DOCSLIB.ORG

Tuesday Evening Lecture Series Archive: Fall 1991 to Fall 2014

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Tuesday Evening Lecture Series Archive: Fall 1991 to Fall 2014 Tuesday Evening Lecture Series Archive: Fall 1991 to Fall 2014 A B C D E 1 Season Date Speaker Credentials Lecture Title or Description 2 F all 1 991 1 0-S e p Mark Tansey Artis t In conjunction with Mark Tansey: Art and Source 3 1 7-S ep Antony Gormley Artis t In conjunction with Antony Gormley: Field and Other Figures 4 24-S ep Dr. R ichard R . Brettell Director, Dallas Mus eum of Art 5 1 -Oct David Dillon Architecture critic, Dallas Morning News 6 8-Oct Dr. Edmund P. Pillsbury Director, Kimbell Art Mus eum, F ort Worth 7 1 5-Oct John L. Marion Chairman, Sotheby's 8 22-Oct Chris Powell Artis t 9 29-Oct S ue Gra ze Freelance curator 10 5-Nov Holly and Jay Krueger Art cons ervators 11 1 2-Nov Mark Thistlethwaite Art his torian Spring 3-Mar J ames S urls Artis t "Art: T he S earch for S elf" 12 1 992 1 0-Ma r Tom Southall Curator of Photography, Amon Carter Mus eum, F ort "Paparazzi Pop: Andy Warhol's Photography" 13 Worth 14 24-Mar Celia Alvarez Muñoz Artis t "How Personal Aesthetic is Formed" 31 -Mar Joan Banach Curator, Robert Motherwell Estate "Robert Motherwell: A S tudio Memoir," in conjunction with Robert Motherwell: 15 The Open Door 7-Apr John Maruszczak Profes s or of Architecture, Univers ity of T exas , Arlington "Aquatic Set: Water in Landscape" 16 17 1 4-Apr Raymond Nasher Art collector 18 21 -Apr Panel discussion The Fort Worth School 19 F all 1 992 1 5-S ep Gary Garrels S enior Curator, Walker Art Center, Minneapolis 20 22-S ep Lee N. S mith III Artis t 21 29-S ep Ed Blackburn Artis t 22 6-Oct Luis Jiménez Artis t 1 3-Oct Panel discussion, moderated by Moderator: writer. Panel: artists included in the In conjunction with Metal and Stone: Six Young Sculptors Dee Mitchell. Panel: Anthony exhibition Metal and Stone: Six Young Sculptors Wright, Linda Ridgway, Thad Duhigg, Kathy Webster, Cam 23 Schoepp, and Chris Powell 24 20-Oct Claire Barry Cons ervator, Kimbell Art Mus eum, F ort Worth 25 27-Oct Janet Tyson and Janet Kutner Art critics "Ask the Critics" 26 3-Nov David Schwarz Architect, S undance S quare, F ort Worth 27 1 0-Nov Ree Schonlau Bemis Foundation "Artist Colonies in America" 1 7-Nov Philip Yenawine Director of Education, The Museum of Modern Art, New 28 York Spring 2-Mar Kathelin Hoffman Gray Director, Caravan of Dreams, Theater of All Possibilities "The Vital Role of Live Theater in the City " 29 1 993 9-Mar Dennis González, Ellen Page Artists Fire in Four Movements (a collaborative performance) Garrison, Tia Black, and Ron 30 Watson 31 23-Mar Edgar Heap of Birds Artis t "Evolution of Works: Animals, Trees, Weather and People" 30-Ma r Panel discussion, moderated by Dr. Moderator: Profes s or of Art His tory, T exas Chris tian "Everything You Wanted to Know about Postmodernism" 32 Mark Thistlethwaite Univers ity, F ort Worth 33 6-Apr David Schwarz Architect "Toward the Next New Architecture; Or, An Architecture of Humanism " 1 3-Apr Dr. Mitchell Merling Visiting lecturer, University of North Carolina, Chapel Hill "The Edible Image," in conjunction with Julie Bozzi: American Food 34 35 20-Apr Julie Bozzi Artis t In conjunction with Julie Bozzi: American Food 36 27-Apr T he Art Guys Artists Michael Galbreth and Jack Massing 37 4-May Fort Worth Symphony 1 Tuesday Evening Lecture Series Archive: Fall 1991 to Fall 2014 A B C D E F all 1 993 1 4-S ep Dr. Mark Thistlethwaite Profes s or of Art His tory, T exas Chris tian Univers ity, F ort "Why Picasso Really is the Artist of the Century" 38 Worth 39 21 -S ep Richard Thompson Artis t 28-S ep Samuel K. Heath Director, Meadows Museum, Southern Methodist "From the Iron Age to the Age of Iron: Spanish Traditions in Monumental 40 University, Dallas Metalwork," in conjunction with Picasso and the Age of Iron 5-Oct Barbara S . Moore Head of the Department of Education Publications, "Permissible Imagery, or What's a Nice Girl Like You . ?" 