Instrumental Music List Pp1-36 Vocal Music List Pp 37-End Baritone Horn
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Ratner Kills Mr
Brooklyn’s Real Newspaper BrooklynPaper.com • (718) 834–9350 • Brooklyn, NY • ©2008 BROOKLYN HEIGHTS–DOWNTOWN–NORTH BROOKLYN AWP/18 pages • Vol. 31, No. 8/9 • Feb. 23/March 1, 2008 • FREE INCLUDING CARROLL GARDENS, COBBLE HILL, BOERUM HILL, DUMBO, WILLIAMSBURG AND GREENPOINT RATNER KILLS MR. BROOKLYN By Gersh Kuntzman EXCLUSIVE right now,” said Yassky (D– The Brooklyn Paper Brooklyn Heights). “Look, a lot of developers are re-evalut- Developer Bruce Ratner costs had escalated and the num- ing their numbers and feel that has pulled out of a deal with bers showed that we should residential buildings don’t City Tech that could have net not go down that road,” added work right now,” he said. him hundreds of millions of the executive, who did not wish Yassky called Ratner’s dollars and allowed him to to be identified. withdrawal “good news” for build the city’s tallest resi- Costs had indeed escalated. Brooklyn. dential tower, the so-called In 2005, CUNY agreed to pay “A residential building at Mr. Brooklyn, The Brooklyn Ratner $86 million to build the that corner was an awkward Paper has learned. 11- to 14-story classroom-dor- fit,” said Yassky. “A lot of plan- “It was a mutual decision,” mitory and also to hand over ners see that site as ideal for a said a key executive at the City the lucrative development site significant office building.” University of New York, which where City Tech’s Klitgord Forest City Ratner did not would have paid Ratner $300 Auditorium now sits. return two messages from The million to build a new dorm Then in December, CUNY Brooklyn Paper. -
NEAVE PIANO TRIO on APRIL 14 Tickets On-Sale Friday, November 2Nd at 10 A.M
FOR IMMEDIATE RELEASE Media Contact: Lauren Jahoda v.845.583.2193 Photos & Interviews may be available upon request [email protected] BETHEL WOODS & SHANDELEE MUSIC FESTIVAL COLLABORATE TO CELEBRATE ASTOR PIAZZOLLA WITH THE NEAVE PIANO TRIO ON APRIL 14 Tickets On-Sale Friday, November 2nd at 10 a.m. October 30, 2018 (BETHEL, NY) – Bethel Woods Center for the Arts is pleased to announce The Neave Piano Trio featuring mezzo-soprano and Metropolitan Opera singer Carla Jablonski performing the music of Astor Piazzolla on Sunday, April 14 at 3:00 PM in the magnificent, indoor Event Gallery at Bethel Woods. Part of the PLAY: The Classics series presented in collaboration with Shandelee Music Festival, the goal of this series is to encourage and foster young talented emerging artists, help to build and cultivate a younger audience and increase attendance of all ages. Reserved tickets go on-sale Friday, November 2 at 10:00 AM at www.BethelWoodsCenter.org, Ticketmaster, and the Bethel Woods Box Office. Tickets for each performance are $37.00 for general reserved seating and tickets for individuals age 17 and under, or students with a valid college ID, are available for $17.00 at the Bethel Woods Box Office only. Darlene Fedun, Chief Executive Officer at Bethel Woods explains, “In addition to attracting traditional classical enthusiasts, PLAY: The Classics has specific emphasis on reaching young adults in Sullivan County to introduce a love and appreciate of classical music to new audiences and youth. The program’s aim is to keep the live classical music experience vital, stimulating, and alive at Bethel Woods, and to reach out to Sullivan County youth to encourage them to experience and enjoy performances of the highest quality.” Daniel Stroup, President of Shandelee Music Festival adds, “Our goal is to present an unparalleled concert series and inspire young people, who will be our future audience, with live classical concert experiences. -
The String Quartets of George Onslow First Edition
