DOCSLIB.ORG

Uw Cinematheque Announces Spring 2013

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Uw Cinematheque Announces Spring 2013 CINEMATHEQUE PRESS RELEASE -- FOR IMMEDIATE RELEASE DECEMBER 14, 2012 UW CINEMATHEQUE ANNOUNCES SPRING 2013 SCREENING CALENDAR LINEUP INCLUDES ANIMATIONS FROM STUDIO GHIBLI, SPAGHETTI WESTERNS, PRESTON STURGES, JOHN FORD, SHIRLEY CLARKE, PETER WATKINS, CLAUDE SAUTET, JEAN RENOIR AND MUCH, MUCH MORE After a jam-packed fall calendar that included great anti-westerns of the 60s and 70s, the marvelous Japanese action epics of Kenji Misumi, golden age Hollywood gems written by Preston Sturges, a visit from director Tim Hunter, two full-house pre-release screenings of the acclaimed new movie Silver Linings Playbook and so much more, the UW Cinematheque is proud to announce a January-May calendar that promises even more. On offer are a retrospective of anime features from Japan’s Studio Ghibli, a series of great Spaghetti Westerns, more Preston Sturges and a number of other series and special presentations that take viewers from the silent era to area premieres of some of the contemporary cinema’s most talked-about recent releases. Filmed on locations in Spain and originally released internationally in 1964, Italian director Sergio Leone’s Fistful of Dollars proved to be one of the most successful and influential films of the decade. Not only did it make a star of Clint Eastwood around the world, it began a 15-year cycle of dozens of European Westerns that forever altered the Western as we knew it with more explicit and explosive violence and aggressively political storylines. This spring, the UW Cinematheque will present an extensive series of these wonderful “Spaghetti Westerns” shown on 35mm prints in their English- language release versions. While the series allows for two Leone classics, it also provides an opportunity to discover the brilliant and personal work of “the other Sergios,” namely Sergio Corbucci and Sergio Sollima, and a host of other Italian directors who flourished in this fascinating sub-genre. The series will be extended to also include screenings of Spaghetti Westerns in the 2013 Wisconsin Film Festival. Equally eye-opening is our even more extensive series of exquisite Japanese animated features produced by Studio Ghibli that will be presented as our spring Sunday Cinematheque at the Chazen selections. As if that were not enough, our January-May calendar includes retrospective screenings devoted to such diverse talents as America’s Shirley Clarke, John Ford and Preston Sturges, Italy’s Vittorio De Sica, France’s Jacques Rivette, Claude Sautet and Jean Renoir, England’s Peter Watkins; our annual selection of films sponsored by the University’s Department of Latin American, Caribbean and Iberian Studies, including the first area showing of Miguel Gomes much- celebrated new film Tabu; and the first area screenings of new films by such talented contemporary filmmakers as David Cronenberg and Julia Loktev. As always, all of our Cinematheque screenings are free and open to the public, whether in our regular venue at 4070 Vilas Hall or at the Chazen Museum of Art or at the Marquee Theater at Union South. The Cinematheque’s website (http://cinema.wisc.edu) will go live with the spring calendar at 9:00 a.m. on Monday, December 17, 2012. Friday and Saturday programs screen at: 4070 Vilas Hall 821 University Ave Madison, WI 53706 Thursday evening and Sunday afternoon programs screen at: Chazen Museum of Art 750 University Avenue Madison, WI 53706 ‘Marquee Monday’ programs screen at: Marquee Theater at Union South 1308 W. Dayton Street Madison, WI 53715 Admission free for all screenings, seating limited. Our website: http://cinema.wisc.edu For photos, visit: https://mywebspace.wisc.edu/kfkolb/web/CINEMATHEQUE%20FAL L%202012%20PHOTOS/ Preview screening copies are available for many of the films listed below. To request copies or for additional information, contact: Jim Healy, (608) 263-9643, [email protected] Karin Kolb, (608) 262-3627, [email protected] SERIES AT-A-GLANCE: SUNDAY SCREENINGS AT THE CHAZEN: CASTLES IN THE SKY: MIYAZAKI, TAKAHATA, AND THE MASTERS OF STUDIO GHIBLI. For nearly 30 years the Japanese Animation Studio Ghibli, founded by Hayao Miyazaki, has produced some of the world's most popular and critically acclaimed animated features, praised for combining dazzling visual artistry with sophisticated and emotionally resonant stories, and concern for social and environmental issues. This 14 film retrospective features not only beloved audience hits like Miyazaki’s My Neighbor Totoro and Kiki’s Delivery Service, and the Oscar®-winning Spirited Away, but also rarely seen titles like Only Yesterday (directed by Ghibli co-founder Isao Takahata) and Tomomi Mochizuki’s Ocean Waves, which have, until now, never been released in North America. 10 of the newly-struck 35mm prints will be shown in the original Japanese with English subtitles, while the remaining four will be screened in excellent English language versions. All screenings in this series take place Sunday afternoons at the Chazen Museum of Art. SPAGHETTI WESTERNS The enormous international success of Sergio Leone’s Fistful of Dollars (1964) gave birth not just to the film career of Clint Eastwood, but it also spawned hundreds of other European Westerns, a genre which remained popular around the world well into the 1970s. While the principal talents behind these so-called “Spaghetti Westerns” were typically Italian, the films themselves were usually international co-productions which relied heavily on Spanish locations. These politically engaged post-modern action epics broke into new territories of screen violence and frequently presented viewpoints highly critical of American history. Our selection includes Leone’s classic, plus eye-opening work by his talented contemporaries, including Sergio Sollima and Sergio Corbucci, who counts Quentin Tarantino among his devout acolytes. The series will also expand to include screenings in the 2013 Wisconsin Film Festival. LACIS FESTIVAL DE CINE 2013 The 2013 edition of our annual series of films supported by the department of Latin American, Caribbean and Iberian Studies (LACIS) brings us four feature films from four different nations. Portugal’s Miguel Gomes, whose work was highlighted in the 2011 edition, is represented by Tabu, his newest and most acclaimed work yet. From Argentina comes the Cannes prize- winner Las Acacias and Caribbean cinema is given a special spotlight with the Cuban zombie comedy Juan of the Dead and a new 35mm print of Jamaica’s first feature film, The Harder They Come starring Reggae music legend Jimmy Cliff. Special thanks to LACIS’ Alberto Vargas and Sarah Ripp. RARE JOHN FORD One of the most accomplished, prolific and influential of American directors, John Ford tried his hand at almost every genre in a career that covered six decades. In February, we present three hard-to-see Ford movies that demonstrate his great versatility, beginning with Ford’s first feature, the 1917 silent Western Straight Shooting. The 1932 aviation drama Air Mail finds Ford setting the template for several films by his contemporary Howard Hawks and the 1959 British detective story Gideon of Scotland Yard is an episodic vehicle for English actor Jack Hawkins. None of these Ford gems are currently available on DVD. PRESTON STURGES: WRITER-DIRECTOR Following up our Fall 2012 series of delightful features written by the great American satirist Preston Sturges during the 1930s, we now present five movies from Sturges’ brilliant but mercurial run as a writer-director under contract at Paramount Pictures in the 1940s. The series begins with Sturges debut as director (a job for which he was paid $1), the political send-up The Great McGinty, and includes the beloved comedies Christmas in July, Sullivan’s Travels, Hail the Conquering Hero, and The Lady Eve. PETER WATKINS: FAUX DOCUMENTARY PIONEER More popular now than ever in fictional feature films and television, the pseudo-documentary or “found footage” format is primarily used today to make sometimes fantastic subjects and stories seem more real to an audience. The innovative work of faux documentary pioneer Peter Watkins achieves this sense of