41 National Gallery of Art, Washington, DC 42 1 2-Oct Jesús Moroles Artis t "Moroles Granite S culpture" 43 1 9-Oct E dward Hirs ch Poet "Earthly Measures : A Poetry Reading" 44 26-Oct Kathy Windrow Professor of Art , Eastfield College "Día de los Muertos: The Life of the Dead in Mexican Folk Art" 2-Nov Chip Williams, Wendy Reynolds, Artis t, compos er, and choreographer (res pectively) "Urban Ritual : A Work in Music, Dance and S teel" 45 and Michelle Manley 46 9-Nov Melissa Miller Artis t "Art and Influence" 47 1 6-Nov George Herms Artis t "T he Works of George Herms : Introductory Offer" Spring 8-F e b Alan Fletcher Graphic designer "Would You Let Your S is ter Marry a Graphic Des igner?" 48 1 994 1 5-F eb All-American News S ervice Films; Bob Ray Sanders: Journalist Presentation of William Alexander's recently rediscovered newsreels originally Introduction by Bob Ray Sanders made for African American audiences and shown in the segregated theaters of 49 th e 1 940s 22-F eb Mary Vernon Artist and Chairman of Art Department, S outhern "The Color Red" 50 Methodist University, Dallas 1 -Mar T errie S ultan Curator of Contemporary Art, Corcoran Gallery, "The Corcoran Gallery's 43rd Biennial Exhibition of Contemporary American 51 Washington, DC Painting - The Process of Painting and the Incorporation of Content" 52 8-Ma r S tuart Gentling Artis t "The Gentlings Pursue Their Vision of Ancient Aztec Mexico - But Is It Art?" 53 23-Mar Antoine Predock, AIA Architect "Landscape Apparitions" 54 29-Mar Michael Auping Chief Curator, Modern Art Mus eum of F ort Worth "Suspending Judgment: Strange Moments in Postwar American Art" 55 5-Apr Nic Nicosia Artis t "Making Pictures," in conjunction with Texas: Between Two Worlds 56 1 2-Apr Murray S mither Independent curator 57 1 9-Apr T he Art Guys Artists Michael Galbreth and Jack Massing "S pill the Beans" F all 1 994 1 3-S ep Dr. Mark Thistlethwaite Profes s or of Art His tory, T exas Chris tian Univers ity, F ort "Realizing Modern Life: The Art of Duane Hanson," in conjunction with Duane 58 Worth Hanson 20-S ep Harry Geffert Artist and owner of Green Mountain Foundry, Crowley, "Pursuit" 59 Texas 27-S ep David Lake, AIA, and Ted Flato, AIA Lake/Flato Architects, Inc., S an Antonio 60 61 4-Oct Joan Davidow Director, Arlington Mus eum of Art "How Exhibitions Are Born" 11-Oct R ichard S erra Artis t In conjunction with Drawing Rooms: Jonathan Borofsky, Sol LeWitt, Richard 62 Serra 63 1 8-Oct Dore Ashton Art his torian "The Art of Philip Guston" 64 25-Oct Anitra Blayton Artis t "Coffee in the Gourd" 1 -Nov Dr. Susan Platt Associate Professor of Art History, University of North "Art and Politics: Then and Now" 65 Texas, Denton 8-Nov New Arts Collective Multimedia performance group based in Dallas; Michele Amplified Vision , a performance in response to art on view 66 Manley, Co-director 67 1 5-Nov Christina Patoski Photographer "Merry Chris tmas America: A F ront Yard View of the Holidays " 2 Tuesday Evening Lecture Series Archive: Fall 1991 to Fall 2014 A B C D E Spring 7-F eb Gerald Nordland Art his torian "Christopher Brown: Advanced West Coast Painting," in conjunction with History 68 1 995 and Memory: Paintings by Christopher Brown 69 1 4-F eb Bob Ray Sanders Journalist, Fort Worth Star-Telegram "The Rise of Blackploitation: Are We Ready for a Rerun?" 