The String Quartets of George Onslow First Edition All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Edition Silvertrust a division of Silvertrust and Company Edition Silvertrust 601 Timber Trail Riverwoods, Illinois 60015 USA Website: www.editionsilvertrust.com For Loren, Skyler and Joyce—Onslow Fans All © 2005 R.H.R. Silvertrust 1 Table of Contents Introduction & Acknowledgements ...................................................................................................................3 The Early Years 1784-1805 ...............................................................................................................................5 String Quartet Nos.1-3 .......................................................................................................................................6 The Years between 1806-1813 ..........................................................................................................................10 String Quartet Nos.4-6 .......................................................................................................................................12 String Quartet Nos. 7-9 ......................................................................................................................................15 String Quartet Nos.10-12 ...................................................................................................................................19 The Years from 1813-1822 ...............................................................................................................................22 -
The Year's Music
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com fti E Y LAKS MV5IC 1896 juu> S-q. SV- THE YEAR'S MUSIC. PIANOS FOR HIRE Cramer FOR HARVARD COLLEGE LIBRARY Pianos BY All THE BEQUEST OF EVERT JANSEN WENDELL (CLASS OF 1882) OF NEW YORK Makers. 1918 THIS^BQQKJS FOR USE 1 WITHIN THE LIBRARY ONLY 207 & 209, REGENT STREET, REST, E.C. A D VERTISEMENTS. A NOVEL PROGRAMME for a BALLAD CONCERT, OR A Complete Oratorio, Opera Recital, Opera and Operetta in Costume, and Ballad Concert Party. MADAME FANNY MOODY AND MR. CHARLES MANNERS, Prima Donna Soprano and Principal Bass of Royal Italian Opera, Covent Garden, London ; also of 5UI the principal ©ratorio, dJrtlustra, artii Sgmphoiu) Cxmctria of ©wat Jfvitain, Jtmmca anb Canaba, With their Full Party, comprising altogether Five Vocalists and Three Instrumentalists, Are now Booking Engagements for the Coming Season. Suggested Programme for Ballad and Opera (in Costume) Concert. Part I. could consist of Ballads, Scenas, Duets, Violin Solos, &c. Lasting for about an hour and a quarter. Part II. Opera or Operetta in Costume. To play an hour or an hour and a half. Suggested Programme for a Choral Society. Part I. A Small Oratorio work with Chorus. Part II. An Operetta in Costume; or the whole party can be engaged for a whole work (Oratorio or Opera), or Opera in Costume, or Recital. REPERTOIRE. Faust (Gounod), Philemon and Baucis {Gounod) (by arrangement with Sir Augustus Harris), Maritana (Wallace), Bohemian Girl (Balfe), and most of the usual Oratorios, &c. -
Originally Adaptated from French and Flemish Chansons, the Canzon Is a Type of Instrumental Music That Was Popularized in the 16Th and 17Th Centuries
Originally adaptated from French and Flemish chansons, the canzon is a type of instrumental music that was popularized in the 16th and 17th centuries. Most often characterized with the opening dactylic rhythm (long, short, short), the canzon da sonar (chanson to be played) became independent of earlier vocal models in the 1570s, and by 1600 had become the most important form of instrumental music in Italy. Ensemble canzoni were composed by all sorts of musicians—from the master composer/organist Giovanni Gabrieli with his multi- choired works for the ceremonies at San Marco in Venice, to lesser-known Northern European composers like Erasmus Widmann, who spent most of his career working as court musician in the region of Germany near Nuremberg. Widmann’s canzoni, included in his Gantz Neue Cantzon, Intraden, Balletten und Couranten (Nuremberg, 1618) were considered his finest instrumental works. Strikingly similar to the Venetian canzoni of earlier decades, these canzoni were described by composer Michael Praetorius—the greatest musical academic of the day—as “fresh, joyful, and fast.” While most of the Venetian canzoni of the period are written in four parts, Widmann composed his instrumental music in five parts much like the music of his contemporaries Brade and Simpson. This scoring, with two equal soprano parts, makes Widmann’s canzoni particularly well suited to adaptation by the modern brass quintet. Charles Whittenberg's Little Fantasy on Bach's Advent-Chorale: “Nun komm, der heiden Heiland” (Cantata #62) had its premiere performance at Philharmonic Hall, Lincoln Center on December 31, 1968. After a statement of the Chorale theme, Whittenberg develops the material in a brilliant fashion. -
