the inhabit ants of cities like. Miami because' it further destabilizes postmodernurban environments in which identity' already tends towards the schizophrenic or "psychasthenic" state described, by Celeste Olalquiaga, as a "feeling of being in all places while not really, being anywhere."l Globalization dislodges iden tity from an allegiance to anyone city, while virtualization compromises the connections people enjoy to the physical world; each concerns transports of identity. -
Episode Guide
Episode Guide Episodes 001–232 Last episode aired Sunday April 8, 2012 www.cbs.com c c 2012 www.tv.com c 2012 www.cbs.com c 2012 www.vitemo.com c 2012 www.csifiles.com c 2012 www.tvrage.com c 2012 www.thetvking.com The summaries and recaps of all the C.S.I. Miami episodes were downloaded from http://www.tv.com and http:// www.cbs.com and http://www.vitemo.com and http://www.csifiles.com and http://www.tvrage.com and http: //www.thetvking.com and processed through a perl program to transform them in a LATEX file, for pretty printing. So, do not blame me for errors in the text ^¨ This booklet was LATEXed on June 28, 2017 by footstep11 with create_eps_guide v0.59 Contents Season 1 1 1 Golden Parachute . .3 2 Losing Face . .5 3 Wet Foot/Dry Foot . .7 4 Just One Kiss . .9 5 Ashes to Ashes . 11 6 Broken.............................................. 13 7 Breathless . 15 8 Slaughterhouse . 17 9 Kill Zone . 19 10 A Horrible Mind . 21 11 Camp Fear . 23 12 Entrance Wound . 27 13 Bunk............................................... 31 14 Forced Entry . 33 15 Dead Woman Walking . 35 16 Evidence of Things Unseen . 37 17 Simple Man . 39 18 Dispo Day . 41 19 Double Cap . 43 20 Grave Young Men . 47 21 Spring Break . 49 22 Tinder Box . 51 23 Freaks and Tweaks . 53 24 Body Count . 55 Season 2 57 1 Blood Brothers . 59 2 Dead Zone . 61 3 HardTime............................................ 63 4 Death Grip . 65 5 The Best Defense . 67 6 Hurricane Anthony . -
Screening Women in SET: How Women in Science, Engineering and Technology Are Represented in Films and on Television
Research Report Series for UKRC No.3 Screening Women in SET: How Women in Science, Engineering and Technology Are Represented in Films and on Television Joan Haran, Mwenya Chimba, Grace Reid and Jenny Kitzinger Cardiff School of Journalism, Media and Cultural Studies Cardiff University March 2008 Screening Women in SET: How Women in Science, Engineering and Technology Are Represented in Films and on Television Joan Haran, Mwenya Chimba, Grace Reid, and Jenny Kitzinger Cardiff School of Journalism, Media and Cultural Studies Cardiff University © UK Resource Centre for Women in Science, Engineering and Technology (UKRC) and Cardiff University 2008 First Published March 2008 ISBN: 978-1-905831-18-0 About the UK Resource Centre for Women in SET Established in 2004 and funded by DIUS, to support the Government's ten-year strategy for Science and Innovation, the UKRC works to improve the participation and position of women in SET across industry, academia and public services in the UK. The UKRC provides advice and consultancy on gender equality to employers in industry and academia, professional institutes, education and Research Councils. The UKRC also helps women entering into and progressing within SET careers, through advice and support at all career stages, training, mentoring and networking opportunities. UKRC Research Report Series The UKRC Research Report Series provides an outlet for discussion and dissemination of research carried out by the UKRC, UKRC Partners, and externally commissioned researchers. The views expressed in this report are those of the authors and do not necessarily represent the views of the UKRC. You can download a copy of this report as a PDF from our website. -
Media Effects and the Criminal Justice System: an Experimental Test of the CSI Effect Ryan Tapscott Iowa State University