70 21 -F eb E dward Hirs ch Poet "Drastic Measures: A Poetry Reading" 71 28-F eb Ramona Austin Curator of American Art, Dallas Mus eum of Art "African Art: Its Issues and Scope" 7-Mar John Margolies Author and Curator of Contemporary Art, National "The Roadside: Miniature Golf" 72 Gallery, Washington, DC 73 21 -Mar J ames S urls Artis t "Where We Are Today?" 28-Mar J. T. Grant Artis t "a company of oddlooking personages made ready on the string GWCCM J. T. 74 Grant: Paintings in Oils" 75 4-Apr S ue Gra ze Curator, CR CA, Univers ity of T exas , Arlington "Literally Abstract: Recasting the Real in Recent Art" 76 11-Apr S us an Harrington Artis t Discussion of works in progress 77 1 8-Apr Bonnie Clearwater Curator, Center for Contemporary Art, Miami "Clyde Connell" 78 F all 1 995 5-S ep Ken Little Artis t "Ken Little: Development of Work 1 980-1 995" 79 1 2-S ep Annette Lawrence Artis t "Same Way" 80 1 9-S ep Linda Ridgway Artis t "In Search of a Voice" 26-S ep Kinshasha Holman Conwill Director, The Studio Museum in Harlem, New York In conjunction with The Studio Museum in Harlem: 25 Years of African American 81 Art 82 3-Oct Carlos Jiménez Carlos J iménez Architecture S tudio, Houston "Reflections and Recent Work" 83 1 0-Oct Andres S errano Artis t "Andres Speaks" 1 7-Oct J ulia Brown T urrell Independent curator and curator of Robert In conjunction with Robert Rauschenberg: Sculpture 84 Rauschenberg: Sculpture 85 24-Oct Dr. Marion Oettinger Senior Curator, San Antonio Museum of Art "S talking the Folk Art of Latin America: The Days of the Dead" 86 7-Nov Thomas Walsh Artis t "35 Years Making S culpture" 87 1 4-Nov Bart Weis s Director, Dallas Film Festival "T he 1 995 T exas S how" Spring 6-F eb Dr.
Load more

Recommended publications
  • Critiquing Exhibits: Meanings and Realities
    Index Sheet 1 _______________________________ 2 ____________________________ __ 3 _______________________________ 4 ____________________________ ___ ~ Royallmaging Worlcing documents in motion. www.RoyalImaging.com Vol. 19, No.2, Fall 2000 '1000 A journal of reJlective pmctice, pl/b/isbed by the Naliollal Association for Museum E:t:bibilioll (NAME) , Ibe Slanding Professional Committee on E.rbibilioll ofIb e American Associalion ofM useums Critiquing Exhibits: Meanings and Realities 5 Exhibits Newsline by Pby lfis Rabillell/J 9 Current Literature on Museum Exhibition Development and Design by jlllle Bedno 13 How Do We Look? Some Thoughts on Critical Reviews of Museum Exhibits by Roberl Arcbibaftl alltl Nicola longford 18 Through the Looking Glass and Back by Marlene Chambers 23 Science City: Is It a New Adventure? by Patrlcill Simmolls 30 Wait a Minute! by james Sims 35 FEEDBACK 38 Meaning Making: the Conversation Continues A cyber-forlllll 1lI11iJ Ted AllsbaciJer, George lIein, KtJlhleell Mclean, jay ROUllds and Mld/ael Spack 48 The Thirteenth Annual Exhibition Competition "Still We ," Mark Tansey, 1982. All rigbts resenJed, Metropolitall MI"felllll ofArt . How Can NAME Better Serve Its Community? he cool nights and brisk mornings have settled in on Buzzards Bay. Soon the last of the summer tourists will pack up and depart, and the lean months of the off-season will Tdescend on Wareham. By the time this issue of the Exhibiti01zist reaches each of you , the Wareham Historical Society will have closed its buildings for the winter. Thinking about all of this raises questions about how the Society could better serve its community, year-round. It is the same question that I ask myself when I think about NAME.