intimacy and immediacy, and, at the same time, manages to critique contemporary journalistic filmmaking. In March, we will screen two recently struck 35mm prints of Peter Watkins most celebrated films, the counterculture classic Punishment Park and the deliberately anachronistic biopic, Edvard Munch. SHIRLEY CLARKE: NEW RESTORATIONS The landmark independent cinema of Shirley Clarke (1919-1997) has been championed for employing new styles that allowed for a greater sense of realism and confronting once-taboo subjects. In March, the Cinematheque will offer showings of two Clarke classics from the 1960s that have been recently restored by Milestone Films: the cinema veritè masterpiece Portrait of Jason and The Connection, a fictional look at the life of drug-addicted musicians. Milestone’s Dennis Doros will be on hand to present Portrait of Jason and discuss the restorations. RENOIR & SAUTET: 2 X 2 The Cinematheque pays tribute to two great French directors from separate generations, Jean Renoir and Claude Sautet, with recently struck 35mm prints of their finest films. Those new to Renoir (1894-1979) will get a chance to see big-screen showings of his canonized masterpieces, Rules of the Game and Grand Illusion, two films that routinely make lists of the greatest movies ever made. The lesser-known Sautet (1924-2000), oft-cited as an heir to Renoir’s humanistic traditions, is represented by two marvelous but atypical crime movies, Classe Tous Risques and Max et les Ferrailleurs. AT THE CHAZEN: NEW DEAL CINEMA In conjunction with the Chazen Museum of Art’s exhibit 1934: A New Deal for Artists (on display February 16-April 28), we are pleased to present four separate programs of popular cinema that reflect the sociological and cultural trends of 1934, the height of the Great Depression. The series includes the movie that made Shirley Temple a star, Stand Up and Cheer, paired with the Betty Boop vehicle, Poor Cinderella; the anti-fascist comic thriller The President Vanishes; William Powell and Bette Davis in the WB pre-code gem, Fashions of 1934; and Steven Soderbergh’s 1993 depiction of St.
Load more

Recommended publications
  • TODD BERLINER Department of Film Studies (910)
    CURRICULUM VITAE TODD BERLINER Department of Film Studies (910) 962-3336 University of North Carolina Wilmington [email protected] 601 South College Road www.uncw.edu/toddberliner Wilmington, NC 28403-5950 CURRENT POSITION Professor, Department of Film Studies, University of North Carolina Wilmington. EDUCATION Ph.D. English, University of California at Berkeley, 1996. Dissertation: When Movies Grew Up: Hollywood Films of the 1970s B.A. Psychology and English, University of California at Berkeley, 1986; Highest Distinction in General Scholarship (summa cum laude); Phi Beta Kappa. FIELDS OF SPECIALIZATION Film aesthetics, style, and storytelling; entertainment cinema; American film history; Hollywood cinema; American independent cinema; American films of the 1970s. TEACHING Professor, Department of Film Studies, Univ. of North Carolina Wilmington, 2010-present. László Országh Chair in American Studies, Fulbright Scholars Distinguished Chair Award, Eötvös Loránd University, Budapest, Hungary, Spring 2012. Associate Professor, Department of Film Studies, UNCW, 2002-2010. Fulbright Professor, Hanoi University of Theater and Cinema, Fulbright Scholars Award, Vietnam, 2005-2006. Assistant Professor, Department of English, UNCW, 1996-2002. Selected Courses: American Cinema 1927-1960 Film Authors: Martin Scorsese American Cinema of the 1970s Film Styles & Genres: Film Noir American Cinema Since 1961 Film Styles & Genres: Hollywood Style Approaches to Film Aesthetics Hollywood Aesthetics The Cinematic Mind: Cognition and Film Introduction to Film Study Cognitive and Neoformalist Film Theories Storytelling in the Cinema Concepts in Film Theater and Cinema Film Authors: John Cassavetes Writing about Film ADMINISTRATION Associate Chair, Department of Film Studies, University of North Carolina Wilmington, 2014-2016. Department Chair and Founder, Department of Film Studies, University of North Carolina Wilmington, 2002-2005.
