Memories & Dreams

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Memories & Dreams Memories & Dreams The Studiowith with Salvador Dalí ART HIST RY KIDS WEEK 2 Quote to ponder “Every morning upon awakening, I experience a supreme pleasure: that of being Salvador Dalí, and I ask myself, wonderstruck, what prodigious thing will he do today, this Salvador Dalí?” –Salvador Dalí January 2021 15 Memories & Dreams The Studiowith with Salvador Dalí ART HIST RY KIDS LET’S MEET THE ARTIST Salvador Domingo Felipe Jacinto Dalí i Domenech May 11, 1904 — January 23, 1989 Salvador Dali was born in Figueres– a town in the Catalonia region of Spain. He grew up with a strict father and lenient mother (who encouraged his artistic endeavors and supported his creative personality). She even let him have a pet bat! Dali studied art in Spain and later in Paris where he met legendary painters (like Picasso) who influenced his work. He soon became involved with the Surrealist art movement. In addition to his art, Dali was also known for his funny personality and unusual public behavior. He had outrageous pets, including an ocelot named Babou who never left his side. He took Babou into restaurants and even on plane trips! Sometimes he’d tell people that Babou was just a normal cat that he had painted. He walked around Paris with his pet anteater on a leash. He grew a unique mus- tache and shaped it with pomade. (In 2010 Dali’s mustache was voted the most famous mustache of all time.) Terry Fincher/Daily Express/Hulton Archive/Getty Images Dali transformed his daily life into a surreal piece of art. He realized that he could draw attention to his art and sell it by drawing attention to himself. He made comments that caused a sensation, claiming to receive messages from outer space through his mustache and declaring that “All emotion comes to me through the elbow.” He purchased a castle for his wife! (He was only allowed to visit if he had her written permission.) His public life was a spectacle and people all over the world enjoyed his antics. Dali loved extravagance and he expanded his income by creating beyond painting. He designed jewelry, clothes and furniture. He created sets for ballets and stage plays. He wrote fiction and scenes for screen plays. Dali even appeared on television game shows. Salvador Dali created his life and his art in a way that invited people to stop and pay attention, and to contemplate the idea of logic and reality. January 2021 16 Memories & Dreams The Studiowith with Salvador Dalí ART HIST RY KIDS LET’S MEET THE ARTIST Dalí did what?!?! He filled his friend’s Rolls Royce with cauliflower – up to the roof! – and drove it from Spain to Paris. On another occasion he was seen riding in a limo full of cauliflower. (Dali thought that cauliflower and a rhino horn were examples of perfect shapes. He said surrounding himself with cauliflower was a philosophical endeavor.) In 1936, at the London Surrealist Exhibition, Dali arrived wearing a head to toe deep diving suit. He brought two wolfhounds along with him, too! During his speech, the audience wasn’t able to hear him through his helmet, and when he tried to remove it, he realized it was stuck. He began to struggle for air and it took the crowd a few minutes to realize he needed help... they thought it was all part of the act. Luckily, the helmet was removed in time – he caught his breath and continued his speech. He said: “Since I don't smoke, I decided to grow a mustache—it is better for the health. How- ever, I always carried a jewel-studded cigarette case in which, instead of tobacco, were careful- ly placed several mustaches. I offered them politely to my friends: ‘Mustache? Mustache? Mustache?’ Nobody dared to touch them. This was my test regarding the sacred aspect of mustaches.” Salvador liked to work in small confined spaces – they made him feel protected and ‘coddled.’ While staying at a hotel in Los Angeles, he set up a workspace in the bathtub! In addition to painting, Dali also ventured into fashion and furniture design, architecture, sculp- ture, drawing, photography, and film! He even collaborated on a short film with Walt Disney. The project began in 1945 but it was put on hold when WWII made the company re-evaluate their finances and pause some of their projects. In 1999, Roy E. Disney brought the project back and Destino (a short animated film) debuted in 2003. (You can find it on Disney+!) It’s rated PG but be sure to preview it first to make sure it’s suitable for your kids before you watch it together. January 2021 17 Memories & Dreams The Studiowith with Salvador Dalí ART HIST RY KIDS ART MOVEMENTS Surrealism 