    [Show full text]
  • Richard Stout: Paintings and Sculptures
    RICHARD STOUT: The Arc of Perception New Paintings and Sculpture & Paintings from the 1950’s OCTOBER 20 – NOVEMBER 25, 2006 FOR IMMEDIATE RELEASE: August 15, 2006 - Holly Johnson Gallery in Dallas unveils an exhibition of new work by Texas' most influential artist, Richard Stout, as well as a selection of paintings from the 1950’s. An opening reception for the artist will be held on Friday, October 20, from 6:00 to 8:00 p.m. The exhibition continues through Saturday, November 25, 2006. In 2001, Dr. Edmund Pillsbury writes, “Inspired by Giacometti, Ernst and other Surrealist works on view at the Menil Collection but possessing an understanding of the powers of landscape that is almost mystical, Richard Stout stands apart. He is an artist of our time, but through his works he transports us to places near and far, making us appreciate the world in fresh ways and bringing a set of emotions into our experience of daily life that, albeit clouded in mystery, is both reassuring and uplifting. He is a worthy successor to his Romantic forbearers, Turner and Delacroix, whose goal superseded any traditional concept of beauty in favor of effects that can only be described as Sublime.” And in Sculpture magazine (May 2006), Ileana Marcoulesco writes, “The sculptures appear to explore a space of intimate events – in spite of their rhetorical titles, compiled from grand mythological narratives...they are heavy, complex, versatile three-dimensional shapes. Ascetic in appearance, cryptic in connotation, yet free-wheeling, they speak a private language of passions and are hard to penetrate, except intuitively.” Stout was born in 1934 in Beaumont, Texas.
    [Show full text]
  • John G. Vinklarek
    JOHN VINKLAREK VITA EDUCATION MFA University of Oregon, Eugene, Oregon 1973 BFA Texas Technological University, Lubbock EXPERIENCE IN HIGHER EDUCATION 1977- Present Employed as Art Instructor at Angelo State University, San Angelo, Texas (2006 Professor) Employed as a Graduate Teaching Fellow and Casting Consultant for the design of a 1975-76 foundry at the University of Oregon, Eugene, Oregon OTHER CAREER EXPERIENCE 1972-74 Employed as an Artisan at Mesa Bronze Art Foundry, Lubbock, Texas JURIED SHOWS 2019 West Texas Regional Show 3rd prize sculpture San Angelo Art Club San Angelo, Texas. Midland Art Association Annual Fall Show honorable mention Midland, Texas. Laredo 30 international exhibit Laredo College, Laredo, Texas. Monmouth Museum National Show Lincroft, New Jersey. Langdon Center National Show Merit Award, Granbury, Texas. 53rd Annual Richardson Art Society Regional show First Prize Graphics Richardson, Texas 2018 52nd Annual National Drawing and Sculpture show, Del Mar College, Corpus Christi Texas. 31st Annual McNeese National Works on Paper Exhibition, McNeese State University, Lake Charles, Louisiana (Honorable Mention). 5th Annual National Juried Exhibit, Bower Center for the Arts, Bedford , Virginia. 31st Annual Northern National Art Competition, Nicolet College, Rinelander Wisconsin 2017 51nd Annual National Art Exhibit Del Mar College , Corpus Christi Texas. Langdon Center National Show, Granbury, Texas. Matte Kelly art Center National Show Pleasantville, Florida. South Cobb Art Alliance , Mabelton, Georgia. Bower Center National Show Bedford, Virginia. Crooked Tree National Competition Petosky, Michigan. Topeka Competition- National Show 4 Topeka, Kansas. Mixed media Prize Kendall art Gallery, San Angelo , Texas. 2016 50th annual National Art Exhibit Del mar College Corpus Christi, Texas.