Iowa State University Capstones, Theses and Graduate Theses and Dissertations Dissertations 2011 Media effects and the criminal justice system: An experimental test of the CSI effect Ryan Tapscott Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/etd Part of the Psychology Commons Recommended Citation Tapscott, Ryan, "Media effects and the criminal justice system: An experimental test of the CSI effect" (2011). Graduate Theses and Dissertations. 10254. https://lib.dr.iastate.edu/etd/10254 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Media effects and the criminal justice system: An experimental test of the CSI effect by Ryan Luke Tapscott A dissertation submitted to the graduate faculty In partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Major: Psychology Program of Study Committee Douglas Gentile, Major Professor Kevin Blankenship Matthew DeLisi David Vogel Gary Wells Iowa State University Ames, Iowa 2011 Copyright © Ryan Luke Tapscott, 2011. All rights reserved. ii TABLE OF CONTENTS LIST OF TABLES iv LIST OF FIGURES vii ABSTRACT viii CHAPTER 1. INTRODUCTION 1 CHAPTER 2. CORRELATIONAL STUDY METHODS AND PROCEDURE 33 CHAPTER 3. CORRELATIONAL STUDY RESULTS 49 CHAPTER 4. CORRELATIONAL STUDY SUMMARY AND DISCUSSION 71 CHAPTER 5. EXPERIMENTAL STUDY METHODS AND PROCEDURE 74 CHAPTER 6. EXPERIMENTAL STUDY RESULTS 86 CHAPTER 7. -
Going Gone Free Ebook
FREEGOING GONE EBOOK Sharon Sala | 368 pages | 30 Sep 2014 | Mira Books | 9780778316596 | English | United States Going, Going, Gone - Wikipedia From Coraline to ParaNorman check out some of our favorite family-friendly movie picks to watch this Halloween. See Going Gone full gallery. Heyes and Curry agree to escort the bust from a pre-arranged going spite too San Fransisco, where is to be auctioned. Whilst Heyes and Curry wait at the town near three deep-spot, they meet the town bully. Though they keep backing down, the bully keeps Going Gone, and Curry starts losing his temper. Written by Peter Harris. Looking for something to watch? Choose an adventure below and discover your next favorite movie or TV show. Visit our What to Watch page. Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew. Going Gone Dates. Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews. Going Gone Ratings. External Reviews. Metacritic Reviews. Photo Going Gone. Trailers and Videos. Crazy Credits. Alternate Versions. Alias Smith and Jones — Rate This. Season 2 Episode All Episodes Going Gone Director: Alexander Singer. Added to Watchlist. Halloween Movies for the Whole Family. Use the HTML below. You must be a registered user to use the IMDb rating plugin. Photos Add Image Add an image Do you have any images for Going Gone title? Edit Cast Episode cast overview: Pete Duel Joe Briggs Burl Ives Spencer Cesar Romero Going Gone Ted Gehring Seth Griffin Bing Russell Sheriff Paul Micale Little Man Robert P. -
Automatic Table Completion Using Knowledge Base
Automatic Table completion using Knowledge Base Bortik Bandyopadhyay Xiang Deng Goonmeet Bajaj [email protected] [email protected] [email protected] The Ohio State University The Ohio State University The Ohio State University Columbus, Ohio Columbus, Ohio Columbus, Ohio Huan Sun Srinivasan Parthasarathy [email protected] [email protected] The Ohio State University The Ohio State University Columbus, Ohio Columbus, Ohio ABSTRACT 1 INTRODUCTION Table is a popular data format to organize and present rela- Users may issue queries about entities related to specific tional information. Users often have to manually compose topics, as well as their attributes or multi-ary relationships tables when gathering their desiderate information (e.g., en- among other entities [35], to gather information and make tities and their attributes) for decision making. In this work, decisions. Tabular representations are a natural mechanism we propose to resolve a new type of heterogeneous query to organize and present latent relational information among viz: tabular query, which contains a natural language query a set of entities [43]. Tables are widely used in existing com- description, column names of the desired table, and an ex- mercial products (e.g.: Microsoft Excel PowerQuery1) and ample row. We aim to acquire more entity tuples (rows) and within novel frameworks (e.g.: [35, 49, 50, 53]). Recently, automatically fill the table specified by the tabular query. We search engines (like Google) also tend to return tables as design a novel framework AutoTableComplete which aims answer to list-seeking user queries [4, 23] thereby making to integrate schema specific structural information with the tabular representation even more popular. -