1924-1966 During his life-long adventure in art, Dali explored several different art movements: a classical style inspired by the Italian Renaissance, Post-Impressionism, Cubism, Dada, and Expressionism can all be seen as influencing his work. The movement he’s most closely associated with is Surrealism. Surrealism was an art movement that was all about imagination and the artists subconscious. Artists worked to get into a kind of dream state before they created, and they worked intuitively. Dali was known to go to extremes to capture his dream state ideas for his art. He would sometimes go to sleep sitting in a chair and holding a spoon in his hand with a plate positioned below so that he would drop the spoon just as he was falling asleep and it would wake him up. He’d then quickly sketch or write down what he had been dreaming. Surrealist art doesn’t always make sense, and it’s not supposed to. The purpose is to express the inner thoughts of the artist and allow the viewer to explore all of the possible meanings. More Surrealist Painters... (1893-1983) (1917-2011) (1898-1967) Joan Miró Leonora Carrington René Magritte Harlequin’s Carnival, 1924-1925 Self-Portrait (Inn of the Dawn Horse), 1937-38 The Son of Man, 1964 January 2021 18 Memories & Dreams The Studiowith with Salvador Dalí ART HIST RY KIDS ELEMENTS OF ART Color Let’s take a moment to look again at this month’s featured art and look specifically at the colors Dali used. What do you notice. Look for cool colors (blue, green, purple) and warm colors (red, yellow, orange). Does Dali use color realistically, or does he use them for emo- tional impact (or both)? You can take notes here on this page! January 2021 19 Memories & Dreams The Studiowith with Salvador Dalí ART HIST RY KIDS ELEMENTS OF ART Shape Dali uses shapes in a really interesting way. Look at this month’s art again, and look just at the shapes you see. What do you notice? Is there anything he does consistently that you notice? What might Dali have been thinking about shape as he created these works of art? Take a close look and record your observations and ideas here! January 2021 20 Memories & Dreams The Studiowith with Salvador Dalí ART HIST RY KIDS LOOKING CLOSER AT THE ART Art Insights What is Dali telling us in this art? Surrealist paintings don’t need to make sense, but the artist often has an idea they are sharing. Dali shared his thoughts on this painting, saying it was "...nothing more than the soft, extravagant, solitary, paranoiac-critical Camembert cheese of space and time... Hard or soft, what difference does it make! As long as they tell time accurately..." The ‘paranoiac-critical’ part of that statement refers to his technique of inducing hallucinations by staring at something until visions came to his mind. The Persistence of Memory, 1931 The landscape plays a very important part of this art. This is thought to be the Catalonia region in Spain - a place he loved dearly and where he felt most inspired. Look at the way Dali combines man made objects with natural forms. The combination is illogical at times- how is that tree growing from the platform? Over 20 years later Dali revisited this painting with a follow up that visualizes what the disintegration of this scene might look like. In this painting we see lots of repetition and the addition of a series of rhino horns- a shape that Dali used often in his art and though to be a perfect form. Where else to you see symbolism here? The Disintegration of the Persistence of Memory, 1952 - 1954 January 2021 21 Memories & Dreams The Studiowith with Salvador Dalí ART HIST RY KIDS LOOKING CLOSER AT THE ART Art Insights Lobster Telephone, 1938 Dali loved to make art that created a strong reaction. We can see his intelligent humor in these two pieces. Lobster Telephone is a combination of a real phone and a faux plaster lobster claw that’s been painted. This piece was made specifically for a man named Edward James, and later other versions of Lobster Telephone were made. Dali once noted that he could not understand why when ordering a grilled lobster in a restaurant he was never served a boiled phone in its stead. Some people wondered if he was making a statement by contrasting a prehistoric creature with a piece of modern technology. In the painting of Mae West’s Face, Dali plays with reality and creates an interesting optical illusion. Is it the face of a movie star or is it carefully arranged furniture in an apartment. (The lips sofa is a piece of furniture that was actually made!) Dali often spoke about the idea of irrational knowledge, and we can see the influence of this idea in these two pieces of art.