    [Show full text]
  • Suits: the Qothesmake The
    FALL 1' "STlircsIinlhs SUITS: THE QOTHES MAKE THE MAN Ladies and Gentlemen: The Art Guys (have left the building.) COMMENTARY By JaMES P. O'BRIEN AND GrEG RuSSELL The Am Guys will make every effort to appear at as many events as possible THROUGHOUT 1998 TO FURTHER EXTEND THE VISIBILITY OF THE SUITS ANO THE CLIENTS REPRESENTED ON THEM: Events and appearances: Todd Oldham's Spnng Show, NY / The Academy Awards, LA / Cannes Film Festival, France / MTV Music Awards, LA / Whitney Museum, NY / Guggenheim, NY / The National Gallery, DC /The Late Show with David Letterman / Rosie O'Donnell /The Winter Olympic Games, Utah / figure 1. 1,000 coats of The Boston Marathon / NFL Football Games paint: telephone 1990-91. teieptiorre, LOOO coats of - Suits: Tlie Clothes the project itinerary. from Make Man, latex paint, glass, brass plaque, left above: in progress, riglit above: finished state, left: paint calendar year 1998 The Art Guys will enact their ctiart and brushes. In seven well-planned Suits: The Clothes Make the Man In months. 1,000 coats of project. Despite the varied physical appearances variously colored paint was applied. and manifestations of their previous works (in perfor- mance, video, photography, sculpture and assemblage,) in the Suits project they retain a certain consistency. How? The Art Guys act repeatedly with twin methods: OBSESSIVE BEHAVIOR and THE ARTIST AS FOOL. below: figure 2. left: blockhead 1996. Deer trophy, concrete, right: largemouth bass1997. Bass These twin methods have allowed them to employ such trophy, plastic lips. "We are currently working on a series of pieces involving animal trophies.
    [Show full text]
  • Biography [PDF]
    NICELLE BEAUCHENE GALLERY RICHARD BOSMAN (b. 1944, Madras, India) Lives and works in Esopus, New York EDUCATION 1971 The New York Studio School, New York, NY 1970 Skowhegan School of Painting and Sculpture, Skowhegan, ME 1969 The Byam Shaw School of Painting and Drawing, London, UK SELECTED SOLO EXHIBITIONS 2019 High Anxiety, Nicelle Beauchene Gallery, New York, NY 2018 Doors, Freddy Gallery, Harris, NY Crazy Cats, Elizabeth Harris Gallery, New York, NY 2015 The Antipodes, William Mora Galleries, Melbourne, Australia Raw Cuts, Cross Contemporary Art, Saugerties, NY 2014 Death and The Sea, Owen James Gallery, Brooklyn, NY Paintings of Modern Life, Carroll and Sons, Boston, MA Some Stories, Elizabeth Harris Gallery, New York, NY 2012 Art History: Fact and Fiction, Carroll and Sons, Boston, MA 2011 Art History: Fact and Fiction, Byrdcliffe Guild, Woodstock, NY 2007 Rough Terrain, Elizabeth Harris Gallery, New York, NY 2005 New Paintings, Bernard Toale Gallery, Boston, MA 2004 Richard Bosman, Elizabeth Harris Gallery, New York, NY Richard Bosman, Mark Moore Gallery, Santa Monica, CA 2003 Richard Bosman, Elizabeth Harris Gallery, New York, NY Just Below the Surface: Current and Early Relief Prints, Solo Impression Inc, New York, NY 1996 Prints by Richard Bosman From the Collection of Wilson Nolen, The Century Association, New York, NY Close to the Surface - The Expressionist Prints of Eduard Munch and Richard Bosman, The Columbus Museum, Columbus, GA 1995 Prints by Richard Bosman, Quartet Editions, Chicago, IL 1994 Richard Bosman: Fragments,
    [Show full text]