    [Show full text]
  • Kevin Jerome Everson Artist/Filmmaker Professor of Art/University of Virginia Mcintire Dept of Art
    Kevin Jerome Everson Artist/Filmmaker Professor of Art/University of Virginia McIntire Dept of Art Born 1965, Mansfield, Ohio USA Education: 1990 MFA, Ohio University, Athens, OH 1987 BFA, University of Akron, Akron, OH Awards and Fellowships 2011 Virginia Museum Fine Arts Professional Fellowship 2010-2011 2010 Erie, Best International Film, Images Film Festival, Toronto, Ontario Erie, Best Long Form Work, Migrating Forms, New York, New York Mid Atlantic-Grant (2009/10) in association with Hallwalls Contemporary Art Center, Buffalo NY residency/project 2005 Best Documentary Film, Spicebush, New York Underground Film Festival 2002 Jules Guerin /Metropolitan Museum of Art–Jacob H. Lazarus Rome Prize Fellowship at the American Academy, Rome Outstanding Alumnus, Ohio University College of Arts and Sciences 2001 Creative Capital Media Arts Fellowship 1996 John Simon Guggenheim Memorial Fellowship, photography 1995 Arts Midwest National Endowment of the Arts Regional Visual Artist Fellowship, photography Ohio Arts Council Individual Artist Fellowship, photography DVDs Broad Day and Other Times: Works by Kevin Jerome Everson, Video Data Bank, Chicago, Illinois, 2011 Solo Exhibitions and Solo Screenings 2012 Retrospective, Cinema du Reel in Nyon, Switzerland Chevelle, The Box, The Wexner Center of the Arts, Columbus, Ohio 2011 More Than That, Whitney Museum of American Art, New York, New York Quality Control, Views From the Avant-Garde, New York Film Festival, Lincoln Center, New York City Quality Control, International Film Festival Rotterdam,
    [Show full text]
  • Filabres-Alhamilla
    Guide Tourist-Cinematographic Route Filabres-Alhamilla SCENE TAKE Una Comarca de cine... Guide Tourist-Cinematographic Route Filabres-Alhamilla In memory of the movie world in Almeria as a prime cultural legacy and a present and future tourist asset. To all the tourists and visitors who want to enjoy a region full of light, colours and originality. Promoted and edited by Commonwealth of Municipalities for the Development of Interior Towns Idea and general coordination José Castaño Aliaga, manager of the Tourist Plan of Filabres-Alhamilla Malcamino’s Route design, texts, documentation, tourist information, stills selection, locations, docu- mentary consultancy, Road Book creation, maps and GPS coordinates. Malcamino’s Creative direction www.oncepto.com Design and layout Sonja Gutiérrez Front-page picture Sonja Gutiérrez Printing Artes Gráficas M·3 Legal deposit XXXXXXX Translation Itraductores Acknowledgement To all the municipalities integrated in the Commonwealth of Municipalities for the De- velopment of Interior Towns: Alcudia de Monteagud, Benitagla, Benizalón, Castro de Fi- labres, Lucainena de las Torres, Senés, Tabernas, Tahal, Uleila del Campo and Velefique Documentation and publications for support and/or interest Almería, Plató de Cine – Rodajes Cinematográficos (1951-2008) – José Márquez Ubeda (Diputación Provincial de Almería) Almería, Un Mundo de Película – José Enrique Martínez Moya (Diputación Provincial de Almería) Il Vicino West – Carlo Gaberscek (Ribis) Western a la Europea, un plato que se sirve frio – Anselmo Nuñez Marqués (Entrelíneas Editores) La Enciclopedia de La Voz de Almería Fuentes propias de Malcamino’s Reference and/or interest Webs www.mancomunidadpueblosdelinterior.es www.juntadeandalucia.es/turismocomercioydeporte www.almeriaencorto.es www.dipalme.org www.paisajesdecine.com www.almeriaclips.com www.tabernasdecine.es www.almeriacine.es Photo: Sonja Gutiérrez index 9 Prologue “Land of movies for ever and ever..