Recommended publications
  • Salvador Dalí February 16 – May 15, 2005
    Philadelphia Museum of Art Salvador Dalí February 16 – May 15, 2005 TEACHER RESOURCE MATERIALS: IMAGE PROGRAM These fourteen images represent only a small sample of the wide range of works by Salvador Dalí featured in the exhibition. These materials are intended for use in your classroom before, after or instead of visiting the exhibition. These materials were prepared for use with grades 6 through 12. Therefore, you may need to adapt the information to the particular level of your students. Please note that some of the images included in this program contain nudity and/or violence and may not be appropriate for all ages and audiences. SALVADOR DALÍ Philippe Halsman 1942 Photograph Phillipe Halsman Estate, Howard Greenberg Gallery, New York. Dalí Foundation/Artists Rights Society (ARS), Dalí, Gala-Salvador © 2004 Salvador Discussion Questions: • Describe the way Dalí appears in the photograph. • What do you think Dalí would say if he could speak? This portrait of Dalí was made when the artist was 38 years old. Philippe Halsman, a friend of Dalí’s, photographed the image, capturing the artist’s face animated by a maniacal expression. Since his days as an art student at the Academy in Madrid, Dalí had enjoyed dressing in an eccentric way to exhibit his individuality and artistic genius. In this portrait Dalí’s mustache, styled in two symmetrical curving arcs, enhances the unsettling expressiveness of his face. Dalí often treated his long mustache as a work of art, sculpting the hairs into the curve of a rhinoceros horn or weaving dollar bills into it. Unlike many of Dalí’s other relationships, his friendship with Halsman was quite stable, spanning more than three decades.
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  • 1 Dalí Museum, Saint Petersburg, Florida
    Dalí Museum, Saint Petersburg, Florida Integrated Curriculum Tour Form Education Department, 2015 TITLE: “Salvador Dalí: Elementary School Dalí Museum Collection, Paintings ” SUBJECT AREA: (VISUAL ART, LANGUAGE ARTS, SCIENCE, MATHEMATICS, SOCIAL STUDIES) Visual Art (Next Generation Sunshine State Standards listed at the end of this document) GRADE LEVEL(S): Grades: K-5 DURATION: (NUMBER OF SESSIONS, LENGTH OF SESSION) One session (30 to 45 minutes) Resources: (Books, Links, Films and Information) Books: • The Dalí Museum Collection: Oil Paintings, Objects and Works on Paper. • The Dalí Museum: Museum Guide. • The Dalí Museum: Building + Gardens Guide. • Ades, dawn, Dalí (World of Art), London, Thames and Hudson, 1995. • Dalí’s Optical Illusions, New Heaven and London, Wadsworth Atheneum Museum of Art in association with Yale University Press, 2000. • Dalí, Philadelphia Museum of Art, Rizzoli, 2005. • Anderson, Robert, Salvador Dalí, (Artists in Their Time), New York, Franklin Watts, Inc. Scholastic, (Ages 9-12). • Cook, Theodore Andrea, The Curves of Life, New York, Dover Publications, 1979. • D’Agnese, Joseph, Blockhead, the Life of Fibonacci, New York, henry Holt and Company, 2010. • Dalí, Salvador, The Secret life of Salvador Dalí, New York, Dover publications, 1993. 1 • Diary of a Genius, New York, Creation Publishing Group, 1998. • Fifty Secrets of Magic Craftsmanship, New York, Dover Publications, 1992. • Dalí, Salvador , and Phillipe Halsman, Dalí’s Moustache, New York, Flammarion, 1994. • Elsohn Ross, Michael, Salvador Dalí and the Surrealists: Their Lives and Ideas, 21 Activities, Chicago review Press, 2003 (Ages 9-12) • Ghyka, Matila, The Geometry of Art and Life, New York, Dover Publications, 1977. • Gibson, Ian, The Shameful Life of Salvador Dalí, New York, W.W.