  • Nov. 26, 1946 Birthplace: Denver, CO Residence: Houston Heights, Houston, TX Education: Bachelor of Fine Arts (Painting), University of Houston 1988
    Wayne D. Gilbert Born: Nov. 26, 1946 Birthplace: Denver, CO Residence: Houston Heights, Houston, TX Education: Bachelor of Fine Arts (Painting), University of Houston 1988 Chronology 1986 1989 U.S.OlympicFence RepublicBankCenter,Houston,TX JuriedbyCommittee 6thAnnualJuriedFineArtExhibition GroupShow GroupShow Painting:Wrestlers Juror:MichaelPeranteau StatementbyMr.Peranteau 1987 March4-April1,1989 LosAlamosHistoricalMuseum, 1stPlace LosAlamos,NM ThirdBiennialJuriedPaintingExhibitionGroupShow LawndaleArtandPerformanceCenter, June5-July19,1987 Houston,TX Juror:KarenN.Purucker EastEndShow GroupShow TwoHoustonCenter,Houston,TX Juror:WilliamCampbell TexasArtCelebration‘87 StatementbyMr.Campbell GroupShow March4-March24,1989 March29-April25,1987 Juror:JohnCaldwell LynnGoodeGallery,Houston,TX StatementbyMr.Caldwell LongHotSummer CatalogunderwrittenbyAssistanceLeagueofHous- HoustonAreaArtistsInvitationalShow tonandtheHoustonGalleries Aug.1-Sept.6,1989 JewishCommunityCenterofHouston JewishCommunityCenter,Houston,TX Texas21stJuriedArtExhibition 22ndJuriedArtExhibition GroupShow GroupShow Sept.12-Oct.22,1987 Juror:HughM.Davies Juror:MaryJaneJacob StatementbyMr.Davies StatementbyMs.Jacob HistoricalEssaybyLynnWeycer CatalogstatementbyMs.LynnWeycer Aug.19-Sept.25,1989 1988 1990 Greenway3Theater,Houston,TX TwoHoustonCenter,Houston,TX DoItfortheGipper VisualArtsAlliance7thAnnualJuriedArtExhibition GroupShow GroupShow March1-Aug.1,1988 Juror:Unknown CuratedbyPaulaFridkinand&MichaelGalbreth March3-April7,1990 Butera’sonAlabama,Houston,TX LawndaleArtandPerformance,Houston,TX
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer
    SUMMER 2009 BOSTON SYM ON Y ORCH E RA JAMES LEVINE MUSIC DIRECTOR DALECHIHULY r ^ m I &£ V + i HOLSTEN GALLERIES CONTEMPORARY GLASS SCULPTURE 3 Elm Street, Stockbridge 413 -298-3044 www.holstenpalleries.com i photo: Icrcsa Nouri I O l \ e Broun and Coral Pink Persian Set They're Not Only Preparing ^ / for a Changing World They're Preparing to Change the World y M 1 what girls have in mind 'J'NZib-iS 492 Holmes Road, Pittsfield, Massachusetts 01201 (413)499-1300 www.misshalls.org • e-mail: [email protected] V Final Weeks! TITIAN, TINTORETTO, VERONESE RIVALS IN RENAISSANCE VENICE " 'Hot is the WOrdfor this show. —The New York T Museum of Fine Arts, Boston March 15- August 16, 2009 Tickets: 800-440-6975 or www.mfa.org BOSTON The exhibition is organized by the Museum The exhibition is PIONEER of Fine Arts, Boston and the Mus6e du fcUniCredit Group sponsored by Investments* Louvre, and is supported by an indemnity from the Federal Council on the Arts and Titian, Venus with a Mirror (detail), about 1555. Oil on canvas. National Gallery of Art, Washington, Andrew the Humanities. W. Mellon Collection 1 937. 1 .34. Image courtesy of the Board of Trustees, National Gallery of Art, Washington. James Levine, Music Director Bernard Haitink, Conductor Emeritus Seiji Ozawa, Music Director Laureate 128th season, 2008-2009 *f=^y Trustees of the Boston Symphony Orchestra, Inc. Edward H. Linde, Chairman • Diddy Cullinane, Vice-Chairman • Robert P. O'Block, Vice-Chairman Stephen Kay, Vice-Chairman • Roger T. Servison, Vice-Chairman • Edmund Kelly, Vice-Chairman • Vincent M.
