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I Filmi Music S A A KHVRXQGWUDFNVWR%ROO\ZRRGŹOPVDJHQUHRIPXVLFNQRZQDVŹOPL are hugely popular in India and with fans of in particular. Often the soundtrack to a picture will be released before its main T UHOHDVHLQFLQHPDVLQRUGHUWRDGYHUWLVHWKHŹOPDQGGUDZLQLQWHUHVW ,IWKHVRXQGWUDFNVHOOVZHOOWKHŹOPLQYDULDEO\ZLOODOVR)LOPLPXVLFLVRIWHQ composed with sweeping string sections and traditional Indian folk music played on instruments such as Tanpura and Sitars. These elements are of- ten blended with other genres and more modern production techniques to create a unique backdrop to the story that is being unfolded in the lyrics of the singers. Bollywood movie stars rarely sing their parts live, in- stead relying on back-up singers to record the studio tracks as they mime the words on screen.

Acclaimed Bollywood KH,QGLDQŹOPLQGXVWU\KDVSURGXFHGPDQ\FULWLFDOO\DFFODLPHGSLF- tures both locally and internationally, and Bollywood contributes greatly to the nation’s cultural heritage and identity. Pyaasa is an DFFODLPHGŹOPWKDWVWDQGVDVRQHRI,QGLDŎVJUHDWHVWZRUNV'LUHFWHG Tby Guru Dutt and released in 1957, this tale of a struggling poet in post-

iG independence India is famed for its romantic soul and a lyrical, engaging G 3 1 ap a ŹOPLVRXQGWUDFNZKLFKRIWHQVHHVWKHŹOPUDQNLQWRSOLVWVZRUOGZLGH$ 20 2 T more recent hit, ’s 2002 adaptation of the novella ra r e a d ve v Devdas is one of the most expensive Bollywood movies ever made. It id i e u l Gu G

Gu G is a story of forbidden love and vice amidst the strain of family ties. The l e id soundtrack to Devdas also garnered many accolades. ve v a e ra r T 20 2 0 p ap 1 13 G iG i