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  • Salvador Dalí and Science, Beyond Mere Curiosity
    Salvador Dalí and science, beyond mere curiosity Carme Ruiz Centre for Dalinian Studies Fundació Gala-Salvador Dalí, Figueres Pasaje a la Ciencia, no.13 (2010) What do Stephen Hawking, Ramon Llull, Albert Einstein, Sigmund Freud, "Cosmic Glue", Werner Heisenberg, Watson and Crick, Dennis Gabor and Erwin Schrödinger have in common? The answer is simple: Salvador Dalí, a genial artist, who evolved amidst a multitude of facets, a universal Catalan who remained firmly attached to his home region, the Empordà. Salvador Dalí’s relationship with science began during his adolescence, for Dalí began to read scientific articles at a very early age. The artist uses its vocabulary in situations which we might in principle classify as non-scientific. That passion, which lasted throughout his life, was a fruit of the historical times that fell to him to experience — among the most fertile in the history of science, with spectacular technological advances. The painter’s library clearly reflected that passion: it contains a hundred or so books (with notes and comments in the margins) on various scientific aspects: physics, quantum mechanics, the origins of life, evolution and mathematics, as well as the many science journals he subscribed to in order to keep up to date with all the science news. Thanks to this, we can confidently assert that by following the work of Salvador Dalí we traverse an important period in 20th-century science, at least in relation to the scientific advances that particularly affected him. Among the painter’s conceptual preferences his major interests lay in the world of mathematics and optics.
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  • Exhibition Checklist
    EXHIBITION CHECKLIST Dalí: Painting and Film June 29 – September 15, 2008 Salvador Dalí, Spanish, 1904-1989 Madrid Night Scene, 1922 Gouache and watercolor on paper 8 1/4 x 6" (21 x 15.2 cm) Fundació Gala-Salvador Dalí, Figueres Salvador Dalí, Spanish, 1904-1989 Brothel, 1922 Gouache on paper 8 3/16 x 5 7/8" (20.8 x 15 cm) Fundació Gala-Salvador Dalí, Figueres Salvador Dalí, Spanish, 1904-1989 Summer Night, 1922 Gouache on paper 8 3/16 x 5 7/8" (20.8 x 15 cm) Fundació Gala-Salvador Dalí, Figueres Salvador Dalí, Spanish, 1904-1989 The Drunkard, 1922 Gouache on paper 8 3/16 x 5 7/8" (20.8 x 15 cm) Fundació Gala-Salvador Dalí, Figueres Salvador Dalí, Spanish, 1904-1989 Madrid Suburb, circa 1922-23 Gouache on paper 8 3/16 x 5 7/8" (20.8 x 15 cm) Fundació Gala-Salvador Dalí, Figueres Salvador Dalí, Spanish, 1904-1989 Portrait of Luis Buñuel, 1924 Oil on canvas 26 15/16 x 23 1/16" (68.5 x 58.5 cm) Museo Nacional Centro de Arte Reina Sofía, Madrid Salvador Dalí, Spanish, 1904-1989 Portrait of my Father, 1925 Oil on canvas 41 1/8 x 41 1/8" (104.5 x 104.5 cm) Museu Nacional d'Art de Catalunya, Barcelona Salvador Dalí, Spanish, 1904-1989 The Marriage of Buster Keaton, 1925 Collage and ink on paper 8 3/8 x 6 5/8" (21.2 x 16.8 cm) Fundación Federico García Lorca, Madrid Salvador Dalí, Spanish, 1904-1989 Penya segats (Woman on the Rocks), 1926 Oil on panel 10 5/8 x 16 1/8" (27 x 41 cm) Private collection Print Date: 06/20/2008 01:22 PM Page 1 of 15 Salvador Dalí, Spanish, 1904-1989 The Hand, 1927 India ink on paper 7 1/2 x 8 1/4" (19 x 21 cm) Private collection Salvador Dalí, Spanish, 1904-1989 Apparatus and Hand, 1927 Oil on panel 24 1/2 x 18 3/4" (62.2 x 47.6 cm) Salvador Dalí Museum, St.