Michael Brecker Chronology
Michael Brecker Chronology Compiled by David Demsey • 1949/March 29 - Born, Phladelphia, PA; raised in Cheltenham, PA; brother Randy, sister Emily is pianist. Their father was an attorney who was a pianist and jazz enthusiast/fan • ca. 1958 – started studies on alto saxophone and clarinet • 1963 – switched to tenor saxophone in high school • 1966/Summer – attended Ramblerny Summer Music Camp, recorded Ramblerny 66 [First Recording], member of big band led by Phil Woods; band also contained Richie Cole, Roger Rosenberg, Rick Chamberlain, Holly Near. In a touch football game the day before the final concert, quarterback Phil Woods broke Mike’s finger with the winning touchdown pass; he played the concert with taped-up fingers. • 1966/November 11 – attended John Coltrane concert at Temple University; mentioned in numerous sources as a life-changing experience • 1967/June – graduated from Cheltenham High School • 1967-68 – at Indiana University for three semesters[?] • n.d. – First steady gigs r&b keyboard/organist Edwin Birdsong (no known recordings exist of this period) • 1968/March 8-9 – Indiana University Jazz Septet (aka “Mrs. Seamon’s Sound Band”) performs at Notre Dame Jazz Festival; is favored to win, but is disqualified from the finals for playing rock music. • 1968 – Recorded Score with Randy Brecker [1st commercial recording] • 1969 – age 20, moved to New York City • 1969 – appeared on Randy Brecker album Score, his first commercial release • 1970 – co-founder of jazz-rock band Dreams with Randy, trombonist Barry Rogers, drummer Billy Cobham, bassist Doug Lubahn. Recorded Dreams. Miles Davis attended some gigs prior to recording Jack Johnson. -
Airwaves (1985-08 And
/ AIRWAVES \ · A Service of Continuing Education & Extension University of Minnesota-Duluth Volume 6, Number 4 ' August-September 1985 Special •· Ray Charles: His Life and Music. kumd 103.3 fm Station Manager • Paul Schmitz Program Director • John Ziegler Public Aflairs Director • Jean Johnson Report to the Listeners Outreach Coordinator • Bob DeArmond Engineer • Kirk Kersten by Paul Schmitz, Station Manager Secretary • Donna Neveau Volunteer Staff • Remember the slighlly perplexed look patience. Projects of this magnitude jus.t couple of different departments at UMD, Lake Lime. Bil l Agnew, Bob Allen, Craig Anderson, Jon on Kirk Kerslen's face in lasl month's started with us on July 17, and will be Anderson, Kath Anderson, Mark Anderson, Bob issue when he was plugging in our new al the front desk from about 9:30 a.m. Lo Andresen, Leo Babcau, Todd Borstad, John"llrazner, antenna? I don't really know what he You may notice a change in our staff list - 2:30 p.m. four days a week. We are look- Dave Brygger, Jan Cohen, Tim Connelly, was thinking about al the moment that this issue; if you visit the station 'in ing forward Lo having her with us, and Christopher Devaney, Bruce Eckland, Dann Edholm, Pat Eller, Phil Enke, Linda Estel, Doug Fifield, photo was taken, but ever since he's been person, you will certainly notice a LO utilizing her previous experience with Kerry Fillmore, Susanna Frenkel, Scott Frisby, Brian thinking about "field Lun·ing .." That's a change becau e we have lost Helen computers as we are about LO enter the Gitar, Stan Goltz, Doug Greenwood, Jim Gruba, term for a specialized kind of work on Prekker. -
Examining the Performance Practice of Polyphonic Figures in J.S