    [Show full text]
  • Key: * Organized by the Wexner Center + New Work Commissions/Residencies ♦ Catalogue Published by WCA ● Gallery Guide
    1 Wexner Center for the Arts Exhibition History Key: * Organized by the Wexner Center + New Work Commissions/Residencies ♦ Catalogue published by WCA ● Gallery Guide ●LaToya Ruby Frazier: The Last Cruze February 1 – August 16, 2020 (END DATE TO BE MODIFIED DUE TO COVID-19) *+●Sadie Benning: Pain Thing February 1 – August 16, 2020 (END DATE TO BE MODIFIED DUE TO COVID-19) *+●Stanya Kahn: No Go Backs January 22 – August 16, 2020 (END DATE TO BE MODIFIED DUE TO COVID-19) *+●HERE: Ann Hamilton, Jenny Holzer, Maya Lin September 21 – December 29, 2019 *+●Barbara Hammer: In This Body (F/V Residency Award) June 1 – August 11, 2019 *Cecilia Vicuña: Lo Precario/The Precarious June 1 – August 11, 2019 Jason Moran June 1 – August 11, 2019 *+●Alicia McCarthy: No Straight Lines February 2 – August 1, 2019 John Waters: Indecent Exposure February 2 – April 28, 2019 Peter Hujar: Speed of Life February 2 – April 28, 2019 *+♦Mickalene Thomas: I Can’t See You Without Me (Visual Arts Residency Award) September 14 –December 30, 2018 *● Inherent Structure May 19 – August 12, 2018 Richard Aldrich Zachary Armstrong Key: * Organized by the Wexner Center ♦ Catalogue published by WCA + New Work Commissions/Residencies ● Gallery Guide Updated July 2, 2020 2 Kevin Beasley Sam Moyer Sam Gilliam Angel Otero Channing Hansen Laura Owens Arturo Herrera Ruth Root Eric N. Mack Thomas Scheibitz Rebecca Morris Amy Sillman Carrie Moyer Stanley Whitney *+●Anita Witek: Clip February 3-May 6, 2018 *●William Kentridge: The Refusal of Time February 3-April 15, 2018 All of Everything: Todd Oldham Fashion February 3-April 15, 2018 Cindy Sherman: Imitation of Life September 16-December 31, 2017 *+●Gray Matters May 20, 2017–July 30 2017 Tauba Auerbach Cristina Iglesias Erin Shirreff Carol Bove Jennie C.
    [Show full text]
  • The Early Works of Maria Nordman by Laura Margaret
    In Situ and On Location: The Early Works of Maria Nordman by Laura Margaret Richard A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History of Art and the Designated Emphasis in Film Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Associate Professor Julia Bryan-Wilson, Chair Professor Whitney Davis Professor Shannon Jackson Associate Professor Jeffrey Skoller Summer 2015 Abstract In Situ and On Location: The Early Works of Maria Nordman by Laura Margaret Richard Doctor of Philosophy in History of Art and the Designated Emphasis in Film Studies University of California, Berkeley Associate Professor Julia Bryan-Wilson, Chair This dissertation begins with Maria Nordman’s early forays into capturing time and space through photography, film, and performance and it arrives at the dozen important room works she constructed between 1969 and 1979. For these spaces in Southern California, the San Francisco Bay Area, Italy, and Germany, the artist manipulated architecture to train sunshine into specific spatial effects. Hard to describe and even harder to illustrate, Nordman’s works elude definition and definitiveness, yet they remain very specific in their conception and depend on precision for their execution. Many of these rooms were constructed within museums, but just as many took place in her studio and in other storefronts in the working-class neighborhoods of Los Angeles, San Francisco, Milan, Genoa, Kassel, and Düsseldorf. If not truly outside of the art system then at least on its fringes, these works were premised physically and conceptually on their location in the city.
    [Show full text]
  • Prólogo 1 2 Rafael Moneo
    PRÓLOGO 1 2 RAFAEL MONEO. LA OBRA DE ARTE Y LA ARQUITECTURA DE LOS MUSEOS Departamento de Proyectos Arquitectónicos Escuela Politécnica Superior de Arquitectura de Madrid RAFAEL MONEO, LA OBRA DE ARTE Y LA ARQUITECTURA DE LOS MUSEOS José Ángel Ferrer Sánchez. Arquitecto Director: José Manuel López‐Peláez. Doctor Arquitecto 2015 4 RAFAEL MONEO. LA OBRA DE ARTE Y LA ARQUITECTURA DE LOS MUSEOS PRÓLOGO Galería de agradecimientos 11 INTRODUCCIÓN Conceptos, miradas, justificaciones e hipótesis Investigaciones sin muros 17 Perspectivas de la museografía 25 Arquitecturas expandidas 33 Monumentalidad, museografía, arte y arquitectura contemporánea 41 Teoría y práctica de la arquitectura 55 Proyectando hipótesis 59 Breve guía de visita 69 LA ARQUITECTURA DE LOS MUSEOS DE RAFAEL MONEO Contexto 77 Movimiento 173 Luz 239 Construcción 297 CONCLUSIONES 345 BIBLIOGRAFÍA 371 PRÓLOGO 7 8 RAFAEL MONEO. LA OBRA DE ARTE Y LA ARQUITECTURA DE LOS MUSEOS PRÓLOGO PRÓLOGO 9 «Una obra humana no es más que la larga andadura para encontrar en los recodos del arte las dos o tres imágenes simples y grandes que hicieron que nuestro corazón se abriera por primera vez». Albert Camus. El revés y el derecho. 10 RAFAEL MONEO. LA OBRA DE ARTE Y LA ARQUITECTURA DE LOS MUSEOS Galería de agradecimientos Una tesis doctoral, esta como todas, es un proyecto, qué otra cosa si no, de largo aliento. En coincidencia con el tema de la mía, al que en alternancia e intermitencia con los trabajos propios he dedicado los últimos años, entre líneas también a continuación pueden seguirse mis pasos, como si en parte uno también aquí quedara expuesto.