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  • Our Biggest Dali Art Show Ever... Dali 100 Yearscoming to San Francisco & Fort Worth
    Vol. 14 No. 1 Spring 200 4 FOR THE DALI AFICIONADOANDSERIOUSCOLLECTOR Our Biggest Dali Art Show Ever... Dali 100 Yearscoming to San Francisco & Fort Worth lans for our two-city exhibition commemorating Dali's 100th birthday are in full swing, with artwork, sponsors, special events and other details being updated daily. For the PPlatest news, be sure to check in regularly with our exhibit website atwww.Dali100.com or call 800-FOR-DALI (800-367-3254). We'll be exhibiting more than 600 pieces in San Access Hollywoodco-anchor Francisco and Fort Worth, and each of these events Nancy O'Dell will be our Special will be launched with a black-tie party featuring Celebrity Host at Dali 100 Years celebrities, extraordinary food and an exclusive guest Opening Night in San Francisco . list (watch for your invitation in the mail next month). INSIDE SAN FRANCISCO May 12-30 We're delighted to announce that Alma Comida, one of Nancy O’Dell San Francisco's top restaurants, will be providing to Host Dali in catering for our opening night party on Dali's birthday, San Francisco May 11th. The party will also feature a larger-than-life surreal birthday cake replicating Dali's Persistence of COVER Memory, created by the Cake Gallery of San Spain: Center Francisco. There will be surprise celebrities on hand of the Dali (see sidebar, this page), and we invite the very bold Universe among you to dress in a surreal costume. PAGE 3 The exhibit runs from May 12-30 at the San Francisco New Dali Concourse Exhibition Center, East Hall, in the heart of Museum the city's design district.
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  • Memories & Dreams
    Memories & Dreams The Studiowith with Salvador Dalí ART HIST RY KIDS WEEK 2 Quote to ponder “Every morning upon awakening, I experience a supreme pleasure: that of being Salvador Dalí, and I ask myself, wonderstruck, what prodigious thing will he do today, this Salvador Dalí?” –Salvador Dalí January 2021 15 Memories & Dreams The Studiowith with Salvador Dalí ART HIST RY KIDS LET’S MEET THE ARTIST Salvador Domingo Felipe Jacinto Dalí i Domenech May 11, 1904 — January 23, 1989 Salvador Dali was born in Figueres– a town in the Catalonia region of Spain. He grew up with a strict father and lenient mother (who encouraged his artistic endeavors and supported his creative personality). She even let him have a pet bat! Dali studied art in Spain and later in Paris where he met legendary painters (like Picasso) who influenced his work. He soon became involved with the Surrealist art movement. In addition to his art, Dali was also known for his funny personality and unusual public behavior. He had outrageous pets, including an ocelot named Babou who never left his side. He took Babou into restaurants and even on plane trips! Sometimes he’d tell people that Babou was just a normal cat that he had painted. He walked around Paris with his pet anteater on a leash. He grew a unique mus- tache and shaped it with pomade. (In 2010 Dali’s mustache was voted the most famous mustache of all time.) Terry Fincher/Daily Express/Hulton Archive/Getty Images Dali’s transformed his daily life into a surreal piece of art.
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  • Uma Leitura Do Espaço-Tempo No Filme Meia Noite Em Paris
    A imagem e o imaginário da cidade paradigmática: uma leitura do espaço-tempo no filme Meia Noite em Paris Valéria Cristina Pereira da Silva, Universidade Federal de Goiás (UFG), Brasil Resumo: Paris é uma cidade emblemática e paradigmática por ser a mais difundida em imagens. A paisagem, o urbanismo, as formas arquitetônicas serviram de modelo para as cidades em todo mundo, inclusive no Brasil. Falar de imaginário da cidade, em qualquer contexto, implica em recorrer a esse espaço referencial. Trata-se de uma cidade que contém o tempo e um denso legado cultural que produziu igualmente uma rica representação. Woody Allen no filme Meia Noite em Paris captou a essência desse imaginário para o qual, o encontro com a cidade consiste em buscar uma época passada. Os de- graus do tempo emolduram a cidade e conformam sua paisagem, como afirma W. Benjamin (1989) os elementos temporais mais heterogêneos encontram-se lado a lado. Desse modo, o objetivo deste trabalho é, a partir da imagem da cidade apre- sentada no filme Meia Noite em Paris, analisarmos o sentido da temporalidade urbana na sua relação com o imaginário paradigmático da capital francesa, sobretudo, como irradiadora modelos e metáforas. O aporte teórico-metodológico utilizado para essa investigação é a fenomenologia da imaginação de G. Bachelard e a montagem benjaminiana, onde uma flanerie imaginária será empreendida nesta cidade-tempo forjada por W. Allen. Palavras-chaves: cidade, imagem, espaço-tempo, paradigma urbano Abstract: Paris are a emblematic and paradigmatic city cause it's most showing in images. The landscape, the Urbanism, the architectural forms are used as a model to city around the world, inclusively in Brazil.