Columbus State University CSU ePress Theses and Dissertations Student Publications 2011 Chord Conundrum: Examining the Performance Practice of Polyphonic Figures in J.S. Bach's Solo Violin Works Emily Vold Columbus State University, [email protected] Follow this and additional works at: https://csuepress.columbusstate.edu/theses_dissertations Part of the Music Performance Commons Recommended Citation Vold, Emily, "Chord Conundrum: Examining the Performance Practice of Polyphonic Figures in J.S. Bach's Solo Violin Works" (2011). Theses and Dissertations. 107. https://csuepress.columbusstate.edu/theses_dissertations/107 This Thesis is brought to you for free and open access by the Student Publications at CSU ePress. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of CSU ePress. .5 .it* v fif'-j 'wr i7 I' U5" Digitized by the Internet Archive in 2012 with funding from LYRASIS Members and Sloan Foundation http://archive.org/details/chordconundrumexOOvold Chord Conundrum: Examining the Performance Practice of Polyphonic Figures in J.S. Bach's Solo Violin Works by Emily Void A Thesis Submitted in Partial Fulfillment of Requirements of the CSU Honors Program for Honors in the Bachelor of Music in Music Performance College of the Arts Columbus State University Thesis Advisor JjJjUkAu Date ¥/&/// Committee Member Date Committee MembeC^^^^^ J^C^^~^ Date J^g> *&&/ / CSU Honors Committee Member Date Director, Honors Program (^Ljjb^Q^/^ ^—^O Date J^r-ste// Interpreting and expressing the musical intentions of a composer in an informed manner requires great dedication and study on the part of a performer. This holds particularly true in the case of music written well before the present age, where direct connections to the thoughts of the composer and even the styles of the era have faded with the passing of time. -
Corelli'stonalmodels
Intégral 31 (2017) pp. 31–49 Corelli's Tonal Models: The Trio Sonata Op.3, No. 1* by Christopher Wintle Abstract. British thought is typically pragmatic, so a British reception of the work of Heinrich Schenker will concern itself with concrete procedure at the expense of hypothetical abstraction. This is especially important when dealing with the work of Arcangelo Corelli, whose work, along with that of others in the Franco-Italian tradi- tion, holds the key to common-practice tonality. The approach of the British author is thus to construct a set of concrete linear-harmonic models derived from the fore- ground and middleground techniques of Schenker and to demonstrate their han- dling throughout the four movements of a representative trio sonata (Op. 3, No. 1). In this essentially “bottom-up” project, detailed discussion of structure readily merges into that of style and genre, including dance and fugue. The text is supported by many examples and includes a reprint of the trio sonata itself. Keywords and phrases: Arcangelo Corelli, Heinrich Schenker, trio sonata, tonal models, fugue. Introduction poser or a single school,” nevertheless suggested that it was Corelli who “was the first to put the tonal formu- here appears to have been no doubt in the minds of las to systematic use.” Christopher Hogwood (1979, 41), on T many of those who have written about the Baroque the other hand, cites two eighteenth-century sources to era that the music of Arcangelo Corelli bore an extraordi- suggest that Corelli’s achievement was one more of man- nary significance, and one that extended far beyond his ner than of matter: according to Charles Burney, he says, having made a remarkable contribution to the repertoire “Corelli was not the inventor of his own favorite style, of solo, chamber, and concerted violin music. -
Music and Combinations
Tom Johnson Music and Combinations Lecture presented Dec. 13, 2003 in a colloquium on Arts and Sciences sponsored by the association La Métive in La Creuse (France) Combinations for String Quartet (2003) contains five movements, and each of these contains all the combinations of something. As usual, I wanted the music to know what it was doing, to be correct and complete in a rigorous sense, and this is one way of achieving this. The theory of combinations is a totally explored mathematical discipline, as we have known for more than a century how to calculate all kinds of combinations and probabilities, and how to prove all of this. So what I say about my composition can not have fundamental significance for mathematics. I can, however, demonstrate that new questions arrive when one wants to go inside some set of combinations, to see how they come together, to observe the many symmetries within them, to find the best