    [Show full text]
  • Susan Rothenberg on Both Sides of My Line
    FOR IMMEDIATE RELEASE Susan Rothenberg On Both Sides of My Line Gray Chicago | 2044 West Carroll Avenue, Chicago Gray New York | 1018 Madison Avenue, New York September 10 - October 9, 2021 October 29 - December 10, 2021 CHICAGO / NEW YORK - Friday, August 20, 2021 Gray is pleased to present On Both Sides of My Line, a solo exhibition celebrating the life and work of renowned American painter Susan Rothenberg (1945 – 2020) through key examples of her most iconic series: the profile horse paintings. Organized with the support of curator Michael Auping (formerly the Chief Curator of the Modern Art Museum of Fort Worth), and with loans from private collections and institutions, On Both Sides of My Line brings renewed focus to the artist’s oeuvre presenting ten early examples from one of her most celebrated series. The exhibition will be on view at Gray Chicago from September 10 through October 9, 2021, and will travel to Gray New York where it will be on view from October 29 through December 10, 2021. Created between 1974 and 1977, Rothenberg’s profile horse paintings exemplify a shift in the artist’s approach to abstraction through the introduction and exploration of figuration. Moving away from the influence of Abstract Expressionism, Rothenberg began this seminal series in response to the contemporary zeitgeist of the 1970s. With Color Field painting, Minimalism, performance, and neo-primitivism at the forefront, Rothenberg employed tactics from various schools to define her own pictorial language. “For all their apparent directness and simplicity, the early horse paintings were unique hybrids of their time,” Auping ruminates in his catalogue essay.
    [Show full text]
  • Antigüidade 01/15
    Antigüidade 01/15 HIPARQUÍA Safo de LESBOS (Tracia, S. IV a.C.) (Isla de Lesbos, 612 - 548 a.C.) Procedente dunha familia nobre e adiñeirada de Meronea. Foi a única muller filósofa cínica da antigüidade, Foi unha muller valente de ideoloxía moi aberta que xa dende a súa xuventude se encargou do negocio doutrina que compartiu có seu irmán Metrocles e co seu home Crates. Ante o impedimento da súa familia de familiar e se introduciu no mundo da política. Tras un exilio no que casou e concibiu unha filla, regresou querer casar con Crates de Tebas, ameazou con suicidarse. Crates intentou disuadila, amosándolle os seus a Lesbos, xa viúva, para fundar alí unha escola na que ensinaría arte, danza, canto e literatura a un defectos físicos (era chepudo), pero Hiparquía, namorada, fuxiu e casou con el para compartir xuntos o peculiar grupo de mulleres xoves; con algunhas mantiña relacións sentimentais. Deste feito deriva o termo modo de vida da escola cínica. Lesbianismo. Erina de TELOS Corina de TANAGRA PRAXILLA (Telos, S. IV a.C.) (Tanagra, S. V a.C.) (Sición, S. V a.C.) Pertenceu a unha especie de culto relixioso moi estrito, que a Pouca é a información que hai sobre a súa vida, xa que hai Foi moi apreciada na súa época, mostra diso é que Lisipo lle fixo mantiña recluída e lle permitían escasas relacións sociais. autores que a sitúan ó redor do século V a.C. (sendo entón unha estatua de bronce. Ademais encontrouse un floreiro coas Probablemente só tivo como amiga a Baucis, polo que cando contemporánea do poeta Píndaro) e outros no século III primeiras catro palabras dun poema escrito por ela.
    [Show full text]