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  • Salvador Dali Biography
    SALVADOR DALI BIOGRAPHY • Salvador Domingo Felipe Jacinto Dali Domenech • born: 11th May 1904 in Figueras • at ten he painted a self- portreit titled "Ill Child” • expelled from San Fernando School of Fine Art • twice expelled from the Royal Academy in Madrid • joined Paris surrealist group • first surrealist painting ”Honey is sweeter than blood” • painted the world of the unconscious • met Gala Helena Deluviana Diakonoff Eluard Honey is sweeter than blood • expelled from the surrealist group • contoversial auto-biography "the secret life of Salvador Dali” • Gala's death in 1982 • Dali's health began to fail • 1983 - last work, "The Swallow´s Tail” • January 23, 1989, Salvador Dali died from heart failure and respiratory complications • buried in the crypt-mausoleum of the Museum Theatre in Galatea Figueras. SECRET LIFE • autobiography The secret life of Salvador Dali • marketing a product - his own art • "The difference between false memories and true ones is the same as for jewels: it is always the false ones that look the most real, the most brilliant." The secret life of Salvador Dali - cover • "It is not important what you do as long as you are in the headlines." • ”Disorder has to be created systematically." • “The only diference between me and a mad man is that I am not mad.” • 5 years: - pushed a little boy of a bridge - put a dead bat coverd with ants in his mouth and bit it in half • 6 years: kicks his three- year old sister in the head • “When I was six years old I wanted to be a cook and when I was seven, Napoleon.
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  • Antenna International the Dali Museum Permanent Collection Kids
    Antenna International The Dali Museum Permanent Collection Kids Tour Press Script January 2, 2011 Antenna Audio 2010 | The Dali Museum Kids Press Script 200. Introduction: Dali’s Mustache 201. Daddy Longlegs of the Evening – Hope! (1940), oil on canvas 202. Cadaqués, 1923 203. The Basket of Bread (1926), oil on panel 204. Portrait of My Dead Brother (1963), oil on canvas 205. The Average Bureaucrat (1930) 206. Gala Contemplating the Mediterranean Sea which at Twenty Meters Becomes the Portrait of Abraham Lincoln (Homage to Rothko) (1976), oil and collage on canvas 207. Eggs on the Plate Without the Plate (1932), oil on canvas 208. The Weaning of Furniture-Nutrition (1934), oil on panel 209. The Discovery of America by Christopher Columbus (1958-59) 210. The Hallucinogenic Toreador (1969-1970), oil on canvas 211. Old Age, Adolescence, Infancy (The Three Ages) (1940), oil on canvas 212. The Disintegration of the Persistence of Memory (1952-54), oil on canvas 213. The Hallucinogenic Toreador (1969-1970), oil on canvas 213. Lobster Telephone (1938), plastic and painted plaster 214. Nieuw Amsterdam (1974), painted bronze, metal 215. Conclusion Antenna Audio 2010 | The Dali Museum Kids Press Script Stop 200 Introduction: Dali’s Mustache MUSTACHE VOICE: Welcome to the Dali Museum. I am about to take you into the mind of Salvador Dali! I was Dali’s closest companion for over fifty years. But who am I? I’ll show you. Look closely at the man in the photograph. There is the man himself, otherwise known as “The Divine Dali!” And me? SFX: A pointy-sounding double plink! plink! (the mustache’s signature sound that will appear elsewhere on the tour) MUSTACHE: I am Dali’s mustache! He would have been nothing without me! I was his trademark! Long, narrow, loop-de-looped -- perched there on the great man’s lip, but with a life all my own.