    [Show full text]
  • David Gulpilil, AM
    David Gulpilil, AM Born 1953, Gulparil, near Ramingining, Northern Territory. Lives Darwin, N.T. David Gulpilil’s full name is David Gulpilil Ridjimiraril Dalaithngu. Gulpilil is also spelt Gulparil, which is the name of his Country near Ramingining, central Arnhem Land, N.T. When, as a seventeen year-old, David Gulpilil lit up the cinema screen in the film, Walkabout, he did more than play a role. The performance was so strong, so imbued with a new type of graceful naturalism, that it re-defined perceptions of Aboriginality, especially in the field of screen acting. Over the next decade, David became the iconic Aboriginal actor of his generation, paving the way in the resurgence of the Australian film industry for more parts to be written for Aboriginal people, for more Aboriginal stories to be told. His charismatic, engaging and unforgettable performances in films like Storm Boy (1976, dir. Henri Safran), The Last Wave (1977, dir. Peter Weir) and Crocodile Dundee (1986, dir. Peter Faiman) helped bring Aboriginality into the mainstream of the screen arts. In his later work, including Rabbit-Proof Fence (2002, dir. Philip Noyce), The Tracker (2002, dir. Rolf de Heer), Australia (2008, dir. Baz Luhrmann) and the soon to be released Charlie's Country (2013, dir. Rolf de Heer), Gulpilil has brought tremendous dignity to the depiction of what it is to be Aboriginal. Through his art he has brought an incalculable amount of self-esteem to his community. Since the early 1970s, Gulpilil has earned more than 30 film credits, and performed alongside Dennis Hopper, Jack Thompson, Miles Davis, Nicole Kidman, Hugh Jackman, Kenneth Branagh, William Hurt, Richard Chamberlain, Guy Pearce, Paul Hogan, and Ernie Dingo, under acclaimed directors such as Peter Weir, Baz Lurhman, Philip Noyce, Wim Wenders and Rolf de Heer.
    [Show full text]
  • David Stratton's Stories of Australian Cinema
    David Stratton’s Stories of Australian Cinema With thanks to the extraordinary filmmakers and actors who make these films possible. Presenter DAVID STRATTON Writer & Director SALLY AITKEN Producers JO-ANNE McGOWAN JENNIFER PEEDOM Executive Producer MANDY CHANG Director of Photography KEVIN SCOTT Editors ADRIAN ROSTIROLLA MARK MIDDIS KARIN STEININGER HILARY BALMOND Sound Design LIAM EGAN Composer CAITLIN YEO Line Producer JODI MADDOCKS Head of Arts MANDY CHANG Series Producer CLAUDE GONZALES Development Research & Writing ALEX BARRY Legals STEPHEN BOYLE SOPHIE GODDARD SC SALLY McCAUSLAND Production Manager JODIE PASSMORE Production Co-ordinator KATIE AMOS Researchers RACHEL ROBINSON CAMERON MANION Interview & Post Transcripts JESSICA IMMER Sound Recordists DAN MIAU LEO SULLIVAN DANE CODY NICK BATTERHAM Additional Photography JUDD OVERTON JUSTINE KERRIGAN STEPHEN STANDEN ASHLEIGH CARTER ROBB SHAW-VELZEN Drone Operators NICK ROBINSON JONATHAN HARDING Camera Assistants GERARD MAHER ROB TENCH MARK COLLINS DREW ENGLISH JOSHUA DANG SIMON WILLIAMS NICHOLAS EVERETT ANTHONY RILOCAPRO LUKE WHITMORE Hair & Makeup FERN MADDEN DIANE DUSTING NATALIE VINCETICH BELINDA MOORE Post Producers ALEX BARRY LISA MATTHEWS Assistant Editors WAYNE C BLAIR ANNIE ZHANG Archive Consultant MIRIAM KENTER Graphics Designer THE KINGDOM OF LUDD Production Accountant LEAH HALL Stills Photographers PETER ADAMS JAMIE BILLING MARIA BOYADGIS RAYMOND MAHER MARK ROGERS PETER TARASUIK Post Production Facility DEFINITION FILMS SYDNEY Head of Post Production DAVID GROSS Online Editor