Séries+ Re CSI: Miami
CANADIAN BROADCAST STANDARDS COUNCIL QUEBEC REGIONAL PANEL Séries+ re CSI: Miami (CBSC Decision 09/10-1730) Decided January 25, 2011 G. Moisan (Vice-Chair), Y. Bombardier, A. H. Caron, R. Cohen (ad hoc), V. Dubois THE FACTS The specialty service Séries+ broadcasts a French-language dubbed version of CSI: Miami, which is a dramatic series that follows a team of forensic specialists as they investigate crimes in the titular city. Episodes of the program frequently contain scenes of violent crimes being committed, both as they occur during the story or via flashbacks as the investigators piece together the clues. Séries+ aired the program at 5:00 pm with a rating of 13+. The CBSC received a complaint from a viewer who was concerned that the program was too violent for the 5:00 pm time slot that Séries+ had selected for the series (the full text of that and all other correspondence can be found in the Appendix, available in French only). In his letter of June 8, 2010, the complainant noted that a previous CBSC decision regarding the broadcast of Les experts: Manhattan (CSI: New York) on conventional television network TQS (now V) found that two episodes of that CSI series should only have been aired after the start of the “Watershed” hour of 9:00 pm and with a rating of 16+. Based on that previous decision, he expressed the view that [translation] “Clearly, CSI: Miami has been incorrectly classified and given the wrong time slot. It is frightening to see that children coming home from school (my own daughter in this case) can have fingertip access to so much violence and gore.” 2 Given that the complainant’s initial letter was about the series in general, in accordance with the CBSC’s customary practice, the Secretariat requested that he provide examples of the dates and times of specific episodes that concerned him. -
CSI: Crime Scene Investigation - Wikipedia, the Free Encyclopedia Pagina 1 Di 20
CSI: Crime Scene Investigation - Wikipedia, the free encyclopedia Pagina 1 di 20 CSI: Crime Scene Investigation From Wikipedia, the free encyclopedia CSI: Crime Scene Investigation (also known as CSI: Crime Scene Investigation CSI: Las Vegas) is an American crime drama television series, which premiered on CBS on October 6, 2000. The show was created by Anthony E. Zuiker and produced by Jerry Bruckheimer. It is filmed primarily at Universal Studios in Universal City, California. The series follows Las Vegas criminalists as they use physical evidence to solve grisly murders in this unusually graphic drama, which has inspired a CSI: Crime Scene Investigation intertitle host of other cop-show "procedurals". An Genre Police procedural, Mystery, immediate ratings smash for CBS, the series mixes Drama, Thriller deduction, gritty subject matter and popular characters. The network quickly capitalized on its Format Live action hit with spin-offs CSI: Miami and CSI: NY. Created by Anthony E. Zuiker CSI was renewed for an eleventh season on May Starring Laurence Fishburne 19, 2010. Marg Helgenberger CSI has been recognized as the most popular George Eads dramatic series internationally by the Festival de Jorja Fox Télévision de Monte-Carlo, which has awarded it Eric Szmanda the "International Television Audience Award Robert David Hall [1][2] (Best Television Drama Series)" three times. Wallace Langham CSI's worldwide audience was estimated to be over David Berman 73.8 million viewers in 2009.[2] Paul Guilfoyle Liz Vassey Contents Lauren Lee Smith William Petersen n 1 Production Gary Dourdan n 1.1 Overview Louise Lombard n 1.2 Conception and development n 1.3 Filming locations Opening theme "Who Are You" by The Who n 1.4 Music n 1.5 Plot Country of origin United States Canada n 2 Cast n 2.1 Main characters No.