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  • Occult Is ​Other​: What, Where, Who, Why
    Occult is Other: What, Where, Who, Why, How ​ ​ Occultus (the occult), according to Occultus: the hidden and macabre in literature and ​ film, is "that which is hidden, secret, mysterious, inexplicable, magic, alchemy, not readily ​ illuminated and not easily ascertained or understood" (Tobienne, “Occultus” 2). The occult, by nature, is not evil, but its practitioners are imbibed with a certain level of power that the mundane are not afforded, which makes their actions more subject to scrutiny. As Tobienne describes, “there is more to the occult than things that go ‘bump’ in the night” (Occultus, 2). ​ ​ Temptation, manipulation, and rejection of accepted mores are themes that prevail among the practitioners of the occult, simply because the occult itself falls outside the boundaries of society and all of its conventions. The presence of the occult weaves an intellectual underworld beneath the curtain of the ​ ​ common quotidian dimension. The occult is a mechanism of deceit--therefore, it can only be undone by knowledge. However, this presents a dichotomous conundrum: one may only become a part of the occult by gaining sight of it, but with this knowledge, the occult--that which is secret--becomes a candid facet of one’s reality. The occult, then, must be transitive: unique to every individual and ultimately forever changing as the fabric of their reality metamorphoses. This comprehensive essay seeks to understand the occult as the creator, guardian, and mentor of another realm which exists outside of the physical and spiritual peripheries of the familiar one as well as why it exists and how it is destroyed.
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  • Surrealism HW Booklet 2021
    Surrea lism Name______________________________ Form_________________ Teacher_____________________________Art Group______________ Homework hand in day______________________________________ Year 8 Homework 1 About Surrealism Read the following information about the art movement Surrealism then answer the questions: Surrealism was a 20th century art movement that tried to represent the subconscious mind. The word surreal means ‘beyond real’ and refers to dreamlike imagery that cannot possibly be real. The movement began in the mid-1920s in France. Surrealism began as a philosophical movement that said the way to find truth in the world was through the subconscious mind and dreams, rather than through logical thought. The movement included many artists, poets, and writers who expressed their theories in their work. Surrealism images explored the subconscious areas of the mind. The artwork often made little sense as it was usually trying to represent a dream or random thoughts. Writers began the Surrealist movement. In 1924, a writer and poet Andre Breton explained Surrealism in his Surrealist Manifesto (a document that explains the intentions of Surrealism), and a few years later artists began to paint in the style he described. Surrealists wanted to free their minds of rational thought, to write or paint the ideas that were buried deep in their minds. These artists did not wish their work to make simple, logical sense. Salvador Dali is the most recognized of all Surrealist artists. This is why many of the paintings look like scenes from a dream (or nightmare). Many Surrealist paintings include imaginary creatures or real-life creatures shown in unnatural ways. Some paintings, include several seemingly unrelated objects. Others twist realistic images by using strange colours.
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  • Salvador Dalí and Hans Arp the Birth of Memory 16 February – 10 January 2021 (Extended)
    Salvador Dalí and Hans Arp The Birth of Memory 16 February – 10 January 2021 (extended) Lobster Telephone | Salvador Dalí | 1938 | West Dean College of Arts and Conservation © Fundació Gala-Salvador Dalí, Figueres / VG Bild-Kunst, Bonn 2020 Press conference: Friday, 14 February 2020, 11 a.m. Opening: Sunday, 16 February 2020, 11 a.m. Content Press information »Salvador Dalí and Hans Arp. The Birth of Memory« 3 Partners and Sponsors of the Exhibition 7 General Information 8 Press Photos 9 Exhibition Overview 2020/2021 14 2 ___________________________________________________________________________ Contact: Claudia Seiffert | Arp Museum Bahnhof Rolandseck | Head of Communication Tel +49 (0) 2228 9425 39 | mobile +49 172 7945833 | [email protected] Rolandseck, 16 February 2020 Press Information Exhibition »Salvador Dalí and Hans Arp. The Birth of Memory« 16 February – 10 January 2021 »Let’s leave Picasso aside. We will have to learn to get along better with Arp.« Salvador Dalí »Some nine decades later, the Arp Museum Bahnhof Rolandseck gladly complies with Salvador Dalí’s request. In a grand »rendezvous des amis« in 2020, we welcome Salvador Dalí, an outstandingly illustrious guest, and present a wide range of his works in dialogue with the works of our museum’s patron, Hans Arp. Through our exhibition the numerous connections between these two protagonists of modernity for the first time become comprehensible and tangible in a concentrated form.« This is how the museum’s director Dr. Oliver Kornhoff assesses the exhibition. Malu Dreyer, Minister-President of the State of Rhineland-Palatinate, comments on this major project: »I am very proud of the superb implementation of the exhibition’s concept.
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