    [Show full text]
  • Film Schedule
    Spaghetti Westerns - Week 1 – January 5 Week 6 – February 8 Winter 2017 Course Intro: Identifying The Zapata Spaghetti Plot Genres Run Man, Run (Corri uomo corri) – Professor: Yuri M. Sangalli Sergio Sollima, 1968 Week 2 – January 11 ☎: 661.2111 ext. 86039 The Classic Western Week 7 – February 15 ✉: Please use OWL for all course Shane – George Stevens, 1958 The (Stylized) Italian Western correspondence and (Genre) History Once Upon a Time in the West (C’era Marking scheme: una volta il West) – S. Leone, 1968 Test - two hours, in class 15% Group presentation + report February 20-24 Reading Week (written/web-based) 15% Essay - 2500 words max. 25% Final exam – three hours 30% Class participation and attendance* 15% Week 9 – March 8 *attendance taken at each After the Italian Western: The screening and class Professional Plot The Wild Bunch – Sam Peckinpah, Students are expected to view 1969 films and complete readings Week 10 – March 15 before coming to class. Vengeance Plots and Urban Week 3 – January 18 Vigilantes: the Poliziesco The Samurai Film and the Revolver – Sergio Sollima, 1973 Peplum Adventure Film Yojimbo – Akira Kurosawa, 1961 Week 11 – March 22 Quentin Tarantino’s “Southern Week 4 – January 25 Western” The Servant of 2 Masters Plot Week 8 – March 1 Django Unchained – Quentin Django – Sergio Corbucci, 1966 The Meta Spaghetti Western: Tarantino, 2012 Genre Parody Week 12 – March 29 Week 5 – February 1 My Name Is Nobody (Il mio nome è Group presentations The Transitional Plot nessuno) – Tonino Valerii, 1973 The Good, the Bad and the Ugly (Il Week 13 – April 5 buono, il brutto e il cattivo) – Sergio March 2 – Test (2 hours) Group presentations Leone, 1966 Friday April 7 - Essay due .
    [Show full text]
  • Lamb Legs 3Ib*
    COLO PLATES FOR Actors Think Too Much To Market We Go For Damisk? No, Jnit i Wuhable TiMedoth 1 REAL HOT DAYS Deviled eggs, sardines In lettuce cups, ellcee of tomato, marinated Of Selves, Tracy Says and covered with chopped water- Our Favorite Meat creee. < BY VAN THOMAS Sliced cold hanv potato ealad, NBA Service Writer ach as do boat and lamb. olive*. Chill aauce in lettuoe cup*. Sliced cold email toraa- Hollywood.—Any man who be- Veal at Preseat Time Is The following are suggestive tongue, filled with come* interested in homes is bound methods for the preparation of toea with celery mixed Low io Price mayonnaive, mustard pickles. ▲ picture to ah claaeea to enjoy living. real: appealing Cold salmon garnished With egg all Such is Spencer Tracy’* philoso- Veal and agss la "No Greater Love." Birds slices in of life—and not a bad MARIE GIFFORD dipped chopped parsley, the Columbia picture current at phy perhaps By Cut real cutlets Into convenient one at that carries it to sliced cucumbers with savory the theater. Spencer and flatten with a potato the limit too. pieces French dressing, celery staffed Proeperoua people will like It masher. Mix seasoned crumbs with Just before work was started on with plmlento cheese.—By Sarah because It shows how the other Tea to market we And M salt or Star Bacon hla latest tentatively titled sol chopped pork Field Splint in McCall’s for July. bait Ileus. The poorer ones will film, and usual wo are looking for something and make a stuffing. Roll up --- like It because ’’After the Rain, the director „.,JS It untolds a heart different for dinner.