sequence for them, to consider how they might sound, to turn them into music. Combinations of ABCD Permutations The first movement had to do with the permutations of four notes (A,B,C,D). I wanted to use all 24 permutations, but I also wanted to find how the permutations could be combined so that all four notes would be present in four instruments at every moment. The most obvious solution was to let the four musicians all play the same thing starting at different points. Of course, one may change the sequence of the lines and still have the same four permutations: ABCD BCDA CDAB DABC This was not musically very interesting, since everyone was essentially playing the same rising scale, so I looked for other possibilities. -
The Width of Infinity Is a House Squatting on an Unnamed Street
THE WIDTH OF INFINITY IS A HOUSE SQUATTING ON AN UNNAMED STREET A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the DeGree Master of Fine Arts Joel Lee May, 2011 THE WIDTH OF INFINITY IS A HOUSE SQUATTING ON AN UNNAMED STREET Joel Lee Thesis Approved: Accepted: _______________________________ _______________________________ Advisor Dean of the College Dr. Mary Biddinger Dr. Chand Midha _______________________________ _______________________________ Committee Member Dean of the Graduate School Dr. Michael Dumanis Dr. George R. Newkome _______________________________ _______________________________ Committee Member Department Chair Mr. David Giffels Dr. Michael Schuldiner _______________________________ Date ii TABLE OF CONTENTS Page I. INTERRUPTING THE MEETING OF HUMAN DEFINITION AND BIBLICAL PROPORTIONS……………………………………………………………………………………………………...1 THE FEAR OF BEING LEFT ALONE………………………………………………………………………..2 A SHORT AUTOBIOGRAPHY, WITH LOVE……………………………………………………………...4 SAVE THE TRAUMA FOR YOUR MAMA………………………………………………………………….5 THE DISPERSAL PATTERN OF RECENTLY TRAFFICJAMMED VEHICLES………………...6 HOLY FUCKING SHIT, WORDS ARE STILL WORDS EVEN AFTER THE ALPHABET RETIRED……………………………………………………………………………………………………………...8 SOMEBODY IS PROBABLY STILL ALIVE SOMEWHERE, EVEN IF THERE IS NOTHING LEFT………………………………………………………………………………………………………………….10 WHEN YOU’VE BECOME YOUR FATHER, THAT’S WHEN YOU EMBRACE EUTHANASIA……………………………………………………………………………………………………..12 AND THIS IS WHERE YOU PICK UP THE MACHINE GUN………………………………………14 -
Sweets for Sweets
Sweets for SWEETHEARTS Winter wonderland | Radiating heat | Discovering your craft February 2015 foxcitiesmagazine.com Celebrating the Place We Call Home. foxcitiesmagazine.com Publishers Marvin Murphy Ruth Ann Heeter Managing Editor Ruth Ann Heeter [email protected] Associate Editor Amy Hanson [email protected] Editorial Interns Jessica Morgan Mia Sato Reid Trier Haley Walters Art Director Jill Ziesemer Graphic Designer Julia Schnese Account Executives Courtney Martin [email protected] Maria Stevens [email protected] Administrative Assistant/Distribution Nancy D’Agostino [email protected] Printed at Spectra Print Corporation Stevens Point, WI FOX CITIES Magazine is published 11 times annually and is available for the subscription rate of $18 for one year. Subscriptions include our annual Worth the Drive publication, delivered in July. For more information or to learn about advertising opportunities, call (920) 733-7788. © 2015 FOX CITIES Magazine. Unauthorized duplication of any or all content of this publication is prohibited and may not be reproduced in any form without permission of the publisher. FOX CITIES Magazine P.O. Box 2496 Appleton, WI 54912 Facebook.com/foxcitiesmagazine Please pass along or recycle this magazine. February 2015 CONTENTS Features COVER STORY ARTS & CULTURE 14 Winter wonderland Recreation clubs make the most of the cold By Amy Hanson AT HOME 18 Radiating heat Flooring options fend off winter’s freeze 22 By Amy Hanson WEDDINGS: Sweets for sweethearts FOOD & DINING Candy bars bring confections to wedding receptions By Amy Hanson 26 Discovering your craft Local breweries offer handcrafted, flavorful options foxcitiesmagazine.com By Reid Trier Take a look at our new look Are you a fan of FOX CITIES Magazine? Well, now you can get even more of the arts, Departments culture and dining content that you look forward to each month on our brand-new website.