    [Show full text]
  • Playwright DAVID HARE Receives the Guild's 2017 GIELGUD AWARD
    But the culminating moments of a richly varied program Playwright DAVID HARE Receives were devoted to the GIELGUD AWARD FOR EXCELLENCE IN THE DRAMATIC ARTS and to the afternoon’s final presentation, for The Guild’s 2017 GIELGUD AWARD OUTSTANDING CONTRIBUTION TO BRITISH THEATRE.. That trophy went to LYN GARDNER, “a renowned theatre journalist, critic, n Sunday, October 15, at a memorable UK THEATRE author, and champion of the industry, whose invaluable O AWARDS luncheon in London’s historic GUILDHALL, one insights can most often be found in The Guardian and The of today’s most versatile dramatic artists received the 2017 Stage, of which she is an associate editor.” GIELGUD AWARD FOR EXCELLENCE IN THE DRAMATIC ARTS. Not only has DAVID HARE enriched our theatrical repertory resenting this year’s GIELGUD AWARD was FREDDIE FOX, with some of the most resonant and challenging stageplays of P an actor of impeccable pedigree who is admired for our era. He has also produced screenplays that have garnered films such as The Three Musketeers, Victor Frankenstein, The Riot Club, Pride, and Worried About the Boy, as well as for such stage roles as Bosie in The Judas Kiss, a David Hare drama about the tragic fall of Oscar Wilde. Mr. Fox talked about how much he’d enjoyed working not only with Sir David but with artistic director Jonathan Kent while co-starring in this Hampstead Theatre production. As he bestowed the 2017 GIELGUD trophy, he shared two messages from admirers of Sir David who were unable to attend the Guildhall luncheon.
    [Show full text]
  • Title Call # Category Lang./Notes
    Title Call # Category Lang./Notes K-19 : the widowmaker 45205 Kaajal 36701 Family/Musical Ka-annanā ʻishrūn mustaḥīl = Like 20 impossibles 41819 Ara Kaante 36702 Crime Hin Kabhi kabhie 33803 Drama/Musical Hin Kabhi khushi kabhie gham-- 36203 Drama/Musical Hin Kabot Thāo Sīsudāčhan = The king maker 43141 Kabul transit 47824 Documentary Kabuliwala 35724 Drama/Musical Hin Kadının adı yok 34302 Turk/VCD Kadosh =The sacred 30209 Heb Kaenmaŭl = Seaside village 37973 Kor Kagemusha = Shadow warrior 40289 Drama Jpn Kagerōza 42414 Fantasy Jpn Kaidan nobori ryu = Blind woman's curse 46186 Thriller Jpn Kaiju big battel 36973 Kairo = Pulse 42539 Horror Jpn Kaitei gunkan = Atragon 42425 Adventure Jpn Kākka... kākka... 37057 Tamil Kakushi ken oni no tsume = The hidden blade 43744 Romance Jpn Kakushi toride no san akunin = Hidden fortress 33161 Adventure Jpn Kal aaj aur kal 39597 Romance/Musical Hin Kal ho naa ho 41312, 42386 Romance Hin Kalyug 36119 Drama Hin Kama Sutra 45480 Kamata koshin-kyoku = Fall guy 39766 Comedy Jpn Kān Klūai 45239 Kantana Animation Thai Kanak Attack 41817 Drama Region 2 Kanal = Canal 36907, 40541 Pol Kandahar : Safar e Ghandehar 35473 Farsi Kangwŏn-do ŭi him = The power of Kangwon province 38158 Kor Kannathil muthamittal = Peck on the cheek 45098 Tamil Kansas City 46053 Kansas City confidential 36761 Kanto mushuku = Kanto warrior 36879 Crime Jpn Kanzo sensei = Dr. Akagi 35201 Comedy Jpn Kao = Face 41449 Drama Jpn Kaos 47213 Ita Kaosu = Chaos 36900 Mystery Jpn Karakkaze yarô = Afraid to die 45336 Crime Jpn Karakter = Character
    [Show full text]
  • Walking Box Ranch Planning and Design Quarterly Progress Report: Period Ending January 10, 2012
    Walking Box Ranch Public Lands Institute 1-10-2012 Walking Box Ranch Planning and Design Quarterly Progress Report: Period ending January 10, 2012 Margaret N. Rees University of Nevada, Las Vegas, [email protected] Follow this and additional works at: https://digitalscholarship.unlv.edu/pli_walking_box_ranch Part of the American Popular Culture Commons, Business Administration, Management, and Operations Commons, Educational Assessment, Evaluation, and Research Commons, and the Historic Preservation and Conservation Commons Repository Citation Rees, M. N. (2012). Walking Box Ranch Planning and Design Quarterly Progress Report: Period ending January 10, 2012. 1-115. Available at: https://digitalscholarship.unlv.edu/pli_walking_box_ranch/30 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Article in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Article has been accepted for inclusion in Walking Box Ranch by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. QUARTERLY PROGRESS REPORT University of Nevada, Las Vegas Period Covering October 11, 2010 – January 10, 2012 Financial Assistance Agreement #FAA080094 Planning and Design of the Walking Box Ranch Property Executive Summary UNLV’s President Smatresk has reiterated his commitment to the WBR project and has further committed full funding for IT and security costs.
    [Show full text]
  • Dictionary of Westerns in Cinema
    PERFORMING ARTS • FILM HISTORICAL DICTIONARY OF Historical Dictionaries of Literature and the Arts, No. 26 VARNER When early filmgoers watched The Great Train Robbery in 1903, many shrieked in terror at the very last clip, when one of the outlaws turned toward the camera and seemingly fired a gun directly at the audience. The puff of WESTERNS smoke was sudden and hand-colored, and it looked real. Today we can look back at that primitive movie and see all the elements of what would evolve HISTORICAL into the Western genre. Perhaps the Western’s early origins—The Great Train DICTIONARY OF Robbery was the first narrative, commercial movie—or its formulaic yet enter- WESTERNS in Cinema taining structure has made the genre so popular. And with the recent success of films like 3:10 to Yuma and The Assassination of Jesse James by the Coward Robert Ford, the Western appears to be in no danger of disappearing. The story of the Western is told in this Historical Dictionary of Westerns in Cinema through a chronology, a bibliography, an introductory essay, and hundreds of cross-referenced dictionary entries on cinematographers; com- posers; producers; films like Butch Cassidy and the Sundance Kid, Dances with Wolves, The Good, the Bad, and the Ugly, High Noon, The Magnificent Seven, The Searchers, Tombstone, and Unforgiven; actors such as Gene Autry, in Cinema Cinema Kirk Douglas, Clint Eastwood, Henry Fonda, Jimmy Stewart, and John Wayne; and directors like John Ford and Sergio Leone. PAUL VARNER is professor of English at Abilene Christian University in Abilene, Texas.
    [Show full text]
  • Bodies of Desire and Bodies in Distress
    Bodies of Desire and Bodies in Distress Bodies of Desire and Bodies in Distress: The Golden Age of Italian Cult Cinema 1970-1985 By Xavier Mendik Bodies of Desire and Bodies in Distress: The Golden Age of Italian Cult Cinema 1970-1985, By Xavier Mendik This book first published 2015 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2015 by Xavier Mendik All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-5954-0, ISBN (13): 978-1-4438-5954-7 This book is dedicated with much love to Caroline and Zena CONTENTS Acknowledgements .................................................................................... ix Foreword ................................................................................................... xii Enzo G. Castellari Introduction ................................................................................................ 1 Bodies of Desire and Bodies of Distress beyond the ‘Argento Effect’ Chapter One .............................................................................................. 21 “There is Something Wrong with that Scene”: The Return of the Repressed in 1970s Giallo Cinema Chapter Two ............................................................................................
    [Show full text]